#its always the enemy to lovers arc the slow burn romance the I hate you to I think I love you arc

[mrsleonkennedy]

“I hate you so much.” “You look nice today.” "Stupid" “Cute.”

(Eddie belongs to @xoxoalette • Please dont interact with this post if you are a minor)

[tasteoftheforbidden]

Heyyy...so i legit just finished reading false pretenses and i havea lot of feelings...i have so many questions I dont know where to begin and i cant seem to organize everything i want to say and maybe i should send this ask at a later date ones i calm down but i cant stop myself...

FP is so overwhelming and there are so many things i want to say...it uses usual tropes but damn the way you changed them up and all the characterizations you made...

The only thing i can think of asking is how on earth did you come up with this masterpiece? I know this is such a generic question but its the ony thing running over in my mind...like how did you even create this masterpiece???? And to think that this universe is a three-part story my mind cannot stop reeling!

Heyyy to you too ^^ Thank you for reading FP all the way until the end :) I don't know if this will answer your question regarding 'how I came up with the story', but my main motivation was to create a Dramione I haven't read before, but would love to read. It was a byproduct of the repeated lockdowns due to the pandemic.

I had a list of things I wanted to see (off the top of my head atm):

1. A Draco redemption arc (that feels earned and not half-assed)

2. A legitimate enemies to friends to lovers (not the kind that has them hating on each other but are secretly attracted to one another, or the kind that has them as enemies in one chapter then friends in the next. I wanted a gritty, hateful start – the kind where they only see and expect the worst in the other)

3. An ensemble cast (because my attention span wavers and dissipates when the only focus is the dramione romance)

4. Social relevance (I like works that can mirror real life experiences and challenge world views)

5. Trauma and Healing (I find psychology very interesting so I tend to read up a lot on the topic because it's fascinating)

6. A slow burn romance that is deep, mature and healthy (not the kind brought about by shallow thirst, dependence, jealousy, malice, and other questionable motivations)

Looking back on FP, now that I'm somewhat planning on doing some edits (and hopefully continue part2), I do find myself rethinking the scale of the universe and how ambitious I was when I started it T.T It definitely would have been so much easier if I hadn't added so many aspects to it and just endeavored to end it in one story. But now that I'm here, I do want to keep at it and stay true to the vision I had, despite it being an absolute mother- to keep up with lol

Hopefully this answers your question? Thank you for the ask, I appreciate it! I'm always surprised when I get these ^^

Take care and stay safe!

[iridiscent-aesthetics]

I just saw your headcanon of az being jealous of gwyn and eris, may I suggest the opposite? gwyn being jealous of az and eris talking.

Oh I LOVE this one! Might be a tad bit tricky but I'm soo very up for it! Thank you @aelingalathyniusrailme for SUCH a great idea!

Gwyn would've found this entertaining. IF it wasn't Azriel there. She was aware of their hatred. Aware that they were literally always at each others throats. But she couldn't help but fume with jealousy while watching them in the training ring take on each other. Blow to blow, matching at each stride. She was watching Eris and Az spar. It began with a heated argument leading to the Autumn court heir challenging the Shadowsinger to spar. And now here they were, since a straight of 15 minutes, sparring. Neither nowhere close to yielding. Gwyn was cursing the redheaded male with all she had for choosing sparring instead of dueling. The absence of the weapons as a bridge and the proximity of their sweaty bodies was too much, nor did it help that neither had a shirt on. The angst, the tension built between them; it seemed straight out of one of her smutty romance books. Gwyn wasn't liking this one bit. "Come on guys, We get it! You're strong and bold. You're Fearless males! There. fed your bloated male egos. Now stop. would you?!" She yelled, throwing her hands in the air frustrated. "Let them be Gwyn, this is far more entertaining than having to listen them arguing to the point of biting each others heads off." Cassian stood besides her crossing his arms and watching them with a hint of curiosity as to who would win. Gwyn bet her money on Az because she would have it no other way, but as much as she hated to admit, Eris was just as good. "Yeah Gwyn. Besides, two of the hottest males fighting, now that's a sight to sore eyes. Enjoy the show!" Nesta chimed in elbowing her, eyeing Cass as he put his hand to his heart and feigned a dramatic expression of pain. Nesta rolled her eyes. "Oh I'll give you a good show Ness." He said scooping her in his arms and took to the sky. Newly mated idiots, couldn't stay away for a minute. Gwyn looked back to the ring and groaned "Well at least take a break!" "Okay!" Yelled Az before delivering a good blow right to Eris's jaw. "Break." There. That should teach the male a lesson for getting all cocky and getting Az worked up. "Going easy on me Shadowsinger?" Eris said rubbing his jaw. Mother! this male's audacity was insufferable! "Wouldn't want to ruin that pretty face of yours, your highness." Az smirked back. Gwyneth clenched her fist. Pretty face?! What in all of Prythian made Az think Eris was pretty! Did he find him attractive? Was he into males? Eris was beyond fine, he was VERY attractive. A strong jaw and sharp eyes with a strong intensity. The male was hot . quite literally. He would make a fit equal to Az. His lethal darkness and Eris's burning fire. She shook her head, No. She was over thinking, Az hated Eris; old bad blood. There was no way he'd fall for him. But she'd make sure of it. Az walked out of the training pit and straight to her, sweat dripping off him. Gwyn couldn't tear her eyes off him. "Enjoying the show Berdara?" Came a teasing Azriels' voice. "Mhmm." She didn't even want to deny it, let him know she was attracted to him. About time it got through that dense head of the Night Court's infamous Spymaster. "Hey Az..., what's your type?" She shot him the question looking everywhere but him. He shot his head to her. "What?" She finally met his gaze. "I'm asking you what kind of people you're attracted to Shadowsinger!" Gwyn was certain her face was as red as her hair now. He looked into her eyes for a hard moment before answering in a low voice. "Redheads. Stubborn ones with a fiery attitude at that. Bonus if they're competitive." He was still looking straight into her eyes, with a small smirk, tilting his head aside as if waiting for her expression, while his shadows were dancing around her in excitement. Gwyn's jaw almost dropped. Along with her heart as it fell to her shoe. She was right. Of course. Of course he was attracted to fucking Eris. Redhead, stubborn, fiery attitude AND competitive. Should've added fire d*ck to the list. "Right." She'd say nothing else. She looked away. "Gwyn?" Came his voice again. Her heart ached as she looked over

to Azriel's concerned face, trying to keep her sorrow reeled in within her. His shadows were frantically jumping around them. "Is everything alright, why'd you ask?" She gave him her best smile. "Yes of course." she waved it off. " just curious." He didn't seem convinced at the slightest but didn't push as he held up a water bottle and drank. Gwyn couldn't stop herself then, She was still his friend, He deserved to be happy, even if not with her. She'd help him pursue Eris. Even if the male would never deserve Az. "So I take it you're into males?" Az choked on the water he was drinking. "What?" He croaked out. Gwyn rose an eyebrow. "Males Shadowsinger, the ones that usually have a d*ck and insufferable egos but pea sized brains?" Azriel looked amused. "You forget that I'm a male too priestess." "Didn't." She muttered and leveled him with a bored stare. "Answer the question Spymaster." Az looked away, his gaze probably searching for Eris. "I've had male lovers in the past. But I've never felt a strong attraction, especially romantic attraction to them over five centuries. Pretty sure nothing's changed now." "Then Eris- how, He's an exception?" Azriel looked at her with a bewildered expression eyes widened. "Eris? What-why, what about him Gwyn?" Gwyn rolled her eyes, hands on her hips, looking down at him. "Quit the puppy eyes act Az. It fine admitting you're attracted to Eris, he's okayish. You'd look good together I guess. Enemies to Lovers arc, angsty slow burn romance,," she shrugged nonchalantly even though she was fuming inside. Az's shadows dropped. To say he was shocked was an understatement. Should he laugh, should he be hurt, or angry maybe? Eris? Of all people in Prythian, HIM? Gwyn though he was attracted to THAT male? "Gwyneth." He started in an emotionless tone face solemn, "What the actual fuck led you to THAT conclusion?" "Oh please. It was evident, for all that being Spymaster and stuff, you sure are obvious about your crushes. I mean for starts, you HATE him, or at least ACT like you do. That's always the first step to enemies to lovers. And then you guys are ALWAYS bantering! Score 2. And did you SEE that tension while you were sparring? AND Flirting with Eris? Its clear as day 'Mr. I show No Emotion'. And Redheads? Seriously Az, could you have even tried and been any more subtle? Az looked at her for a dead half a minute and then burst out laughing so hard that everyone in the training arena were now staring at them in pure shock to see the infamous Spymaster laughing his ass off. Az looked at her, trying to stop laughing, but one look at her angry face and he burst out in fits all over again. Gwyn kicked him good and hard in the knee. "Ouch!" He yelled, not stopped laughing as he held his knee. "Gwyn- I oh Cauldron. Wait." He heaved in and out. "Good shot Berdara." He said with a hint of pride, still chuckling. Gwyn kicked him again. "Nice try deflecting Spymaster." Az shook his head rapidly, still trying to catch his breath. He calmed down and looked at her. "Gwyneth Berdara. My darling. You thought I was attracted to Eris?" He started laughing again. Gwyn grew nervous, "You're not? But you said Redhead, Stubborn, Fiery attitude, Competitive. Eris is all that." "Well I'm not attracted to Eris. AT ALL. Please don't ever say or even think of that again. Please. For the sake of my sanity." Gwyn sighed in relief. "Sorry, I assumed Wrong." But then she tensed again. "But then, if not Eris, then..." She trailed off. If he wasn't attracted to Eris, then who else was it? Redheads? Lucien? Az stood up and held her arms. "Gwyn. Gwyn look at me." She looked up at him with weary eyes. "Can you think of a better Redhead? A stubborn, competitive, fierce one? She's fearless and strong." Gwyn scrunched her nose in thought. A she, was it Vassa? He flicked her nose. "She's a Valkyrie Gwyn." A Valkyrie? There weren't many new ones other than her, Emerie and Nesta, only about two or three. She looked around to see if there were any redheads in them. Az rubbed his hands on his face. "Mother's sake Gwyn,

its YOU." Her eyes shot to his in disbelief. He liked HER? "I- you, me?" She pointed a finger to herself. "You like me?" Azriel was furiously blushing red, he rubbed the back of his neck giving her a sided grin. "Yeah...that's what I'm saying..." Gwyn thought she was going to burst with all the emotions. "I-" Before she could say anything else Eris walked up to them. "Break over yet Shadowsinger?" He smirked. Gwyn growled, literally growled and stepped in front of Az. "Stay away from him Eris, find someone else to play fight. If I see you anywhere near him or talking to him, I swear to the mother, I will rip your throat out." Eris took a step back at her promised violence. "Hiding behind a female, Scared of losing Spymaster?" Gwyn took a step at him, she was certain she'd show Eris hell today. "Leave us alone Eris. I've scored my best win today." He said, looking at Gwyn fondly and putting a hand on her shoulder. Eris snorted and left muttering something to himself. "So..., are we going to talk about how adorable you are when you're jealous and angry? Especially over Eris?" Az teased her with a huge grin and happy eyes "I have no idea what you're talking about." Gwyn shrugged in charming irreverence. His gaze darkened as he looked into her ocean eyes, "You never finished what you were saying before asshole Eris butted in?" Gwyn gave him a soft smile before reaching up to his collar and pulling him down so she could kiss him. She pecked his lips once slightly before letting go and grinning at him while she walked away, leaving Az to process what happened and blush furiously like a teenager. He watched Gwyn walk away in victory. Mother, this female never failed to amaze him, And he was certain that this wouldn't be the last time. For the first time in five centuries, Az found hope. Found himself looking forward for the next day, and the rest of his life. Something sparked in his chest at the thought, A smile unconciously made way to his lips, like every time he thought of Gwyn; and this time, he didnt make to erase it. He'd let it for the world to see, the happiness Gwyneth Berdara brought to his life.

It's not about them talking exactly, but this seemed more fun to write😅

I tried! Not sure if it was good enough, but I've never really tried writing from Gwyn's POV.

Feedback, suggestions and other ideas always welcome!

[brynwrites]

Writing Relationships: Enemies to Lovers.

And other ‘hate to love’ relationships.

These types of relationships can be some of the most interesting and enjoyable, both to read and write, because they show us many sides of the same characters and the growth from a hatred to mixed feelings and finally to genuine love and acceptance is often heartwarming to experience. But relationships like also require finesse to portray in a believable, healthy manner.

Before we begin, some ground rules: 

1. Stay away from abuse.

A hate to love relationship is not an “abuse to love” relationship, and none of these tips are aimed toward writing such a thing. Check this list for things to keep out of your healthy end-game relationships.

2. These characters need to be ‘ship-able’ already!

If your character would not naturally end up in the end-game relationship, you’ve got a problem. The character’s ability to be friends -- shared interests, enjoyment of each other’s company, comparability in communication -- is crucial for the transition from hate to love.

Now then, how do we set up this hate to love relationship? 

1. Examine why the characters hate each other.

There’s a slew of different reasons two characters might start out hating each other, including (but certainly not limited to):

They come from opposing sides of a war, feud, or have some other group-oriented dislike.

They have very bad first impressions of each other.

They already hold distasteful misconceptions about each other based on what trusted companions have told them.

One (or both) of them are acting or believing something the other has good reason to hate. 

In order to pull off the first part of the relationship -- the hate -- you have to both have a reason for the characters to hate each other and convince the reader that the reason is a good reason. 

Unless you’re writing in omnipresent, you’re telling the story through your character’s eyes. No matter how good their current ‘enemy’ may be on the inside, the pov character won’t be looking for that goodness. They’ll see all the flaws and turn offs they anticipate the character to have, and this will likely (hopefully) effect them on an emotional level the reader can connect with.

2. What needs to change for this hate to be repealed?

Hate to love relationships can be broken into two basic categories: misunderstandings and ‘worth-the-hatred’s. 

Misunderstandings: These two characters are both genuinely decent people. They should have areas in which they need to grow, but it’s not their flaws that make them hate each other, but rather a lack of knowledge. In order for hate to transition to love, the characters need to be forced to look closer at who the other person is and start to understand them. 

The simplest way to initiate this is to force the characters to work together on something. Present more and more opportunities for them to show all their good qualities and shut down the misconceptions through actions. 

It means little for one character to say ‘I’m not the person you think I am.’

It means a lot more for them to deliberately show the other character that they’re not that person.

It means the most for the other character to catch them being that person when it wouldn’t benefit them at all.

‘Worth-the-hatred’s aka ‘I need character growth before I can be with you’s: One of both of these characters have wrong or hurtful beliefs (causing equally wrong and hurtful actions) which they need to confront and move past before they can be in a healthy loving relationship. 

A character development (often in the form of a redemption arc) is absolutely needed as a foundation for this change. Keep in mind from the relationship standpoint that the other character will have no reason to trust the redeemed character has grown as a person unless they witness the growth firsthand, and even then they aren’t likely to run to the other’s arms without another thought. Growth should lead to gradual acceptance and then the further developing of the relationship. 

Embarking on the change: The value of a slow transition.

While slow burn is nice but not necessary for your average romance, it is often great for hate to love relationships, as the relationship must gradually move from hatred, to acceptance of the other person, to friendship, and then finally to something deeper.

But how slow is slow enough? This all depends on how much focus the character’s relationship is given. You can have a hate to love relationship take place in a shorter story if the story is focused directly on the two characters and they have no periods of backsliding, but it may take three whole books for a similar hate to love relationship to realistically run its course if the romance is a side plot filled with misunderstandings and drama.

Plotting things out. For those of you who like to do a bit of outlining before writing, (or who are trying to tweak a rough draft that didn’t turn out quite smoothly enough) here’s a nice, simple question-answer format you can adjust to your basic hate to love needs:

The hatred. 

What do these character hate about the each other (real and/or misunderstandings)?

How do these characters meet? 

What negative qualities are re-enforced during their meeting?

Are there any ‘confusing’ positive qualities one character realizes the other exhibits?

How do they feel coming out of this meeting?

The acceptance. 

Why are the characters forced to interact after this first meeting? 

What is preventing them both from leaving, fighting (or in some cases, killing), the other person?

What traits, growth, etc do the characters witness in each other during this timeframe?

At what point do they make the decision not to hate each other anymore? (The more important this choice is, the better. Having them decide not to be at odds while sitting calmly by the fire does not have nearly the impact as the same decision made during a tense situation where one character’s life depends on the other.)

The friendship.

What common plot-related goal do these characters share?

What topics of conversation can they touch on which don’t revolve directly around the plot? (If you don’t have a vague idea of this, try writing a script for a random au scene in which they’re doing something ordinary. They should be able to carry on an interesting conversation without plot stimuli.)

What does each character enjoy about the other?

What are two or three scenes in which these two characters can directly aid, support, or save each other in a healthy manner. 

The romance. (Or the platonic love.)

At what moment to they finally realize they’re in love with each other? 

What triggers this understanding? (For the love of all things good, it should not be while they’re having lusty physical contact. If the characters can’t figure out they love each other unless they’re consumed with sexual desire, then they don’t really love each other. They’re just horny.)

How do they show their love openly?  

How does their love effect the plot? (I.e. if they did not fall in love, would there be a different ending?)

Do they have further trials to undergo in order to be together, and if so, what are those? (If the romance is the focus of the story, then there should always be further trials until the end of the climax! Those may be conflicts within the relationship, social external conflicts like family and expectations, or physical external conflicts like distance or blackmail. If the romance is a side plot, then further trials are often still nice, but not necessary so long as the main plot and other side plots can support the increasing tension of the story.)

For more on writing healthy, friendship based romances, go here!

Want to read about a bloodthirsty siren fighting to return home while avoiding the lure of a suspiciously friendly and eccentric pirate captain? You can purchase Bryn’s debut novel, Our Bloody Pearl, today!

[rebeccaheyman]

reading + listening 10.20.20

My review is a day late because I allocated some of my weekly reading time to binge-watching ENOLA HOLMES on Netflix (based on a book, so had to check it out). What a charming, beautifully constructed, well-acted show! The closer we get to Election Day, the more easily-consumable content I need, which basically means non-stop Bake Off and/or novel adaptations from here to November 3rd. 

Without further ado, my reviews:

All Stirred Up (Brianne Moore), aBook (narr. by Mary Jane Wells). I actually ended up receiving an ARC of this audiobook last week, despite the fact that the release was earlier this month. Not sure exactly how that happened but here we are all the same! My 3-star review from NetGalley:

I confess I chose this title based almost entirely on the fact that it's narrated by Mary Jane Wells, one of my favorite narrators of all time. MJW could narrate the phone book and I'd probably give it a fair listen, but luckily her material in Brianne Moore's ALL STIRRED UP is considerably more dynamic--not to mention a perfect canvas for MJW to flex her range, accents, and humor.

ALL STIRRED UP is pitched as _inspired by_ Austen's Persuasion; it is NOT pitched as a Persuasion retelling, which seems to have escaped several other reviewers. The trendiness of Austen comps has made me wary of contemporary titles that lay claim to a comparison, especially since many of them are so atrocious. I would much rather see Alcove and Dreamscape market this title around more realistic comps: SCHITT'S CREEK meets DON'T YOU FORGET ABOUT ME, with a helping of GREAT BRITISH BAKING SHOW heaped on for good measure. Like Mhairi McFarlane's work, ALL STIRRED UP features a slow-burn, second-chance romance, and two protagonists who have a number of personal demons to excise before they can get to the business of loving one another. The plot largely relies on external, non-romantic conflict to move forward, but Susan's family drama touched on compelling (if at times heartbreaking) issues that brought the Napier clan to life in brilliant detail.

Make no mistake, the romance itself is not the central conflict here; marketing should stress that this is contemporary fiction and/or women's fiction. While the history between Susan and Chris gives rise to emotional tension throughout the book, their relationship is NOT the central conflict -- and therefore this is not a category romance. I stress this because a good number of reviews seem to dock stars for the fact, but the book delivers on its promises if you actually read the blurb. Again, marketing might have considered a cover that doesn't lean so heavily on romance cues (feature more of the Napier family, feature Susan alone, accentuate the dueling restaurants rather than their owners, etc).

I was mostly charmed by ALL STIRRED UP, despite some emotional blows from parent/grandparent/friend deaths (in the past, not in the action proper), former drug abuse, and depictions of an anxiety disorder/ptsd. Ultimately, I found this novel heartfelt and uplifting, with the added bonus of authentic-feeling foodie content. MJW's narration is absolute perfection, and I hope we get more Moore/Wells collabs in the future.

The Project (Courtney Summers) eBook ARC (pub date: February 2021). Slam-dunk five-star read from my favorite suspense author. My review on NetGalley:

Few writers do suspense as artfully as Courtney Summers; years after reading SADIE, I can still easily recall the tense, aching anxiety I felt while reading it, and my heartfelt sadness at its conclusion. Summers' latest, THE PROJECT, delivers big when it comes to tension, aching anxiety, and heartfelt sadness all -- but it is also a masterclass in dual timeline structure, emotional depth, enigmatic characterization, and subtlety.

Lo's and Bea's relationships to one another, as well as The Unity Project and its mysterious leader, Lev Warren, propel the action of the novel forward. Lo sets out to answer a central question: Where is Bea? And second to that, is The Project a good-works-driven charitable organization, or a cult of personality with a dark underbelly? The more Lo uncovers about The Project, the less clear its purpose becomes -- while at the heart of it all stands Lev Warren, Redeemer and redeemed, lover and beloved.

Summers is one of those very rare authors writing true "crossover" -- fiction that could be as easily assigned to YA as adult audiences. To limit THE PROJECT to either category would be to deny its importance to both. About young readers, Summers recently wrote in a PW article, that they inhabit "a world where the cost of their education could be the bullet that kills their dreams, a world where they’ve witnessed the gross government mishandling of a pandemic, a world where the brutal killings of Black Americans at the hands of police go largely unanswered for, and a world where the flagrant disregard of their future by politically powerful climate change deniers is pulling us ever closer to a global crisis from which there will be no return." Lo's life reflects the complexity of today's young adult experience without dragging the specifics of _now_. The result is nuanced portrait of a young woman living a decidedly adult life, rarely of her own volition, and with the added complication of a traumatic history.

THE PROJECT is an up-all-night, read-til-its-done page-turner that kept me guessing to the end (and I'm hard to surprise!). I'm hopeful that Netflix will pick this up for series development, as it would utterly crush when translated to the screen. Looking ever so forward to more from an author who just gets better with every release.

From Blood and Ash (Jennifer L Armentrout), eBook. Imagine if you would the most reductive, hackneyed mash-up of SJM and Twihard, and you’ll get close to understanding what FROM BLOOD AND ASH is all about. For several days last week, it felt like the readers I follow on social media were obsessing over this book; they praised the OTP romance, dynamic world-building, and nonstop plot. But what I found instead was a poorly developed world rife with all the old familiar tropes, a romance that brings up serious issues of consent and gaslighting, and reliance on poorly reinvented plot lines from better trashy fantasies. Le sigh. 

Perhaps it’s my old age, but I’ve lost my taste for books that spend significant time and narrative space developing the in-world cultural, social, political, and religious structures, only to “gotcha” the hero(ine) and reader by revealing it was aLL a LiE. This book does that in last-gasp attempt to salvage some conflict late in Act III, and it’s not okay.

Also not okay is the power imbalance between the heroine and her very-obviously-the-mysterious-baddie-no-one’s-ever-seen counterpart. Review after review praises the hot heat in FBaA, but I couldn’t get past the hate-banging. Men who yell TELL ME YOU WANT THIS while practically inside their partners are not enacting a sexy, heroic, impassioned version of consent; they’re just ticking a box for “not rape” that has nothing to do with actual desire. It’s a hard pass for me.

This was almost as much of a letdown as Serpent & Dove, but both titles can battle it out for Most Derivative Trash Fantasy 2020. 

The Bromance Book Club and Undercover Bromance (Bromance Book Club #2) (Lyssa Kay Adams), aBook (narr. Andrew Eiden, with Maxwell Caulfield on book 1). I snagged the first of this series from my library’s digital collection when I was looking for some easy listening over the weekend, and I’m so pleased to tell you this is an incredibly charming series. Adams turns some familiar romance tropes upside-down by focusing on a group of men (the titular book club) who read romance novels -- aka manuals -- to better understand their relationships with women. This hunky group of alphas has a collectively soft underbelly; they live by the lessons gleaned from the romances die-hard readers love, such as “always run for a grand gesture” and “back story is everything.” In Bromance #1, we have excerpts from a regency romance interwoven with the primary narrative, which focuses on Gavin and Thea’s almost-totally-broken marriage. Do I wish the major marital conflict had less to do with orgasms? I do. But was it a fun, intriguing, well-narrated listen with a great secondary cast and some bona fide laughs? It was. Positive rep for speech impediments added to the magic. In Undercover Bromance, Mack and Liv work the enemies-to-lovers trope to fairly great effect, though the story touches on some troublingly dark topics (CW for sexual predation, murder, domestic abuse, abandonment, childhood trauma). Still, both Liv and Mack bring some unexpected features to the narrative, and it’s great to see the dynamic secondary cast further developed from book 1. My only real complaint is the forever-dull “dead cell phone” gimmick late in Act III. I can forgive Adams this one hackneyed indulgence, though I hope she doesn’t make a habit of it. Book 3 in this series (Crazy Stupid Bromance) release October 27, and the cat/hunk/romance novel featured on the cover is all the motivation I need to preorder.