#it's possible they're going the route of the originals where it's basically entirely practical but they use CGI where it's necessary

[jawsplitter]

BTW i saw the trailer for the new saw movie cos my brother told me about it...it actually looks decent?? like a REAL SAW MOVIE in this day and age??? of course i was fooled by the welcome to raccoon city trailer, but saw X looks like a saw movie. little confused by the premise being. i think john just putting Anyone who was involved in his cancer treatment in a trap? but whatever peepaw wants to do. they're keeping the early john kramer energy of trapping anyone who mildly inconveniences him

[mrdrhenwardhykle]

So, I had this thought process

I've been thinking a lot about that Adam Sandler movie "Pixels", and I think I just wrote a summarized alternate plot for it in my head and I need to write it down.

Okay;

Let's start by brainstorming on writing better and more relatable protagonists. For many, this movie is very hard to watch because it almost feels like a bunch of middle-aged guy's writing in nice-guy self inserts of themselves to feel better about whatever mid-life crisis they're having. And maybe this wouldn't be too bad if their characters were just a bit more than "middle aged creep who lives in his mom's basement is secretly a romantic warrior when put in the right scenario".

At least for me, it's very hard to relate to that kind of protagonist; given how that character is usually the most developed out of all the characters in this type movie. I often find that it's hard to relate to nerdy nice guy characters who often get away with the lack of likeable qualities just because "life should have treated them better". It comes off more as a pity-party more than anything, and their unmotivated dynamic with the "out of their league" love interest, who always comes off as nothing more than a trophy and\or act as an excuse to get the climax rolling in the last 20 minutes after getting captured by the big bad.

So then, how would I write an 80's nostalgia themed adventure movie? What, say, would you think would be a practical way to write the main cast in a way that audiences new and old can relate? Easy; If your intention is to give your entire audience a wave of nostalgia, but to still keep it relatable, then why not make your main cast kids? (credit to Black Nerd Comedy for that idea) I would probably suggest between the age of 12 and 16, and maybe with the occasional big brother\sister type characters and some of their friends . Kids often have a ton of freedom, a large imagination, basic priorities, and a lot less worries than adults. Just about anyone should be able to relate to that, since everybody either was or is a kid at some point of time. And I'm not saying that you can't write for\relate to older protagonists, but you don't want to alienate your audience, especially when making something that might catch the eye of a younger crowd.

Not to mention that ever since the 80's, kids have always been a major player by the impact of technology. For some reason though, the plot of Pixels doesn't really have to do with technology. There's guns and contraptions that are specifically made to destroy the pixels, but it doesn't really go much father than that with the tech. The plot more focuses on going on the "alien invasion" route (which I would think would be more 60's sci-fi based than 80's, which was more experimental in cosmic horror with its alien media)(not including Space Invaders. Shush. That does not count). Honestly, I think 80's nostalgia can be replaced with just about anything when it comes to a "shape-shifting aliens who mimic earthly cultures" plot. It's very basic, yet it doesn't really fit in with the theme of arcade games. It just comes off as a poor excuse for pandering to 80's kids, instead of using that element to bring up interesting concepts and world-exploring in this universe.

So I have two solutions for this, either;

A. Do not do a time jump, and keep the story in the 80's. Make it an alternate universe where different forms of consoles and computers are being developed. Maybe the adult characters are very unfamiliar with these changes, but allowing for the kid characters to have more of an advantage because that stuff would be more relevant to them. Because this was before a time where kids often thought about becoming programmers, it will also work as a disadvantage to the kids because they won't have an excuse to suddenly know how the opposing side works.

Or B. It takes place in a modern era, with Virtual reality, game consoles, and laptops, but it doesn't overly modernize itself with teens on phones, saying outdated things like "lemmie just take a selfie" saying "hashtag" out loud, or any junk like that (Because guess what? Teens and kids don't usually act like that). Maybe make the environment time neutral by making it a mix between the 2010's, 2000's, 1990's, and 1980's. I don't really think it's relevant enough to work in a present setting.

And lastly, let's talk about the big bad of the movie.

Really in Pixels, it's more of a self-struggle either projected upon others, or manifested into it's own being for the protagonist to succeed. There's not really a lot of leg space for anyone else to develop other than the main character (and perhaps something happens occasionally to the comedic reliefs\mascot characters). I imagine maybe this version doesn't have just one central character\plot, kind of like Stranger Things. However, unlike Stranger Things, I would also like a compelling and intriguing villain. Sadly, Pixels doesn't really have that; i has Donkey Kong, but he's nothing more than an alien catering to the protagonist's inner struggles (and nostalgia). There's nothing really more to DK other than that, so there's not a lot of difference between him and any of his previous minions.

And there's nothing really compelling about DK; because at least in canon, he's just a scared circus animal. There's not a lot of reasoning behind his actions other than to just invade. It's basic alien stuff like I said before, it can basically be replaced with some other theme than arcade games.

So what would be a compelling antagonist? Foils to the main group of characters (such as an older school bully, or maybe twisted programmers), create conflict, but if we're keeping the theme of attack of the machines and videogame characters, there has to be a bigger bad than that.

Oh! If only there was an already established villain-coded, tech-based, 80's icon with the ability to control almost all technology!

....

Trust me, I'm onto something!

Max Headroom was always presented as an egotistical talking head. He had multiple shows in the 1980's, as well as guest starred on multiple shows. Perhaps Max survives off of his viewers, and constantly strives to expand his audience. Max does not tend to care about other's well beings, and just wishes to use them as a way to gain publicity for his shows. Max also has a tendency to step over whoever he needs to to gain popularity, including his own film crew.

Max also has multiple canon abilities such as:

Being able to transfer to any screen (including arcade games)

See and interact with the people watching him

Control more than one screen

Interact with himself from one screen to another (multitask)

Turn on and off lights (and likely other outlets as well)

Manipulate the visuals of the screen that he's controlling

All of these abilities can be expanded and explored enough to set him up as a powerful and unpredictable villain.

I've also came up with a couple motives as well;

A. If this is in a modern era, Max could be suffering from a long hiatus since he hasn't been that active since the 80's; causing Max to seek as much attention to thrive off of as possible. To do this, Max hijacks as many outlets as possible to air his show. He might also use this as a way to repel audiences away from all other media; making it easier to turn to him for entertainment.

B. This takes place in an alternate universe where Max Headroom became more popular than it originally was. He starts taking over half of ads and television shows on air, getting more power hungry with each channel he takes. However, in his media take-over, ratings take a slight drop due to uninterested children who have turned to other outlets like toys, videogames, and arcades. This inspires Max to take a full takeover over everything electrical, causing a full invasion of all things electrical.

(I also forgot to mention that Max very likely hates children, and has canonly protested the execution of all of them)

Bam! And there you have it. A slightly more efficient plot for Pixels.

This was rotting in my head for a while and I wanted to let it out. Sorry for the ramble.