#it's been incomplete for so long

[pharriagehill]

thesis statement of my blog

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[swampybogg]

[paarthursass]

Baldur's Gate 3 Companion!Tav Ask List

What if your Tav was a recruitable companion, instead of the main character? (contains major spoilers for the game, and for some dark urge runs as well)

General

Where can your Tav be recruited?  Are they first encountered on the Nautiloid, or in the Nautiloid crash region?  Or are they not recruitable until a later act?

Do the other companions have special comments or reactions upon recruiting your Tav?

Does your Tav have any comments or advice when you recruit other companions?

What sort of general actions raise or lower their approval?

Are there any instances where your Tav can permanently leave the party, depending on player character actions?

Do they have any secrets that can be revealed?  What are the prerequisites for this secret coming to light?

Do they have their own personal quest that spans the course of the game?  Can it take different branching paths depending on the choices the Player Character makes?

What do they say when the Player Character asks them to stay in camp?  How about when the Player Character asks them to come adventuring again?

Does your Tav have any escalating conflicts with one of the other companions, like Lae’zel and Shadowheart’s knife-fight?

Are there any unique NPCs associated with your Tav that can show up during the course of the game?

Are there any moments in the game that trigger unique dialogue for your character? (Like Gale’s anecdote about the barfight after you save the goblin prisoner) 

Story Specific

How does your Tav advise the player character when it comes to the Dream Visitor?

How do they advise the player character on Raphael?

How do they react to Astarion biting the Player Character?

How do they react to the Player Character letting Abdirak whip them?

How do they react to the Player Character taking their first tadpole power?

Will they stay with the Player Character regardless of siding with the goblins or the tieflings, or is it possible for them to leave the party permanently?

What can they be found doing at the tiefling/goblin party?

Do they have comments on who the Player Character chooses to spend the night with? 

Do they have unique dialogue if the Player Character lets them die when they steal the Blood of Lathander?

How do they react if the PC licks the dead spider in the Gauntlet of Shar?

What do they say if the PC tries to force them to go up on stage with Dribbles the Clown?

Is it possible for your Tav to be kidnapped and replaced by Orin?  How is Orin's deception revealed?  How do they react to the PC rescuing them in the Temple of Bhaal?

How do they react to the PC either allowing Astarion to ascend or convincing him to spare the 7000 spawn?

How does Tav react to the PC becoming a mind flayer?  Can they offer to become one themselves?  Does their reaction change if they’re romanced? 

How do they react when the Dark Urge first reveals their amnesia and murderous thoughts to them?

How do they react to the Dark Urge killing Alfira?

If romanced, how do they react to the Dark Urge trying to kill them in Act 2?

Romance

Is your Tav a romanceable character?  Are there any specific requirements to romancing them?

Does your Tav need to be flirted with to start the romance, or will they approach the PC themselves if approval is high enough?

Are they a polyamorous or a monogamous option?

Do they have a special romance scene at the tiefling/goblin party?

Does the romance have different branching paths, or just one route to take?

How do they react to the player character breaking up with them, or choosing another character over them?

What questions can Zethino ask the PC about Tav in the Love Test? 

If they’re poly, do they have a reaction to the PC engaging in a relationship with Halsin?

How do they react if the PC has sex with Mizora? The Emperor?  Haarlep?

Will they join in with the PC and the Drow Twins, or no?

What are Tav’s plans for the future?  Do they propose to the PC, or is marriage not something they’re interested in?

Free space! Share anything from your companion!Tav au!

[teshiee]

the !! them!!! and random serpentine that arent any existing one particular

[chanelle-lize]

I used to have a really hard time bringing up the fact that I graduated from high school a year late without feeling the need to explain why and insisting that it wasn't my fault while simultaneously kicking myself for how much I sounded like I was just making excuses for something I should take responsibility for.

Then I watched Dimension 20's "The Seven" and suddenly I could simply say that I was a super senior.

The first time I heard the phrase "super senior" was in reference to Antiope Jones, a Black girl who had been held back a year after getting kidnapped and imprisoned by members of a fundamentalist cult, and like, girl, same.

So, since then, instead of anxiously spinning out any time I tried to tell a personal high school anecdote, I could just say I was a super senior, and then my brain would auto complete that statement with "like Antiope Jones" and I'd feel good about myself because Antiope Jones Is That Bitch.

That's what the problem had been the whole time. I wasn't worried about how other people would perceive me; I had been struggling with how I perceived myself.

Thanks, Aabria.

[padfootastic]

god lesbian prongsfoot just. goes so hard

[billythephoneguy]

Redraw

[tempo-tales]

Wait wait okay let me be clear here; so without Tempos Wonderwatch nearby she runs out of energy and mainly becomes unconscious (or worse presumably dead)? So is the like a whole entity, like all of her life is stored onto that watch??

(If it does mark as spoiler territory to you can always private the ask ^^)

Baia baia, interested, eh?

The WonderWatch is sealed with half of Alicia's Humanity ( Heart, Memory and Vital Energy). The watch cannot be separated from her, as it is like being separated from half of her identity and her physiological need, her life energy. Vital energy is what keeps a human being alive (also the Aura and the Soul), the farther the watch moves away from Tempo, the more she loses her vitality. The farther away, the worse for Tempo.

[callixton]

i like. really do wish i could find the satisfaction and joy in being trans but for ten years i have never stopped being envious of cis men like fuck. i can’t imagine what it would feel like to grow up in a body that’s supposed to be mine

[oh-no-its-bird]

Ohhhh you wanna take this old oc quiz I made like a year ago sooooo baddd

[pupkinpumpkin]

On the one hand, I want to romance every companion in Veilguard sooooo bad

On the other hand, I have completionist blood, which means I need to get all the chests, get all the candlehops, do all the sidequests, listen to all the dialogue, and get as many clothes and little codex entries as I can

And I don't think I have that much energy in me

[rapha-reads]

To those of you wondering (aka no one), I finished both The Vampire Armand and Merrick and I have a lot of thoughts and feels. I'm skipping Blood and Gold for now to go directly to Blackwood Farm (I'll read B&G later), but first I'm going to read something else, just to take a break.

TVA thoughts: man, Armand is messed up. And extremely compelling. But so messed up. As always, the theme of faith crisis, which seriously reaches new heights with these bitchy vampires, is not something I can fully immerse myself in, but it was fascinating to see his numerous metamorphosis. I liked how he bridges Western and Eastern Christianisme, especially through art. Now I'm thinking that if Rolin Jones makes him originally Muslim in the show, that could expand even more the conversation on how faith, and especially Abrahamic faith, has been in conversation for thousands of years and could be such a rich, diverse and spiritual, intellectual and artistic theme. I can already imagine some fascinating discussions comparing (not in a superior way but in a complementary way) coming from Muslim faith to Roman Catholic faith, the way book!Armand talks about the richness of his life in Kiev Rus despite the poverty and ascetism, and the richness of his life in Venecia despite the luxury and abundance.

As for Benamin and Sybille... I don't have much thoughts about them. Sybille is one of those female characters AR seemingly favors, not so much human as a nymph or a dryad, "perfectly splendid". And Benji is a caricature of an Arab child. Nuance? 401 not found.

Merrick thoughts: David for the love if everything, shut. The. Fuck. Up. Holy moly. I like David, I do, but damn the entire recollection of his history with Merrick was looooooong. I'm here to see Louis haunted by Claudia and haunting Lestat's coma, not how hard you're pining for the kid you practically raised! Also. ALSO. You're just going to leave that whole thing with the Olmec or possibly another more ancient Mesoamerican civilisation without ever giving us more? That was the most interesting part of it all! The vodoo history, the connection between Louisiana and Caribbean vodoo and old Native South-American religions! More about this, less about Merrick's perfect breasts, I am begging you. (It is at this point that the reader of this post realises OP is 100% definitely ace and more interested in books and witchcraft than breasts and whether a 70yo man can still get it up - also, hey, Anne Rice's vampires are practically asexual and their lust and pleasure is mostly derivated from blood, with some notable exceptions like Armand and Marius, and a love relationship between two vampires is then based on romantic love and blood sharing, so can I hear a hell yeah for some ace representation or are we still conflating eroticism with sex)

Another thing I kept thinking about throughout the book is how Louis is perceived by his fellow vampires. Since basically the second book, since we've lost his own POV, everybody who's ever said anything about him (so Lestat, Armand and David) have insisted on two points: how very weak and meek Louis is, and also how irresistible, beautiful and charming. Granted, I've known Louis first through his portrayal on the show (hi Jacob you're so fiiiiiiine), and then through his own narration in the first book, but I've never had the impression that he was weak. Beautiful and seductive, yes. Weak? I see a human man going through tragedies and still enduring, going through vampiric transformation and then suffering for decades the loss of his humanity, struggling with reconciliating both sides of himself, but mostly I see a vampire who rebuilt himself after losing everything without sacrificing his sense of self. I see Louis as very strong actually (up to the point where resilience breaks, because resilience cannot be sustained on a long term, but that's another debate). He knows who he is, and don't you know how hard that is? He doesn't cling to faith or pride. He knows he's doomed, he knows he's monstrous, he knows there's nothing he can do to change that, and instead of railing against his fate, he goes on about his undead life. He gets his books and he reads them, he surrounds himself with literature and what little comforts he thinks in his shattered self-esteem he deserves (his ragged sweaters and soft trousers); let's not lie to ourselves tho, Louis doesn't like himself, or more exactly he doesn't care about his corporeal body - what matters to him is his mind, and once again, this author is extremely ace and also very aro and very nonbinary, so Louis to me is very much ace and agender coded, though really not aro, because his love for Lestat (and sometimes his fondness, shall we say, for Armand) is the only thing that can rouse him up from his literary slumber.

...

Oh, man, I have a lot to say about Louis, for how little he appears in the books so far. Still have BF, BC and the PL trilogy to devour. So I guess you can say, for as much as Lestat is occupying my entire brain, very much like him, my favorite is Louis? Yeah, that tracks. Melancholy, quiet, dark-haired green-eyed monster with more humanity than humans, preferring his solitude and the company of books to anyone else, hopelessly and helplessly devoted to one person, expert in brooding and grieving, literature specialist, not very attached to his physical self. Yeah. I'm not surprised.

[confines]

when you orphan your fanfic or nuke your ao3 i just want you to know that it physically hurts me irl

[elin-moon]

Joan Eustace || A girl born upon the sunrise

A daughter of an earl, a sister, a wife, a mother and a baroness; all titles Joan Eustace held in her life, all with differing degrees of importance. Yet, she was more than these mere titles. She was the sunrise upon a cold morning, making the dew sparkle like stars. She was the candlelit glow amongst her family members, the promise of a better future, the comfort of her loved ones' pain. She could be as bright as sunlight, and just as fierce when she burns. She did not falter, even at her weakest. She showered her love, and was dearly loved in return.

Joan was a woman who faced her harsh world with a steady strength and unwavering goodness in her heart. It has come time for her to enter the sunshine and be seen.

[pagesofkenna]

thing from old literature that I really enjoy is when theres some specific fact, like a person's name or a date, which isn't actually important enough to include so the author does it by half

like, I started a scifi book last night that started with a transcript of an interview "from 19--" and it made me think of anytime authors like Dumas or Austen would introduce side character "Countess G--" or "Mrs. H--"

like, what year is that interview? doesn't matter, it's not actually important. it's 19XX, not the distant future and maybe even an alternative present day (the book was published in the 70s). what's Mrs. H's name? doesn't matter, we just need enough information to distinguish her from the other ladies who actually have names

maybe there are authors publishing nowadays who do this, but it feels like modern readers would complain about inconcrete data like this. like we're owed the book being a perfect record of at least one character's point of view, and if that character doesn't know someone's name they're going to comment on it and use some alternative description or something. but I personally enjoy seeing those half-details in older books