#it’s taylor being hard on herself and believing everything she does goes wrong vs the so in cp doing everything right

[ilostyou]

i think this is something we should be talking about more

[sawwyouuinadream]

FIFTH HARMONY EXPOSED

Isn’t this the type of headline that intrigues people? Well, here I will expose some myths that the so-called Exposing accounts go on exposing. Just declaring something here in the beginning: I love all my Fifth Harmony girls, OT5 that is, and read it at your discretion. The thoughts stated below are opinions of mine, gathered over months and years, and I firmly stand by them.

Cutting to the chase, here we go:

1)      Fifth Harmony the Band Image:

This group was manufactured by Simon Cowell on the X-Factor, back in 2012, and it broke up in 2018. On the show, Lauren Jauregui, the green-eyed white Latina was given the majority of solos and they performed songs in Spanish and garnered Hispanic fans banking on the fact that there were three Latinas in the group.

After they signed to Syco/Epic when the show ended, we saw Camila Cabello, the more convincing Latina, who was born in Cuba, get more and more solos. Normani Kordei was promoted as the “dancer” of the group, Ally Brooke as the “unproblematic one”, Lauren as the “broody edgy girl” and Dinah Jane as the “relatable Polynesian”.

Not surprisingly, Camila was the first one to do a solo venture with Shawn Mendes, the song I Know What You Did Last Summer, which, according to me, was a song to test the waters for both Shawn and Camila.

As more time passes, Camila was portrayed like the lead, not by HERSELF, but the trademark that Fifth Harmony was. She stopped talking in interviews, started doing more and more solo stuff, and even signed to a different manager. Voila, we were getting the rift in-band vibes galore.

Now here’s my verdict:

Fifth Harmony was made by Simon to not get the next One Direction, but to get the next Taylor Swift. Little Mix was already there in the U.K, and people know Girl groups don’t do as well as Boy Bands, mostly because of the inherent Misogyny in the society.

They wanted the next relatable girl next door who could influence teenage girls.  Camila being Latina, could now have an even larger fanbase, in Latin America as well as South Asia, because South Asian music is quite similar in a groove to Latin Music.

Why Not Lauren or Ally then?  Well, they were simply not interesting or Latin enough.

Why Not Normani? Do I have to tell? Those bitches are racist as fuck.

Why Not Dinah? Same thing. Less Appeal to a large fanbase.

That’s why Camila was the goofy dorky most relatable person on 5H. That’s why she readily had a high budget tour all set up for her the moment she left the group. That’s why they promoted her. 5H was never the long-lasting plan. Camila was. 5H was just an excuse to get her a strong fanbase and give Epic 4 more mediocre artists. I am really happy that Normani proved her worthiness and released smash hits as well. And mind you, this was done without Camila herself wishing for it. It was just the label’s decision.

 2)      Camila- the beauty or the bitch?

Camila Cabello is a very intriguing person to me. At the first glance, you haven’t seen a more dorky, goofy, and relatable celebrity like her, eating bananas and tripping on air. But then she starts talking about profound and deep experiences, and you go on her Tumblr and find quotes from books and aesthetic pictures. But then you see her leaked text messages and old Tumblr and all those images crumble before your eyes.

Think about this. Among the 5H girls, Dinah, Lauren, Ally, and Normani have friends outside the industry whom they talk to and hang out with. They have family they post about. Camila? She seems to have no friends apart from Sandra and Marielle Guzman, and those are the people we got the leaked texts with. What about her school teachers and school friends? Nothing.  All she hangs out with is Shawn Mendes and Taylor Swift and her mom who follows her like a hawk. She doesn’t seem to have a social life at all except for events she goes for business.

In my opinion, Camila has a pretty big secret that is guarded closely by everybody but her.

Is she racist? Yes. She was. She didn’t have any sensitivity to Black people or their struggles whatsoever. But you have to understand she is Hispanic, and not born in the U.S. And she has sort of always been a big mouth. I am from a country that doesn’t have a single black person in the near 30000 miles. We grow up using racial slurs as if it's nothing. I had to unlearn my indoctrinations and consciously undo the wrongs in my head and implement them in my actions. Bit it doesn’t undo things I said as a child. I bullied one friend of mine in middle school simply because her skin tone was darker than mine. But I was not canceled. Because I am not a celebrity. Have I learned? Yes definitely. I will never dare to act like that again because now I understand the pain of being ostracized and I recognize the struggles of black people. But that happened over time.

I feel like Camila is a changed person now, and tries very hard to educate herself. She is not perfect, but she doesn’t deserve so much hate. She deserves a second chance.  If she was indeed like that, Normani wouldn’t post a photo with her in IT on the eighth anniversary of 5H.

As far as her being a jealous bitch goes. The rest of 5H always had good things to talk about her after 5H dissolved in 2018. Lauren, the activist, even praised her. Dinah still seems pretty close to her.

Did she do solo stuff without 5H knowing?

No. If she did, and the whole not attending meetings thing happened, Dinah wouldn’t go to her Bad Things concert one day before she left the band. Lauren wouldn’t laugh with her in the VMAs like that if they weren’t friends and just work colleagues. The whole 5H vs Camila feud was planned by management because apparently shade helps sales. For both parties. Another manipulative misogynistic example of society.

 3)      Are/ Were Camila and Lauren romantically together?

All the roads lead to Rome honey. Camren has too many coincidences to NOT be real. From song lyrics to shady potato photos to weird comments and body language in interviews, I am pretty sure the Camren blogs will keep you covered.

Why does Lauren hate it so much? Why are we being invasive?

Lauren is supposed to nix it every time because she is contractually bound to do so. She needs to be the one to keep Camila’s straight image intact, although we have more than tons of evidence that Camila is anything but straight.

To everyone who says we shouldn’t force sexuality on people. Heterosexuality is not the default. Don’t force straightness on her. She never said she was straight. We’re just speculating she is with Lauren, and that’s it. Lauren just happens to be a girl. That’s IT.

Why did the nosy shippers out Lauren?

Nobody did. They just speculated on her sexuality based on assumptions. But no fan posted photos of her and Lucy from her aunt’s Facebook, because it was password protected. It was most probably intentional. Note that she shot a coming-out photoshoot with her “ex-girlfriend” Lucy Vives even before the Wedding where she was supposedly outed. Why shoot a photoshoot TO COME OUT and then hide behind the closet? Her coming out was planned as early as 2015, and so was the bearding of Camila simultaneously.

To me, Lauren and Camila are contracts bound to lie, at this moment. But they have a very grown-up and well-communicated relationship that is very sacred and private, and only the two of them know everything about it. Lauren and Camila are still related to the same contract, and this intuition of mine was confirmed yesterday. She was shooting something for Roger gold’s label. I hope the best for both of them, and I would love it if they were together. But them going public would be huge and in my opinion, detrimental to them.

4)      Who’s Shawn Mendes?

A really career-oriented artist. Shawmila is for him and his promotion only. Not his fault though. He is just a conceited boy with good guitar skills who wants to be extremely famous. I will not talk about his sexuality, because unlike Camila, I can’t trace him to anyone in particular.  But I can say this, Camila’s solo career had plans for Shawmila since the very start. I also believe it will end like Jelena and be back and forth for some time for minor promotions.

 Final Verdict:

Nobody is perfect. Don’t make this about Shawmila Vs Camren. Every artist has their struggles. But please break out of the shell of heteronormativity, misogyny, and racism. Love human beings. The 5H girls and Shawn Mendes are teenagers, now adults, who have been oppressed and manipulated by a capitalistic racist homophobic industry, for money and money only. And only the fans have the power to see the truth and choose the right stuff.

[yeaahishowedupatyourparty]

Red & the meaning of it’s songs for Lottie. I just feel like doing this is going to help me build her narrative more, there might be some open spots in here but I doubt it. Also, as I said in the chat, it just helps everyone differentiate her from Holly because they both use Taylor’s albums for their character development! Hope that makes sense :) 

1. State Of Grace - Moving to New York and a dedication to all of the friend’s she’s made there. It’s the first time she’s been settled properly in one place and I think it’s about the intense excitement and love she feels for her academy already. She’s met Yasmine, Salem, and so many others and it’s track number 1, because she sees it as the opening to a really exciting new chapter.  2. Red - Elijah! This was her first boyfriend and they drifted as they grew up and moved on to different things. She has no ideas he’s into guys and that doesn’t really matter, anyway. She’s accepted that they’re over but the relationship is always romanticised in her head and moving on fully will probably never be an option.  3. Treacherous - Her first crush at Liberty was Avery and it hit hard. She was intensely pissed off when she didn’t get the reciprocation she wanted but after ‘Better than Revenge’ on Speak Now, she knows better than to put people on blast TOO hard. So, she went down the lovesick route and created this beautiful song. She knows that nothing’s going to come of it, but she can’t fully leave him alone. It’s a little less intense now that all of the academies are together though, because she doesn’t see him as much. 4. I Knew You Were Trouble - This plot is still work in progress, but it’ll be dedicated to Ethan. The two of them have got closer through attending Liberty and he’s attracted to her on a physical level; but nothing more. He’s mainly hooking up with her to prove a point to Addy and it’s working. They’re never official but even still, when she realises/the truth comes out, I think she’ll put her “Stop putting people on blast” attitude out of the window and release this because she won’t be happy.  5. All Too Well - I think All Too Well is really easy to interpret as heartbreak, but Lottie’s meant to be more calculated than that. So, even though it’s very much a heartfelt song and really emotional...she’s crafted it to be that way. It’ll be about Ethan and the purpose of it will be to get the general public and fans on side. She knows it tugs at heart-strings and while I Knew You Were Trouble is a bop, All Too Well is designed to give her the vulnerability that everybody loves to see. In reality, she’s not as hurt about it as she’s pretending.  6. 22 - Every single album has a song about or inspired by Annabel because she’s hands down the most important person in Lottie’s world. I feel Lottie would have grown up hearing Annabel’s stories about St Judes, her adventures and the friends she made. Lottie wrote this song when she got accepted into Liberty, knowing that she’d be having the same thing, and in a weird way feels more connected to her Mum than ever. The line “Everything will be alright if you keep me next to you” kind of points to how much she still relies on Annabel and knows her Mum will guide her through anything that gets hard in the next few years. She basically feels as if she’s her Mum when she was 22.  7. I Almost Do - Elijah. This would be an older song and I think it’d be written when she first started feeling the distance between them. This is probably the least complicated meaning on the album, oop.  8. We Are Never Getting Back Together - NOBODY LOL She just knew it’d get people talking and was catchy and it’ll be one she always acts as if it’s a huge secret who it’s about. 9. Stay Stay Stay - Again, it needs a little bit more development but Flynn is the second guy she’s had a major crush on. He’s really good to her and they have a lovely friendship, but she’s also keeping him at arms length because she knows her career plan is going to end up screwing over a lot of people and their reputations and she doesn’t want him to be one of them. It’s also about how he seems to genuinely like her and not care as much about how successful she is/what she can or cant offer him.  10. The Last Time - All Too Well, part 2. Just to REALLY drive home the fact that Ethan’s hurt her feelings, it’s all his fault and people should feel bad for her. Forget the fact she also knew he was one of the star basketball players and dating him would help boost the attention for ‘Red.’ That’s irrelevant...Obviously.  11. Holy Ground - She wrote this during her visit to St Judes and again, with her parents in mind. For them, Violet Springs is where it all started and I think she would’ve done something really sentimental like visited Annabel’s old dorm room or asked her Mum to take her to the place where they first met. This one tells their story more than any of theirs.  12. Sad Beautiful Tragic - Another one about Elijah. I feel like this is probably the shadiest song she’s written about him and here’s why...’Sad beautiful tragic love affair’ almost implies that something happened or somebody was wrong - and, of course, Lottie’s RARELY going to put herself in the shoes of the villain in any of her stories, so it very subtly nudges people to feel like Elijah did something. He didn’t, though, but one of Lottie’s weaknesses is making things up in her head until she believes them to be fact. There was definitely a stage where she thought he’d found somebody else, so this was the result.  13. The Lucky One - For Violet! Lottie’s been in the music industry for a little longer than most, just because Drew and Annabel let her be home-schooled for a few years while she worked on her debut. I think she sees a lot of herself in Violet and it’s somebody she genuinely cares about. It’s written almost like a fable about fame and trying to warn her that she needs to keep her feet on the ground or she’ll get hurt.  14. Everything Has Changed - I REALLY DON’T LIKE THIS SONG, I FIND IT HARD TO CARE ABOUT. She does have a vague connection with Fae’s new character, Jace, though, so I’ll fill this in when we’ve got a better idea of what it’s all about.  15. Starlight - Her second song about being in New York and starting life at Liberty. Lottie’s version of ‘Red’ is about living life at maximum intensity, which is what she feels like at the moment. She feels like this is the most alive and new she’ll ever be and her passion for everything is burning, so Starlight is another song that expresses that.  16. Begin Again - Flynn and Elijah, ahh. Again, she deep down knows Flynn’s a good guy and the real deal; the only other person she’s had that intuition about is Elijah. She’s kind of comparing them in the sense that they’ve given her that hopeful, heads-in-the-clouds feeling...unlike Ethan who is the other side of the album. I think it’s from the perspective of Lottie looking at Flynn and seeing a lot of Elijah - hence something quite nice is beginning...again. 

17. The Moment I Knew - This will again be for Jace. The vague idea of their connection is that they dated after she dated Elijah, while she was home schooling. She fell hard and looked to him for support and was convinced he’d be the same as Elijah was to her but he is and has always been more focused on his career. So, when she decided to go back to VS, he stayed out in LA trying to make his dreams come true. They tried long distance but he never called as much as she did and it felt very one way. He never did anything explicitly wrong...unless you hear Lottie’s slightly overdramatic version of the story via this song. (For people struggling to keep up, it goes: Elijah, Jace, Liberty, Crush on Avery, vague fling with Ethan, Longterm crush on Flynn LOL) 18. Come Back, Be Here - Leaving LA (when she was being home schooled/working on her debut) and Jace, too. This was the beginning of their short lived long distance relationship when she thought they genuinely had a chance. I feel like she’s embarrassed to admit she fell for him now but she did lmao.  19. Girl At Home - If you didn’t get the clue in her post, Peter C LOL. It’s plotted that when they got to NYC, he flirted with her a few times even though Lottie knew he was with Bianca. Hence why she wrote this song. She could’ve just told him to fuck off and left it be, but why do that when you could have it on an album and cause rumours to spread like wildfire?

[bipercabeth]

So, can we hear your thoughts on TS7? I remember your breakdown for the Ben Platt album and wanted to hear what you have to say about Lover

oh man, i already know this has to go under the cut. i have,,, so many feelings

i forgot that you existed - this song is such a good opener for the album. both the lyrics and production are so light and carefree, which makes it the perfect transition from the intensity of reputation to the softness of lover. she’s not reinventing herself, she’s growing. i love the way she plays with harmonies in the chorus! and i adore how the last line of the verses swells ominously before releasing into the playful staccato of the chorus, i think it’s really indicative of the anxiety surrounding the situation vs the simple and relative ease with which it was all forgotten

cruel summer - tbh i’m glad this wasn’t a single in the place of ME! or yntcd because listening to this was literally a full body experience. it would’ve killed as a lead single, but it definitely hit harder for me hearing for the first time in the context of the album. i read the lyrics of the first five songs when they leaked and genuinely thought i wasn’t going to like this song, but i went absolutely feral at the bridge. (also upon listening i adored the lyrics, so i will no longer be trusting my opinions based on lyrics alone.) if i wasn’t sold on the rest of it, the bridge is what solidified this as one of my favorites on the album. the way the synths build and then cut out for HE LOOKS UP GRINNIN LIKE A DEVIL,,, i lost my shit. astral projected. if this song is playing, i will not turn it off before i get to scream that line. also “i love you, ain’t that the worst thing you ever heard?” is incredible. 

lover - words cannot describe my love for this song. my friend veronica described it as the love song of our generation and honestly? she’s not wrong. lover’s lyrics are simple, but hit like a ton of bricks regardless. the key to simple lyricism is finding the words that everyone has always wanted to say (lean on me is a really good example of this but i’m not going to get into songwriting theory on this post) and lover does exactly that. simple descriptions of simple acts are her window to how all-encompassing this love is. the 6/8 timing (a fucking WALTZ y’all) gives it the 2 in the morning kitchen dance feel. it’s a love song in every aspect. i’m never gonna be over it. 

the man - a bop. the low notes in this song? incredible, especially in the bridge. those low harmonies took me OUT! the first line of the chorus is so killer as well. and she says bitch twice! taylor said i am 29 i curse and have sex, get over it. there’s less to analyze in this song, but that doesn’t mean i’m not in love with it. 

the archer - i am telling you i heard the first goddamn synth note and KNEW jack antonoff was all over this song. i really needed this song to come out when it did, because after those two singles,, i needed some hope for this album. it did not disappoint. the slow build of the synths into one massive crescendo at the bridge instead of the usual rise and fall of most pop music. every single note builds to the bridge, to the anxiety of that repeated they see right through me, to the cause all of my enemies started out friends / help me hold on to you. it swells like the slow draw of a knocked arrow, like an archer taking aim. and then all at once, it fades like the string was released. i adore every single aspect of this song. 

i think he knows - my percabeth loving ass needs to take a second to talk about the line i am an architect, i’m drawing up the plans and how it sent me to the fucking moon. but anyway. different post. it is physically impossible for me to stay still when this song plays. the harmonies on that AH in the chorus made me lose it. i want you, bless my soul is so southern and absolutely beautiful. she’s straight up pining in this song, and she knows it. that way she closes the song with that line on loop? sets the tone so well.

miss americana and the heartbreak prince - i have no idea why i didn’t like this song upon first listen, but now i like it! still not my favorite on the album, but the bar is high. 

paper rings - god i cannot believe that she said his friends were high at the met gala i’m fucking dead. this whole song is peak old taylor, just grown up. it’s got the same catchiness as stay stay stay, but with a more grown (but still fun) outlook. this one is real experience talking, and it shows. she’s got the love she always wanted to write about! i’m not okay! 

cornelia street - her delivery really makes the song for me. you can physically feel how much she loves joe and how real that fear of losing him. that stripped down chorus after the bridge where her voice breaks? she’s so in love. i’m so in love. 

death by a thousand cuts - GOD i love this song with everything in me, even more since watching Someone Great. it’s the perfect narrative song for that movie. it also contains the single most Taylor Swift^tm lyric of all time: but if the story’s over, why am i still writing pages? ALSO? WE WANNA TALK ABOUT BRIDGE CITY?? this bridge goes so hard. i can’t convey my love for it unless we’re in the car together so i can scream it properly. ultimate car song. 

london boy - so fun! people who are upset over this song gotta calm down, it’s a fun, catchy song. i don’t have much to say about it, but i enjoy it! i won’t go out of my way to queue it, but it’s cute and cheeky and i like it.

soon you’ll get better - i knew from the first goddamn guitar lick that this was going to wreck me, but once i realized what it was about,,, i didn’t stand a chance. i literally went back after my first listen through the whole album and listened to this song on loop for at least half an hour and just. sobbed. it hits home way too hard for me. again with that devastatingly simple songwriting. you’ll get better soon / cause you have to absolutely destroyed me. also, this is a really small detail, but that breath at 2:41 really does me in. it’s so defeated, i can’t. her delivery in this one is an absolute gut punch.

false god - jack antonoff is all over this one and i love it for that. taylor swift said i fuck and i respect that. the sax? get out of here. it’s so perfect. it’s horny, but like,,, emotionally horny. perfect fit for this album. i adore it.

you need to calm down - okay ngl i don’t like this song or ME!, but i’m really glad they were singles because if i heard them on this album for the first time i would’ve been :/ about it. instead we got that right out of the way and now i can appreciate the good parts of them. the oh’s in the chorus are really pretty! i don’t actively dislike this song, but i don’t actively like it either. 

afterglow - i love that taylor put a song about fighting on this album. i think this made the album feel so much more real. it’s about love, and fighting is a part of that! we break a little from the picture perfect aspect of songs like paper rings and get a little grittier. people make mistakes, but the love guides the choice to stay, to ask for forgiveness and promise to do better. this makes the entire narrative of lover so much stronger.

ME! - same sentiment as yntcd in terms of it being the lead single, except i’m really not a fan of this song. i can handle it up until the spelling is fun part. i cannot believe “can’t spell awesome without me” is so close to daylight. i appreciate the point of the song and what she sets out to do with it, but i just. can’t get over that damn bridge. 

it’s nice to have a friend - i really didn’t like this song at first and i’m still warming up to it, but i definitely am! it’s such a percabeth song. i’m not sure why i didn’t like it, probably because it doesn’t escalate or go anywhere, but i think that steadiness contributes to the meaning of it

daylight - i could literally write an entire essay on this song alone. it’s the perfect closing song for this album. i don’t want to see anything else now that i saw you / i don’t want to think of anything else now that i’ve thought of you are literally the most tender lines i have heard in my whole life. the comparison between this and her notes from red make me openly weep. the bridge of this song literally feels light daylight, it shines and feels warm and god i love love! i once believed love would be burning red, but it’s golden made me cry when i heard it. i can’t stop thinking about that quote that says “lover is the sound of a songwriter getting to write the album she’s always wanted to write”. i could literally cry just thinking about that. she got to write the album about golden love! her whole career is based around singing and writing about love, and now she has exactly what she’s been grasping at all this time. it’s downright poetic. the monologue/outro only did me in more. she’s spent so long being defined by other people, and here she makes that definition for herself on an album that she owns every part of. it’s perfect.