#its mostly related to religion

[cringelordofchaos]

Sometimes I wish I were straight

[serpentface]

Rhea Sur-Tigiiz, a daughter of heathens, Odonii priestess and master of the rifle, commander of the musket-bearing Cobra Knight military order, asshole, loves the killing. And her servant and fourth squire (the previous three didn't make it), an adolescent Finn eunuch named Nedaemon. Rhea adores this kid (in her own special way) and spends more time with him than her actual son.

Both are wearing the padded linen armor of light infantry, which is thickly woven enough to resist arrows and sometimes even musketfire (under lucky circumstances). Both are dyed blue to indicate status as odonii/odonii servants, with Rhea's regalia including some far more expensive forms of blue dye. Nedaemon is not yet worthy of armored pants.

Wardin is a society where the social elite and any who can afford it have servants. Each odonii priestess is attended by a flock of servants, who must be girls or eunuchs. Those designated men by Wardi cultural standards are utterly prohibited from this role, as a man seeing an odonii's nudity is a violation of her body that must be re-consecrated with his life's blood. (Exceptions are made in cases where odonii are wed to husbands). Most of these servants start as children or adolescents, often being sold to the odonii by poor families.

As far as any situation involving selling a child into servitude can go, serving the odonii is far from the worst option. It consists of most common servile duties, as well as caring for tame lions and hauling weapons to and from war-dances. They will be well fed and afforded a degree of social protection due to their servitude of divine priestesses, regardless of their social class or citizen status. (Though any societal abuses typical towards those in servant positions may, of course, be present). They are not paid for their services until adulthood, though their family is given yearly payments in the meantime.

The few odonii who actually participate in combat are given a young eunuch as a squire (sometimes along with a young girl training to become a priestess, who will outrank the other squire). They will carry and maintain her weapons/shields/armor, outfit her, supply her ammunition, tend to her khaits, carry the lionskin standard. They are expected to defend their priestess with their lives.

One who survives to adulthood will usually be inducted into a higher military order (Rhea's Cobra Knights largely consist of graduated squires). One who does not survive has the consolation of God's favor and an esteemed position in the afterlife, usually said to be a cupbearer to the ancient saints and heroes. The potential of induction into an elite knighthood is a highly desirable outcome- such a warrior is highly respected and may be paid in land and peasants, able to support their their families for life. Even wealthy and secure families may have their sons put to the knife to become an odonii's squire.

[sporesgalaxy]

the wittebanes are so awesome . i have a normal amount of pent up feelings about familial relationships and religion btw

[doveotion]

.

[biocrafthero]

The weird thing about me is that if you were to ask if I was a specific religion based on my blog theming I unfortunately have to answer with “technically yes, but not in the way you think”

[roboromantic]

hm actually I'm realizing that I think pretty much all my nonfiction books are either language stuff or religion-related stuff so there's really not much in the nonfiction part lmao.

it's uuuhhh a little bit more complicated than this, but generally it's something like alphabetical by religion -› alphabetical by branches/denominations/movements/etc of said religion -› type of book (historical, theological, scripture, etc) -› alphabetical by author (if applicable) -› alphabetical by title

tbf the tags I wrote on that book organization poll were already not entirely accurate bc I have No Fucking Space so books just kinda go wherever they can but. ideally that is how things would go

[pubbamoon]

Your Ideal Partner In Your Destiny Matrix Chart

Hi! I haven't been there for a while, 'cause I needed some sort of a break. Thanks for your understanding in advance. We can go further with spiritual content now. This time, I'm going to make a post about how and where you can look for your ideal partner in your Destiny Matrix chart. If you're single and do not exactly know which type of partner is the right one for you, I hope that this post might help you in any way, shape or form. But as always, take things as they resonate with you, do not force anything if it doesn't fully align with you. So, without a further delay, let's get into it.

If you did read my first post (the intro) about the Matrix of Destiny, you might know that there is a love line which is formed by three numbers and it talks about our relationships style, its struggles, partner etc. The second number in this love line is a number which is placed the closest to the heart icon/emoji, represents our ideal partner and the characteristics of our partner.

Here is the example of that. I marked the adequate number with the black color, so you can see it clearly. This is my Destiny Matrix chart and the number I have close to the heart icon/emoji is number 7, so my partner could have characteristics of this number and arcana, which is The Chariot in this case. I hope it's understandable.

I'm going to describe each numbers and possible characteristics of your partner now.

1 (The Magician) - If you have number 1 close to the heart icon/emoji, then it means that your partner may have natural leaderships qualities. Your partner might be confident, independent and even powerful. He or she might also inspire you to live your own life however you want and will definitely give you freedom. With The Magician card being present here, you can basically manifest any partner you want, 'cause this card is about manifestations.

2 (The High Priestess) - This partner may likely be an emotional and empathetic type of person. You might seek for a partner who can take care of your and who wants to build a family with you, since number 2 is ruled by the Moon, which does represent family. Your partner might be in tune with the feminine side, no matter if this person is male of female.

3 (The Empress) - Your partner might be very beautiful and good-looking, even wealthy. This partner may also be creative and interested in artistic fields. You can experience a lot of joyful moments and you can have fun a lot with your partner in general. You may find comfort, pleasure and even luxury in your relationships.

4 (The Emperor) - There is a strong masculine energy in this arcana. Your partner could be a natural leader and logical, which are the characteristics of a divine masculine energy. I wouldn't be surprised if you married some kind of a CEO or a manager with this arcana. This partner might also be controlling, so be aware of that.

5 (The Hierophant) - Another arcana which radiates some kind of masculine energy. This arcana is mostly about traditions, conformity and religion, so your partner might have a traditional and religious beliefs and might be someone who likes the order. Number 5 is associated with communication, which means that your partner might be communicative and adventurous, obviously.

6 (The Lovers) - This arcana is basically about relationships and love, so having this arcana in your love line could be a jackpot for you, but take it as it resonates, please. Your partner may give you emotional support and may buy you a lot of expansive things to impress you. The communication with your partner might be on point, unless your partner is negative and judgmental.

7 (The Chariot) - Your partner is likely to be strong-willed, ambitious and disciplined with an active lifestyle. There is also a spiritual side of your partner, since number 7 represents spirituality. The Chariot card is related to Cancer sign, so you can have a family with your partner. This also tells me that your partner should have a balance between spiritual and material world.

8 (Justice) - Your partner might be a balanced, organized and responsible individual, 'cause number 8 is ruled by Saturn. He or she could be a lawyer too. Your relationships may be dealt with a lot of conflict, aggression or you may simply deal with karmic relationships. You might need a partner who can calm things down and put things together.

9 (The Hermit) - This arcana is all about solitude, introspection and reflection and it might be hard to have this arcana in your love line. If you struggle with your relationships or you constantly feel lonely, know that it's quite normal with this arcana. Your ideal partner might be someone who is wise, mature, compassionate, empathetic and who can guide you through spiritual world. It can also indicate starting relationships later in life.

10 (Wheel of Fortune) - This position might be very lucky in terms of your relationships. You can basically hang out with almost everyone, but don't always rely on luck when it comes to your relationships. Meeting your ideal partner might seem like some fated event you cannot control. Your relationships may also seem like cycles and if your relationship is negative or toxic, that cycle needs to be ended.

11 (Strength) - Your partner might be strong, courageous, energetic and optimistic, according to the Strength card. Number 11 is a very spiritual number and is associated with intuition. It takes courage and accountability to follow intuition. I sense that you might need a partner that you can count on. Watch our for an aggressive nature of your partner.

12 (The Hanged Man) - This tells me that your partner could be caring, creative, smart, even selfless. You might need the type of partner who will take care of you, support you, sacrifice for you and who'll give you different perspective of life. Be careful not to be too attached to your partner and to make some boundaries in your relationships.

13 (Death) - Your relationships might be transformative period of your life where you can shift your mentality and a view of your whole life. Your partner might come across as mysterious, unpredictable or even shady. This person could also be adaptable into almost every situation. Make sure to hang out with people you can change and progress with.

14 (Temperance) - Your partner might be balanced, emotional and mature. This can be an indicator of a normal and moderate kind of relationships. Sometimes you should be patient for your partner to come in. This partner might have an artistic or healing abilities and can inspire or help you to see the bright side of life.

15 (The Devil) - This arcana can indicate having a toxic relationships and being with over materialistic partner. Your partner might be someone who embraces his or her dark side. You can date someone who deals with addictions, who is charismatic, energetic and passionate. There can be a strong bondage between you and your partner as well.

16 (The Tower) - Your partner and overall relationships might be so chaotic that you can experience whether mental breakdown or spiritual awakening. This number/arcana represents an intense partner who may go into the extremes (violence, aggression, attachments) or a spiritual and intelligent partner who may lead you into the spiritual growth.

17 (The Star) - After previous arcana, where everything falls apart, then comes a healing journey, according to The Star card. You might experience more positive things with your partner or in overall relationships. Your partner is likely charming, sensitive or even popular person everyone knows about. You can share some unique moments with your partner.

18 (The Moon) - You may date someone who is deeply imaginative, mysterious and intuitive. This arcana represents illusions, which means that your partner might be in his or her own world a lot or you can fantasize about your relationships a lot. Your partner might also be creative and artistic, which relates to this arcana.

19 (The Sun) - I feel that you need a partner who will give you joy and positivity into your life. Your relationships could be filled with optimism and celebration, meaning that you may go to the parties with your partner a lot. There's a chance for you to have a happy and fulfilled relationships and you can benefit from your relationships, but it can indicate being depressive after breaking up.

20 (Judgment) - This arcana relates to the family and ancestors, so you may need a type of partner who wants to build a family with you. Your partner might be spiritual, intuitive, mystical who may guide you to live your life differently, but this partner could also be very judgmental to you. It can indicate being in the karmic relationships.

21 (The World) - Your partner might be an open-minded individual who has a natural diplomatic abilities and who can hang out with people easily. This arcana may indicate having a partner from abroad or from a more different culture than yours. You could meet your partner in your work environment, but it doesn't mean that will be the case of everyone.

22 (The Fool) - I sense that your partner might be spontaneous, adventurous, explorative and free-spirited. You could experience really fun and unpredictable moments with your partner. Your relationships might seem like an adventure, basically. The problem is that this could lead into disorganization and irresponsibility into your life, especially if you're someone who needs some kind of a structure in your own life.

Okay, I think that would be all for today. I hope you enjoyed it and learned something new. For me, it was great to come back after not posting anything for a week. Comment what you want to see next on my astrology blog if you want to. I wish you all had a beautiful day ahead. See you!

Best regards,

Paky McGee

[specialagentartemis]

ykw i am having so much fan watching you be a hater, that i’ve decided to ask for more. PLEASE give us a rant about a book you hated.

Haha aw I'm honored. And uh I hope you don't have any particular attachment to Becky Chambers. Sorry in advance.

But A Psalm for the Wild-Built won a Hugo and I do not get the love. Book 1 was nice enough, yeah. Book 2 had me tearing my hair out.

Sibling Dex is a restless Tea Monk who serves the God of Small comforts on the science-fantasy planet of Panga. I genuinely love the idea of a tea monk - part therapist, part confessor, travels around to the different towns, mixes tea blends for people, lets them talk about their worries and fears and stresses, and gives them, if not advice, then sympathy and a listening ear and some calming tea. This is meaningful work but they're unhappy. After doing this for a while they're still unsatisfied with their life, so they go into the woods searching for self-actualization, and meet a robot named Mosscap, a wild robot that lives in the woods. See, hundreds of years ago, all the robots "woke up" and became sentient one day, then they staged a quiet rebellion against humanity's greed and industrialization by walking into the woods and never coming back. Now, the continent is split in half: humans stay on the Human Side, and robots stay on the Robot Side. The Robot Side is kept wild and humans are discouraged from going in there because humans can't be trusted not to ruin Nature. The rpbots are welcome to come to the Human Side, they just never have. Dex is the first person in a While to venture into the woods of the Robot Side, and the first human since the great walkout to see a robot. Mosscap gives Dex a lot of philosophical pep talks about not pushing themself so hard, about allowing themself to just rest and appreciate the world without feeling like they need to be Providing A Service to justify their existence. It's a nice theme. Underbaked, imo, but nice. Relateable.

Book 2 was a goddamn mess.

Book 1 mostly takes place in the wilderness of the woods, so it's okay if the nice utopian human community Dex comes from was sketchily-built. It Just Works, and everyone Is Just Nice, this is a science-fantasy parable. There were some issues I had with it - like the strict ideological and physical divide between Nature and Humans, and the fact that Dex's religion seems to be the Only Religion In The World, and it's vaguely secular-humanist with the gods being not "really" gods but names given to primordial forces and philosophical concepts, and the religion not really making any demands of its adherents in any way except to become their best selves and devote themselves to what they like... it's potentially interesting, but overall kinda lazy. It felt like Becky Chambers was aware of the idea that having an enlightened-atheist sci-fi utopia is Problematic, so she made there be a central religion, but she also didn't want it to have any of the ~icky~ things religions have, like belief in anything supernatural, or dietary restrictions, or creeds, or codes of behavior, or expectations to make any kind of sacrifice in any way. All the gods "ask" is that humans observe and appreciate the world. But whatever.

In book 2, Dex and Mosscap return to Dex's society, and the book seems to want to explain how the world works, and oh my GOD is Chambers not prepared to do this.

"Observe and appreciate" is all anyone is asked to do. Book 2, A Prayer for the Crown-Shy, is an ode to ultimate virtue of Doing Nothing. There's this attitude I see in a LOT of utopian fiction, where the author is bluntly just not a good enough author to imagine a utopian society where people act like people, so in the world of Panga, utopian society is achieved through 1) homogeneity 2) no one giving a crap about anything.

As far as I can tell, there is the one religion. Most people are Fine with this. Most people are Fine with anything. There are no characters with distinct personalities. There's no money, except there is, except it's not real money and no one will deny you anything if your balance is in the red, even though your balance is available to be seen by anyone - this does not cause any kind of shame or pride or competition in any way, and Dex doesn't understand why it might. There are no hierarchies or governing bodies, people just volunteer to step up when things need doing (this is portrayed as great and not deeply concerning). There are different communities, but in them, everyone is uniformly nice, friendly, and helpful at all times. There are some parts of nature, like the seashore, where people are not allowed to go because they'll ruin the environment, and this is accepted as correct and necessary. Most people live in hippie, pro-recycling, high-tech, end-of-history green communities; there's one group they visit, however, that doesn't trust technology, and lives in a vaguely sci-fi-Amish way. You might think, Dex travelling around with a robot, this might cause conflict! It does not. The people from this community calmly explain their anti-technology position, Dex calmly explains their pro-technology position, and they politely respect each other. "Not bothered either way" is a phrase that turns up in various permutations a lot and is held up as the good, mature, responsible way to be.

There's a scene where they catch a fish for dinner, and instead of killing it, the scifi-Amish guy says "We let the air do that for us, and they let the fish slowly suffocate to death in the air while they all look on solemnly and sadly. This is portrayed as a deep, beautiful moment of them witnessing and honoring the final moments of a living being's life. And not. y'know. them torturing a living being to death so they can keep their own hands clean.

This is what I mean about the valorization of passivity: observing is all you are ever obligated to do. Letting a fish die in the air is better than killing it quickly and humanely, because doing things gets your hands dirty, while letting things simply happen is the Correct way to do it.

At the end, Mosscap and Dex blow off all their promises and appointments and just hang out at the beach chilling out instead, because do what you want forever, you don't have to do shit. This is the happy affirming ending. Mosscap you fucking said you'd meet with the city leaders as the robot ambassador to the humans, did you tell them you were blowing off this commitment because you didn't feel like doing that anymore??? Did you even let them know??????

It is SUCH a baffling book. The theme wants to be "you are more than your job, you deserve to just Be" and ends up feeling like "you don't have to do anything ever, and no one can make you do anything you don't want to do if you don't feel like it, and you don't owe anyone anything and searching for a purpose in your life is just making you stressed out so chill at the beach instead."

The thing that drives me crazy is like. Mosscap cheerfully tells Dex about robots that spend twenty years in a cave watching stalactites form because they think it's beautiful, and those robots are just as much a valued part of society as anyone else. Appreciating beauty and wonder is good enough, you don't need to be productive. And I'm just. fuckin. like. Humans are not robots! Robots don't need to eat or sleep! Humans need food, and clothes, and shelter, and medical care, and if we don't have SOMEONE working to provide that, we Die! Nice as it would be, we CAN'T just all do nothing forever until we feel like it! We can't do that!

And at the same time, the book bizarrely treats wanting a purpose in life as like... almost disordered. If you are seeking a purpose in life it's because you just haven't let go of your guilt and relaxed enough. It's bizarre. Valorization of passivity. Humans aren't meant to be in nature so we just Shouldn't. Doing nothing and having no strong opinions is the most self-affirmed you can possibly be. Letting a fish suffocate is more moral than quickly breaking its neck or spiking its brain. Someone else will do it. Who, if we're all supposed to be resting and only doing what we feel like? Don't worry about it.

"The heart of this book is comfort [...] There is nothing in it that can hurt you." YOU LIAR BECKY CHAMBERS THE FISH SCENE STILL DISTURBS AND UPSETS ME TO THIS DAY

[catsteeth]

♱ 𝑤𝑒𝑙𝑐𝑜𝑚𝑒 𝑡𝑜 𝑚𝑦 𝑏𝑙𝑜𝑔 ♱ Hi! I'm Bambi (she/her). I am a 23 year old psych student. I write fan fiction for whom ever my hyper fixation has chosen as its victim. But if you have a specific request for a character and I know them well enough I am more than happy to accommodate. I also write original stories separate from tumblr. Mostly psychological/thriller/drama stuff. I love all things horror related, weird, and dark. Please beware that a lot of my writing will have mature themes so MDNI, prettiest of pleases. I include content warnings for anything that might possibly trigger anyone so please let me know if i ever miss anything! I write smut♥️, fluff🧸, angst🕯️, all that jazz. No judgement here I am a freak and a weirdo don’t worry about it, that being said however… Please check out my request rules & boundaries to know how to request as well checking the status of requests before requesting. Requests are currently commission only. All races, religions, genders, and sexualities are WELCOME and any bigotry will be blocked.

Below is a master list, hopefully it’ll get longer very soon!

primary blog is @velvetbows AO3 is cats_teeth, Ko-Fi link

I do not give consent to copy my work, I do give consent to translating my work with the condition of proper crediting.

Series:

The Caged Bird and Leashed Dog completed The Hound X Reader

Complete work chapter index.

Sugar & Violence Podrick Payne X Reader | Chapter Index: 1 🧸

2 ♥️🧸

3 ♥️🧸

4 ♥️🕯️

5 🕯️🧸

6🕯️🧸 7 ♥️🕯️ 8🕯️🧸

One Shots: Davos/Benjicot Blackwood: Turn your cloak ♥️🧸 Pt.2 ♥️🧸

Requests: (rules) Sandor X Reader

She’s My Collar - ♥️🧸 Angst

Warmth in the night - 🧸domestic

Thicker Than Water - ♥️breeding

The Maiden -♥️plus size

3 other requests in the works.

Podrick X Reader

Growing Pains ♥️

Jacearys Velaryon

Cold Steel Hot Skin ♥️sub!jace prt.2♥️🧸 Ivory Gown 🧸Headcannon protective

[victoriadallonfan]

Let's Talk About the Alien vs Predator Films

Talk about wasted potential, am I right?

I'm struggling to format this in an interesting way, since so much has been covered over the past 20 years since the first film was released. You can read my thoughts on Aliens Franchise and the Predator Franchise as well.

Note that it doesn't include Alien: Romulus, but suffice to say it was a good movie!

I think the best place to start is with covering the themes of Alien and Predator, and the history before these films were created (and the failure of Fox).

My fellow AvP enjoyer @agendergorgon has already posted some thoughts on the topic, giving me a lot to think about, so check out their blog too!

For the purposes of this review, I am not going to include Alien 3, Alien: Resurrection, Prometheus, nor Alien: Covenant.... mostly. The AvP films really don't take much of anything beyond the first two films, though I will touch on Prometheus when it comes to religion.

Ditto for the Predator films, but that's because Predator wouldn't get a third film until 2010, 3 years after the AvP duo.

The themes of Alien Franchise:

I'm sure the first thing to come to mind is that the Alien series is about sexual assault, and you'd be correct. The xenomorph is designed to be extremely phallic, the facehuggers quite literally rape their victims, Burke locks his victims (including a child) in a room to be raped, Ash tries to murder Ripley by thrusting a rolled up porn magazine down her throat etc etc.

Some of you might also remember how Aliens was noted by James Cameron to be a criticism of the Vietnam War, Corporate Greed, and the callous arrogance of the US Military. The xenomorphs represented the innumerable "faceless" soldiers that could overwhelm more advanced enemies with ambush tactics and numbers, Burke thinks only in "goddamn percentages" and how this could benefit himself and the company, and the Colonial Marines are not only woefully mismanaged a newly brought on commander but also completely delusional with their own sense of invulnerability, only to break and panic under pressure once they meet a foe who is determined to fight to the death.

(I will NOT be tackling the fucked-upness of comparing people fighting for their independence vs a fucking Xenomorph, because holy fucking shit, it is literally the opposite AND worse counterpart to having the Predators be colonizers)

But, in the broader scope of the series, Alien - and the xenomorph - represent the uncontrollable, unfathomable, unknown. What are they? Why were they there? What are their motives? How did they end up in that ship? Were they built? How do they 'see'? Why did the xenomorph spare Jonesy the Cat? Are they intelligent life? How on earth do they function with their bizarre biology?

We don't get any real answers to these questions in the original films. The whole point of these movies is that there are things that mankind does not understand, and the horrors of space are vast. And equally terrifying is the arrogance of man (and synth kind) to think they can harness this horror for profit at the expense of human lives.

The themes of the Predator Franchise:

There's been tons of articles on how Predator is either a reconstruction or deconstruction (depending on who you ask) of the 80's action hero flick. A team of muscle laden, big gun toting, sweaty men spouting off one-liners as they mow down their enemies in a secret CIA led operation during the Cold War, interrupted by the presence of an intergalactic hunter than treats these badasses like mere toys. The massive Arnold Schwarzenegger is smacked out like a mouse facing off against a particularly cruel cat, needing to rely on tricks - not his brawns or guns - to stay alive and eventually defeat the Predator.

Others might point to its related take down of machismo. The opening scene is rife with characters testing each other's physical strength against each other such as with Dillon and Dutch, Ventura and Dutch have a small face-off in the helicopter as they try to make a pecking order, Ventura makes a whole speech about being a "sexual tyrannosaurus" and then mocked about sticking a gun up his "sore-ass", Hawkins repeatedly tries to make pussy and sex jokes, and they end up with a single woman in the group who is treated more like an object and baggage than a person for much of the movie. All of these men are emasculated by the Predator, some of them not even lasting a single second to its predations (both in tech and physicality), all of them losing any sense of quips and confidence, and the sole woman of the group survives because she didn't fit the movie's (and Predator's) mold of "tough as nails". When Arnold/Dutch is rescued by helicopter, it's not a cheerful one; he's haunted by what he endured and remains silent as the film pans into his thousand-yard stare.

All of this applies to Predator 2 as well, amping up the violence, dick measuring, and rules of the Predator targeting anyone who thinks they are tough shit for carrying a gun or knife. Even Danny Glover's victory is bittersweet, because he is now left in the middle of dozens of officer deaths, and entire subway car filled with corpses, and an antique flintlock pistol that promises the return of the Predators to Earth.

In a much broader sense, the Predator films are about the oversaturation of violence and lack of care for human life. Predator 1's main plot before he arrives is the CIA using Green Berets and then Dutch's special ops team to clean up their dirty work, giving them false information and not even reporting the Berets being MIA in furtherance of their Cold War goals (slaughtering guerrillas who were working with Soviet Russia). In Predator 2, the police are seen as being ineffective because they trample on each other's jurisdiction, with the Federal task force being willing to kill their own cops to keep the Predator existence a secret and letting it hunt people down for a better chance at capture and experimentation.

The Predator creatures are the epitome of such greed and arrogance. They are the General Zaroffs of The Most Dangerous Game, taken to a new height by showing that human lives literally mean nothing to them beyond a trophy hunt. They care nothing about our social lives, our politics, our loved ones, because for them this is nothing more than the equivalent of posh British Elite going on a Fox Hunt: cruel and sadistic, just to placate their egos. They will violate the corpses of the dead and taunt those in mourning, for the thrill of the game. And in that sense, the Predators are very human antagonists: they are not unfathomable nor are their goals beyond our understanding. The horror of the Predators is that they are creatures we can understand, communicate with, and even see similarities in their culture to ours... and that culture is putting us on a trophy rack alongside other skulls of creatures they felt a thrill to hunt.

So, did the Alien vs Predator films cover even half of these topics?

Well... kinda? Just... not well.

Not well at all.

The Build Up

Alien and Predator have a connected history dating back to the creation of the Predator itself. Stan Winston was on a flight with James Cameron some time after the famous director had finished with Aliens, and the director made a comment about wanting to see a monster with mandibles, which eventually led to the creature we know and love today.

Predator's debut on screen was also often compared to Aliens due to the superficially similar premise of a team of commandos going on a mission and fighting an unknown alien threat.

Despite what some people think, the AvP series wasn't started by the films.

Yes, there was a particularly memorable scene in Predator 2, where the City Hunter is admiring his trophy room and a xenomorph skull can be seen mounted on the wall (though, fun fact, it's actually an inaccurate depiction as xenomorph skulls look more humanoid facing), but that wasn't the first time the duo met in media.

And I'm not referring to the 1993 Arcade Game either (since that only came out a year after Predator 2).

The Alien vs Predator comic first appeared in 1989. And there were publications continuing ever since.

Think about that going forward. There was 25 years of content to choose from, storylines they could adapt, interesting forays into the cosmology and interactions between Yaujta, Xenomorphs, and Humanity.

The movies used exactly none of it (barring 1 thing: the Predalien).

Alien vs Predator (2004)

The plot of this movie is that Weyland-Yutani corporation detects a heat bloom under the ice in Antartica that reveals an underground pyramid, and in a race against his competitors, Weyland rounds up a team of elite experts led by Lex Woods to investigate the ruins (and find that the Predators have left them a convenient tunnel to enter the deep ice). Only to find out that this was a trap, as the pyramid comes to life activates a Xenomorph Queen, unleashing a brood of facehuggers on the helpless crew, all the while the Predators hunt them down. After a spectacular shitshow and release of the Xenomorph Queen, Lex and the last Predator (Scar) have to reluctantly team up to escape the pyramid and blow up the xenomorphs, ending in a final battle with the Xenomorph Queen. Scar perishes in the fight, but Lex manages to send the Queen into the depth of the artic ocean, and is rewarded by the watching Eldar Predator with a spear for her troubles. A post-credit scene reveals that Scar had a chest-burster inside of him, birthing the Predalien!

Rewatching this movie, I'm surprised at how good it looks. The opening scene of the satellite in space, several shots of the ship (and spaceship), the frozen tundra, the set pieces like the Xenomorph Queen Prison, and the CGI!

The CGI! Of 2004! I was shocked that they looked so good for something that is 20 years old now, but they did really well for themselves.

But it was the practical effects that blew me away the most. The shifting Pyramid is absolutely iconic and the abandoned whaling station is suitably creepy. The face-huggers look amazing and the xenomorphs are just *chefs kiss*. It's so funny seeing these Xenomorph effects compared to that of Alien:Covenant, and seeing how much work bodysuit and puppetry can do to make a monster look so much more terrifying than a CGI creature.

I know a lot of people didn't like the Predator's bulky appearance in this movie, but honestly... I dig it? It makes sense that not all Predators are literally built the same, and that the ones who would choose to go hunting in the artic would be the bigger ones who could hold more body heat. And the movie does a really great fucking job of making these Predators look badass and distinct from each other, with Celtic having the coolest mask of the whole group.

And the way the movie is shot is really fantastic! There are a lot of wide and tracking shots where the movie lets the atmosphere do the work instead of badgering us with words, taking its time to build up tension and soak up the visuals. One of my favorites shots they did was slow roam through the Predator ship as the systems come to life and we get to see holograms come on-line, feeding information directly into their masks. Equally good was when the Xenomorph Queen is awakened to cackling electricity and ominous lighting, showing us how vast this chamber is and how huge this Queen is in comparison to the one Ripley faces.

The same goes for most of the actions scenes, with a decent amount of cool slow-mo shots for things like Face-huggles launching themselves, Predators leaping across chasms, and showing Scar's impressive athleticism when he leaps 10 meters into the air and stabs a spear through the Queens skull.

And I can always rewatch the first time Alien Meets Predator Fight. God, that score! The music is just so damn good!!! You really feel like you are watching two massive horrors from space finally finding themselves sharing a space together.

Honestly, the Predators using the Xenomorphs as some kind of fucked up exotic pet for hunting trials and training fits the lore PERFECTLY. It’s actually a literal fox hunt not just metaphorical (and of course, in typical Alien fashion, it all went to shit).

Aliens vs Predator: Requiem (2007)

"Wait, Ridtom/VictoriaDallonFan, are you about to say something nice about AvP:R?!"

Well, after turning up the brightness and hanging blankets over my windows and then watching the movie underneath more blankets... yes!

For one thing, the Alien and Predator effects are spectacular! Some of the best work I've seen in the franchises! The fight scenes are creative and use really cool set-pieces like the sewer and power plant, where we get to see Wolf (the name of the Predator of this movie) absolutely kick ass and slaughter his way through hordes of Xenomorphs. Not that the xenos are left in the dust, as they get plenty of murders on screen and even outsmart Wolf on occasion.

I actually like the Predalien design and the idea that it’s more intelligent than the average Xeno, including holding personal grudges and understanding Predator behavior.

And the Predator tech is really cool too! We got laser grids, land mines, power fists, converting the plasma caster into a plasma pistol And I love the moment where Wolf kidnaps one of the human protags to use as live bait. Such a dick thing to do but so in-character.

Even the bits we get of Wolf mourning his fellow dead hunters was a neat addition.

And to be honest, I didn’t mind the idea of seeing an actual xenomorph infestation in real time, in a small town. I think that sort of setting would be really fun for a one-shot story.

And… that’s it. That’s all the good stuff.

What Went Wrong?

I compiled a list of sources where I got a lot of information on the AvP production: Source 1, Source 2, Source 3, Source 4

Note that a lot of these are 20 years old so I apologize for the outdated and honestly abhorrent word use that some articles and videos may use. And another apology for using the Xenopedia wiki, it was just a good shorthand for other information.

In short: Fox fucking sucks. They will absolutely self-sabotage themselves in order to make a (perceived) profit. Tom Rothman is the most well known (and he’s gone to Sony as of now), but Fox has had a looong history of being stingy and terrified of any risks for their films.

The sheer amount of drama involving Alien 3 and Alien Resurrection is an insane rollercoaster.

AvP removed pretty much any sense of horror and purposely had the design of the Predators to be more “human” and “heroic” (hence the weird human eyes and bulky physique), with a PG-13 rating for more audience numbers. While the human characters aren’t bad, they are not unique or even memorable (barring the fandom romantic tension between Lexi and the final Predator). Also, it was very weird that the Predators couldn’t kill a single Xenomorph, meanwhile the Colonial Marines couldn’t trip without blasting apart swarms of them. It felt like they really wanted to save money on the film in that regard.

AvP:R was even worse, with it being filmed with such a lack of lighting that people could not actually see any of the movie, and even modern advancements in color grading make it a strain. The human characters are awful, just absolutely boring and unremarkable beyond being veiled callbacks to characters from Alien, and we get a bunch of stupid Dawson’s Creek drama involving teenagers who look like they are 30 years old fighting over a girl who has no personality because she was written to just be “hot girl”.

If the story had focused entirely on the wife coming home from the war and dealing with the fact that her own daughter doesn’t feel close or comfortable with her after years of being gone, there could have been focus and themes and yadda yadda yadda.

Also, while this movie at least has horror aspects, did we REALLY need to see the Xenomorphs eating the fetuses and belly bursting out of still screaming mothers? Like, there is horror and then there is just being gross.

Final Thoughts

I often wonder if AvP took the wind out of the sails of Prometheus. Both play with the idea of humans worshiping aliens as gods, because Ancient Aliens is fucking everywhere, but it’s really hard to take Prometheus seriously when you remember AvP did basically the same setup (with arguably smarter characters).

And these movies have really soiled the idea of the AvP franchise barring the video games and comics. There’s apparently an AvP anime locked up in Disney Vaults and so far, both franchises have kept their respectful distances from each other.

However, with the recent successes of Alien: Romulus and Prey, there’s been a bit of a stir with some comments hinting at a potential AvP future.

Who knows. It’s been 17 years, perhaps 3rd time is the charm.

[clarafyer]

Okay little thing about my writing style I actually just named that could be helpful when writing: The RRR method

Research, reference, and relate.

RESEARCH things you may be depicting. Things like trauma and its responses, disorders, religions, cultures, etc. When you're depicting PTSD like so many OCs end up having because of the things we sick writers do to them, you'll want to know what PTSD entails in everyday life and how it affects people. With culture, you'll of course want to know what the actual culture is in order to depict it! Don't just say "this character is Muslim" and then have them be drinking alcohol with a pork dinner.

REFERENCE your inspirations. It's just like using references when drawing. Look into the structure of your inspirations, how your favorite authors use suspense and subtext. Using references and inspiration is not stealing or copying or any shit like that! But it can easily bleed into that territory. I say this as mostly an artist who keeps tabs on the toxic community who thinks studying an art style is stealing it, etc etc stupid crap. If a character of yours ends up accidentally being similar to one you know from a piece of media, you don't need to pull a 180 on their writing! Overlaps are bound to happen, and that's okay. Reference those character's story arcs, behaviors, etc. and make it your own unique thing along the way!

RELATE details to other parts of the story. When people can see dots connecting in your story, that 'click' feeling is the best! Make sure that major points of character's story relate to other plot points, either in another character's story or the main plot, or both! Of course, you can have irrelevant details about people. But when you're talking about character-defining backstory, you should probably find openings to connect it to other areas of the story, that way it all comes together and becomes cohesive and relevant to each other.

This is just my own opinions and advice! You don't have to do anything I said here. I just managed to put into words how I write my own OC lore and worldbuild. This can work for authors, gamemakers, D&D players! (D&D players specifically because having a backstory that relates to the campaign is a really good idea and the DM WILL use that information against you in angsty sessions) If you found my advice helpful, I'm glad I could be of service :)

[butmemostly]

autistic kevin price headcanons because i have seen the light:

went by completely undetected because his symptoms presented in “acceptable” ways or were just not recognized by his parents/guardians as neurodivergent

needs routine and does not handle sudden changes to his routines well. if something unexpected happens he’ll freak (internally)

on that note, internalizes everythinggggg. not in the “turn it off” way – in the way that he will feel things but just will not express it outwardly if he can help it.

related, he is very much in a state of constant masking. he does not know how to unmask. he also does not know why he feels so stressed/anxious all the time (surely unrelated /s)

NEEDS his alone time to relax or he’ll lose it (but being the oldest of several siblings definitely trained him in Not having that)

gets overstimulated easily

type of guy who definitely studied and memorized social cues and norms to remember what’s acceptable and what’s not (unaware most people don’t need to do this)

generally very good at studying, memorizing, and parroting information. we see an example of this in AAP when he recites the entirety of the origins of mormonism, when later we find out he didn’t even fully understand or believe in all the mormon stories he studied.

part of the masking - hides all of his special interests/fixations and/or tries to downplay his interest to seem Normal. like “oh yeah i like that thing too!” <- trying so hard not to infodump

he is SO worried about how he’s perceived, and part of why he’s uncomfortable around arnold is because arnold is everything kevin doesn’t want to be seen as. he’s also envious of arnold; the way he’s able to causally be himself and be silly and goofy, make mistakes and then make amends, while kevin has kept all of that tucked away, out of sight.

was generally neutral about religion as a kid until his parents pulled the “well if you’re a good mormon then you’ll be rewarded and be able to go back to orlando :)” and then he Locked In.

orlando is obviously a fixation of his, despite how idealized it is as a concept in his head. definitely read about its history as a city and such via absorbing entire wikipedia pages, but he's most interested in the theme parks and tourist aspects, since that's what he was around when he visited. read everything he could about the development and history of the tourist industry and its major players. he's most interested in & familiar with disney world, since that's what left the biggest impact on him as a kid.

he flip-flops between being physically affectionate vs. touch-averse (based on mood & level of overstimulation). i think he’s naturally kind of touch-averse but has gotten used to dealing with it via lots of friendly people handshakes and pats on the back, siblings touching him constantly, older relatives and close acquaintances wanting hugs every time they see him, etc etc. i think mostly he doesn’t like being touched when it’s unexpected/he’s not mentally prepared for it to happen, or he's already on-edge. (for example, while sometimes put off by arnold randomly hugging him, he usually just lets it happen or doesn’t react. but in act 2 when he’s agitated and upset, he tells arnold not to touch him.)

on the other hand, sometimes he likes contact and comfort. it’s on his own terms when he initiates it <3 having something physical to grab/hold onto when upset or under duress is comforting and grounding. he likes the pressure of being hugged. when it’s people he’s very close to (like arnold post-play or (Sometimes) his parents), he’s fine and open to hugs and physical contact :) he’s just so used to it being obligatory and disingenuous (or purposefully to annoy him like with his siblings).

i think he also has just noticed that most people tend to respond positively when there is friendly contact involved (hand on the shoulder/arm, etc) and utilizes that. despite his social cues/norms studying, he sometimes doesn't know when to Not utilize this technique (like with an authority figure or someone you're not close to who might find it rude or offputting).

mostly subtle or socially-accepted stims, part of the "constantly masking and needing to seem normal and perfect" thing. tapping and fidgeting with things, bouncing leg, etc., keeping excess movement mostly to his hands. but he still has some things he does unconsciously, like shaking his hands/arms, repeatedly shifting his weight, and various tactile stims like thumping his chest or leg.

the wigglerrrrr. "disguises" stims by doing a little dance. hes a musical guy he likes performing so this is normal for him this is just one of his little quirks (<- copium. i mean it's true but he's still stimming and will do a little jig when he feels like he Needs to move his body around)

also hums a lot (more of a self-soothing thing).

can usually pick up on jokes/tone but sometimes takes things too literally

lowish empathy and has a hard time relating to others. definitely contributes to the "everything is about me?" mentality

while he’s well-liked in mormon spaces, has a harder time in public school and with people outside his church. like aside from having the Mormon Demeanor™ he just comes across as like. Weird. not in a way people can put their finger on, though, because for the most part he’s “normal.” he’s self-absorbed, yeah, but nice and doesn’t cause trouble. i think he’s stubborn and has a very hard time when things don’t “go his way,” or rather, how he expected them to. he’s very particular about things. he asks a lot of questions in class about small details and wants lots of clear directions on assignments. he comes across as “fake” to some people because of his masking and crazy politeness.

he wears the same exact clothes every day like a cartoon character. since they don’t have a uniform they’re his “school clothes” that he only wears at school. something like, idk, blue jeans and a white shirt. something simple and comfortable. one year during a spirit week event or halloween, everyone in his theater class dressed up as him in the same outfit. kevin didn’t even realize at first.

he’s the straightman among his friends because he’s easy to throw jokes at that takes him a moment to process, or takes too literally, or because they want to see Good Boy Kevin’s reaction to something less appropriate. he usually takes it in stride, though, and is a bit of a jokester himself

completely oblivious when other people have feelings for him. he’s so focused on other shit that it’s not on his radar at all. girls have confessed to him and he’s like oh. Huh? (this is definitely also leaning into my aspec headcanons for him so i’ll leave it be for now…)

[romana-after-dark]

Room's on Fire Masterlist

Dark!Santiago Garcia x Fem!Reader Dark!Francisco Morales x Fem!Reader Dark!William Miller x Fem!Reader Dark!Benjamin Miller x Fem!Reader

Summary:

Years after the world fell apart, various communities have established themselves, one of which is ran by four men who claim to be divine.

When they decide it's time to and heir to be born, they chose a virgin from their cult and make her their wife. Reader is offered a choice, of course. She doesn't have to marry them. But if she doesn't, the savior won't be born. She choses to become the Madonna. She is wed to all four of them, and moved into their home where her body is open to use whenever her husbands desire (free use au), in the hopes of getting her pregnant. It doesn't matter whose baby it ends up being, because they are all part God, so it doesn't matter... right?

Warnings for full fic, if anything is added or really emphcized it will be in additional warnings.

THIS IS A DARK FIC THOUGH SO BE WARY! I CAN'T PROTECT AGAINST EVERYTHING.

DEAD DOVE DO NOT EAT

DUB CON MOSTLY but there WILL BE NON CON. Major character deaths, forced breeding, physical abuse, brainwashing, manipulation, violence, gore, alcoholism/addiction, BIG OLE BLASPHEMY WARNING like this cult appropriates a lot of religious themes and they call reader their Madonna, Santi is called the Pope, like all that stuff. However, this is a cult so I mean. It happens. None of it are my thoughts on religion or meant to make fun of religion or demonize religious people. Disgusting views on virginity. Attempted rape outside the boys. T*m warning. Age gap. Creepy terrible men. Non-reader rape, dub con, violence. Covert incest, massive mommy issues, sexual abuse all around, past grooming by parental figure. no CSA but the victim isn't much older. some Bates Motel type shit. I cannot properly warn you for everything, without just telling the story but consider this a major warning that there are dark dark themes. No one involved here is morally clean, and who you perceive as the good guy cannot be relied on. Don't come to my story and say im romanticizing these things until at least the story ends.

Unknown amount of chapters right now.

Chapter 1: Pilot: Delta finds their Madonna Chapter 2: The wedding Chapter 3: Aftermath of the wedding FishBen: Symptom of Being Human Chapter 4: Pope is not pleased. Chapter 5: Jonah lore, Madonna gets through to Frankie Chapter 6: Madonna gains Frankie's heart, Santi is jealous Iris: Rey and Iris find pockets of time Chapter 7: Fun with Ben: wining Pope back Chapter 8: big announcement to the community

Non canon Frankie Madonna Chapter 9: Madonna’s blissful ignorance to the world around her. Chapter 10: There's a lot Madonna doesn't know.

Chapter 11: Things start to crumble around Madonna

Chapter 12: It's all too much for Madonna

Chapter 1 3: Santiago’s true colors come out

Chapter 14: Jonah tries to show the truth

Chapter 15: madonna begins to learn her power

Chapter 16: Frankie and Ben reflect

Chapter 17: Ben shows his true colors

Chapter 18: Iris makes her stand

Chapter 19:

Chapter 20:

Bonus Content

not necessary for the series. Pieces in the main list are suggested as they add depth and sometimes small plot points.

"Can you peel my orange?" Jonah smut

Jonah Hanson character ai

ROF characters Star signs

Jonah x non-Madonna reader x Marcus flashback commission

Art

By @not-a-unique-snowflake-blog

By @survivingandenduring

Lil comic by @my-secret-shame

As I said, a lot of themes and dynamics ended up accidentally similarly to Watch Your Step by the amazing @charnelhouse Some was because that fic is what developed my characterizations of the boys. Some was totally incidental, like Pope and readers relation to art. It's different though, a much different series, but I wanted to tell y'all that she s PUBLISHING WYS AS A NOVEL NOW, Its called Cardinal Sin's and I'll link it right here!

How to keep up with the story!

Comment on this masterlist that you want to be tagged and I'll tag you in updates

Follow @romana-updates and/turn on notifications

Follow the tag Rooms on fire

THANK YOU FOR YOU'RE SUPPORT!

Please remember to reblog, and I love comments/asks, anon or not, and would love to see engagement and theories!

[hagscribes]

🦇 𝐰𝐫𝐢𝐭𝐞𝐛𝐥𝐫 𝐢𝐧𝐭𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧

═══════════════════⊹⊱≼≽⊰⊹═══════════════════

✦ Hello all! Very new to writeblr, though I've been writing on and off for years now. I go by Lamia. 27, they/she, black.

✦ I write mostly high/dark fantasy with romance themes. Expect a lot of (gothic) horror and (some) science-fiction every once in a while. Enemies to lovers is my bread and butter, angst my drink of choice. Throw in a little tragedy, a few metaphors about the terror of religion, blood, and it's a feast. My writing is explicitly queer and so am I.

✦ Fanfiction and personal works will both be housed here. I am currently drafting a novel with a magic system that uses dragon remains as its primary fuel. Heavily in the research process, might even dabble with conlangs.

✦ I consider my main writing influences to be Anne Rice and Angela Carter. I do an awful lot of reading as well, so feel free to talk to me about anything book related! Some of my other favorite authors are Mary Shelley, Brandon Sanderson, and Holly Black. Please give me all your horror recs 🖤

✦ Asks and requests are encouraged, especially if they're about my OCs. I'd also love to learn all about yours!

✦ Mature and erotic content will be very much present in my works, though I will always do my best to tag appropriately. Please read any tags/warnings thoroughly. 18+ only.

✦ main blog is @princeofhags. ao3 is bitterhags.

writing | wips

[buzzybee26]

I've seen people saying that this season marks a transition from serious with silly elements to silly with serious elements (particularly after the 1st 2 eps) but now that we've had a lot more of the season, I think this is wrong. This season isn't silly with serious elements, it's a serious season wearing the mask of a silly season.

Spoilers under cut

Space Babies looks like it's just "lol babies running space station, lol snot monster, lol farting space ship" at face value, but there's a lot more to unpack from how The Doctor relates the Bogeyman and being the only one of his kind to the underlying themes of abortion legislation and honestly a lot more to unpack than I don't have the brain power to write rn.

Devil's Chord keeps the silly tone, but destroys the world and does some important foreshadowing about Ruby and The One Who Waits. This is the one that leans most into the silliness, but it has the stakes to work with this analysis.

The plot of Boom is "The Doctor steps on a glowy land mine" which is a hilarious sentence and the next time preview for it was absolutely left us with a lot of questions pertaining to how that was going to be a full episode, but it ended up being a thesis on how organised religion, capitalism and war are some of greatest threats to humanity and they all make each other worse. Boom is played straight for pretty much the whole episode, but it looks like a pretty silly premise before you watch it.

The 73 Yards next time preview, whilst creepy, made the episode look a lot cheesier than it ended up being and they ran with this until the reveal that the pub goers were just messing with Ruby, after which we don't get any more stuff like uncomfortable close ups or characters expositing about local folk lore. The horror b-movie is a lie.

And now Dot and Bubble. The brightest episode of the season has the darkest ending so far. At first glance it certainly looks a lot sillier than it is with its bug-eyed monsters and "phone bad" aesthetic. This episode is all about deception. Ricky lies about the home world, Lindy lies about Ricky being alive, but there's more. The residents of Fine Time get the lie of Fine Time. The whole thing is about them looking past a vale to see what's really going on around them. The Doctor and Ruby get the lie that they will save these people. They go in, they try to help and the get cooperation for a bit, but the rich kids' pride and prejudice stops them. We as the audience receive the lie that these characters could be saved in the first place. The episode sets itself up to have a hopeful ending where the rich kids start learning to improve themselves as people in a new home that the Doctor brought them to. We get so focused on that narrative structure that we don't step back and look at the bigger picture. These people think they're so amazing because they don't waste resources with their consumerism and they have followers and they're stuck in a n environment that affirms their egos yet they can't even walk without their bubbles and they mostly get annoyed when the disappearances get brought up. Their egos are so overinflated and they're so used to being in an environment where they can only talk to other people who think and act like them, of course they're not going with the Doctor. They'll use him as long as they think they need him but they refuse to accept that they can't do anything by themselves if they're not in absolute immediate danger because they think they're so amazing. This feels like it should have a somber ending where we mourn the losses and look to a brighter future in the moment because of the tone and structure, but take a step back from it and there was no other way it was going to end.

This whole season has been a tonal lie that's been breaking down as we go and I really hope they do something cool with that idea.

[cannedpickledpeaches]

Insert Your Name (10)

Mafia!Jade Leech x Mafia!Reader

Link to series masterlist!

Notes and TW: You have a conversation with a "god." This series will have mentions of blood, violence, crime (kidnapping, attempted assassination, extortion), and harassment, as one might expect from a mafia AU. Please enjoy!

Tags: @guava-enjoyer @itszzmoon @twstsandturns @myteacupisempty @rou-luxe @chikitasmol @night-shadowblood-writes2 @haveneulalie @owodi

You thought as much for a while—that this world exists inside a story. This world is created for “(Y/N),” and you are Friend A, according to that manuscript. But after all this time, your own thoughts and Jade’s persistent questioning has led you to doubt it. Jade was the one who said you aren’t a character, that the two of you have “thoughts and feelings that go beyond ink on paper.”

But a god? It isn’t a common word in Twisted Wonderland. The Seven are legends, but they were real mages who lived millennia past. Some religions exist, but they’re mostly local. To see someone proclaim themself as a god before your eyes seems like a joke.

The man notes your skepticism and chuckles.

“I only mean it in relation to your abilities. It will become clear as I explain.” He takes another sip of tea. “Twisted Wonderland is a place made from stories, for stories. Broadly speaking, it is a ‘story setting.’ And my purpose is to make stories come to life.”

You try to make sense of his words. Referring to himself as a god, talking about what he does to stories . . . . “Are you the author of that manuscript?”

“No, I’m afraid you have come to the wrong conclusion. I make stories come to life, but it has been a long time since I’ve penned one onto paper. As for the matter of the identity of the author, you would not have to look very far, as she has spoken to you only moments prior.”

You inhale sharply. Your eyes drift to the window as your thoughts start to whirl. That can only be (Y/N). She was the author all along? It would make sense since she’s the main character. But nothing else adds up. Her odd behaviour, her breakdown, her supposedly lost memories of you. You’re also pretty sure she has never met Jade prior to the events of the manuscript playing out in real life. How could she have written it before that? Furthermore, you don’t believe (Y/N) could ever be the type of person to imagine harm coming to anyone, even in a fictional story, even if it’s to Jade’s parents whom she has also never met.

“To clarify, that person is not the one you’ve known for some time.” He chuckles at your bewilderment. “(Y/N) was a character created to be a placeholder. Tell me, do you recall her appearance?”

“Of course I—” You cut yourself off. The only things you can think of are adjectives. Pretty. Dainty. A messy bun. A slim waist. Gorgeous, sparkling eyes. You can’t even remember their colour.

“(Y/N), which stands for ‘Your Name,’ is a placeholder. A blank space where anyone can insert their name.” The teacup clinks against its saucer. “It is supposed to be a one-size-fit all. However, the (Y/N) you know was created for a specific person. The name that was intended to replace this placeholder is that of a girl who lives outside this story setting—a girl who did not exist in Twisted Wonderland. That is the true author of this story.”

You don’t understand what he means by “placeholder.” But you know what he means by people who live outside your world. You recall the twins and Azul mentioning something similar. Shrimpy. Prefect. That human from their high school days, someone who supposedly came from another world. Someone who did not exist in Twisted Wonderland before coming here.

“Were there other cases of . . . well, people from other worlds?”

“Certainly. Like I said, Twisted Wonderland is a place made from stories, for stories. Seeing as tales of strangers in strange lands are the foundation for many stories, from folklore to modern novels, it is not strange to believe someone could be the protagonist of a story where they are pulled from another world to this one.” He pauses when he sees your furrowed brows. “I must apologize again. I am often chastised for my long-winded deliveries.”

“Yeah, you talk too much. Cut the fluff and tell me.”

He chuckles. “Yes, of course. The most recent prior to this case was one named Yuu, although that character was not under my jurisdiction. Your author, however, is under my jurisdiction. She was a fan of Yuu’s story. Once it ended, she sought to extend the story. Essentially, she wrote a fanfiction, which is the very manuscript you stumbled upon. The setting is Twisted Wonderland years after Yuu's story, and the main character she created is an idealistic version of herself—the person she wished she could be.”

It makes sense why you could only think of positive adjectives when describing her. (Y/N) was indeed, like you’d thought from the start, created to be perfect.

“Day after day, she wished with all her soul to insert herself into that story, to live out that fantasy. Eventually, I heard her wishes and decided to grant them. I gave her the opportunity to enter (Y/N)’s body.”

“You can do that?”

“My dear,” he says pleasantly, “there was a reason why I likened myself to a god from your perspective.”

So they weren’t empty words or narcissism. This man has powers you have never even heard of.

The first thing you feel is a wave of relief. So the person who came screaming at you with the intent to kill was not (Y/N), after all. It was someone who took over her body. A stranger took over the body of your beloved friend, took over her life, her relationships, her autonomy . . . A stranger. The second thing you feel is anger. How dare they. How dare they waltz in and ruin everything? You keep quiet and listen to the man’s explanation, resentment bubbling in your gut.

“So the author abandoned her previous life to enter your world. It came with a few caveats: she must lose her name and run the course of the story as (Y/N). Only after the story’s conclusion would she regain her name. Another caveat was that she did not have access to (Y/N)’s memories. I imagine it was a point of curiosity for you—why she seemed to forget everything about who you are.”

You narrow your eyes. “It wasn’t Walrus?”

“I am afraid not. She has never encountered Walrus.”

Deductions and contemplations can be wrong. You know this better than anyone. Yet, you can’t help but feel cheated. With all the information you had, how could you possibly have known? It’s as though you were blindsided by a truck. Looking back, it makes sense. The elusive identity of the author. How the manuscript contains insider knowledge about events concerning the Leech family. Of course it does, the author was the one who wrote those details into existence. Even her reaction to seeing you on the beach, which must have been her first time meeting you. Of course she was confused when Jade mentioned you to her. You don’t have a name in the story. How could she possibly know the name of Friend A?

“Walrus is a character who ties up inconsistencies from the original plot. I had to work hard to ensure it all fell in line.”

“Aren’t you a ‘god?’ Can’t you just, I don’t know, make it happen?”

He laughs. “I am not omnipotent. I can only influence factors that make the story more likely to happen. As in, I can create ‘events,’ which influence ‘responses and actions.’ Characters are defined by their base character traits and then shaped through events; this is what is called character development. I design and set into motion events that will most likely produce the desired characterization. Notably, I cannot control characters or their emotions. I must say, that young lady did not understand this concept very well. Her events were heavily focused on what her favourite characters could do for (Y/N), as opposed to building a foundation so they would wish to do such things. It was rather difficult to make sure the pieces fell in place so those events could occur.”

Several things connect in your mind like a line of dominoes tipping each other over. The manual first appeared in that attic with no clear origin—he must have planted it there because you, Jade, and Floyd are the only people who enter that room. Jade fell asleep in (Y/N)’s apartment because he was busy to the point of exhaustion after taking up the mantle as the leader of the mafia. (Y/N) did not become Floyd’s mood stabilizer. Jade did not fall in love with her. When she—the author—confronted you on the beach, she blamed you as the reason why Jade would not love her. But that isn’t entirely true, is it? Her “events”—Jade cooking for her, sleeping in the same bed—relies on Jade already having feelings for her. But to Jade, she was a stranger he met in an alley. You understand a crucial fact: actions and emotions cannot be manipulated.

“I admit that I panicked and caused you alarm when I tried to send you and Jade away from that beach. That whole debacle was not an event in the story, so I caused some factors that led to Floyd accidentally breaking one of Jade’s terrariums. It was not a serious emergency.” He grows pensive. “But now that the story has gone completely off the rails, I must figure out how to proceed. The author is quite upset with me, especially since she thought with my help, the story was guaranteed to go exactly as written.”

“You were communicating with her?”

“Periodically, yes.” He sips his tea, looking directly at you. “But she was terribly hard-headed and refused to listen to my words.”

What a waste. She had a god on her side, yet she couldn’t use her brain to take advantage of it? Perhaps it’s your bias against her, but you can’t think well of the author.

“Why did you decide to grant her wish, anyway?”

The man lowers his gaze with a soft smile. “I am a storyteller at heart, and she had a story she desperately wanted to become her reality.”

You grit your teeth. “So what? It’s only made things difficult for everyone. Is that shitty story even worth telling?”

“What do you use to judge a story’s worth? The number of people who read it? The number of critics or fans? These are all irrelevant.” His eyes, though gentle in the warm light of the fireplace, hold silvery clarity and resolution from the moonlight. “All that matters is that one person found enjoyment in it. Even if the only person who loves a story is its author, that story has served its purpose. There is no such thing as a meaningless story. Every writer sets out to write a story for a reason, be it wealth, fame, personal satisfaction, a creative outlet . . . . Why do you think this author wrote hers?”

It doesn’t take a genius. Her obsessive, near delusional insistence that Jade loves her. Her breakdown from seeing the two of you together on that beach. Her malice towards you, perceived to be standing in the way of her love. Of her happiness.

“She wanted to be loved.”

She wrote a story where she could project herself onto a perfect, infallible main character. In this story, her favourite character would love and spoil her. They’d overcome trials and eventually live out their happily ever after, blissfully in love, even past the story she wrote. She wanted to be loved fully, completely, and unconditionally.

You feel a little sorry for her. But if you were to be honest . . .

“Why the fuck should I care?” You slam your hands on the coffee table, glaring at the man sitting across from you. Your hands curl into fists. “I don’t give a shit about her personal life. Jade and Floyd’s parents are in a coma. They’ve been worried sick. And that’s just fine? Because she wanted to live in her little fantasy of being loved? If I believe everything you say, then she’s the one who wrote that assassination into our lives. Without her, Mister and Missus Leech would be perfectly fine and running everything as usual. Jade and Floyd wouldn’t be missing sleep and meals. Jade could go study terrestrial plants and fungi like he’s always wanted instead of working himself to the bone for the mafia. You’re telling me I’m just supposed to accept it just because she’s got a sob story? And even worse, none of this would’ve happened without you.”

The assassination attempt is mentioned in the story as an offscreen event. In order for it to be true, the man across from you most likely manipulated events so that the attempt would be carried out. Just like he’s been doing for every event, all this time.

You want to lunge across the coffee table. You want to wrap your fingers around his thin throat, dig your thumbs into his carotid arteries, punch his nose in. But you don’t. You restrain yourself, your hands shaking on the table. With his abilities, he could easily make your life impossible.

“Fanfiction is fine. People can write what they want. But her fanfiction has very real consequences on my life and the people I care about. Why would you even help her knowing the harm she’s causing?”

Hypocrite, Floyd has once called you. That author is selfish in that she’s chasing her own happiness at the expense of what she considers minor characters. You’re selfish in that you’re ensuring happiness for yourself and your loved ones at the expense of the author, a stranger to you. You’d be a hypocrite for condemning her, but you don’t mind. You haven’t gotten this far by sacrificing yourself for strangers.

“Why, of course.” The man tilts his head as though it’s obvious. “No story can progress without conflict. You are a supporting character, as are the main male lead’s parents. Forgive me, but such characters are expendable for the purpose of the plot.”

It suddenly dawns on you. You should’ve realized sooner. This man doesn’t see you as a person. He only sees you as another character within a story, a particularly troublesome one who has messed up the plot beyond repair. You might wholeheartedly believe yourself to be a fleshed out human being with thoughts, feelings, and everything else, but he will always think of that as you being a character. His powers and knowledge of the world make him vastly different from you. He cannot talk to you on equal terms.

It’s like if an ant gained sentience and spoke to a human. Even with the ability to communicate perfectly, the ant would never be able to understand why humans enjoy roller coasters or haunted houses, no matter how much either side tries to explain. Similarly, you would never understand this man’s desire to turn stories that are destructive to “characters” into reality. So, you won’t try. You’ll work with his rules.

“I may have a solution to the derailed plot.” You look at him with determination quietly burning in your eyes. “It’s pretty simple if you can do it. Make me the main character.”