#it's how plots happen

[whiskawaybelf]

Sorry to hijack but I have so. many. thoughts on this rhetoric of 'well they clearly didn't care about Eowyn that much'/ 'How are the Rohirrim so dumb'

This is a showcase of Imrahil being noble and wise. It wasn't like any single man in Gondor would have looked and been like 'you idiots, she's breathing' We need him to be those things for multiple reasons! When he hails Aragorn as the king and gives Gandalf command of the city we need to understand that's a really well respected guy and he's making good decisions that the Gondorian people would follow. He's of the same lineage that makes Faramir so noble. With a lot of our Gondorian characters out of commission, he is one of our main points about Gondor being full of noble people who are still fighting their asses off and haven't given up. We have to realise that he's almost the anti-Denethor, wise, learned, etc but instead of a Palantir, he's there in battle, with people, he's not hearing whispers, he's seeing first hand what is happening. AND *he's taking the time to look closer, instead of panicking and taking things at face value* Which leads us to:

We need someone we know is wise and noble to help the Rohirrim when they get trapped, we need someone we like to come help them so we see that Gondor and Rohan are working together. They're helping each other! They are looking out for each other and reciprocating kindness (bad word, like great acts of sacrifice, maybe?) which is a thing that Sauron really. does. not. want. So we need Imrahil's empathy and strength as a plot-point. A connection to the Rohirrim and as a character building moments. And then he rides to help Eomer. He saves his life! And his sisters! And then!

It's not a mark of Rohan being stupid that they need Gondor and vice versa. Rohan is in active battle and then in active mourning and Eowyn looks dead, they didn't bring any doctors because they were riding so fast and they barely made it in time. Eowyn is so ill that her breath is only obvious when he takes out a mirror to show it. He's also there as a mark of respect to the dead of Rohan. He is taking the time to do the right thing and support the people who came to help them. The Rohirrim work quickly and instinctively. Imrahil (and therefore his command) work more slowly and more methodically. They balance each other out. It's a fundamental part of how the Horse-lords are described, brash and generous. They turn the battle because they are brash and generous. They also almost lose Eowyn for that same reason. A flaw and a blessing.

This idea that Rohan are cold and heartless or stupid for fundamentally adhering to their cultural norms and/ focusing on the active battle that they're fighting (There's still Nazgul! They're still under attack!) is inherently a bad faith argument. Rohan balances Gondor and vice versa, this is fundamentally a moment of connection between cultures and establishes that Gondor is not only grateful that Rohan came to help them, they are going to reciprocate and help Rohan in the ways they can right now. It's so much more than a scene about a dying woman. It's establishing that Gondor is not inherently selfish and that they're worth saving and that there is genuine care and respect for their fellow man and that is going to win the battle.

May I take a moment to be utterly predictable and give my defense of the Rohirrim for failing to understand that Éowyn was not yet dead on the Pelennor Fields?

I know everyone likes to poke fun at my guys. “Oh, if Éowyn was so important, how is it that they didn’t even think to check whether she was really dead? Why did they need Imrahil to set them straight? What a bunch of goofs!”

But, really, I think this was entirely understandable. Éowyn’s critical injury wasn’t (just) some common battlefield wound. She was suffering from the Black Breath, a malady brought on by the Witch King and which puts someone into a “deadly cold” sleep until they pass in silence to death. And she had it BAD — it lays on her “heavily,” and given her one-on-one direct contact with the Witch King, she may very well have had a bigger dose of it than anyone else ever did. 

The Black Breath was well known in Gondor. There were “many” sick with it in Minas Tirith’s Houses of Healing, as the forces of Gondor had been tangling with the Nazgûl since the taking of Osgiliath nine months earlier and who knows how often in other instances. They didn’t have a cure for it, but they certainly recognized it. Imrahil would have known about it and even seen it himself in Faramir and perhaps in others in the Houses of Healing when he brought Faramir in.

But you know who had never seen a case of Black Breath before? The Rohirrim! They weren’t used to having Nazgûl up in their business. There’s no long established history of the Fell Riders parading around in Rohan, fighting with the Rohirrim. The few Nazgûl that are sighted there in the lead up to the War of the Ring are in the sky, not landing and engaging directly with the people. So how should the Rohirrim be able to easily spot the difference between the (death-like) effects of the Black Breath and actual death? How should they even know that the Black Breath is a thing that exists? They shouldn’t!

Did they screw up by not taking the time to do a comprehensive check of Éowyn’s various vital signs? Yes. But is it ridiculous that their cursory check of her didn’t clue them in to her unique and previously-unknown-to-them sickness that had all the appearance of death? I don’t think it is. Éomer and his men aren’t dummies. They were just non-healers with no relevant expertise who were experiencing massive emotional distress while in the middle of an active battlefield. Imrahil, by contrast, knew what to look for, had no emotional investment in Éowyn to cloud his judgment, and came upon her much closer to the city, where things were quieter and less chaotic. OF COURSE he did better! The Rohirrim made mistakes, but they were understandable mistakes! So let’s all cut Éomer some well deserved slack, yes?

[poorly-drawn-mdzs]

This wine tastes like pigs blood!

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[draculasweedsmokinggirlfriend]

Let's not pretend that Oscar Wilde isn't spinning in his grave so violently we could entirely switch to green, renewable energy at this news of Dorain and Basil being portrayed as fucking siblings in this new show

[kaysdenofchaos]

cough so i read that future rise comic

and thinking back on the battle scars au, i always wanted it to be canon compliant with just some adjustments and well

haha ill go see myself out now

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[charcoaldustonmyfingers]

Some more TMNT ‘03! Using my own designs :)

I doodled these while watching the show, I absolutely love their character dynamics.

Because they don’t exactly have a stated species, I suppose they’re red eared sliders because of how those tend to be the default answer.

Raph deserves some teasing too, even if he doesn’t get as many nicknames as his brothers. Leo does not actually want to know when the next issue of that story comes out because Mikey was actually reading the season 3 finale and the arc after is Leo’s mental health taking a nosedive.

[tenowls]

teacher getou au...... wauh

[kurthummeldeservesbetter]

I feel like something that should have been explored more in Arcane is that despite the dangers and pretty much horrific conditions, Zaun children seemingly grow up a lot more caring and have a larger understanding of family in comparison to Piltover children. And if such a reflection of the real world in a sense.

The kids of Zaun seemingly grow up with a lot more adult support. Ekko is easily welcomed under Benzo’s wings. Vander adopts 4 kids (two of which we learn he knew of before their parents death, two of which we can’t be sure of). Silco, despite all what happened, and his ulterior motives, shows no problem adopting Powder/Jinx. In the alternate universe it seems as though he’s still played a part in the kids lives. Jinx adopts Isha easily and Sevika cares for her as well. Hell, even Mr. War Crimes Against Humanity does well with little Viktor (until ya know, the animal abuse).

Hell, up until Vander dies (the first time) there seems to be a large understanding of if there’s an orphan or a kid in need of guidance, take them in! (And certainly don’t inform them of your plans to turn a giant pink salamander into drugs and be confused when a nine year old doesn’t understand). If a kid wants to be your apprentice, let them! For the most part, until things all went wrong in the end of act 1 of season 1, the worst parts of Zaun seem pretty typical for any city in poverty.

Match that with what we see with how Caitlyn and Jayce grow up. Caitlyn is given adult support, yes, and it’s clearly a good adult mentor, but it’s not entirely by her choice. It’s been chosen for her. She’s safe, but there’s a lack of freedom of choice. Meanwhile, when Jayce gets older, and that same accident in Act 1 happens, the family that supported him and his mom turns their backs. His own mom doesn’t support him either, because she’s afraid of what he’s talking about, but also because he’s damming them to being outcasts.

Conversely, Vander is more than willing to take the fall for what Claggor, Milo, Vi and Powder did. He’s willing to go to prison for a long time, in order for them to have a better future. Despite Vi’s best efforts, he’s not going to listen to her (she is just a kid) and he’s not letting his family go down and get hurt.

Meanwhile, a man who grew up in this mentality, where there’s a wide sense of family support from people who aren’t your biological family, is the one to go to Jayce, a stranger, and tells him he believes in him. It’s why it’s such a shock to Jayce; his own family and family friends denied him. They didn’t support him.

I think that’s what makes all the difference. Piltover and Zaun have wildly different understandings of family and forgiveness. For Piltover, it shuns and damns the lives of those who upset the balance. For Zaun, it provides safety and never ending understanding.

Just. I’m thinking.

[nokkiart]

As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.

The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.

And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.

On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.

With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.

The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!

That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.

And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.

But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.

[redkehlchen]

As promised another comic! <3

[mammalsofaction]

Something incredibly annoying when dealing with non-pnf stans when discussing with PnF is discussion of Candace being accidentally gaslit by her mother. In that they assume everyone is in on the fact to make Candace feel like she's crazy. NOBODY ELSE is doing that. In fact, nobody BUT Candace seems to understand the whole brunt of the situation.

The backyard gang are not "bullying" Candace or keeping her from telling her mom. In fact, they tell Linda about it themselves MULTIPLE TIMES. They talk about it off handedly a bunch of times too. Theyre just also 10, and Linda thinks it's part of the "games". She thinks theyre being imaginative. Theyre NOT. The backyard gang is NOT lying to her, and they are NOT perpetuating the assumption that Candace is crazy. Linda just doesnt believe them. The backyard gang doesn't KNOW this. THEY ALL THINK LINDA KNOWS.

LAWRENCE is not perpetuating the idea that Candace is crazy. He ALSO thinks Linda knows. HE HAS SEEN the backyard projects a bunch of times, and HE TELLS Linda about them TOO. However, and this is important, he only ever sees the cute, relaxed and sweet projects, and never the potentially dangerous or fatal ones, so he thinks Candace is being anxious and overprotective. Which she is, but that's a separate issue. LAWRENCE is not lying. HE thinks Linda knows.

JEREMY has seen the projects and parties. He talks about them at length, and how cool Phineas and Ferb are! He's never lied. He thinks Linda knows.

STACY has seen the projects and parties. She FREQUENTLY vouches for Candace. But shes Candace's best friend, so of course Linda doesnt believe her.

EVERYBODY EITHER THINKS LINDA ALREADY KNOWS, OR HAVE CLOSE ATTACHMENTS TO CANDACE SO LINDA DOESNT BELIEVE THEM ANYWAY.

Linda isnt doing it on purpose. NOBODY is lying.

DO i think Linda should believe her daughter now and then? And should Lawrence stick up for her more? Of course I do. But it's not malicious. Just....a bit neglectful. But Candace's assumption that everyone is against her is largely perpetuated in her own head and anxieties and miseries. She ISN'T alone. People ARE on her side, and she has more allies than she thinks. There are MULTIPLE episodes where Phineas and Ferb try to bust THEMSELVES (AKA attempt to show Linda their project with her own eyes) when she simply asks them to. A lot of people think she's really cool, and caring, and her brothers think shes unironically, absolutely AWESOME. Which has been the point of many episodes, AS WELL AS Candace against the Universe.

[bunnieswithknives]

Gore, Violence and Blood under the cut

What a mess

[poorly-drawn-mdzs]

Swift travels.

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[okayto]

Neopets is so funny right now. It's a 24-year-old website and half its pages haven't been updated in 15 years. Its ostensible audience is children. The core active audience appears to be nostalgic 20-40-year-olds. Old code means no accounts or pets can ever be renamed. The virtual pound is full of virtual pets named after Justin Bieber. It has an economy and inflation is rampant. New ownership is combating this with the stimulus of random super-rare items via daily quests and events, while the equivalent of Neopian Upper-Crust complain that their investments are deflating. You can't say seaweed or grapes.

[inamindfarfaraway]

I would find Blondie Lockes very annoying in real life, but I love her in fiction. She's a genuinely good journalist in terms of both skill and ethical integrity, who only occasionally forgets to check the facts because she's fifteen and holds herself accountable when she does. She has incredibly high standards for everything and believes herself to be the ultimate authority on quality. She has magical lockpicking powers because her fairytale is about Goldilocks breaking into a house. She somehow completely ignores the story's moral that Goldilocks was wrong to break into the house, feels entitled to go wherever and help herself to whatever she's able to and cannot comprehend why people dislike this. She's been terrorizing an anthropomorphic bear family with her cheerful disrespect for privacy and is convinced that they love her. She has a non-anthropomorphic pet baby bear. Her motivation is dependence on external approval rooted in deeply internalized classism. She's desperate to be useful and important to those with higher social status and feels the need to lie that her family is technically royalty to fit in with her royal friends, even though they treat commoners like equals all the time. She positions herself as a conduit of true greatness; closer to it than the masses, but never the hero, always reporting on other people and evaluating what they've done. Because what she's done isn't enough to be worthwhile. What she is isn't enough. But this performative lifestyle makes her anxious about being judged as a fraud and an interloper, and ashamed of selfishly transgressing against social norms. Her microphone head looks like an adorable little bear head. That's one hex of a character alright.

[sualne]

your body isn't your own