#it's just so EASY on the eyes

[bird-inacage]

The Heart Killers EP3 | Kantbison + Physical Chemistry (P2)

I can't get enough of the touchy, grabby things. The way Bison rubs his thumb on Kant's shoulder. Kant doing a similar little thumb sweep on Bison's arm. The fond little peck. The way Kant is always so handsy, wide open palms searching up Bison's thighs or knees.

[humming-fly]

He was feeling left out

and the higher rez stills, since gifs always export as if you're sending messages through a metal can~

[musubiki]

my favorite fields of mistria boys 🥰

[crunchchute]

learning to draw him and stuff (learned nothing) but posting this with edited colors (hating the og one) + just the sketches cause theyre less painful to look at

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[steeltwigz]

marshmallow, are you seein this shit?

[artkaninchenbau]

Wanted to make an Egghead-themed sticker sheet for a looong time, and once I got to it I noticed had enough room for a few more extras after the Strawhats were done... So here's some Cross Guild chibs for you

[puppppppppy]

wanna see a magic trick? 🪄🎩

[tinyfantasminha]

I don't want to keep clogging my blog with vent posts but uh... I guess this is a more general concern/observation

But it's getting real hard to stay motivated in fandom spaces when there's little compensation, and annoying occurrences are more frequent than good ones.

Mainly there's been less engagement/people showing interest in creators and their art (such as sending asks, making comments and reblogging with tags) and MORE parasocial interactions. This goes for both artists and writers.

Over this year I've noticed a vast disinterest within my public in general. Asks about ocs, my art, or just nice simple comments of ''I love your art'' has been getting more and more scarce. My follower number is bigger than 2-3 years ago sure and I get more likes on my posts but they are feeling more like just numbers and statistics than actual people who supposedly like my stuff.

And while people being parasocial with creators has always been a thing, I feel like it's gotten way worse... in general? People sending personal pictures out of the blue in hopes of being validated, unwanted psychological advice or assumptions about the creator without any established connection first ( <- these happened to me in the same week.) ventdump, just insensitive/lacking of common sense comments in general, unreasonable demands (mostly with writers)... I wondered at first if it was just me, but a handful of mutuals/acquaintances who are artists and writers seems to be going through it as well.

It's annoying. It's tough. It's getting exhausting. Creators pour so much of themselves into their work—countless hours, effort, and passion, all to share something meaningful or entertaining with others (and for FREE) The LEAST anyone can do is show respect, even if opinions differ. When a writer posts a fanfic, don't just say ''omg post next chapter!'', when an artist posts a drawing of their favorite character, don't just say ''omg draw (character) next!'' as if they're faceless content machines that are expected to churn out more '''content''' for you without acknowledgment, encouragement, or appreciation.

''I want to support creators but I don't know what to say and I feel intimidated by their talent so I just lurk silently :((('' I swear to you, no creator (at least not the majority) is making up an intimidating persona to discourage you from interacting with them. They WANT your comments. A single ''I love your art/writing/videos'' or even something as silly as ''I want to eat your art'' is enough to keep a creator sighing dreamily for WEEKS. It doesn't have to be deep! It's heartfelt and that's what it matters!! (Just remember to keep it relevant and thoughtful... It takes just a bit of common sense NOT to comment things like ''this looks like (another character)'' or ''this but with (another unrelated ship/character/show)''. No one wants to hear comparisons or unrelated ideas when they’ve poured their soul into something.)

In fact, the ''I like your art but I think you're intimidating'' feels more hurtful than flattering. It makes me feel like I'm doing something wrong, acting wrong. 💀

If you love that fanfic that changed your brain psyche forever and want to gush about it, go tell the writer. If you loved so much a piece of art that you saved it a million times in your phone and can't stop thinking about it, go tell the artist. Push away the ''they probably won't care about my comment/it won't make a difference'' thoughts. DO IT NOW. You won't know when they might go inactive forever or deactivate. You can't know if that is the last piece they will ever post. Make sure you show appreciation to creators NOW, while they are still here. While they're still not being replaced by AI.

[tartagliove]

EASY ON THE EYES, EASIER TO HATE. tartaglia x reader ✧ 2.7k words

when the fae raid your village to take humans into their realm, you think you’ll be safe in the woods. but you run into a fae who introduces himself as tartaglia and realize it might have been safer for you to stay at home.

tags and warnings ✧  fae!tartaglia, gender neutral reader (no pronouns used), reader sews and tailors clothes for a living, the fae are pretty brutal, mentions of violence, (ajax licks) blood and tears, chasing (predator prey dynamic), manhandling, all enemies and no lovers (only tension oops). note ✧ this is a darker fic compared to most of my writing; please let me know if I need to tag anything else! title inspired by the song "psycho" by taylor acorn. a gift for @cruel-hiraeth for teahouse's secret santa! happy new year, kae! i hope this fic helps you start off the year right by loving hating tartaglia >u< this was lots of fun to write hehe and got a little long because the au ran away from me... i hope you enjoy! love you lots <3

The snow falls thick and fast, yet the village continues to burn. Screams and shouts of villagers, mixed with the clashing of metal, rise above the roar of devouring flames of blue.

The fae are here.

They pull people out of their beds, pushing them into the streets. Turn their faces toward the light of a burning house—looking for the beautiful humans, still young and nimble. Or searching for evidence of skill in the arts; a pretty face matters little if one can produce beautiful things in ways that the fae cannot. Those who fail to meet the fae’s standards are left alone, shivering and watching in the cold. 

The humans the fae deem acceptable meet a much worse fate. They are picked up and thrown in the back of carts, drawn by horses with ears too long and manes too wild, their coats unusually glossy and vibrant. The chosen who try to escape are bound with rope that cruelly digs into skin. Those who try to fight are taken down brutally, then laughed at as they writhe on the ground—though the fae make sure no permanent damage is done, for that would defeat the purpose of the raid.

A fae bearing a torch of blue flames brings it up to the walls of each house of those who have been chosen. The blue catches on the wood unnaturally quickly, spreading with a voracious hunger despite the wind and snow. Within the hour, nothing will remain besides a pile of ash. 

But by then, the fae and the chosen villagers will be long gone.

You are lucky that sleep is so elusive tonight.

Earlier, after tossing and turning in bed for ages, you give up on trying to fall asleep. It is hard to leave your dog who has curled up beside you in a ball of white fluff, but you press a kiss between her ears before changing into some warmer layers. You sweep a thick winter cloak over your shoulders. It is the most luxurious piece of clothing you own; a beautiful dark green cloth lined with fur, decorated by unfinished hand-embroidered leaves and flowers and bunnies—a project you’ve been chipping away at this winter. Putting on boots that have long since been molded to the shape of your feet, you leave your house to catch some fresh air and possibly tire yourself out along the way.

The blanket of pure white is beautiful. The full moon makes everything glitter as snow stretches from the outskirts of the village into the forests beyond. Snowflakes continue to fall, decorating your hair and eyelashes with diamonds, while the shoulders of your cloak become dusted in sugar. 

It is so quiet out here. The whistling of the wind and the thoughts in your head are the only sounds you hear. You are used to this, though. Every day you sew and tailor clothes in the back of the village’s clothing store, often alone for hours on end with nothing but your thoughts for company.

A strong gust of wind rocks you on your feet. Clutching your cloak tighter and tossing the fur-lined hood up over your head, you turn your back on the forest to face the trail of footsteps you’ve made through the snow. You should head home.

Still, you take your time approaching the village. The snow dances around you and you can’t help but indulge in a spin, cloak sweeping out around you in a swirl of deep green. Your huff of laughter is stolen by the wind, but the delight within you remains.

Then the first scream rips through the night.

You freeze. Scanning the houses on the outskirts of the village reveals no dangers.

Another cry follows the first and you know something must be terribly wrong. 

You start running toward the village, kicking up snow as your mind races. Perhaps someone is getting robbed—but no one in town would dare. Or based on the growing amount of cries and shouts, maybe something happened that has injured a lot of people. A fire?

As you make it to the buildings, you see that you are right. Fire engulfs one of the homes on the far side of town, the flames reaching for the sky. A shudder runs through you at the sight, for the flames are unnaturally blue, and though this is the first time you’ve seen such a thing, you have heard of the stories and warnings about the cyan fire and those that accompany it.

You will not let the fae take you.

Whirling around, you sprint for the woods. The screams of the other villagers ring in your ears, but you know it is impossible for you to take on a single fae, let alone an army of them. They are here to steal humans away. For what, you’re not sure, but it can’t be for anything good. Though you doubt they would choose to take you, the best way to make sure you can see the sunrise tomorrow is to hide in the woods and avoid them all.

Reaching the treeline seems to take ages. You keep looking over your shoulder as you run, half expecting to have been spotted, but you only see more and more flames of blue burning houses to the ground.

Your heart skips a beat at the thought of your home being set ablaze—your dog!—but then you remember the fae only burn the houses of the humans they take and relief washes over you.

With your thoughts consumed by the safety of your dog, you don’t notice that you have slowed, trying to catch your breath in the midst of the trees. Nor do you notice that you aren’t alone anymore, until the newcomer starts speaking.

“My, my. Where are you off to in such a hurry?”

Dread sinks like a stone in your stomach. You spin, eyes wide as they land on the source of those playful and teasing words, leaning against a nearby tree with his arms crossed.

You know he is fae right away by his unnatural beauty. His hair glimmers a coppery orange under the light of the full moon, all windswept and dusted in snow. His eyes seem to glow as they scan you from head to toe, a blue just a shade darker than that of the flames destroying the village. Ears taper into a fine point and from his left one dangles a deep red crystal that only makes you think of blood. He smiles, then, as you observe him. His canines are sharp and long, like that of a fox, and you are frozen with wide, shining eyes of a bunny.

He hums and tilts his head. It is then that you remember he asked a question, and your throat works to find your voice to answer him. “I was out for a stroll,” you manage to say, words somehow steady despite your fluttering pulse.

It’s a half-truth, but half-truths are half-lies, and there’s the slightest hint of bitterness in the back of Ajax’s throat that always accompanies humans’ lies. “Oh, really? And was that before or after we made our presence known?”

“Before, actually,” you tell him honestly. “I couldn’t sleep so I decided to take a walk. The snow is beautiful and the moon is bright—it’s pretty, is it not?” If you talk enough, maybe he’ll lose interest so you can make a run for it. You don’t know much about fae, but with the way he’s dressed in nicer clothing than what most men in your village wear, surely he won’t care for running through the snowy forest.

He smiles. “It is pretty.” His eyes refuse to leave your frame, and a shiver runs through you. You don’t think he’s talking solely about the snow. 

Pushing off the tree, he takes a few steps forward, nearly silent despite the boots he wears. He stops when you stiffen, clutching your cloak tighter in your hands. “Where are my manners? Allow me to introduce myself. I’m Tartaglia,” he says, picking one of his many names to give you. “And you are?”

You press your lips together and force a smile. Even you know not to give the fae your name, no matter how much of a gentleman he is pretending to be. Your stomach rolls, unease making your heart rate pick up again. “I’m-” You see the way he perks up in interest, expecting a name. “I’m leaving,” you spit out, turn on your heels, and run.

Ajax watches you leave, the green of your cloak billowing out behind you like a rabbit’s tail inviting him to chase. He laughs, throwing his head back as the sound erupts from his throat. “Oh, you shouldn’t have done that,” he says, his breath beading in the winter air.

He had not intended to take you back to the fae realm, but then you had to go and run. And he wouldn’t dare to let all your hard work go to waste—so he’ll participate in the delightful hunt you’ve set up for him.

The ground is uneven beneath your feet. It is hard to tell where the tree roots are under the thick layer of snow and each breath of air feels like tiny needles stabbing your lungs. But you push on, feet pounding as quickly as you can force yourself to go.

You want to be as far away from that fae as you can get. He had not looked like he was going to chase you when you last saw him, laughing as you ran away, but there was a look in his eyes that pushed you to keep running.

When you toss a quick glance over your shoulder, your breath hitches and terror rushes through you.

He’s there. In the distance, but you can see him, weaving through the trees at an inhuman pace, his long legs carrying him far. He is gaining on you and you fear what he will do when he catches you.

You push yourself to run even harder, but your legs burn and your throat feels tight. In your haste, you fail to see the lower hanging branches of a nearby tree. A cry tears from your lips as a thin branch slices through the skin of your cheek, but you barely feel the pain with your face nearly frozen from the cold.

“Ouch,” the fae calls after you. His voice is loud and clear, and you know he’s only getting closer. “Don’t hurt yourself too much trying to escape, okay?”

Through your huffs for air, you manage to shout back at him. “Piss off! Leave me alone!”

Ajax grins, closing the distance. “I don’t think I will,” he says.

He lunges forward and grabs a fistful of your cloak. You stumble from the pull, tripping over your feet. He uses the momentum to spin you around, pushing you backward until you hit a tree, forcing the air from your lungs. His body presses against yours right after, caging you in with one leg wedged between your own.

“Let go of me!” you shout, slamming your fists into his chest. You try shoving all of your weight into him but he simply presses back harder until his chest is flush against yours. 

He laughs—laughs!—as you struggle against him, kicking and yelling and throwing your weight from side to side. He does not budge at all under the onslaught. You do everything you can, but only wear yourself out, leaning back against the tree to catch your breath.

“Are you done?” he asks, amusement coloring his tone. “If not, I can do this all night.”

His reaction makes your blood boil, most of your fear buried beneath anger. You glare down past his arm that still grips your cloak and catch sight of a sliver of pale skin peeking through the folds of his clothes. Moving your gaze back up to his face, you spit out, “I hope you die.”

And then you dig your nails into the exposed skin of his stomach, sink your teeth into the arm holding onto your cloak, and shove with all your might.

Ajax stumbles backward. 

You rip yourself out of his hold, twist your body to the side, taking one step forward, free-

Arms wrap around your waist and throw you back toward the tree. Your feet catch on his boot, making you lose your balance, perfect for Ajax to maneuver your body as he wills. This time, he pins your hands above your head, one large hand grasping your wrists, while his other arm presses as an immovable bar across your collarbones. One leg forces its way between your own, and you realize you are at this fae’s mercy, pinned like a prized butterfly in a collection; all pretty and helpless, on display for him to study.

You look down. You don’t want to see the anger on his face before he retaliates for your actions.

The arm across your chest shifts and you flinch as gloved fingers grab your chin, firm but not painful as he tilts your head, forcing you to look at him. You’re taken aback by the grin on his face, canines bared and bloodthirsty, but his eyes are amused.

“Try that again, I dare you.” His voice is rough and yet it doesn’t sound like a threat.

Your eyes grow wide. This kind of a creature is not one you will be able to escape, at least not now—unarmed except for your teeth and nails.

Ajax lets go of your chin, pulling back slightly. He’s delighted by the fire within you. When he first saw you, running toward the woods, he simply thought you a pretty coward. But oh you dared to fight back, using what little defenses humans naturally have, and you even broke skin. Though his fae blood allows him to rapidly heal, the sensation of your nails digging into his abdomen is not one he’ll forget anytime soon.

As he looks away from your face to take you all in, now that you’re not struggling to escape, his gaze catches on your cloak. His eyes light up, tracing over the exquisitely stitched leaves and plants of various green threads, mixed occasionally with lively bunnies of soft browns. There’s a rabbit still unfinished, just a cute head and perked ears, awaiting its body to bring it to life. 

“Did you make this?” Ajax asks, thumb brushing over the embroidery.

“No,” you gasp, heart sinking.

He tastes the lie and grins. “That’s not true now, is it?”

It’s over. Now that he knows you are skilled at sewing, he has all the reasons he needs to bring you into his realm. Despair is a heavy weight, mixed with frustration and anger. Tears well in your eyes and slide down the curves of your face. A few droplets spread into the cut on your left cheek, mixing with the beading blood that stains your skin.

Ajax is enchanted. Has he ever seen a human so beautiful?

He can’t stop himself from leaning in even closer until his nose nearly presses against your ear. There’s a moment where you hear him inhale. Then his tongue swipes up your cheek, lapping up tears and blood. His groan of delight is overlapped by your whimper, the cut on your cheek stinging as fear flows through your veins.

His fingers grip your chin again and he turns your head to the other side. Warmth travels up your cheek as he licks your tears, before pulling away with a satisfied smirk on his lips.

As you gasp for breath, he takes in the sight of more tears streaming down your face, shed in mourning for the loss of your life in the human world. Shudders run through you until your tears slow, giving time for your heart to harden. Slowly, you open your eyes to meet his gaze, yours now blazing with fury and hatred.

Ajax grins, taking in the vision before him. “You’re perfect.”

note ✧ ajax makes you point out your home and he gets to dig through your stuff as you collect a few things to take with you. don't worry, doggo gets to come with and is treated very well (fae like animals more than humans, usually).

this is not quite the type of thing i usually write, but i hope it was still an enjoyable read! i'd love to hear what you think c:

[bird-inacage]

The Heart Killers | ‘My Fuel’ OST by First Kanaphan

Okay Khao was looking absolutely radiant in this MV. Is that what happens when you're being serenaded?

[shakingparadigm]

NOBODY is allowed to be happy and EVERYONE is doomed

[xxplastic-cubexx]

charlies turn for the reference sheet beam

[vaguely-concerned]

the barista lady in the treviso café fucking giggles every time you buy the fancy coffee lucanis likes from her btw. can't believe the game is calling out rook and me like this

[turtleblogatlast]

Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)

Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)

Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)

The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.

[niccolites]

i am a simon 'bad drunk' riley truther. he never gets Truly smashed bc he hates the loss of control being fully drunk brings up

but he does drink enough that it has you on edge. ruins the vibe if anyone else is there, brings the mood down immediately. you start shuffling anxiously if you're in public or at a party, a tense feeling in your stomach because he will start a fight and you won't be able to stop him

he always manhandles you when he's sober, but you get the feeling it's just because he can. shifts you about where he wants you. when he's drunk, his thumbs always dig into you just a little bit too much, wants you blinking up at him with wet eyes. he wants you just on the edge of feeling ashamed and betrayed by him and his horrible behaviour before he yanks you back into him again. just because he can