#it's most of the same stuff I have on here

[00kittenz]

── homie hoppin’ ( lhs, pjs, sjy, psh ) ּ 𓂅⋆ 📙

๑ Heeseung never wanted to believe the rumors about you around campus, to him you could never do wrong and he sees you as nothing less than an angel. But when his friends begin telling him about their nightly escapades with some “mystery girl” that sounds awfully familiar, he grows more suspicious of your true intentions you’ve been hiding all along.

pair: hyung line ㅊ f!reader, college au | warnings: pwp, smut, angst (kinda ??), hook-up culture, yn is the biggest fuckgirl omg (but she’s sooo cuntyy), humour, slut-shaming (not from the boys), daddy kink, oral (m + f. rec), mentions of running a train but it doesn’t happen lol, lots of s.x flashbacks, yn is so unbothered by everything 😴, unprotected s.x (yikes !!!) | teaser wc: 857

thanks to @leeechin & @pshbites for enabling this idea LOL, couldn’t have done it without them frfr. also here’s a silly little preview of what’s to come (it gets real MESSY in this sfdsfsd)

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

heeseung was never really the type to ever engage in gossip or drama going around campus. he’d rather simply mind his business and keep it moving, it was useless to entertain it anyway— most of the rumors held zero truth or any proof to back them up. what does seem to grab his attention however, is your name being constantly brought up in almost everyone’s mouths. you were the talk of the whole school and it wasn’t anything good that was being said about the girl he’s been sleeping around with on and off for the past few months or so.

“oh you know about y/n? isn’t she the one who’s always bouncing from one friend group to the next ? i wouldn’t trust her around my man even for a second..”

“didn’t she let leehan hit it at that party last night ? that girl needs to be stopped, she’s always messing around with different guys..”

“wasn’t she just with eunseok last week ? he was telling me all about how him and sungchan took turns on her.”

he couldn’t believe half the stuff that was being said about you. not only was it just plain disrespectful, but it was also disgusting how some people could spew such fabricated nonsense as if you weren’t a real human being with feelings. heeseung knew you two weren’t exclusive but you’ve been seeing each other more frequently, which made him think he might have a chance to make things official. at least he thought so, until he saw you talking with one of his close friends, jaeyun in the library. you both were way too close for comfort and the way you were giving him those same bedroom eyes that you’d always flash at heeseung, made his whole body fill up with an unimaginable amount of rage.

you were quite popular and well known around campus, your charming persona and pretty face was the perfect combo to get anyone to fall head over heels for you. everywhere you went you’d turn heads, all the boys would be breaking their necks just to get a glimpse of you. the tiny skirts you’d always wear had their eyes practically bulging out of their sockets, which only made the other girls seethe in utter jealousy. the way you could command an entire room without even trying was a superpower in itself, you didn’t need to put in the extra work to get all the attention on you because everyone gave it to you automatically.

it wasn’t until heeseung began hearing more about his friend’s sex lives that he’d grow more suspicious of what’s really going on. he usually zones out and doesn’t really listen much whenever they talked about it, but since the movie they were watching wasn’t all that interesting, he began shifting his attention to his friends. jaeyun and jongseong were always bragging about how much pussy they’d get but they seemed to hyperfocus on one particular girl that seems to get brought up a lot in their conversations. jaeyun would say how she gave him the ‘most life changing head’ he’s ever received, meanwhile jongseong was describing how some girl he fucked a few days ago rode his dick like a grade A pornstar.

heeseung wasn’t adding much of his input into the conversation, and neither was sunghoon as he tends to keep that part of his life more private. but, what made him suddenly wanna jump up in his seat was when jaeyun was telling them how hot the girl looked when he fucked her from behind, she had a back tattoo and he thought that was the sexiest shit ever. he never specified exactly what the tattoo was, but he remembers that you also had one too. maybe he’s just reading too much into it ? could it really be you they were talking about ? nah.. there’s no way. he’s sure there’s plenty other women with back tattoos walking around campus, it simply could be an eerie coincidence. he knows he isn’t the only one that you’re sleeping with, but to mess around with his friends would be a new low for him. he wouldn’t know what he’d do if he were to find out that happened..

his worries would only worsen when he catches sunghoon smiling and faintly giggling at his phone about something, to which jongseong asks him what’s so funny. sunghoon simply shrugs it off and says it’s nothing, quickly locking his phone before he lifts up from the couch to announce that he’s going back to his dorm. they all exchange their goodbyes and wish him a safe walk back to his place. but when he left, he was walking in the direction completely opposite of his dorm, he was heading the exact same way it took to get to your building instead. now he’s really starting to overthink at this point. there’s absolutely no way you’re actually fucking all of his friends and he doesn’t have a single clue about it. heeseung may be quite oblivious at times but he isn’t that stupid. he’s probably overreacting. again, could just be a very weird coincidence… right ?

just leave a comment if you wanna be added to the taglist ᕙ(⇀‸↼‶)ᕗ

[subjectsix]

I don't know I'm not done talking about it. It's insane that I can't just uninstall Edge or Copilot. That websites require my phone number to sign up. That people share their contacts to find their friends on social media.

I wouldn't use an adblocker if ads were just banners on the side funding a website I enjoy using and want to support. Ads pop up invasively and fill my whole screen, I misclick and get warped away to another page just for trying to read an article or get a recipe.

Every app shouldn't be like every other app. Instagram didn't need reels and a shop. TikTok doesn't need a store. Instagram doesn't need to be connected to Facebook. I don't want my apps to do everything, I want a hub for a specific thing, and I'll go to that place accordingly.

I love discord, but so much information gets lost to it. I don't want to join to view things. I want to lurk on forums. I want to be a user who can log in and join a conversation by replying to a thread, even if that conversation was two days ago. I know discord has threads, it's not the same. I don't want to have to verify my account with a phone number. I understand safety and digital concerns, but I'm concerned about information like that with leaks everywhere, even with password managers.

I shouldn't have to pay subscriptions to use services and get locked out of old versions. My old disk copy of photoshop should work. I should want to upgrade eventually because I like photoshop and supporting the business. Adobe is a whole other can of worms here.

Streaming is so splintered across everything. Shows release so fast. Things don't get physical releases. I can't stream a movie I own digitally to friends because the share-screen blocks it, even though I own two digital copies, even though I own a physical copy.

I have an iPod, and I had to install a third party OS to easily put my music on it without having to tangle with iTunes. Spotify bricked hardware I purchased because they were unwillingly to upkeep it. They don't pay their artists. iTunes isn't even iTunes anymore and Apple struggles to upkeep it.

My TV shows me ads on the home screen. My dad lost access to eBook he purchased because they were digital and got revoked by the company distributing them. Hitman 1-3 only runs online most of the time. Flash died and is staying alive because people love it and made efforts to keep it up.

I have to click "not now" and can't click "no". I don't just get emails, they want to text me to purchase things online too. My windows start search bar searches online, not just my computer. Everything is blindly called an app now. Everything wants me to upload to the cloud. These are good tools! But why am I forced to use them! Why am I not allowed to own or control them?

No more!!!!! I love my iPod with so much storage and FLAC files. I love having all my fics on my harddrive. I love having USBs and backups. I love running scripts to gut suck stuff out of my Windows computer I don't want that spies on me. I love having forums. I love sending letters. I love neocities and webpages and webrings. I will not be scanning QR codes. Please hand me a physical menu. If I didn't need a smartphone for work I'd get a "dumb" phone so fast. I want things to have buttons. I want to use a mouse. I want replaceable batteries. I want the right to repair. I grew up online and I won't forget how it was!

[sweetpupii]

Hi! Do you take requests?

If so, I think a fic bases on this excerpt:

"she can't have her parents walking in again. poor cassandra…finding your daughter with her whole face buried in between a girl's thighs is not the most ideal situation"

of your cailtyn story would be phenomenal 🙏

If you don't, feel free to ignore this! :)

Let's start by saying Caitlyn knows how to eat pussy and loves doing it :3 babe could have it for breakfast, lunch, dinner and even dessert. she wouldn't call herself an expert per se, but she's quite proud of her talent.

sure, receiving it feels good—but what's better than knowing you're making a girl cum with just your mouth? to cait, absolutely nothing. the moans, the hair-pulling, the thighs clenching against her head ♡ ugh chef's kiss.

( she came untouched a few times from it but you did not hear it from me ok? )

it's usually one the first things she does when you successfully sneak into her room. like a reward for getting through massive place she calls home without anyone noticing.

your back against the bed and legs immediately spread to expose the sight she absolutely adores. god, she could just stare at it forever and it'd still have the same effect in between her own legs. new panties are needed.

she doesn't dive in face-first like an animal the second your clothes are off, even if she does feel like a starved woman. she starts by slowly kissing your thighs and caressing any bit of skin she can, hand sneaking up your abdomen and ribs to massage your breasts a little—don't mind it.

“Should I continue?” cocky because she already knows the answer is a breathy ‘yes, please’.

oh and she gets way more cocky once she finally starts working on you, soft and slow stripes and twirls with her tongue. nothing fancy yet; she wants to tease a little more.

the second your hips start bucking into her mouth though? girl, grab onto something because she takes the signs IMMEDIATELY.

legs propped up on her shoulder while her hands hold your hips down to keep control of them. the slurping sounds are almost pornographic with how sloppy she's being. no whine coming from you is gonna make her stop any time soon. she's enjoying it waaaay to much already.

if she's feeling nice she will add a finger or two while sucking ๋࣭⭑ curling them just right inside you, not in-and-out like crazy. her tongue’s already lapping at you pretty fast so no need to overwhelm you…yet.

she wishes you would look down at her for a sec to see that pretty expression better, but she also understands it's her own fault that your head is thrown back against the bed, clenching around her fingers while pulling at her hair. what a curse to be so good at pleasing girls.

she knew speeding up her movements wasn't a smart thing to do so late at night as soon as the loud whine that escaped your lips reached her ears. obviously louder than the previous ones.

the heavy thump on the door when it opened proved her right.

“Caitlyn.”

of course it had to be her mother out of all people.

cassandra's eyebrows furrowed as she looked away with a small huff, trying to erase the sight from her mind by blinking and observing every detail on the window. she thought caitlyn was trying to sneak out and get involved with stuff she shouldn't like she had done in the past with serious cases or something, not this!

“It is 3 am; please take your… friend out of here.” a dismissive wave of her hand showed that there wasn't much room for arguing—none really because she's already out the door with a low mumble to herself before her daughter could say anything. tomorrow's talk is gonna be awful, that's for sure.

“just keep quiet some more, then you can go home, alright?” the blue haired girl softly whispered, leaning up and kissing the soft skin on your shoulder to reassure that you're not leaving until you get a few well deserved orgasms, her fingers already going back to rubbing small circles.

she's not gonna let a pretty girl leave her bedroom unsatisfied even if it means getting caught again.

[hippiegoth97]

Random Spencer Reid Thought #1

Content Warning 18+ Only, Minors DNI: swearing, smut, fem!reader, bau!reader, new relationship, sex at work, semi-public sex, unprotected sex, fingering, no use of Y/N, caught in the act (kinda, at the end), fluff

Some Tags: @hotwritergf @melodymunson @rafeyscurtainbangs @mediocredreams @loserboysandlithium

@bloodibambiidoll @littlexdeaths @sanctumdemunson @cairro-xx @veemoon (tbh I wasn't sure who all to tag, so I tagged some moots and people I know usually read my stuff. Feel free to ignore if it's not your thing tho lol)

"I swear to god, you're gonna get us caught one of these days, Reid." You say breathlessly, tugging on Spencer's tie to keep his lips close to yours. You'd dragged him into a nearby supply closet after the rest of the team had dispersed for lunch, most of them heading to a new BBQ place nearby. They'd asked you and Spencer to come along, but you've both had much more pressing things on your mind.

From the second you came in this morning (separately, of course, even though he'd stayed the night at your place), your eyes have wandered from your work to each other's desks from across the cluster. It's been absolute torture, forced to sit so far apart, unable to touch each other or whisper all the dirty things you plan to do later. All you had to get yourself by was vivid thoughts of Spencer tossing his papers away, stalking over to you, and bending you over your desk to fuck you silly. You're sure he was picturing similar filthy things, given how often he cleared his throat and crossed or uncrossed his legs. Although, the ideas inside his head are usually more centered around getting down on his knees and burying his face between your thighs. It's a wonder that nobody seemed to notice your discomfort, really. The amount of stolen glances and fidgeting in your seats are certainly behaviors that should set off a profiler's internal alarms. But, thus far, you've managed to fly just below everyone's radar.

You've been seeing each other for a few months now, keeping it a secret from everybody else. It started off as a fluke date shortly after you joined the BAU team, and Spencer took a shine to your quick wit and bottomless well of intellect in no time at all. He'd asked you out for coffee (after a barrage of peer-pressuring encouragement from Morgan), wanting to show you around a bit as you were new to the area at the time. Spencer was a complete gentleman, opening the door for you, pulling out your chair, offering you his jacket when you got cold. Add on the way you talked one another's ears off about everything under the sun, moon and stars, and you were hooked on each other in an instant. Neither of you had met anyone who could keep up, or maintain your interest before. By the time he walked you home that night, you shared in the knowledge that this...spark you felt was something special.

Things progressed rather quickly from there. You've gone out together at least once a week, even sneaking out at night during cases to get some quality time in. A dinner here, a tipsy make-out in either of your hotel rooms there, as well as more educational outings to the planetarium, various lectures, and art exhibits when you're at home base. It didn't take long to heat things up, either. Spencer was less experienced than you, having only a couple casual hook-ups under his belt, which went as awkwardly as one would expect. But you were patient with him, showing him what you like and what you don't, helping him figure out the same for himself. It was a simultaneously experimental and exhilarating experience for you both when you finally had sex the first time.

And now, here you are, all wandering hands and moaning mouths in a closet full of office supplies. Spencer's got you sitting on a metal filing cabinet, legs spread in your pencil skirt as he stands between them. His large hands grip and squeeze your thighs, while he rolls his hips to press his erection against your clothed cunt. "Don't act as if the idea of getting found out doesn't turn you on." Spencer teases, smiling against your lips as you tug him forward into another kiss.

"Maybe a little." You admit, letting his tongue slip into your mouth. Your eyes drift closed, and you feel his hand slowly slip further down your leg and under your skirt. His lithe fingers pull your panties to the side, rubbing sensual circles around your clit. You moan down his throat, your own hands reaching blindly for his belt now. You don't have a lot of time, as much as you hate to rush this.

"We should tell them soon. It's only a matter of time before they catch on." Spencer suggests, slipping two fingers into your soaked pussy with ease. The sound he ends up swallowing from your lungs makes his dick twitch inside his pants. Never in his life did he think he'd be so lucky to find a woman like you, or a woman at all, for that matter. Spencer enjoys every moment spent with you like it's his last, and it's been nice existing in this safe romantic bubble. But sneaking around has its disadvantages, namely having to keep his hands to himself when you're around the team. Far be it from Reid to be unprofessional in any sense, but, fuck, it's so hard to behave when you're around.

"I know, Penelope's been dropping lots of extra hints lately." You say with a light laugh, your insides boiling as Spencer curls his digits inside of you. They're perfectly long and slender, reaching all the right places every time. He's made you come with them alone on many occasions.

"I noticed. She's not very subtle." Reid chuckles, his gaze drifting down as you manage to get his belt unfastened. You waste no time in undoing to button and zip, reaching inside his boxers to grab hold of his aching length. According to you, he's very well endowed. Even though he's aware the average size of male genitalia is 5.1 inches when erect, he's never gotten curious enough to measure himself. A brief visual guess probably puts him at around seven or eight, not that he's all that concerned about it. All he cares about it making you happy, and his mind is far too vast to be fixated on how long his cock is.

"I don't think she ever has been." You comment, eyes focused on Spencer's dick in your grasp. He's rock solid, his tip rosy pink and leaking pearlescent precum. The sight makes your pussy throb around Reid's fingers. If you had more time, you'd drop to your knees in an instant.

"And that's why we love her." Spencer adds, groaning as you stroke him nice and slow. The both of you keep this up for a moment, zeroing in on one another's most sensitive areas that you've craved all day. Soft sighs and moans leave your mouths, mingling with the wet schlick sounds of your foreplay. "But, enough about the team." He says softly, meeting your gaze. His free hand cups your cheek, drawing you in closer as you stare into his beautiful brown eyes. "This moment is just for us." He nearly whispers as he kisses you deeply, lovingly. Neither of you have dropped the 'L' word yet, though you both certainly feel it for one another. But the time to say it definitely isn't during a lunchtime quickie in a damn closet. The occasion will present itself, at a later date.

While Spencer has your attention captured in the kiss, he gently takes his cock from your grasp and into his own. He gasps against you, tangling his tongue with yours to make your knees weak, just like you taught him. He gives his dick a couple fervent strokes, taking his fingers out of your cunt so he can line himself up. You whine at the loss, though your stomach twists in anticipation of what will soon take their place. Using his pruned fingers to hold your panties to the side, the sticky tip of Spencer's cock nudges against your center. More moans brew within your throats, kept hidden inside to prevent you from being discovered.

Your arms wrap around his shoulders, hands tangling in his hair as you melt into him. His lips and tongue make you feel dizzy with lust, and his cockhead rutting against your folds is sending you into orbit. "Spence, please. I need you, baby." You plead between desperate kisses.

"I need you, too, you have no idea." Reid replies, pulling back just a moment so he can see what he's doing. He positions his dick at your entrance, and pushes inside at an agonizing pace. Low moans escape you both, you at the stretch, and him at the squeeze. "Fuck, you're so wet." Spencer says, trying to keep his cool.

"All for you, Spence." You say sweetly, locking your ankles behind his back, pulling him as close to you as possible with your legs. His hands return to your thighs, holding on tight as he begins to thrust.

Spencer starts off slow, watching as his cock pumps in and out of your pussy with no resistance. Your arousal makes him all shiny in the dim light, already forming a creamy ring around his base. "God, you're perfect." He exhales, unable to think of a single thing that looks as beautiful as this. The two of you, becoming one, your interlocking parts sculpted by nature to fit together flawlessly. Nothing within his expansive memory could possibly compare.

"So are you, baby. Can you go faster? We're running out of time." You beg pathetically, needing this release before you inevitably have to go back to work filling out papers and looking over crime scene photos.

"I hate how right you are about that." Spencer replies with a broken sigh, picking up speed with his thrusts. The infallibly accurate internal clock you share is ticking down, every push of his hips against yours marking each second that's taken from you. He plants his lips on yours again, focusing on giving you what those desperate noises you're making are telling him. You need him, all of him. Every last inch rutting into your sopping cunt until you see stars. And when it comes to you, Reid always aims to please.

"Fuck, Spence, just like that." You pant between fervent kisses, marveling at the way his cock pounds into your g-spot with flawless precision. The coil of arousal you've been building up since you sat down with your coffee this morning ripples and tangles with every thrust.

It becomes rather difficult for Spencer to keep kissing you when his pace picks up even more. His head falls forward, resting on your shoulder as he continues to wind you both up towards ecstasy. He turns his head slightly, hatching the naughty idea to speak lowly in your ear. "I can't wait until we get home later, and I can take my time with you." He says, trying so hard not to let the loud groans he wants to emit come through. They come out as hushed whimpers instead, which only turns you on more.

"Fuck." You let out a small noise of your own, muted as you bite down on your lower lip. But he hears it all the same, and keeps going.

"I'll spend all night touching you in all your favorite places, fuck you until the sun comes up, make you cry out for me as many times as you ask me to." His words are equally filthy and adoring, showing you just how much he wants to worship you and your body. Chills run up and down your spine as he speaks, his breath burning hot against your neck. It's nearly too much, and yet, you can't enough.

"God, Spence, please don't stop!" You moan, far too loudly.

"Now who's gonna get us caught?" Reid teases, even though the way you squealed nearly made him blow his load entirely.

"Sorry...sorry..." You pant the words out, for fear of being too loud again.

"It's okay, baby. I like knowing just how good I make you feel." He coos to you, almost sending you over the edge. Your walls squeeze around him tightly in warning. His breath catches at the sensation, right there with you in terms of how close you are to reaching climax. "God, that's it...you're so close, so am I. Gonna make you cum, gonna make you feel so good, I swear...so fucking good..." Spencer's mind sprints faster than his mouth can get the words out, barely audible as he buries himself further into your neck. He slams himself into you even harder, faster, chasing his release and dragging you alongside him.

"Spencer, oh my god." You gasp as he hits that perfect place inside you cunt even better than before, his hips pounding against yours hard enough to leave bruises. His hands dig into the flesh of your thighs, his mouth sucking and licking at your neck in a feverish need to make you lose control. It's definitely working, the waves of bliss beginning to roll over you in thick crashes. "Oh, god, make me cum, baby...don't stop, you feel so good..." You babble mindlessly as your insides flutter around Reid's dick, threatening to clamp down on him at any moment. "Fuck, oh, I'm gonna cum...oh, god- fuck...oh, spenceSpenceSPENCE!" You clap a hand over your mouth to conceal your scream as your orgasm takes hold. You tremble violently in Spencer's grip, your pussy strangling him with all its might. Stars blur your vision, pure pleasure coursing through your veins at lightning speed. You cling to him, nails clawing at his back, heels digging into his ass helplessly.

"Fuck-ing- god." Spencer stutters out as you squeeze him so tight, biting down hard into your neck to muffle the load groan rushing from his chest. He pierces you sloppily through his release, painting your eager walls with thick ropes of sticky white, hips stuttering and feral grunts leaving him with every stab of his spent cock. He gradually comes to a stop as your shared high subsides, pulling his softening length from you, watching as your mixed release flows from your now-sore cunt. He reaches into his pocket for a kerchief he keeps for such occasions, gazing adoringly into your lust-drunk eyes as he cleans you up. He would use his mouth, if there were time for such things.

You gasp as the soft fabric meets your puffy lips, never breaking Spencer's stare while he takes care of you. You've never felt more in love in your life than you do right now, with your legs still spread wide open, while this gorgeous, scrawny, genius wipes your combined spend away. Once you're all clean, he pulls your skirt back down over your legs, and puts his flaccid cock inside his pants, fastening the belt with casual ease. He helps you down from the cabinet, noting your wobbling legs as you stand in your sensible heels.

"All set?" He asks, earning a giggle from you as his hair has become more of a mess than usual.

"Almost." You say softly, smoothing down his unruly locks to look more presentable, and less like you two just went to town on each other over lunch. "Well, we'd better get back out there. The others should be arriving back now." You say, heading for the door first. You hate to leave at all, but the last thing you need is to get caught right now.

"I'll wait the three minutes, and meet you back in there." Three minutes, the amount of time you'd determined was appropriate enough to excuse you both coming back to the bullpen near the same time without raising suspicion. No one bats an eye at three minutes difference. It could be explained away as a coffee refill, a bathroom break, anything really. But returning at the same time? Or leaving this small room at the same time? Out of the question. You'd made the mistake of returning at the same time once, and you didn't hear the end of it from the team for a good three days, despite the assertion that you and Reid had been in separate places at the time.

"Okay. See you then." You nod, giving him a quick kiss. You open the door, checking to see if the coast is clear. Satisfied with your findings, you step out from the closet, closing the door behind you. You're about to turn and walk in the direction of the bullpen, when you end up smack dab in front of Penelope. You have no idea where she came from just now, or how long she's been hiding out. But the sly smirk on her face tells you she knows enough. "Hey, Garcia. How was your lunch?" You ask nervously, failing to play it cool.

"Oh, it was good. I brought some leftover eggplant parmesan from home." Penelope replies, nearly bursting with the knowledge that you and Reid have indeed been hooking up, as she rightly suspected. "How was yours?" She asks coyly, biting her lip as she expects you to spill all the gory details she couldn't hear through the door.

"It was...fine. I packed a lunch as well." You answer, clearing your throat.

"Oh, I'm sure you packed something. What did you have? Some sausage maybe? Or a footlong?" Penelope continues to tease, and at this point, you know the jig is up.

"Oh, alright! Yes, I did! You happy now?" You exclaim, rolling your eyes as your arms cross out of reflex.

"I knew it! I knew it!" Garcia chuckles, doing one of the dorkiest victory dances you've ever seen. The few passersby give her a sideways glance, but she doesn't pay them any mind.

"Okay, okay!" You put your hands on her shoulders to still her, meeting her eyes. "Look, can you just promise me you won't say anything? Spencer and I plan to tell everyone when the time is right, but we like keeping this thing to ourselves for now. Alright?" You implore with her to keep her mouth shut, for your sake, as your friend, and Spencer's.

"Yeah, I can do that." She nods in understanding, pulling you in for a hug. "I'm so happy for you guys!" She squeals, getting excited again.

"Thanks, Garcia. I appreciate that." You smile, returning her embrace.

"So do I." Spencer says from the other side of the door.

"You better treat her right, pretty boy! Or mama is gonna get you!" Penelope warns with all the love in the world.

"I fully intend to." Spencer replies, and you can practically see his lovesick expression from out here, and how his eyes must be looking straight at where he imagines you're standing, meaning every one of those four simple words.

[ittybittyfanblog]

Error 404: (Self-Aware!AU, Sylus Edition)

Summary: A LADS self-aware!AU featuring Sylus (+ maybe the other MLs!) and an oblivious player. That’s it, that’s the plot. Tags: player!reader x sylus, fem!reader x sylus, reader x lads, maybe some suggestive language?? will add more tags as the story progresses A/N: This is gonna be a multi-chapter fic! I’m still not sure whether to do the boys in rotation, or just focus on one ML per series. Don’t take my word for it atp tho – I’m not even sure if I can actually finish a series lol.  Also, I’ve had the creative liberty of changing stuff from the actual gameplay here and there. (Except for the self-awareness. That’s most definitely real.) Hope you enjoy~!

Chapter 1

It’s a quarter past eight and you’re still on your desk working overtime on a Friday night. 

You let out a big sigh, leaning back on your office chair after an unhealthy duration of bad posture from hours of slouching down in front of your computer. There’s nothing ergonomic about the way this job is killing you, and the ache in your lower back can attest to that. 

An irate orange tabby plops himself in front of you, blocking your view of the glaring screen and you figure that it’s time for a break. 

“Me-oow.”

“I know, I know,” You answer tiredly, standing up to dodge a stray paw clawing your way and you hear cracks in three different places that are honestly unbecoming of a woman your age. You haven’t even reached thirty yet, for god’s sake. “I’m a bad mother. But mom also had to skip dinner to make it to the seven PM meeting, so cut me some slack, okay?” 

A high-pitched “meooowr!” is the only response you get; it seems like there’s no excusing late dinner time this time around. 

As much as you’d like to hem and haw and complain, the main reason why you’re still keeping this job is because you can work remotely. If it weren’t for the fact that you’re stuck most days at home working hours past your regular nine to five, having to be on-call around the clock at all times, and that you’ve consumed more sodium than a nitrite victim with the way you live off cup ramen, then, really, it beats working in an office where you’d physically have to clock in and out from exactly nine to five. 

Your right eye twitches. No, I have not fallen in love with the system that exploits me, thank you very much. 

“Here is your Fancy Feast, your highness,” you tell the hungry feline who’s already ignoring the hand that feeds for the bowl full of white fish paté. He eats healthier than you, sure, but you work like this for him to eat like this. The life of a single mom is an uphill battle, but extremely rewarding. 

You raise your hand to pat your son’s head lovingly, aborting the gesture halfway when you hear a warning growl. Alright, tough crowd. 

After nuking a half-eaten takeout box in the microwave and grabbing a cold Bundaberg from the fridge, you hunker down on the “chaise lounge” (see: an old wingback and a rattan ottoman you’ve refurbished as a makeshift seat a few weeks back when you had guests over) for a late meal. 

You barely register the taste of lukewarm rice on your tongue, mouth moving mechanically while your mind runs on autopilot about everything and nothing at the same time. 

Maybe it’s time to check Jobstreet again

Is there like a laundromat near the area that’s open twenty four seven

Eugh, I hate cold peas

What do we feel about Chromakopia? 

I will… die alone

I really need to stock on some fresh produce this weekend–

Ping! 

A notification from your phone pulls you out of your thoughts – and like a well-trained dog pavlov’d into responding, you visibly perk up at the sight of your lock screen lighting up and the familiar banner you’ve already memorized by heart. 

Your Galaxy Explorer rewards are here. Did you put my hotel’s address as the shipping address? 

Ah, just like clockwork. 

You press on it with a quiet, bubbling anticipation, chewing on the plastic spork as you wait impatiently for the silly mobile game that’s been your short respite at intervals – for more than you’d care to admit – to boot up. 

Offhandedly, you wish that the devs would add more variations to the game’s push notifications; more random, personalized stuff like maybe a reminder to drink water, or a fun update about their day. What you’d give – pay – for a: "Less on the overtime, kitten. I miss you,” dialogue from a certain character, but you digress. 

Oh, well. Probably better this way, lest you dig yourself deeper into delusion. 

The game greets you with the usual picturesque view of a silver-haired man sitting cross-legged on a chair, looking all the bit at ease in his signature crimson and white button up. The warm ambience of the Destiny Café at night draws you in, already pulling your attention away from the never-ending stream of thoughts in your brain. 

“Before seeing you, I thought today would be another dull day,“ Sylus comments airily. The way he drawls out the words in that deep timbre of his voice never fails to make your heart flutter – just a teeeensy bit.

“Ever the charmer,” you sigh happily in return, situating yourself more comfortably on the sofa, almost horizontal from how far you’re leaning back on the cushion. “You’re looking awfully normal tonight. What, no pineapple glasses for your favorite girl?” 

Having bypassed the initial cringe of talking to yourself after literal months of gameplay, it almost comes off natural, the banter. You’ve already accepted the fact that you’re crazy about a fictional, pixelated man – what’s pretending to have actual conversations with him gonna do? It’s not as if he actually hears you yap your nonsense; there are worse things in the world than a parasocial attachment to an otome game character. 

Your little jab at the sometimes random addition to his choice of attire earns you a laugh from the man itself– or at least it looks as though it does, making you blink momentarily in surprise. Happy coincidence, I guess.

You shake your head, cracking a smile, then proceed to do the routine of completing the daily agenda and then some. 

It’s tedious business, sure. You’ve dedicated hours upon hours on this game and you’re honestly starting to feel pretty bored with some of the gameplay elements, but you *do* like the ritualistic nature of ticking off the tasks one by one. It’s almost ironic – the way you dutifully do one thing after the other in this game, just to avoid the pile of work that’s waiting for you in real life. 

It’s not as if anything, or anyone’s relying on you to do your daily log-ins, so you suppose it’s due to that lack of pressure as well. 

Pulling yourself away from the five-star Xavier memory card you’ve grinded to level seventy, you stare despondently at the sad little 2 on your remaining energy. The embarrassing amount of materials you lack to ascend the card seem to mock you, even as you exit the Memories window. Another goal for another day, perhaps.

All tasks on the daily agenda are complete, except for one that you’ve always saved for last.

You’re met with a standing Sylus on the game’s home screen, arms crossed and wearing an expression you’d almost describe as impatient, if you didn’t know any better. The sight makes you grin. 

Cheekily, you poke his crotch.

You’re looking forward to getting a playful remark, or if you’re lucky, a blush along with an embarrassed retort about your shamelessness. 

 What you get, however, is a resounding scoff. Your eyes snap back to his face – from, ahem, your prolonged staring at the area below his waist – and you do see the familiar tinge of pink on his cheeks, but what he says in response catches you off-guard.

“You spend that much resource for a card that isn’t mine?” Sylus tsks, both his voice and expression coming across as… affronted? “Kitten, I’m actually hurt.” 

Huh?

You haven’t heard that line from him before. Was there a recent update you weren’t aware of? The man in question then appears to look amused, from the way you’ve been rendered speechless by the unexpected dialogue. 

All at once, you gasp when you realize what the new response means. 

“That’s so smart,” you say giddily. You see Sylus cock his head to the side, synchronously quirking an eyebrow—expectant. “They actually added a feature that lets them know which memory I’ve upgraded last, and make you react to it. Oh, that’s so cool!” 

If you weren’t too busy being excited over what you think is a new update from the game,  you’d see the chagrined look on Sylus’ face. But when you glance back at him, all trace of the emotion is gone before you could notice anything different. 

“Don’t worry, Crow Man. You’re still my favorite,” you assure him, making his mouth tick upwards in a semblance of a smile. He looks pleased all of the sudden, his demeanor shifting into something more relaxed.

Then a pout forms on your face. You crinkle your nose in frustration as you complain, “It’s just really hard to level your cards up at this point. It takes ages and a shit ton of energy just to level you up past seventy five.” Sighing, you add, kind of bitterly, “And I’m too broke to be spending money on growth packs.” 

Checking the time on your phone, you see that you’ve already spent more than an hour on your self-imposed break time and you know that you ought to get back to work soon. With a groan, you pull yourself to sit upright, savoring the last few minutes of free time before you slave off for the rest of the night. 

You’re about to clean up what’s left of dinner when you notice the oddly thoughtful look on Sylus’ face. 

There’s a deep furrow in his brows as he brings a hand up to cover his mouth. He closes his eyes shut for a few seconds. He's never done that gesture before... Ugh, he looks really hot–

Suddenly, you see a flicker— then a weird, sort of graphic distortion happening in the background. Uh, what??

A beat; then a glitch on the screen. “Ah, shit.” 

The game crashes.

You exhale loudly as the game’s interface goes back to the loading screen, tapping your thumb impatiently as the bar slowly loads to 15%... 50%..... 81%....... 

“Maybe make sure to patch up first before releasing an update next time, jeez— Huh?” 

For a quick second, nothing seems to be amiss. But then the first thing you see on the home screen is Sylus’ figure standing before you, wearing an expression one could only describe as a cat that ate the proverbial canary. 

He speaks— and it’s another intro you haven’t heard him say, ever. 

“You should’ve told me sooner, sweetie,” he almost coos the words out, making your eyes bug out in shock. 

“Now, why don’t you go check your–” he pauses, and his mouth moves as if he’s rolling the word out, testing it. “Inventory?” 

Sylus slides his gaze towards the upper left corner of the screen, a coy smirk still ever-present on his face. 

There, you see something you haven’t noticed earlier: two notification badges. One on your mailbox, and another on the Hunter’s Info tab. Bewildered, you press on the mail icon first, despite the insistence for you to start with the latter. 

You see a new message: [For You]

A small gift, to bridge our worlds closer. – S 

Nothing is attached to it. You read it twice, perplexed.  

“You’re quite the contradictorian, aren’t you?” Sylus tuts as soon as you return back to the home screen, his gaze boring into you even when he tilts his head sideways in mock exasperation. “Mmm, I suppose it doesn’t matter. Take all the time you need, sweetheart.” 

Helplessly, you open your inventory next. 

Your jaw drops. 

“What. The fuck,” You whisper to yourself, voice wavering in disbelief at what you’re seeing, and the sheer amount of what you’re seeing. “This– this can’t be real.” 

You see that all the materials you own, from the bottle of wishes to the ascension crystal boxes, have been multiplied a hundred times over.

And on top of that–

Ninety nine thousand red dias????

You cannot believe how this– this recent… update (or is it a bug? Infold sure isn’t this generous) didn't make the news. Even as someone as uninvolved as you are with the community and the game’s latest releases, something like this for sure would’ve made headlines on Twitter (X), at least. But you haven’t heard anything. Nada. 

Holy shit. 

You feel a little light-headed, both from incredulity and excitement. Needing a moment to calm yourself down, you exit the Inventory tab in a daze.

You stare at Sylus. He stares back at you with what looks to be mirth in his eyes. 

Skeptically, you mutter, “did–did I get hacked or something?” 

Anticipating another unexpected dialogue to prompt up, you wait for a full minute without saying anything else. And for a moment, the man in front of you looks indecisive, contemplative. 

There’s something very odd, very… human in the way he’s looking at you. He looks as if– as if he’s—

His face falls back into a neutral expression. Not unlike how his idle animation usually looks. 

..

…

….. It doesn’t seem like he’s going to initiate a conversation any time soon, so you hesitantly poke him on the nose. 

“Even in the worst-case scenario, there’s no need to panic.”

You’ve heard that one before.

So he’s back to normal now. You temper the small disappointment that blooms in your gut. 

Shaking your head slowly, you try to make sense of all the stuff that just happened, but a sharp bite on your ankle pulls you out of your reverie. 

“Ow–!” The sight of your cat flopping near your feet reminds you of the time. More importantly, the backlogs waiting for you at your desk. 

“Wait, shit– I gotta get back to work.” This… unbelievable stroke of good luck (?) is gonna have to take a backseat for now.

You grab the carton box and the half-empty bottle of sparkling peach as you stand up. Making quick work of throwing the container in the trash and gulping down the rest of your drink, you rush into your room and back in front of your PC. 

Cracking your knuckles, you gingerly set your phone against the monitor. Setting the timer to one hour in Quality Time, knowing fully-well that you’re going to have to keep extending it until the wee hours of the morning – or until your battery dies, whichever comes first – you give Sylus one last look, letting out a long exhale before locking in.

“Just keep me company for the night, alright? I’ll figure out what’s going on once my shift’s over.” 

It could just be your overactive imagination, but you swear you hear a quiet chuckle from the man polishing his gun in your peripheral.

[profoundbondfanfic]

Any destiel amnesia au fic recs to soothe my gentle heart, I read one au called two worlds apart and as much fun it was I'm also heartbroken 😭 and I want to fix it with another amnesia au where they are both are very much alive in the end, also maybe with a dash of fluff and tension?

Here are a few recs with fluff and a happy ending!

Basic Lessons in First Aid, Magical or Otherwise by stuffy_j (Explicit, 54k words)

Most people probably wouldn’t take the naked, heavily wounded man they found in an alley home with them. Most people probably wouldn’t also offer that man a place to stay and become his best friend after realizing he’s suffering from an intense case of post-traumatic retrograde amnesia. Most people probably wouldn’t then risk almost everything they know to save said man, and maybe save the world in the process. But then again, Dean Winchester, RN (with a specialty in supernatural care), has never been like most people. He may not have a magical bone in his body, unlike his brother Sam, but he’ll do whatever it takes to help. Even if Castiel has questionable opinions about Star Trek.

Here We May Be Free by FriendofCarlotta (Explicit, 39k words)

When Dean was eleven, he saw something in the ocean: a boy with blue eyes and iridescent scales. Almost twenty years later, a spontaneous detour after a hunt brings Dean and Sam back to the town where that encounter took place. And Dean can’t shake the feeling that Castiel, the owner of the local Mermaid Museum, looks familiar…

Memories Bring Back Memories (Bring Back You) by sobsicles (Explicit, 66k words)

When he wakes, he has no idea who he is. Not his name, what he looks like, or why he’s flat on his back, staring up at the stars littering the night sky. The first thing he learns about himself is that he has shitty instincts, especially if his first one is to protect the blue-eyed man currently stabbing someone in the face. Or, the story where two strangers can’t agree on much and know even less, but they’re both fairly certain that they’re in love.

Paper Moon by robotsnchicks (Explicit, 43k words)

By the time he hits thirty-three, Dean's given up on the apple pie life, accepting that a serious relationship isn't in the cards for him. But when he meets Cas everything falls into place. Now he’s happily married, hopelessly in love, and they’re about to buy their first home together. It almost feels too good to be true. It turns out it is. His world comes crashing down when he wakes to find that he’s been a subject in a virtual reality simulation gone wrong. All the years he thought he spent with Cas were actually experienced in less than a week. And when he gets out, Cas is nowhere to be found and nobody has heard of him. Ignoring the possibility that Cas may not be real, Dean sets out to find him and convince him that it’s worth giving Dean — and their relationship — a shot in the real world.

The Same Mistake, Again by zaphodsgirl (Mature, 43k words)

One night, after watching Dean pick up yet another girl while they're out at a bar, Cas heads to the local diner. Over the years his feelings of attraction have only deepened into something more, and he wishes desperately to go back to the time before he was in love with his best friend. His wish is granted in an unexpected way: he wakes up in the hospital the next morning with broken limbs - an arm and a leg- and a fractured memory with the last four years missing.

The Stars Will Remember by casblackfeathers (Explicit, 60k words)

Being a hunter was all Dean knew ever since his mother had been killed by a demon when he was four. Hunting, offing monsters, and then jumping to the next case was his life. Then he met the most alluring and breathtaking omega he had ever seen and spent the next five years loving the hell out of Cas, their life together filled with the domestic lovey-dovey stuff Dean had never thought he would dig so much. When a simple salt-and-burn goes sideways, it ends up with Cas’ memories stolen from him. Dean is left to pick up the pieces of the life they built together, his ‘make it up as he goes’ strategy to prove to his mate that Dean’s still worth a damn, his only chance at getting Cas back. He’s done a shitty-ass job at keeping Cas safe before, but he will pull out all the stops now to woo his mate again and stir the memories Dean knows are still there buried deep inside Cas’ mind.

The Story of You and Me by the_diggler (Explicit, 54k words)

Dean wakes up in bed next to a very human Castiel, and a journal in his own handwriting that tells him it’s two years in the future. The house looks a lot like Bobby’s, and Sam lives there too… He just can’t remember how they got from angels falling in the sky – to comfortable domesticity. While there is much in the journal Dean doesn’t remember, there is much of their story he’s always known. And as he settles into the routine of his new life and relationship with Castiel, it quickly becomes something he doesn’t know how to live without.

Unveil the Splendours of Your Heart by thefandomsinhalor (Mature, 68k words)

When a reporter asks Dean, a homeless man with a mysterious past, why he exclusively keeps close to the billboards and posters of a specific male model—the one Dean likes to refer to as the angel with spectacular blue eyes—in a moment of weakness, thinking it won’t change anything about his situation, Dean tells him the truth: it’s how he finds comfort and solace. Something that is difficult to come by. That is until the story reaches the ears of Castiel Novak, the model in question.

Whiskey & November by dothraki_shieldmaiden, FriendofCarlotta (Explicit, 188k words)

There is a place in L.A. where the richest of the rich can make their dreams come true. For an outrageous sum, they can hire an “angel” who is programmed to be exactly what they need: a stripper, a scientist, a temporary boyfriend. Most people don’t choose to question who the angels are, or where they came from. Sam Winchester is not most people. His brother Dean went missing in L.A. two years ago, and Sam has spent all that time trying to track him down. The trail leads him to a shadowy organization known as “Heaven” that coerces people into giving up their identities and personalities so they can be reprogrammed for Heaven’s purposes. Inside Heaven, trouble is brewing: two of the angels, Whiskey and November, are beginning to break through their programming. As they fall for each other and fight to remember who they are, they discover that they have an ally already working to bring down Heaven from within.

Not really amnesia, but they think they have it:

Found Family by Dizzybunny (Explicit, 55k words)

When Alpha Captain Castiel Novak returns to the US after being rescued from three years of captivity, he is amazed to find a family he doesn’t remember living in his house. Not just any family - his omega husband and pups. Dean had been told Castiel was MIA, and probably dead. Living in Castiel’s old house, raising his own and Castiel’s pups as a single father had been difficult, but he managed. Now Castiel is back. Can he fit into the life Dean has made? Can Dean adjust to having an alpha? Does Castiel want a husband he can’t remember?

White Lies & Winter Blues by PaperAnn (Explicit, 37k words)

When Castiel drives by a car wreck, he should’ve heeded the warning, ‘the road to hell is paved with good intentions.’ He’s a nurse, it’s a record-breaking, cruel winter, and upon seeing the driver hypothermic and near-death—his instincts kick in. Cas doesn't think, he jumps into action to save the omega. Once the ambulance arrives, Castiel joins the ride. Then in the hospital room, he keeps a watchful eye over the omega's treatment and care. All under the guise of being ‘his alpha.’ Castiel’s plan was innocent, wishing for a quick recovery, followed by quicker exit. Except, he misses his shot. The omega awakes and the nurse beats Cas to the punch, with the declaration, “You’re lucky your mate found you in time!” causing all hell to break loose. There are no questions. A starry-eyed and love-struck Dean Winchester automatically believes the accident caused amnesia, that Cas is his mate. This wasn’t supposed to happen! Now entangled in his own lies—still reeling from the unexpected discovery they’re true mates—Cas feels helpless. He doesn’t know what the fuck to do! Besides...playing along. Paving his road to hell, one good intention at a time.

[hoshinasblade]

you are so close to gaslighting yourself into thinking that maybe, just maybe you have already told hoshina's mom in the past what your favorite tea is.

the problem with that thought is today was the first time you met the mother of your boyfriend.

you denied it in your head - for all you know, perhaps mrs. hoshina is just really a good at guessing. that, or you are going batshit crazy.

because at that very day, people you have met for the first time - people who may be friends with hoshina soshiro but are practically strangers to you - seem to be aware of small details about you.

captain ashiro complimented you on your blue dress after shaking your hands, saying it's obvious why it is your favorite color, emphasizing how it brings out the intensity of your eyes. even okonogi, who you know works directly with the third division's vice-captain, had a specific joyful aura on her friendly face as she offered to hang out with you in the future, mentioning how she is a fan of true crime documentaries too and suggesting in the same breath that you should try the pudding sold in the headquarter's cafeteria.

you could have let all of that go if only you did not blush like a teenager after hoshina's own older brother called you by your childhood nickname during family dinner.

"i'm sorry." hoshina's hand found yours, his thumb drawing patterns on your wrist. he knows you'd been on edge since morning, and although this is entirely your idea - meeting his friends and his family in one day - he wouldn't blame you if you're overwhelmed.

"they did their research on me or something," you tried to laugh the nerves away. it didn't work.

"ah." hoshina suddenly looked guity. " that. well -" he stopped for a moment, gathering his wits, choosing the right words to say. "i mean, it makes sense that everyone who actually knows me would know about you, really."

you wanted to joke as a response; you wanted to say that he's talkative and tends to yap for hours about stuff he loves so yes, people around him would naturally know things about you. but then you caught yourself because this is yet another confirmation of what hoshina soshiro had been telling you for months now - that you are someone he loves.

you did not know being known could feel this sweet.

"huh. do you reckon i can extort them for information about you next time?" this time it was your turn to grab hoshina's hand, and with your forefinger, you traced three little words on the warm skin of his palm.

[author's note: hello guys, i know i haven't been posting a lot anymore, but i am thankful to everyone who still remembers this blog - yes i can read your asks, yes i see that you've tagged me in a fic, yes i checked my notifications in this blog every now and then. it might take me long to respond most of the time so apologies in advance but please know that i appreciate all interactions from everyone.

also i dont need to remind you but i don't tolerate copy-pasting or reposting any of my works anywhere. i read a lot from here too, and other writers can attest to this as well - we know if a line or a paragraph from any of our works is copied and/or reworded. ]

[alpaca-clouds]

Let's Talk About "Marvelfication"

Okay, let me try to get this out of my system, because I do have some thoughts on this one.

See, as you know, I finished Dragon Age: Veilguard last week. And I did enjoy the game. I never was that attached to the franchise. I really enjoyed Inquisition back in the day when it came out, but after doing two runs with it never have really returned to it. I also did play one of the older games, though I am not fully sure which one, because it was a long while ago. But I just never got that attached to the franchise. (Which mostly has to do with my own personal issues with High Fantasy.)

But that is not what I wanted to talk about. What I wanted to talk about is more the thing I have seen now multiple people call out: "The Marvelfication" as some have called it. And mind you, I absolutely do agree with this: There were several scenes in this game where I thought to myself: "This feels kinda MCU."

However, what I kinda want to talk about is the specific wording here: "Marvelfication." Because it is super understandable that the first thing that comes to mind (for me as well) is the MCU. But I think the issue is way deeper than "MCU is popular, so let's do something like the MCU".

A lot of folks on Youtube and other platforms have talked about how a lot of "tropes" that people blame on the MCU are actually older than the MCU. The reason people associate it with the MCU is moreso that the MCU is just fucking everywhere since it became this big thing. It is what defines the media landscape.

The big issue actually is another one, though: Those tropes are everywhere because in a more and more conservative media landscape they are considered safe. These types of jokes are not risky in any way. These types of characters are not risky. These types of stories are not risky.

It is stories that are set in societies that are messed up, and then there is a big conflict that only tangentally relates to the ways the societies are messed up in, and then that conflict is resolved but the status quo does not change.

And that more than anything is what I would criticize about the game. Outside of very prominently centering some trans issues, the game has taken very little risks.

I wrote about that a bit last week in comparison to BG3, how safe the companions in Veilguard feel. This shows so harshly in direct comparison to BG3, because really, Larian sat down with player and told you: "Those assholes are your companions. Take it or leave it." Those people I know who never finished BG3 mostly never did because they could not stand the companions. Meanwhile those who, like me, got obsessed with the game, mostly did it because it feels so fucking satisfying when you start to get through to the companions after they started out as those assholes. This satisfaction is something Veilguard never really offers you - because... Well, I can assume that some of these characters had some edges at some point. But whatever edges there had been, those have gotten smoothed down, so now everyone is perfectly sweet. Sure, they might argue a bit here or there, and if you make decisions they do not agree with, they are gonna be pissy with Rook for a bit, but that's the most of it.

Same with a lot of other stuff. There is basically no sexual content in this game. You get one sex scene that is super tame and you see nothing - and one to two kisses per romance. No risk.

Any no matter what kinda choice the characters make, they are all gonna be nice, you know?

There is one thing in the finale of the game that is kinda risky, I will admit. But I will not talk about that yet, because I knwo a lot of people have not finished the game.

But for the most part the game does not risk anything.

And really, that is the core of what folks call "Marvelfication". Because pretty much this is also the issue with Marvel and Star Wars and pretty much all American made media: Outside of some smaller productions, some of which do well with the tumblr crowd but barely get any attention from mainstream audience (*coughs* Interview with the Vampire *coughs*) there is little risk taken. The humor is the same everywhere because this humor is considered safe. The characters feel kinda samey everywhere, because those characters are safe.

It is why I have stopped going to the cinema, because these days there are barely any movies I consider worth watching. It is ironically also why I have recently watched a whole lot more Japanese stuff, because it is easier to find stuff there that does not play it that safe.

It is also why I do these days mostly consume western stuff that has a 18+ rating on it - because at least with that stuff I know that it probably is not gonna play it "safe".

I just wish some media took more risks. I want those medium budget projects back, that cost like 30-50 million, so can make a profit with 100 million at the box office, without doing billions. I want some stuff in there that is not a big IP. I just want... stuff.

Right now I am looking at the soon end of What We Do In The Shadows, mostly because it is one of the few things on right now that does some risky stuff. And I miss those SyFy low budget originals, because some of it was kinda risky. Ugh.

The issue is not Marvel. It is not even Disney. It is that the creative industries in the US right now mainly put out big budget stuff that because of that big budget needs to be loved by everyone.

And look, I am trans. Hence I absolutely do see some value in the fact that Bioware clearly took position and said: "Okay, we get to do one risky thing, so that thing is gonna be to incluse a variety of trans characters." Which I love and respect. But I kinda wish the game had not been quite that pretty and instead also included a bit more edges on the characters.

... But I guess in the end there is still fanfiction, where I can still make the characters messy. lol

[mer-acle]

do you have any headcanons about the other gods?

Lol naturally hehe (that's also so much lmao)

I think I'll just try to add one for each Olympian besides Athena and add links if I already made bigger posts about them. (The non-EPIC gods might get a little shorter)

Zeus: Makes the biggest gestures, in debate, at dinner, just whenever he's talking. It's great for who's sitting next to him (usually Hera and Athena respectively) bc who doesn't love being almost hit in the face every two seconds?

Poseidon: Involves himself in arguments all. the. time. Nobody cared, nobody asked, he knows like half of the facts and has no idea what the problem is but SURE shout along.

Hades: A lot more measured and chill than his brothers, but lets himself be drawn into debates and he CAN get pretty heated if the arguments get too nonsensical.

Hera: Has a massive garden and tends to it herself. It has a peacock fountain and stuff, it's really beautiful.

Demeter: Will 100% cry if she gets a gift from one of the kids.

Hestia: The best. Gives people a bit too much space sometimes. Like, yes, all her nieces and nephews are stubborn but some of them really could need a venting session or a hug down the line, but she just leaves them be. (It is not her responsibility but she wouldn't mind them venting, she just assumes they'll come themselves)

Athena post here.

Hephaestus: Is actually a really good singer (we're not talking musical world rules where everyone can sing, normal world) Like mostly it's too loud in the forge but he sings to himself anyway and he has a good voice.

Aphrodite: Is an amazing swimmer. Basing this on her ocean-born creation myth even though I am more of a fan of her being Zeus' kid for my own version. For the same reason, I always picture her with pearls

Ares post here.

Artemis: In council, I believe she's the most confrontational actually. Yes, more than Athena. Athena lies to get what she wants. Artemis doesn't live on Olympus, she just comes for the council meetings so she might as well speak her mind even if it means the meeting is even more chaos than normal. In general, she never backs down from what she believes in.

Apollo post here.

Hermes: God of eavesdropping and gossip. Seriously. Do you really have to know every single thing that's going on? Also I think his funny persona is a coping mechanism but it's so deeply ingrained it would be literally impossible to shed.

Dionysus: Randomly says the most insightful shit you've ever heard. Like, Athena is speechless levels of deep stuff. Like... is it because of the drugs or is he on drugs because otherwise his being would transcend the universe, we will never know.

__________________________________

Okay that was fun hope you enjoyed :D

[thosewickedlovelies]

A guide to writing fics set in museums / with a museum worker character

Hey hi hello it’s your local museum worker here, offering you some insight and tips to writing museum-related fics! This is primarily organized as a list of different jobs you could have in a museum and what their duties entail. This post might also be useful to you if you’re considering working in museums and want to know What Goes On In There. Let’s go!

For simplicity/fic-writing purposes, I would divide museums into 2 very rough groups: large national or city museums that Have Money (think the Smithsonian or British Museums, or the Chicago Field Museum or the Royal Armouries Museum in Leeds); and smaller local museums. These could be local industry and culture/history-of-our town museums, historic houses, or  really niche subject museums run by One Person With A Passion.

Big national museums have a fuckton of staff and money (museums can never have enough money. But these places are very well-off compared to somewhere small that might always be hustling and writing grant applications). If you work here you’re likely to have a specific role in a particular department, and you probably won’t do much outside this role (ex., if you work in collections management, you probably won’t also design exhibits)

The smaller the museum, the more varied your workload will be/the more likely you are to be doing a little bit of everything. You’re probably organizing collections storage, manning the front desk, and desperately running fundraising efforts, all at once. 

To this end, smaller museums are more likely to be closed one or two days a week- you’ll be there, probably cleaning displays or managing storage, but visitors won’t be.

A lot of (most?) universities also have museums, so a college town setting is also doable. But the same big vs small museum disparity is still possible! At Penn State University, for example, the Palmer Art Museum is its own (recently redone iirc) building in the center of campus with a lovely plaza out front, while the Matson Museum of Anthropology is uhhhhh a couple classrooms in the Anthropology Department (which they’re currently rebuilding tbf, so we’ll see what they’ve done with it in 2025).

Types of Jobs

Curator

The one museum job that everyone can name. Nominally the person in charge. Probably laments that their job is way more admin than fun hands-on stuff now.

Actually this is the role I have the least knowledge of, but I think that’s partially because this job might vary the most from place to place? Structural organization can vary a lot between institutions, but I think the higher up you get in any field, the more your job tends to consist of meetings/overseeing, designating, and ~liaising~

A list of things a curator might do:

Planning or approving events and fundraisers, schmoozing with donors and members at said events, approving or designing a schedule of exhibits, publish outreach/advertising or research materials, oversee hiring, approve new object acquisitions (or de-acquisitions), generally make sure that the museum is working within the scope of its mission and if necessary, change or refine their mission

The curator might not necessarily control a museum’s funds; in this case they’ll liaise with the people who do, likely a Board of Executives or Board of Trustees. Once they get the money from these people, though, they could potentially redistribute it as they see fit.

 If you work in a fuckoff museum like the BM, you could also be the curator of a specific department, arranged by overarching subject, geographic area, time period, or even object type (eg Curator of Archaeobotany, Curator of Korean Collections, curator of coins from the medieval period). These categories can be more or less specific depending on what kind of holdings your museum has. I think these types of curators would still be able to do interesting things, as they aren’t the ones who Oversee The Whole Place.

You can also be an assistant or associate curator, like being an assistant manager.

Education/Engagement

These are the people who design fun extra activities (esp for kids) in the galleries or relevant events/workshops/lectures the public can attend. They might be called Engagement/Education Officer or Events Manager or anything similar

Again, the bigger the museum you work at, the more specific your role is likely to be. You might focus on web content/outreach and social media, manage the ‘friends/members of the museum’ program, or engage with shareholders, etc

Or you might do things like develop content and events to engage adult audiences. Workshops or lectures connected to new exhibits, after-hours visits. These people are also probably the ones with an eye on accessibility- you’ve probably seen advertisements for museums�� early or late hours for older visitors, or ‘quiet hours’ for people who might be overstimulated by normal museum hubbub, or tactile workshops designed for visually impaired folks.

I think most places would try to have someone specific for kids activities at the very least. They’ll be designing little activities or dress-up stations for the galleries, kiddie mascots or scavenger hunt trail kind of things, as well as, potentially, activities for any digital elements in the museum. They probably also coordinate school visits and act as a tour guide for classes, and will lead the kids in specific workshops or lessons in classrooms attached to the museum.

As a note on technology- some people would probably say that integrating digital elements into exhibits is the ~next big thing~, that museums have to get with the times in this regard, but opinions vary. Big science and technology museums are the most likely to have the most digital and techy elements in their exhibits, so if this is your setting, your character could also be a generic “tech person”. I would go so far as to say the smaller/more local the museum, the less technology you’re likely to have, but smaller museums are able to get grants, some of them potentially for specifically this type of thing, so it’s totally possibly that they have a few tablets with integrated activities, or some other Digital/Screen Thing.

Engagement Officers are probably the most likely people to be drafted for out-of-hours events, so that’s a potentially fun thing for your character to do. Some museums, particularly bigger ones, have event spaces attached that anybody can rent out, for weddings, galas, markets, etc, so they might also take care of these bookings as well.

Exhibit Design

This role has a lot of nebulous terms: exhibit coordinator, design constructor, exhibit programmer- but these are the people who design the exhibits. They’ll come up with a theme or narrative, a design scheme, choose the objects, write the text. They’ll probably come up with some marketing material as well, that matches the design scheme, or they’ll liaise with the marketing people who will.

These people might not be as familiar with the collections as the collections management folk (below), depending on how strictly divided your roles are, so they’ll likely consult with the collections people on choosing objects for a particular exhibit or theme (they say that good exhibit design builds an exhibit from the objects up, but I digress).

These people will also direct and participate in the install and deinstall (the actual terms) of exhibits- putting the objects on the right plinths/stands and arranging everything just so in the cases. Genuinely there’s a lot of psychology behind exhibit design- colors, lighting, the way you might design an exhibit to be navigated vs the path people will actually take through the gallery, people’s sight lines and where their eyes go first, how the display of any given object affects people’s perception of the importance of that object. Fascinating stuff, many books on the subject. 

There are also a lot of accessibility concerns to be considered here- how bright is the gallery, how large is your display text, at what height is the central eyeline of your cases?

Museums often loan objects to and from each other’s collections, so if you’re building an exhibit and you’d really like to include X type of object but your museum doesn’t have any, you can borrow some from another museum (this isn’t necessarily a guarantee- museums are allowed to say no to these requests, but I think manners would dictate that they should have a good reason)

Museums sometimes tour whole exhibitions as well- the objects, the text placards, maybe even the stands for super special or fragile items- and exhibit coordinator people are the ones who would handle those arrangements.

Potentially good opportunities for angst stories here- wow things come to life at your museum, you fall in love with a statue but oh no it’s only at your museum for three months

Collections Care

People who work in Collections Management have the most direct contact with the museum objects themselves. You probably work here if you prefer objects to people. When a museum gets new material, these are the people involved. They might not always initiate acquisitions, and the final approval is probably down to the relevant curator, but 98% of the time they’d be consulted (I hope).

A mind-boggling statistic is that most museums only have like 10% of their collections on display at any given time. Yeah. Forreal lol. But collections folk will know where the other 90% is and what’s in it (particularly the longer they’ve been there). 

There’s usually a head Collections Manager. Other workers might be a Collection Assistant/Associate, Collections Officer (we like calling people Officers for some reason), Registrar, or some variant of these depending on the specific flavor of your duties. 

Main job duties can be divided amongst documentation and database work, organization and storage of objects, and lite conservation. Just how much/how technical the conservation work depends on your own training, but also on the size/funding of your museum. The more money, the more likely your museum is to have its own lab with people specifically trained as conservators. More on them later. 

Here’s what happens when a museum gets new stuff!:

Ideally, it goes to a ‘quarantine zone’ first. This is a separate space or room where the objects can relax for a few weeks to a few months (ultimate best practice is actually a year, but, you know. that’s a long time) to ensure that they’re not harboring anything icky (bugs, mold, etc) that will infect the rest of the collections. It’s ideally super-sealed and climate-controlled, but the primary feature should be that it’s away from the main collections store.

Collections folk do the paperwork. They’ll give each individual object a unique number (following their preexisting system that will allow it to be identified distinct from all the other objects in the collection). They’ll create a ‘collections record’ for the object- documentation containing any and all information about the object. This includes the accession paperwork (everything that says ‘we legally own this now’); provenance info (all previous owners and everywhere else the object has been in its life); measurements and description (in painful detail); and conservation history and concerns (ie ‘there’s a crack in the side so pick up with care’, ‘this was repaired in the 70s so that glue is gonna fall apart any day now’).

(I'll say as a fic writer that this would be an great time to wax poetic over a beautiful statue or painting; you can’t write “This golden crown deserved to be worn by a great king, or maybe by that broody Roman general in the painting in Gallery B” in the collections paperwork, but you can think it.)

For fiction’s sake, your collections records could be either paper or digital, but in an ideal world a museum would have both setups, for security’s sake. So you’d fill out some long forms and/or input all the information to the digital collections management system (‘the CMS’, or referred to by your specific software’s name, as there are many out there). The CMS is not a static archive, but rather a living register that’s updated every time an object is interacted with. The object records also include where an object is at any given time (‘normally in Case E in the Fancypants Gallery, currently in Conservation Lab A for repairs’).

Once the objects are done in quarantine, they’ll go to storage. If they’re being displayed immediately, they’ll probably go to some interim storage space/shelf with other objects for the same exhibit and in that case only get a temporary setting. Every object will get labeled with their object number (directly on them, with a special pen that’s safe for this. Or if it’s really tiny, like a coin or jewelry, then their own tiny box will get the label). Small or fragile items, or items grouped together, will go in their own boxes (made of acid- and lignin-free cardboard or polyethylene plastic, like Rubbermaid totes; lined with polyethylene foam and then acid-free tissue paper). Stable ceramic vessels might sit directly on lined shelving, particularly if they’re very large or heavy, like many stone objects.

Listen, every type of object has a particular way(s) of storing that’s best for them, you’re gonna have to look that up yourself or consult someone if you need that level of detail

Ideally, before being stored away, objects are also photographed. This could be part of the Collection Officer’s duty, and/or your museum could have a photographer on staff. (say it with me:) This is more likely if your museum is really huge and/or has a backlog of unphotographed collections and has hired someone specifically, even if temporarily, to improve its collections documentation.

I would say a collections person, or anyone with a museum studies degree, should have some minimum amount of conservation knowledge that includes basic storage standards for different object materials, how to spot potential preservation problems (like if your bronze axe head is actively oxidizing or if that green spot looks the same as it always has since starting and pausing decaying), and maybe how to give objects a basic clean or deal with certain types of problems. But the nitty-gritty science is more the realm of Conservators, someone with a degree that ends in -Sci or who’s done some other certification course.

The general collections store should always be dark, slightly too cool for prolonged human comfort, and labeled to high heaven. Objects will most likely be grouped by material- ceramics/pottery, metals, precious metals and stones (jewelry or beads), stone, glass, wood, bone/ivory/other organic material like feathers or teeth or anything that can be decorative, textiles, paintings. A museum often has some paper material/documents, usually part of or related to a group of objects they acquired, but generally paper and photographic material is the realm of archives and archivists. Yet again, the bigger/more well-funded the museum, the more likely it to have a separate archive department, so your character could also work as an archivist in a museum.

Another thing the collections care folk probably do is ship objects. Remember how I said that  museums loan objects and exhibitions to each other? The stuff’s gotta travel somehow! If things are being shipped internationally, they’ll go in big wooden crates, with specifically dimensioned partitions inside. Then it will be lined with our favorite foam and tissue paper, cut so the objects sit snugly inside. I haven’t personally worked anywhere with a possibility of local shipments, so I can’t say where the threshold might be as to when a museum would just pay an employee to drive the objects over vs ship them with a shipping company. But the preparations would be similar, minus the big wooden crate but with extra-careful packing (and paperwork and insurance etc)

Conservation

Conservators are the people who work in labs with fancy equipment. Not every museum will have a formal conservator or a lab of any kind; sometimes the collections care person fills this role, or if something urgently needs care beyond the abilities of the museum’s equipment, they might send it away to a lab elsewhere, the same way you can send your old VHS home videos to a professional archive to be digitized.

If an object is actively deteriorating in a way that could harm itself or other objects (as opposed to like, at risk of fading bc the lighting is wrong, which is a straightforward fix related to the environment), that’s when a conservator would intervene.

Some methods/machinery by which you can analyze objects:

Ultraviolet (UV) and infrared (IR) light - Different materials absorb and react to light differently, which you can use to identify them. Useful for seeing things like the different layers of paintings

Stereo-microscopy (microscopes, of varying strengths)

At magnifications of x5-x100 you can see things like tool marks from an object’s manufacture, traces from wear, deposits, and coatings

At x50-x500, with a thin sliver of a sample, you can see (and hopefully identify) fibers, layers, particles, metallographic structures 

You can get information from objects without taking samples, but samples are usually worth the information. 

energy dispersive x-ray fluorescence spectrometry (EDXRF) - EDXRF allows you to identify the elemental composition of the surface layer of an object. So it might tell you what a tool is made of, and also the composition of the objects it was used on, if they left traces

scanning electron microscopy (SEM) - an SEM uses a focused beam of electrons to produce a magnified, high-resolution image of the surface of an object

X-radiography, both film and digital - X-rayy are beneficial for objects that might be covered by dirt or corrosion and can show you details of an object’s construction or hidden structural weaknesses

I’m not a conservator, so if you want more hard science-based info, ask one of them lol

Listen to me. If you take nothing else away from this post, let it be this:

 Once an object is in a museum, it is never seeing natural daylight again. Sunlight is the ultimate enemy of every object’s lifespan. If you need to see an object in the sun or moon light for ~magical spell reasons~, you will straight up be stealing that object to smuggle it outside.

Okay. That being said, you do hear (and could probably google) stories about museum employees stealing things from their museums on purpose to prove a point about security or insurance to their higher-ups, so like. Depending on your type of museum, it might not be impossible to steal from lmao. (Don’t tell anyone I said that.)

Possibly the most useful advice for you to keep in mind when writing your conservator or collections care characters would be that touching objects hurts them. It might not hurt them now, it might not even hurt them in ten years, but every time you handle an object, there’s a risk that you’ll damage it. Not on purpose, obviously, but to err is human. The simplest, most effective advice my conservation professor ever gave us was “don’t handle an object if you don’t have to.” That means don’t move an object without a plan and a place to put it, first examination should always be visual, not tactile, etc. Unfortunately, that means that your character cannot walk around lovingly handling and caressing their favorite objects (unless this is a Night at the Museum situation where the objects are caressing them back, ykwim)

Museum Technician

These people probably have a lot of different names, but basically, technicians are the background muscle of the museum. They do the technical construction of bigger pieces of exhibition material, up to and including the exhibition cases themselves. 

So they wouldn’t deal with the small mount that the object rests on, but they might build the big plinth that the mount sits on. They’ll help move things around the building, particularly big heavy things, hang big framed works, assist with exhibit installs, and generally do most things which might involve power tools/equipment or heavy lifting

I worked in a big museum that hired a third party company to supply their technicians; I interviewed at another place that hired their own. If you’re a small museum, you might just have a freelance person that comes in once or twice a week to help move things.

Other

Other miscellaneous roles one could have in a museum: researcher (for exhibits and/or collections), gift shop or cafe worker, security guard, room attendant, translator, archaeologist, consultant

Honestly, TL;DR? Just have your character be a consultant of some kind. “Oh no, I don’t work here, I’m Y’s friend. They called me in to provide some expertise on X subject that they’re doing an exhibit on.” This could work for literally any subject- history/archaeology/anthropology, art, transportation, science and technology, anything you might find pictures of in an archive, idk. This could get you into an office or meeting room of some kind in the ‘employee only’ space of the museum, or potentially all the way into the collections store if you’re giving them information they were missing about some objects. Otherwise you’d probably (hopefully) need a key or some other kind of security clearance to get into the collections store.

Whew, that was a ride, huh? I hope this guide was useful to someone! I’m always open to answering questions if you think I forgot something or if anyone wants more details <3

[hellfirecvnt]

Don't Piss me Off (Pt. 2)

John Q. (Simon) X Fem!Reader

Warnings: Smut, oral (female receiving), "public" sex, unprotected sex (don't do that), poor life choices.

Summary: You still can't stand sticking around your parents for too long, but you stay in town for a while longer just to see him play. PART ONE IS HERE!!

Notes: I love him. I'm gonna write a million versions of the same story I stg. I didn't proof read. I got like 6 ideas at once and they're all getting written at the same time.

In the basement of a warehouse you'd assume abandoned, Simon and his band consisting of a handful of less ill-tempered, but just as dirty and dead-looking men set up for their performance. They're all spitting insults at each other as they scramble to plug in each meticulous piece of shoddy equipment they've acquired.

Simon's preoccupied. Clearly stuck on the thought of you. He realized hours ago that he never told you about the show tonight. He's wrapping the wire of the mic around his fist when he overhears the stagehands. "I didn't make it to Y/N's last party, I figured there would at least be one more before she bolted."

"She went back home?" Simon interrupts.

"Yeah, man. She left today, I'm pretty sure." The stagehands hoist a large amp to its spot, leaving Simon in the silence of realizing you two have no way of contacting each other. That's it. He shrugs his shoulders, brushing off any disappointment, as he's used to things falling through. Nothing's special to someone like him, or that's what he tells himself. He reaches into his back pocket and reveals a pair of underwear that had gotten tangled with his clothes when you did his laundry. He chuckles at the thought of how he would've made you think he stole them on purpose. He stuffs them back into his pocket and gets ready to perform as people start piling in the small venue.

You're nearly flooring it back to that gas station. Once inside, you leap over the counter and snatch the poster from the wall. "God damn! You could've just asked for the fucking flyer, man!" The cashier exclaims, certain you were attempting to rob the store.

"I don't have time!" You yell behind you as you sprint out the door. "Old fuckin' Mill building? Where the fuck is that?" You mumble to yourself, frustrated. You read that Psyops isn't set to play for another 30 minutes, so you speed around town to every old and decrepit site you can find. Four failures before you find the warehouse hosting the show tonight. "Finally!" You slam the van in park before bolting to the door.

"It's $10 to get in," a nonchalant man at the door huffs. You shove the money into his hand and he opens the large, black, graffitied door behind him. You're not shy in a crowd, so when you hear the boisterous speakers blasting the sound of guitar riffs through the building, you start shoving. The vibration sends the decently sized crowd into a wave of cheers and you finally make your way toward the front. You can hear a voice over the speakers, Simon. It's hard to make out what he's saying, but once the song starts, the crowd starts moving.

You're being jostled around for most of the set. Song after song, you try to force yourself to the front, but to no avail. Finally, once Simon takes one step off the slightly raised platform on which they're performing, you can reach him. His grip is white-knuckled around the microphone, now's your chance. You lunge forward and wrap a hand around the mic, pulling yourself forward. Confused and annoyed by the sudden tugging, Simon pulls back, effectively breaking through the wall of people blocking you. The moment your eyes meet his, under his ski mask, he grins. In the moment bringing you before him, he'd missed a few bars of the song, but effortlessly picks back up once you're front and center.

It feels like his eyes are locked on you for the rest of their set. You hate to admit it, but it's a hell of a show. The energy of the crowd, their presence on stage. No wonder Simon feels so strongly about it. He's a different person when he's John Q. An alias you found out about when you were seniors, and you hoped staying quiet about it would've shown him you weren't the snitch, but instead it took a coke bender several, several years later. Plus, he wasn't much less of a loser than you were. Who fucking cared back then that he has a stage name?

After Psyops' set, you and Simon slip outside for a smoke. Riled up from the show, he's too abuzz to make sure his face matches the angry stare he usually wears. "Someone said you were headed home already, didn't think I'd see you at a show any time soon," he says, lighting a cigarette.

"Said I would," you echo his words from his promise to back you up next time you got yourself into an altercation. "Can't let fucking John Q. be more trustworthy than me." Simon laughs at the mention of his stage persona. "I like the mask, though."

"Oh, yeah? That do somethin' for you?" He teases, reaching into his pocket for the mask, but pulling out a different wad of fabric. "Oops," he laughs, dangling your panties in front of you.

"Is that my fuckin' underwear, you god damn pervert?" You curl your lip, put off by the invasive behavior.

"They might be yours, I don't know. I get a lot pussy." Simon smirks with his eyes darkened on you.

"Jesus Christ, what the fuck-" you're ready to lay into him, too violated to make any excuses despite how attractive he looks with messy hair and drying sweat.

"Calm the fuck down, they got mixed up with my shit when you washed my clothes at your house," he laughs. You roll your eyes and jump to grab them, but he's too quick. You miss the swipe and are now a great deal closer to him. "I'm gonna hold on to these," he says with a low voice as he scoops you against him with a hand placed on the small of your back. A second passes like an eternity and the two of you lock lips as he stuffs your underwear into his pocket again, allowing some of the silk and lace detail to hang out. As the kiss deepens, his hands move down your body, to your thighs before he grips your ass roughly. Soft moans escape against his lips as he gropes various parts of your curves.

"Do you know how worked up you get me?" He whispers between the press of your kiss. "Thought you left before I could get a taste." He reaches for your eyelet belt, but you stop him.

"Someone's gonna see us."

"Call it an encore," he mumbles before going back at your belt, but you swat him away again.

"At least take me around back, dumbass." You grab a fistful of his shirt and nearly drag him around the corner. It's dark and concealed from any passerby. He lifts you up onto a pad-mounted transformer and wraps your legs around him, still moving his head in sync with yours as each of your tongues explore each other's mouths.

"I guess I was kind of a prick to you back in the day, huh?" He whispers, running his hand through your hair.

"You were an angry piece of shit, yeah. We fuckin' or having a breakthrough?"

"Shut the fuck up for a second," he snaps. "I'm trying to apologize." He slips your denim shorts off your legs and all but falls to his knees in front of the large metal, green box you're sat on. His nimble index finger hooks around your thong and pulls it to the side. You barely have time to process what his "apology" will be before he plunges his head between your thighs. You fight to stifle a surprised moan as he conducts his skillful movements against your sensitive skin.

"Simon, oh, my God!" You whine, arching your back against the friction. He laughs against your skin sending waves of vibrations through your legs. One of his hands is occupied holding your panties to the side, the other is hooked around your hip, holding you securely in place as he meticulously works you over the edge.

"You want me to stop?" He asks, lips framed with drenched facial hair.

"No! No, I-" he cuts off your plea, resuming his position.

"Then stop fighting me," he snaps, harshly pinning you to the metal with the hand he had hooked on your hip. The stimulation quickly builds up, becoming too much, too quickly. You throw your head back and tangle a fist in his hair as he guides you through the high. Your legs shake and threaten to close around him, but his grip is too strong. You remain exactly where he wants you until you've ridden out your orgasm. You're slumped back on your elbows with your head down, breathing heavily as you return to reality.

Simon towers over you where you lay, staring down at you with his dark-circled eyes. You look up and watch him teasingly wipe his mouth, licking his lips like you're the first thing he's devoured in months. He slips your shorts halfway up your legs for you, leaving the rest of the work for whenever you can feel your legs again. "Um," you sigh. "Apology accepted."

"Tits."

"Is 'tits' good?" You furrow your eyebrows. He sighs, rolling his eyes and shaking his head.

"You're leaving tonight, huh?" Simon lights a cigarette.

"Well... That's the plan." You feel a pit in your stomach when you think about going back home. The place is nice, it's far away. It's what you wanted, but life is full and meaningless. You don't have friends out there, it didn't strike you how hard it'd be to meet people in your mid 20s.

"You don't sound so sure about that plan, Y/N." He exhales a cloud that illuminates under the street lamp's orange glow.

"It's boring out there, but it's quiet. It's peaceful. My parents aren't in my ear telling me trying something new could kill me." You shrug.

"That's why you're running? Because of your frigid bitch mom and dad?" Simon laughs as if it's the funniest thing he's ever heard.

"Okay, well. You know, maybe don't call them that or I'll lay you the fuck out, but yeah." You stand and fasten your shorts and belt, knees still threatening to buckle. "You had a hand in me leaving too."

"I know, I apologized!" He gestures to your trembling legs and you laugh.

"Yeah, yeah," you wave your hand at him. "Where'd you go? I was in town for weeks. I thought you were in the pin."

"I didn't want to overstay my welcome," he chuckles. "Or watch another fuckin' 80s movie with the volume on ten." He turns to look at you and he smirks.

"Well, my parents are in town now. I still have the rest of this week off. I was gonna spend it getting unpacked, but-"

"Fuck that. Let's go, you're driving." He walks off around the building toward the parking lot and you're dumbfounded for a moment.

"Of course I'm driving, it's my van!" You scramble after him. He hops in your passenger seat and you pull out of the lot, leaving his disgruntled band mates to pack up their own equipment. "You're not gonna help them?"

"What for? My shit's in the van. It's a microphone."

"Yeesh, sorry. Forgot you're actually kind of the worst when your head's not between my legs," you tease and Simon can't suppress a smile. As you cruise down the dark road, bright blue lights ignite in your mirrors. "Fuck. Get it the back." Simon wastes no time, he throws himself in the spacious rear area of the van as you pull over. You both wait anxiously for the cop to approach the window. Everything feels silent, until you finally hear the footsteps.

"I'm gonna run," Simon whispers, hand on the rear door latch.

"Don't." You demand sharply, rolling down your window for the cop. The air feels still and tight. It seems like it takes hours for the cop to speak, but when he does it's a routine traffic stop. He asks you if you knew how fast you were going and you innocently explain the floating nature of your speedometer. The officer laughs when he reads your ID and sees your last name.

"You're Frank's kid, right?"

"Yeah, his one and only." You beam, proudly. Happy to name drop your wealthy family.

"You just try to slow it down and tell your dad I said hello, alright?" The cop taps your door twice and sends you on your way. As you pull off, Simon peeks out from under the blankets and sighs with relief.

"Holy shit, with the way this thing looks, you should've been strip searched." Simon tosses himself back into the passenger seat.

"Don't shit-talk my van," you hiss. Simon proceeds to tell you where to go, each turn and shortcut, until you reach a large white house, almost as status defining as your parents'.

"My parents are out of town." He points to a concealed area to park and leads you to a basement door. He fights with a key for a moment before leading you inside. It's a messy basement room with red walls and posters from ceiling to floor. Instruments take up most of the space, aside from the bed.

"Do you avoid your parents like me, or do your parents avoid you?" You ask, bluntly, not considering the weight of that question.

"Both, I guess." He says after a long pause.

"You... Wanna smoke?" You ask, unsure how to navigate the silence.

"Can't. Fucks with my motivation," he grins. You shrug, rolling and smoking a joint by yourself while Simon works on some songs. He's got an ear for every instrument in his room, and he layers them over each other, creating complex instrumentals. It's nice to listen to while you lie on his bed and watch the swirling tendrils of smoke twist into the light and air above you.

"It sounds nice," you hum, settling into the cozy divot in the center of his mattress-on-the-floor.

"Write something for it," he commands, tossing a notepad and pen at you.

"Like lyrics? Why?" You stare at the blank page, unable to read the layers and layers of writing indented into it from Simon's heavy, angry hand.

"You need an out, I'm giving you one." He leans back in the rolling chair he resides in, staring me down like a hawk.

"I don't think I'm a very musical person. I think I'm more of a doodler, really," you argue, scribbling in the corner of the paper.

"Just fuckin' write something down and stop being a pussy." He snatches the pen from you and tosses it onto the pad.

"Bitch- How does that make me a pussy?" Your eyes narrow at him.

"It'd be too vulnerable. You're no tougher than that kid you were in high school. It's all fake now." It's clear he's taunting you. Making a fair attempt at reverse psychology.

"Fuck you, give me a minute," you huff, writing a line or two to start with. "Play your shit again." And he does. Restarting the instrumental he put together just for you. After a while, you've written something and you sling the notepad at Simon. He takes a moment to read through it a few times, almost trying to decode the melody of how I'd sang it in my head.

"Perfect. Now sing it." He nods toward his microphone stand.

"Fuck's sake, dude. Are you serious?" You whine, pushed further and further out of your comfort zone.

"Come on, let's see what you got," he says in a tone that lets me know I've already lost the argument.

"It doesn't feel good to be vulnerable to you."

"Tough it out." You roll your eyes at his demand, but you do it. You tough it out and recite your song over the music he provided. He hits 'restart,' and then 'record,' and then he points to you. After a measure you begin to sing. Low effort, but still angelic. Your song is about the feeling of being homesick no matter where you end up. It's about running and putting up a face as a defense mechanism. It's about wearing a mask.

When you're done singing and the music fades out, Simon slides the headphones off his ears. "That... Was tits." He looks elated. Like a poor painter with a new pallet.

"Is 'tits' good?" You ask again, emphasizing the lack of answer last time you asked.

"Yeah, 'tits' is good." He grins. "That was good."

"Fuck you. Who's not vulnerable?" You curl your lip, clearly more moved by the challenge than the release he was offering. Simon just shakes his head.

"Let's mix it." He beelines for the computer and begins fine tuning the song. You're watching in awe of his quick skill at this craft. As if watching him play all those instruments wasn't impressive enough. The night grows older. Simon offers you your favorite party favor, but you're over it. So the two of you share a joint.

"You don't ever get tired of living in a circle?" You ask through a cloud of smoke.

"A fuckin' circle?" He looks at you.

"Just, still in this town, still avoiding your parents, still making music alone in your room."

"Fuck," he huffs, offended but acknowledging the truth in your words. "Do you ever get tired of running from it?"

"Touché." You bring the joint to your lips as you lie in his disheveled bed. His arm snaked around you ages ago, slowly pulling you closer and closer to him. Like he's worried you'll float away.

"If our only two options are run away or get sucked into this shit hole of a town, I think we're a little fucked, don't you?" He chuckles to himself.

"Maybe those aren't the only options. We just don't have all the answers yet. I don't think anyone does." Your voice is wistful and quiet. You can feel Simon's eyes on you, but you stare at his dark ceiling. He rolls his eyes at your corny words, but he knows you're right. "It's funny, because if I could run from the uncertainty too, I would." You giggle, aware of your vices and poor coping skills.

"Yeah, you would," Simon mocks.

"And you? You're just going to live with it? Sit right beside the discomfort and accept that for yourself? Have you ever tried to give yourself more, even if it meant running?" You're slowly building up a sense of passion behind your words and Simon just listens, staring deeply into your eyes as you speak. Suddenly, you're cut off when he wraps a hand around the back of your head and pulls you into a kiss. His lips crash into yours and the two of you melt into each other.

You can't even remember what you were saying, you just know you don't want to stop touching him. The heat of the kiss begins to swell as Simon's hands trail up and down your body. He's grabbing at you in a specific order, like he's been waiting to get his hands on it. Really get his hands on it. You grasp at the hem of his shirt, tugging in semblance to take it the fuck off, and he does.

His broad, pale chest rises and falls with anticipation as you strip off the same article of clothing. "Jesus Christ," he moans, pulling you to him to shove his face directly between your breasts. He breathes deeply, taking you in. With one swift motion, he's hoisted you on top of him, your legs straddling his waist. Simon unfastens the button on your jeans before tossing you to the side to undress you.

You're both naked and greatly anticipating the next moment your skin will touch. Seconds feel like hours until you're pressed against each other again. Simon buries his face in the crook of your neck as he guides his throbbing erection to your entrance. You're squirming and arching beneath him, and he releases a breathy laugh as he watches you writhe. "You're aching for it," he groans.

"Fuck you," you hiss, pulling him closer to you by his shoulders. All he does is chuckle before slowly slipping inside you. You moan loudly as you adjust to his size. Something about a lanky, dead-eyed man. His pace is steady as he rocks his hips against yours, picking up speed as you gush around him. Soon his thrusts are hard and rough, and your loud, vulgar moans echo off his bedroom walls.

"God, you're so fuckin' tight," he huffs, pulling out of you and tossing you aside. Simon quickly repositions you in front of him, on all fours. You let your back arch naturally, putting on a bit of a show for him as he watches you. His eyes are darkened and his smirk sends chills down your spine. You can't help but smile wide in excitement. With two round hands, he grabs your waist and positions you at the perfect height. His hands wander the soft flesh of your ass as you press up against him. "You drive me fucking crazy..." He sighs as he slips inside you.

Simon digs the tips of his fingers into your skin, pulling you against him with every violent thrust. You do everything you can to contort your body to give him more of you. He throws his head back, falling into a sloppy, unsteady pace. His breathing is wild and primal all the way up until the point of climax. You release a loud, fluttering moan as he fucks you through your high, quickly withdrawing to finish on your back and ass. You're both breathless for a while, the room is silent but for the sound of your lungs filling and deflating.

Simon climbs off the bed, but you're too fucked out to even raise your head up to watch where he's going. Moments later, he returns, towel in hand. He cleans you up and lands a hard smack on your right ass cheek. The sound is thunderous against the silence. You yelp and break into quiet chuckles.

Finally, you have the strength to roll over. You sit up against the mess of pillows that became a sort of headboard for his bed, feeling beautiful and bare before him. It's a nice feeling that you're not used to. Sure you've had your flings, but it's never occurred to you how quickly you tend to leave or cover up after. Not this time. You're both fully exposed and Simon's eyes drink you in, one last time before he speaks. "Don't go back." You stare at him for a long while, silent.

"I won't," you gasp, surprised by your own promise. As soon as the words leave your mouth, his lips are on yours. In the next few days, you quit your job and Simon rides with you to go back and get the most important of your shit. The rest goes with the trailer when you sell it. You don't run a single thing past your parents and you don't tell them you're coming back to town. It's a new sense of peace and adventure, though it feels like abandoning your old life.

After a month of van living, you and Simon get an apartment and constantly receive complaints about the noise, but nothing stops the music overflowing from your floor of the building. A new sense of bliss. It's comfortable now.

[strawberryangelx08]

i’m late to this post but fr it doesn’t have to be a proship post but when on tik tok when someone is simping for a fictional character the comments will be like

“hard drive check”

“okay drake or diddy”

“kid diddler”

“pedo”

like bruh!? stfu it’s a damn character it’s not real and yes you can find it weird but don’t compare it to a crime and a mental disorder

and when others tell people on the internet that pedophila is also a mental disorder while being a crime as well and you shouldn’t be saying that to anyone without actually prove they did something to a real minor or have possession of child exploitation

some of them will be like “well they’re a pedo”

buddy them making a ship edit or drawing fan art or posting art of a character is nowhere near the same as a crime/mental disorder

if they don’t experience this behavior then leave people alone and go after actual predators since they want to be Chris Hansen so bad

also this proves right here that the word pedo has become like an stupid insult you can throw onto someone

okay for context:there is this proshipper who was a minor and had made an intro post and their dni was literally reasonable it was adults dni and pedos dni

tell me why did this dumbass here said

“uh why is the dni something you attract” something like that

and when i told them it would be reasonable for a minor proshipper to not want adults interacting with them if they’re uncomfortable with

and especially pedos!

like so basically what you’re saying you want adults or actual predators to interact with minors because they’re doing stuff within fiction?

do antis think sometimes before they type

(clearly not)

and when i told them fiction can affect reality but only if someone is weak minded to believe fiction is real and gave them examples all they did was replied with “yap”🤓

if this was an minor who was an anti had an dni list like that then the comments wouldn’t be questioning their dni list

literally double standards it’s so stupid

if you’re questioning why proship darkship comship minors don’t want adults or actual predators interacting with their page then please stay away from kids

let’s be real here most of these people only care about minors if they’re anti and as long as they fit their standards.

anyways i saw this post and immediately wanted to rant.

the word "pedophile" doesn't alarm me anymore.

sounds very bad I know, but it's not like I don't find that in itself alarming!

pedophile is the new "freak" or "loser', it's not taken seriously anymore, it has become just a new word to call people you don't like even when they didn't do anything

yknow the story of the boy who kept yelling "wolf!" to prank the rest of the village, so when an actual wolf came no one listened and he was mauled? that's what that is.

by reducing such a serious issue to "erhm i dont like this person or their content so they must like kids!", you're actually harming victims and making it harder for them to be taken seriously

[olderthannetfic]

How do you feel about the different styles of writing POVs?

Personally, first person is the most awkward to write and the most restrictive. It definitely has its place though, when the narrative lends itself to releasing limited info. I can’t bring myself to write in first person though, it feels so weird. I think I enjoy a level of detachment when reading and writing fiction.

I’ve seen people rag on second person but I find it the easiest to read, it seems more natural than say, first person. You’re understanding the narrator but you’re not physically in their shoes. You’re a silent observer, privy to character thoughts but also able to detach and view them as a whole. There’s a level of intimacy with the character but more detachment than first person.

Okay so google says third person can be split into two; limited and omniscient.

I find omniscient to be a funny beast, as it’s not a style that I write, often finding that if I give away what everyone was thinking, all the time, the element of mystery is lost. For me, it feels like showing everyone’s inner thoughts or motivations at the same time ruins the suspense, at least in the fiction I write. I think that’s a personal failing though because I enjoy reading fiction with omniscient POV.

Limited, I’d like to say, is more within my wheelhouse, but I have been known to switch character POV in different chapters. I wonder if by switching characters per chapter that actually means I write omniscient. Anyway.

I feel like I’m write in some weird, secondary-third person which feels very much like playing with dolls: X mutters quietly, stepping close to Y. Y responds with a remark, grasping X’s hand. X is overwhelmed, their thoughts racing. Etc.

Very reductive, but you get the point. One persons intentions are clear, the other is not.

I’m troubled as I think that my writing style comes across as unnatural, almost robotic. I find it hard to step into the mind of another person, especially if it’s a creation of not my making - how could I possibly know how this character would react in this situation? I can only guess and hope it reads as in-character. As such, I often find that I don’t spend a lot of time expanding on how characters feel and their inner thoughts on situations, which seems like a really big oversight! It’s difficult for me, though.

Do you have any tips or assurances about this kind of thing?

I apologise as well, brevity is not a strength of mine.

--

Oh god... the things I want to say, nonnie...!

I've promised myself no more really long writing meta on here. I write that stuff for my patreon, which I should be spending more time on.

The short version is: I loathe second person due to early exposure to CYOA books and just finding it clunky and mannered.

First makes it more obvious if your command of character voice is ass, but it's not actually more intimate or harder than limited third.

Limited third is often the most neutral and transparent of voices for English language popular fiction in modern times. It's the norm. It's what has all the conventions built up. Switching chapter by chapter is very common and is not omniscient in any sense, WTF, anon.

Omniscient makes more sense if you've been reading works that are actually in it. Golden Age mystery novels are a good example. No, it does not list every thought of every character. What? No good writing does that. Of course you withhold info.

What does "secondary third person" mean here?

[cilil]

Hi, do you have any advices for budding writers on AO3 or here?

Hey! :)

I've given this some thought and compiled what I hope might be some helpful pointers, but if there's anything else or anything specific you want to hear more about, feel free to ask again. Also I'm assuming this is about the amazing craft of fanfic and not, uh, building a platform or whatever (I wouldn't be very helpful with that, I'm a nobody x)).

Share what you feel comfortable sharing.

So since you're asking about budding writers on AO3 and Tumblr, I take it you're at a point where you feel comfortable sharing your writing online, which is amazing. Nevertheless, I feel the need to once again mention (just for anyone who may be in the same or a similar situation) that it's completely alright not to be comfortable with it (yet) or not to share everything you write. I share almost everything simply because I'm annoying and it makes me feel accomplished and since I've grown pretty comfortable with it, I might as well; but not everyone feels that way and feelings also change. It's completely alright to write just for yourself or a small circle of friends.

Don't worry too much about "being good".

I will be the first to admit that I deeply relate to struggling with perfectionism when it comes to writing (and other creative pursuits). However, as someone who's been reading fic for many years, tends to be into quite niche and obscure things sometimes and is rarely spoiled by big fandoms' abundance of food, I want all writers, especially new ones, to know that you don't have to write the most amazing, perfect, publishing-ready pieces. What matters is your passion and creativity, which will show in your writing regardless of skill level. Not to mention that fic is free and in fact a tool for many to experiment.

That's not to say you can't strive to improve or be good - by all means, I find it admirable if you want to hone your craft and make progress as you continue to write. Just don't let perfectionism ruin your fun and stifle your creativity.

How to get better without trying overly hard.

Aside from just writing, writing and writing (that is the most important part though), how do you improve without making it a point to do so? Well, if it works for you to read/watch guides or you enjoy specific writing exercises, that's great, but one thing that I find gets overlooked a lot in writing spaces is simply: Reading. Just reading for fun.

I find that I often discover little things in other people's writing that I really like and then I think to myself "wow, that's really neat how they did that, maybe I could take a page out of their book" (pun intended) and make it a point to pay attention to these things when I write. Essentially, it's like creating a nice patchwork blanket which is your style, made up of your own voice and preferences as a writer and cool stuff you picked up on the road.

Let me just name some examples, which, yes, are also an excuse to shamelessly blow some writer friends of mine a well-deserved kiss of appreciation. @sauron-kraut writes incredibly polished short stories with beautiful wording and atmosphere that have a lot of little hidden things to discover and dissect, and I want to steal her ability to set the stage and hide those easter eggs. @a-world-of-whimsy-5 is an absolute legend when it comes to writing medieval and medieval-adjacent stuff, and I learned so much from her fics. @i-did-not-mean-to has a way of writing with such esprit and wit that I always end up in a good mood after, a style of narrative voice I've adored for over a decade, and I've greatly improved my humorous writing in particular thanks to her. @crackinthecup has the marvelous ability to craft extremely emotionally evocative scenes, which have encouraged me to be more courageous and experimental in my sentence melody and structure. @tragedybunny has a way of writing that reminds me of coming home to a warm and comfy place, and I will find out how she did it and how I can do it as well.

So as you can see, it can be super helpful to compare notes with your fellow writers. Never be discouraged by someone else's ability; instead learn and expand your own.

Feedback, criticism and community.

Let me just get one thing out of the way: You don't have to take criticism from everyone. Or at all. As far as I understand, the fanfic community has come to to agree that we're doing this for fun and don't give criticism unprompted/when we aren't sure it's wanted or welcome. As a general rule: Take criticism from those you would also seek advice from. Ask for feedback if you feel comfortable, and if not, that's a valid boundary to have and I will gently smack anyone who presumes to pick apart writing that was made for fun and generously shared with the community for free.

The community aspect, however, should be taken into account on other fronts. While I won't tell anyone they have to interact and believe that, in an ideal world, everyone's writing would just speak for itself, it is helpful to engage with the community. Things you can do (both on Tumblr and AO3 if also applicable/possible) include: Respond to people interacting with your works, interacting with other people's works (for example while you're doing your reading sessions and looking at other writers' styles) and just overall being present, being talkative, going with the flow.

Again, this is not a must. But I will say that pretty much all of us want positive responses and interactions on their work and that just won't work if you expect everyone to show up for you all the time and never show up for anyone else. Engagement, passion and community are our "currency" in the absence of money and reciprocity is an important element of that. A lot of friction and complaints in the fanfic community regarding lack of interaction or entitlement are rooted in misunderstandings of this fundamental principle.

But don't take this in a cynical manner. Seek out what you enjoy, share the joy and passion and you'll make friends just accidentally - which is the part that I find makes fandom on AO3 and Tumblr so much fun! (I don't even want to be a "traditional" author anymore, I want this instead😁)

Find your groove and groove along.

Lastly, make sure your writing is fun for you or else it'll become a chore and eventually get ruined for you as a hobby. This is unfortunately a continuous task as your needs and interests shift - for example you might be in the mood to do an entire drabble challenge one month and during another month you feel so drained that you couldn't do another one. Or you might want to write something different for a change. Or whatever it may be.

Either way, one recent lesson I've learned is that I got too tied up in obligations and it left no space for spontaneous inspiration, so I never got to write what I wanted to write in the moment and it pushed me quite close to burnout. Do yourself a favor and always hold that space for yourself. In practice, this could for example mean that you do one event and on the side write this cool new idea you had, instead of doing three events - which is fun and games until it starts getting too much and you don't have time for your passion projects.

Finding your groove also includes the whole technical aspect, such as which writing programs you use, which device (or none at all), where you write, how to make yourself comfortable, how to get in the right headspace for things. I would also like to encourage all of you to be a bit crazy and whimsical about this: For example I've gone to the perfume store, picked out a scent for a specific character in a specific scene and sniffed it while writing the description several times now. Do what it takes. And say goodbye to your squeaky clean search history - you will research some weird stuff just to get that one line right.

So yeah, these are just my random thoughts on fic writing and what has been helpful in order for me to have lots of fun with this hobby. Happy writing!

[centrally-unplanned]

The Swing Won't Save You

The "mainstream" account of the election results is one I generally endorse. Elections are thermostatic in the sense that they bounce around an equilibrium - these days the incumbent has a disadvantage, being blamed for the problems but not credited for the successes. Democrats lost because of things like the 2021-2023 inflation spike, or the immigration surge, and the next administration will be blamed for whatever problems the cycle of history throws upon us on top of the consequences of their own actions. That is just How It Be, and it isn't something internal reform can change.

This account is probably true, but this does not lead to some of the conclusions one is hoping it will. I see many taking this as a sort of dismal c'est la vie, assuming that you can just ride it out and win next time, then do good when you do. That therefore there really isn't any need to change all that much in the Dem party structure.

The miss here is that there are fundamental inequalities in the two parties. We just went through, quite handily, the most progressive democratic administration in decades. One that was maximally committed to the idea of "FDR reborn". And it did some good stuff! But I don't really think it lived up to the name, not even close. The democratic "win" - which occurred at the peak of the Covid Crisis in an era of nigh-unprecedented discontent against an incumbent president who was deeply unpopular - delivered a razor thin margin in the House and a literal tiebreaker Senate, itself only after a series of special elections.

The Biden administration spent its political capital on macroeconomic stabilization, one authentic Dem priority in the IRA bill, and then otherwise spent much of its time on a series of rearguard actions and failed attempts to appease coalition partners like unions (who broke away from Dems in record numbers in 2024). Bad policy ideas like student debt relief were themselves undone by the courts. They had four years to prosecute Trump for a blatantly obvious mountain of crimes, and could not get a single one of them across the finish line. And meanwhile, due to awful polling numbers, they felt forced to pursue a number of policies they didn't even really agree with to stave off future defeat. Which they, of course, did somewhat badly, for many reasons but "not really believing in them" is certainly a factor.

Meanwhile surveying the Republican Party's incoming administration, I of course cannot say what they will do with their probable quadfecta, so this is speculative. But through the dice of death they handily control the courts. More importantly, they play the dice to control the courts - we already have discourse on getting the two oldest Republican jurors in the SC to retire. Republican plans include debates around say abolishing the NLRB as unconstitutional, or mass scale deportations, and more you have certainly heard of. They will not do all of them, of course not. But "winning a court case to dismantle a regulatory capacity" is far, far easier than passing a congressional bill to reinstate it. You are not "un-deporting" anybody. The entire Republican agenda is structurally easier to pursue - tearing down is just easier than building up.

And meanwhile, the levers of power are themselves biased. The Supreme Court, of course, but more importantly the Senate, which has an awful map for the Dems. Even when you give Dems their best case scenarios where they win every competitive upcoming election, you are talking 52-48 seats up through ~2032. Meanwhile, the Republican ceiling is 60-40, and is not likely to dip out of the majority.

No one can predict the future of course - I just don't think this scenario and reality is getting the proper attention. A "swing" model where Dems win in 2028 at the same margins they won in say 2020, and then it swings back and so on, is a defeat for Democrats. Republicans will likely achieve X% of their agenda over the next two years, solidify court control, and then Dems will achieve X/2% or worse and otherwise play defense on their turn. It almost certainly isn't the apocalypse, it most likely is not the end of democracy - if you don't wanna care about politics, you don't have to, go live your life. But if you are trying to win at politics, if that is your goal - which for a political party it should be - this just ain't it.

The debate I see is over whether or not this election should be a "wake-up call" for Dems. Which is the wrong question, to me - the Biden administration should be a wake up call for Dems. Even if Harris squeaked out a win, it is a defeat to the party that they found themselves running a decaying man with sub-40 approval ratings for President, or found themselves taking a former senator in the top 1% of the leftwing voting record and running her as a centrist. It should be shameful that they took literally years to act on a "border crisis" that once they did act they found themselves perfectly capable of addressing, not because they authentically believed in increasing immigration and wanted to spend capital on that agenda (which they did not do), but because they were scared of the blowback that happened anyway. It is beyond the pale that Trump is not in jail because they think "politicizing the judicial branch" is somehow not their literal jobs as political actors. It is embarrassing that solidly blue Democratic cities are hemorrhaging population to purple and red states because the Democratic party is failing to govern them.

And I know, I am in the grand, august, tiresome tradition of using an election to repeat the same shit I always say. I have been on this beat since at least 2019. But it being tiresome doesn't mean it's wrong. It might not be right! Maybe Republicans will truly collapse into squabbling infighting and get nothing much done beyond tax cuts, their truest love. I don't know. But I think the odds matrix here is pretty ruthless - the opportunities to be a better party barely have downsides. They implement bad policy half the time even when they win! There is a fundamental disconnect between "what do we want to achieve as a party" and "how are we going to achieve that", a strategy void that infighting, paralysis, and special interest spoils-grabbing fills.

I am less confident on the solution for all this - at minimum we don't even have all the post-election data, that will take time. But the problem such solutions should be solving is that the Dems have been losing for 8 years. "Thermostatic swing in 2028" is not going to change that.

[lj-lephemstar]

Progress Checkup! (Nov. 2024) | Scratchin' Melodii Devlog

​​Hey again guys! Sorry if it's been a bit since the last devlog. With how much I've been up to, it sure feels like it!

Let's get right into it. For starters, the 3rd rival battle of Act 2 is complete! I'll likely be showing a gameplay preview of it sometime soon. This is the first song to use the new framework that I'll be using for all the other stages going forward, which also means I've had to spend the past couple weeks getting the previous songs working with this new system too... Did you know that in the demo builds, if I wanted to change something about the gameplay, I'd have to manually go back and change it for EACH individual song one by one? Well now, imagine all the songs had like a peace treaty to just share one good, clean, and organized system that I can easily tweak and add to as I please. So development is gonna be smoother than ever from here! This is how most games are SUPPOSED to work, but I was a liiittle too stupid to figure out how to do this until recently!

While I was moving Cream Cheese Icing over to this new system, I took the opportunity to make the chart a bit more beginner-friendly! For example, the first line went from this...

To just this!

As you can see, it has less notes, therefore it is less scary for new players. Believe it or not, I actually never intended for Cream Cheese Icing to be so difficult for new players in the first place! Naturally, being too good at my own game can make gauging the difficulty curve a bit tricky at times, but I think I'm figuring it out!​

You may have also noticed that the characters have new UI icons too! I felt like the old ones were too flat and boring, so I did a new take on them, aiming for more dynamic shapes and angles, not to mention how my art style's just kinda grown a bit in general since I last drew the icons. I also ended up leaving out the circles behind them. I was a little worried I was gonna run out of unique colors for all of them at some point, plus SOME of these guys can have really big hair and/or hats that pretty much just cover up the whole circle anyway. (hi rensa)

Speaking of artwork, here's a little look at some of the updated animation I've done for Stir & Mix! (Try to imagine it in not highly-compressed-gif-form. I promise it looks better in-game!)

When working on Stir & Mix related stuff, I can't help but feel a bit of a sense of dread knowing how people may react to it... Honestly, sometimes I kinda wish it never got as popular as it did in 2022. But hey, doing my own thing regardless of what's expected of me is the most Scratchin' Melodii thing I could do!

Speaking of which, Mia learned a ton of new stuff while doing the VOCALOID tuning for the last rival battle we worked on, so we might revisit Stir & Mix's vocals again at some point before release to give it even more style! (By the way, Mia and 2cada are the same person! Sorry if I refer to both names interchangeably! She's been the one doing all the VOCALOID tuning and vocal mixing for the game since 2023.)

Well, I think that's all for now! Here's another friendly reminder that there will NOT be anymore demos of the game. Any new content will be saved for the full game's release. I know I've said it before, but I probably won't stop saying it until people stop getting confused about it LOL. Thanks for reading!! I appreciate you. - LJ