#it's absolutely amazing and i don't think many actresses could have pulled it off

[madegeeky]

31 Days of Horror Recs: Wherein the monster fights against itself but, in the end, just breaks

Pearl is my dream movie. It is number 1 on my top 5 favorite movies. A deep dive character study into someone who is the textbook definition of psychopath* but who desperately doesn't want to be one. If you're looking for much plot there isn't much there; it's all about Pearl and her inability to figure out the way the world works because she just cannot relate to it and people the way others do.

Pearl wants to be the girl who can love people but it's just not an emotion she can really feel and it breaks her. She wants people to love her but she's too strange; people can tell something isn't quite right and it breaks her. She wants to be a person that doesn't like hurting animals and people because that's not normal but she does and it breaks her. She wants to be a good person but she doesn't understand what that means and so she just can't do it and it breaks her. It breaks her, so she breaks the people around her and that is the movie.

Synopsis: In 1918, a young woman trapped on her family's isolated farm dreams of the glamorous life like she's seen in the movies. Eventually her ambition, temptations, and repressions come up against the drudgery of her life, her domineering mother, and her almost fully paralyzed father.

*Quick note that psychopathy doesn't mean murderous. Psychopathy is a specific set of traits that can also found in killers: impaired empathy and remorse, impulsivity, disregard for social norms, and aggressive outbursts to name just a few.

[cherrycheridarling]

tic-tac-toe | mcu

marvel cast x actress!reader

warnings: one swear, fluff, no plot

summary: you play aphrodite in the MCU and it's time for the press conference for infinity war. based off of this press conference

wc: 2.7k

"Tom Hiddleston!" Jeff Goldblum introduced the man who was sitting on your right.

Everyone applauded before Jeff moved onto you, "Y/N Y/L/N!" more applause rang through the room.

"Sebastian Stan!" you looked to your left where Sebastian waved to the crowd as you clapped with everyone else.

"Anthony Mackie!"

After Jeff finished with the introductions, he explained how the panel would work. He would pull a ping pong ball out of a container and it would either have a name or category. The audience would be able to ask a question to that person or a person in that category after Jeff called on them.

As he pulled RDJ's name out of the container, Tom leaned over towards you.

"Does your water taste funny, too?" he whispered making you stifle a laugh.

You nodded, "Kind of like lemon, right?"

He shook his head, "Mine tastes like mint. Can I taste yours?" he held his hand out as you passed him your water bottle. He took a sip and spent a moment analyzing the taste, "Yours does taste like lemon! Why does mine taste different? Here." he passed you his water.

You took a sip and were hit with a strong mint flavour, "Woah. I think they're trying to drug you." you joked making him laugh.

"As I am answering this question, Tom Hiddleston and Y/N Y/L/N are discussing the flavours of the water behind me." Robert exposed you and Tom to the audience making the room burst out into laughter.

"They have fancy water. Mint and lemon." Tom spoke into a mic drawing more laughs. "Sorry. Carry on!"

As Jeff pulled the next name, you adjusted your dress. A white, long sleeve, blazer dress with gold buttons down the middle, the dress ended mid-thigh. The v-neck cut showcased your subtle gold necklace. Black stiletto heels covered your feet.

You unconsciously began bouncing your leg up and down in a fast motion. Sebastian placed a hand on your thigh, stopping your movements, "You're gonna drill a hole through the floor, Y/L/N." he chuckled.

"Sorry." you laughed quietly.

Sebastian pulled out a notepad and pen, "You need a distraction. Tic-tac-toe?" he offered.

You smiled with a nod before making your move.

"You absolutely suck at this." you chuckled as you won the third game in a row.

Sebastian scoffed, "You can't suck at tic-tac-toe."

"And yet, you do." you smirked.

He rolled his eyes playfully before you continued playing.

After two more rounds, your attention was back on Jeff as he pulled a new ping pong ball. "Ooh! You can ask a God or Goddess." Jeff announced, "So, Tom Hiddleston, Chris Hemsworth or Y/N Y/L/N." he reminded the crowd, "Okay, yes, you!" he picked a woman in the front row.

"Hi, I'm Alexis with Forbes. My question is for Y/N." the room applauded as Jeff tossed the ping pong ball at you and you caught it with one hand.

"See, Robert! It's not that hard!" Jeff exclaimed making everyone laugh.

"Screw off, Goldblum! You chucked that shit at my head." Robert joked back. "Sorry, Alexis, go ahead."

"Um, I wanted to ask about Aphrodite's powers. We all know that she is the Goddess of Love and can seduce anyone with her beauty. We see in the trailer a small clip of her seducing men. How many people did you seduce in the film and were there any funny moments filming those scenes that you can share?"

Her question drew a mix of reactions from the cast. Some laughed, some furrowed their eyebrows and others were just confused. You took in the question before opening your mouth to reply, until you remembered that you weren't wearing a body mic. The cast laughed again before Sebastian passed you a mic.

"Sorry. Um, how many people did I seduce in the film? None." you stated drawing more laughs, "How many people did Aphrodite seduce? All of them." you chuckled, "I'm kidding. Although, I'm not sure what I can share because I don't know what's in the trailer." you confessed, "Kevin, Joe, Anthony, what's in the trailer?" you asked them making everyone laugh again.

Kevin picked up a mic, "I believe it's you seducing Spider-Man, Starlord, Drax and Iron Man."

You nodded, "I do have a funny moment that I'm sure Mister Holland will kill me for sharing, but it's too good to not tell." you smiled thinking of the memory.

Tom immediately grabbed a mic, "You wouldn't!" he exclaimed making the audience and cast laugh.

"I would," you retorted, "We were shooting that scene and, as you know, they have to act like they are falling in love with me. Like I'm putting them in a trance. Well, Tom took that a bit too seriously." you paused at the laughter that your sentence caused, "They're all on their knees in front of me, looking at me as if I'm their queen, because I am." you joked, "And then Anthony calls 'cut' and Dave, Chris and RDJ all get up and start chatting, but as I'm turning away, Tom doesn't move. Still on his knees, looking at me as if I hold the world in my hands." the room filled with amused laughs and chuckles as Tom covered his face with his hands.

"No, it was so bad because I just looked like a creep that couldn't stop staring at her!" Tom laughed at himself.

Robert grabbed a mic, "Very true. I was watching and it honestly had me convinced that Y/N had real powers."

"I have to say, I understand the kid's reaction. Y/N's costume for Aphrodite and the way they transform her only enhances how gorgeous she already is." Anthony Mackie spoke up causing the crowd to gush and clap, "I'm pretty sure we all had the same reaction when we first saw her while filming Civil War." he looked around as the cast nodded.

Scarlett picked up a mic, "Yeah. I remember her walking on set in this stunning white dress which made me extremely jealous," she confessed, "Because, one, it's so gorgeous and she looks absolutely amazing in it," the crowd and cast applauded again, "And two, it's made of the softest silk while my suit is leather and spandex!" everyone laughed at her comment.

Benedict picked up his mic, "Although, it wasn't Tom's first time seeing Y/N as Aphrodite. He was in Civil War and still could not contain himself." he teased making the audience and cast laugh again.

Robert spoke again, "Yeah, he did that during the filming of Civil War, too." the room hollered with laughs.

Tom's face was bright red, "I'm just a very committed actor. I really give all of myself to my work." his comment drew more laughs.

"That's why Sebastian despises Tom. It all started when Tom couldn't take his eyes off of Y/N." Chris Hemsworth added making everyone double over in laughter.

"I feel so loved," you held a hand to your heart as the room chuckled, "These are genuinely the best people in the world and I guess you could say I seduced one person during filming." you joked as the crowd continued to laugh, "Sorry, Tom. I'll buy you some juice, don't be mad." Anthony and Benedict laughed loudly. "Thank you for your question!" you thanked the lady as the cast clapped before Jeff picked out the next ping pong ball.

Next was Scarlett. You sat back and silently judged the man who asked about fashion. Scoffing with Sebastian at his question and laughing at Scarlett's sarcastic and witty responses.

Sebastian leaned over again, "I have to piss."

You stifled a laugh at his abrupt confession, "Go to the washroom, then." you nodded your head towards the exit.

"We're not allowed to leave." he frowned.

You chuckled and reached over, patting his thigh with your hand, "Don't piss yourself."

He rolled his eyes playfully before Jeff called out the next name.

"Anthony Mackie!"

"Hi, I'm Tiffany with Times Magazine. With such a star studded cast, do you find it difficult or any obstacles in developing your character with all theses amazing stories being told and struggling for screen time? Like, are there any obstacles or special difficulties or is it all just amazing?"

Before Anthony could answer, Joe Russo picked up his mic, "Are you asking Anthony Mackie if he has a hard time getting attention?" his comment caused the whole room to erupt in laughs.

Anthony nodded slowly as the laughter died down, "Touché, touché. Uh, well, Tiffany, a wise man once said that some men need an hour to make their presence felt and some need thirty seconds." there was an uproar of laughter and hollering at his comment as he dramatically dropped the mic on the table.

"Who are we asking next?" Jeff squinted at the ping pong ball, "Ooh! Back to the Goddess of Love herself, Y/N Y/L/N!" the room applauded for you as Jeff threw the ball to you.

Sebastian intercepted the toss and caught the ball himself with a smug smirk. You rolled your eyes, but smiled as Jeff picked a lady out of the dozens who had raised their hand.

"Hi, I'm Amy with Esquire and I wanted to ask about the relationship between Bucky and Aphrodite. We see in the previous films their awkward tension from their past history. They have a very special romance and their love story is a fan favourite in the Marvel fandom. What was it like building that bond and relationship on screen? And what do you think of the choice to match the two characters together, how did you react when you found out? Did the pairing of the two help build your bond off screen?"

Jeff spoke again, "I said 'one question', that was at least twenty." he teased the lady drawing laughs from the room.

You chuckled and nodded slowly as the laughter died down, "Excellent questions. Umm, I honestly really like the pairing of the two. I think it gives a great dynamic to both characters and reveals sides of them that we never would've seen without their relationship. It's a very 'good girl falling for the bad guy' trope. And if I'm being honest, I've always wanted that." you confessed causing the room to chuckle, "Their relationship is, without a doubt, one of the most complicated ones in the MCU, but I think that's what makes it so loved by the fans since there's not a dull moment between the two. It's nice to see Bucky have a sentimental side, in his own awkward way of course. And you get to see Aphrodite fall for someone who's not a God or a Titan." you turned to Sebastian, "What do you think?"

You offered him the mic, but he didn't take it, letting you hold it up for him, "Yeah, I agree. I never thought Bucky would have a love interest, if I'm being honest. But I'm glad he does because Aphrodite brings out the soft side in him and he brings out the fighter in her. They really balance each other out and Y/N portrays the character in such a unique way, it really brings a whole new fresh persona to Aphrodite and it's amazing having her as a partner on screen." the audience applauded at his words, "When I first found out about Bucky having her as his love interest—"

"—He called me screaming about how hyped he was." Anthony Mackie cut him off making the room laugh. "Anthony! Anthony! Bucky is gonna be with Aphrodite! That's gonna be sick!" Anthony mocked his voice as you were hunched over with laughter.

Sebastian nodded with a smile, "I did. Won't lie, I did. It's a really refreshing relationship and I'm glad that the fans love it as much as I love playing it. Back to you, you haven't talked about the development and our bond." he gave you a lopsided grin.

You chuckled, "I feel like I'm rambling, but yeah. Their development is definitely," you paused, trying to find the right words, "A development?" you settled on drawing more laughter. "Well, as I said, it's very complicated, but awkwardly adorable at times. Since Seb complimented me, I feel obligated to say something nice about him," you joked making them laugh again, "Kidding. He really does play Bucky with such passion and commitment, it's truly inspiring. And working with someone who loves what they do as much as Seb, it definitely motivates you tremendously and yeah. Um, I won't lie, I honestly was dreading working with Seb," you confessed drawing laughs and a gasp from Sebastian.

"Why?!" he exclaimed making you laugh.

You sighed, "Not because I think you're a bad person or anything, but you come off as very intimidating to people who don't know you very well. And I knew nothing about you before filming other than the films you'd already done, so you scared me." your confession caused everyone to laugh loudly.

Sebastian smirked jokingly, "I am extremely frightening. I understand." he shrugged.

You scoffed with a laugh, "I caught you sleeping with a stuffed turtle and whale noises playing." the room roared with laughter again, "That's when I knew you were a big softy."

Sebastian rolled his eyes playfully, "She's joking. I am the toughest man alive." he deepened his voice.

You shook your head with a chuckle, "Sure. Thank you for your questions." the room clapped for you as you set the mic down and relaxed back into your seat.

"Nailed it." Sebastian held a hand out for a high five and you chuckled before hitting your hand against his.

For the rest of the press conference, you sat back and listened to your friends answer questions. Laughed at jokes made and clapped when appropriate. Small tic-tac-toe games went on between you and Sebastian. Your attention was fully on your nails when Tom Hiddleston got called on.

"Hi, I'm Samantha with Daily Mail and I was wondering, since Loki is a very closed off and mysterious character, we never explore the aspect of him having a love interest. So, if you could choose anyone from the MCU for Loki to end up with, who would it be and why?"

You turned to look at Tom as he pondered on the question, crossing his arms and rubbing his chin, "Very good question. Umm, who would I choose for Loki? Let's see," he paused again and looked around the room until his eyes landed on you, "Ah, I'd steal Aphrodite from Bucky." he answered making the room laugh and Sebastian chuckled with a nod.

"Why Aphrodite?" Jeff asked.

Tom chuckled again, "Well, it's Aphrodite." he simply answered drawing more laughs, "They are so different yet similar in so many ways. Loki is never fully evil nor fully good, but I think Aphrodite has the best chance of turning him good. And who wouldn't want to end up with the Goddess of Love?"

The cast nodded understandingly before Chris Pratt grabbed a mic, "If you were to ask any person on this stage that same question, I guarantee the answer would be Aphrodite." the whole cast nodded.

"They're all trying to steal Sebastian's woman." Jeff teased.

Sebastian scoffed jokingly, "They're all jealous." he wrapped an arm around your shoulder.

You chuckled with a shake of your head before Robert spoke up, "Adding onto the conversation. Miss Y/L/N, who would you want Aphrodite to end up with?" his question drew excited reactions from the crowd.

You let out a bark of laughter before looking from Tom to Sebastian, "Hmm, excellent question, Mister Downey." you rubbed your chin, "Stop doing that, Holland." you chuckled as you saw Tom point at himself in the corner of your eye.

He raised his hands in surrender before Anthony Mackie spoke up, "Spidey is five years old, kid." everyone laughed at that.

"I'd have to stick with Bucky. He is her true love." you shrugged as the crowd cheered.

Sebastian smirked from beside you as the men of the cast faked disappointment.

As the panel came to a close, you looked around at the family you were surrounded by. Friends you love more than anything. Hundreds of memories with the most amazing people you'd ever met. Your home.

[sillyrabbit81]

Her Heavy Cross

Summary: Three years after tragedy hits, Lana she decides to start dating again. She meets Will through a dating app and they begin an online romance. After months of constant requests, Lana relents and agrees to meet and go on an irl date with Will. But is Will who he says he is? Lana is quickly pulled into an intense relationship forcing her to confront her tragic past. Will Lana face it or will she close her heart forever?

Pairing: OMC x OFC

Word Count: approx 2.3k

Warnings: swearing

Authors Note: The story started as a Henry Cavill fanfiction but I changed it to be an original character, but shades of Henry are still there. Hope you enjoy the story and thanks for reading.

Part 15 Part 17

Part 16

Liam cooked us a chicken stir-fry with Asian vegetables for dinner. I was mildly surprised that he was such a good cook and told him so. He said he had to learn pretty quickly in the early days of his career when he would go months without a paying job.

"I was lucky. My parents were supportive, so I knew I wouldn't starve, and they would give me money if I asked. I didn't want to, though. I felt like if I had to ask for money, then I was a failure. It motivated me to go to more auditions, prepare better, take some classes to get more skills, perfect my accents."

I admired him for that. From what I knew about his family, they seemed to be wealthy. It would have been easy for him to rely on them while trying to make it.

Liam had told me a lot about his family. He was very close to his two brothers. It seemed like he was a bit of a mummies boy, and I supposed that comes from being the youngest. He seemed to credit his Dad for his love of stories and his desire to act.

"Have you told them about me? Your family, I mean." I asked a bit hesitantly, unsure how I'd feel if he said no.

I shouldn't have worried though, his huge smile said it all. "I told Mum about you over a month ago."

"We hadn't even met yet."

"I know," Liam sounded a bit bashful as he continued. "My Mum kept saying how happy I sounded. I kept dropping hints that she thought I was seeing someone. She's very good at reading me. She hounded me until I told her."

"What did she say?"

"She was surprised we hadn't met. I spoke to her during the week a few times and told her we'd met, and it went well, and we'd seen each other the whole weekend. It was a bit awkward like I said. She knows me too well. She said, 'You mean you spent the weekend shagging.'"

"Oh, my God!" I was so embarrassed. "What did you say? She's going to think I'm the town bike."

"She wasn't judging, by the way. She was worried about how you would react to me. She was happy because she felt like I shouldn't have used Simons photos."

"She's not wrong," I said.

"I know, I know. Do I have to apologise again?"

"No, just don't do it again."

He briefly grinned but then looked at me, his face and tone serious. "Hopefully, I'll never have to."

I didn't know how to respond to that. What did he even mean by that? I didn't ask. I wasn't sure if I wanted to know. I cleared my throat. "Is that all she said?" I asked, instead.

Liam opened his mouth and was about to say something before closing his mouth and trying again. "Well, then she saw the photos and stories about us. I tell her not to read that stuff because most of it is rubbish. But she does. Anyway, she said we looked lovely together and..." he paused before continuing. "And she can't wait to meet you in a few months. She's coming for a visit in late June early July for my two-week hiatus."

I almost asked what he was going to say, but I changed my mind. "What about your brothers? Your Dad?"

"Well, my Dad isn't much of a talker when it comes to relationships. But he did say Mum had shown him your picture and that you seemed like a nice girl. Other than that, he didn't comment. He rarely does unless he thinks someone isn't good for me."

"Is he coming with your mum?"

"Only for one week. My mum will stay for nearly three. My brothers well..." he grinned. "You know what brothers are like. We are rarely serious together. Also, we rarely call each other. We mostly keep in contact through group chats." His lip twitched as he said, 'there were a lot of ginger jokes this week."

I could only imagine what those chat logs contain. I rolled my eyes at the thought. "The bastards," I said.

Liam laughed then asked, "what about your family?"

"I haven't told them much. Dave knows a bit. I haven't told Mum anything." I shifted in my seat. "Dave knew I was seeing someone after I asked him to watch Perrin. But he didn't ask questions. Then on Friday, he found out it was you. He seemed ok with it." I brightened and said, "they will know all about you next week anyway."

Liam returned my smile.

After dinner, we went to bed. We both read for a while. Liam sat up with his back against the headboard while I laid on my back, using his chest as a pillow. I read until I fell asleep.

I grew to hate Sundays.

Sunday's meant my time with Liam was coming to a close. This Sunday had a silver lining because I would only have to wait until Thursday to see him again. This only partially comforted me because it was also the premiere. As the time drew closer, I knew I'd regret saying yes.

I sat with my head in my hands in the store's dressing room. Just picking which dresses to try on had been an ordeal. I had done a quick google search that morning to see what kind of dresses people wore to premieres, and it was almost no help. The range was too extensive. It seemed nearly anything was acceptable, from cocktail dresses to full-on evening wear.

Some articles made me feel sick, especially the articles about the actresses. So many articles talked about how many women found it hard to find dresses in their size because they were size 6 and too big to fit into most designers dresses. I checked out a size conversion chart and found that size 6 was a size 10 here. I was usually a size 10, but sometimes my arse needs a size 12.

I started thinking I was too fat. I kept thinking about my huge arse and thighs, which got me spiralling into thinking my breasts were too small, my hair was too frizzy, I had too many freckles, and I was too pale. The list of my faults just grew in my head until I was sure I'd end up at the premiere looking like a bush pig in a dress.

I started to breathe deeply, in through my nose, hold it, out through my mouth. After several breaths, I opened my eyes. I could do this. I picked up the first dress the assistant had helped me pick. She knew it wasn't going to wor. It was a loose short black lace dress with puffy sleeves that would make me look like the only shape I had was round. The other picks she made were dresses that looked like they were for the bride's grandmother. She also looked at Liam too many times for my liking. She was very helpful if you call taking us to dresses sold out in my size useful. Or if directing all her questions at Liam was helpful. I'll bet she's out there right now being helpful...

Fuck me dead! I think I'm jealous.

That was an emotion I hadn't felt in a while, and I didn't like it. Fuck that. I don't need to be jealous. I picked through the dresses until I found the one I already knew would be the winner.

It was from Australian designer Maticevski. The gown was black with a high neckline, and the beautiful fabric gathered on the left shoulder. The dress was pulled from the hips and cinched in the waist. It had a thigh-high split, revealing just enough skin to be sexy and a small but elegant train. I loved it the moment I saw it and knew I wanted it. But it was $2,500. I loved it so much I almost didn't care. I mean, I knew I wasn't the one people cared about. They wanted to see Liam. This time was different because it would be our first official event together, and the story right now was who was he dating. This time I would get attention. But I still thought it was too much money. I had almost put it back, but the assistant smirked. Liam, bless him, took it out of my hands and said he would love to see it on me.

I wriggled my way into the dress and looked into the mirror. It was the winner for sure. I had brought my heels from Friday night to try the dress on with, and though they weren't quite right for the dress, they gave a good idea of what I would look like. It was slightly too tight around the hips and too a little big on the top. I could get it altered, though. It wouldn't take much. Maybe even a bra with a bit of padding would fix it. I flipped my hair to give it some bounce and a sexy 'just been fucked' look and stepped out.

I was right. She was hitting on Liam hard. I wanted to punch her in the face. But then Liam saw me, and the way he looked at me made me forgot about her. I took a few steps over to him and posed in an over the top way.

"What do you think?" I asked Liam.

He didn't say anything, but his eyes did. He had the same look when he approached me on Friday night. This is definitely the dress.

"It's not too dressed up? I could try something else if you think it's too much." I said to Liam.

"It doesn't quite fit. Perhaps the..." the assistant didn't get time to finish before Liam spoke.

"No." He said firmly, cutting her off. He cleared his throat and approached me. "It's absolutely perfect." He kissed me, and his lips were so soft. He ran his hands over my waist and stood back, looking me up and down. "Perfect. We will take it."

"You don't want to try..." the assistant tried again.

Liam didn't even look at her. "I said we would take it. The other dresses can go back. Thank you for your help." I loved it when he spoke in that authoritative tone, which made me weak.

She went into the dressing room and took away the ten other dresses I was going to try. I wasn't sad to see them go, none of them would be as good as this, but I still wasn't sure.

"I can try another dress. I mean, this one is stupid expensive."

"I don't care if it was a hundred thousand dollars, you look amazing, and you like it, so you will have it."

"I just don't know if I can afford to spend money like this for one night."

"I invited you. I'm paying."

"Fuck. I should have said I need matching earrings." I joked.

"Do you?" He asked, sincere.

"No, don't be silly. Shoes and a handbag will do. I'll buy the shoes you buy the bag. Deal?"

"Nope." He was shaking his head, "I want to get everything for you. Think of it as an Easter present."

"I can afford to buy things for myself, you know. I make pretty good money considering I own my house, and I only have to take care of myself and Perrin."

"I know." Liam ran his fingers through his hair. "Call me a misogynist if you want, but I want to buy you things, pretty things, things you'd never buy yourself. I want to take care of you."

I decided to let it go. I didn't think it's misogynistic to want to buy your girlfriend a present. It's misogynistic if you think you own her because you chose to buy her things. And it did feel nice to have him want to buy me pretty things.

"Ok, Liam," I said.

His smile came back. "Good. Get changed, and let's buy you some shoes." His lip twitched. "Do you need help taking it off?"

"Get out of it." I laughed and got changed.

When I had come out, he wasn't waiting for me. I looked around and couldn't find him in the shoes or the bags. A thought came to me. I hated that I thought it, but I wondered if the shop assistants come on had worked. I didn't believe it, not really, but once the thought was there, it wouldn't leave.

I didn't want to, but I looked for the shop assistant. As I looked, I felt sick from fear and disgust with myself. I found her putting away the dresses from the dressing room, and I breathed a sigh of relief. I hated myself. I wasn't usually like this. It wasn't fair on Liam either. He had given me no reason to suspect him at all.

Then I started to panic. My breath came out shallow and rapid. I felt smothered. There were no windows, and I needed to get out. There were too many people.

I felt warm hands slide under my t-shirt and rest on my belly.

I jumped and spun around. It was Liam. "Ready for shoes, Sweetheart?" He asked.

"Where were you? I looked everywhere."

"I went down to menswear real quick," Liam said. "Now that I know what you're going to wear, I know what I'm going to wear, and I needed a new shirt. It took longer than I thought."

"No worries. I just, I didn't know, it's ok."

"You ok?"

I nodded. "Let's go."

Part 17

[moon-yean]

could u elaborate what was so bad about the barbarians? i saw the show and thought it was ok but i don't have enough knowledge to know what are the ideological implications of it? sorry, just really curious and wanna learn more

*takes a deep breath* oh boy, where to even begin? Thanks for your question as I might finally get this off my chest! Okay, fair’s fair, anyone who likes the show should look away now because I’m not going to mince words. And I want to reiterate that there were things about the show that I liked, mostly on a superficial aesthetical level. Generally you could tell from the get-go though that the writers are hacks who know nothing about history or good storytelling for that matter. I could’ve dealt with a show that was historically inaccurate if only the character drama had been written well. I might also have enjoyed the show more if the character drama had been mediocre but if there had been a sense of historical authenticity (not accuracy, mind; but still something tangibly more substantial than the patina they tried to throw onto their frankly embarrassingly lowbrow attempt by having parts of the dialogue translated into Latin by an expert and by hiring a good crew for the costume and props design - of the Romans at least... putting lipstick on a pig and all that, although pigs are great and the writing here is not).

Since you asked about the ideological implications specifically, I’ll start with that and work my way towards other criticisms (this is going to be LONG):

19th century nationalism: The story of Arminius and his merry band of brothers who defy the big bad Roman empire is a narrative that became especially popular in Germany in the 18th and 19th century, both with liberal patriotic movements that were advocating for the unification of the “German cultural nation” in a modern nation state (spurred by the Wars of Liberation against Napoléon Bonaparte and French occupation) and later with the völkisch movements where that nationalism segued into the pseudo-scientific racial ‘theories’ of a ‘superior German race’ which in turn was part of the ideological foundation of the genocides and atrocities committed by Germany in the 20th century (not only in WWII, see also the colonial genocide of the Herero in 1904). We cannot disentangle this predominantly racist reception history that re-invented Arminius (”Hermann der Cherusker” - “Hermann the Cheruscan” - or, indeed “Hermann the German” ha!) as the founding myth of a German people from the way this story has been depicted in media, entertainment and culture and, as evidenced by Barbarians, continues to be to this day.

Barbarians pays lip service to the fact that actually there was no German people at the time by having the tribes meet at the Ting in the first episode and have someone outright state it. These kinds of tidbits literally voiced by characters give off a strong whiff of the authors googling something, reading something on Wikipedia, and then putting it in there. I’m sorry (actually not sorry) to come down harsh on this but given what we’re talking about here, that’s just not good enough. It’s an embarrassing level of “writing”. The authors clearly have NO idea what they’re talking about or what they’re dealing with because despite their lip services, they actively reproduce the harmful narratives that were spun around this actual historical event and these actual historical figures in the 19th century. No effort was made to depict anything complex or realistic here. Case in point: Even though there’s a pretense that the tribes aren’t part of the same people, they don’t look much different from each other, they all speak the same kind of modern high German that sounds like they’re at a costume party in the year of our lord 2020 (and in the case of Folkwin, drugged out of their mind; he sounds like a guy who’d throw beer cans at passersby). They come across as basically just being separated by the few acres between their villages. And then when the big bad evil Roman empire wants to squash their resistance (Asterix did it better change my mind challenge), freedom fighter Arminius rallies them together with a heroic speech and they charge at the Romans RAAHWWHR! ... no, just no.

There would have been SO MANY ways to reframe and retell this story in a fresh, new, and exciting way that would have made for amazing character drama. The premise is so good. If we were to look at the basics of what is known, there are so many personal AND political complexities in there that just beg to be coloured in with a little imagination. I just... I don’t even know where to begin to fix the choices that the show did go with since most of them don’t make any sense, don’t contribute anything to the narrative and are just. there. Have y’all noticed that there is ZERO dramatic tension in any of the scenes? Like, what? How?? Culture clash, divided loyalties, identity issues, the way that a militaristic upbringing might warp the mind, feelings of home and belonging and displacement, the return of the lost son, the betrayal of a high-ranking officer, just, there are so many themes that the show could have focused on but it botches all of them, nothing of it feels real, earned, or logical. Characters behave in idiotic ways for the sake of the plot (I wanted to like Thusnelda, I really did, I’m always here for female characters but she was so painfully obviously written by 3 dudes who thought that feminism = praying to the good sisters of the forest and slashing your face aöldksfaökdjf plus the actress could not sell any of it, she sounded ridic).

I’m exhausted just thinking about the many ways in which the writing on the show sucked. Impaired character used as a symbol~ for other characters instead of being a character on his own? Check. Weird mystical shit? Check. Earthbound tribal people who are one with nature? Check. Death on the cross to get that Christian imagery in there? Check. Lack of female characters except feisty!badass!Thusnelda, scheming!conniving!pulling-the-strings!wife, weird!mystical!seer? Check. Varus doing a Herod by demanding first-borns to up the Christian persecuted ante? Check. (All he was missing was the mustache to twirl. Was he even a character? He looked vaguely concerned and sceptical. That was his character.)

Look, the actor Arminius was great but even he couldn’t make sense of any of it. The character work was so shoddy, it was shocking. One minute he’s still all-in with the Romans, ordering lashes for “German” mercenaries without being very conflicted about it, reminiscing with fellow Roman soldiers about the good old times in some fireside bonding, asking his foster father to go home to Rome, and then when bad!dad is like “lol no” (surely they would have had that convo before??? surely Arminius would have known how far his career could go???), Arminius turns around and goes “let’s kill 3 Roman legions!! I’M MAD!!” ... lmao dude, just...

Another favourite of mine: The romance between Thusnelda and Folkwin is supposed to be illicit and against her social status. Does anyone even notice? Does anybody even care? Why did the writers come up with Folkwin in the first place? (His name Folkwin Wolfspeer is a hoot and an embarassment in itself. I wonder whether they used some kind of Germanic name generator. They certainly did use a generic speech generator for the battle speech Arminius gives in the last episode lol)

Back to the topic of a lack of tension. Of course there can’t be any tension if the characters suck. But it’s also because of the design of the scenes and plot points. The cliffhangers are so telegraphed and artificially constructed, it’s almost hilarious. My “favourite” has got to be the one of the first episode: The “hi dad” one. Not only does Arminius go to the village with other Romans in tow who then disappear because nothing in this show makes sense but this kind of revelation also goes against everything we know about good storytelling. There’s a famous quote by Hitchcock and I’ll quote it in full because I think it absolutely applies here (and it is valid for character tension as much as it is for suspense):

There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean.

We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"

In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.

I hope you can see what I mean here. Barbarians continuously springs surprises on its audience but it has absolutely no tension/suspense in any of its scenes. The only time where the show even comes close to having any kind of genuinely dramatic moment is the conversation between Arminius and Varus where Arminius tries to hide his hurt and disappointment, and all the emotion in that scene is completely due to the actor since the dialogue is fairly idiotic for what is supposed to be the turning moment. Let’s go back to the basics and imagine what the show could have done differently, even allowing for the way in which the writers wanted to tell it (which, as I mentioned, is not appropriately sensitized to the misappropriation of the material in the past - but even if we go with THAT kind of freedom fighter / lost child narrative, it ought to be done well). And here now follows my actual essay of grievances:

The premise of the story, in as much as we know from history, is amazing: An officer of the Roman army, delivered to the Romans by his tribe as a child, returns to the "country" of his birth as part of the invading Roman army which oppresses the natives of the lands. He switches sides, unites different tribes and leads them to a decisive victory against the Roman army in a battle in a forest that lasted for several days and was cleverly planned by the "Germans" who end up outsmarting the Romans who are victims of ambush and the terrain, being split up and stumbling through the forest exhausted and without finding a way back to the other troops (love that the show as we have it managed to squeeze in the cliché "two armies standing on opposing sides decide to just start running towards each other, epic clash, chaos" (which is militarily so fucking stupid and nobody ever did that)).

Anyway, that premise is amazing. You could do so much with it. And if you wanted to make a miniseries about it, the biggest question would surely be: Why did Arminius switch sides? That’s the key plot point. And themes of otherness, oppression, exploitation, identity, and so on, would be a good fit. The first problem with the miniseries is that it has nothing to say about any of that. Arminius doesn’t even feel like the main character (aside from his actor being a cut above the rest). We don’t get to see much of his POV. We don’t get many meaningful conversations between him and Varus (actually just one after which he has a total character transplant). Instead, we get to spend lots of time with characters that don’t add anything in particular to the central plot nor to any of the central themes. Literally, why? 6 episodes is already pretty fucking short to make Arminius’ turn believable, so you’d better spend most of them on him. This is not material for an ensemble show (nevermind that the other characters suck and are not well-acted and written to behave stupidly... that’s just ON TOP of the fundamental issue of this show lacking a POV).

Like, you can turn this into a big Hollywood action movie about the battle or you make it a character drama where the battle is also told from a character perspective (i.e. focusing on the mounting fear and desperation of the soldiers as the battle drags on for days etc but more importantly focusing on why the battle takes place and why it’s important to both the Romans and the “Germans”). As it is, in the show, we don’t get any idea why the Romans are even there in the first place and pestering the people by demanding some tributes. And we don’t get any idea why the Germanic tribes are so opposed to this or why others of them might not be. We don’t get any of the broader political implications, we just get some eagle-stealing pranks (defiance!! cool, just agitate them in a completely stupid and arbitrary way, why don’t you) and a few people executed because the “Germans” were being stupid. That’s not the scale that’s needed here. And I don’t mean that we needed to see mass executions. In fact, I would have preferred if there had been no such hackneyed and emotionally manipulative device.

Arminius is basically absent for all the early encounters of the Romans with the “Germans”. So while we suspect that the mistreatment of the “Germans” at the hands of the Romans would be a strong motivational factor for him, we don’t actually see him witness any of few hints in that direction that we get, so it doesn’t actually matter for his character arc. I have so many issues with how his arc is written. In the first episodes, we don’t get any sense that he’s not a happy Roman. When a “Barbarian” mercenary ridicules Rome, he has him whipped and we don’t get much of a sense that he’s very conflicted about it. Even just moments before he ends up destroying his effigies of Roman gods, we see him trying to get Varus to send him back to Rome. Earlier in the same episode, he prays to those Roman gods. I’m sorry but wtf? How the turntables... If you want to make it believable that he would turn on Rome, why not start with him already being frustrated with the way that things in Rome work? With the way the army is run? And why not give him a careerist streak and make him frustrated that he can’t advance much further because of his lowly birth and background? And instead of Varus being an asshole to him about it (he’s supposed to be his foster father, surely Arminius would already know how Varus thinks about his people and surely he’d already know how far he can climb up the ranks), have Varus be sympathetic but basically like “sorry, there’s nothing I can do.”

Arminius betraying Rome shouldn’t be about Varus saying something mean~, if anything a personal connection of his with Varus should just make the betrayal harder and be something that he does despite the fact that there are Romans he cares about. If you start out the show with him already having significant doubts about his place in the Roman army and identity issues, you just need to add something to it that will finally breaks the camel’s back. Have him become increasingly agitated by the way the "Germans” are treated by the Romans. Start the show with him making to leave Rome, someone asking him whether he’s excited to return to his place of birth and him joking about it but obviously being conflicted and then overwhelmed when he actually gets there because it totally destroys his sense of self which he has built for himself (and for which we would have needed to see the contrast, even if just for one scene, of how he is treated in Rome – perhaps snobbed by others, not treated equally in some sort of social setting, could be something subtle – to show us and him that as much as he wishes, he is not and will never be accepted as a Roman).

And then when he gets to the provinces, we need to see that from his perspective. What’s his reaction to arriving there? To seeing the familiar landscapes? (Or maybe he was taken as a younger child and doesn’t actually have that many memories of it but feels a sense of belonging anyway.) There are so many scenes in this show that seem to hint at these things but they are completely random and unfocused and interspersed with the stupid village people shenanigans. Varus talks about burning down villages in retribution. Well, why don’t we see any of that? (Nevermind that it’s comic book villain level of evil, but I’m working with a fix here and not a total rewrite as would be better.) Surely it can’t be too expensive to burn down a few huts in the night. And having Arminius ride along / witness it but not say anything even though we can see these things having an effect on him. As mentioned: The worst offense is the scene when he rides to the village (with other Romans in tow!) and announces “hi dad!” just to have that cliffhanger. Wtf?

Characters doling out information that the viewer doesn’t have is the absolute worst way of telling a story and maintaining tension. It should be the other way around. How about instead you have him be part of a Roman delegation that rides into the village and demands [random, whatever, the fucking eagle if you must keep that shit] and when the Reik (whom the audience already knows to be Arminius’ father) doesn’t want to give it (because he’s not actually a weak fucking clown as almost everyone in the actual show is aside from feisty Thusnelda who’s a fierce~ fucking clown rmfe), the Romans begin beating the dad or whipping him or whatever, completely humiliating him and his people, and we see Arminius on his horse watching the show with growing unrest until the realization really hits him that this is his father (cue flashback to a very young Arminius being dragged away) and the tension keeps ratcheting until he shouts in German “that’s enough” before correcting himself to give the same command in Latin (maybe he still thinks in German, would be an interesting idea) and the Romans look at him with suspicion, like wtf was that, and the "Germans” are like, why tf does this Roman officer speak German, and it’s super awkward and shit and maybe Varus is also there and he looks at Arminius like, oh shit I need to protect my boy he’s actually all up in his feels about these wildlings let’s go back to the camp and have a talk, and so the Romans end up leaving and the “Germans” are like “wait, was that... could it have been.. remember lil Ari who you gave up... but it couldn’t be...” and meanwhile the beaten dad doesn’t want to hear any of that because he actually has never dared hope he would see his son again and also he kind of doesn’t want to see him again because he would be too ashamed to meet his eyes.

And then later we see Arminius pacing up and down in his tent because this won’t let him go, even after he had a talk with Varus, and after some agonizing he steals away in the night to go confront his father (if you want to keep that German mercenary noticing shit, have him notice that). And then we see the father in his hut and everything is quiet and we are waiting for Arminius to show up because we know he’s on his way. But we don’t know whether he wants to talk to his father or just kill him in revenge for the trauma he’s caused him. You’d show the dad and if it were a good actor, you could see so much in his unrest, maybe despite not wanting to think that that guy could be his son, he kind of knows in his heart that it must be and he’s unsettled and whatnot and then we hear someone outside the door and the door opens and there stands Arminius in a cloak and there’s none of that ridiculous music that wants to scream “epic” but falls way short. Have it be quiet. Have Arminius enter and pull back the hood and they just look at each other. And the dad looks like he wants to hug him but he doesn’t move. And Arminius looks like he wants to murder him but he actually moves to sit down, all the while they keep an eye on each other because who knows, they might actually end up murdering each other. That’s the kind of confrontation you need with a reunion like this jfc. And then they talk and it’s an important scene and I’m not going to write it all out but I hope y’all know what I mean.

I feel like you’d have to rewrite this whole show to actually give the character drama the weight that it needs and deserves because what’s happening in the show is dramatic af but you wouldn’t know because it’s so unbelievably stupidly written. I CANNOT believe that when Arminius is back in the village, he’s standing around with Thusnelda and Folkwin in a field as if they’re catching up at a high school reunion. “So, how’s it been?” “My name is now Arminius lol” “You’re kidding lol” ... uhm hello ??? Is this show a meme or...???

Actually as a last thought, I would have kept Arminius’ mother alive and killed his dad. His dad is irredeemable. He gave him away. But if we assume that he never had a substitute mother, then meeting his mother again (who was against giving him away) would make for much more interesting scenes and would also have a much stronger impact on Arminius. I’ll stop now but I just wanted to note how much I hate the writing on this show and everything it chooses to be. Thanks.

[rndyounghowze]

Helvetica Sails On At Elm Street Cultural Arts Village

By Ricky and Dana Young-Howze

Woodstock, Georgia

On May Thirteenth around three o'clock the play Helvetica by one of our dear friends Will Coleman was dead on arrival. It was yet another theatrical casualty of this global pandemic that has shuttered the doors of theaters everywhere from the Elm Street Cultural Arts Village in Woodstock, Georgia all the way to Broadway. The notice was one of the millions just like it that Dana and I had seen in our feed and our hearts had gone out to them. As reviewers we have felt helpless sitting on the sidelines for this whole thing. Then we saw a post by director Nicole Adkins that the show was not only not dead but going live on Thursday as a digitally streamed experience. So one message later and Dana and I were sitting on our bed with our cats doing our first theatre review from our homes!

Saying that Helvetica is the story of a writer of the same name isn't doing it justice. A "deconstructed" or "exploded" life is more fitting. Narrated by her favorite stuffed bear Myron this play takes you on a journey through Helvetica's younger years with her Mom and Dad to her adult life in a marriage gone wrong, to her final months battling cancer. But we never stay in one place too long as Myron deftly moves us from one time to another weaving the story together as if it's a tapestry. This is a play about stories and how they're born.

I've mainly known Nicole as a talented children's playwright and teacher. This is my first real encounter with her directing and I want to point out two strengths she has. When you watch this the first thing you'll notice in many scenes is that you don't notice her. When you sample the wares of a baker you're not tasting the individual ingredients you're tasting the confection and this is the case with her. Like with my South Jersey cohort I love the directors that put in the time and labor over their shows but like up North she's one of the few where you don't see her metaphorical hands on actors' shoulders gently nudging them or see their handiwork everywhere. You just see the amazing work as a whole! Nicole's second strength was grand stage pictures that reminded us of the depth of this story and its journey through time. There were a couple times like in Helvetica's funeral and the ballerina scene where I felt pacing suffered for that depth but that is being completely nitpicky.

One thing I envy about K. Willow Coleman are their characters. But in this play there are some characters that offer challenges to actors which rival the feats of Hercules.

Take Myron (played by Sean Haley) in which you have to be a stuffed bear that's not just a stuffed bear. If you stepped into this role thinking, "I'm just Helvetica's teddy bear" you've failed from the beginning. Haley seems to know that Myron is also Helvetica's avatar, the only person that she has loved one hundred percent, and the only person qualified to tell her story. But he still had to also be a bear and through Haley's performance I never forgot that even though he's not wearing a bear costume.

Now there's the impossible task of playing Helvetica. Helvetica is played by three actresses: Past Helvetica (Evie Sickbert), Present Helvetica (Molly Gilmartin), and Future Helvetica (Mary Wolfson). It would be very hard to play one of these people but then you have the added hardship of making your performance work in such a way that I don't see a "seam" in the actresses portrayal and they all blend into one character. I don't know how much (if at all) they planned for this but whatever they they did it worked. If they did this purely by accident they should take that secret to their graves.

First of all Miss Sickbert was my absolute favorite performer! The scene she has with Helvetica's father needs a maturity way beyond her years and it touched me to the core. At such a young age to be emoting with her eyes and face like that is so amazing. Gilmartin's performance played the perfect balance of reserved and passionate. I totally felt her character's feeling of being stuck and she drew this emotion out of me that just wanted to yell "just punch the dumb husband and sail away with Myron!" Wolfson's performance is what grounded me and I found myself calmed by her. Playing a writer is hard already because all of the conflict is inside the head yet Wolfson allowed that inner conflict to come outside and I could see her working through it. All three of these women came together to give us only one Helvetica and they deserve a riotous applause.

Then there are the characters that form a sort of a spine to the play because even when we don't see them we feel them. Father (played by Daniel Sickbert) and Mother (played by Riley Rawson) were two such characters. These were both people who needed to be powerful performers because we had to feel their effect on Helvetica's life long after they were gone. I think Sickbert's delivery rang with me more but he may have been "cheating" because he was talking to his real life daughter Evie most of the time (although from people I know who have done it acting with real life family can sometimes be harder). At first I thought Rawson's performance left something to be desired but then I saw her start to settle in and own it. Her last monologue in the play is one of my favorites of all time and she killed it. I just wished we could have had that energy the whole performance.

Big shout out to James Cogswell for giving me a Husband that I want to punch in the face. It's very hard to play a jackass and my hat is off to him for it.

Okay I was looking in the program for the almost five other talented actresses that were in this play but it turns out that they were all Amanda Lynn Simmons. This performer is not only a talented actress and ballet dancer but also a composer! I can't believe that I'm using the word "polymath" in a review but here I am giving it to her. There you go Miss Simmons making me pull out my SAT words.

Okay I want to talk to both set designer Brian Gamel and lighting designer Megan Johnson. Because of the very monochromatic gray color palette of the stage all I could think about was that we were inside Helvetica's brain (her "graymatter") and watching her story unfold in her mind. If that was your intention you're geniuses. If it wasn't let that be your biggest secret. The grays gave a great background for Johnson's vibrant purples and the muted blues and greens and browns of Cindy Flanders' costume design. Also Flanders deserves high praise for uniting all three Helveticas with the same color scheme but giving them all different styles and tastes. Whereas the trio of actresses played a unified character the clothing clued us into their different personalities.

Also a shout-out to sound designer Zach Roe and projection designer Beth Tate. These roles hardly ever get any love and they are the unsung heroes of the theatre.

A special shout-out to videography by David Thompson Technologies without whom this production would have stayed cancelled.

Don't tell Katie Coleman this but this play has stuck with Dana and me throughout the seven or so years since we first saw the staged reading at the Hollins Playwright's Lab. We have stayed up at night in bed talking (and arguing) about this play because we love it so much. It was very special for it to be our first review from quarantine. Also even in this digital age we still feel that need to be somewhere in person. We've had eyes and ears as a species way before we got phones and cameras so there is still a drive to get around the campfire as a tribe and let our hearts sync up as one to hear a good story. However in these times it's good to be reminded that technology can help us feel present with our loved ones even in times of uncertainty like this. Hence why I was able to do a review of play done in Georgia from my home in New Jersey written by a colleague from Chicago and directed by a professor I met in Virginia. This is what reminds me that Theatre is really about community and as long as the community still thrives theatre lives on. You now have a limited time to be a part of that global community. Follow the link below and watch this play yourself. After you watch it share it with a friend. Hurry fast because after May 10th it disappears!

[safitheartist]

I agree that Sofia doesn't quiet fit Talia's look, but that being said, quiet a few of the casting choices DC made don't quiet fit the characters but give them their own spin. And it's amazing what some diffrent make up and a diffren hair style can do.

Still her over all style gives me more Selena vibes the Talia, so I get what you mean.

I could see her pull off a really good Nyssa tho.

I like Yasmine the best look whise for a post Damian Talia, who's a little older already but still looks extremly beautiful.

Hiba is gourgous and I think her broadway experience might actually be a extremly usefull asset while portraying Talia. Like think about it, the Al Ghuls are all about the drama and the theatrics.

Aiyasha honestly does give me stronger Talia vibes. Hiba has a very sweet face that could work for Talia, but Aiyasha in this picture looks a lot more intimidating.

Marie-Lou and Ahed look lovely, but they don't quiet give me that Talia energy I would like to see from her in a live adaptation.

Anyway, these are all lovely choices that would make for a amazing Talia.

I would like to throw in one option too:

Hend Sabry, she is a Tunesian actress, 40 years old and has been in the industry for a long time. She hasn't made a appearance in western media yet as much as I know, however, she is fluent in english (does have a accent though, but you can understand her just fine). And her movie resume is very diverse, going from romantic comedies to thrillers, dramas and many other gernes.

She is a prominent feminist figure in Tunesia and has been making a case for strong female characters in arab media for quiet a while.

She really gives me older Talia vibes, especially the middle picture reminds me of lexcorp CEO Talia.

Her most recent movie was last year's "the blue elephant 2." Where she played the villain and frankly:

She can look very intimidating when she wants. Which I think would be very important for Talia, being able to go from kind looking to terrifying in a manner of seconds.

And a honorable mention:

Tara Emad

This woman is absolutely gourgous and in my opinion has a very strong resemblance to Talia. She would make for a great face claim for her for mood boards.

Sadly Tara doesn't seem to speak english though, which is a shame. She too has a very impressive acting career in the Arab movie industry.

Do you have suggestion for an Arab actress that could play Talia in the big screen? So far she has been played by a white actress in The Dark Knight Rises and a Filipino actress in the show Arrow, meanwhile the fandom usually just fan-casts random Arab celebrities who probably can't even speak English and I just want to know if you know any English-speaking actress who are of Arab descent that could play her? Since that would be the most realistic choice

An actress of Arab descent that speaks English and can do Talia al Ghul justice if she played her? Say no more, here is my list.

1- Aiysha Hart

Might as well end the lis before it starts, because this right here? This is the perfect Talia al Ghul. Aisha Hart is a 29 years old (as of 2020) Saudi-British actress, English is her native language (although she does have a British accent, but I’m sure she can hide that) and she has been acting for 7 years now with staring roles in BBC’s Atlantis and New Blood, as well as bunch of other films. Honestly it doesn’t get better than this, you got the looks, the acting and most importantly the ethnicity right. If Talia is going to make an appearance in any DC films or shows, then I want this woman playing her.

With that being said, I understand that some people might have different opinions, so here are 5 other Arab women who could also play Talia al Ghul in a movie (all of them are actresses and all of them can speak English BTW)

Keep reading

[cherrycheridarling]

dap me up | t.h.

tom holland x actress!reader

warnings: somewhat smut? swearing and fluff

summary: during an interview for your new film, tom exposes your odd routine during intimate scenes and your favourite flower.

a/n: i got carried away. there's a lot going on in here. enjoy?

wc: 2.6k

"Hello! I'm Adrien Fox with Pop Sugar and we are here with stars of the new film 'Week Off', Tom Holland and Y/N Y/L/N!" Adrien introduced you and Tom to the cameras.

You and Tom gave little waves, "Hello!"

"Now, let's get right into it."

Adrien began asking generic questions while you tried your best to prevent any spoilers from leaving Tom's lips.

"Can you explain the movie a bit to anyone who is unfamiliar with the book or hasn't watched the trailer?"

Tom opened his mouth to speak before closing it, "I think I'll let Y/N do that."

Adrien laughed before you spoke, "Yeah, um. It's basically a comedy with a little rated R content. Some romance, but mostly raunchy and hilarious stuff. It follows the employees in this law firm and their vacation away from work. Lots ensues during said trip including relationships, arguments and too much drinking."

"And you guys worked with many famous actors and actresses in this film. Like, Jennifer Lawrence, Emma Stone, Anne Hathaway, Zendaya, Chris Hemsworth, Kevin Hart, Jonah Hill, Channing Tatum and The Rock. How was working with that many iconic people in the industry? You guys are obviously incredibly well known as well, but I imagine some of these people were your idols growing up." Adrien asked and you and Tom nodded.

"Yeah, uh, yeah. It was an honour. Absolutely amazing. Like, I never imagined I'd be making films, let alone films with stars like Kevin Hart and Emma Stone, you know? I'm just really proud of this one and I love everyone who we worked on it with." Tom gave his answer making you nod.

You cleared your throat, "Yeah, Zendaya is my best friend and she has been for years, long before this movie came along, but I still got so excited about working with her. Jennifer Lawrence is amazing, so hilarious. You put her and Chris into a room together and it's just comedy central." you laughed with Tom at the memory.

"We've seen in the trailer that you two share many intimate and – may I say – risqué scenes in this film. Was it hard to keep that level of professionalism and friendship while shooting those scenes?"

You let out a little chuckle at the question before Tom rubbed his chin and spoke, "Since Y/N and I are already good friends off screen, I thought it would be awkward filming those scenes, but Y/N does this weird handshake after every take and it wasn't awkward 'cause it just made me laugh."

Adrien laughed a little before speaking, "What handshake?"

You shook your head with a smile as you recalled the first time you ever did the handshake with Tom.

"Ready, Holland?" you had your pyjamas on and were making your way to your mark in the set of your character's hotel room.

Tom nodded before following you in, cameras and crew hot on his heels, "Ready as I'll ever be."

He was shirtless. A pair of loose fitting grey shorts hung low on his waist. His costume for this scene as Niko Sai.

A black silk slip hung carelessly off of your frame. Ending at the middle of your thighs, v-neck dipping low on your chest. Your costume for Kora Patel.

"We're going to take it from Tom's line; 'You want me just as much as I want you'. Okay?" you and Tom gave a thumbs up, "Action!"

"You want me just as much as I want you. Everytime you sneak a glance at me and you think I don't see, but I do because I'm already looking at you, Patel." Tom walked behind you, looking at you through the mirror in front of you. "I don't blame you, I am incredibly good looking." he smirked to himself.

"I'm guessing you couldn't fit your shirt over your ginormous head?" you rolled your eyes.

Tom's smirk only grew, "Is that a little bit of drool on your mouth, Patel? Who knew the Kora Patel had a thing for Niko Sai? Oh, the Lord is good."

You rested your hands on the sink and leaned forward, "This is a useless conversation, Sai." you turned to face him, "I feel nothing for you. Don't you get that?"

He stepped closer to you and cupped your face in his palm, "Yes you do, you just don't want to." his face showed pain, all humour drained from his character.

You shook your head with a dry laugh, "You're only trying with me because it's convenient. The company's quiet little Kora Patel, right?"

He took another step towards you, holding your hip in a tight grip, "That's a lie. Nothing about us is convenient."

You chuckled before your hand flew to grasp his hair, tangling your fingers in his curls. Your other hand pressed against his pec. Nails tracing patterns on his skin. Tom's breath hitched along with yours as his body automatically drew closer to you.

You tightened your grip on his hair, "It is convenient because you know I keep to myself. You know that I won't go running my mouth about how long you last or if size really does matter. You know that I'm an easy one to fuck," you pulled him closer, "And toss aside, right, Sai?"

"No." Tom swallowed, "You're wrong, Patel."

You shrugged, "I can give you what you want," you ran your thumb across his bottom lip, "Physically." your eyes met his with heavy lids, "Not emotionally. That's why you need Remedy. Not me." your lips brushed his as you spoke, your voice just loud enough for the mics to pick up.

He leaned in and nearly kissed you before you pushed him away slightly by his chest, foreheads still touching, "Let me kiss you." he whispered, sounding so desperate that you nearly abandoned the script and pulled him into you.

You rolled your lips between your teeth, "And if I don't?" you raised an eyebrow, challenging him.

"I'll leave you alone. If that's what you want, I'll go and have a useless one night stand with a girl who could never measure up to you." he pulled your hips flesh against his, "But if you let me kiss you. I promise to show you how much I mean it when I say that I'll spend all night showering every inch of your body with the love it deserves." he brushed his lips against yours again before bringing his mouth to your ear, "Just say the word, darling, and I'm yours."

Your heavy breaths were the only things that could be heard besides the small sound of shuffling behind the cameras. Your eyes flickered from his eyes to his lips before you closed the distance and pushed your lips to his.

Fighting for dominancy, teeth clashing, hands roaming. Unscripted groans falling from Tom's lips as you tugged on his hair, running your fingers along his scalp. His hands gripped the bottom of your thighs before you jumped and wrapped your legs around his waist.

"I still hate you." you breathed against his lips as he kissed the corner of your mouth.

You felt him smirk, "You sure have a funny way of showing it."

He carried you to the bedroom, gently laying you down and climbing on top of you, never breaking the kiss. His hands running down your sides, squeezing and rubbing. Your lips moving in sync until he pulled away only to attach his lips to your jawline, leaving slow but hard kisses down your neck, leading to your collarbone.

"Still hate me?" Tom mumbled against your skin.

You let out a breathy moan, "More than ever."

"What do you hate about me, Patel?" he lifted up the bottom of your black slip.

"E-everything." you fake gasped as he rolled his hips into yours.

He laughed dryly, "Everything, huh? The noises you're making say otherwise."

"You're such a dick." you moaned.

He smirked against your breast, "You're about to take my—"

"—Don't finish that fucking sentence, Sai."

Soft moans fell from your lips as you wrapped your legs around his waist again and pulled him closer to you. He groaned against your skin as the cameras picked up every noise, every movement, every kiss. You ran your nails down his back, surely leaving marks in its wake. His grip on your hips was almost punishing, as if he wanted there to be bruises the next day.

"And cut! Great work, guys. Ten minute break and we'll shoot it again."

Tom immediately got off of you and sat to the side of the bed before looking at you with concern, "Are you okay? Did I hurt you?"

You let out a laugh before shaking your head, "No, you didn't hurt me. Dap me up." you held out your hand and he stared confused.

"What you up?" he chuckled.

You smiled before lifting his hand and doing the movements for him, "Just like that." he finally got it down and smiled.

"You Americans are definitely odd." he teased.

You tossed him a wink as an assistant handed you a robe, "See you in ten, Holland."

"And that's the handshake. It's not really a handshake, more of a greeting. I just did it after our first intimate scene because Tom was acting weird and I didn't want things to be awkward." you explained with a shrug as Adrien and Tom laughed.

Tom nodded, "I thought I hurt her! So I asked if I did and all she said was 'dap me up', like, what?" he laughed with you.

"You guys have really great chemistry on and off screen." Adrien complimented making your cheeks heat up.

You nodded, "Thank you. It took a lot of work to break through his industrial ego." you joked with an exhausted sigh as Adrien laughed.

Tom gasped beside you, "I do not have an industrial ego!"

"Mhm, sure." you joked before reaching over and giving Tom's thigh a gentle squeeze, "I meant indestructible."

Tom huffed and crossed his arms, "This is bullying."

Adrien laughed again, "We have to talk about something," he started and you already knew what was coming, "Lots of fans have speculated that the romance on screen carries on off screen." he smirked.

You and Tom laughed nervously. Almost awkwardly.

The situations that you went through with Tom while filming definitely built your relationship with him and strengthened it. In all honesty, you didn't know if the feelings you had for him were reciprocated.

In Tom's head, he was adamant that you had no feelings for him beyond the big screen. Both of you were too timid to confess first. His feelings for you developed a few weeks into filming and since then have only gotten stronger as your friendship grew and you spent more time together.

The amount of times that this topic had been brought up today was tiring. Every answer was the same: "No, no. We're just really good friends."

You decided to joke around, "Honestly, I've asked Tom out at least twenty times and he keeps rejecting me." you pouted and sniffled.

Adrien let out a joyous laugh as Tom gasped and choked on air at your words.

"That is not true! She has never asked me out!" he defended himself.

You shook your head with a deep frown, "He's broken my heart too many times. This is probably my last time acting with him." you continued on with the joke.

Tom shook his head furiously, "That is one hundred percent false. If she had asked me out, we would already be dating." he let the words fall from his lips without a second thought.

You fought the instinct to snap your head towards him. His confession catching you off guard. You played it off with another pout and shrug. Unsure if he was joining in on the prank or not.

Adrien raised a suggestive eyebrow, "What I'm hearing is that Y/N just needs to ask you out and we have our new couple."

You fake gasped, "Why do I have to ask him out? He should be asking me out with a million roses and a horse drawn carriage." you flipped your hair over your shoulder.

"You don't even like roses." Tom laughed, "You like dandelions because they turn into those fluffy things that you can make a wish with." he remembered the information off of the top of his head, "And because it sounds like you're saying 'dandy lions' when you say their name."

You nodded with a smile, "A million dandelions then. And maybe I'll think about it." you joked with a yawn making the two men laugh.

"You heard it here first. We have a new couple on the rise. Tom just needs to find a million dandelions and a horse drawn carriage." Adrien laughed again.

Tom scoffed dramatically, "Find? I already have them in my garage, ready to go."

Adrien cheered as you felt a heat creep up your neck, "Did I say dandelions? I meant daisies."

"Got those, too." Tom smirked making you roll your eyes.

"Okay, we need to end this interview before Tom buys all the flowers in Berlin." you joked.

After the interview ended, you said your goodbyes to Adrien and the crew before you and Tom made your way back to your temporary hotel suite for the week of press junkets.

Tom walked you to your room, stopping at the door, "That was an odd interview." he chuckled.

You nodded, "Indeed. It was fun, though." you smiled and he returned the expression.

There was an awkward beat of silence before he spoke again, "T-that whole asking me out thing. You were kidding, right? Like, just a show for the cameras?" he laughed nervously.

You swallowed air before replying with a timid smile, "Y-yeah. Totally. Just for the fans." you nodded again, "Um, I should head to bed. More interviews tomorrow. See you in the morning." you gave him a little wave before turning to your door and pulling out your key.

He nodded with the smallest of pouts before turning on his heel and starting the walk back to his suite.

Just as your hand was turning the knob, Tom's voice called out to you again.

"Would you like to go on a date with me?" he spoke in one breath.

You bit your lip to conceal your smile, but it was no use. His question sparked a flame in your stomach that wasn't dying out anytime soon.

You turned with a bright grin, "I'd love to."

His features went from pure fright to relief in a matter of seconds, "G-great. I'll- uh, I'll text you the details. Goodnight." he gave you a little salute making you laugh.

"Sounds good. Night, Holland." you nodded your head before entering your hotel room.

You leaned against the door as soon as it shut. A euphoric glow radiating off of you. You were going on a date with Tom Holland.

Tom happily punched the air. Skipping down the hallway, a new found joy in his step. Chris Hemsworth walked out of his room and examined the gleeful boy.

"What's got you all smiley?" he chuckled.

Tom stopped and smiled, staring at the ceiling, "I just got myself a date."

Chris raised an impressed eyebrow before laughing, "You really are Peter Parker. Night, kid."

"Goodnight, Chris." Tom's smile never faded as he made his way back to his suite.

Not even ten minutes had gone by since he last spoke to you and he already missed you. He pulled out his phone and pressed on your contact.

Tom: sorry i didn't have any dandelions. hope you can make an exception x

Y/N: i suppose but the horse drawn carriage is a must x