#it's mean spirited to use characters to bash on an author in the exact same story which is inspired by & is a SEQUAL of the story by that

[000marie198]

At the risk of sounding mean, I really really wish I didn't have to read subtle complaints and author bashing of My Arms are Blue in almost every single chapter of the unofficial fan sequal of My Arms are Blue

Like girl plz chill, the og author didn't even plan to take the story in this direction stop complaining by bashing them in the continuation of their own story

[rabidfirefoxfan]

When you responded, I started thinking back to when I first got into Loki. I am ashamed to say, that yes it was from gagnarok. but because I love the truth, I went out seeking it (so my love for gagnarok only lasted a few months) anyways, I do remember loving how great it was after watching it and spreading the word about it; ready to take down any YouTuber with a negative response towards the movie, even though I REALLY didn't want to see it twice. It just stayed in my brain for some reason. I still don't fully understand why, but I think you def hit the nail on the coffin 💜

You enjoyed something, you wanted to Keep enjoying that thing. There is nothing inherently wrong with this. You Subjective reaction to the Movie can be “I though it was a good film” and the Objective reality “This films has MAJOR Problems with it” are two different things.

For example, Michael Bay’s Transformers is objectively a Bad Film: Bad characterization, bad plot, dumb action, over-sexualization, really terrible main character. However, many people Subjective reaction to the Movie is “It was a pretty good movie.” The action scenes were entertaining enough to keep you interested and the character work well enough for ONE watch through.  Ragnorak is Similar, your first subjective reaction to the movie was to say it was good.

Your reaction to the movie is also, in some ways, artificial. After all, with big releases like Marvel Movies are is a lot of Fanfare trying to hype you up to go to the Movie. Trailers like to “Your going to have a great time watching this film. It has all the stuff you want.” And then there is the Disney Press Tour trying to encourage media outlets to say the same thing. Finally, when you are all excited to watch the movie, you watch the movie and before you can really process what you watch, you talk with your friends. Now, you had a fairly happy experience, so when you asked your friends they will say “Yeah that was a good Movie,” re-enforcing the Idea that it actualy was a good movie.

Without realizing it, there are 3 forces trying to convince you that watch you actually watched was Good, and not Crap in any meaningful way. Reason 1: You don’t want to have wasted you time and money, so what you spent you time and money on MUST be Good. Reason 2: Your Friends want to feed off you energy and have the same Reason1 working on them. These direct friends will again tell you that the movie is Good. Reason 3: Disney has a strong incentive to want you to think the movie is good, so they promote articles and Social Media pieces that say that the Movie is Good so they continue to Make MONEY off of it for as long as it’s in the Box Office. (Let’s not forget, Ragnorak made just as much as The Justice league did)

Because of all of these Factors, when you are going to talk about the movie a week after you watch, you are STRONGLY encouraged to say how awesome it was. And the People who said it sucked, well, they must just be no-good haters who want to ruin your happiness, RIGHT? There is no way the thing that you watched ONCE can be bad, it must be something else. There is no way I was wrong, that what I liked is bad, that my reasoning can be flawed. It must be those Haters.

And this Line of thinking Works .... for a little bit. The thing is, movie last forever (at least with the internet) and the internet LOVES to over-analysis everything. Piece by Piece, more and more voices start to voice some little things they didn’t like, and than those little things start to pile up, and more and more little things pile up, and OMG This Movie is horrible how did I ever like it in the first place.

You want to see this in Action. Watch Mauler’s A Critique of Star Wars: The Force Awakens - Introduction. Mauler has a whole playlist talking about the Sequel Star Wars movies, and it’s like 24 hours long when you include all 3 movies and like 5 parts of it (Each on like 2 hours long). You don’t have to watch the whole thing, just Watch the first 5 minutes of this specific video. You’ll see this EXACT thing happening to Everyone when it came to The Force Awakens.

One other Problem with the Thor IP that should be address though. IMO, the biggest problem with Thor, is honestly Thor. I don’t think Chris Hemsworth every capture that spirit of Thor, as Least in comparison to the other 3 major character for Avengers (2012). So, arguably the 4 most important characters of the Avengers was Iron Man, Thor, Captain America and Loki. Iron Man was the character to get the MCU kicked off, but Thor and Captain America Movies were there to build up momentum and build up to the Avengers. Chris Evans did a great job capturing Cap down-to-earth persona and how he really does want to be a good leader, a good man. RDJ did a FANTASTIC Job capture both the Light and Dark elements of Tony Stark. I don’t think I need explain with Hiddleston did a good Job capturing the spirit of Loki. So, that Leaves Thor.

In the Comics, the basic Idea of Thor is that Thor is an Arrogant Superman. Like Superman, Thor is really strong, nearly invincible, and just Loves Humans and the Earth while not actually begin Human (his mom is the Earth Though). Unlike Superman Though, Thor often thinks too Highly of Himself and can act like a Total Dick at times. In most versions of the Humbling of Thor, Thor often does a really Dick move that causes his banishment. However, even with his arrogant Nature, Thor still loves cute things and still wants to protect stuff.

Hemsworth, although doing a Great Job bringing the Body of Thor (look at those muscles), IMO never did an excellent job bring the warmth of Thor. Or, at least wasn’t as Good at doing Thor as Hiddleston was at doing Loki. Hiddleston, through just trying to do a Good job on his character, ultimately brought all the focus away from Thor and onto Loki. This ended up with the reaction, Thor was bad, but Loki was Good. Because the Main focus, Thor, wasn’t done well, both Thor and TDW suffered. Add to that that Marvel really never knew what to do with the Thor IP and you have a general atmosphere of “The Thor Movies sucked, but I like the Loki scenes,” a sentiment that I honestly agree with.

Hiddleston NAILS every scenes he’s in with Both Movies, but everyone else ... eh? Both Odin and Jane’s actors are phone it in, it’s not their worst performances, but it’s hardly their best. Humbling of Thor is Interesting, but Loki’s side of the story is Far more interesting. I mean, Thor gets banished and immediately gets a girlfriend and a nice life. If Loki didn’t go Mad and attack the Town, it’s likely Thor would have gotten married to Jane, been an amazing Trophy Husband and had 3 kids while Loki would have been miserable on the Throne. That’s not an interesting story for Thor.

TDW suffered from production problems. A director for the movie pulled out last minute and the movie was crap, then they noticed that Loki was popular and they did some Last minute re-shoots with Joss Whedon and Tom Hiddleston. Now it’s a crap movie with sprinkles of Great scenes. Honestly, cut out a lot of the Earth stuff, bring the Focus onto to Loki and I swear there is a great movie in the TDW, I just know it.

So, with the First two Thor movies having ?Eh? Thor content, fans wished for a new better thing and they wanted Ragnorak to be that new better movie. These Fans also ignored anything that said otherwise.

However, because of Taika’s habit of attacking Fans, it’s likely that it’s going to be hard for him to keep his fanbase. Bad movies can work for a time, but eventually People will move on to better thing. Transformers was able to make 3-4 somewhat successful movies but the 5 bombed. The same thing will happen to Taika if he’s not careful. If his next movie doesn’t scratch the same itch that the First movie does, people will re-examine Ragnorak with a critical lens and then it will be popular to bash on his movie.

There is a reason why Tom Hiddleston’s Loki Fans have endured for so Long. It’s because Loki in Thor and TDW really resonated with us, far more than most other Marvel Properties. Because of it, Loki’s personality, his strength and his stories are far more relatable and resonate and any other Marvel Characters. It on Marvel to make us products we are willing to support, not attack us when we don’t want to buy their crap.

For me, I have don’t like how Marvel (and Disney in general) is treating their characters and their fans. Until their general atmosphere improves (or they die in hell) I am going to read Through Loki Comic until I find those few Great one (I have fund like 5-10 out of 60 that are worth anything), continue to read fanfics from authors who give a crap and continue to promote and make Fan-based stuff that encourages Loki stuff I do like.

Um.... Thanks for reading my long answer. Thanks for sending asks.

PS: Do you have any good Loki work to recommend?

[superchartisland]

Discworld (Perfect 10/Psygnosis, PC, 1995)

The worlds of computer games and fantasy/sci-fi books have long been close together. Early British gaming milestone Elite was one of many, many games to have taken some inspiration from Douglas Adams’s sharp and funny science fiction parody The Hitchhiker’s Guide to the Galaxy. In the other direction, let’s look at Terry Pratchett, Douglas Adams fan and the UK’s best-selling author of the 1990s thanks to his Discworld series roughly doing for fantasy what Hitchhiker’s did for sci-fi, but many times more prolifically. Pratchett drew on his lasting interest in computer games in his writing. Small Gods (1992) is a spin on the central mechanic of Populous that gods get more powers the more believers they have, with the twist of considering what really counts as belief. Racist mis-step Interesting Times (1994) ends with its main character controlling a Terracotta Army stand-in via what is obviously the interface from Lemmings. Outside of his Discworld series, Pratchett wrote a whole book about a computer game, Only You Can Save Mankind (1992) in which the main characters are drawn into a game that’s somewhere between Space Invaders and Elite. He takes the side of the aliens.

Meanwhile, alongside Adams and Pratchett’s witty, knowing parodies of genre fiction, in the world of gaming LucasArts were making a big success of point’n’click graphic adventures which served as witty, knowing parodies of genre fiction. There’s no coincidence there: Douglas Adams worked together with LucasFilm Games (as was) on their first adventure game, Labyrinth, a logical extension to Adams’s own interest in computers and his role writing the text adventure version of Hitchhiker’s. Across the Atlantic from LucasArts, the biggest British success in the world of graphic adventures in the early ’90s was Simon the Sorcerer by AdventureSoft, who had originally wanted to make a Discworld game but couldn’t get the rights. Instead they made something in much the same spirit. Title character Simon is essentially an amalgam of Pratchett’s early Discworld protagonist (and useless wannabe wizard) Rincewind and LucasArts’ Monkey Island protagonist (and useless wannabe pirate) Guybrush Threepwood.

By 1995, a Discworld graphic adventure wasn’t just a good idea, but practically an inevitability. Beyond the intertwined background, the format is perfectly suited. The slow, detail-focused gameplay is a perfect delivery vehicle for comedy. There’s a reason why Rincewind and Guybrush Threepwood, self-aware and sarcastic commentators on the world around them, were so compatible, and indeed you play as Rincewind in the Discworld game. The meta tendencies of the genre line up with one of the key repeated themes of Discworld, the idea defined on occasion as ‘narrativium’: narrative is one of the key building blocks of the world and able to exact a powerful force upon events. Things happen because they are expected to happen, and because they make for the best story. At one point Discworld the game plays on one of Pratchett’s best straightforward manifestations of this — “one-in-a-million chances happen nine times out of ten” — getting the player to work out the exact series of accessories that will add up to the hero’s chances being 1,000,000–1.

Lots of games make you work out what their developers want you do as a solution, but few tie that puzzle-solving as directly in to the narrative as graphic (and text) adventures. The actions in question tend more to the detailed mechanics than the grand sweep, but at best progress is a kind of collaborative narrative process between creator and player, tuned to the same wavelength. You progress the story by working out what the story is going to be. Or what the story should be. The player enacts the force of narrativium.

And so in Discworld the game, Rincewind is not just aware, as in the books, that he is the unwilling hero in a fantasy story, and what the rules of that story are. He is aware that he is the hero of a fantasy point’n’click adventure. His ambulant suitcase companion of infinite and terrifying capacity, the Luggage, may not have been written as a parody of game inventories, but it certainly reads like one.

After watching the game’s intro the player knows that it’s a story about a dragon on the rampage in the city of Ankh-Morpork, but Rincewind doesn’t yet. Look out the window at the distant figure of the dragon, labelled as ‘shape’ and he comments that it’s obviously a plot element, or it would have a better label. In that kind of moment the game extends in a worthwhile way from both Discworld and point’n’click games. In others, its puzzles are far too obtuse to give the feeling of figuring out the story, going a long way beyond the standard of the genre in difficulty. That makes for a lot of time going around trying out everything possible, which means that the world and its characters being enjoyable to spend time with is even more important.

Rincewind’s turn as sarky, put-upon man, dealing with a world around him which is obviously mad, is enhanced by being voiced by Eric Idle. I won’t go into the further links between Monty Python and Douglas Adams, because my history bit at the start was already long enough and because Elizabeth Sandifer already did it excellently, but there is a positive kind of obviousness to that casting too. Likewise, given the comedy fantasy-historic setting of Ankh-Morpork, the presence in the cast of Tony Robinson (throw Blackadder into that web of British humour fiction somewhere too). As a fan of the Discworld books, one of the best parts of the game is hearing familiar characters given voice. Tony Robinson’s take on amoral street peddler Cut-Me-Own-Throat Dibbler, unflappable in the face of having his cons pointed out, played like Baldrick if his obliviousness was a cunning front, is particularly delightful. As a representation of the daft, inventive, funny world of Discworld, the game is a happy success. It fills its inevitable role very well.

However, as a series, Discworld isn’t just daft and inventive and funny. Well it pretty much was to begin with, and remained that way in much popular perception for a long while afterwards. There was a reason Pratchett kept bringing Rincewind back for lazy romps in new places. Discworld would not be as well-loved as it remains if that was all it was, though.

The plot of Discworld the game draws heavily on the eighth novel in the series, Guards! Guards! (1989), which was a distinct turning point in the tone and range of the series and its satire. In it, a dragon is set loose in the city and is eventually stopped with help from the efforts of the under-funded, under-respected, under-the-influence guards of the City Watch, who gain some self-respect in the process. The book turns away from the typical special one born-into-the-role hero of the previous books, giving starring roles to characters in positions that would previously have made them cannon fodder or comic relief alone. The importance of the life and story of every single person is a strong theme throughout the series. Keeping the Watch as leads would have made for a different and less obvious game, but replacing them with Rincewind — a wizard from the parody of privileged academia that is Unseen University — loses that strand of the message.

The other thing that Guards! Guards! brings through strongly is anger at how society is run, and to whose benefit. In its story a manipulative palace insider uses the petty grievances of a bunch of working men to incite them to summon a dragon. He plans to stage a vanquishing and install a puppet ruler, but loses control and instead himself ends up as puppet to the monster he conjured. Pratchett returns repeatedly to the fickle will of the crowd, influenced via the forces of narrative. When the dragon winds up in charge of the city, the most cutting satire is how easily treasure-hoarding and virgin-sacrificing are accepted as the new normal. The people in power in a position to do something quickly fall to collective self-interest, content as long as they believe they’re not supporting the burning of their faces. That kind of seething argument for greater justice became more prominent as the Discworld books went on.

This whole theme, though, gets minimised by the game’s changes to the plot and its wider insistence on prioritising knockabout comedy. No chance is missed for cartoon logic, and even where aspects of the plot like the dragon’s desire for revenge on its summoners are kept, they’re played for laughs There is parody but nothing like the sharp satire of the source material, and it puts humour above anything, including sometimes fidelity to its characters. Across the series Pratchett has a running joke of the university’s orangutan librarian reacting violently to being called a monkey, but the many times the game has slapstick scenes of Rincewind doing that (or similar to other characters) and being bashed on the head doesn’t ring true. He’s the Librarian’s assistant from pretty early on in the series and regardless, if nothing else, his defining cowardice would make him more cautious than that. The game’s humour goes broad again and again. It may well include more jokes about men wearing dresses than it does women, in dresses or otherwise. That doesn’t come out of nowhere — Pratchett never quite got past the temptation to bite on easy jokes even if they sat uneasily with his moral messages — but the game feels closer to his worst early instincts.

To get completely anachronistic, I like to imagine a Discworld point’n’click based instead on much later books in the series. Tiffany Aching, analytical teenager training to be a witch (a position portrayed as being social worker and midwife more than it is magician) would fulfil a need for a level of unawareness and observation as player stand-in really well, and would allow for a game with a very different tone. That could be more than a cartoon romp in a familiar funny world. As it is, Discworld the game is a well-realised vision of Discworld, but it’s a vision of Discworld which was already old hat by the time of its inevitable creation.

Gallup Compact Disc chart, Computer Trade Weekly 3 April 1995 (chart for week to 25 March 1995)

[pwnyta]

Nobody ASKED for any of my shitty Pokemon character doodles... BUT IM IN A MOOD.

SO yall have to deal with it.

This is under a read more so dont come at me about it being annoyingly long. Blame Dumblr. Theres a SHIT TON OF DOODLES UNDER THE CUT.

First off I wanted to give Holly a whole classroom of friends... it wasnt GONNA be an all girls school... but I kept crankin of little girly Mons....

I dont actually have a shiny Darumaka or Eevee... but theyre two of my favorite shinies...

I drew these four after so theyre a bit different in style. Shiny Swirlex has the same excuse as the other two shinies... I just love the shiny colors

They also needed a teacher so I repurposed one of my older characters because I thought itd be funny to have a swan teacher... cuz swans are so scary but they care for their babies well.

Darla and Delilah can be bothered with threats because theyre safe with Mr Shandra.

Mikhail only takes classes that are small enough to fit under his wingspan so he can keep them all safe. And Eva and Tiffany learn from the best and just get pissed off like their teacher.

((Hes more bark than bite though... hes not a great fighter and a double weakness to Electric? Garbo. But he puts up a convincing enough front.))

And because he was a swan I gave him a life mate. The only other being that gets any softness from him.

He was an ex pirate.

Mikhail has no interest in criminals!!! So the captain gave up the pirate life and married a very short tempered bird and gained a lot of weight...because I wanted him chubby.

---

‘’Spider’’, Esi, and dear ol Dad. Despite Reds best efforts to keep Esi out of Osborns hands he still ended up an immensely shady bastard but at least hes not as broken as ‘’Spider’’.

I didnt finish their moms because I couldnt settle on a design for Spiders mum....

Now Spider works for Caedere his beloved boss who would never ever lie to him ever. (Hint: Spiders nature is ‘naive’)

---

I tried revamping Ray and Hebanon...  but Ray still gay as hell for his boy.

I bullied Sparky a little. He’ll probably be fine even if Rays got a Mega evo. Its the name of the game Ray... hes supposed to knock his opponent out... you cant get pissed when ever Hebanon gets fucked up in battle.

---

Did I post these? Am I ever gonna finish these character sheets? No. And look I forgot the most pressing detail of Zippos and thats his fuckin Arbok mark on his back. IM A FOOL.

Kreetan and his mum and dad.

So many little comic things I’ll never finish because theres too many and instead of just stopping and finishing something I keep adding to my unfinished doodles instead. This is why I dont take requests or anything.

I time where Leif and Cyndy actually grow up?

THEY ALL HAVE CAT EARS.

Zippo is curious.

.....AS A CAT.

Polly is here too!! And shes ready to punch someone RIGHT IN THE NOODLE.

I also thought itd be nice to draw out some other Chars of Zippo and Crizs generation.

Theyre.. as you may have guessed are not finished yet.

Clem is a timid lad, Mira... not so much. Very brave

Addy is a modest princess type

Jubilee is a sassy lass.

And Criz. A sweet bashful boy whos never done anything wrong and certainly will not die because no one would be cruel enough to let that happen.

((EYES EMOJI))

Babby Clem, Addy, and Jubilee.

WHO’RE THESE ASSHOLES?!

---

Updated Mistletoe. One spooky righteous(in his own mind) lad.

She only looks stoic to start... but shes quite the weirdo.

She just got here and shes ready to go home. What a mood.

Now for some less polished individuals....

Meh meh meh lookit me IM OMI. Im gonna put three of the exact same Pokemon in the same group so Pwnyta has to suffer tryna come up with different designs.

...But I do like them. I imagine that they remain Ekans because they wont need the mark of their tribe so no one will no where they come from. So spooky.

I was torn between the codename ‘Sundown‘ and ‘Daybreak‘ for Crobat.

By day hes a wholesome trustworthy priest... by night he tortures people for a shady shady bug man. He’ll determine if youre truly innocent.

Doc has to deal with all these fuckin weirdos... he just wants to be a doctor... BUT AT WHAT COST DOC?!

This is a sequel to the doodle comic I was makin in a previous post... Kop and Doc develop an interesting friendship (In Kops mind. Its more a ‘stalker with a crush’ situation) But hey if Kops not being paid then hes got no reason to hurt Doc.

...Docs a fun character to bully because hes so smarmy and small.

---

AND NOW FOR SOME SCIENCE BITCHES.

A man of few words and an intense curiosity with mortal beings and his own existence.

A spooky lad who doesnt quite mean to torment his subordinates... its just his Pressure.

Id imagine his form changes are a bit like Iron Man in IW when hes fighting Thanos.

I drew some more science bitches...

Some casual clothes for the original three stooges.

Shes deaf Franz! She cant hear you.

Ya know IDK if itd be ‘canon‘ that they all met as kids... I just thought itd be cute. Little psychic babies all doofin off together... the most troublesome one being asleep 90% of the time due to being an Abra.... and narcoleptic. Abra sleep so much naturally... Geller sleeps even MORE... thats why hes so incredibly smart even for an Alakazam.

I had a whole little redo sketch comic idea of Mewtwo breakin loose and fuckin shit up.... (its never been finished)

Franz tries to put him to sleep. (it doesnt work. He needs Emanuel and Nola to save him and he gets his arm broken for bein such a cheeky lad.)

Mewtwo doesnt have too much of a problem with Geller due to his soft spot for kids and pure desire for knowledge... but if hes gonna protect the other assholes then PERISH.

Dont worry though big boss Deo wont let his subordinates die let alone the second smartest after him... and saves them all pretty easy. A sharp tentacle arm through the chest will stop even Mewtwo.

Some booboos happen tho...

But hes fine eventually and finds his ex wife home watchin the kids.

Shes promptly expelled.

Geller also goes back for Dilla and steals him. Lifes too short not to adopt an ancient fossil baby.

Emanuel isnt delighted... but he doesnt have the heart to call the authorities on a man who risked his life to save him.

Fossil Mons come in two types-- Resurrected fossils which have the skin color of the primary coloring of their Pokemon form so they can be solid black or blue or red or w/e... Ancestors of ancient Pokemon have normal skin tones.

And another comic sketch idea... where Geller and Roswell are gifted with some fancy new Mega stones... Ros? Not too keen on the idea hes seen what can happen to a bitch when they Mega Evo... he aint got time for that. Geller goes HARD for SCIENCE.

Ros: Geller I know your a spoon guy but stick a fork in that bastard cuz hes done. COOKED. If he thinks im riskin my ass for his bullshit. Lets go tell him off together (im scared to go without you...)

Geller: We experiment on living things all the time for the sake of scientific progress.... are we really too good to be subject to our own studies?

Ros: YES. ABSOLUTELY.

After seeing Geller use his without hesitation, putting his body through a world of hurt for the sake of SCIENCE!!! Ros couldnt pussy out on his boy...

His Mega is just FABULOUS and now he loves it.

--

I was also makin a team with the Pokemon that have the highest stats (non Legends/Psudos/Megas) but I got bored after Blissey. She has a Togekiss wife I didnt finish either... Oh well.

Shes a bold lass and prefers double battles with her support wife. She doesnt like using dangerous moves as its in her nature as a Blissey to heal.

---

(I forgot his whiskers... OH WELL)

I wanted to give Flaminio some people who missed him after he got spirited away by his Ghosts.

After he disappeared people looked for him but he was never found and years and years went by and people stopped looking. Even Clove and Ceto had to move on.

Koban is a loyal bitch though and he never let it go. He still wants his friend back. Hes an old boy now... so old people probably call him ‘Nekomata‘ and wonder when his tail is gonna split.