#its practically become a tradition

[precambrianhottopic]

i don't think i could believe in god if i tried but oh man do i think religion is cool

[caraecethrae]

I need to buckle down and figure out what my personal understanding of Ceirt/Cert is.

it's fascinating how it seems to have these two diametrically opposing possible meanings (not unlike nGétal), one being tied to coir and right judgment and kingship, which actually fits apple extremely well folklorically, and one connected to madness, misfortune, sacrifice, and illness, which fit both potential etymologies of either Rag or Bush.

it seemed clear to me in the past that the secondary meaning had to be original, especially given my/the bias against the crannogham, but it's still very frustratingly simple that the current Modern Irish meaning is Rightness.

perhaps the meaning of the word shifted to match the evolving understanding of the fid, given the medieval love for the arboreal and more recentness of the Immrama? of course that's a reach but ...

[planetsage]

FHUCK MEEEE i need like semi-public sex with dom!choso he’s like on my mind 24/7 uhm

NEW PIN ! ꒰ 🪴 PUT THAT PUSSY ON ME𖧧˚⋆ʚɞ ── choso kamo 𝜗𝜚

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contains. 2k words + nsfw so, minors do not interact. f!reader, dom!cho, boxer!cho, established relationship, blood, sweat, semi public sex, locker room sex, f rec oral, a little ass eating (if you squint), spit, hair pulling, dirty talk, breeding, overstim, creampie, biting, cum eating.

all big-time boxers practice abstinence for at least a week before their fights; an age-old tradition that’s been torched down from talent to talent said to preserve testosterone, aggression, and most importantly, the drive to win.

it makes sense. not only on the physical side of things, but mentally. discipline — “if a player can’t handle a month or 20 days without having relations, then he’s not really ready to be a professional.”

although choso knew of this prior to becoming a fighter, his coach never actually brought it up to him until you were sat with big child-like eyes, pupils dilated as if trying to drink in every little detail, watching your amateur boyfriend practice for the first time.

it felt like a world of its own with choso sitting atop it on a blood-stained throne. the smell of leather and sweat suffused through the large dome-shaped gym, dull thuds and thumps of fists hitting bags, feet screeching sounding over music.

shirtless, choso’s muscles pumped and flexed as glossy sweat trickled down his temples, merging into rivulets that traced the contours of his face before dripping off his chin and down, down, down his battered body; each quick movement sent salty droplets flying, making dark, little circular marks on the mat.

his arms and core clenched, causing his thick biceps to swell, veins prominent beneath flushed skin like flowing riverbeds; his abs rippling with every rapid punch. the rigid meat of his heavy thighs bulged through black nylon shorts as he hopped around fluidly. dancing. it was truly hypnotic.

about halfway into his practice, you found yourself slightly tilting your head to the side in confusion as his coach moved to point at you.

me?

choso seemed annoyed, running a taped hand through his sweat-ridden hair. then he nodded before they both dispersed to start another round of sparring.

“he said i can’t fuck you anymore”

choso’s wet body clung tightly to your previously dry one, making a sticky connection as he squirted a stream of electrolyte-mixed water from a bottle he clutched with thick hands into his scarred mouth. his usually pink lips were a little red. swollen and plumped, making them jut out, begging to be kissed by your softer ones.

and he was exhausted, visibly. his body sagging when he practically mounted you as soon as he finished practicing, the musky, almost primal scent emitting from him filling your senses in a heady wave as he whined and pouted over his coach’s orders when you asked what had been said earlier, handing him a fresh towel.

“he went full authoritarian on me,” he roughly scrubbed his flushed face with the cloth before dragging it over and around his arms, then abs letting the cotton soak up his sweat, “said we can’t do anything … its so stupid, i’ve done research on it, y’know. it’s a myth”

he rambled on and on, his voice soaked in frustration, bringing up the hundreds of articles he scoured. the way he animatedly swung his arms around, bloodied lip, and still damp with sweat, made you giggle.

you leaned in to gently press a kiss to the corner of his lips. “hey, it’s okay,” you hummed soothingly, contrasting his outburst, “it’s only just before a fight. it can’t be that bad, right?”

and it wouldn’t be.

if choso’s feelings for you didn’t border obsession. he physically can’t go over a day without stuffing your pussy full of his gooey cum and he’d be dammed if some dumb ‘tradition’ that lacked the backing of science stopped him from fucking his pretty girl.

so here you are. embarrassingly parting your sticky folds with meek fingers, revealing your glossy pussy to eager, purpled eyes in the dim back corner of a stuffy locker room.

approximately … thirty seven minutes until choso’s fight.

after a verbal beating from his coach, he was, unwillingly, forced to abstain; forced to spend weeks on edge around you, to not so much as brush a finger against your soft skin because he’d get hard and shoot out hot cum untouched. and he was so close to being successful, too, but he swore he’d lose with how full and heavy his fat balls felt, nudging you into the locker room with empty promises of being “so quick”.

“just need ta taste my baby first,” his voice came out in a heavy whisper as he licked up the fat of your inner thighs, the cooled air of the cramped room circulating and brushing against your achy clit making you flinch, “poor thing .. you missed me too, hm? missed my mouth, pretty?”

“choso hur—”

“shh. ‘m not talkin’ ta you ‘m talkin’ ta her,” he was undividedly staring at your pussy as if trying to commit the filthy imagine of it leaking, clenching around nothing to memory before he rubbed the tip of his flushed nose against your pretty clit, nuzzling into that addictive scent he had been yearning for for what felt like decades.

that said, he was still taking his sweet time.

pressing almost petty pecks to your sensitive thighs, humming out a singsongy ‘aaahh’ before biting into them, leaving fresh pretty marks now that all the old ones have faded. fidgeting on his knees, probably bruising them as he drug his pudgy bulge against the tiled floor until he’s finally, finally moving to lick a long, slow stripe up your pussy, making your hips sputter and buck up against his face.

he’s so loud and messy.

eating you like he’s been starved because, well, technically, he has, “mmmmmm tas’ so fuckin’ good baby. missed— mmhhm havin’ you on my tongue”

cradling your clit with his puffy lips to firmly suck up and drool back out. viscous spit slips out from your pussy, leaving the bench all wet and sticky, so he pauses. because it’s rude to leave messes, shifting his attention from your sloppy hole to drag his tongue on the cold metal bench and clean it all up. the wet muscle brushing, slipping past your ass, making you yelp.

“choso please— hur— hurry. you’re gonna be late” with balled fists you push against his head, musing his inky black hair and if it had been under any other circumstances, he would’ve punished you for interrupting his meal. but he was going to be late, twenty three more minutes and god knows how many rounds it’s gonna take to empty his balls, so he lets you glide all over the thin ice.

just this once.

“fuck, baby, let me fuck that pussy from the front” choso stands up to shove his now tight shorts down to his ankles, his cock springing out, eagerly slapping against his stomach as precum dribbles onto his chest. “always cum so fast when m’ lookin’ at that pretty face”

he wraps his hand around his shaft to move and press his chubby tip against your little hole, scribbling all over it with a hum before leaning to spit a fat bubbly glob onto your needy pussy.

a pretty whine escapes you as you softly lift up your hips begging him to just slip it in, “quit actin so needy, ‘m riiighht here” dragging out his words, he sloowwwly lets his cockhead sink past your folds, whining at how fucking tight you are.

he missed his pretty pussy so much. so, so much.

“fuck, ‘s so big” it’s been a while since you’ve felt the stretch of his cock molding your walls to fit him making tears swell and clump up in your curled lashes as you fling your arms around the slope of his shoulders before you’re shoving your face into the side of his warmed neck.

but he said he needs to see that pretty face, so he’s quickly moving to grab a fist full of your hair, roughly pulling you back by your scalp as you squeal, your mouth falling open to let in and out deep shaky breaths, “look at me”

and he holds you there, forcing you to stare into his darkened eyes as he fully bottoms out to bully his plump, heavy cock up into you. giving you the messiest, most feral strokes. losing his mind in your pretty pussy, already twitching inside you, spilling out pearls of precum that kiss your spongy g spot.

you can’t even moan. just weakly whimpering out broken cries of his name, ”so— ch— cho ssso” as he drags his cock against your gooey walls, his left hand thumbing at your sensitive clit sparking big tears to slip down your cheeks, your eyes hazing over, starting to slip up .. and go back just a little revealing porcelain white, then a little mor-

“i said fuckin’ look at me”

he jerks your head around like some doll; again, forcing you to stare up at him as he knocks the wind out of you with every snap of his waist. and he looks dazed. his hair is messy, mussed, and tossed to his shoulders as sweat catches a few strands to curl up and stick to his temples. he’s almost pink, flushed with so much fever, fucking into your sloppy pussy as he growls, “theeeree you go. ‘m so close, baby— shit. want me to fill that pretty pussy, huh? want me to— fuuuckk pump you full of my cum? hm?”

but his feral growls start to turn into pretty little saccharine whimpers as he gets closer and closer, sputtering his rose-skinned hips, “yeah cho. give it to me— haaa mmm, wan’ it all. fill me up”

“you wan’ it all?” his grip on your hair grows tighter, vice-like, as he mocks your needy little tone with a breathy chuckle, “want me to fuck a baby into you, yeah? knock you up then go knock that fucker out?”

bobbing up and down dumbly, you nod, his words stringing in one ear and quickly out the other because it’s just so fuckin’ good.

he’s pulling you closer, closer, and closer to that edge he loves to dangle you over. “choso ‘m gonna—”

“i know, mama. can feel it. keep lookin’ at me. give it to me”

with a whimper of his name, your knees crash into each other, your toes curling as white-hot pleasure strikes like thick bolts of lightning behind your eyes.

choso’s pulling them back apart and you almost fall off the bench until he’s wrapping his thicker arms around your body to keep fucking into you, “thereee you goo, mhm. look so pretty like that baby” talking you through it so sweetly as if he’s not overstimulating you. rewiring your brain.

“shi— shit, baby fuckin’ milkin’ me .. gonna— ‘m gonna—”

groaning too loud, his hips stilled as he dumped the heavy buildup of cum into your more than welcoming pussy, his head slumping forward to bite into your shoulder and muffle himself.

he’s filling you up so well, shooting thick ropes into your pretty, satiny walls as he pulses and twitches inside you.

but he’s still so hard.

pulling out to wrap a hand around his cock, jerking himself off, roughly, it looks like it hurts, “stick your, haah fuck, stick your fuckin’ tongue out” griping as his chest caves in and heaves until he’s spilling more hot cum onto your pretty fucked out face.

his head falls back, his body swaying slightly as he catches his breath, his muscles relaxing with a heavy sigh until he leans back down to lick up his sticky mess, making you buzz with warmth, twitching at the feeling of his warm tongue. “hhnngg— choso you have to goo”

oh yeah.

he hums, a smile tugging at his lips against your skin before he reluctantly pulls back, moving to draw up his shorts, “almost forgot about that,” he grabs a handful of his messed hair to pull back up into his trademark buns, “i’ll be quick, baby. still got the taste of my good luck charm on my tongue”

not even an hour later, before you can completely clean yourself off and find your bearings, a deafening lion-like roar surges from the full crowd piercing through the thick walls of the locker room. your head quirks up, and then you hurriedly push through the door, almost jogging into the arena.

there he is.

in the center of it all looming over his opponent. the referee pulls up choso’s arm and again; the crowd erupts as the other poor soul winces, crimson-faced, red gloves covering their bloodied expression.

amidst it all, choso’s eyes find yours. he’s licking at the corner of his lips with a knowing smirk.

all big-time boxers practice abstinence for at least a week before their fights; all expect the biggest rising rookie choso kamo.

© planetsage 2024 all rights reserved. no part of this may be reproduced in any form.

[ishizu-ka]

01. Present

Story: Seance Bride

When you're raised by fairies, you're used to handing out unorthodox presents

Decided on an October drawing prompt list! I'm using the prompts to explore some dark or creepy themes in my fantasy stories. 👻🍂🎃🍵

[prokopetz]

Ten inessential worldbuilding features for local communities in your fantasy RPG:

A grievance or conflict of interest with a neighbouring community which the community's members feel much more strongly about than the issue's magnitude really warrants

A substance or commodity important to everyday life with no local source, and the complicated and inconvenient arrangement the community has made to obtain it from outside sources

A local practice or custom whose original motivation has been rendered obsolete by changing circumstances, and which is now carried forward out of tradition

Something that's technically illegal, but everyone does it on the sly anyway, with enforcement of its illegality being reserved for people the community's leaders want to mess with for unrelated reasons

An obscure piece of trivia or local history which the community's members regard as obvious and widely known, to the extent of treating outsiders with contempt for revealing their ignorance of it

Some undertaking or realm of achievement in which the community isn't particularly exceptional, but which the community's members believe they're the best around at as a point of civic pride

A mostly harmless thing that nobody talks about because its existence or some facet of its historical context is regarded as an embarrassment to the community

A particular prank that's become traditional to play on visitors to the community, and which occasionally gets taken further than is strictly appropriate

A specific area of the setting's history where what the community's members insist really happened is wildly at odds with the accepted version of events

A genuinely dangerous circumstance that everyone treats with casual disregard because it's always been there, and only a damn fool would actually get hurt by it anyway

[reasonsforhope]

In the Willamette Valley of Oregon, the long study of a butterfly once thought extinct has led to a chain reaction of conservation in a long-cultivated region.

The conservation work, along with helping other species, has been so successful that the Fender’s blue butterfly is slated to be downlisted from Endangered to Threatened on the Endangered Species List—only the second time an insect has made such a recovery.

[Note: "the second time" is as of the article publication in November 2022.]

To live out its nectar-drinking existence in the upland prairie ecosystem in northwest Oregon, Fender’s blue relies on the help of other species, including humans, but also ants, and a particular species of lupine.

After Fender’s blue was rediscovered in the 1980s, 50 years after being declared extinct, scientists realized that the net had to be cast wide to ensure its continued survival; work which is now restoring these upland ecosystems to their pre-colonial state, welcoming indigenous knowledge back onto the land, and spreading the Kincaid lupine around the Willamette Valley.

First collected in 1929 [more like "first formally documented by Western scientists"], Fender’s blue disappeared for decades. By the time it was rediscovered only 3,400 or so were estimated to exist, while much of the Willamette Valley that was its home had been turned over to farming on the lowland prairie, and grazing on the slopes and buttes.

Pictured: Female and male Fender’s blue butterflies.

Now its numbers have quadrupled, largely due to a recovery plan enacted by the Fish and Wildlife Service that targeted the revival at scale of Kincaid’s lupine, a perennial flower of equal rarity. Grown en-masse by inmates of correctional facility programs that teach green-thumb skills for when they rejoin society, these finicky flowers have also exploded in numbers.

[Note: Okay, I looked it up, and this is NOT a new kind of shitty greenwashing prison labor. This is in partnership with the Sustainability in Prisons Project, which honestly sounds like pretty good/genuine organization/program to me. These programs specifically offer incarcerated people college credits and professional training/certifications, and many of the courses are written and/or taught by incarcerated individuals, in addition to the substantial mental health benefits (see x, x, x) associated with contact with nature.]

The lupines needed the kind of upland prairie that’s now hard to find in the valley where they once flourished because of the native Kalapuya people’s regular cultural burning of the meadows.

While it sounds counterintuitive to burn a meadow to increase numbers of flowers and butterflies, grasses and forbs [a.k.a. herbs] become too dense in the absence of such disturbances, while their fine soil building eventually creates ideal terrain for woody shrubs, trees, and thus the end of the grassland altogether.

Fender’s blue caterpillars produce a little bit of nectar, which nearby ants eat. This has led over evolutionary time to a co-dependent relationship, where the ants actively protect the caterpillars. High grasses and woody shrubs however prevent the ants from finding the caterpillars, who are then preyed on by other insects.

Now the Confederated Tribes of Grand Ronde are being welcomed back onto these prairie landscapes to apply their [traditional burning practices], after the FWS discovered that actively managing the grasslands by removing invasive species and keeping the grass short allowed the lupines to flourish.

By restoring the lupines with sweat and fire, the butterflies have returned. There are now more than 10,000 found on the buttes of the Willamette Valley."

-via Good News Network, November 28, 2022

[opencommunion]

"Like all foreigners, the Jewish settlers sailed first to Alexandria, took a ferry to Jaffa, and were taken ashore by small boats. This mundane arrival at the shore appears in the settlers’ statements as aggressive and alien treatment: ‘Aravim Hetikifu Ottanu’ – ‘the Arabs assaulted us’ – is the phrase used to describe the simple act of Palestinian boys helping settlers to small boats on the way to Jaffa; they shouted because the waves were high and asked for baksheesh [tips] because this was how they managed to live. But in the settlers’ narrative they were assailants. Noise, presumably a normal feature of life in the Jewish townships of Eastern Europe, becomes menacing when produced by Palestinian women wailing in the traditional salute of joy to the sailors returning safely home. For the settlers this was the behaviour of savages, ‘with fiery eyes and a strange garroted language.’ Whether the topic is their language, their dress or their animals, reports back to Europe concerning the Palestinians were all about unpleasantness and weirdness. ... Again and again, Zionist settlers behaved as a people who had been insulted – either objectively in the form of a physical attack, but more often simply by the very presence of Palestinians in Palestine. ... The Zionist settlers instituted retaliation for ‘theft’, which was how they characterised the rural tradition of cultivating state land, a practice that was legal under Ottoman law. Picking fruit from roadside orchards became an act of robbery only after Zionism took over the land. The words shoded (robber) and rozeach (murderer) were flung about with ease when Palestinians involved in such acts were described. After 1948 these terms would be replaced with ‘terrorist’ and ‘saboteur’. ... Cleansing the land of its farmers and tenants was done at first through meeting in the Zionist madafa and then by force of eviction in Mandatory times. The ‘good’ Palestinians were those who came to the madafa and allowed themselves to be evicted. Those who refused were branded robbers and murderers. Even Palestinians with whom the settlers sometimes shared ownership of horses or long hours of guard duty were transformed into villains once they refused eviction. Later on, wherever Israelis would control the lives of Palestinians, such a refusal to collaborate would be the ultimate proof for Palestinian choice of the terrorist option as a way of life. ... Following the 1967 war ... both Israeli academics and Israeli media commonly used the term ‘terrorism’ when referring to any kind of Palestinian political, social and cultural activity. ‘Palestinian terrorism’ was depicted as having been present from the very beginning of the Zionist project in Palestine and still being there when academic research into it began in earnest. This characterisation was so comprehensive and airtight that it assigned almost every chapter in Palestinian history to the domain of ‘terrorism’ and absolved hardly any of the organisations and personalities that made up the Palestinian national movement from the accusation of being terrorists."

Ilan Pappé, The Idea of Israel: A History of Power and Knowledge (2014)

[princesssarisa]

Disney's unconventional "Cinderella" (1950) (long)

Having watched most of the many adaptations of Cinderella, I've come to realize what a unique adaptation Disney's 1950 animated classic really is. Unlike Snow White, which only had a few stage and screen adaptations before Disney produced its groundbreaking film, Cinderella had already been adapted many times before Disney's turn came, and Disney's version makes a surprising number of departures from the standard Cinderella "formula." It was definitely a fresh, creative Cinderella when it made its debut, and it arguably still is. Yet because it's become so familiar in pop culture, and today so often serves as our childhood introduction to the tale, it's easy to overlook its inventive storytelling choices. The 2015 live action remake uses several classic Cinderella adaptation tropes that the original 1950 film actually subverts!

Here's a list of the often-overlooked ways in which Disney's Cinderella stands out from earlier adaptations, and from many later ones too.

Cinderella herself. Disney's Cinderella isn't a traditional Cinderella in personality. The "traditional" portrayal of Cinderella, seen in virtually every adaptation before Disney's and several afterwards too, is the portrayal I call "The Waif": a very young, fragile, melancholy girl, dressed in pathetic rags and smudged with ashes, who makes the audience want to rescue her and who wins the Prince's heart with her wide-eyed innocence and artless charm. But whether chiefly to set her apart from earlier screen Cinderellas or from Disney's earlier delicate ingenue Snow White, Disney's Cinderella is none of those things. She comes across as older, or at least more sophisticated. Nor is she waif-like, but instead combines down-to-earth warmth with ladylike dignity, even at her lowliest. She doesn't sit in the ashes ("Cinderella" is her real name in this version), and her servants' dress is humble yet clean and only slightly tattered. She's gentle and kind, yes, but also intelligent, practical, playful, sometimes sarcastic, philosophical, optimistic, genuinely cheerful when she's with her animal friends, and yet angrier and stronger-willed than virtually all earlier Cinderellas. She doesn't beg to go to the ball, but asserts her right to go, and then sets to work fixing up an old dress of her mother's for herself. Only her stepfamily's sabotage, first by keeping her too busy to finish the dress, and then by destroying it after the mice and birds finish it for her, prevents her from taking herself to the ball without a Fairy Godmother. To this day, she stands out as a complex, unique Cinderella, which pop culture too often forgets.

Lady Tremaine. Some critics today complain that Disney makes Cinderella's stepmother a total monster instead of giving her "nuance" and call her portrayal "sexist." But can't we agree that her sheer cruelty enhances the film's dramatic power? And compared to earlier portrayals of Cinderella's Stepmother, it definitely makes her stand out. In most pre-Disney Cinderellas and many after, the Stepmother is a pompous, vain comic antagonist. Once again, Disney was innovative by portraying Lady Tremaine as a dignified, manipulative, and truly sinister villain, who takes quietly sadistic pleasure in abusing Cinderella and will stop at nothing to prevent her from going to the ball or marrying the Prince. As far as I know, she's also the first Stepmother to realize before the slipper-fitting that Cinderella was the lady at the ball and to take action to prevent her from being found. That's a commonplace plot device in more recent adaptations, but in 1950 it was a creative twist!

The mice and other animals. Viewers debate whether Cinderella's mouse friends, Jaq, Gus, et al, and their misadventures evading Lucifer the Cat are a welcome addition or take away too much screen time from Cinderella herself. But there's no denying that the presence of the mice and birds is an inventive storytelling choice, which makes Disney's Cinderella stand out! And I can provide a long list of reasons why they're more than just "filler." (1) They add liveliness, humor, and appeal for younger children. (2) They gave the animators an outlet for the type of character animation they did best, rather than binding them to the harder work of animating realistic humans. (3) They give Cinderella someone to talk to besides her stepfamily. (4) They give her a way to demonstrate her kindness. (5) The struggles of the mice with Lucifer parallel Cinderella's abuse by her stepfamily, and Cinderella's undying optimism not only keeps her from despair, but inspires them too. (6) They arguably provide a further reason why Cinderella stays with her stepfamily – not only does she have nowhere to go, but an entire community of small sentient creatures relies on her for food and protection. (7) They reward Cinderella for her kindness. From the start, her friendship with the mice and birds makes her life easier to bear, both by easing her loneliness and because they do helpful deeds for her, like mending and cleaning her clothes. They fix up her mother's dress for her to wear to the ball – only the stepfamily's last-minute cruelty requires the Fairy Godmother to step in. And in the end, they're directly responsible for Cinderella's happy ending by freeing her from her locked room. They do all these things because Cinderella has protected them, fed them, made them clothes, and been their friend. Therefore, Cinderella's good fortune never feels "just handed" to her: her kindness directly earns it.

The Fairy Godmother. It's always varied between illustrators whether Cinderella's Fairy Godmother is portrayed as a grandmotherly old woman or as youthful, regal, and beautiful, but screen and stage adaptations before the Disney version virtually always took the "youthful, regal, beautiful" approach. That is, when they didn't change her into a wise, fatherly male magician-advisor, as in several opera adaptations! At any rate, seriousness and dignity were the norm for this character in most adaptations from the 19th century through the 1940s. Making her a sweet, comforting, grandmotherly figure, with a comically and adorably absent mind, was another of Disney's fresh choices.

Cinderella's entrance at the ball. We all know the classic image of Cinderella's entrance from other adaptations. Cinderella appears at the top of the grand staircase that leads down to the ballroom, and a hush falls over the assembly, as not only the Prince, but all the guests and members of the court are amazed by the unknown lady's beauty and magnificent dress. Even in versions without a staircase, Cinderella captivates the room the moment she enters. Adaptations both before and after Disney's, including Disney's own 2015 live action remake, play her entrance this way. But the 1950 animated classic subverts it! The grand staircase leads up to the ballroom, not down to it, and Cinderella's entrance isn't a triumph at first, but a vulnerable moment as she makes her way up the stairs alone, dwarfed by the splendor around her. Then, when she reaches the ballroom, no one notices her at first, because the other ladies are being presented to the Prince and all eyes are on him. But then the Prince notices her in the shadowy background as she quietly marvels at her surroundings, and leaves his post to approach her and invite her to dance. Only then does the rest of the assembly notice her, because she's the one the Prince has singled out. It's more understated and it feels more realistic than the traditional entrance, as well as more clearly symbolic of Cinderella's venturing above her station, then both literally and figuratively being led out of the shadows by the Prince's unexpected attention.

The slipper-fitting plan. Over the years, it's been fairly popular to mock the idea of using the glass slipper to find the Prince's love, as if there were no chance it would fit anyone else. Disney's version is creative by having the slipper-fitting search be the comical, hot-blooded King's idea, not the Prince's, and making it clear that it's not, nor is it meant to be, a foolproof plan to find Cinderella. The Duke points out that the slipper could fit any number of girls, but the King doesn't care if they find the right girl or not: he just wants to hold his son to his pledge to marry "the girl who fits this slipper" and force him to marry the first one who fits it. This also means that Disney doesn't do what most adaptations do and have the Prince conduct the search himself, but follows the original Perrault tale by having a gentleman, in this case the Grand Duke, do it instead. This prevents audiences from mocking the Prince for relying on the slipper instead of knowing his beloved's face.

Cinderella breaking free and asking to try on the slipper. Even though in Perrault's original tale, Cinderella asks to try on the slipper, she almost never does in adaptations. In most versions other than Disney's, including Disney's own 2015 remake, Cinderella's presence in the house (and/or the fact that she has the other slipper) is either discovered by accident or revealed by Cinderella's allies, not by Cinderella's own initiative. In some versions, she even tries to hide from the Prince and/or the search party, either out of fear of her stepfamily or because she feels unworthy of the Prince in her rags. But not Disney's animated Cinderella! First of all, she has an assertive emotional breakthrough when she calls on her dog Bruno to chase Lucifer away and free Gus to slip her the key to her locked room. Earlier on, she urges Bruno to try to get along with Lucifer, lest the stepfamily not allow him to sleep in the house – it's clear that Bruno represents her own rebellious side, and in that scene she's really talking about herself, revealing that she tolerates her stepfamily's abuse so she won't lose her own "nice warm bed" and be homeless. But in the climactic scene, when she finally sees a way out, she gives up playing nice and seizes her chance. First she unleashes Bruno on Lucifer, and then she runs downstairs and directly asks to try on the slipper, not caring how her stepfamily will react, or what the Grand Duke will think of her shabby dress, or whether the audience will accuse her of gold-digging or not. This isn't a common breakthrough in other Cinderella adaptations, but it fits perfectly (like a glass slipper, you might say) with the Disney Cinderella's stronger-willed and more self-assured characterization.

"I have the other slipper." We can probably all safely assume that when audiences first saw Disney's Cinderella in 1950, they all expected Cinderella to try on the glass slipper she lost, with her identity revealed by its perfect fit. They never would have expected Lady Tremaine to trip the footman and break the glass slipper... only for Cinderella to calmly reveal that she has the other one. It's yet another clever and unexpected twist, not seen in any other version. Not even Disney's own 2015 remake.

Disney's Cinderella deserves far more credit than it gets for being unique among the myriad versions of the tale, especially compared to the versions that came before it.

[sideysvault]

۶ৎ Virtuous initiation ۶ৎ

Pairing: Aemond Targaryen x fem!reader

Wc: 1,390k

Tags: [sfw] Mature themes, canon typical violence, newly weds, vulnerable Aemond, arranged marriage, both are afraid of sex, domestic bliss.

────────

Prince Aemond is known to be practical to the extreme, he seems to have no patience for the incompetence of his brother or his mother’s hidden sentimentalism, he often feels a certain horror towards failure, and openly frowns at any suggestion of true romantic felicity.

The Prince often ignores you, of course, but that is to be expected in political betrothal. Although you personally are of the believe that a little excitement, conversation and respect would do you some good. But what is one to do?

Often fancying beyond the realms of your condition, your mind keeps itself occupied with thoughts of what may become of you with less social opposition and more personal stimulus. You dream of being a scholar, a master, to finally visit The Citadel, and that you may finally make a home out of the Red Keep. That perhaps, even in between the most interrelated webs of political opposition, inherited resentments, and southeastern superstitions one may find peace and harmony and knowledge. These desires seemed to be equally improbable, and you had begun to come to terms with it. Childhood dreams. Nothing more.

He slightly frightens you, but not nearly enough as everyone assumes he should have. For a reason that you truly couldn’t comprehend, all of the residents of Kings Landing find him rather physically odd. Why is that? If, after all, he still looks like a proper Targaryen Prince, even with one functioning eye. His childhood wound could never deny his long straight silver hair that reminded you of the most fine jewelry on your mothers dressing table. His blue eyes told stories that loosely resembled the songs that sirens chanted by the east coast: Dangerous, calculating, and yet, they invited fascination and curiosity. His handsome features, delicate, sharp, and firm, gave his face an undeniably royal quality. And if you knew no better, you would probably be at his feet, wanting to gain his unobtainable affections.

Receiving condolences and concern from members of the court upon the news of your betrothal puzzled you. From your understanding, the youngest brother was quieter, smarter, patient, and more honorable than the King.

You felt a bit of shame, but you did recognize that you felt incredibly grateful that His Grace, the King, was already married. It saddened you that the cross was for his sister to bear, but you’ve heard the violent stories:whispered to you by maidens, servants and members of the court. The veracity of those stories had quickly been made evident by the poorly contained, worried reactions of the Queen Dowager whenever her son was alone and near a female servant.

Prince Aemond’s chambers were as queer as his personality. Spotless, in an obsessive manner that goes far beyond the traditional efficiency of cleaning servants. The extensive library was the only thing that filled the space with character of its own, the books seemed to rebel and demand disorderly presence by their own right. His private library exploited the fragility of your curious mind and your predisposition for literature. Your greatest sin was to often sneak into the Prince’s room to borrow books from his collection, which was far more delectable and interesting than the Castle’s general library.

A stupid, brash decision. Especially considering Aemond’s serious disposition and angsty, hostile character. But you couldn’t help yourself when you saw the chambers unattended. Wanting to see the whispered wonders of his personal collection. The prince knew of your intrusion, of course. As when you came back to return your theft, you realized with horror that he had left a single stone where the book you had borrowed was. Feeling ashamed, you had returned it to its place and accommodated the fatal stone on the left side to the candle of his bureau.

The Gods are sometimes merciful, and apparently so is the Targaryen Prince. The chambers often remained unlocked, and by his instruction, the guards left the entrance unattended around the same time of your earlier visits. You would take a book from his collection, and he would place the rock marking the missing spot. Whenever you finished your reading, you would put it back in place, and the stone was to be accommodated at the left of the candle. A childish game, perhaps. But it was all it really took for you to discard the warnings of your peers and for romantic apparitions to plague your mind at night.

You wanted him. Truly. There was no room in your heart for power, or titles. But you wanted to comfort the soul of the disgraced Prince, hear him laugh, to thank him for his kindness, for extending his knowledge to you instead of punishing your intrusion of privacy, the defiance of your role. It did exhaust you a good deal, the uncertainty of your stay within the walls of The Red Keep. Having to be sly and poise about how you managed yourself, or to be met with heavy words of disapproval. Targaryen folk, closer to Gods than to men, were not to be played with, even if you were promised to one of them.

Still, when the state of affairs was concluded, and your place -and life- in the Red Keep was safeguarded, a new sorrow visited your soul. Consummating the marriage terrified you. You had attentively heard the warning stories of your mother, that even the most honorable and prestigious of men were to be deviant tyrants in bed, that pain went hand in hand with obedience, and the dangers of childbirth were not to be ignored. Suddenly scared, vulnerable, and not so certain of your newlywed husband’s kind character, you dreaded the day he finally came in to claim his bride’s virtue. You would make a point of visiting Helena in the dark hours of dawn, of avoiding being alone in a room with your husband, of taking walks through the gardens at night, sleeping in benches and waking just before the sun rose to return to the Prince’s chambers before being seen by members of the court.

Tired of this new found routine, and wanting to sleep in the depths of a bed and its soft sheets, you decided that the occurrence was unavoidable, and the reasonable cost of your sexual condition.

If Aemond was surprised see you laying in bed when he walked into the chambers, he did not show proof of it on his face. You instantly regretted the color of the white cotton nightgown, translucent enough to showcase your hardened nipples. It wasn’t your intention to provoke the Prince, but the cold, humid weather of the Capital was at odds with your intent. The air was invited to come inside by the wide window, which offered a beautiful sight of all the candles burning in the distant homes of Westeros. You tried to distract yourself with the view.

Your husband took off his clothes. He looked tired, even under the dim, warm yellow lights of the room. He wore his silver hair in a queue, and as he quietly sat on the marital bed, you made a decision. Mustering all the courage on your heart, you decided to show him kindness for not questioning your nightly disappearances.

Restricting your movements, trying to tame your hands to be as tender and calm as they could be, as one would act in front of an unpredictable animal, you untied his hair. Slowly brushing the silver strings, untangling them after what seemed to be a tedious day. It was silly of you to feel scared of even this slight contact, but as the Prince slightly groaned upon your touch, you felt your heart beating rapidly in the outset of your neck. Controlling your fear of consummation, you continued to brush his hair, adding a small massage to his shoulders and broad neck. When it was finished, you tried to take a hold of yourself.

Yes, men could be cruel, but Aemond had shown a considerable amount of restraint and compassion.

Laying down in an uncomfortable synchrony, you both occupied the time by silently looking at the baroque decoration on the ceiling. After some time, the prince whispered to you “Are you disappointed with the exchange?” His voice sounded foreign to his character. Soft, vulnerable. You assumed he meant of your marital arrangement, and when you turned to face him, wanting too see the Prince in the eye while he spoke to you, his bared faced caught you by surprise.

His left eye, which was man crafted, was as blue as the real one. You did not know the name of the stone that filled his empty socket, but it was beautiful, and it reflected a much brighter light that the one available in the chamber. He shifted slightly, embarrassed upon your transfixed gaze, but he said nothing upon the matter.

Pretending to consider your answer for a moment, you murmured a no . You meant it. Seemingly relieved, your husband slowly nodded and layed down your legs, throwing a protective arm over them, drawing circles over your nightgown. Your hands instinctively moved to rest on his head, and you began to brush his silver moon with your fingers, tracing unmarked paths on the left side of his face. You could feel his warm breath against your skin, and you would have sworn that all the small muscles at the base of each hair of your leg contracted and burned with his touch. After a while, you felt something else. A soft smile against your skin. Your bodies could finally rest, releasing all of their contained fear.

────────

Notes: I was inspired by the yellow wallpaper for this one. I’ve been thinking about him all month. Pleaseeee I need him so bad. Hope you enjoyed this one! Have fun and take care of one another

- Sidey xooo

[starsandsuch]

💘Venus synastry through the houses💘

Venus is the emblem of partnership. The kind of Venus synastry you have with a partner is fundamental to the dynamics of the union you have with someone long- term.  👩‍❤️‍👨

Venus in the 1st house overlay: Venus in a partner's 1st house creates an immediate physical attraction between two people. It creates a tie of amiably, admiration, and physical attraction. In this dynamic one wants to show their partner off and be seen with them, due to them appreciating their physical appearance or vice versa. The house person adores the Venus person, expressing admiration of their beauty and appreciation for their finer qualities.

Venus in the 2nd house overlay: Venus in a partner's 2nd house emphasizes material wealth and security between two people. The house person tends to make the Venus person feel secure in a material sense, often providing gifts, funds, and money to their partner. In this dynamic, the house person boost’s their partners self esteem through words of affirmation, and support. 2nd house synastry is favorable for marriage since it aligns with the fundamentals of: shared resources, material security, and support from each spouse.  

Venus in the 3rd house overlay: Venus in a partner's 3rd house, magnifies communication in a partnership. This is the talkative couple, who exchange ideas, thoughts, words, messages etc. The house person is often intellectually stimulating for the Venus person. This dynamic could sometimes mimic a “sibling” relationship. Emphasizing: competitiveness, playfulness and camaraderie between two people. This can manifest as the house person teaching new skills to the Venus person, and in general it is seen that this couple gains many new experiences together. Travel, competition, are themes heavily magnified in this partnership.

Venus in the 4th house overlay: Venus in a partner’s 4th house emphasizes a sense of familiarity in a partnership. The Venus person naturally feels comfortable with the house person, and the house person feels protective over the Venus person. They affect a sense of nurturing and supportive energy to their partner, making them feel secure and cared for. This aspect favors marriage, and creating a family together.

Venus in the 5th house overlay:  Venus in a partner’s 5th house increases playfulness, pleasure and enjoyment in a partnership. The house person perceives the Venus person as a source of pleasure, and someone that brings fun and enjoyment into their lives. Together, this couple is likely to do exciting things, and partake in adventurous activities that make life thrilling. The romantic chemistry is heightened here, where the house person dazzles the Venus person, viewing the Venus person as their romantic ideal. This kind of synastry makes a relationship exciting and romantic for the long term.

Venus in the 6th house overlay: Venus in a partner’s 6th house emphasizes themes of responsibility, duty, and hard work in a partnership. This Venus person becomes a part of the house person’s daily routine, and this couple can often share their daily lives together. The house person doesn't mind “serving” the Venus person, doing practical things for them and helping manage their responsibilities. In this dynamic romance finds its way into practical matters, where acts of service become instrumental in the partnership. This synastry supports long lasting partnership that functions well on a day-to-day basis. 

Venus in the 7th house overlay: Venus in a partner’s 7th house, creates a dynamic where the Venus person’s values in a relationship favorably align with the house person’s perspective of relationships in general. Through this union, the Venus person is able to extend their social network on behalf of the house person. Professionally speaking, the Venus person can help increase the house person’s business(s). In this dynamic each partner can view each other as “marriage material” almost automatically, falling into a traditional partnership dynamic with less effort than other aspects.  

Venus in the 8th house overlay: Venus in a partner’s 8th house triggers a sense of intensity in a partnership. The Venus person becomes a point of obsession for the house person, often being heavily sexually desired by them. The mutual attraction here can feel captivating and enticing. When functioning favorably, it creates a strong sensual tie between two people, emphasizing a spiritual connection as well. It is common that the house person financially supports the Venus person, or there are mutual shared resources between the two.  

Venus in the 9th house overlay: Venus in a partner’s 9th house increases the sense of hope, belief, optimism in a partnership dynamic. The house person can feel a sense of spiritual or religious devotion to the Venus person. The Venus person can symbolize the house person’s future and function as a guide or protector to them. Through this union, both partners experience positive spiritual evolution and growth. This supports each partner aligning their spiritual purpose. It is often seen that this is a long distance partnership or a union between two different cultural backgrounds   

Venus in the 10th house overlay: Venus in a partner's 10th house identifies public recognition and reputation as common threads in the relationship dynamic. The house person wants to be seen with the Venus person publicly, creating a relationship that is well known by others. The Venus person gains status and recognition from the house person, generating a dynamic that favors both partner’s reputation. The Venus person can see the house person as someone who can help them carry on their legacy and build a future with them. This kind of synastry favors longevity in marriage. 

Venus in the 11th house overlay: Venus in a partner's 11th house magnifies the common goals, dreams and desires between two people. It’s likely that together you achieve your goals and focus on the future you can develop as a union. The house person helps to fulfill the wishes of the Venus person. It’s often seen that the house person functions as a “benefactor” to their partner. Supporting their dreams, providing them with opportunities, sponsoring them financially, or leading them toward material gain. With this synastry aspect, a sense of camaraderie is obtained, generating a dynamic of long lasting friendship & moral support. 

Venus in the 12th house overlay: Venus in a partner's 12th house tends to generate an unconscious connection between two people. There is an unspoken pull one feels here, especially on behalf of the Venus person. This aspect often tends to create “unrequited love” or a dynamic where one person desires the other, but the feelings are left unreciprocated. However, when functioning favorably, one obtains “unconditional love” with a partner, willingly sacrificing for them, giving love & affection generously, etc. It often creates misunderstandings and mistrust between two people initially, but overtime strengthens in the partnership. It overall enhances the spiritual connection with a spouse.  

starsandsuch All Rights Reserved© please do not plagarize my work

[mariacallous]

For the first time since World War II, one of Prague’s most historic synagogues has held a Jewish worship service.

Kol Nidre, the introductory service of Yom Kippur, took place in the Klausen Synagogue on Friday night, ending a hiatus that lasted more than 80 years and encompassed both the murder and suppression of Czech Jewry.

Originally erected in 1573 and rebuilt after a fire in 1694, the Klausen Synagogue is the largest synagogue in Prague’s Jewish Quarter and once served as a central hub of Jewish life. It’s known as the home of several prominent rabbis and thinkers, from Judah Loew — a 16th-century Talmudic scholar also known as the Maharal of Prague — to Baruch Jeitteles, a scholar associated with the Jewish Enlightenment movement of the 18th and 19th centuries.

But for more than 80 years after the Holocaust decimated Czech Jews, the Klausen Synagogue held no services.

That was until Friday evening, when about 200 people poured in for a service led by Rabbi David Maxa, who represents Czechia’s community of Progressive or Reform Jews. That community was joined by guests and Jewish tourists from around the world for Yom Kippur, according to Maxa. He saw the moment as a sign of Jewish life resurging in Prague.

“It’s quite remarkable that there is a Yom Kippur service in five historic synagogues in Prague,” Maxa told the Jewish Telegraphic Agency.

Under German occupation in World War II, the Klausen Synagogue was used as a storage facility. Although the Nazis and their collaborators killed about 263,000 Jews who lived in the former Czechoslovak Republic, they took an interest in collecting Jewish art and artifacts that they deemed valuable enough to preserve. The Jewish Museum in Prague was allowed to continue storing those objects, and the synagogue became part of the museum’s depository.

After the war, there were not enough survivors to refill services in the synagogues of Prague. The country became a Soviet satellite in 1948, starting a long era in which Jews were often persecuted and surveilled for following any religious practices. The last Soviet census of 1989 registered only 2,700 Jews living in Czech lands.

“During Communist times, it was very difficult to relate to Jewish identity,” said Maxa. “People who visited any kind of synagogue were followed by the secret police, and only after the Velvet Revolution in 1989 did it become possible for people to visit synagogues without the feeling of being followed and put on a list.”

After the end of communism, some synagogues returned to use by the few Jews who still identified as such. Two of the six synagogues that still stand in the Jewish Quarter now are in regular use as houses of worship.

But the Klausen Synagogue, which was added to the UNESCO World Heritage list in 1982, remained part of the Jewish Museum, hosting exhibitions about Jewish festivals, early Hebrew manuscripts and Jewish customs and traditions.

Museum director Pavla Niklová said returning the synagogue to use for Yom Kippur happened almost by accident. Maxa was asking if she knew about a space large enough to host his growing congregation, Ec Chajim, for the holiest day in the Jewish calendar — its own space, which opened four years ago about a 20-minute walk away, could not accommodate the crowds expected for Yom Kippur.

Since the museum had just taken down its exhibition in the Klausen Synagogue after 28 years, she had an answer. The clean, empty space was ready to be refilled with Jewish life.

Visiting the synagogue just before Yom Kippur, Niklová said she was awed to see the building returned to its original purpose. She hopes that it will continue to be used for large services.

“I felt like the synagogue started breathing again,” she told JTA. “I believe it was a good move to take down the old exhibit, and now we can start anew.”

For many in Prague’s Jewish community, which is largely secular, Yom Kippur is the single most important service of the year. Even Jewish families that suppressed religious practices under Communism often passed on the memory of Yom Kippur, said Maxa.

Maxa founded Prague’s Progressive Jewish community in 2019, responding to a growing number of people who sought to explore their Jewish roots. The community currently has 200 members and adds about five more every month.

“Often, I meet people who simply want to learn about the culture, tradition and religion of their grandparents,” said Maxa. “They say, my grandmother and grandfather were Shoah survivors — can I come and learn more about Judaism? We offer a wide range of activities, including of course regular services, but also educational courses to help these people reconnect with the tradition.”

Maxa, who himself grew up in Prague with little connection to his Jewish roots, wants to revive some of the rituals that threaded through Prague’s pre-war Jewish world — including a tradition of organ accompaniment in the city’s synagogues. On Friday, Jewish organist Ralph Selig performed during his service.

Like many of his congregants, Maxa’s family history intertwines with the losses of the last century. His father came from Prague and survived the Holocaust. He does not know if his father visited the Klausen Synagogue, but he knows it was a familiar part of his world.

“It means a lot for me that the tradition was not exterminated, and that this is coming back, even to a place where no services were held since World War II,” he said.

[mywitchyblog]

Reality Shifting and Race Changing Explained: A Deep and Comprehensive Analysis of the Practice through the Perspective of a Person of Color.

Introduction :

Reality shifting, a practice where individuals consciously move their awareness to alternate realities or dimensions, has gained significant popularity and attention. Within this phenomenon, race changing—where shifters assume a different racial identity in their Desired Reality (DR)—has become a particularly contentious topic. Proponents of race changing see it as a way to explore different perspectives, foster empathy, and experience personal growth. However, critics raise concerns about cultural appropriation, identity integrity, and ethical implications. This essay will delve into the shifter's perspective and debunk arguments against race changing in reality shifting, examining the diverse viewpoints and underlying controversies.

Disclaimer : before interacting pls read the entire post carefully if you do not understand a part of it do not hesistate to tell me and i would gladly explain you in more details.

And as the title says im a person of color (POC) so i will give my opinion on the matter. I am lowkey (more high key lol) pissed that i see white people telling and talking about it as if they opinion is law its time you let people directly concerned by the matter speak on a subject that concerns them.

Taglist of people who might be interested in this post that i will update progressively i will also at the end provide a pdf version of the document if this post reaches 100 reactions if it reaches 150 to 200 i will also provide the one against age changing) :

@shiftinghoe @shiftersroom @leydenkilgore @jolynesmom @shiftinginferno @norumis @angelscatastrophe @thanossnap

My Age changing Post for those interested

Masterlist

Part I: The Shifter's Perspective

A-Immersive Nature of Reality Shifting

Reality shifting goes beyond elaborate daydreaming or role-playing. It's a full-fledged immersive experience where individuals become their "Desired Reality" (DR) selves entirely. This deep embodiment isn't just physical; it encompasses cultural, emotional, and even historical elements.

Shifters often perceive themselves with entirely different physical characteristics in their DR. This goes beyond appearance ��� they feel comfortable and familiar in their new bodies, experiencing unique sensations and abilities tied to their DR race. Imagine an East Asian shifter feeling their epicanthic folds affecting their vision or an Afro-Caribbean shifter experiencing the textures of their hair and the specific needs of their skin.

But it's not just physical. Shifters become integrated members of their DR culture. They might find themselves fluent in the language, complete with cultural nuances and dialects. They possess an intrinsic understanding of traditions and social norms, not just intellectually, but on a lived level. Family histories, community connections, and social networks become as real and meaningful as those in their original reality.

Perhaps the most profound aspect is the emotional and psychological alignment. Shifters report feeling emotions differently based on their DR cultural background. Their worldview, values, and beliefs shift to reflect their new identity, offering unique perspectives. Many even have a full set of memories associated with their DR life, from childhood experiences to major events.

Shifters don't just inhabit a new identity; they become part of a complex historical and societal narrative. They understand the weight of historical events that shaped their DR community and experience firsthand the societal advantages or disadvantages of their DR race. They feel a deep sense of cultural pride alongside the challenges and discrimination that may come with it.

For example, a Japanese shifter might not only speak the language fluently but also understand the intricacies of keigo and feel the emotional weight of concepts like "gaman" or "uchi-soto." They could have memories of local festivals, the excitement of catching goldfish, or the solemnity of a New Year's visit.

Similarly, a Latinx shifter might effortlessly switch between languages, understand the cultural significance of quinceañeras, and feel a deep connection to their abuela's traditions. They could have vivid memories of family gatherings filled with traditional foods, laughter-filled conversations, and the warmth of close family bonds.

This immersive experience allows shifters to see the world through a completely different lens, gaining insights otherwise impossible. In their DR, their new identity isn't a costume – it's as authentic and valid as their original self. This creates a profound sense of belonging and allows them to explore different aspects of identity in a meaningful way. This depth of experience is what proponents of race changing in reality shifting often highlight as a potential benefit.

B-Personal Growth and Empathy Development

Reality shifting, particularly when it involves changing race, offers a powerful pathway for personal growth and empathy development. Proponents believe this to be one of its most valuable benefits. Here's a breakdown of its potential:

Expanded Perspective: Shifters inhabit a different racial identity, gaining visceral, firsthand experiences. Imagine a Black shifter feeling the sting of racism, or an Asian shifter navigating the pressures of the "model minority" stereotype. This fosters a deeper understanding of racial dynamics beyond textbook knowledge.

Cultural Competence: Shifters become immersed in a new cultural context, enhancing their cultural competence. They gain insights into cultural nuances, values, communication styles, and nonverbal cues. For instance, a shifter embodying a Middle Eastern identity might understand the significance of hospitality, appreciating the cultural roots of seemingly excessive generosity.

Challenging Biases: The immersive nature of shifting exposes personal biases. Shifters confront and work through unconscious biases and stereotypes that may seem harmless from the outside, but feel hurtful or limiting from a different perspective. This uncomfortable process can be ultimately transformative.

Emotional Intelligence: Experiencing life through a different racial lens boosts emotional intelligence. Shifters develop empathy for the struggles and joys specific to different races, better understand emotional cues across cultures, and gain enhanced self-awareness through reflecting on their reactions in their new identity.

Social Justice Awareness: Shifters often report a heightened commitment to social justice and equity. Experiencing discrimination firsthand motivates them to become allies in their original reality. Understanding privilege (or lack thereof) associated with different races fosters nuanced discussions about systemic inequality.

Personal Identity Exploration: Race changing in shifting can prompt deep reflection on personal identity. Shifters might question aspects of their original identity, explore their cultural heritage and family history, and gain a greater appreciation for the fluidity and constructed nature of racial categories.

Linguistic and Cognitive Benefits: Shifters who become fluent in new languages experience cognitive benefits like enhanced cognitive flexibility from thinking in different linguistic frameworks and improved problem-solving skills as they navigate cultural and linguistic differences.

Artistic and Creative Inspiration: The rich experiences gained through race changing can serve as a wellspring of artistic and creative inspiration. Writers might create more authentic characters, while visual artists gain new perspectives on color, form, and cultural symbolism.

Professional Development: Insights gained through race changing can translate into professional growth. Shifters develop a stronger ability to work in diverse teams, enhance their cross-cultural communication and negotiation skills, and gain a deeper understanding that can be valuable in multicultural environments.

Healing and Trauma Processing: In some cases, embodying different racial identities has helped shifters process personal or intergenerational trauma. For instance, a shifter with a family history of racial oppression might find healing in embodying an identity free from that specific trauma. Conversely, embodying an identity that has experienced historical trauma might help shifters connect with and process their own unrelated traumatic experiences.

Part II: Debunking Arguments Against Race Changing

A-Cultural Appropriation

One of the primary arguments against race changing in reality shifting is that it constitutes cultural appropriation. This issue is complex and sensitive, requiring careful consideration.

Cultural appropriation involves adopting elements from one culture by members of another, often without a full understanding or respect for the original culture. This practice is typically characterized by a power imbalance, where the appropriating group holds more social, political, or economic power than the culture being appropriated. It also involves a lack of attribution, where the source of cultural elements is not acknowledged, leading to stereotyping and commodification of cultural symbols, often out of context and for profit.

Applying this argument to reality shifting, critics assert that when individuals assume a different racial identity in their desired reality (DR), they may trivialize the lived experiences of that racial group. They argue that such individuals might cherry-pick enjoyable aspects of the culture while avoiding its challenges and potentially reinforcing stereotypes or misconceptions about the culture.

However, several counterarguments challenge this perspective. Many shifters approach race changing with the intention of understanding and empathizing with different racial identities, rather than exploiting them. The immersive nature of shifting often involves a deep engagement with the culture, as opposed to the superficial adoption of isolated elements.

Moreover, cultural appropriation typically involves a dominant culture taking from a marginalized one, but in shifting, this power dynamic isn’t present. Shifters embody the new identity fully, integrating their experiences into the fabric of the DR, which can make their engagement more authentic.

Unlike typical cases of cultural appropriation, shifters often report experiencing both the positive and negative aspects of their new racial identity, including potential discrimination and societal challenges. This level of immersion extends far beyond wearing traditional clothing or using cultural symbols, as it involves a comprehensive engagement with the culture's values, traditions, and worldview.

Reality shifting is a personal and introspective practice, usually conducted privately or in small groups, rather than as a public display that might perpetuate stereotypes or commercialize the culture. This personal and nuanced approach differentiates it from more harmful forms of cultural appropriation seen in popular culture or commercial contexts.

Despite these counterarguments, there are still ethical concerns to consider. The ability to "opt out" of a racial identity at will is a privilege not available to those who live that identity full-time. There is also a risk of oversimplification or misrepresentation, even with the best intentions. The personal nature of shifting does not negate the potential for internalized stereotypes or biases to influence the experience.

Instead of viewing race changing in shifting as clear-cut cultural appropriation, it might be more accurate to see it as a complex form of cultural engagement. This practice has the potential for both positive outcomes, such as increased empathy and understanding, and negative outcomes, like reinforcing stereotypes or trivializing experiences. It requires careful reflection and ethical consideration from practitioners and might be evaluated on a case-by-case basis, considering the shifter's intent, approach, and outcomes.

The argument that race changing in reality shifting constitutes cultural appropriation could be seen as a false analogy fallacy, inaccurately equating the personal, immersive, and often respectful experience of shifting with the exploitative and superficial nature of cultural appropriation as traditionally understood. Some proponents suggest that, when conducted respectfully and thoughtfully, race changing in shifting could be seen as a form of cultural exchange rather than appropriation. This perspective posits that the immersive nature of shifting fosters genuine understanding and appreciation, with shifters often feeling a responsibility to respect and honor the cultures they embody. The insights gained can contribute to more meaningful cross-cultural dialogue and understanding in the shifter's original reality.

In conclusion, while the argument against race changing in reality shifting raises important ethical considerations, the issue is more nuanced than it might initially appear. The deeply personal and immersive nature of shifting, coupled with the often sincere intent of practitioners to gain understanding and empathy, sets it apart from more straightforward cases of cultural appropriation. Nevertheless, it remains crucial for shifters to approach the practice with respect, self-reflection, and a willingness to grapple with its complex ethical implications.

B-Fetishization

Another significant criticism of race changing in reality shifting is that it may lead to or represent a form of racial fetishization. This concern is both sensitive and complex, and warrants a thorough examination.

Racial fetishization involves reducing individuals to stereotypical racial characteristics, objectifying people based on their race or ethnicity, and exoticizing racial features or cultural elements. Often, though not always, it includes a sexual component. Critics argue that race changing in shifting might encourage shifters to focus on stereotypical or exoticized aspects of a race, leading to a superficial engagement with racial identity that is more fantasy than reality. This practice could potentially reinforce harmful stereotypes or racial preferences.

However, several counterarguments challenge this perspective. Many shifters who engage in race changing are not primarily motivated by sexual desire or attraction to stereotypical racial attributes. Their goal is often to understand and embody the full spectrum of experiences associated with a different racial identity, rather than to indulge in fantasy or stereotypes. The immersive nature of reality shifting encourages shifters to deeply engage with and appreciate the culture they are exploring. This process frequently fosters empathy and understanding, rather than objectification, as shifters report experiencing both positive and negative aspects of their new racial identity, extending beyond surface-level engagement.

Additionally, many shifters approach race changing as a means of personal growth, aiming to challenge their own biases and expand their worldview. This experience often leads to increased cultural sensitivity and awareness, rather than reinforcing stereotypes. In their desired reality (DR), shifters often experience a fully realized and complex identity that includes family histories, cultural practices, societal challenges, and individual personality traits, going far beyond mere racial characteristics.

Despite these counterarguments, it is important to acknowledge potential risks. Shifters might unknowingly bring racial stereotypes or biases into their DR experiences. There is also a risk of focusing on more "appealing" aspects of a racial identity while downplaying its challenges or complexities. The ability to "try on" different racial identities at will is a privilege that could lead to a form of racial tourism if not approached thoughtfully.

From a psychological standpoint, the experience of race changing in shifting could be seen as a form of identity exploration rather than fetishization. It serves as an exercise in perspective-taking and empathy development and provides an opportunity to confront and work through internalized racial biases.

Culturally, it is worth considering whether race changing practices in shifting might lead to more nuanced representations of diverse racial identities in media and art, foster more open dialogue about race and identity in society, or risk oversimplifying complex racial issues.

Ethically, shifters should be encouraged to reflect critically on their motivations and experiences, seek diverse perspectives and real-world knowledge about the races they embody in their DR, and be mindful of the line between appreciation and fetishization. The argument that race changing in reality shifting constitutes fetishization could be seen as a straw man fallacy, as it misrepresents the shifters' intentions and the nature of their experiences, reducing a complex and often empathetic practice to a simplistic and objectifying one.

Some proponents argue that race changing in shifting could help deconstruct harmful racial categories by highlighting the constructed nature of race, encouraging people to see beyond racial stereotypes, and fostering a more fluid understanding of identity. Comparing this practice to other activities, such as actors portraying characters of different races, virtual reality experiences designed to foster racial empathy, or imagining oneself in someone else’s shoes through literature or film, reveals that race changing in shifting may differ fundamentally from these practices in its approach and intent.

In conclusion, while the criticism of fetishization raises important concerns about the potential risks of race changing in reality shifting, a closer examination reveals a more nuanced picture. The deeply personal and often transformative nature of these experiences, combined with the typical intent of fostering understanding and empathy, sets it apart from more straightforward cases of racial fetishization. Nevertheless, it is essential for shifters to approach the practice with self-awareness, respect, and a commitment to genuine cultural engagement rather than superficial or stereotypical representations.

C-Race Changing is Racist

The argument that race changing in reality shifting is fundamentally racist is a serious allegation that requires careful examination. This perspective is based on several concerns: it may trivialize the real struggles and discrimination faced by racial minorities, allow individuals to "play" at being another race without encountering the associated societal challenges, perpetuate the idea that race is something that can be donned or discarded at will, and reinforce the notion that race is merely about physical characteristics or stereotypical behaviors. This criticism often stems from worries about cultural insensitivity, fears of minimizing systemic racism, and the historical context of racist practices such as blackface and yellowface.

However, this argument can be contested on multiple grounds. Firstly, many shifters engage in race changing not to mock or belittle other races but to gain a deeper understanding and empathy for those experiences. The immersive nature of shifting often results in increased awareness of racial issues and a stronger commitment to anti-racism in the shifter's original reality. Furthermore, shifters in their desired reality (DR) often experience life as an integrated part of the culture they embody, including facing discrimination and navigating societal challenges associated with that racial identity. This depth of experience goes beyond superficial engagement.

Additionally, race changing can lead to significant personal transformation. Many shifters report profound growth, challenging their own biases and increasing their cultural competence. These experiences foster a deep sense of connection and solidarity with different racial groups. Race changing could also be viewed as an immersive form of education about racial experiences, potentially offering more impactful learning than traditional methods.

Despite these counterarguments, it is crucial to acknowledge potential issues. Shifters have the privilege of opting out of their new racial identity and returning to their original reality, a luxury not available to those who face racism daily. There is also a risk of oversimplifying complex racial experiences into simplified narratives. Without proper reflection, shifters might misuse or misrepresent aspects of the racial identities they embody.

To address these concerns, shifters engaging in race changing should approach the practice with humility and a willingness to learn. Complementing their shifting experiences with real-world education about racial issues and using insights gained to actively combat racism in their original reality can help mitigate potential problems. Critical reflection on their experiences and motivations is also essential.

From a psychological perspective, race changing in shifting can be seen as a form of perspective-taking, which has been shown to reduce prejudice, an exercise in empathy development, and a way to confront and work through unconscious racial biases. Sociologically, it is worth considering whether widespread engagement in race changing might lead to increased racial empathy, contribute to a more nuanced understanding of race as a social construct, or challenge existing racial categories.

A comparative analysis with other practices such as diversity training programs, role-playing exercises in anti-racism workshops, and the concept of "passing" in racial identity reveals that race changing in shifting might differ fundamentally in its approach and intent. The argument that race changing is inherently racist may be seen as a hasty generalization fallacy, drawing broad conclusions based on limited understandings of shifters' experiences and motivations.

Some proponents argue that, when approached thoughtfully, race changing in shifting could be an antiracist practice by fostering a deeper understanding of diverse racial experiences, motivating action against racism in the shifter’s original reality, and challenging fixed racial categories. Considering how race changing intersects with other aspects of identity, such as gender, class, or sexuality, further complicates the discussion and could lead to a more nuanced understanding of intersectional identities.

In conclusion, while the argument that race changing in reality shifting is inherently racist raises important ethical concerns, a closer examination suggests a more complex picture. The potential for increased empathy, understanding, and antiracist action indicates that, when approached thoughtfully and ethically, race changing in shifting might contribute to combating racism rather than perpetuating it.

Part III: Community Dynamics : 

A. Shiftok Culture and Hypocrisy

The community of shifters on platforms like Shiftok has become a significant space for discussing and sharing experiences related to reality shifting. However, this community is often marked by striking inconsistencies in its attitudes and practices, particularly when it comes to race changing. These inconsistencies reveal underlying biases and a selective application of ethical standards within the community.

One of the most glaring examples of this hypocrisy is the community's disparate treatment of shifts involving fictional races versus real-world racial identities. Users enthusiastically support and celebrate shifts into races from popular fiction, such as elves from "Lord of the Rings" or Veela from "Harry Potter." These shifts often involve adopting stereotypical characteristics of these races, such as ethereal beauty or magical abilities, without any criticism. Similarly, shifts into anime characters, even when these characters are explicitly Japanese or of other Asian ethnicities, are widely accepted and applauded.

In stark contrast, when a user mentions shifting to experience life as a different real-world race - for example, a white person shifting to be Black, or an Asian person shifting to be Latino - they often face harsh criticism and accusations of racism or cultural appropriation. This double standard extends to cultural practices as well. Users might criticize someone for shifting to experience a traditional Japanese tea ceremony as a Japanese person, calling it appropriation. However, they remain silent when shifters adopt fantastical versions of cultural practices, such as magical rituals in The Vampire Diaries Universe, which are often based on real-world cultural elements such as Hoodoo and Voodoo.

The inconsistency becomes even more apparent when considering shifts into races that face oppression or discrimination in their fictional universes. Shifting to be a Na'vi from "Avatar," who face colonization and violence from humans, or becoming a vampire who must hide from hunters and deal with societal prejudice, are widely accepted and even romanticized. These shifts often involve experiencing fictional forms of racism or oppression, yet they don't receive the same scrutiny as shifts involving real-world racial experiences.

This romanticization of struggle is particularly problematic. Users might enthusiastically describe the thrill of being a hunted vampire or the nobility of fighting against oppression as a Na'vi, while simultaneously criticizing those who wish to explore real-world experiences of discrimination through shifting. This glamorization of fictional oppression trivializes real-world struggles and reveals a lack of critical thinking about the implications of different types of identity shifts.

The community's acceptance of shifts into historical periods further highlights this hypocrisy. Shifting to experience life in different historical eras, which inevitably involves a change in cultural context, is generally supported. For instance, shifting to be a noble in Victorian England is rarely questioned, while shifting to be a person of color in modern-day America might be condemned. This inconsistency reveals a troubling bias in how the community views and values different cultural and racial experiences.

Perhaps the most striking example of this double standard is the widespread acceptance of shifting to become a Na'vi from the movie "Avatar." This shift involves taking on a completely different racial identity, often with spiritual and cultural elements inspired by real-world Indigenous cultures. Yet, this is rarely criticized, while shifting to be an actual Indigenous person would likely face significant backlash.

These inconsistencies in the Shiftok community undermine the credibility of criticisms against race changing and point to a need for more consistent and reflective ethical standards within the shifting community. They reveal that many users are more comfortable with the idea of exploring different identities and experiences of oppression when they're framed as "fictional," even though the immersive nature of shifting means these experiences are just as real to the shifter as any "real-world" shift would be.

This hypocrisy not only stifles meaningful dialogue about race and identity within the context of shifting but also reflects broader societal discomfort with addressing real-world racial issues. It highlights the need for the shifting community to engage in more nuanced, thoughtful discussions about the ethics of identity exploration, the nature of reality in shifting, and the responsibilities that come with experiencing different racial and cultural perspectives.

B. Judgmental Attitudes and Ignorance

The shifting community, particularly on platforms like Shiftok, often displays a complex web of judgmental attitudes and ignorance about the nuances of shifting practices. This creates a challenging environment for shifters exploring different identities, especially when it comes to race changing. (in this part and all the other parts of this essay, “real world”=CR aka this reality ik they are no such thing as the “real world” but for the sake of the argument i employed that term).

Many users within the community are quick to condemn those who shift into different racial identities, particularly when these involve real-world races. This rush to judgment often stems from a superficial understanding of shifting practices and a lack of empathy for the motivations behind such explorations. Harsh comments, gatekeeping behaviors, and in extreme cases, online harassment, have become unfortunately common responses to shifters who engage in race changing.

However, this judgmental attitude is starkly contrasted by the community's acceptance and even celebration of shifts into fictional races or non-human identities. This inconsistency reveals a deep-seated ignorance about the nature of shifting and its implications. Users often justify their acceptance of shifts into fictional races like Elves or vampires from various mythologies by arguing that since these races are fictional, they're somehow "safer" or less problematic to explore. This reasoning, however, fundamentally misunderstands the core principle of shifting: that all realities, whether based on fiction or the "real world," are equally real and valid from the perspective of the shifter.

This ignorance leads to a troubling double standard. Shifters who explore the experiences of fictional races facing discrimination - like the Na'vi battling colonization or werewolves hiding from hunters - are often met with enthusiasm. The community readily engages with these narratives of struggle and oppression when framed in a fictional context. Yet, when shifters attempt to explore real-world experiences of racial discrimination, they face harsh criticism and accusations of appropriation or fetishization.

This attitude demonstrates a lack of critical thinking about the ethical implications of different types of shifts. The community fails to recognize that from the perspective of shifting theory, the distinction between "fictional" and "real-world" races becomes arbitrary. The experiences of discrimination, cultural immersion, and identity exploration are just as real and impactful for a shifter whether they're embodying a Na'vi or shifting into a different human race.

Moreover, this ignorance extends to a misunderstanding of the depth and complexity of shifting experiences. Many critics within the community underestimate how fully shifters can embody and experience a different identity, regardless of whether it's fictional or based on a real-world race. They often fail to grasp the profound impact these experiences can have on a shifter's perspective, empathy, and personal growth.

The judgmental attitudes and ignorance prevalent in the community have serious consequences. They stifle open and honest discussions about race and identity within the shifting context. Shifters who feel judged may withdraw from the community or hide their experiences, limiting opportunities for collective learning and growth. The hostile environment can discourage exploration of different identities, potentially limiting the personal growth and empathy development that shifting can facilitate.

Furthermore, this environment of judgment and ignorance often leads to the mischaracterization of shifting experiences. Complex and nuanced explorations of identity are frequently oversimplified or dismissed. The potential benefits of respectful identity exploration through shifting are overlooked, while stereotypes about shifting and shifters are reinforced.

To address these issues, there's a clear need for more education within the community about the nuances and complexities of shifting experiences. Promoting a deeper understanding of the psychological and experiential aspects of shifting could foster more empathy and less judgment. Creating spaces for open, non-judgmental discussions about controversial shifting practices could help combat ignorance and promote a more nuanced understanding of the ethical implications of different types of shifts.

By confronting these judgmental attitudes and areas of ignorance, the shifting community has the opportunity to create a more inclusive, understanding, and supportive environment. This could not only improve the experiences of individual shifters but also contribute to more nuanced and productive discussions about identity, race, and the ethics of shifting practices. Ultimately, addressing these issues is crucial for the growth and maturation of the shifting community as a whole.

C-Understanding Morality and Multiracial Identity in Shifting

The concept of infinite realities in shifting brings about profound implications for our understanding of morality and identity, particularly when it comes to race. Each Desired Reality (DR) has its own unique set of morals and cultural norms, presenting a challenge when applying Original Reality (OR) ethics to these varied experiences. This moral relativism in shifting creates a complex landscape where what is considered ethically acceptable in one reality may not hold the same value in another.

The shifting community's approach to fictional races inadvertently highlights this moral complexity. Many shifters enthusiastically embrace identities like Na'vi from "Avatar" or vampires from various mythologies, often without the same level of ethical scrutiny applied to shifts involving CR races. This discrepancy reveals a fundamental misunderstanding of the nature of shifting itself. If we accept the core principle that all realities are equally real and valid, then the distinction between "fictional" and "real-world" races becomes very blurry to a point where said distinction vanishes since what is fictional in this reality is 100% real in that DR.

This paradox becomes even more apparent when we consider that many of these fictional races face discrimination, oppression, or complex social challenges within their realities. Shifters who take on these identities are, in essence, experiencing forms of racism or societal prejudice, yet these experiences are often romanticized or seen as less problematic than explorations of real-world racial discrimination. The Na'vi fighting against human colonization or Mutants from the X-men hiding from societal persecution are, within the context of shifting, as real and significant as any historical or contemporary struggle against oppression.

The romanticization of these fictional races raises its own set of moral questions. For instance, the glorification/romanticisation of vampire culture in shifting could be seen as problematic on multiple levels. It potentially trivializes issues of consent and power imbalances, and could even be construed as a form of necrophilia, given the undead nature of vampires (vampires are dead not alive ergo necrophilia in a way. This argument that I use is to further emphasize the hypocrisy of the shifting community since yall wanna talk about fetishization and romanticisation). This level of ethical scrutiny is rarely applied to fictional race shifts, despite the community's readiness to criticize CR race changing on similar grounds.

For multiracial shifters, this moral landscape becomes even more complex. A multiracial individual might choose to shift to embody only one aspect of their racial heritage in their DR, reflecting their sense of connection and belonging to that part of their identity. This choice doesn't negate their other racial identities but rather reflects the fluid and personal nature of racial identity itself. However, the community's inconsistent approach to race in shifting can create additional challenges for these individuals. They may find themselves navigating not only their own complex identities but also the arbitrary distinctions and judgments imposed by the community.

The multiracial shifting experience underscores the limitations of rigid racial categorizations and highlights the need for a more nuanced understanding of race and identity within the shifting community. It challenges shifters to consider how their experiences across different realities might inform and expand their understanding of racial identity in their OR.

Moreover, the moral relativism inherent in shifting raises questions about the nature of ethical growth through these experiences. If a shifter encounters and adapts to vastly different moral frameworks across their DRs, how does this impact their core ethical beliefs? This moral fluidity could lead to a more nuanced and empathetic worldview, but it also risks ethical inconsistency or moral relativism taken to an extreme.

In conclusion, the intersection of morality and racial identity in shifting presents a rich area for exploration and discussion. It challenges our understanding of ethics, identity, and the nature of reality itself. By engaging with these complex ideas, the shifting community has the opportunity to foster more nuanced, empathetic, and inclusive approaches to race and identity. However, this requires a willingness to apply consistent ethical standards across all forms of shifting, whether they involve "real" or "fictional" races, and a commitment to deeper reflection on the moral implications of these profound experiences.

Conclusion : 

Ultimately, we can argue that race changing in reality shifting isn't inherently problematic and can, in fact, be a powerful tool for personal and societal growth. The ability to experience life from diverse racial perspectives has the potential to challenge deeply ingrained biases, foster genuine empathy, and contribute to more nuanced discussions about race and identity in our society.

However, we must tread carefully to ensure that these practices do not veer into appropriation or fetishization. This requires:

Approaching race changing with respect, humility, and a genuine desire to learn.

Engaging in thorough self-reflection before, during, and after shifting experiences.

Complementing shifting experiences with real-world education about racial issues and histories.

Being mindful of the privilege inherent in being able to "opt out" of a racial identity.

Using insights gained from shifting to actively combat racism and promote understanding in one's original reality.

Fostering open, honest dialogues within the shifting community about ethics and best practices.

Developing clear community guidelines that address the complexities of race changing.

By maintaining this careful balance, race changing in reality shifting can serve as a unique and valuable tool for promoting intercultural understanding, challenging racial prejudices, and fostering a more empathetic and inclusive society. As with any powerful tool, its value lies not in the practice itself, but in how we choose to use it. With thoughtful consideration and ethical guidance, race changing in shifting has the potential to contribute positively to our ongoing dialogues about race, identity, and human experience.

[novaursa]

Where Dragons Dare (2/3)

- Summary: After your declaration to marry Alicent in the small council meeting, the day of the wedding finally comes. And so does your first wedding night.

- Paring: male!targ reader/Alicent Hightower

- Note: reader is referred to as Y/N, is twin brother of Rhaenyra and is bonded with a dragon. For more of my works visit my blog. The list is pinned to the top.

- Rating: Explicit 18+

- Word count: 5 000+

- Tag(s): @sachaa-ff @literaturedog

- A/N: This was requested by @witch-of-letters. Enjoy! ❤️ Battle of the Stepstones is add as a bonus, because I love writing dragon battles. The last part will be posted later tomorrow once it is done.

- Previous part: 1

- Next part: 3

The grand hall of the Red Keep is awash with the glow of thousands of candles. The flames dance across golden tapestries depicting the histories of Old Valyria, but today the storied past pales in comparison to the momentous occasion unfolding before all in attendance. The wedding is one spoken of in whispers and rumors, but now it blooms before the gathered lords and ladies with all the splendor and gravitas worthy of House Targaryen. 

You stand at the altar draped in black and red, the rich silk of your doublet catching the light in subtle ways. The fine Valyrian embroidery at the hems speaks of dragons in flight, each thread imbued with dark crimson that shimmers like fresh blood. A black cloak, edged in deep scarlet, flows from your shoulders, fastened at your throat with a clasp shaped like a coiled dragon. Your hair, the silvery-white of pure Valyrian descent, is tied back, letting your angular features and sharp violet eyes take in every gaze, every emotion displayed openly or hidden away. At your side hangs Blackfyre—your birthright as Prince of Dragonstone—its pommel set with a ruby that gleams like a beating heart.

Before you, Alicent Hightower stands radiant in a gown of deep emerald green. The dress, fitted perfectly to her frame, billows out in layers of silk and fine lace, each shimmering with golden accents as she moves. A delicate crown of silver leaves and pearls rests atop her auburn hair, carefully arranged in elegant curls. Her eyes, a brilliant shade of brown, reflect a mixture of pride, joy, and the quiet steel she’s honed under the pressures of courtly life. There is a softness in her gaze, however, reserved only for you as her eyes meet yours—a silent understanding, a shared relief, and a promise of what is to come.

The Septon's voice rings out, leading the words of the traditional vows. Beside you, Rhaenyra is practically glowing with excitement. Her smile is unrestrained, her eyes darting between you and Alicent with genuine happiness, a sister’s joy at seeing her twin brother embrace his own fate. She wears a gown of pale red, adorned with the colors of House Targaryen and a crown of silver atop her flowing locks, her presence radiating confidence as the heir’s sister and a firm ally to your cause. 

King Viserys is seated in a place of honor, his face full of warmth and pride. His smile is wide as he watches his only son wed the woman who has become a daughter to him over the years. He has the contented look of a father who finally sees his children happy, a rare expression in a court filled with ambition and schemes. He lifts his cup in a subtle toast to you and Alicent, his eyes misting over slightly with emotion.

Daemon Targaryen, your uncle, stands near the rear of the gathered nobles, his silver hair catching the light as he observes the ceremony. His expression is inscrutable, but those who know him well enough can see the slight curve at the edge of his lips, the way his gaze sharpens whenever it falls upon you. For all his unpredictability, there is a flicker of pride there—a satisfaction, perhaps, that you finally asserted yourself against the forces that sought to control you. Daemon has always favored those who carve their own path, and today you have done just that.

As the ceremony draws to a close, you step forward to place a cloak upon Alicent’s shoulders, the symbol of House Targaryen enveloping her as you claim her as your own. The green of House Hightower blends now with the red and black of the dragon, a union that cements alliances but more importantly binds two hearts that have long yearned for this day. When you lean in to kiss her, there is a softness, a tenderness in the way her lips meet yours, and the hall erupts in applause, though the world shrinks to just the two of you in that fleeting moment.

As the applause dies down, Otto Hightower, the Hand of the King, watches with a carefully controlled expression. His eyes flicker between you and Alicent, a mixture of satisfaction and unease buried beneath his calm demeanor. Though this is a victory for him in securing his daughter’s position, there’s a tension in his jaw—he had hoped to control this outcome more closely, but you’ve slipped from his grasp, a dragon untamed. He studies you with the gaze of a man who sees both a rival and a dangerous ally.

At the feast, Rhaenyra approaches you first, practically throwing herself into your arms. "You did it, Y/N! I knew you would," she beams, her joy infectious. "Alicent looks so beautiful, and you—you were magnificent. I’ve never seen the council so speechless!" Her eyes sparkle with mischief. "And Uncle Daemon, I think he’s actually proud of you for once."

You chuckle, wrapping an arm around your sister. “He probably is. But I didn’t do this for him or the council. This was always for her.” Your gaze drifts back to Alicent, who’s engaged in conversation with a group of highborn ladies, her laughter soft and genuine.

Viserys claps a hand on your shoulder. "You’ve brought honor to our house, Y/N. I couldn’t be prouder of the man you’ve become. Your mother would be so proud, too." His voice carries a slight tremor as he mentions Queen Aemma, but it is quickly overshadowed by his joy.

You offer him a warm smile. "Thank you, father. I’ll do everything I can to ensure that this union strengthens our house."

Daemon is the next to approach, a goblet in hand and that familiar smirk playing on his lips. "I didn’t think you had it in you, nephew," he says, voice laced with amusement. "I was beginning to think you’d let others chart your course forever. But you’ve surprised us all, haven’t you?"

You meet his gaze squarely, your own smile more restrained but no less confident. "Some paths are worth fighting for, uncle. Even if they’re not what others expect."

Daemon raises his cup in a mock salute. “Spoken like a true Targaryen. Perhaps there’s more fire in you than I thought.”

The feast carries on with music, laughter, and the clinking of cups. You and Alicent share dances with the lords and ladies of the realm, but every now and then, your eyes find each other’s, and the world falls away again, leaving just the two of you in this sea of people.

When you finally manage to steal a private moment with her in a quiet corner of the hall, she takes your hand, squeezing it gently. “I was so afraid,” she admits in a hushed voice, her eyes reflecting the firelight. “Afraid that we’d never be able to reach this moment. But here we are.”

You brush a strand of hair from her face, letting your hand linger against her cheek. “You’re mine now, Alicent. I’ll fight for you, for us, against anyone who tries to tear us apart.”

A flicker of relief passes through her expression, followed by a warmth that softens her usually reserved emotions. “And I’ll stand by you, no matter the storm we face.”

The words hang between you like an unspoken vow—one more binding than anything recited before the Septon. 

The night deepens as the feast continues, a blur of music and the warm glow of candlelight reflecting off the ornate dishes piled with food. Laughter and the sound of clinking goblets fill the Great Hall. You and Alicent sit side by side at the high table, your hands occasionally brushing against each other beneath the table. The touch is small, but each time it happens, there’s a comforting warmth, a silent reassurance between the two of you. Alicent’s soft smile, reserved just for you, never quite fades from her lips.

As you’re enjoying a brief moment of quiet conversation, the sound of footsteps approaches. Gwayne Hightower, Alicent’s brother, strides up, his eyes bright with joy. "Sister! Y/N!" he greets, his voice tinged with the exuberance of youth. His resemblance to Alicent is striking, though his features are more angular, his posture that of a man eager to prove himself. "I couldn’t let the night end without offering my congratulations." He gives you a hearty clap on the shoulder, his grin broad. "It’s about time someone put a spark in this old court! You’ve done well, my friend. I’ve known you since we were boys, and I’ve always believed you’d find your way."

You return his grin, reaching out to clasp his forearm in the familiar gesture of comrades. "Gwayne, your support has never gone unnoticed. I’ve always valued your friendship, even when we got ourselves into trouble as children. But I think this time, we’ve both stepped into something greater than mischief.”

Gwayne chuckles. “You certainly have, Y/N. And Alicent—” He turns to his sister, his tone softening with genuine affection. “I’ve never seen you look happier. I’m glad you’ve found this happiness, even if I’ll be the one who has to keep a closer eye on courtly matters with you from now on.”

Alicent smiles warmly at her brother, her hand gently resting over yours atop the table. “Thank you, Gwayne. Your words mean more to me than you know. And don’t worry, we’ll both make sure to keep you busy in your duties, though perhaps with fewer pranks than when we were children.”

The three of you share a laugh, the ease of old friendships and sibling bonds lightening the mood.

Soon after, the familiar figures of Lord Corlys Velaryon and Princess Rhaenys approach. The Sea Snake is every bit the powerful figure one expects, his deep blue doublet adorned with intricate silver embroidery resembling the waves of the sea. Rhaenys is resplendent in crimson and gold, her presence commanding yet warm. There’s a certain wisdom in her gaze as she looks between you and Alicent, as if she sees beyond what most do.

“Prince Y/N, Lady Alicent,” Corlys begins, his voice deep and steady. “Congratulations are in order. The union of Targaryen and Hightower is a strategic move, and one I hope will bring stability to the realm. But more than that, it’s clear to see the bond you share.” His eyes linger on you, a hint of approval in his expression. “And perhaps this is the start of a new chapter where the young find their own path amidst the expectations of the old.”

Princess Rhaenys nods, her lips curling into a knowing smile. “It is good to see love and strength walk hand in hand. The history of our houses has often been marked by conflict, but this—” she gestures subtly between you and Alicent, “—this has the potential to change much. You both carry the future on your shoulders now.”

You bow your head slightly in respect. “Thank you, Lord Corlys, Princess Rhaenys. Your wisdom is always welcome. I hope to earn that respect in time and prove that this union is more than just a political move.”

Rhaenys’ eyes glint with something sharp and approving. “Oh, I believe you will, Y/N. The blood of Old Valyria runs deep, and you’ve shown you’re willing to chart your own course. I, for one, look forward to seeing what comes next.”

As they step away, Lord Tyland Lannister, clad in rich reds and golds, approaches next. His sharp features and keen eyes give away his nature as a man ever mindful of the shifting tides of power. “Prince Y/N, Lady Alicent, it is a joyous day indeed.” His voice is smooth, practiced, yet there’s an undercurrent of genuine intent behind his words. “House Lannister is ever eager to lend its support to the Targaryen line. May your union be fruitful and prosperous. It seems the dragons have found a way to blend strength with the grace of the Reach.”

You nod, ever cautious with Tyland’s honeyed words. “Thank you, Lord Tyland. Your support will be remembered, and I hope our alliance will benefit all corners of the realm.”

He offers a slight bow before moving off, ever mindful of where the winds blow.

The feast begins to wind down, and as tradition demands, there is the looming expectation of the bedding ceremony. The air in the hall thickens with the anticipation of it. Some lords and ladies begin to gather, murmuring and glancing toward you and Alicent with barely hidden excitement. The tension, the ribald jokes, the whispers—it all threatens to reduce the sanctity of this moment to a spectacle.

Before anyone can make a move to initiate it, you rise to your feet, the air of command in your posture silencing the crowd before the teasing can begin. “There will be no bedding ceremony tonight,” you declare, your voice clear and firm, leaving no room for argument. The hall quiets instantly, the murmur of protests caught in the throats of those who thought to see the night end in such a manner.

Daemon, standing with arms crossed at the edge of the hall, lets out a low chuckle, his approval evident in the sharp nod he gives you. “Let the young prince make his own choices,” he says, his voice carrying across the room. “There’s enough spectacle in these halls without turning the most sacred of nights into another charade.”

The crowd hesitates, unsure whether to push the matter. But when you meet your father’s gaze, Viserys nods slowly, an expression of both surprise and respect on his face. Otto Hightower, who had been watching with tension in his eyes, finally relaxes, a subtle sigh escaping him. His face settles into an expression that resembles something close to approval, a rare look from a man who values tradition and order above all.

Alicent looks at you with deep gratitude and admiration, her fingers squeezing yours as she stands. You turn to her, your expression softening as you offer her your arm. “Shall we retire, my lady?” you ask, your voice laced with tenderness.

She dips her head slightly, eyes shimmering with emotion. “Let’s,” she replies, her voice barely more than a whisper as she takes your arm.

Together, you walk down the long aisle toward the doors leading out of the Great Hall, every eye on you both as you leave. There is a certain weight lifted from your shoulders as the doors close behind you, the noise of the hall fading as you enter the quieter, more intimate corridors of the Keep.

As you walk side by side toward your chambers, the echoes of your footsteps and the distant flicker of torchlight create an almost dreamlike atmosphere. Neither of you speaks, the silence between you comfortable, filled with the knowledge that this is just the beginning. When you reach the doors to your shared chambers, you pause, turning to face her fully. You lift her hand to your lips and press a soft kiss to her knuckles, your eyes never leaving hers.

“No more performances,” you murmur. “This is just us now.”

Alicent’s eyes shine as she steps closer, her other hand rising to rest against your cheek. “I’ve never wanted anything more than to be with you, like this, away from prying eyes.”

With that, you open the door and guide her inside, the world outside forgotten as the heavy oak doors close behind you both, sealing away the courtly intrigue and the expectations of the realm. In this moment, it’s just you and her, bound together by choice, love, and a shared determination to forge your own destiny.

The chamber is bathed in the soft light of the fire, shadows flickering across the stone walls as the door closes behind you both. The silence stretches, not uncomfortable but full with the awareness of what comes next. For all the warmth you share, the affection that’s blossomed over years of quiet moments and unspoken glances, this is new for both of you. The air is tinged with the sweet fragrance of candles, the soft rustle of fabric as you both stand there, suddenly unsure how to proceed.

You turn to face her, meeting Alicent’s gaze. There’s a nervousness in her eyes, a slight quiver in her breath, but beneath it lies trust, and something more—desire, hesitant but real. You step closer, reaching out to take her hands in yours, your thumb brushing over her knuckles in a gentle, soothing motion. “Alicent,” you murmur, your voice softer than usual, tinged with both affection and concern. “Are you sure? If you’re not ready—”

“I am,” she interrupts softly, her voice a tender whisper in the quiet of the room. Her cheeks flush pink, but her eyes never leave yours. “I’ve never been more certain of anything.”

You nod, letting out a breath you didn’t realize you were holding. Slowly, you lean down, capturing her lips in a kiss, tender and delicate. Her lips are warm against yours, the kiss a gentle exploration rather than a fervent rush. You both linger in the simplicity of it, letting it ease the tension from your bodies. When you pull back, you see her chest rise and fall as she steadies her breath, her eyes searching yours for reassurance.

Your hand moves to the clasp of her dress, fingers hesitating for a moment before you look at her once more. “May I?” you ask softly.

She nods, her voice catching slightly. “Yes… I want you to.”

With careful fingers, you undo the clasp and let the fabric slip from her shoulders, revealing the pale skin beneath. The dress pools at her feet, and she stands before you in just her shift, delicate and vulnerable. Her eyes flicker down, shyly avoiding your gaze as you take her in. In turn, she reaches out, her hands trembling slightly as she begins to unlace your doublet. There’s an unspoken agreement between you—a mutual understanding that this moment is as much about trust as it is about desire. You help her with the laces, guiding her hands until your clothing is cast aside, leaving you both bare in the warm glow of the fire.

For a long moment, you simply stand there, your breaths mingling, your eyes tracing the curves and lines of each other’s bodies. There’s a sense of curiosity mixed with reverence, your gazes shyly meeting before drifting again, both of you learning and memorizing the sight of each other.

“Beautiful,” you whisper, your voice filled with sincerity. Alicent’s breath hitches at the word, her eyes shining as she looks up at you, her lips parting as if to say something, but words fail her. Instead, she just reaches out, fingers brushing over your chest, her touch sending a shiver through you.

You gently take her hand and guide her toward the bed, the furs soft beneath your feet as you lead her down onto the mattress. You lay her down with the utmost care, your eyes never leaving hers, searching for any sign of discomfort. Her lips part as she draws in a shaky breath, her chest rising and falling rapidly, but her gaze is steady, trusting.

You lower yourself beside her, your hand caressing her cheek as you lean in to kiss her again. This time, the kiss is deeper, a gradual melding of lips as you both begin to relax into each other. Your hand trails down, brushing against her collarbone, then lower, until it rests just above her breast. You pause, your eyes flicking to hers for permission, and when she nods slightly, you continue, cupping her breast gently, your thumb brushing over the soft skin. A soft gasp escapes her lips, her back arching slightly as you explore her.

“You’re so beautiful, Alicent,” you murmur against her lips, and she responds with a soft sigh, her hand sliding up your back, pulling you closer.

Your kisses begin to wander, trailing down her jawline, to the tender skin of her neck. You feel her pulse quicken under your lips, her breath growing more uneven as you move lower. When your mouth finds her breast, she gasps, her fingers threading through your hair. You take your time, savoring each reaction, each soft sound she makes as your lips and tongue explore her.

As you move lower, her breath catches, her fingers tightening in your hair when you kiss the curve of her hip. You glance up at her, seeing the mixture of nerves and anticipation in her eyes. She’s never experienced anything like this, and neither have you—not truly. But you remember the lessons Daemon half-teased, half-instructed you on during that one visit to the brothel, showing you the ways of pleasure in a more practical, if unconventional, manner. While you hadn’t partaken that night, you watched, curious, and the knowledge lingers now, guiding your movements.

You press a kiss to the inside of her thigh, and she lets out a soft whimper, her fingers clutching at the furs beneath her. You murmur a line from an old Valyrian poem, the words ancient and filled with meaning, letting the sounds roll off your tongue as your kisses grow more intimate. “Gevives isse tolvie jelevre—beauty in every breath,” you whisper, your breath warm against her skin.

When your mouth finally finds her core, she gasps, her body tensing for a moment before she melts into the sensation, her hips shifting instinctively toward you. Her breath comes in shallow bursts, her hand gripping your shoulder as you apply what you’ve learned, taking your time, listening to the way her body responds. When she lets out a soft moan, her voice trembling with pleasure, you smile against her, murmuring another line from the poem—words of love and devotion that have been passed down through generations.

Slowly, you trail your kisses back up her body, feeling her trembling beneath you. Her hands reach for you, pulling you close, and when your lips find hers again, the kiss is hungry, filled with the taste of her desire and the passion that’s been building between you both.

You position yourself above her, your eyes locked on hers as you ask one last time, “Are you sure, Alicent?”

Her response is a breathless nod, her hand cupping your cheek as she whispers, “I want this. I want you.”

You enter her gently, inch by inch, mindful of her innocence, watching her every expression for any sign of pain. She winces slightly at first, her brow furrowing, but her fingers dig into your back, holding you close as she adjusts. When she finally opens her eyes again, there’s no hesitation, only trust. “Move,” she breathes, her voice barely audible, but full of need.

You start slowly, each movement careful, deliberate, letting her body adjust, her warmth enveloping you. Her breaths come out in soft, quick bursts, her nails dragging lightly across your skin as she holds on to you. The tension in her body gradually gives way to something else, her hips meeting yours in a rhythm that’s both instinctive and hesitant.

As the moments pass, the awkwardness gives way to a deeper connection. The tenderness remains, but passion begins to take root. Alicent’s breath hitches when she wraps her legs around your waist, her hands pulling you closer. You respond to her need, moving with more urgency as she finds her own rhythm, her body moving against yours in a dance that’s both new and timeless.

When she pushes herself up, shifting into your lap, there’s a sudden surge of boldness in her gaze, something wild and free. You guide her movements, your hands steadying her as she takes control, her breathless gasps mingling with your own. The intimacy between you grows not just in the physical connection but in the way you respond to each other’s needs, desires, and unspoken fears. It’s a union forged in trust, love, and the desire to explore the depths of what you share.

Eventually, when the night reaches its quiet peak, you collapse together into the furs, breathless and spent, your limbs entangled as you hold her close. Here, in this moment, there’s only the warmth of her skin against yours, the sound of her steadying breaths, and the knowledge that this is only the beginning of your shared life together.

As sleep slowly claims you both, you press a final kiss to her forehead, murmuring words of love in Valyrian, promising her with every breath that this night is just the start of what you’ll build together.

The sky is a bruised shade of twilight, thick with smoke and ash. The stench of blood, sweat, and salt fills the air as the waves crash against the jagged rocks of the Stepstones. This place is a wasteland—a battlefield stained with the bodies of the dead and dying. For over two years, the Crabfeeder’s men have held these islands, turning them into a butcher’s yard. But today, you intend to end it. Today, the dragons return in fire and fury.

You sit atop Dallax, your black-scaled beast, perched on a ridge overlooking the main encampment of the Triarchy’s forces. His green eyes gleam in the dim light, and his body shifts restlessly beneath you, eager to unleash his wrath. His teeth, hidden within the dark flesh of his jaws, retract only when his rage is stoked—a menace lying in wait. You run a gloved hand along his neck, feeling the raw power coiled within him. “Soon,” you whisper, your voice firm yet laced with anticipation. “We will end this.”

Below, Daemon Targaryen plays his part to perfection. Clad in soot-streaked armor, a white banner clutched in one hand, he approaches the enemy lines. The Crabfeeder’s forces, a mix of hardened sellswords and conscripts, watch from behind their sharpened stakes and crude fortifications, unsure whether this is truly surrender or another of Daemon’s ruses. The Prince of the City moves with a calculated slowness, his steps deliberate, his head lowered just enough to give the impression of defeat. But you know him better. There’s a fire in his eyes—a fury barely contained behind that facade of submission. The plan hinges on this moment, on the Crabfeeder’s arrogance and greed.

From your vantage point, you spot Lord Corlys Velaryon’s forces hidden in the shallows, ready to pounce the moment the trap is sprung. The Sea Snake commands his men with a veteran’s precision, their silence a stark contrast to the braying jeers coming from the Crabfeeder’s ranks.

Daemon finally stops, mere feet from the Crabfeeder’s line, where a grotesque figure emerges from the shadows. Drahar, the Crabfeeder, is a ghastly sight, his face hidden behind a cracked and twisted mask, his skin mottled from disease. He raises a hand, halting the jeers, and for a moment, silence reigns.

Then, chaos erupts.

Daemon’s false surrender is cast aside as he draws Dark Sister in a blur of Valyrian steel, cutting through the nearest soldier in one swift, practiced motion. Blood sprays into the air, catching the dim light as the battlefield roars back to life. The Triarchy’s soldiers charge forward, desperate to claim the prize they believe within reach, but they are rushing headlong into a trap.

It’s your moment.

With a word in Valyrian, you urge Dallax into a dive. His wings unfurl, dark as midnight, blotting out the dying light. The air screams past you as you plummet toward the battlefield, the ground rushing up to meet you. “Dracarys!” you roar, the command slicing through the din of battle.

Dallax responds with a torrent of flame that incinerates everything in its path. The first line of the Crabfeeder’s men is engulfed in a roaring inferno, their screams swallowed by the relentless fire. Armor melts, flesh sizzles, and bone turns to ash in mere moments. You bank sharply, pulling Dallax into another dive, this time focusing on the siege engines positioned along the ridge. The ballistae, meant to keep the dragons at bay, are shattered under the crushing weight of dragonfire and claws. Timber explodes, splinters raining down on the screaming soldiers below as you rip through their defenses with ruthless efficiency.

You catch a glimpse of Daemon, now fully engaged in the melee, his sword a blur of lethal grace as he carves a bloody path through the Triarchy’s forces. He fights with a savage joy, laughing as he dodges and counters, the battlefield his stage. Corlys and his men surge from the shallows, catching the enemy in a brutal pincer. The once-confident soldiers of the Crabfeeder are thrown into disarray, their lines crumbling under the combined might of dragon and steel.

You circle back, eyes locked on Drahar, who attempts to retreat deeper into the labyrinth of stakes and pits his men have constructed. But there’s no escape. You guide Dallax lower, skimming the ground, his claws gouging the earth as you close in on your prey. The Crabfeeder looks up in desperation, his eyes wide behind his mask as he realizes his end is near.

“End him!” Daemon’s voice echoes in your mind like a phantom’s dare, though the words are drowned out by the roar of battle.

Dallax’s jaws snap open, his teeth glinting as they slide out from their hidden sheaths. With a snarl, he lunges, clamping down on Drahar with a sickening crunch. The Crabfeeder’s mask falls away, revealing a twisted visage frozen in terror before his body is torn apart in a spray of blood and gore. Dallax shakes his head, flinging what remains of Drahar’s corpse into the dirt before incinerating it with a final jet of flame.

Around you, the battlefield is a scene of utter carnage. The ground is slick with blood, littered with the hacked remains of soldiers. Men scream, their limbs severed, or burn as they try to flee, only to be cut down by Corlys’s disciplined troops. The cries of the dying are a symphony of suffering, underscored by the relentless roar of flames. Dallax moves among the survivors like a shadow, crushing and burning any who dare to resist.

As the last pockets of resistance are snuffed out, you land amidst the ruins, stepping down from Dallax’s back. You scan the battlefield, taking in the broken fortifications, the piles of charred corpses, and the men who now kneel in surrender. Victory is yours. The Stepstones are won.

Daemon approaches, blood splattered across his armor, a wild grin on his face. “Well done, nephew,” he says, his voice carrying a note of satisfaction. “I thought I might have all the fun, but you’ve stolen quite the show.” His eyes gleam with shared triumph, the bond between you strengthened through battle and bloodshed. “The Crabfeeder will feast no more.”

You smirk, wiping sweat and grime from your brow. “Someone had to keep you from getting killed. I couldn’t let you take all the glory.”

He laughs, the sound cutting through the dying echoes of the battle. “You’re learning. Perhaps there’s more of me in you than anyone cares to admit.”

As Daemon moves to rally the remaining men, your thoughts drift, carried away on the winds of victory. The image of Alicent appears in your mind—her gentle smile, the way her hand rests on the curve of her belly, swollen with the child she carries. You think of your son, Aegon, barely more than a year old, his bright eyes so full of curiosity. It is for them that you fight, for the future you intend to build, for the family you have claimed as your own.

The taste of blood and ash lingers on your tongue, but underneath it all is the yearning to return to them, to hold Alicent in your arms and feel the soft weight of your son as he rests against your chest. You think of how you will recount this victory to them—how Aegon will listen in awe, his little hands reaching out as if to grasp the tales of dragons and battles. You smile to yourself, imagining the way Alicent will scold you softly for the bloodshed, though you know she will be proud all the same.

“Soon,” you murmur to yourself, the words almost lost in the wind. “Soon I’ll be home.”

But for now, the battle is done, and the Stepstones are yours. The fires burn low as you gaze out over the broken landscape, your thoughts with your family, even as your dragon’s shadow stretches long over the conquered land, a reminder of the price of victory.

[serpentface]

South Wardi bulldancer removing his cloak in preparation for a dance. This man is a wealthy athlete (or athlete with a wealthy sponsor) at the Wardin city games, displaying fine jewelry, an elaborate khaitsmane fringed skirt and vibrantly patterned cloak, and a hairpiece that would be regarded as 'kinda femme' (though few will question his rugged masculinity if he succeeds at this endeavor).

Bulldancing is one of several bullfighting traditions practiced in the region. This sport requires immense skill to be pulled off properly- unlike other bullfights (which are themselves quite difficult), the bull must be defeated by sheer exhaustion rather than by injuries or being physically wrestled, and the dancer must avoid injury and fight his own exhaustion, all while continuously dancing. It is regarded as an extremely macho activity, with the skillsets required for success- strength, agility, stamina, bravery and stoicism in the face of danger- being an ideal display of manhood.

A bulldance begins with the dancer entering the ring garbed in his cloak. An intact bull, selected for beauty and aggression, will be led into the ring and restrained. The dancer greets the audience with a formal bow, and greets the bull with a deferential bow (signaling respect and deference to the physical authority of the powerful and sacred animal). He then removes his cloak. This is the signal for the dance to start- the bull is freed of its restraints, and the accompanying drummers will begin to play.

The dancer must maintain control of the bull- goading it into attacking, directing its movements with their cape, evading its charges, and all the while playing off its movements in the form of a dance. Most of the base rhythm relies on legwork (emphasized with the jingling of bells attached to the skirt and shoes, and the movements of their decorated and fringed skirts), and the dance is embellished by movements of the cape- held and spun around the dancer as he dodges, waved over a charging bull, and trailed behind the body when the dancer leaps over the animal (a difficult maneuver expected out of any quality bulldancer).

Some traditions or variants of the performance involve multiple rounds of dancing (sometimes interspersed with simple bull-leaping by other performers) to allow the dancer to keep up his stamina while the bull has no reprieve. Others are a straightforward endurance matches between man and bull- the dancer must perform nonstop and keep the bull continuously exerting itself until the point of collapse. A successful dance ends with the 'capture' of the bull- when the animal is sufficiently exhausted, the cape is slung around its neck or horns and used to drag it to the ground.

A dancing bull can only be effectively used in one match (as it will learn the dancer's tricks and stop responding to goading) and is typically retired after its debut in the ring. A dancing bull that displays excellent strength and puts up a good fight becomes a valuable, celebrated animal. This is can be a double edged sword for the bull- the majority will be kept as prized studs and live out their lives without the threat of consumption or castration, but as a valued and sacred animal, some will instead be offered as sacrifices. In each city's annual games, the dancing bull voted to be the very best by the crowd is sacrificed to the Face Inyamache at the closing ceremonies as means of thanks-giving and blessing the athletes.

[bitter-me]

Hello ! Can I ask Savanaclaw with a first year student (platonic) that is like LingYang from Wuthering waves pls ? Ignore it if you don't want to write it !!!

Have a good day !

Another Lion?

Savanaclaw | M. Reader as Lingyang [Wuthering Waves] (Platonic)

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"It's like a mini you!"

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The day [Name] arrived at Savanaclaw is the day where Leona get's another headache. Such an energetic guy.. honestly where did he got all that energy from? It's annoying. Like a child who's still learning the world around him, believing how being kind and sincere is a good thing. Meanwhile Jack and Ruggie is incredibly happy. [Name] is just such a nice guy, always willing to help, it's a nice change from how many rotten eggs are in Savanaclaw, believing that they're the "strongest."

It's even more interesting how [Name] appears to also be a lion like Leona but turned out way different. Ruggie would always joke how [Name] is the version of Leona if he was kinder. Which earned him quite the death glare. When [Name] offered a private lion dance performance. Boy is it a sight. Watching someone showing their culture and traditions are always a nice experience and seeing him go from pillar to pillar with such swift motions is quite mesmerizing. [Name] is more than happy to teach them lion dancing if they asked.

With how swift he is, [Name] instantly made his way on to the Magical Shift/Spelldrive team in Savanclaw. He's just so agile, perhaps being a lion dancer makes him quite nimble.

Leona still finds him annoying though but after some interactions, [Name] makes a wonderful sleeping buddy. How? Well somehow he always without fail found the nicest and seclusive spots for naps. [Name]'s senses are surprisingly sharper than his, which throw Leona off the loop for a moment, and just like that [Name] had officially become Savanclaw's younger brother, who ever dare lay a single finger on him will answer to the Housewarden.

Ruggie and [Name] bonded like brothers, playing pranks here and there, enjoying life. Jack is like the more responsible older brother. Ready to help, and tries to get the two of them out of trouble, he may seem mean, but he's a big softie.

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Spoilers to those who haven't done Lingyang's companion quest

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Leona, Ruggie, Jack, and [Name] were at the Savanaclaw's dorm, Leona is napping like always, while Ruggie and Jack told stories of from their hometown as [Name] listens eagerly, happy to learn new things. "Oh? So it's like a folklore? Jinzhou also had one. It's called the Jingle Beast." [Name] says casually, looking out at the horizon with a faint smile, remembering it well how people use to fear such a "beast."

"They say that there's a beast somewhere out there and that when it hunts, you could hear the sound of a bell jingle. It's as simple as that really." He explains casually with a chuckle in the end. Such a silly rumor.

"Kishishishi! Really now? A Jingle Beast?" Ruggie can't help but laugh at such an interesting folklore. "Some say it's just a Suan'ni. A mystical creature that has amazing abilities. Some were skeptical though, since Suan'ni's are practically extinct now." [Name] added, looking down at the ground where they sat. This caught their attention, even Leona as he opens one eye and glance over to the three of them.

Ruggie thought about it for a moment before nodding in response, his face became more serious. "I don’t blame them. In ancient times, the world used to be a very brutal world. Suan‘nies were hunted and killed by humans for their own profit and desires. It was cruel and not fair."

[Name] remain silent for a moment, thinking back on those times. "In my own option…" He began slowly.

"The last Suan'ni might have yearn to become a human… it yanked out all of its fur, filled down its claws, twisted its bones, and learn how to stand upright." [Name] explains in a soft and melancholy tone, his gaze never leaving the ground, his ears occasionally twitched as he says those words.

"Anyway…" He paused, adding with hesitant in his voice. "It.. never really became a human in the end.."

Pure silence. Nothing but pure silence follows after that.

Ruggie and Jack look at [Name] with widened eyes, heck, even Leona had gotten up, sitting upright and looking at the other with a dumbfounded expression. They immediately picked up on what the other is implying.

Of course the Suan'ni never became a human in the end... because at the end of the day.. it is still a Suan'ni.

Through out the centuries... animals evolved and that's how they could now stand on two feet, talk, and etc etc.

But what about those who are older? Before such evolution could even be achieve? Suppose...

[Name] had answer that question.

[apas-95]

As much as the term is misused by reactionaries to mean 'cultural degeneracy', there is in fact such a thing as postmodernism, and it is in fact, like the other ideological currents that become prominent under capitalism, bourgeois in character.

Modernism was the ideological undercurrent of the historical materialist works of Marx, the nationalism of fascists, and the utopianism of the liberals. It was the shared belief held in the early capitalist period that the universe, the world, and human society were all fundamentally knowable and understandable to mortal men. The advance of the sciences and liberal enlightenment philosophy were, genuinely, an incredible and liberatory force in the revolution against the feudal world-system. Only in the capitalist period, with the development of the means and relations of production, could such an understanding of society as Marxism exist - Marxism being, fundamentally, the application of the scientific method to human history in service of the proletariat.

Post-modernism, as an ideological current, was developed in the NATO block following the second world war, though it had been incubating prior, at a much increased rate since the establishment of the first socialist state. It represented a rejection of modernism's 'grand narratives', and an assertion that each and every individual experience was so utterly unique and varied that it was impossible to draw any meaningful conclusions about society at large - only about specific people. Post-modernism is not only the basis of the genocidal neoliberal ideology whose economic shock doctrine wracked the global south, but also of a significant portion of 'progressive' ideologies (the similarity, ultimately, of the Margaret Thatcher quote to the belief of the average 'communists are homophobic!' claimant not escaping notice). Fundamentally, it begins its analyses not from the scale of society to progress towards the individual, but from the individual to extrapolate out to society - it is an idealism that reduces all things in society to individual psychological quirks (or disorders, egads).

In the context of a post-modernist system (even world-system), the correct theory (in order to carry out correct practice) will necessarily need to deviate from traditional, modernist thought in some ways. In which ways it must deviate can only be discovered through practice, but we know that it cannot simply absorb elements of postmodernism in an eclectic manner - it must be a genuine synthesis, whose principal purpose is to overcome, annihilate, and replace postmodernist thought (along with the rest of bourgeois thought in general).