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marauder-exe · 3 months ago

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Press Tour- Sebastian Stan

A/N: this is a rewrite of a fic from like 5 years ago, if you want to check out the original here to see how much has changed. Feel free to leave requests! PLEASE LEAVE FEEDBACK IN COMMENTS OR ASKS PLS i need to know if i’m still writing like i’m 14 😭

Word count:1.9K

Bang Bang Bang

Your eyes shot open as the incessant knocking reverberated the walls of your small apartment. You looked across the dimly lit room and threw a glance at your alarm clock. 3AM? Who is knocking on your door at 3AM? Whoever it is better be dying, or they will wish they were in a minute. You slipped on your night gown, and slipped your socks on, the cold floor shocking your system for a second. You threw open the door to your bedroom and trudged to your door, still reeling from your rude early morning awakening. You opened the door, not expecting a drenched Sebastian Stan at your door, surrounded by a few bags of things, equally soaked from the rain that was currently hammering against your windows.

“God Seb its 3AM, get in here.” You rushed him inside, taking note of his shivering. you had met Seb 6 months ago. You had been cast in the same movie, with you sporting a slightly smaller role than him. It was one of your first in Hollywood, being a fresh 20 something coming onto the scene, so you sought out Sebastian for advice. Since then, most days on set were spent together, running lines, or sneaking food from the buffet into your trailers for little dinners together when you got the chance. He has taken to you so well, and you would say you were closer to him than anyone you had met in the film industry so far. Your friends would claim you had a little crush on him, but some things are better left unaddressed.

“What are you doing at my door at 3AM?” You let out a slight chuckled at the absurdity of the situation, whilst collecting some of the bags that sat at your doorway. You had secretly hoped for some sappy love declaration in the rain like you'd seen in the movies, but judging by the look on his face, and the bags that lingered outside the door, you figured that would be a bit of a stretch.

“Funny story actually” He let out an awkward laugh and rubbed the back of his neck. “My neighbour, he, did something, I'm not too sure what, but the whole floor of apartments is flooded, including mine.” He looked around sheepishly and took in your apartment. It was cute and dainty, much like yourself. He took note of some of the things hanging across the walls. Posters of a few movies you’d been in, certificates from high school, pictures of you and your friends. He saw a picture that he had taken of you two on the set front and centre, smiling at the memory.

“So you came here?” You stared at him as you grabbed a towel and some blankets from the cupboard. He stared back with a smile.

“Where else?” He spoke, making a smile break out on your face, and tiny butterflies float in your stomach. You knew Sebastian had never thought of you the way you thought of him. He was a lot older, and likely viewed you as a little sister more than anything. But it's not wrong for a beautiful man to give you butterflies, right?

You moved back to the couch to hand him the towels and blankets. “Well stay here as long as you like.” Offering him a warm smile. “Let me get changed and we can sort everything out.” With that you rushed back into your room and threw on some shorts and a vest top. You popped back out of your room and started to make some hot chocolate, Seb's favourite. “So, when do they think they will have everything fixed?”

“They said it'll be about a week, so I should be out of your hair soon.” He let out a small laugh, still watching you.

“Not too soon I hope, you know I love best friend time.” You let out a small smile, still focused on heating up the milk. If you hadn't been so preoccupied, you would've seen the look he was giving you, and you would've known it wasn't a look that best friends give each other.

That day, however, was 3 weeks ago now. Now, you two were dressed up to the nines, and about to leave for your first press conference.

“Seba! Come on!” You shouted through the door of your apartment. Turns out it wasn't a week to fix his apartment, it wasn't even a month. There had been no news on his apartment for the last 3 weeks, so he had been staying on your couch indefinitely. You didn't mind, you revelled in everyday spent with him, like a dream come true.

He stepped out of the room, and you couldn't help but stare, he cleans up very well. In a way that makes you sweat just a little more and your mouth run dry. You offered him a smile, trying to distract from the blush creeping up your neck.

“Do I look okay?” You asked quietly, noticing the way his eyes racked up and down your figure. You wore a fitting dress, something recommended by your stylist, it had to be special for your first press conference.

“You look...” He didn't finish, as he drunk in your appearance, just the sight of you intoxicated him. Safe to say his feelings had grown over the shared time in your apartment, but that was something he could never admit to you. He was supposed to be a mentor, not fall in love with you for Christ's sake. During your time spent together, he felt as though he got to know you on a deeper level, days filled with midnight talks and cooking together, I mean it's hard not to fall for someone like you.

“Seb?” You questioned, waving your hand in his face after a minute of silence and an unfinished sentence.

“Yeah, yeah I'm great.” He pulled himself out of his thoughts, as a smile spread across his face as he stared down at you. The car beep outside took both of your attention, as he snaked a hand around your waist. “Our carriage awaits, my dear.” You both laughed as you headed to the door, nervous as ever.

You slipped through the double doors of the hall, Sebastian protectively behind you. You glanced back at him with a nervous smile, your head feeling fuzzy before you had even entered. He instinctively squeezed your hand and whispered calming notions in your ear. You walked into the centre of the hall with Sebastian in tow. As soon as you stepped up, a chorus of ‘look over here’, ‘Sebastian’, ‘Y/N’ rang out, and blinding flashes of pictures being taken. It all felt like too much. You glance up at Sebastian, and e gave you a warm smile, and snaked his hand around your waist, something that instantly calmed you. You felt ready to take it all on.

After hours of interviews, intricate questions and plenty of pictures, you and Sebastian barged through the door of your apartment and threw yourselves on the couch. Sebastian loosened his tie and undid his top button, whilst you took your hair out and jewellery of before falling back into his arm that was threw across the couch.

“Why didn't you tell me press conferences were SO exhausting?” You sighed, loving the feeling of the soft couch treating your back.

“I couldve told you that, lovely.” He laughed a little, settling into the couch. And thats how you drifted off, for the next 12 hours. Shoes strewn across the floor and bits of your outfits across the coffee table.

The repeptitive sound of your phone buzzing woke you up. As you moved to reach for it, Sebastian stirred and woke up, glancing up at you through his lashes. “What time is it?” His groggy voice came.

“Oh sorry i didnt mean to wake you, its 10Am, and my phone is going crazy” The phone screen lit up your face as you looked at the countless notifications on your phone. Your eye was caught by a text from your friend that read ‘YOU AND SEBASTIAN STAN ARE TOGETHER ARE YOU SERIOUS?’. Your eyebrows knitted together in confusion as you continuted to scroll and finally opened twitter. Sebastian moved closer to you to see what had caused your silence. Your screen lit up with photos of you from the press conference, with the hashtag #AVImovie.

“Guess the press tour photos havfe been released.” He chuckled, thinking over last night.

“i guess so, i dont know why my friends are blowing me up though.’ You clicked on the screen and saw a collage of misleading hashtags. #sebsgf. #couple. #AVImovie. What is going on? You clicked on a hashtag and scrolled. Hundreds of the same photo. You and sebastian centred, his arm around your waist, and staring into eachothers eyes. They had all kinds of captions. ‘i want someone to look at me the way she looks at him.’ Oh god, if he didnt know you liked him before, he might be getting the picture. Another headline, ‘Sebastian Stan smitten on the carpet with co-star Y/N’. You turned to look at Sebastian, who had the most horrified expression on his face. Gut Punch. Fucking Twitter. You coughed awkwardly, hoping to draw the attention away from the never ending stream of notifications.

“Okay, you dont have to look at me like the mere thought of being with me would end the world” You got up from the ciuch and cleared your throat.

He just stared at you, day old makeup, with a bedhead. He stared like you were the last thing on earth. He realised they were absolutely right. He was completely smitten by you. He rushed to follow you. “Wait thats not whats happening.” He gripped your arm lightly and turned you to face him. You looked up at him through your lashes expectantly. “Theyre right.” he said, barely above a whisper.

“Whos right?” You looked to him confused.

“The people, the people on the phone, i am completely smitten with you” He chcukled lightly, throwing a glance toward your phone.

Ypur breateh hitched in your throat. “I thought you only thought of me like a sister, Seb you literally said that to me not 6 months ago.”

He ran a hand through his hair. “I know, but that was before i started staying here, and i saw you in a whole different light” He cupped your face with his hand and stared at you hopefully. But you didnt have to say anything. You just leaned in and brused his lips against yours.

“i think theyre right about me too.” You whispered before closing the gap between you too. So much emotion got poured into the kiss, months of waiting, watching, hoping, all being taken out in your living room at 10AM. It was everything you had both imagined it to be. Soft. Passionate. Felt like a dream come true. You both pulled away breathlessly, staying close.

“You know,” He whsipered softly, “My apartment was fixed last week.” A sneaky smile grew across his face as you pulled away, slack jawed, an incredulous look on your face.

“You bastard!” You shouted playfully, giggling as you threw a pillow at him. He caught it swiftly, and picked you up as you let out a loud laugh.

#sebastian stan fanfic #sebastian #sebastian stan x reader #sebastian stan #bucky #bucky barnes x reader

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multifandom-exe · 3 months ago

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Press Tour- S. Stan x Reader

Word count:1.9K

Bang Bang Bang

“So you came here?” You stared at him as you grabbed a towel and some blankets from the cupboard. He stared back with a smile.

“They said it'll be about a week, so I should be out of your hair soon.” He let out a small laugh, still watching you.

That day, however, was 3 weeks ago now. Now, you two were dressed up to the nines, and about to leave for your first press conference.

“Seb?” You questioned, waving your hand in his face after a minute of silence and an unfinished sentence.

“Why didn't you tell me press conferences were SO exhausting?” You sighed, loving the feeling of the soft couch treating your back.

The repetitive sound of your phone buzzing woke you up. As you moved to reach for it, Sebastian stirred and woke up, glancing up at you through his lashes. “What time is it?” His groggy voice came.

“Oh sorry i didnt mean to wake you, its 10Am, and my phone is going crazy” The phone screen lit up your face as you looked at the countless notifications on your phone. Your eye was caught by a text from your friend that read ‘YOU AND SEBASTIAN STAN ARE TOGETHER ARE YOU SERIOUS?’. Your eyebrows knitted together in confusion as you continued to scroll and finally opened twitter. Sebastian moved closer to you to see what had caused your silence. Your screen lit up with photos of you from the press conference, with the hashtag #AVImovie.

“Guess the press tour photos have been released.” He chuckled, thinking over last night.

“i guess so, i dont know why my friends are blowing me up though.’ You clicked on the screen and saw a collage of misleading hashtags. #sebsgf. #couple. #AVImovie. What is going on? You clicked on a hashtag and scrolled. Hundreds of the same photo. You and Sebastian centred, his arm around your waist, and staring into each others eyes. They had all kinds of captions. ‘i want someone to look at me the way she looks at him.’ Oh god, if he didnt know you liked him before, he might be getting the picture. Another headline, ‘Sebastian Stan smitten on the carpet with co-star Y/N’. You turned to look at Sebastian, who had the most horrified expression on his face. Gut Punch. Fucking Twitter. You coughed awkwardly, hoping to draw the attention away from the never ending stream of notifications.

“Okay, you dont have to look at me like the mere thought of being with me would end the world” You got up from the couch and cleared your throat.

“Whos right?” You looked to him confused.

“The people, the people on the phone, i am completely smitten with you” He chuckled lightly, throwing a glance toward your phone.

Your breathe hitched in your throat. “I thought you only thought of me like a sister, Seb you literally said that to me not 6 months ago.”

“i think they're right about me too.” You whispered before closing the gap between you too. So much emotion got poured into the kiss, months of waiting, watching, hoping, all being taken out in your living room at 10AM. It was everything you had both imagined it to be. Soft. Passionate. Felt like a dream come true. You both pulled away breathlessly, staying close.

“You know,” He whispered softly, “My apartment was fixed last week.” A sneaky smile grew across his face as you pulled away, slack jawed, an incredulous look on your face.

“You bastard!” You shouted playfully, giggling as you threw a pillow at him. He caught it swiftly, and picked you up as you let out a loud laugh.

Please tell me how i did in comparison, and dont forget to leave requests

#james bucky buchanan barnes #bucky barnes #bucky x reader #sebastian stan #sebastian stan x reader #bucky barnes x reader

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hydrogenuranium · 2 months ago

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Meet the main characters! (sorta)

So these people are the 'main characters', but like not really. its hard to explain. They're important but also not important, y'know

First - Second - Third - Sophia - Micheal - Fourth

Rheo

-Title/ Nicknames Callsign: The Angel of Battle, Callsign: Warbird

-Age: Physically 22, mentally...17 or 35, depending on the day

-Voice claim: Thanatos - Hades

-Theme song: Kingslayer by Bring me to the Horizon - Panoramic view by AWOLNATION

-Likes: Swans, Sleeping, Taking care of children, Protecting, Strength, Training, Flying, Sheep, Micheal, Heaven, Order, Winning, The quiet, Getting orders, Being alone

-Dislikes: Himself, Sophia, Cold weather, The smell of alcohol, His claws, Needles, Doctors, Lucifer, Lilith, Sinners, Being restrained, Showing weakness, Loud noises, Getting yelled at, Pain

-Personality: Strong, Fast, Brave, Loyal, Good planner, Calm, Reserved, Stoic, Emotionless, Blunt, Stern, Quiet

Backstory

-He ISN'T a modified Seraph, he's actually an Archangel, an Archangel that was used by Sophia as a 'guinea pig' of sorts until he no longer looked like an Archangel anymore, but still an Archangel

-He's Lucifer's little brother. Which also makes him Micheal's little brother

-This means that Micheal agreed to let Sophia torture his kid brother until he could no longer remember his life before Sophia started her experiments and was fucked up and traumatized irraverablsy

-Does Micheal feel regret about this? yup. Does he wish he could go back and prevent everything from happening? also yep. Can he? no.

-Now Micheal tries to make it up to Rheo in any way he can, Rheo just thinks Micheal is playing favorites

-Whenever Micheal tries to do something nice for him Rheo always says that he should 'stop playing favorites', every time its kills Micheal inside just a little

-Rheo was like 8 when Sophia started her experiments and of course, since Rheo was literally 8, he could do what so Sophia wanted from him

-So she just kinda...took his talons and just kinda...

-*crack*

-So now Rheo is permanently crippled and can no longer use his talons properly (this absolutely will not be a plot point and will not further the story in any sense)

Next up...

Valerie

-Title/Callsign: Angel of Defense (<- still a work in progress), her callsign: Casper

-Age: A little older than Rheo, so like 24 (physically)

-Voice claim: Natasha Romanoff, Marvel

-Theme songs: We Fell in Love in October by Girl in Red - Too Sweet by Hozier

-Likes: Tea, Plants, Her sister, Horror Movies, Rain, Flying, Being first, Crocodiles, Scaring people, Water, Her family, Hanging out with Rheo, Chocolate, Spicy food, Music, Staying up late

-Dislikes: Lucifer, Rheo keeping secrets, Demons, Whatever Sophia did to Rheo, Insects, Spiders, Her mother (mostly), Sleeping, Mornings, Losing, getting in trouble, People lying, Disobedience

Personality: Composed, Calculating, Brave, Loyal, Strong, Kind, Funny, Cruel, Cold, Stern, Harsh, Self-centred

Backstory

-She actually had a surprisingly happy childhood

-Due to how close Valerie and Rheo were in age they were treated as siblings

-But then the war happened and it kinda destroyed her family, her father was killed, her mother fell into extreme depression and developed some form of PTSD, and her little sister was only a baby

-When she joined the army she went through the 'standard' surgeries that allowed her to make the caws and squawks everyone else could

-I don't have all that much her at the moment :(

Aaron

-Title/Callsign: Angel of Mercy, Callsign: Mutt (or 'Adams little lapdog', shortened to Lapdog)

-Age: Same age (physically and mentally)as Charlie

-Voice Claim: Dantes_Integrity on Youtube (video to watch here)

-Theme Songs: Beige (unburdened) by Yoke Lore - Where's my Love by SYML

-Likes: Sera, Emily, Birds, Flying, Reading, Deer, The Snow, Training, Sunsets, The army, The other angels in his squadron, Top Gun (the movie), Coffee, Cleanliness, Keeping Adam safe, Lute, Sports

Dislikes: Messes, Animals in pain, Losing, Being called a lapdog, Dogs, Adam getting hurt, Lute being Hurt, Lucifer, People wasting his time, Loud noises, Fallen Angels, People worrying, Needles

Personality: Smart, Loyal, Brave, Kind, Gentle, Responsible, Philosophical Obedient, Not always honest, Naive, Worries, Low self-esteem

-Okay kinda embarrassing a maybe, kinda, sorta, based him off of Ralsei from Deltarune TuT

Backstory

-Aaron was created by Sera to be Adam's 'Guardian Angel' after him and Eve left the garden

-At first, Adam HATED Aaron and thought he was a 'self-righteous control freak who couldn't protect what actually mattered' (something something Cain and Abel)

-But Adam started to appreciate Aaron after he managed to get both of them into Heaven, somehow, Aaron never told Adam or Eve how he did it and he never plans to

-He now sorta functions as Adam's bodyguard. But Lute is also (technically) his bodyguard as well

-Literally everyone (Except for Micheal and some of the higher-ups) makes fun of him for how he treats Adams, while Aaron often just goes along with the teasing he secretly HATES it

-But he protects Adam despite this and really likes his job.

-So...imagine what Aaron will do when he finds out that 1. Adam is dead 2. Lute and the Exorcists were decimated in the battle with the Hazbin Hotel

-Even the gentlest dogs are descendants of wolves

#the true army au #long ass post #seriously #so many words #hazbin hotel original character #hazbin hotel au

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cybernaght · 3 years ago

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Cloudy Mountain: a review of sorts

I have sort of come to terms with the fact that any new films coming out of China I will be seeing months later, maybe, if I’m lucky. Imagine my absolute delight when a fandom friend sent me a link to a bunch of multiplexes showing this one for a couple of weeks in UK. So, below are my relatively brief thoughts devoid of any spoilers.

Cloudy Mountain/峰爆 is a disaster movie which is also an ode to railroad builders. Or possibly railway tunnel engineers. Or maybe both. My mandarin is not nearly strong enough to completely understand screen text, and the subs only covered spoken lines. It stars Zhu Yilong in the lead role, with Huang Zhizhong as his father and Jiao Junyan as his girlfriend, as well as Chen Shu as the director of the railroad tunnel which features prominently here.

In terms of the actual story, the film is about what you would expect: a geological disaster is about to strike, and it is up to unlikely heroes to save the day. It does not venture far from the confines of the genre. This is not where my problems with it lie.

The film’s structure really brings it down. It almost feels like it should have been an anthology, but instead the events happen to its four leads, who go through mini-conflicts that are stacked without any escalation: a series of set-pieces, strung together in chronological order but without internal logic. In effect, instead of a coherent five-act structure the story ends up being a patchwork of mini-arcs, some of which start and finish within the same scene. Aside from a couple of things that are actually set-up early and resolved in the climax of the film, it does feel like the events unfold moment by moment completely arbitrarily. This makes for a very inconsistent viewing experience: individual scenes are absolutely excellent and sport some wonderful character-driven writing, but they just refuse to sit together in a cohesive way.

This makes a film that actually does not have much in terms of a story extraordinarily hard to follow; although this might also be due to the fact that much of the content that has to do with stakes ends up being screen text, and, as such, completely flies over the head of the viewer who cannot read simplified Chinese. One does not have to dig deep into all the plot holes to find the plot itself unsatisfying.

Tonally, Cloudy Mountain hops between being a mindless high-action flick, and equally high melodrama. It switches between the two so much that some moments end up being unintentionally funny. Extremely jumpy camerawork does not help. Neither does a swelling violin-heavy soundtrack and dubious visual effects.

What saves this film are absolutely phenomenal performances and the script graciously giving the actors ample space to flex their dramatic muscles. The central relationship between father and son ends up being sweet and poignant, with a couple of strong, moving moments. Huang Zhizhong is fantastic as a bitter strict parent showing his softer side in crisis, and Zhu Yilong delivers a very powerful performance as Average Joe Turned Action Hero. I would go as far as to say this is his strongest work to date, with none of his usual idiosyncrasies in sight. If nothing else, this film makes me feel very excited about his career. It is clear that Zhu Yilong is working hard on demonstrating his versatility as an actor, and for him personally this film feels as a resounding success. His performance is physically strong and wonderfully textured. Even if you expect him to be good here, you might still be surprised.

All in all, I don’t regret going for the acting alone. It is a joy seeing an actor I admire on a big screen, but, honestly, you would not be missing much watching this on home video.

#Zhu Yilong #Cloudy Mountain #峰爆 #review of sorts #this is officially a review blog now #this is an opinion and I would appreciate not having my head bitten off thank you

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deltaengineering · 4 years ago

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Spring Anime 2021: Embarrassment of Riches

So this current anime season absolutely stinks, which just makes the last one look even more impressive. Well, maybe not all of it...

Zombieland Saga Revenge

First off, you don't need to tell me that the following is a severe outlier opinion. We good? Ok. ZLSR is, in a word, subpar. I liked S1 back in the day, but it was already in the process of getting lazy towards the end. S2 continues this trend and is basically just another idol show. And as someone who actually does watch other idol shows I have to say that it's not a particularly good one of those either. The zombie gimmick has mostly stopped mattering and we're just doing what every idol show does, only with the odd occasional sight gag. The alleged subversive qualities mostly amount to a flashback for Yuugiri, which is admittedly the best part of the show but feels like it barely has anything to do with anything. Apart from that, it's a bunch of generic idol plots, rehashed character beats, shoddy attempts at twists (while not connecting to any setups from S1), and the obligatory "idols give us hope" ending, which is terribly hackneyed and flat out bad. Tae gets further memed into the ground, because of course she does. And there's stuff that was simply never good to begin with, like Kotarou and his comedy schtick, which gets truly insufferable now that there's no qualities to distract from it. It really makes me think that S1 wasn't even all that good to begin with and seems like an attempt to turn this surprise success into an easy money longrunner with no edge and no ambitions. "The idol show for people who don't watch idol shows" indeed, but not the way you mean it. 4/10

Bakuten

But not to dwell on the failures, with the second show we're already above the cut — barely. This one got my attention with its really impressive performance scenes early on and it totally sticks to that, which is even more impressive. But besides that? Well, this is by far the most predictable show in a season where I watched an unambitious Kiraralike and put ZLS on blast for having no ideas. The characters are a mixed bag, some are cool (Shida, Asawo), some are very annoying (Mashiro), but those are the supports. The main cast is extremely one-dimensional, which is fine until they try to heap a ton of pathos on their lead, which doesn't go well. But I guess execution matters, and Bakuten is slick enough to get by. Writing this down in stark daylight I feel like I overrated this show somewhat (I actually put it over the next one originally, which definitely doesn't hold up when thinking about it), but I was indeed mostly entertained. 6/10

Yakunara Mug Cup mo

Yeah. Of course Mug Cup definitely doesn't invent or subvert anything either, but it's a pretty good Kiraralike that's always entertaining to watch. Explaining the qualities of such a nothing genre is as difficult as ever, but it mostly comes down to me liking the characters and it having nothing to annoy me. It's shorter than normal, which is a plus for slim shows like this. And yeah, you can make an excessive amount of dick jokes with the clay fondling. That helps too. Looks are just fine, pleasant but nothing out of the ordinary. Comfy low-effort anime. 6/10

Vivy: Fluorite Eye's Song

This one is decent, but sadly still a major letdown. Because the first few episodes of Vivy were excellent and kicked ass, but then it became increasingly clear that the writing can't cash the checks the ideas wrote while the action starts running into severely diminishing returns. Vivy just keeps slowly getting worse and worse as it goes on, not by a huge amount each episode but by the end there's a pretty sizeable gulf between potential and result. Going into detail would probably be a little much for this venue because there's a lot, but from the top level view the issue is that while Vivy has good fundamental ideas and steals at the right places, it just isn't a smart show — it's schlock, and by the end, poorly thought out schlock that tries to smooth out every problem with liberal application of the big feels hammer and le epic twist at that. Yeah, couldn't tell that the Re:Zero dude was aboard here, for sure. That said, it still works pretty well as entertaining schlock that is not to be taken too seriously, and the characters are generally just very fun to watch even when they're doing stupid things. Still, I can't in good conscience rate this higher than Beatless, a show that looks like butt but properly executes on its ideas. 6/10

Super Cub

So this is 100% a Honda commercial, and I got really mad a Yuru Camp last season for being a blatant shill. Yet I'm feeling this, what gives? I think the main difference is that Super Cub is specifically a commercial for one product (and a very iconic product at that), while Yuru Camp is so all over the place that it ends up mostly a commercial for consumerism in general. And when Super Cub goes too hard on the product (which it does), it's at least pretty entertaining. That's something about Super Cub in general: It goes hard. Your regular Kiraralike this is not, because it's uncommonly slow, focused and moody - yes, it almost measures up to Yuru Camp at its best and demolishes it at its worst. Also, it's just extremely amusing to see sadblob Koguma grow a huge grizzly biker beard and become a badass outlaw dad to her goofy wife and cute daughter, all thanks to the power of afforable personal transportation. Needless to say, that can get unintentionally silly, but Super Cub has so much charm that it doesn't matter — it's great when it's good and still funny when it's not. 7/10

Shadows House

Shadows House turned up with a lot of potential, and I have to say it at least delivered on most of it. It has some problems; notably I'm not a fan of how the entire middle turned out to be a tournament arc of sorts that seems curiously inspired by Resident Evil memes, crest-shaped intentations and boulder punching included. I also think that this is a show that would be perfectly fine without explaining much, but I guess it is a shounen manga after all so we got dumped on eventually anyway. At least that came late - close relative Promised Neverland didn't show that much restraint. Shadows House is generally well written though, with great characters, interesting interactions and a great hook. But what really makes it memorable is that it's exceptionally good at the cute/creepy contrast, something that is often tried but rarely works as well as here, with great character designs and very appropriate production. I hope this gets a sequel, because it seems like it's just getting started. 7/10

SSSS.Dynazenon

Coming in with a fondness for Gridman, Dynazenon didn't have to do much to convince me. The surprise though is that it's not a rehash even if it's basically the same show, a character drama where occasionally huge and goofy fights break out. Dynazenon is Gridman done better, and the interesting part is how it accomplishes this - mainly by being far more conventional. I do appreciate that Gridman went for something weird and almost experimental, but that only really paid off towards the end while most of the show was a distraction/holding pattern. It just didn't feel like there was enough material for a full series there, more like a movie maybe, if even that. Dynazenon fixes this by just being a TV show, with an actual cast of characters that each have their own arc. And by spreading the material this way, Dynazenon ends up having a lot more nuance than its intensely focused predecessor, while having the same themes and not actually being any deeper. In a way, Gridman ends up looking like the spinoff in retrospect, while Dynazenon is the full package. 8/10

Thunderbolt Fantasy S3

So how good was this season? So good that Thunderbolt Fantasy doesn't end up at the top, that's how. And all the elements that made Tbolt such a sure thing are still there, big hammy puppets doing stunts and scheming never gets old. However, I do have to note that at this point, the writing appears to have gotten too comfortable. I don't expect it to ever top the amazing S1 ending, but at this point it's like Tbolt has stopped trying to deliver on endings at all and seems in the process of retooling itself into a longrunner instead. Barely anything gets resolved in S3 (the climax is that the climax of S2 is resolved again, for good this time... maybe), and everything else is just setting up plotpoints for the next season. Tbolt is truly lucky that it doesn't actually need to resolve anything to be a great time, but at this point I have to say that I'd appreciate it if they wrapped it up with S4. 8/10

Nomad: Megalobox 2

Speaking of sequels to shows I liked, Nomad doesn't so much improve upon its predecessor but steamrolls right over it. This is a tall order, since Megalobox was surprisingly good for a sports shounen and had a real nice, heartwarming ending that Nomad instantly negates for purposes of drama and everyone being extremely miserable. That sounds like a pretty terrible idea - and it would be, if Nomad wasn't as excellent as it is. To call it not the same show would be an understatement, because it's a true sequel, not just the same characters doing their thing some more, or new characters doing the same thing as the old ones did. Indeed my biggest problem with Megalobox was that it still closely adhered to its genre template and was very predictable; Nomad fixes this issue thoroughly. Nomad is about questioning what being a hotblooded shounen protagonist eventually leads you to, and how to fix everything you screwed up by being one. You could call it a deconstruction, but that term has been so abused for cynical, edgy "thing you like actually sucks" takes that I feel like it doesn't really fit here. Nomad isn't cynical at all, it's just a character drama about some boxers past their prime, and it being a sequel to a show that is indeed rather formulaic just enhances the experience. My biggest issue with it was that I really like what they did with Joe in this story, so the big focus on Mac's backstory felt like a distraction for a long time. But in the end that turned out to be absolutely necessary to make the ending work. The ending's just great, by the way, and I shall say not more about it. 9/10

Odd Taxi

Yeah boy, here's the show that has apparently become somewhat of a "greatest show you didn't watch" meme, which I can feel smug about because I don't need YouTubers to tell me what's good and followed this from day one. Anyway, Odd Taxi is indeed great, the greatest show in a few years even. What starts out as seemingly a relaxed hangout show in the vein of Midnight Diners quickly turns into a psychological murder mystery while never losing its quirky humor. The character writing is outstanding, with even small bit players being on a level that the average anime wishes it could have for leads. And the rollout of the mystery is exemplary, with answers given and new questions raised every episode with a satisfying and logical payoff in the end. This is also the rare anime that has rock solid production from the first to the last second; it's never really flashy but excellently done and highly consistent nonetheless. And the music just owns. I have a few complaints, mainly that there's a few logical weaknesses in the story (which wouldn't even register in a lesser show, but sticks out here since the rest is so immaculately constructed) and that the ending overextends on the emotions when the rest of the show is so reserved and dry in comparison. But those are only the reasons why I didn't give it perfect marks, and I almost did that anyway. 9/10

#Zombieland Saga #bakuten #yakunara mug cup mo #vivy: fluorite eye's song #super cub #shadows house #ssss.dynazenon #thunderbolt fantasy #nomad megalo box #odd taxi #anime #review #spring2021

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karamfilmare · 4 years ago

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Why I Dislike Fanon Oikawa

Ok, soooooooo

I have only been in the Haikyuu fandom since...late July, after the manga ended. I’m a bit of a late bloomer. Anyways...

Ever since Oikawa crosses my screen, I was ENAMORED with him. Like, what a beautiful boy!! And his dub voice just does things to me. And his attitude is spectacular. How could anyone hate him? And as the show went on, I love him even more. He was a pretty boy with a lot of baggage, and who doesn’t love that?

I never understood the hate about him, because come on, I’m pretty sure most of us have been worse than him, and honestly, people need to grow up, but THAT’S FOR ANOTHER TIME.

So, after watching Haikyuu, I did the typical fan things: rewatched the show, rewatched the show, made other people watch and love the show, got others into the Yagami Yato because of the show, although for me it was the other way around oops.

I managed to reach Haikyuu Tok, which was fantastic! The edits, the funny skits, the fanart, everything was MWAH CHEF’S KISS.

And at first I thought a few of the Oikawa jokes were funny -- the flat ass (which now he’s thicc so shut up about that lol, fucking Tendou’s ass caves in, I don’t want to hear it), the “Iwa-chan” obsession (which I mean, yeah, but hold this thought).

Then I got slightly annoyed by other things that were attached to Oikawa. And then my friends kind of hopped on to these, because they don’t like Oikawa, even though I have tried oh so hard to convince them that he’s not that bad of a person, like his personality and words are OBVIOUSLY -- no, no, that’s for another time. @oikawa-obvs also has a great analysis on why you should grow up and not hate Oikawa so there.

No, what really bothered me is what the fandom did to Oikawa. Fanon Oikawa started to bug me, for several reasons. And I will list and explain some of the things that bug me that people seem to take seriously about fanon Oikawa and apply it to canon Oikawa.

1. Oikawa the Crybaby

So like, the fandom makes Oikawa out to be a big whiny crybaby who can’t do anything without Iwaizumi. I’ll be addressing the first half here, because I want to save my Iwaizumi topic for a little later.

So, we see Oikawa cry several times in the show, and we see him have his most heartbreaking cry in the 3rd movie, one that makes me cry everytime.

But I don’t see why this makes him a crybaby. Like, other characters have cried, yet we don’t think of them as crybabies.

His emotions were too much for him, as it can be for a lot of us. I wish people would realize that him expressing his emotions in a physical way is not a bad thing.

And this leads to my next point...

2. Oikawa’s Weak (kind of hard to explain, keep reading)

I don’t mean physically weak (I mean his fucking serves are so hot--I MEAN HARD *cough*).

This is also kind of hard to explain. People pick on his character for his personality.

When we first meet Oikawa, his personality is loud, smug, a bit childish, etc. (Honestly, I kind of liked that, for some reason it was super interesting to me)

But I just want to draw your attention to the fact that a weak person would not:

- be able to lead a team so cohesively as he does

- be a strong presence on the team

- take responsibility for the team

- stay true to his goals

- be able to be loyal to his friends

I could go on.

3. Oikawa is clingy (to Iwaizumi)

Iwaizumi and Oikawa are really close best friends, and have been since elementary school. Naturally, the two are pretty much in sync and know each other really well.

However, Oikawa is not solely dependent on Iwaizumi. I have seen posts where people would joke and say “Oh, Oikawa would have gone to Shiratorizawa if Iwaizumi went.” One of my friends sent me a meme like that and said “SO TRUE” and I was like “MMMMMM BUT NO YOU’RE WRONG.”

I don’t know if it is just me and my absolute need to be independent being projected onto my favorite characters, but Oikawa is not tied to Iwaizumi. Oikawa is definitely loyal, and so is Iwaizumi. They do see each other as partners, but even they realize that their paths are not meant to be joined forever.

I am really close with my best friend/s, and they mean the world to me. We joke and talk and we have each others’ backs, even when separated doing our own thing. We will be pretend clingy, but that’s just what friends do.

I guess this is a subset to the Oikawa is weak, but I feel like this needed its own explanation and analysis (sorry, it kind of sucks so far).

4. Oikawa is a playboy

Ok, so my main source for Oikawa’s character is the anime. I haven’t gotten far in the manga to know more.

But honestly, from my multiple viewings of the anime, Oikawa is very kind and considerate to his fangirls, but he doesn’t seem flirty.

Oikawa had a girlfriend (who somehow broke up with him because of volleyball. I sympathize and don’t at the same time, but that’s for a different topic?).

I know that there is a story where he kind of tries to flirt with some girls when he gets his glasses, but he kind of goofed on that. And yes, he knows he’s good looking, but he hasn’t really used his good looks to take advantage of people, especially his fangirls.

I also find it hard to believe that Oikawa, who has a much older sister, would dare to toy with women’s hearts without getting his shit rocked by said older sister. Also, I feel like Oikawa cares about setting a good example to his nephew Takeru, and being a playboy isn’t what Oikawa would want to project on his nephew.

I think Oikawa gets judged to be a playboy because he is attractive (which how can anyone not find him attractive. Furudate made a powerful character when even the Oikawa haters find him attractive.)

I just want people to recognize that canon Oikawa is actually a deeply loyal, nuanced character, and he’s not what fanon Oikawa appears to be. He is one of, if not, the most hard-working individuals. He is driven, ambitious, independent, focused, and extremely insightful.

He was a kid who loved volleyball, then became absolutely in love with the sport when he sees his idol, Jose Blanco, and decided that he wanted to be the best setter. That comes with an immense pressure from within, which can cause a lot of stress on a young individual. He practiced and perfected the craft, doing what he can to measure up to the talented and the genius players of his age. He just happened to be given “The Curse of the Ordinary.”

It’s amazing that he has managed to become one of the best players that is feared and revered by peers. He is special, not due to his talent, but due to his perseverance and dedication.

And I don’t think people should lose that in the fanon. I get it as a joke, but some people seem to confused the fanon with the canon.

Thanks for reading this crappy analysis, I’m so sorry I subjected you all to this. I really love and appreciate you all. <3

Credit to @volleygifs for the gifs

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dherzogblog · 4 years ago

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The Birth of The Daily Show: 25 Years of Fake News and Moments of Zen

It was July of 1995 and I had left MTV to become President of Comedy Central. It was the basic cable equivalent of going from the NY Yankees to an expansion team. I was on the job just two weeks when I received a call from Brillstein Grey the high powered managers of Bill Maher, host of one of the networks few original programs, "Politically Incorrect". We were informed Bill and his show would leave the network when his contract expired in 12 months. It was a done deal. Bill wanted to take his show to the "big leagues" at ABC where he would follow Night Line. Comedy Central was left jilted. Terrible news for a network still trying to establish itself. We had a year to figure out how to replace him and the clock was ticking. So began the path to The Daily Show.

It was very much a fledgling Comedy Central I joined, available in barely 35 million homes, desperately seeking an identity and an audience. It was just over three years old, born into a shot gun wedding that joined two struggling and competing comedy networks, HBO’s Comedy Channel and Viacom’s HA!, Watching them both stumble out of the gate, the cable operators forced them to merge, telling them: "We only need one comedy channel, you guys figure it out”. After some contentious negotiations the new channel was born and the red headed step child of MTV and HBO set out to find the pop culture zeitgeist its parents had already expertly navigated. The network had yet to define itself. The programming consisted mainly of old stand up specials from the likes of Gallagher (never underestimate the appeal of a man smashing watermelons), a hodgepodge of licensed movies (“The God’s Must be Crazy and The Cheech and Chong trilogy were mainstays) and Benny Hill reruns. The networks biggest hit by far was the UK import “Absolutely Fabulous”, better know as “AbFab”. Comedy Central boasted a handful of original shows, including the wonderfully sublime "SquiggleVision" of “Dr. Katz”, the sketch comedy "Exit 57" (starring the then unknown Amy Sedaris and Stephen Colbert) and of course Maher’s "Politically Incorrect". In retrospect I don’t think Bill got enough credit for pioneering the idea of political comedy on mainstream TV. Back then he was the only one doing it.

Politically Incorrect performed just fine, but got more critical attention than ratings. It was a panel show, and I had something a bit different in mind to replace it. I knew we needed a flagship, a network home base, something akin to ESPN's Sports Center where viewers could go at the end of a the day for our comedic take on everything that happened in the last 24 hours….."a daily show". I had broad idea for it in my head. I would describe it as part "Weekend Update", part Howard Stern, with a dash of "The Today Show" on drugs complete with a bare boned format to keep costs low so we could actually afford to produce it. We could open with the headlines covering the day's events (our version of a monologue), followed by a guest segment (we wouldn't need to write jokes...only questions!), and finish with a taped piece. Simple, right? We just needed someone to help flesh out our vision.

Comedy Central was a a second tier cable channel then and considered a bit of a joke (no pun intended). It had minuscule ratings, no heat and even less money to spend. Producers were not lining up to work with there. Eileen Katz ran programming for the channel and the two of us began pitching this idea to every producer who would listen. One of the first people we approached was Madeleine Smithberg, an ex Letterman producer and had overseen "The Jon Stewart Show" for us at MTV. We thought she was perfect for the role. “You can’t do this, you can’t afford this, you don't have the stomach for this, it will never work ” Madeliene said when we met with her. We could not convince her to take the gig. Ok then....we moved on. The problem was we heard that same refrain from everybody. No one wanted the job. So after weeks being turned down by literally EVERYONE, I said to Eileen: “We have to go back to Madeleine and convince her to do this with us"!

Part our pitch to her was we would go directly to series. There would be no pilot. The show was guaranteed to go on air. We had decided this show was our to be our destiny and we had to figure it out come hell or high water. As a 24 hour comedy channel, if we couldn't figure out a way to be funny and fresh every day...what good were we? We told Madeliene we were committed to putting the show on the air and keeping it there till we got it right (for at least a year anyway). That, plus some gentle arm twisting got her to sign on. Shortly after that, Lizz Winstead did too.

Madleiene and Lizz very quickly landed on their inspired notion of developing the show and format as a news parody. It brought an immediate focus and a point of view to the process . All of the sudden things started to take shape and coming to life. Great ideas started flowing fast and furious while an amazing collection of funny and talented began to come on board. Madeliene and Lizz were off to the races. Now all we needed was a host.

The prime time version of ESPN's Sports Center was hosted by Dan Patrick and Keith Olbermann back then and it was must see cable TV. But I had recently started to notice another guy hosting the show's late night edition. He was funny, with a snarky delivery reminiscent of Dennis Miller. His name was Craig Kilborn. On the phone with CAA agent Jeff Jacobs one day, I asked if he knew happened to know who repped him? “I do" he said. "We just signed him”. Within days he was in my office along with Madeleine, Lizz, and Eileen who were all a bit skeptical about the tall blond guy with the frat boy vibes sitting across from them. After opening the meeting with a few off color comments that would probably get him cancelled today (an early warning sign fo sure), Craig ultimately won them over and we had our host.

FUN FAC#1: Minutes after the news of Craig's hiring went public, Keith Olberman's agent called me directly to ask why we hadn't considered hiring him?

Ok, we had a host and producers...but what to call it? After sifting through dozens of ideas for a title, Madeleine called me one day and said, "I think we should just call it what we've been calling it all along...."The Daily Show". As we approached our launch date we taped practice shows and took them out to focus groups to get real life feedback. The groups hated it.... I mean with a red hot hate. They hated Craig, the format, the jokes, everything. We were crushed and dejectedly looked around at the room at one another. "Now what?" “Either they’re wrong, or we are". I said I think they are...but it doesn’t matter, we're doing this!" We never looked back.

The show took off quickly garnering some quick buzz and attention, we felt like we had crashed the party. Well, sort of. We had no shortage of fun, growing pains and drama along the way. The Daily Show version 1.0 was about to unravel. In a December 1997 magazine interview Craig made some truly offensive and inappropriate remarks about Lizz and female members of the staff. Whether it was poor attempt at humor or just plain misogynist (or both) is beyond the point. It was all wrong, very wrong. Craig was suspended for a week without pay. Lizz left the show. In the moment I chose to protect the show and its talent more so than Lizz. That was wrong too. It's more than cringe worthy looking back now, and I regret not making some better decisions then. My loyalty to our host was later "rewarded" when in the Spring of 1998 Kilborn's team, a la Bill Maher, unceremoniously informed us he had signed a deal to follow Letterman on CBS when his contract expired at the end of the year. No discussion, a done deal. Comedy Central jilted again. Like Maher, Kilborn wanted his shot at the network big leagues and we had a little over six months to figure out how to replace him. We all know how that chapter ended. That search would eventually reunite us with Jon Stewart who along with The Daily Show took Comedy Central and basic cable to the "the big leagues" on their own terms, redefining late night comedy in the process The rest, as they say, is "Fake News" history.

Fun Fact #2: before approaching Jon (who I did not originally think would be interested) I initially offered the job to a chunkier, largely unknown Jimmy Kimmel, fresh off his co hosting duties on "Win Ben Stein's Money" ...only to have him turn us down.

My fascination with late night began as a kid. I remember how exciting it was to stay up to sneak a peek at the Carson monologue and watch him do spit takes with his chummy Hollywood guests. Later on I also loved the heady adult conversation Dick Cavett would have with everyone from Sly Stone to Groucho Marx. But it was the comedic revolution of Saturday night Live in 1975, followed by Letterman's game changing show in 1981 that truly established late night as the coolest place on the television landscape. I could only dream of one day being part of it.

25 years on, I couldn’t be more proud of The Daily Show and its legacy. Those days helping build it alongside Madeleine, Lizz, Eileen and the team were among the most satisfying (and fun) experiences I have ever had. It was thrilling to take a shot at the late night landscape and try and make our mark, especially when no one thought we could.

I am prouder still of what Trevor Noah and his staff have achieved since they took the hand off from Jon, evolving and growing the show through a new voice and lens. I think my personal "Moment Of Zen" will last as long as Trevor remains behind the desk, allowing me to selfishly boast of having hired every host this award winning and culture defining franchise has ever had.

25 years later. it remains as relevant as ever, a bona fide late night institution, standing shoulder to shoulder with all the great shows that inspired us to start.

#the daily show #jon stewart #trevor noah #comedy central

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aer-in-wanderland · 4 years ago

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구미호뎐 | Tale of the Nine Tailed - Lost in Translation EP02

Back by, possibly not popular, but certainly very enthusiastic demand: my sister’s and my continued adventures in mistranslation and cultural subtext. You can find EP01 here. Buckle up and settle in for another monster post because, wow, a lot happened in this episode. Contains spoilers.

Prologue

We open with a sweeping view of Baekdudaegan as Yeon narrates about his past as the god who presided over it. For context, Baekdudaegan is the biggest and most famous mountain range in Korea, taking up an enormous swath of the Korean peninsula (to the extent that it’s often referred to as its ‘spine’ or ‘backbone’). So Yeon wasn’t lying when he said he was a ‘major’ mountain god. ;)

Yeon: You could say these were my Leeds Days. I was the master of Baekdudaegan, a mountain god who controlled the wind and rain,* and a gumiho who was, from the start, of a different caliber than the mongrel foxes you see in Hometown of Legends. ...Or, I was.”

[*Note: Can also be taken to mean ‘the natural elements’ in general.]

When Yeon refers to his ‘glory days,’ the term he uses is ‘Leeds Era’ (리즈시절). Originally a sporting term for the height of a footballer’s career, in Korean, the expression has come to be used to describe a person’s bygone glory days. The modern figure of speech (complete with English loan word) makes for a funny counterpoint to the Yeon we see on screen and recalls the mint-chocolate loving American TV show enthusiast we’ve known him as so far.

The other modern reference he makes is to Hometown of Legends (전설의 고향), which has been the title of numerous dramas and movies (1977-2018) centered around Korean myths and legends. This is basically the equivalent of an alien referencing the X-files. Overall, the narration serves to remind us just how modern our gumiho has become and clashes humorously with the visual onscreen.

Yeon’s above narration concludes with the first appearance of little Ah Eum, who immediately proceeds to pet the mighty master of Baekdudaegan as if he were her pet dog pfft (thus the ‘....or I was.’)

As an aside, tvN released some backstory information revealing that Ah Eum had gone to find Yeon in order to pray for rain. Which means she pet him in spite of that lol We also know from the past-life sequence in episode 10 that she had actually been warned never to venture anywhere near his mountain because a 1000 year old gumiho lived there. It’s almost as if her guardians don’t know her at all...

For anyone keeping track, Ah Eum uses banmal with Yeon from the very beginning. We find out why later. As a princess (even one who had been discarded), she’s used to outranking everyone around her and therefore speaking almost exclusively in banmal. To be fair, with her temperament, Yeon being a 1000+ year old mountain god probably just wasn’t enough to get him an automatic pass from her. Point for Ah Eum/Ji Ah character continuity.

Yeon: If I could rewrite* my past just once, I would return to this moment without hesitation. So that that child could never find me.

[*Note: Literally, ‘A/S my past,’ which I’m pretty sure has its roots in computer usage. So again, thoroughly modern vocabulary from the former master of Baekdudaegan.]

We transition from young to grown Ah Eum with a sweep of the Red Umbrella. According to tvN again, this umbrella was actually a gift from Ah Eum to Yeon, and it’s also the same umbrella Yeon still carries everywhere. It’s somewhat poetic, then, that it was this umbrella that lead Ji Ah to him. So, a meaningful item on multiple fronts.

Yeon: Some called it, ‘the scandal of the age that shook Baekdudaegan.’ To think, a mountain god who had given his heart to a human... Nowadays, it would have felt like a disciplinary hearing, but I didn’t care a whit. I liked her [presence] permeating my woods.

As you might have guessed, this love story ends in tragedy. Someone stole her life. Once she crossed the River of Three Crossings, I would never be able to see her again. I couldn’t hold on to her, but nor could I bear to let her go...so I resorted to abusing my power.

The BGM playing as Yeon narrates the ending of his tragic story is ‘The Parting at the River of Three Crossings,’ which I think of as the epic love theme of TotNT alongside ‘Sad Fate.’ Why do I keep mentioning the BGM? No reason, other than that it interests me. ;)

On a linguistic note, Yeon’s line, ‘Someone stole her life’ caught my attention from the first time I watched this due to his unusual usage of the word ‘life.’ Korean has multiple words for ‘life.’ The one that would typically be used in this context is ‘moksoom’ (목숨), which I think of as having the nuance of one’s life force. So to steal one’s ‘moksoom’ would mean to kill them. Instead, he uses ‘insaeng’ (인생), which is more like the life one leads. To steal someone’s ‘insaeng’ sounds more like a case of identity theft. As we find out later, that actually is what Imoogi did, and this hinted at that linguistically.

I’m not sure how well this translated, but the gesture of Yeon kneeling is both epic and heartbreaking. Kneeling is a very weighty gesture in Korea, so for Yeon to use his godly powers to freeze the very River to the Afterlife only to kneel and beg for one last moment with Ah Eum is just... It’s a momentous enough gesture for Taluipa, the ultimate stickler for rules, to make an exception and grant his request.

The fox bead: In Japanese lore, a fox’s bead is often akin to its life force, but that’s clearly not the case for Yeon. In Korean lore, fox beads are sometimes called ‘the treasure of a fox’s lips,’ since the bead is supposedly located within the fox’s mouth (and can thus be stolen/gifted with a kiss). Some tellings claim that someone who swallows a fox’s bead gains understanding of all things and phenomena in the universe, while others say they grant the bearer’s wishes.

Yeon continues his narration, describing how he’s encountered women with Ah Eum’s face over the centuries, but that none of them were her. For anyone interested, you can find my hot take on that here.

Okay, can we please have a spin-off of Yeon hunting down folklore monsters in Japanese-occupied Korea Gaksital (2012)-style?

Fun fact: Based on some of the still cuts they released, there was actually a deleted scene in which Yeon pulled the late-Joseon era Ah Eum look-alike aside, checked her for the fox bead, and then erased her memories. (And by ‘fun’ I mean, ‘why would you delete that??’)

“I’ve been waiting for you.” Iconic.

Fun fact: Lee Dong Wook picked this as the most memorable line of the drama due to it’s thematic echoing across multiple episodes.

On the topic of the tranquilizer, there was a deleted scene in episode 1 in which Ji Ah very openly 'borrowed’ it from Shin Joo’s vet clinic because she already suspected Yeon was a fox: fox fur, Fox Ridge... She was taking a pretty big gamble though since he’s not exactly your average fox.

It’s worth noting that Ji Ah doesn’t say she was ‘looking’ for Yeon (although she was, because she’s a go-get-‘em kind of girl); she says she was ‘waiting’ for him. I took this to mean she was waiting for him to return and make good on his threat to kill her (since, not only had she not forgotten, she’d been actively sticking her nose into anything remotely supernatural or unexplainable), at which point, presumably, she planned to turn the tables on him.

Episode 02 Title Card: I’ve Been Waiting for You

For anyone wondering how Ji Ah managed to get Yeon back up to his penthouse, apparently she told the security desk her boyfriend was drunk and boldly took him back up in the elevator (presumably with help) haha

Possibly coincidentally, Yeon’s first line to Ji Ah when he regains consciousness is the same as his first line to little Ah Eum: ‘Do you want to die?’ (minus the sageuk speak)

Ji Ah’s line, “I wouldn’t be sipping tea here if I was worried about that,” would more literally be: “If I valued my life, would I be sitting here drinking flower tea?”

Lol Ji Ah. “Want a cup?” is such a classy power play.

Sub: “After the stunt you pulled, you’re actually offering me tea?” Ha. Also, what Yeon literally says is: “You pulled that variety-esque stunt, and your next line is what? ‘A cup of tea’?” ‘Variety’ here is an English loan word meant in the sense of ‘variety shows’ (ex. Running Man or 1 Night 2 Days), though to my knowledge, no one has ever been tranquilized on one.

The following exchange was littered with enough small things I would have changed that I’ll just translate the whole thing here for reference:

Ji Ah: When a man and a woman have that level of physical contact, don’t they usually also drink tea or eat meals together, too? These days, the whole pure and noble act doesn’t go far.

Yeon: Whether it does or not, when you’re at a disadvantage, isn’t it considered common courtesy to come [to the table] having put aside either your pride or your self-esteem [i.e. at least one of the two]?

Ji Ah: Listen until the end before you determine who’s at a disadvantage.

Yeon: (Nodding) In exchange, if my thinking still doesn’t change, you’ll pay the price for having tested me.

Ji Ah: Price?

Yeon: Your sight (literally ‘eyes’). I’ll be taking your eyes that have seen what they shouldn’t have.

Ji Ah: Deal. (literally, ‘call’ as in poker)

Rang & Yoo Ri Crash a Funeral

In the off chance you were wondering why this is basically the only time we see Rang driving Yoo Ri and not the other way around, it’s because Yoo Ri is ‘in character’ as the daughter of a major conglomerate and wouldn’t be expected to drive herself if there was another person in the car. In Korea, there’s a whole code of etiquette around who sits where in the car.

Instead of ‘Lee Rang-nim’ the subs have Yoo Ri addressing Rang as ‘sir.’ That just strikes me as so distant and cold...

To my thinking, this scene was peak ‘Hoket-dan.’ It was nearly the same level of over-the-top campy as some of the old supervillains. If I’m being perfectly honest, I was worried at this point that Rang’s character would turn out to be equally 2D. Joke’s on me though, ‘cause this later became a hilarious character quirk when Sajang says to Rang, “It can’t be that you came to enjoy watching me die?” and Rang responds, “I love doing that! Look, I even brought popcorn. I even go about visiting funeral homes and stuff on purpose.” lol

Ji Ah’s Gamble

Okay, but Yeon actually took her up on tea haha I love it.

Subs: “So you’re a fox that’s pretending to be human.” The word they use here (and throughout the drama) is ‘doongap’ (둔갑), which is literally ‘to assume the form of.’ Unfortunately, there’s no verb in English that neatly conveys that, so this gets subbed a lot of ways. I’ve mostly been translating it as ‘transform,’ but that’s more properly ‘byeonshin’ (변신). Sometimes with translation, the best option still isn’t great.

It’s also worth noting that this is actually not what Yeon is doing here, since he sees those sorts of tricks as beneath him. Yeon is a cheon’ho; his human form is his own.

Sub: “What a lame reaction. A normal human being would scream...” More literally: “What kind of reaction is so lacking in sincerity? Generally, if [you’re] a human, I should at least get a scream...” Again, both ‘reaction’ and ‘scream’ are in English, and, somewhat humorously, Yeon uses the verb + juda (주다) form, implying he was hoping to elicit a scream with his reveal pfft

Sub: “No. I knew something like you would exist somewhere out in this world. I started directing a TV show about urban legends so I could catch you myself.” This is mostly fine, but what she says more literally is: “No. I knew something like you would exist somewhere in this world. In order to catch [one] myself, I buried my bones in a TV show about urban legends.” To ‘bury ones bones’ means ‘to devote oneself entirely to’ and implies more drive and dedication than in the sub. The subject is once again omitted, so she could mean Yeon, but I think she actually means ‘things like Yeon’ more generally.

Yeon’s line to Ji Ah when she asks him about their long ago encounter was subbed as: “I followed the smell of blood, and I ended up saving a little kid. But I can see that she’s very ungrateful.” I would translate this as:

Yeon: I smelled blood and followed it, and ended up saving some little girl (lit. young child), but now I see that that child is trying to repay a favor with enmity.

The expression Yeon uses here, to ‘repay a favor (eunhye) with enmity (wonsoo),’ is a common turn of phrase. It’s the Korean equivalent of ‘biting the hand that feeds you,’ or ‘repaying good with ill.’ Considering eunhye has actual consequences for Yeon, he doesn’t seem all that put out.

Lol Something about Lee Dong Wook’s delivery of Yeon’s line, “So you lost your parents...” reminds me of the Oscar Wilde quote: ‘To lose one parent may be regarded as misfortune; to lose both looks like carelessness.’

Sub: “I’m not threatening you. I’m taking my chances.” This should be: “You’re mistaken. I’m not threatening; I’m gambling.” This turn of phrase is rather clever in Korean since ‘threat’ (협박) and ‘gamble’ (도박) are only one syllable off. In terms of the subs, while ‘gambling’ and ‘taking my chances’ are similar on the surface, they’re different enough in nuance that I would consider this a mistranslation. ‘Gambling’ implies an informed, calculated risk, whereas ‘taking my chances’ gives the impression of improvisation and leaving everything up to luck.

The Funeral Parlour

This scene is Rang in a nutshell. I actually don’t have much to comment on linguistically, but it was definitely an important scene for establishing Rang’s MO and motivations.

Shin Joo & Yeon

Yeon and Shin Joo meet up at the ice cream parlour to debrief on the situation with Ji Ah, and it’s cute how Shin Joo is more indignant over what went down than Yeon.

Subs: “It’s like we exist to repay people for their kindness.” This has been grossly paraphrased due to lack of cultural context. His line is literally:

Shin Joo: It’s not as if we’re magpies meticulously repaying our eunhye! Geez, how long do we have to be bound by that sort of premodern contractual relationship?”

This is another Korean folktale reference, this time to the story of The Grateful Magpies. I elaborated on it a bit here.

Yeon: “It’s old-fashioned but romantic. And it's also a fox’s dignity.” ‘Romantic’ here is the French loan word ‘romang’ (로망). In contrast to the English ‘romantic’ (which is also used), ‘romang’ is used to refer to ‘anything marked by the imaginative or emotional appeal of what is heroic, adventurous, remote, mysterious, or idealized.’ ‘Dignity’ could also be translated as ‘grace of character.’ Yeon’s preoccupation with style/swagger/dignity is enough of a recurring theme (and occasional joke) that it features in his character profile.

For anyone keeping track, Shin Joo refers to Ah Eum as ‘Ah Eum agasshi.’ ‘Agasshi’ meaning ‘miss’ or ‘lady.’

Shin Joo’s line is subbed, “Does she bother you?” but it should be: ‘Does it bother you?’ where ‘it’ refers to the fact that Ji Ah so closely resembles Ah Eum.

Sub: “I’ve seen tons of people who looked like her for hundreds of years.” It’s actually not ‘tons of people,’ but ‘a couple’/‘several’ over the course of hundreds of years. Let’s be honest, people as pretty as Jo Bo Ah just aren’t born every day. ;)

Yeon’s line may be overly blunt, but it’s sweet that he calls Shin Joo, ‘Shin Joo-ya.’

Back over to Ji Ah. The way this scene suddenly switches from sentimental to horrifying is great. I also like that it’s unclear when she fell asleep. The boundary between reality and unreality is as blurred for the viewers as it is for Ji Ah, and it leaves us with a similar sense of disquiet.

In case it wasn’t already clear, it’s the tooth on this skull that leads Ji Ah to Eohwa Island. She sees a skull with an identical tooth in the news and goes to investigate.

Afterlife Immigration Office

LOL Hyeonuiong briefing the newly departed on death via powerpoint is hilarious. The powerpoint reads: ‘A Guide to Hell for the Dead, Presenter: Hyeonuiong.’ The red sigil on the right bears the characters ‘十王’ (the Ten Kings), so I guess this is an official, Afterlife-approved slideshow. heh

Side note: I’m impressed with the way this show seamlessly shifts between genres. We went from emotional to creepy to funny without it feeling forced or jarring (or at least, it didn’t to me).

The powerpoint (complete with webtoon) continues cheerily: “Hell! What is the Afterlife?” / “The 10 Types of Hell.” pfft Who made these slides? Whoever they are, point to them.

Subs: “You know King Hades, right?” WOW This is bordering on cultural whitewashing if you ask me. This should be King Yeomra (aka King Enma). He’s one of the Ten Kings of the Afterlife, and quite arguably the most famous.

The sub here says Taluipa is Yeomra’s older sister, which is understandable since the antiquated word Hyeonuiong uses (누이), doesn’t specify older or younger. We find out in the final episode, though, that Taluipa is actually Yeomra’s younger sister. As far as I’m aware, this is not part of the original lore.

Lol Yeon being a drama king: “I’m going to take revenge! Thanks to her, my obligatory military service has already gone on for 600 years~!” (You’re not fooling anyone, sir)

“No way! A man’s hair is his life! My red-brown...” Fun fact: It was actually Lee Dong Wook’s idea to make Yeon’s hair red-brown, both as a nod to him being a fox, and to give him a more otherworldly look.

Why do the gods keep saying reincarnation is random when everyone we see reincarnated kept their face??

‘Oh my god” lol Watching kdrama characters react in English never gets old. Possibly because there’s something exaggerated or overdramatic in the conscious decision to use English instead of Korean.

A++ response from Yeon. I saw something going around to the effect of, ‘this show really just said love is love,’ and I love that. Point to the writer.

The BGM here is once again ‘Thread Rings.’ Given where it keeps being used, I’m fairly certain they’re somehow related to Ji Ah/Ah Eum... (So I guess there actually is a reason I’m paying attention to the BGM ;p). Lee Dong Wook just disclosed the behind the scenes scoop on the rings in his latest VLIVE.

This bulgasari is such a mild-mannered person. Like Shin Joo, he calls Ji Ah ‘PD-nim’ and speaks politely and deferentially.

Not for anything, but I really liked Jo Bo Ah’s delivery of Ji Ah’s line, ‘I saw a corpse.’ Her little mannerisms really sold Ji Ah to me as a person and not just a character.

Bulgasari: “That dream, can you sell it to me? I want to play the lottery.” In addition to the concept of symbolism in dreams, Koreans also have a common notion that dreams can be bought and sold. It’s funny, though, when you consider he’s probably just planning to eat the dream.

I love whenever Taluipa calls Yeon, ‘Yeon-ah.’ She’s normally so prickly that it’s notable when she's affectionate. Also, seeing as Yeon is older than 95% of our characters, there aren’t many who might address him like this with the affectionate diminutive.

Heh, Yeon refers to Ji Ah’s favor as a ‘civil complaint.’

When Yeon asks Ji Ah for her parent’s times and dates of birth, what he’s actually asking for is their ‘saju’ (literally, ‘four pillars’). You can find my explanation here.

The Snail Bride

Bok Hye Ja: “It’s the first time he’s brought someone (literally ‘a person’).” Normally this would mean, ‘it’s the first time he’s brought a guest,’ but in this case, I’m fairly certain she means, ‘it’s the first time he’s brought a human.’ ;)

“I won’t ask you to understand.” This was another exchange that made me love Ji Ah. I found her frank and sincere apology refreshing.

On a personal note, I loved watching Yeon recalibrate his estimation of Ji Ah in this scene. And it was also a scene in which viewers got to recalibrate their impressions of Yeon. Yeon is feigning indifference, but he makes a point of asking after Ji Ah’s feelings, which is not insignificant. It’s also in sharp contrast to what we’ve seen of Rang so far.

Oh my gosh, THAT PUFFBALL DOG (and it’s name is Bean-ie) XD

Minor detail, but where did Shin Joo get his necklace? Wait. OH MY GOD. Shin Joo is the Aquaman of TotNT. Yeon gets to be Batman and Superman rolled into one and Shin Joo’s power is that he ‘talks to fish animals.’ Dead.

Lol Ji Ah watching Yeon eat. I feel like this is a running joke. In the tales, gumiho notoriously eat people’s livers, so seeing him eat normal food must be a bit eye-opening.

The text description for Shin Don was left untranslated in the version we’re watching but it reads: In A History of Goryeo, there’s record of Shin Don, a monk from the time of King Gongmin’s reign (1351-1374 C.E.), having been an old fox.

Subs: “Is it true that the monk of Goryeo Dynasty was a fox?” Us: ‘Yes, the one monk in all of Goryeo and for all of Goryeo. Guess he’d have to have been a fox in that case.’ This should probably have been translated as: "So then, Shin Don...is it a fact that the Goryeo monk Shin Don was a fox?”

Ji Ah: “Oh my god.” heh

Do You Really Want to See It?

Wait, they walked all the way from Insadong to Digital Media City? Okay, this is one of the (few) pitfalls of being fairly familiar with Seoul. Sometimes it’s really obvious when two locations don’t connect and then it pulls me out of the drama. I think we’re supposed to believe that the Snail Bride is in the vicinity of Ji Ah’s broadcast station, seeing as her team are lunchtime regulars, but the the two neighborhoods are nowhere near each other.

Yeon’s line in the subs here is: “A. I’m a busy man. B. We may currently be living in the same world, but there is a big difference between where we come from.” Personally, I would have translated this as: “Firstly, I haven’t got that much free time. Secondly, we may be unavoidably living mingled together, but the world I belong to and the world you belong to are incontrovertibly different.”

Subs: “Those who got a peek at my world ended up going crazy or dying young.” More literally: “In the past, there have been those who got a glimpse of the world’s secrets. Well, most of them either went mad or had their lives cut short.”

Minor detail, but Ji Ah’s response subbed as: “I don’t care. I’ll stay out of your way. Just don’t disappear.” should more literally be: “Just don’t disappear from my sight (lit. ‘from before me’).”

The sub on Ji Ah’s line here reads: “She (Sae Rom) and I both had nightmares.” What she actually says is: “Me and my hubae also had nightmares,” meaning that she (Ji Ah) and Jae Hwan had nightmares in addition to Sae Rom. Which is why Yeon refers to them as ‘contagious’.

Okay, is it just me, or does LDW look exceptionally unreal in this scene?

Bulgasari

I’m not familiar with the actor who plays the bulgasari (pretty sure he’s a new face), but he did a great job making his movements uncanny here. The firey CG effects are fun too.

Heck yeah! Yeon sure knows how to make an entrance. Seeing as how he instructed Ji Ah on what to do, I’m pretty sure he was there the whole time......show-off.

Once again, I’m digging the fight scene underscored by ‘The Uninvited.’ I would happily watch an entire series that’s just Yeon and Ji Ah solving supernatural cases and hunting down baddies who disturb the peace.

The Smirk™ XD I’m 90% sure this was another LDW ad lib.

Lol Yeon. Subs: “Really? Then am I the jerk here?” More literally: “Really? Then I guess I’m the only bad guy, huh?”

On a linguistic note, the bulgasari speaks to Yeon in old-timey speech, once again playing up their mutual identity as creatures of lore.

It’s only at this point that, prompted by Ji Ah, Yeon finally reveals the bulgasari’s identity. This is accompanied by a brief chyron telling us that they appear when the world is in disorder, and Ji Ah supplies that they eat nightmares.

To elaborate a bit, bulgasari are one of the better known Korean creatures of lore. There are two different sets of hanja for them: (bulgasari 不可殺伊 ‘can-not-kill’) and (bulgasari 火可殺伊 ‘fire-can-kill’), which explains why, depending on the telling, they’re either un-killable or only die by fire. In traditional lore, feeding them metal makes them grow larger and stronger, which, while not the case in TotNT, is probably what inspired the coin-gobbling.

Subs: “Yes they are especially fond of broadcasting studios, which are packed with people. Eating metal reveals their true identities.” That subtitle went a bit sideways. It’s not that they like broadcast stations in particular, but crowded places like broadcast stations. So it should read: “They like places with lots of people, like the broadcast station, and if you feed them metal, they reveal their true colors.”

Okay, Yeon’s line that’s subtitled as, “The hostage will answer,” is more literally: “Hey, hostage. Try answering me.” It’s worth noting that, while he calls her ‘injil-bun’ (injil = hostage + bun = the polite word for a person), he’s still speaking to her in banmal, so he’s once again being cheeky.

It’s taking some license, but I would translate Yeon’s question to Ji Ah here as: “In this moment,* what exactly can you do other than rely on me to save you?” which is essentially what he means. [*Note: literally, ‘at this timing,’ and once again, ‘timing’ is in English.]

We get a series of short scenes lining up some of the side characters who will become our key players on the island: the fisherman find the severed head, Ji Ah grills Detective Baek about the case, and Rang approaches Pyung Hee with his usual devil’s bargain pitch. I didn’t really notice anything here that I think is important enough to the central plot or characters that it’s worth commenting on (especially given how massively long this post is already), so I’m just going to call it good and move right along. ;)

Pfft I definitely wasn’t expecting the bulgasari to be literally chilling in Yeon’s freezer (not that he had a choice). This is somewhat interesting given they’re typically thought to be weak to fire, not ice.

Subs: “I’ll die even if I tell you where he is.” More literally: “Whether I die in this way [by Yeon’s hand], or that [by Rang’s], it is all the same.”

Brother Complex

Sub: “Don’t even think of hurting her.” More literally: “Just try touching one hair on her head.”

Oh my gosh Rang’s face ㅠㅠ This was the first time I felt Kim Beom really got to display his acting chops in this role, and boy, was I glad to see it. This was also when I knew Rang was going to make me cry.

Yeon: “You’re acting like this because you lack affection.” The expression Yeon uses is ‘aejeong gyeolpip,’ which literally does mean ‘affection lack/want/absence,’ but I would have translated it as ‘affection-starved,’ since saying Rang ‘lacks affection’ could also be interpreted to mean Rang is incapable of expressing affection.

Yeon: “Why’s that?” Lol Lee Dong Wook. Also, this one line is cheekily in polite speech.

Subs: “Just because of a woman you gave up your position as a mountain spirit, left the mountain, and you even...” More literally: “Just because of one mere human woman you gave up your position as a mountain god, turned your back on the mountain, and..!!”

Yeon: “Yes, I know. I even abandoned you.” Rang-ah~ ㅠㅠ I recently received an ask as to whether or not I believed Yeon had truly abandoned Rang, which I answered here.

Oof, Yeon giving Rang advice as an older brother. In Korea, nagging is seen as a sign of affection. You may recall Ji Ah was very excited for her dad to nag her about her boyfriend in episode 12.

Sub: “You crazy fool.” Rang literally calls his brother a ‘michin nom,’ ‘michin’ meaning ‘crazy.’ ‘Nom’ is a pronoun that, depending on how it’s used, can mean anything from ‘guy,’ to ‘jerk,’ to ‘bastard.’

Sub: “I don’t need to know.” Actually: “There’s no need [for you to tell me].” The two are subtly different. Yeon’s saying he’ll find out on his own, not that he doesn’t want to know.

Fun fact: Kim Beom said in his script reading interview (before they started filming) that he was a bit worried about his onscreen dynamic with Lee Dong Wook because, while Rang has to hate Yeon, LDW is a hyung that KB likes so much in real life. What a cutie.

We cut briefly over to Ji Ah on the phone with Jae Hwan, asking him to look after Sae Rom while she chases down the skull lead.

As an aside here, Ji Ah calls Sae Rom, ‘Kim-jak’ (short for ‘jakga,’ meaning ‘writer’). In Korea, it’s common to refer to someone by their role or title. This might indicate distance, but Ji Ah’s shortening it makes the term familiar and speaks of their camaraderie. In the subtitles, this has become, ‘Ms. Kim,’ which is oddly distant given their frenemyship.

The Island

Is it just me, or does it feel like there should have been a scene here explaining how and why Yeon came to be on the boat? I’m assuming it got deleted due to time constraints, but I feel like it was needed.

Pfft The way Ji Ah pops up from behind Yeon, cutting comically into the dramatic shot of Lee Dong Wook’s windswept profile + BGM was great.

In case it wasn’t already apparent, Kimite patches are used to alleviate sea sickness, so this is further undermining the mood of a second ago haha

Yeon’s line is subbed: “I’d like to keep it to myself,” but this should more literally be: ‘Let’s each work individually/play it solo.’

Sub: “No, thank you.” What Yeon actually says: “Hard pass.” hahaha (Literally: ‘I’ll immediately/urgently decline,’ but tonally, ‘hard pass’ is closer).

The subs have Yeon’s line as: “You need to be careful what you pay attention to.” I would have translated this as: “If that’s the reason [you’ve come], go back. You mustn’t recklessly lend an ear [to such things].” His tone and phrasing are both surprisingly gentle.

Subs: “My guts keep telling me, that this is a very suspicious combination.” Well, my guts keep telling me, that this is a very suspicious sub haha I would have translated Yeon’s voiceover as:

Yeon: The same boat...the same island...a woman with the same face as that girl. My instincts speak to me relentlessly, telling me there’s something amiss about this combination.

Pfft The contrast between Ji Ah's dismount from the boat and Yeon’s.

Lol Yeon’s ‘excuse me’ was totally rude

For the record, from the moment Yeon sets foot on the island, he speaks to everyone in banmal. That’s bad form towards any stranger, but it’s especially rude considering their age. Sure, Yeon’s way older, but they don’t know that.

Ji Ah mouthing “What?” in English haha

Yeon clocking the effectively creepy villagers. Turns out the right BGM and camerawork can make anything creepy. Point to the director.

Settling in on the Island

Ji Ah’s line subbed as, “I thought you didn’t want to be involved,” should more properly be: “I thought you just said we should each play it solo?”

Yeon’s line is similarly mis-subbed as: “I changed my mind. Don’t let it bother you.” What he actually says is much ruder: “I’ll do what I want! Butt out.” Which explains Ji Ah’s affront heh

Lol Yeon walking right in front of the camera. Anyone who has ever had a pet recognized this moment.

I love how Yeon is being completely tactless and insensitive but then grudgingly course-corrects when Ji Ah glares daggers at him.

Fisherman (subs): “It gives me a bad feeling in my mouth.” Excuse me, what? haha The line is: “The more I think about it, the more it bothers me.”

Lol Ji Ah: “In the documentaries I watched, they say digging holes is your speciality” (complete with digging gesture).

Fun fact: Ji Ah blocking the way with her leg and Yeon burrowing under it was something Jo Bo Ah and Lee Dong Wook came up with themselves. Ji Ah’s line was scripted, but I’m nearly positive Yeon’s comeback of, “Burrowing is my speciality,” was an ad lib by Lee Dong Wook. Once again, casting Lee Dong Wook is the gift that keeps on giving.

WAIT. Subs: “You can’t go.” / “Borrowing is my specialty.” Hahaha What even? Cheon’ho Lee Yeon: professional mooch.

The way we then cut to Yeon ‘burrowing’ into a freezer of ice cream is just perfect. Point to the director.

Once again, Yeon is talking to all the village elders in banmal.

“You have a terrible service mentality.” pfft

OH. Ji Ah’s response to the misogynistic fisherman is just A++

Her line here is literally: “Oops, I’m afraid I’m overflowing with ‘jeong.’” ‘Jeong’ (情) can be a little hard to translate. It literally means ‘emotion’ or ‘affection,’ but the way it’s used linguistically can be a bit complex. The sub here was: “I’m afraid I was too generous,” which I actually think is pretty decent. The turn of phrase in Korean though, using the word ‘overflowing’ while over-pouring on the man, made her response doubly witty.

Hah. I love the way Yeon just raises his eyebrows when he comes out of the market and spots her.

Subs: “How dare a witch from outside come here and...” He actually calls her a ‘michin nyeon’ meaning ‘crazy bitch,’ so the line is: “Crazy bitch, where do you think this is that you dare...”

Ji Ah’s line that begins, “If you’re going to hit me...” is just SO great. We stan (1) queen.

Subs: “Nice. You’re tough.” This is a bit hard to translate. Yeon’s line is literally: “Oh~ What ggang is like this?” ‘Ggang’ can be translated as ‘guts,’ ‘tenacity,’ or ‘persistence.’ Naver dictionary describes it as: ‘a personal trait found in one who never gives in, when put in whatever difficulties,’ which is so spot on for Ji Ah. I might approximate this as: “Woah~ Just how gutsy are you?”

The way he's just like, ‘I approve. Here, have a shikhye~’ is mildly adorable. Did you buy that for her, Yeon, or were you planning on having two but decided she’d earned one? haha

Ji Ah’s response is equally great. The sub says: “That was nothing.” which isn’t a bad option for a subtitle, but what she literally says is ‘saesam-seureopge’ (새삼스럽게), where ‘saesam’ means ‘now? at this point? after all this time?’ So she’s basically saying, ‘You’re bothering with that observation, over that little stunt, after everything else you’ve seen me do?’ haha

“I plan to mooch off of you as much as possible.” Pfft I love how Yeon actually moves to stand behind her just to underscore the point. That’ll be Lee Dong Wook again.

Wow, these are some sketchy old people.

Subs: “People aren’t the only ones with eyes and mouths.” What he actually says is, “Are people the only ones with eyes and ears?”

The Forest Spirit

Wow, the lighting in this scene is just A++ Point to the lighting team (or is that just natural? It feels almost too pretty to have just been natural).

I was too distracted by Lee Dong Wook to notice the first time, but Ji Ah’s face when Yeon shushes her is great haha

On a linguistic note, this scene is one of the few in which Yeon code switches to archaic speech as he’s addressing the tree spirit. It’s the linguistic equivalent of him putting on his ‘mountain god’ hat. (He still speaks to Ji Ah normally, though).

We cut briefly to the mudang (shamaness), and I’m sorry, I know this is a traditional way of speaking, but it always makes me laugh because it’s so over-the-top.

The spirit addresses Ji Ah as ‘agasshi,’ which would be strange if she was actually a modern young girl, but makes sense for a spirit who’s at least 600. Overall, it helps to remind viewers of her supernatural-ness.

Yeon telling Ji Ah she did a good job is so cute. I feel like they’re rapidly becoming a quirky tag-team duo and I’m 100% here for it.

Mudang: “His body returned to shore before his head did! Your father!” This line was explained in the backstory collection.

Okay, the mudang needs to dial it back like 10 levels here.

Possibly just me, but Yeon swatting the air with his hand as he peers into the cave struck me as vaguely fox-like.

Minor detail again, but the chyron here is subbed as ‘Jangsansa Cave.’ It’s actually ‘Jangsan sagool,’ not ‘Jangsansa gool.’ ‘Sagool’ is written with the characters 蛇窟 meaning ‘snake hole.’

Lol Yeon freezing mid-motion when Ji Ah tells him to stay put. That is 110% Lee Dong Wook’s sense of humour. Praise the drama gods for Lee Dong Wook - this show wouldn’t have been half as fun without him.

Fun fact: This cave is actually intimately tied to Ah Eum’s past with Imoogi and the story of how she came to be his ‘bride’ (read: sacrifice). I translated the tvN description here. I actually think this was fairly important information, so it’s a shame it wasn’t covered in the drama.

Sleepover with a Gumiho

When Ji Ah asks Yeon why he’s insisting on staying at Pyung Hee’s, his response is subbed as: “I have my reasons.” This is more properly: “You don’t need to know.”

Sub: “We don’t eat that crap!” Yeon’s line doesn’t have a subject, but this should properly be: “I don’t eat that crap!” We know from Yeou Nui that some gumiho in this world actually do eat liver.

“Heard of the Chinese liver fluke?” Ha. Yeon literally says ‘kan distoma,’ i.e. ‘liver distomiasis’ or ‘liver fluke’. While there was a well-known outbreak in China, it isn’t inherently Chinese. There’s a Korean word for it too (간흡충), but once again, Yeon opts for the loan word, adding further humour to the gumiho disavowing liver consumption - for health reasons, no less pffft

The BGM playing as Yeon sees Ah Eum in Ji Ah is once again ‘Parting at the River of Three Crossings.’

Bok Hye Ja’s line to Shin Joo is subbed as: “He went to the island to find this reincarnated girl?” The word she uses is actually ‘gakshi,’ which is an antiquated word generally meaning ‘bride’ (as in ‘the Snail Bride’), but it can also just mean ‘young woman.’

For the record, the Snail Bride speaks to Shin Joo in banmal, who speaks to her in jondaetmal

Shin Joo: “Contrary to how he looks, he’s the devoted type, after all.” Et tu, Shin Joo?

Shin Joo’s line is subbed: “As if that’s a good thing,” but I would have translated it as: “Romantic, my foot!”

Sub: “At least once in our lives we come across that one person we want to give our lives to.” This should be: ‘risk our lives for.’

Sub: “I won’t ever devote myself to love. My goal will be to protect Mr. Lee.” Actually: “I won’t ever risk my life for love. I’m going to protect Lee Yeon-nim!”

“Well that can also be called love, can’t it?” Thank you for this, Show. I know some people think TotNT champions romantic love above all else, but I simply don’t agree.

When Yeon checks Ji Ah again for his fox bead, the BGM playing is once again ‘Thread Rings’

I love how they did the CG on whatever is happening with Yeon’s powers here. I would have loved to have gotten more of an explanation of the fox bead and its powers (and Yeon’s, for that matter), but alas.

I love that Yeon tucks Ji Ah in even after re-confirming (or so he thinks) that she isn’t Ah Eum. It was important to me that he came to like and appreciate her for herself before learning that she was, in fact, his lost love.

Morning on the Island

Ji Ah wakes to find Yeon gone, the blanket tucked around her, and her expression tells us she’s onto him: sure, Yeon can be a grump, but he’s also a complete softie. heh

Yeon is, once again, talking to the elders in banmal. Why do I keep mentioning it? Because no matter how many times I see it it’s still funny.

Okay, Lee Dong Wook has this way of pointing at things with his entire arm that I find ticklish. Yeon ends up coming across like a petulant child. On a cultural note, in Korea, pointing at people like this is considered impolite.

Yeon dangling the ginseng behind Ji Ah as extra incentive pfft Wild ginseng can be massively expensive in Korea (on the order of hundreds of dollars), so this is actually a very effective bribe.

Also, can we take a moment to appreciate that Yeon woke up before dawn, and, instead of going back to sleep, went into the mountains to hunt for wild ginseng, then set about using it to bribe the elders into answering Ji Ah’s questions for her. Entirely of his own accord. Like I said: softie.

Side note: Lee Dong Wook’s eyebrows are working overtime in this scene and I’m honestly a little jealous.

The newspaper Jae Hwan finds at the library is dated August 13, 1954, which Ji Ah immediately recognizes as having been just after the Korean War (if you’ll recall, this is when the forest spirit told them something ominous had come to the island).

This newspaper is actually really cool. You can see how, in the past, Korean newspapers used a lot of hanja in addition to the phonetic hangeul, similar to modern Japanese. The headline reads, “Headless Corpse, Discovered on Eohwa Island, Investigation Hits Dead End.” (頭 없는 屍身, 漁花島에서 發見, 捜査迷宮으로).

Okay, to be honest, this final scene - absent the extra context given in the next episode - made me question Ji Ah’s smarts again. I wondered why she was chasing down the clearly unstable guy just to question him, but it makes sense once you know she meant to warn him his life was in danger.

As usual, Yeon knows how to make an entrance. Cue ‘Gumiho’ theme.

Yeon stopping when Ji Ah tells him to never stops being satisfying.

The BGM playing as we cut over to Rang is ‘The House of Ghosts.’

Okay, those shots of Thirsty and Hungry were full-on horror movie and I actually kind of like it? I never watch horror as a genre, but for some reason, I found I missed this spooky element when it dropped out of the later episodes.

Oh, I like that Yeon went and made her a poultice. Very ex-mountain god of you, sir.

“Long time no see, Lee Yeon.” Iconic. And creepy. I love the attention to detail Jo Bo Ah displays in the difference between how she acts Ji Ah vs. Imoogi. Imoogi’s voice is higher pitched, and gives off more of a loose-cannon feel compared to Ji Ah, who speaks in a lower, more grounded tone.

Sub: “It’s me. The person you’ve been waiting for.” Imoogi literally says: “It’s me. That thing you’ve been waiting for.” This is obviously a big clue since normally one wouldn’t refer to oneself in such a way. It also reflects the fact that, unlike Terry-Imoogi, Jimoogi perceives no value in Ji Ah herself. (Yes, I call Ji Ah-Imoogi ‘Jimoogi,’ and sadly, no, I didn’t come up with it).

Yikes, Jimoogi tracing Yeon’s face was all menace and zero cute. Point to Jo Bo Ah.

Boy, this show really knows how to make an exit.

Blue Mooooooooon!! The guitar (bass?) riff is just so catchy.

And that concludes Episode 2. Thank you to everyone who commented on the first one. If not for your encouragement, I probably wouldn’t have continued. I also genuinely enjoy hearing from people, so send me your thoughts! This is a weird, unprecedented mashup of a live reaction post, behind the scenes info, and detailed language and culture notes, and I’m still learning how to balance the three. Your feedback is always welcome.

I’d also like to take a moment to credit my sister, who, in addition to weighing in on a lot of the translations, is also the chief researcher and fact checker for these. I, meanwhile, am in charge of bad jokes and snark. I mentioned before that these take longer than you might expect, but it’s really true. The time we spend watching the episode is actually the least of it, and as much as I enjoy them, they are a huge time suck.

So. This is what I’m going to do. If you’d like to see more of these, or if you enjoyed this, or if you’ve enjoyed any of the translations or commentary or whatnot I’ve been posting recently, please consider buying me a coffee. If you follow the link, you can buy me a $2 cup of virtual coffee. I’ve never done this before, but I’ve decided to give it a try. It’ll help me to gauge how much interest there is, and, possibly more importantly, it will help me to justify all the time haha. If and when I’ve established there’s enough interest, I’ll proceed with Episode 3. ;)

#tale of the nine tailed #totnt #lost in translation #구미호뎐 #kdrama #korean language #korean culture

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letterboxd · 4 years ago

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Bridging the Gap.

Filmmaker So Yun Um highlights ten underrated Asian American and Pacific Islander films set against the backdrop of America.

Asian American and Pacific Islander Heritage Month has many film lovers seeking to celebrate Asian American cinema. Beyond Minari, Always Be My Maybe and Crazy Rich Asians, there are dozens of films that depict the Asian American experience. In choosing to focus on ten of the lesser-seen, I contemplated the notion of what defines AAPI cinema.

For me, it goes deeper than films that have been directed by, or star, Asian American and Pacific artists. Having watched a wide selection of Asian American films, I can firmly say our cinema, no matter the genre, puts Asian Americans at the forefront on both sides of the camera. I believe the essence of Asian American cinema was born out of resourcefulness, mining themes and ideas that distinctly bridge the gap between Asian and American culture. These films tell stories that explore the vast differences between the two, and the ways in which they coexist, whether comfortably or uncomfortably.

In selecting these ten underrated AAPI films, I searched deep to find stories with uncompromising vision and character; stories about Asians that could only be told within, and against the backdrop of, America. These ten films highlight intimate, distinct and unfiltered experiences mostly unseen at our local multiplexes: family and cultural obligations, generational and cultural gaps, and raw, mostly obscured views of American life.

Chan is Missing (1982) Directed by Wayne Wang, written by Isaac Cronin and Wayne Wang

There would be no Asian American independent cinema without Wayne Wang’s Chan is Missing. Shot on black-and-white film, this striking noir follows Jo, a San Franciscan cab driver, and his nephew, Steve, as they track down the titular Chan after he disappears with their money. Wang’s unpredictable directing career spans neighborhood intrigues, rom-coms and family movies; alongside which, he has kept a strong focus on Asian American stories (he helmed the adaptation of Amy Tan’s generational bestseller, The Joy Luck Club).

In Chan is Missing, for the first time on screen, we get to finally see an “ABC” (American-Born Chinese) story from the source, with an all-access pass to the often misunderstood terrain and people of Chinatown. It’s the tightness of the plot and the authenticity of its characters that make this movie such a classic. Even after 40 years, Chan Is Missing doesn’t feel dated—its laugh-out-loud dialogue (they actually utter the word “FOB”!) and moody tone capture why Chinatown continues to be an enigma. Spoilers: Chinatown runs by its own rules.

Available on DVD via Indiepix Films.

Better Luck Tomorrow (2002) Directed by Justin Lin, written by Ernesto Foronda, Justin Lin and Fabian Marquez

Justin Lin’s directorial debut film is a visionary portrait of Asian Americans that’s still relevant two decades on. Since its release in the early aughts, there has yet to be a film that explores the nuances and complexities of the average Southern-California Asian American teen like this film does. Better Luck Tomorrow focuses on a group of Asian American overachievers who become bored with their lives and enter a world of petty crime. It’s loosely based on four Sunny Hills High School students and the real-life murder of Stuart Tay, a teenager from the OC.

With its depiction of overachieving A+ students who are also foul-mouthed, drug-taking kids, this film was the launching pad for many iconic Asian American actors today—Sung Kang from the Fast and Furious franchise, John Cho (Star Trek) and my personal favorite, Jason Tobin, star of the Warrior TV series. (It’s entertaining to see the seeds of the Fast and Furious series planted in this film in the character of Han, played by Sung Kang, before the explosion of the franchise: one of the characters mutters, “Rumors about us came and went fast and furious”—and the rest is history.)

Better Luck Tomorrow still stands as the most iconic film to capture the suburban Asian American teen existence in all its good, bad and ugly light. “I was part of a movement,” Tobin recalled in this GQ oral history of the film, “and it was a culmination of all the battles I had fought before that to get Asian faces on the big screen.”

Available to stream and rent on multiple platforms.

The Grace Lee Project (2005) Directed by Grace Lee

If you’re an Asian American who grew up in California or New York, chances are, you know at least two Grace Lees in your life. But growing up in Missouri, Korean American filmmaker Grace Lee was the only one she knew with her name. She soon discovers that with the name comes a certain stereotype, that of the “good” Asian—quiet, well-behaved and a hard worker. Lee goes on a quest to interview a wide range of women who have the same name and soon discover if this wildly common stereotype is true.

Lee’s witty, autobiographical documentary is effortlessly funny and insightful. The Grace Lee Project dives deep into identity politics to reveal that sometimes, a name is simply a name. This was the start of Grace Lee’s journey as a filmmaker and she continues to be an important voice in not just the documentary space but in narrative stories as well.

Streaming on Kanopy.

Saving Face (2004) Written and directed by Alice Wu

Alice Wu’s Saving Face is a timeless queer love story. Produced by none other than Will Smith (yes, that Will Smith), Saving Face follows a Chinese American lesbian woman and her traditional mother (played by Michelle Krusiec and Joan Chen, respectively) as both battle with their reluctance to go against cultural expectations and reveal their secret loves. It’s part family drama, part rom-com, exploring expectations specific to Asian women across generations.

While most Asian American films focus on familial obligations through the point of view of the children of immigrants, Wu’s film considers the conflicts of both daughter and mother. For Asian Americans, it’s a tale as old as time but with a twist that shows that no matter how old you get, you still have to, unfortunately, fight to be who you are. I also highly recommend Wu’s spiritual sequel, The Half of It, on Netflix.

Streaming on Amazon Prime and Tubi, and for rent on various VOD platforms.

In Between Days (‘방황의 날들’, 2007) Directed by So Yong Kim, written by Bradley Rust Gray and So Yong Kim

So Yong Kim’s debut feature, In Between Days, follows Jiseon Kim, a Korean teen immigrant, who falls in love with her best friend while navigating the challenges of living in a new country. Director Kim is a masterful storyteller and captures life as it should be seen: unfiltered and trivial at times, but using the mundane to find cinematic magic.

I like to categorize So Yong Kim’s work as a showcase of extreme intimacy. Her story features painfully delicate characters and moments so real, you’ll wonder how any of these scenes could be fiction. There’s a sense of vulnerability and loneliness that fills the air as Jiseon struggles to assimilate to a new country, replete with toxic relationships, self-sabotage and unrelenting jealousy. So Yong Kim’s work is so painfully real, it hurts to watch.

Available on Kanopy and Amazon.

Ping Pong Playa (2007) Directed by Jessica Yu, written by Jimmy Tsai and Jessica Yu

There are two things that embody countless Asian American men’s experience: their love for basketball, and their love of rap music. Ping Pong Playa covers both, and is exactly the kind of Asian American comedy I’ve been waiting for! Christopher “C-Dub” Wang (played by co-writer Jimmy Tsai) is a wannabe baller and a supreme slacker who has to step up to the plate when his family’s business and ping-pong-champion reputation is on the line. In addition to being centered around an Asian family, the core of the film rivals any other low-brow, underdog sport film.

Laugh-out-loud hilarious, this is Academy-Award-winning filmmaker Jessica Yu’s first narrative feature, following a groundbreaking career full of daring documentaries (her Oscar was for this portrait of writer Mark O’Brien, who spent much of his life in an iron lung). Seeing C-Dub as an NBA-loving slacker turned ping-pong playa felt validating; it showed that even if you’re a lazy and immature Asian, you can always find something to succeed at.

Streaming on Tubi, and for rent on Amazon and iTunes.

In Football We Trust (2015) Directed by Tony Vainuku and Erika Cohn

While Salt Lake City, Utah, is seen as predominantly a white Mormon town, it in fact has the largest population of Pacific Islanders in the US mainland, due to the strength of the The Church of Jesus Christ of Latter-day Saints’ proselytizing in the Pacific. The documentary In Football We Trust follows four Polynesian high-school students, as they chase their lifelong dream of attaining professional recruitment. Told in moments of adolescence, the film follows the greatest challenges for these four young men, as they chase their dreams while trying to grow up.

In no time, they’re faced with the harsh reality that just maybe, football isn’t all it’s cracked up to be. As much as their hefty attributes and builds serve as their greatest advantages, these boys’ cultural and familial obligations become both their greatest motivations and, possibly, their downfall. Filmed over the span of four years, first time filmmakers Tony Vainuku and Erika Cohn chronicle the NFL hopefuls as they navigate the pressure to balance dreams and family to win a golden ticket out of gang violence and poverty.

Streaming on Kanopy, and for rent on various VOD platforms.

Spa Night (2016) Written and directed by Andrew Ahn

In his directorial debut, Andrew Ahn perfectly captures a specific corner of Los Angeles’ Koreatown. Spa Night’s focus is David, a closeted Korean American teenager who takes a job at a Korean spa to help his struggling family, and then discovers an underground world of gay sex. You may recognize Joe Seo as the goofy bully in the Netflix hit show Cobra Kai, but it’s Spa Night where you can see him truly shine—he won Sundance’s US Dramatic Special Jury Award for Breakthrough Performance.

Seo delivers a powerfully restrained performance, exploring the burden of hiding your true self from your family. Spa Night is more than a coming out story, it’s also about the broken American dream that so many immigrants experience. Ahn’s direction is finely tuned, honing in on the specificity of Koreatown. It is an acutely queer story of second-gen Asian Americans, where coming out is never really about just you, but also your family.

Streaming on Kanopy, and for rent on various VOD platforms.

Punching at the Sun (2006) Directed by Tanuj Chopra, written by Tanuj Chopra and Hart Eddy

Mameet is young, angry and has always lived in the shadow of his basketball-legend brother, Sanjay. When Sanjay is suddenly killed during a robbery at the family store, Mameet spirals and takes his anger out on anyone and everyone. Coping with loss at a young age is hard enough, but Punching at the Sun mixes in the specific anxieties of being a South-Asian man amidst the backdrop of post-9/11 America. In doing so, the film addresses the difficulty of juggling teenage angst and immigrant identity—Mameet is not afforded the option to express his anger and grief.

Cathartic and emotionally validating, this is a simple yet nuanced slice-of-life story that conveys the heaviness of growing up with the weight of the world on our shoulders. In Mameet’s case, thank goodness, he ultimately shares some of that burden with his comical friends and knit-tight family.

Available to rent on Vimeo.

Meet the Patels (2014) Directed by Ravi Patel and Geeta Patel, written by Ravi Patel, Matthew Hamachek, Billy McMillin, and Geeta Patel

In the romantic documentary Meet the Patels, Ravi Patel is a dutiful first-gen son whose parents are continually nagging him to marry a nice Indian girl. With Ravi's sister Geeta Patel co-directing and co-writing, and his parents in the frame, his film (and true-life story) are indeed a family affair. What starts as his journey to find a wife to make his family happy becomes an enlightening intro to Indian culture and modern love—think dating apps, weddings and a Patel Matrimonial Convention (gotta see it to believe).

Humorous as it is outrageously charming, Meet the Patels ultimately shows the struggles and cultural expectations most immigrant offspring face, on top of the million other obstacles of trying to find your one and only true love in this mad, mad world.

Streaming on various platforms.

Related content

Ten Underrated Asian American & Pacific Islander Films, a Letterboxd list

Best Asian American Films: So Yun Um’s list

Debbie Chang’s comprehensive Asian American film canon list (also features Asian-Canadian, Asian-British and other diaspora)

Bellamy’s list of feature-length films directed by Asian Americans

Follow So on Letterboxd

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jokers-of-the-impractical · 4 years ago

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Brian Quinn Mini Series “One and Only” Part 2 of 3

(A/N: Hey guys! I hope you’re enjoying this series so far! This part is inspired by “One and Only” by Adele. Part 1 can be found here. Part 3 will be out hopefully soon!)

Word Count: 2200ish?

This past year and half with Brian had been a total romantic whirlwind. It seemed like a total dream, your relationship was truly amazing. You were so comfortable with each other right away, he knew all of your secrets, and you knew his. A month after the live show where he asked out on a date, you two were an official item. By that time the fans already knew who you were from a recording of that night going viral in the fandom. You and Brian were quite surprised by how quickly the fans took to you as well, but that was partially due to the other jokers and their girls always raving about you and the relationship. Plus Brian and the others would swoop in for protection when someone decided to be not so nice.

Speaking of the guys, your friendships with them were amazing too. Each bond with the guys was completely unique and special. Each one had its common interests, shared activities, and inside jokes too. Since that night in the diner the laughs, support, and fun with them had not stopped. At least once a month you and Brian were at one of their houses with the rest of the gang for dinner, you always counted down the hours of the work day when these were taking place. And Bessy and Melyssa were some of your closest friends now. All the time when the guys were off they were put on babysitting duty so you three could hang out and have some girl time. When you girls get together the possibilities are endless! Shopping, brunch, beach day, even a girl’s trip was currently in the works. Just the other day the guys had a last minute segment to film so the girls took the opportunity and decided to take you to go get mani-pedis together after work.

On a date at a trendy and snazzy new restaurant in the city where you two spent celebrating three months together you both said I love you for the first time. Both of you were so nervous, then when the moment was right, you jinxed each other by saying it at the same time. By six months of dating during a late night movie marathon at his place after asking for the last two weeks for you to bring your cat over for playdates all the time, he asked you to move in with him and presented you with a key. You squealed and hugged him so tightly you were sure he was going to snap in half. You were also so supportive of one another when it came to work. All the time you were promoting the show, his podcasts, and his beer brand. You had become a social media fanatic when it came to supporting him and his many ventures. Q had made it a habit of visiting your classroom, on a few occasions he brought the other jokers with him too. You had to admit that seeing your boyfriend surrounded by your students and playing with them made your heart melt. He had the perfect balance of toughness, funniness, and nurturing, when he interacted with them. He had even told you he had begun to love being around children more and more when he started being a frequent visitor in your classroom.

Not long after your one year anniversary, Brain took you to meet his family for the first time and you clicked with them instantly, just as much when Brian met your parents eight months into the relationship, but you knew that they’d love him long before they got to meet. One moment you were talking with his dad and brothers about sports, and the next you were exchanging baking ideas and recipes with his mom. Now visiting his parents all the time was the norm. Two weekends ago you were over at their house for a big cookout when Carol brought you into the kitchen and you two shared a really emotional and meaningful heartfelt conversation. She hugged you extra tight and told how much she adored you and told that she thought you and Brian were perfect for each other. She said she saw you like a daughter and was so happy that you made her son feel love again. Then she pulled away and gently held your arms and began to tear up when she admitted to you that since you two had begun dating she was thrilled that things didn't work out between him and his ex fiancé, of course she hated the pain the situation put him through, no parent would wish anything like that on their child, but not that long ago he confessed to her on the phone and she couldn't agree more that he was willing to go through that amount of heartache a thousand times if it meant that he got to be with you, because you meant that much to him. Now it was your turn to have tears in your eyes and you hugged her tightly again. As your conversation was nearing its end Q came in to find you and heard the tail end of the conversation, when he came into view he was looking at you super nervously. You headed back outside and he stayed in for a moment to talk to his mom, all you heard before stepping outside was something about not yet and not to ruin it.

Since that weird encounter at the cookout, Bri has been acting all jittery. Any time there was time to relax just the two of you, he would always suggest you do something or go out. It was a little concerning, usually if you guys disagreed or upset the other you would talk it out and fix it as soon as possible. But today was a date you both had been planning for the past month so you figured you would time to talk to him about it sometime today. You got out of bed and left your cat and Brooklyn sleeping on the bed. You trudged downstairs to see Q already dressed and sitting on the couch with Benjamin and Chessie with a cup of tea. You wrapped your arms around him and planted a kiss on his cheek, with sleepiness still in your voice.

“Mmm Good Morning Baby.” Q lifted up his arms to touch yours and leaned his head to plant a kiss on your cheek and then look at you.

“Morning my love. Do you want something to eat before we go? I already have coffee ready and waiting for you too.” He handed you your favorite mug from the coffee table filled with coffee just the way you liked it. You thought it over for a moment while you took a few sips of the coffee.

“Nah I’m good. I’ll just have this while I go and get ready.”

“Okay sounds good to me. I’m ready when you are, but don’t rush. Also, I picked out an outfit for you to wear today.” You smiled when he told you that, every so often he would do this for your dates and it would always make you smile. You headed back upstairs and sure enough your chiffon floral maxi dress and light denim jacket was waiting for you in the front of your closet. You love that the outfit he picked worked so well the manicure from the other day. You then decided to do a no-makeup makeup look topped off with your favorite pink lipstick, then while sipping your coffee, you pinned a bit of your hair back and left the rest down naturally. After your hair and makeup was done and slipped into your outfit, you saw your nude strappy sandals, diamond stud earrings, and off-white cross body bag waiting on the desk chair for you. You went to meet Bri downstairs when you were done getting ready to see him still being kinda weird, and you left for the Metropolitan Museum of Art.

Ever since you binge watched Gossip Girl you had become enamored with the MET, you used to go here all the time and Brian knew that. Sometimes you would even just sit on the steps and people watch on days you were in the city. You went in and Q paid for both of your tickets. You spent the whole day wandering around going from exhibit to exhibit and showing him all of your favorite pieces. After what seemed like hours and were getting ready to head out, you figured now would be the right time to finally talk to Brian about why he had been acting so odd lately. You took in a quick yet deep breath and decided to get it over with.

“Hey Bri?” You could hear the nervousness in your voice, and he must have heard it too by the way you noticed him tense up and slowly turn away from the painting he was looking at to be facing you. It almost seems like he’s shaking.

“Uh, yes Y/N?” You let out another breath as you were unsure of where this conversation might lead since you have never seen him act like this.

“Are you okay? Ever since the cookout you’ve been acting pretty weird.”

“I have?”

“Yeah you have, and I was thinking maybe it was because you heard what your mom said to me. But, I want you to know that I feel the same way, I would have dealt with Dean tons more if it meant I got to be with you, that’s honestly how much I love you.” As soon as you finished, he let out a deep sigh of relief and was now smiling.

“Y/N, I am fine I promise, you have absolutely nothing to worry about. But I’m glad you told me that, it means so much to me. How about we head home and order some takeout yeah?” You smiled looking deep into his gorgeous dark eyes and nodded.

You walked your way back through the museum and once you both got outside you saw a section of the MET steps had been blocked off and was filled with red roses. You were in awe of this beautiful little scene that you didn’t realize Q was dragging you into this small area. Then all of the sudden there you were, holding hands with Brian facing you in the middle of all of these dozens of roses. Then Brian took a deep breath and began in the most gentle and sweet voice, almost like the night you met.

“Y/N, these past eighteen months have been pure heaven for me. From the moment I saw you I knew I was laying my eyes upon the most beautiful woman in the world, and then to know you admired me even a tenth of the way I already admired you when I read your letter made think I may actually have a shot with you, even though I was so unworthy of this angel before me.” You let out a giggle as he said that, and the gears in your head started turning, why is he being super romantic after being really weird and nervous? “Then I really got to know you and found out we had so much in common, and you helped become an even better version of myself, and I hope I do the same for you. The reason I’ve been so weird since the cookout, is because I didn’t want my mom to ruin this surprise. And I’ve been so nervous because… well...” What surprise? It was then it finally clicked as Brian let go of your hand and got down on knee, the manicure, the weirdness, the special date, the roses, everything! You felt your eyes well up with tears, and your hands flew to your mouth in shock, he was proposing! He pulled a small wooden box out of his pocket and opened it to show a gold ornate banded ring with an Emerald cut diamond in the middle with a small baguette diamond on each side as well. It was the most magnificent ring you had ever seen.

“Y/N Y/M/N Y/L/N, would you be willing to spend the rest of your life with me, and do me the honor of becoming my wife?” Now the tears were starting to stream down your face and a smile permanently was plastered on your face. You heard cameras clicking and lights flashing around you as you took in this surreal moment with the love of your life.

“Yes Brian, of course I will marry you!” With that he put the ring on your finger and stood up to embrace you and placed a delicate kiss on your lips as cheers erupted from the small crowd that had gathered around you. You looked over to see photographers taking photos of the priceless moment, and your family that Brian must have flown in for the occasion were all thrilled with Bessy and Melyssa standing with them smiling as well. Then you both heard a loud and dramatic voice ring through a megaphone.

“Ladies and gentlemen! Make way for the happy couple who is now engaged!” You and Q looked over to see Joe holding a megaphone and Sal and Murr with him too. You and your now fiancé both giggled at the hilarious touch they added to this moment, realizing they must have been the ones to set it u while you both were inside. You looked back and Brian you knew that you were both excited to spend the rest of your life together, just you, and your one and only.

#Brian Q Quinn #brian quinn imagine #brian quinn #celebrity crush imagine #impractical jokers imagine #impractical jokers

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birdlord · 4 years ago

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Everything I Watched in 2020

We’ll start with movies. The number in parentheses is the year of release, asterisks denote a re-watch, and titles in bold are my favourite watches of the year. Here’s 2019’s list.

01 Little Women (19)

02 The Post (17)

03 Molly’s Game (17)

04 * Doctor No (62)

05 Groundhog Day (93)

06 *Star Trek IV - The Voyage Home (86)

07 Knives Out (19) My last theatre experience (sob)

08 Professor Marston and his Wonder Women (17)

09 Les Miserables (98)

10 Midsommar (19) I’m not sure how *good* it is, but it does stick in the ol’ brain

11 *Manhattan Murder Mystery (93)

12 Marriage Story (19)

13 Kramer vs Kramer (79)

14 Jojo Rabbit (19)

15 J’ai perdu mon corps (19) a cute animated film about a hand detached from its body!

16 1917 (19)

17 Married to the Mob (88)

18 Klaus (19)

19 Portrait of a Lady on Fire (19) If Little Women made me want to wear a scarf criss-crossed around my torso, this one made me want to wear a cloak

20 The Last Black Man in San Francisco (19)

21 *Lawrence of Arabia (62)

22 Gone With the Wind (39)

23 Kiss Me Deadly (55)

24 Dredd (12)

25 Heartburn (86) heard a bunch about this one in the Blank Check series on Nora Ephron, sadly after I’d watched it

26 The Long Shot (19)

27 Out of Africa (85)

28 King Kong (46)

29 *Johnny Mnemonic (95)

30 Knocked Up (07)

31 Collateral (04)

32 Bird on a Wire (90)

33 The Black Dahlia (05)

34 Long Time Running (17)

35 *Magic Mike (12)

36 Before the Devil Knows You’re Dead (07)

37 Cold War (18)

38 *Kramer Vs Kramer (79) yes I watched this a few months before! This was a pandemic friend group co-watch.

39 *Burn After Reading (08)

40 Last Holiday (50)

41 Fly Away Home (96)

42 *Moneyball (11) I’m sure I watch this every two years, at most??

43 Last Holiday (06) the Queen Latifah version of the 1950 movie above, lacking, of course, the brutal “poor people don’t deserve anything good” ending

44 *Safe (95)

45 Gimme Shelter (70)

46 The Daytrippers (96)

47 Experiment in Terror (62)

48 Tucker: The Man and His Dream (88)

49 My Brilliant Career (79) one of the salvations of 2020 was watching movies “with” friends. Our usual method was to video chat before the movie, sync our streaming services, and text-chat while the movie was on.

50 Divorce Italian Style (61)

51 *Gosford Park (01) another classic comfort watch, fuck I love a G. Park

52 Hopscotch (80)

53 Brief Encounter (45)

54 Hud (63)

55 Ocean’s 8 (18)

56 *Beverly Hills Cop (84)

57 Blow the Man Down (19)

58 Constantine (05)

59 The Report (19) maddening!! How are people so consistently terrible to one another!

60 Everyday People (04)

61 Anatomy of a Murder (58)

62 Spiderman: Homecoming (17)

63 *To Wong Foo, Thanks for Everything, Julie Newmar (95) Of the 90s drag road movies, Priscilla is more visually striking, but this has its moments.

64 Twin Peaks: Fire Walk with Me (92)

65 *The Truman Show (98)

66 Mona Lisa (86)

67 The Blob (58)

68 The Guard (11)

69 *Waiting for Guffman (96) RIP Fred Willard

70 Rocketman (19)

71 Outside In (18)

72 The Curious Case of Benjamin Button (08) how strange to see a movie that you have known the premise for, but no details of, for over a decade

73 *Star Trek: The Undiscovered Country (91)

74 The Reader (08)

75 Star Wars: The Rise of Skywalker (19) This was fine until it VERY MUCH WAS NOT FINE

76 The End of the Affair (99) you try to watch a fun little romp about infidelity during the Blitz, and Graham Greene can’t help but shoehorn in a friggin crisis of religious faith

77 Must Love Dogs (05) barely any dog content, where are the dogs at

78 The Rainmaker (97)

79 *Batman & Robin (97)

80 National Lampoon’s Vacation (83) Never seen any of the non-xmas Vacations, didn’t realize the children are totally different, not just actors but ages! Also, this one is blatantly racist!

81 *Mystic Pizza (88)

82 Funny Girl (68)

83 The Sons of Katie Elder (65)

84 *Knives Out (19) another re-watch within the same year!! How does this keep happening??

85 *Scott Pilgrim Vs The World (10) a real I-just-moved-away-from-Toronto nostalgia watch

86 Canadian Bacon (92) vividly recall this VHS at the video store, but I never saw it til 2020

87 *Blood Simple (85)

88 Brittany Runs a Marathon (19)

89 The Accidental Tourist (88)

90 August Osage County (13) MELO-DRAMA!!

91 Appaloosa (08)

92 The Firm (93) Feeling good about how many iconic 80s/90s video store stalwarts I watched in 2020

93 *Almost Famous (00)

94 Whisper of the Heart (95)

95 Da 5 Bloods (20)

96 Rain Man (88)

97 True Stories (86)

98 *Risky Business (83) It’s not about what you think it’s about! It never was!

99 *The Big Chill (83)

100 The Way We Were (73)

101 Safety Last (23) It’s getting so that I might have to add the first two digits to my dates...not that I watch THAT many movies from the 1920s...

102 Phantasm (79)

103 The Burrowers (08)

104 New Jack City (91)

105 The Vanishing (88)

106 Sisters (72)

107 Puberty Blues (81) Little Aussie cinema theme, here

108 Elevator to the Gallows (58)

109 Les Diaboliques (55)

110 House (77) haha WHAT no really W H A T

111 Death Line (72)

112 Cranes are Flying (57)

113 Holes (03)

114 *Lady Vengeance (05)

115 Long Weekend (78)

116 Body Double (84)

117 The Crazies (73) I love that Romero shows the utter confusion that would no doubt reign in the case of any kind of disaster. Things fall apart.

118 Waterlilies (07)

119 *You’re Next (11)

120 Event Horizon (97)

121 Venom (18) I liked it, guys, way more than most superhero fare. Has a real sense of place and the place ISN’T New York!

122 Under the Silver Lake (18) RIP Night Call

123 *Blade Runner (82)

124 *The Birds (62) interesting to see now that I’ve read the story it came from

125 *28 Days Later (02) hits REAL FUCKIN’ DIFFERENT in a pandemic

126 Life is Sweet (90)

127 *So I Married an Axe Murderer (93) find me a more 90s movie, I dare you (it’s not possible)

128 Guess Who’s Coming to Dinner (67)

129 The Pelican Brief (93) 90s thrillers continue!

130 Dick Johnston is Dead (20)

131 The Bridges of Madison County (95)

132 Earth Girls are Easy (88) Geena Davis and Jeff Goldblum are so hot in this movie, no wonder they got married

133 Better Watch Out (16)

134 Drowning Mona (00) trying for something like the Coen bros and not getting there

135 Au Revoir Les Enfants (87)

136 *Chasing Amy (97) Affleck is the least alluring movie lead...ever? I also think I gave Joey Lauren Adams’ character short shrift in my memory of the movie. It’s not good, but she’s more complicated than I recalled.

137 Blackkklansman (18)

138 Being Frank (19)

139 Kiki’s Delivery Service (89)

140 Uncle Frank (20) why so many FRANKS

141 *National Lampoon’s Christmas Vacation (89) watching with pals (virtually) made it so much more fun than the usual yearly watch!

142 Half Baked (98) another, more secret Toronto nostalgia pic - RC Harris water filtration plant as a prison!

143 We’re the Millers (13)

144 All is Bright (13)

145 Defending Your Life (91)

146 Christmas Chronicles (18) I maintain that most new xmas movies are terrible, particularly now that Netflix churns them out like eggnog every year.

147 Spiderman: Into the Spider-Verse (18)

148 Reindeer Games (00) what did I say about Affleck??!? WHAT DID I SAY

149 Palm Springs (20)

150 Happiest Season (20)

151 *Metropolitan (90) it’s definitely a Christmas movie

152 Black Christmas (74)

THEATRE:HOME - 2:150 (thanks pandemic)

I usually separate out docs and fiction, but I watched almost no documentaries this year (with the exception of Dick Johnston). Reality is real enough.

TV Series

01 - BoJack Horseman (final season) - Pretty damned poignant finish to the show, replete with actual consequences for our reformed bad boy protagonist (which is more than you can say for most antiheroes of Peak TV).

02 - *Hello Ladies - I enjoy the pure awkwardness of seeing Stephen Merchant try to perform being a Regular Person, but ultimately this show tips him too far towards a nasty, Ricky Gervais-lite sort of persona. Perhaps he was always best as a cameo appearance, or lip synching with wild eyes while Chrissy Teigen giggles?

03 - Olive Kittredge - a rough watch by times. I read the book as well, later in the year. Frances Mcdormand was the best, possibly the only, casting option for the flinty lead. One episode tips into thriller territory, which is a shock.

04 - *The Wire S3, S4, S5 - lockdown culture! It was interesting to rewatch this, then a few months later go through an enormous, culture-level reappraisal of cop-centred narratives.

05 - Forever - a Maya Rudolph/Fred Armisen joint that coasts on the charm of its leads. The premise is OK, but I wasn’t left wanting any more at the end.

06 - *Catastrophe - a rewatch when my partner decided he wanted to see it, too!

07 - Red Oak - resolutely “OK” steaming dramedy, relied heavily on some pretty obvious cues to get across its 1980s setting.

08 - Little Fires Everywhere - gulped this one down while in 14-day isolation, delicious! Every 90s suburban mom had that SUV, but not all of them had the requisite **secrets**

09 - The Great - fun historical comedy/drama! Costumes: lush. Actors: amusing. Race-blind casting: refreshing!

10 - The Crown S4 - this is the season everyone lost their everloving shit for, since it’s finally recent enough history that a fair chunk of the viewing audience is liable to recall it happening.

11 - Ted Lasso - we resisted this one for a while (thought I did enjoy the ad campaign for NBC sports (!!) that it was based on). My view is that its best point was the comfort that the men on the show have (or develop, throughout the season) with the acknowledgement and sharing of their own feelings. Masculinity redux.

12 - Moonbase 8 - Goodnatured in a way that makes you certain they will be crushed.

13 - The Good Lord Bird - Ethan Hawke is really aging into the character actor we always hoped he would be!

14 - Hollywood - frothy wish-fulfillment alternate history. I think the show would have been improved immeasurably by skipping the final episode.

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yurimother · 6 years ago

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Top 34 Yuri Anime

From mid-February to mid-March Akiba held a poll asking viewers what their favorite anime series were. Over 50,000 votes were counted and in the end, they organized the 34 entries by votes to declare which series was the most popular. While not including every yuri series, these titles do vary wildly from pulse-pounding action to salacious dramas and subtext filled slice of life shows. Of course, the eternal problem with popularity polls is that they only show what is, well... popular. So I have decided to organize the same 34 series into my own list, based on a mixture person preference, influence, and historical importance to the genre. Note that this list is not exhaustive, as there are more than just these 34 Here we go!

34. Kuttsukiboshi – No surprise here. While impressive from a technical standpoint, as this two episode series was written, directed, and animated by one may, Nayoya Ishikawa, this impressive feat does nothing to sate the deep loathing I have for Kuttsukiboshi. I found it not only nonsensical but disgusting and offensive at almost every turn.

33. Maria Holic – Ok this one has some funny moments and a solid opening theme but mostly it is about a cross-dressing sadist abusing the hell out of one of the cringiest characters ever written.

32. Valkyrie Drive: Mermaid – ew

31. Seraphim Call – Certainly not the worst but age really took a toll on this anime. It is entirely lost to history, only obtaining 12 votes in the original poll.

30. Love To-LIE-Angle - FANTASTIC TITLE, gross series that was forgotten before it even finished

29. Kurau: Phantom Memory – whut

28. Hidamari Sketch – How did this below average series get as many anime adaptations as it did?

27. Candy Boy – 2007 - 2009 was weird. I actually like parts of this one, as it is really cute, but you have to turn your brain off because full out incest. I have not heard about this one since 2009 and that seems to be cool with everyone involved.

26. The Girl in Twilight – I had never heard of this before doing this piece, which says a lot about this anime’s cultural importance. But it is a good watch.

25. El Cazador de la Bruja – worth one good watch and that’s about it.

24. My-HiME – Raise your hand if you have heard of this one. That is what I thought, and yet it is #13 on the original list.

23. Pandora in the Crimson Shell: Ghost Urn – There is no real place to put this one and that says more about it than I ever could.

22. Blue Drop – Weird show, you should watch it, but not memorable

21. Simoun – This one is actually a sort of hidden gem but it is lost to history for most people.

20. Destiny of the Shrine Maiden – It baffles me how this mostly mediocre mecha series was so popular. That being said, the ending of episode 11 is some of my favorite directing ever.

19. Saki – Ya know, you never hear about this one but it is actually one of the most popular, and was #6 in the poll. It is basically a mahjong sports style anime so I have no idea how it is so popular but hey, lots of people swear by it. The ultimate you “love it or hate it” show for a lot of people strangely as well.

18. Netsuzou Trap -NTR – I held off as long as I could. While really popular I cannot stand this anime, my loathing of it is rivaled only by Kuttsukiboshi.

17. Sasameki Koto – A pretty well-known yuri series. The books are FAR better, but still an enjoyable watch beloved by many yuri fans.

16. Inugami-san to Nekoyama-san – It pains me to not be able to place this one higher, as it is one of my favorites and so hilarious, but overall there are other series that just deserve to be above it.

15. Konohana Kitan – Adorable, just adorable.

14. Black Rock Shooter – It's astonishing that an (admittedly awesome) character design can spawn multiple anime adaptations, a hit song, and its own franchise. The anime adaptation packs some good old-fashion emotional suffering and cool fights but nothing really beyond that.

13. Strike Witches – Far more popular and influential than it has any right to be. One of the most salacious shows on this list I always feel uncomfortable watching it but I do love the characters.

12. Yuri Kuma Arashi – The creators behind this were clearly not sober and probably could have used a cold shower for other reasons as well, but it is an INCREDIBLE anime with some of the best, although extraordinarily odd, writing.

11. Liz and the Blue Bird – Things are starting to get a bit difficult now, this one is actually hard to place. Being only a year old we are not sure of the impact it has but the movie is beautiful and stunning with some really bad pacing.

10. Sakura Trick – Full of fluffy fanservice, and pretty popular. This is one that almost every yuri fan will enjoy.

9. Maria Watches Over Us – The show that revived the sister-love story, a lot of the most popular yuri would not exist if not for this gentle diamond.

8. Yuruyuri – A yuri somehow becomes one of the best slice of life series of all time. Its fame is well deserved, as the memorable characters and dynamics can be enjoyed for many, many viewings.

7. Bloom Into You – What started as a run of the mill yuri series became one of the most well-loved. One of the biggest anime of last year and a darn good yuri to boot. I wonder how we will look back on this one a decade later.

6. Citrus – DEAR GOD. I know how controversial this series is for many people and that some of you want to grab pitchforks right about now in response to me placing this high on the list but hear me out. Whatever your feelings about Citrus, and there is plenty of valid criticism to make, it is a very influential and popular anime. It scored the top spot on Akiba’s list by over 5000 votes. For me, it holds a special spot as the first real review I ever wrote (thank you, Erica, for the opportunity).

5. Sweet Blue Flowers – We are in the top five now, yet I still feel that I have placed this series far too low. It is one of the most grounded yuri series and ten years later its impact on the genre is still clear.

4. Strawberry Panic! – This was my first yuri and will always be special to me for this. But, there is no doubt that this series is actually worse than a lot of the ones lower than it on this list. I can almost feel the seething rage directed towards me for placing what can realistically be described as an aging, parodied, melodrama so high.Yet, as I gaze through my strawberry colored glasses, I see that Strawberry Panic has a magic to it. For so many in the American community, it holds a special place and I have heard my story with it reflected so often that I just started writing it on a speech bubble on the inside of the glasses I wear at conventions so that I know what people are saying to me when my mind wanders off. There is a reason it is nicknamed the gateway of yuri.

3. Kase-san and Morning Glories – A simply stunning, beautiful, and realistic story, this OVA movie is unlike any yuri before it. It holds nothing back in its yuri in its realistic depiction of a lesbian relationship. Kase-san is the best anime to come from twenty-gay-teen it just might change the genre forever.

2. Puella Magi Madoka Magica – Speaking of changing a genre, PMMM, my favorite anime of all time, did something truly incredible. Not since sailor moon as such a social phenomenon sprung from a magical girl series. The perfect writing, postmodern use of tropes, philosophy, and just pure awe-inspiring nature of the show has not been forgotten years later. The legacy of such a widely celebrated series is nothing short of god-like.

1. Revolutionary Girl Utena – Was there ever really any doubt? This series defined what yuri is for a generation. It is one of the defining works of LGBT and feminist media and possibly one of the most important pieces to come out of 90′s anime. Yuri, as we know it may not exist, were it not for this legendary series.

Well, that was fun but exhausting. Of course, this list is not perfect and I am sure that you more than disagree with me in a few places and I would love to hear them. Send me an ask, post a reply, tag me on twitter @HolyYuriMother for the love of the great yuri goddess! I want to know what you think, what series do you love? What anime do you hate? What nonsense thing did I say that just deserves to be torn apart? I want to know!

You can check out the original list on Akiba.

Help create yuri and LGBTQ+ news, reviews, and content by supporting YuriMother on Patreon

#yuri #anime #ranking #list #top 10 #best #lgbt #lgbtq #lgbtq+#queer #gay #news #art #response #pmmm #madoka #citrus #bloom into you #kase san #girls #love #girls love #wlw #femslash

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thetypedwriter · 5 years ago

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Only Mostly Devastated Book Review

Only Mostly Devastated Book Review by Sophie Gonzales

You know those feel good movies that are short and sweet and fun while you’re watching it, but mostly forgettable? You all know what I’m talking about. It’s the experience of something that is fine, enjoyable even, but largely unnoticed on the grand scheme of things?

Only Mostly Devastated is like that.

Now, before the fangirls attack, let me just say that what I commented above is not an inherent criticism. Not every novel that I read, or people want to read, has to be a masterful prose full of epistemological queries and agonizing philosophies on life.

Sometimes you want something sweet and fluffy, like cotton candy, to fill in the times when your brain needs a break. A good book does not necessarily equate to a challenging book, although English teachers in school will have you believe otherwise.

Sometimes books can just be fun.

Only Mostly Devastated tells the queer book version of Grease, down to allusions making its way even on the front cover. The plot is basic in its storytelling. The main character, Oliver, is staying in North Carolina for the summer with his parents as they help out his aunt while she receives treatment for cancer. During the summer, Oliver has a not-so-summer-fling with a boy named Will that both think will end when Oliver moves back to California at the end of the season.

But lo and behold! Oliver’s parents decide to stay in North Carolina for a year to help out, forcing Oliver to spend his last year of high school far away from home and unbeknownst to him, attend the same high school as his beloved Will from the summer.

However, predictably, Will from summer and Will the basketball player that Oliver meets in high school, seem to be two different people, with Oliver trying to reconcile why the boy he loves is pretending like he doesn’t exist.

This book...isn’t original. In any way, shape, or form. From the plot, the characters, the dialogue, and even the writing, nothing about this stands out too much to me.

Again, this does not make it a bad read, sometimes you want light and easy and predictable, but it does make it a forgettable one.

The plot is fine. It’s sturdy, it works for what Gonzales is trying to achieve, which is mainly the love story between Will and Oliver. She does try to throw some other things in there, like putting a side character who is struggling with being bisexual, another side character with PCOS (polycystic ovary syndrome), some light stuff on body image, other airy commentary on fetishizing people’s sexualization, and of course, the death and loss of a loved one and the grieving process that goes with it.

Now, you might be saying, wow, thetypedwriter, what are you thinking? That is so much stuff that she put into her book! Incredible! How can you call it shallow and predictable?

Well, for one, the book is short. While again, nice for those readers who want something light to carry on their way to tan by the pool, great, but for those readers who want something more, this can be frustrating.

For an in-depth reading experience for any of those themes above, hitting the tip of the iceberg would be putting it lightly. The book skims the surface of those topics, but they aren’t delved into in any semblance of sophistication or depth that would actually make this a more memorable read.

Reason two, Sophie Gonzales does come across quite preachy sometimes.

Now, this can be tricky so let me explain. Putting forth your agenda or your beliefs and values in a book is not an erroneous thing to do. Actually, it’s an amazing thing to do and people have been using books as a form of expression for these types of things for centuries. Some may argue that the intrinsic value of a book is to express such opinions.

However, this is not Sophie Gonzales’ biography, nor is it an opinion article about how she feels about the fetishization of girls kissing girls for male entertainment. When you are going to put your opinions and beliefs into your book, it needs to make sense in the scheme of the characters.

For example, if J.K. Rowling randomly had Ron go on a speech about women’s rights and toxic masculinity, it would be out-of-character and baffling since Ron would not be the character to say such a thing.

However, if Hermione were to give such a speech, the ideas and beliefs would be passed along, message received, but without breaking character or pulling me out of the universe to think what the hell because a sermon came out of left field that held no continuity in the scheme of the novel as a whole.

This happened to me quite a lot in Only Mostly Devastated. It was like Sohpie Gonzales got to a certain point, told her characters to step aside, and then got on her soapbox to preach about love and acceptance.

Once again, I’m not against any of the messages she’s portraying at all.

What I think lacked finesse, however, was the way in which she got those messages across, which was often out-of-character and forced the plot to go certain places just so she could get the chance to talk about those issues.

With that out of the way, other slight criticisms I have mainly are to be found with the characters and the writing itself.

The characters were all likable enough. I’m not about to go write fanfiction about any of them though. They were largely generic, although entertaining enough for what this book is offering. They were also all pretty forgettable and formed pretty forgettable relationships as well.

Do I really remember any of Will’s friends? Nope. What about Oliver’s girl squad? Kind of? I did appreciate the attempt at including more characters of color, including Will.

I do think that Lara was the most interesting character. I honestly would have preferred to have had a whole novel about her rather than told from Oliver’s point-of-view, simply as Oliver is basic as all hell (white boy that plays guitar and is slightly awkward. I’ve only seen this character about 10 million thousand times before).

And if Gonzales had written this novel about Lara instead, all of her themes would have worked infinitely better. You still get the struggle with sexuality, you still get the side POC characters with PCOS and body image issues, and you could still have the plot of loss and death if you wanted to.

The friendship with the girls would make so much more sense, the fetishization topic could have been delved into way more thoroughly, and Lara was kind of a bitch, and I appreciated that about her. You would even still get a musical person in the form of Juliette even without Oliver on the scene.

But, nope. We get Oliver. Which is...fine. Mediocre, but fine, I guess.

Lastly, Gonzales is a perfectly average writer. The story flowed, it was funny, it had its moments of nuance and sarcasm, but there were moments where she would make comparisons, always with similes or metaphors, that left me literally confounded because of how bizarre and out-of-place I found them.

Some examples:

1. “Up close, she smelled like sugary flowers.”

-I’m sorry, but what do sugary flowers smell like? Why are the flowers sugary? Who would even sugar their flowers in the first place?

2. “Deep inside my chest, my heart was beating as though it was trying to tear free from bondage.”

-Just...an extremely odd choice of words. Why bondage, Sophie Gonzales, why?

3. “I’d rather floss with barbed wire, than watch a live sports match…”

-Ummm eww and scary?

I could go on and on with the frankly awful choices for comparison that are made in this book with incessant use, but I think you get the point. The similes and metaphors were downright baffling. Not really sure what Gonzales was going for with them, but...no. Just no.

Lastly, Oliver’s nickname Ollie-oop made me want to curl up and die. It didn’t make them seem like better friends. In fact, the whole rose gold-girl-group and Oliver was such a dumpster fire of a friendship that lacked any and all actual solid foundations for a relationship that it annoyed me, especially in the end when Oliver decides to stay in North Carolina to be with people he’s not even close to.

Additionally, the inclusion of Oliver’s two friends from back home was just...pointless, utterly pointless. I don’t even know why she bothered to write them into the story honestly. They added nothing.

Again, her themes are good in nature and provocative in theory, but the book was just too short and shallow to justify writing in any of it when really all she cared about was Will and Oliver sitting in a tree K-I-S-S-I-N-G. It was almost like fanfiction, but published. Actually, nope, I think fanfiction is better.

Wow, I guess I had more feelings about this book than I thought, mostly negative too.

Once more, I want to heavily emphasize that I DIDN’T HATE IT. It was a super, light, super cute, very simple book that I’m sure a ton of people will appreciate right now with everything heavy going on in the world.

If you need a book in cloud form, this is your novel. But....if you wanted something more like me, if you found it just a little too simplistic in nature, just a little too forgettable, then that’s okay too.

Recommendation: If you’re too burdened down by carrying your sunscreen and your cooler out to the pool, this is the perfect light summer reading to tuck under one arm and melt your worries away for a little while. If you want an actually good, actually complex and refined LGBTQ+ coming of age novel then I’d definitely go for the likes of Red, White, and Royal Blue or Autoboyagraphy instead.

Score: 5/10

#only mostly devastated #sophie gonzales #ya fiction #YA Books #YA literature #LGBTQ fiction #book blog #books #book review #Book Recommendations

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