#it’s supposed to be right after the mummies btw | Explore Tumblr Posts and Blogs

the-acid-pear · 10 months

Text

My dream was very weird let me recall it as best as I can.

I remember being outside of a bar. I think I was L.L. because I spoke about being able to teleport. Some guys were ordering food and I was like nahh I'd go get some Winnie The Pooh sushi right now if I wanted... But the guy with me was like well go get that now. And I was like maybe but first I need to go to the bathroom ☹️. Two guys sorted me for some reason, I was barely walking bc i was pissing my pants so fucking bad, although earlier I had talked about having my period but when I went to pee w my weenie I started thinking of how weird that'd be for them (and fuck, even me) to understand. To pee, one of my friends ripped off one of the sink bowls (like those fancy bathrooms have, which was weird because the shop was some street food parlor falling apart) and was like Haha sorry, go ahead 😈 but I was like nah nah that'll be enough and I pushed it under the sink with my foot before unzipping and starting to pee on it. I remember being extremely flustered because I didn't want the others to see my dick, and I was also confused because I didn't know how to use one? Because this was a very fucking vivid dream.

No one said anything about my cock and I think we all left back to eat. All I remember about my Winnie The Pooh sushi is a vague figure drawn in yellow, some pile of green and a little black thing. But I didn't get to eat because I saw the old man was going to the bathroom so I rushed after him since, you know, we'd destroyed the fucking thing. Because I forgot for a second but fsr I left my cock hanging on a place similar to those were you place soap? It was a pretty good cock btw. Around 5-6 cm of length and maybe 3, 2.5 of girth? Like, measuring from the top, I don't have the resources to wrap a measurement tape around the cock in the bathroom BECAUSE...

Room was dark old man was very fucking old and first thing he did was nearly hit the sink and he laughed it off as I was like, literally grabbing my head. Because this was a fucking dangerous guy, right? This guy was serious business, we didn't wanna mess with him. So I stopped him on his tracks and after fumbling my way trying to grab a stick from the stick pile and a cloth I started washing the floor which I'm not too sure why was wet, our dirty aah shoes I suppose. And I did a shit job btw. Absolutely terrible. Old man stopped me and I was like fuck man I'm sorry it's so bad but he was like No no, this is good. He admired that I went off my way to prevent him from getting hurt and likely dying as any other idiot would've tried so he instead took me to the room nextdoor, his bedroom, and offered it as a place for me to stay.

Bedroom was a fucking mess, room had a yellow tint to it. Cracked walls, old thin bedsheets, old wood and old clothes, and the best part yet, when I leaned down for some reason I got a peek below the covers of... Black Homer Simpson. Which I soon got to see a better look of when the old man pulled off the cloth revealing Homer and I guess Bart, both black (racially ambaiguos...) and skinny to the bone, long dead, like they were two mummies. Homer's eyes were open but Bart's weren't. The old man explained the left bit of bed next to Bart was mine and the other bit of bed was his which is literally that one image I'll add afterwards.

Act 2

A big change happened after I left that place, because was I not only on a boat with a pack of criminals but I was also one of the racoon twins from HTF. I was significantly less evil than my brother and aside from real Luly watching this like a show wondering why no one shipped the racoon w the old man (now a sort of old mole, but not Mole just a similar look) (his name was alistor I think also?) I don't recall anything significant.

END OF ACT 2?

See this is where things get truly weird because I don't know when I stopped being the racoon. I remember travelling on that boat for a long time, going thru tunnels and docks but never got off until I was in this park. The park was full of humans with animals and some with babies. I don't know why we were there. Every dog we saw was big and aggressive, not outright attacking us but just letting us know a beast his size could crush us to a pulp. I suppose we were still animals.

Act 3

And it was when we were leaving that place I changed person once again, now I was this skinny blonde unassuming man, I think I was disabled too I couldn't really get words out and I just starred at people sort of confusing at everything. And I had a baby in my arms.

The baby was small, so fucking small. I could fit her in my palm, that's how tiny this baby was. And she was wrapped in a cloth. The place we were in looked like the inside of a train station. The baby was a normal size when I ran into her so called "father". He, also blonde but a more vibrant and orangey tone, I was an ashy platinum blonde, more of a square face, very manly and very European looking, started telling me to give him his baby back. He had a red university hoodie on and a turtleneck sweater peaking from underneath. I think his name was Thompson, or his surname. I really liked this baby and this guy was freaking me out and I had a vision. A memory, a flashback.

I was back in the boat. It was him and me, sitting alone in a long long table. There were no walls, it was like a train that boat of ours. A voice spoke from beyond, like a radio . "If you find Allis Calypso you have to kill him". Her words repeated in a cold manner. At the time of the dinner when I was still a raccoon I wouldn't have known it but know I did, this man in front of me trying to take this baby from me was Calypso.

And our clothes were different inside the boat, I believe we were pirates. All browns and dirty whites. His shirt was now washed pink as now he had what I can only assume was some fancy silverware, assuming by the sculpted handle, buried deep in the middle of his guts. He was a memory, he didn't react, he only fell over slightly. I started to run with the baby in my hands as the voice repeated "Just this once, you'll be forgiven. Now get out".

Act 4, final act

Now I was just running with this baby so small it got lost inside the cloth. The environment looked so familiar once more, like my very own. I knew I needed someplace for the baby, someplace to keep it safe and, hell, fucking feed lt. Baby was scarily quiet though.

I was lucky to run into a fence, tall metal one. I wasn't only scared for the baby, I was scared for myself. I had left my team behind, I had no weapons on me, and I was the most useless man they had, now on the run for murder. It was during this act someone called me Albert.

From outside the fence I saw two little kids playing, before what I can only assume was their mother came out. She was so fucking latina, she was a face I've seen so often. She had big eyes with thick kind of smudgy makeup, a teal tanktop barely covering her chest, fat as the rest of her (amen), and short jean shorts on top of flip flops. He hair was dyed, a shade darker than her skin, a vibrant brown color.

I don't even know if I said a world or if she simply started asking what was my problem and I showed the small child I was holding. She was like "y'know what? I'm still lactating (she used a different word) so just this once I'll help you".

We went to her room, it was amaizing. So familiar. She even had an old tv and a dvd player. Clothes everywhere, old messy bed, big window no curtains. She laid down in the bed, I just stood. She was beautiful, but I wasn't even remotely attracted to her. The thought only crosses my mind now as I'm awake. All I could think of was the baby in my arms.

She said she didn't cry, and for a second I feared she was dead, but soon she woke up and started kinda sobbing. She breastfed her, I didn't look.

I started thinking, should I stay here? The woman seemed already fond of my baby. I knew I couldn't take care of her. I didn't have any place left to go, either. Should I just leave the baby with her and run away? Wouldn't that be cruel? But I couldn't do or say anything. I just looked down as she gently cradled the baby in her arms, and before I knew I woke up, because the story ended there.

#luly talks #my dreams #super long one this is bc i took sleeping pills last night LMAO #in retrospective i think someone else handed me the bsby #i think we were doing that just exchanging shit. babies dogs who give a fuck. baby wanted to be with me tho so i took her.#it almost was liek she was reverting tho from a toddler to a fetus lmao #very fun shit it took me like an hour to write this whole thing down 😭😭😭

2 notes · View notes

kingovharts · 4 months

Text

Reblogs are highly appreciated, thank you!

‧₊˚ ☾. ⋅ DEMO ‧₊˚ ☾. ⋅ FAQs‧₊˚ ☾. ⋅

In the eye of a hurricane and bloodstains, A child of Earth and Moon shall break the chains. In their hands the fate of the world shall rest, A heart both mortal and divine, put to the test. Be careful of whom thou trust, Or the world will be reduced to naught but dust.

You lived quite a normal life. An overprotective father and an absent mother— quite normal.

Enjoying your last year in university, falling in love with or befriending someone who will never notice you, dwelling on your mommy (or daddy) issues, that’s how your life was supposed to be.

One step after another, you were suddenly thrust into a world you’re unaware of.

“Welcome to the Pantheon, O chosen one.”

Genre: Fantasy, Romance

The Pantheon is rated 18+ for its explicit use of language, portrayal of sexual themes, violence, immoral behaviours, and more. This will be mainly written using the UK spelling. Author is not a native English speaker.

Story will revolve around religion. If that makes you uncomfortable, this is not the story for you.

Fully customisable MC (appearance and personality-wise). Are you dramatic? Indifferent? Or just tired of all the shit? It's all up to you.

You’re a rich kiddo! Choose how your family acquired its wealth. It will heavily impact other people’s perception on you.

Choose how you feel about the new responsibility posed on you.

Rebel against the Pantheon’s ideology or follow its doctrines.

Prepare yourself to put a stop to the ongoing [redacted]

Fall in love with one of the six hot romance-able characters!

Own a very cute (or strong) familiar!

Mummy (or daddy) issues or not? Your choice.

You're a demigod/goddess btw... (Your mum's the goddess of moon)

𓆩☾𓆪 Yudai Sakaguchi (25) | Romanceable by Female and Nonbinary MCs only [Portrait]

Yudai is a senior you bonded with during University Week when you were a wide-eyed freshman. With his charming smile, unshakeable confidence, and a playful glint in his eye, Yudai is the epitome of effortless cool. He always sports a smug look, as if he's in on a joke the rest of the world hasn't heard yet. But really, a guy like him couldn't possibly have any secrets... could he?

𓆩☾𓆪 Vivienne Ramos (26) | Romanceable by Female and Nonbinary MCs only

Vivienne is the daughter of your father's friend, and you've known each other since you were a kid—well, since she was a teen. Her confidence is unmatched, and you can count the number of times you've seen her smile on one hand. Even then, it’s more of a slight lift of her lips. Despite her reserved demeanour, you know she's always on your side. No matter what.

𓆩☾𓆪 Héctor Alonso (23) | Romanceable by Male and Nonbinary MCs only

Héctor is the recently hired right-hand man of your father. He excels at his job, almost to the point of perfection, and his annoyingly divine face doesn’t hurt either. He seemed to appear out of nowhere, so you can't quite figure him out. At least, not yet.

𓆩☾𓆪 Matyáš Dvořák (30) | Romanceable by all MCs

Access to information about this person is denied.

Access to information about this person is accepted. No data found.

𓆩☾𓆪 Genevieve [REDACTED] (27) | Romanceable by all MCs

Access to information about this person is denied.

Warning! Unauthorised access is detected.

𓆩☾𓆪 Amala/Amrit Wadia (29) | Romanceable by all MCs

Information unavailable.

Link(s): 🌕 Character Portraits (Artbreeder)

#the pantheon if #interactive game #interactive fiction #interactive novel #cog #hosted games #dashingdon #interact-if #wip #choice of games #hog #mythology

312 notes · View notes

mbabol · 1 year

Text

howwow night

finally. defeated soulmaster. jesus christ. i hated him. closest thing i felt to despair in this game

erm i only went that way to the city also bc npc told me i should get my weapon upgraded before i challenge mantislords. so i did. where am i gonna find ore btw

mantislords honestly ngl felt so much better than soulmaster. soulmaster made me wanna commit violence. mantislords made sense.

THE MANTISES ACCEPT ME NOW........THEY DONT ATTACK ME WTH

i havent even been able to keep up with the lore stuff. um. i didnt go into the deep nest yet bc i wanted to unlock the areas i could go with slam.

got lost trying to find the crystal slam spot and ended up getting into the caves thru some other bullshit path.

got EXTREMELY lost as a result, i hate thise flying crystal bugs btw

get so lost i fall into the burial mounds somehow (?)

DREAM VISION? I WAS RIGHT AGAIN THERES THREE GUYS AND A MAIN ONE. WHY ARE THEY HERE ? I WAS SO SCARED THAT I WOULD HAVE TO FIGHT

i was so impatient btw to get out that when the dream sequence wnded and i was supposed to follow the appearing steps i literally kept jumping off my platform before the steps could form. i did that like four times before i gave up and just waited to see what would maybe happen

SO THATS WHAT RHOSE WEIRDO TREES ARE FOR <- dream nail

i somehow make my way back to the crystal caves after all this. i hate most of these puzzles. i REALLYYYY hated the crusher puzzles. i legitimatelt thought i wouldnt be able to finish those

i did tho.

i think i finished most of the crystal caves....? i got the crystal power dash so. yeah

caterpillar grandpa gave me a grub charm !

went back to the city of tears dont rmember why. exploring. i opened sewers the first time around but didnt go in bc it was dark. went in with the firefly lamp thing i bought. its horrifying down there.

THE MOBS IN THE SEWERS WERE SO CREEPYYYYYY UGHHHH I HATED IT !!!

the sounds they made wrre so unpleasant i honestly need to go back to finish exploring bc i mightve missed loot. i defeated the sewer boss tho one try hell yeah

oh yeah i died like five times in the crystal caves

i lost money once too.

found kings station......intriguing. also the poor little rich citizen zombies. i feel so bad abt the one who runs away. am i the bad guy? ive got a couple more cutscenes and plaques that suggest that i might be

OH YEAH I KNOW NOW so it seems like someone called the hollow knight sacrificed themselves to contain the orange plague in some way. it doesnt look very contained to me, but idk if that means it didnt work or if this is the best they can do actually and its just not spreading further. so i assume the hollow knight like. holds it somehow. in their body. which im wondering if i will end up doing in the end. bc. from the early game comment. i might be a little bit hollow myself.

the ghosties also said something like fhe plague is coming back...? do we need to renew the seal or somethng? i knew it wasnt really working as planned

um also i challenged the red guy in the burial grounds. he also wasnt too bad especialg when i figured out he cant get me when im healing underneath rhe platform. so. he also said some strange things. why did he attack the king? why was it assumed i would also attack the king? i thought the king was providing me soul? why provide soul if he isnt benevolent? what would i gain from fighting him? questions wuestions

im also trying so hard to save these grubs I HAD TO GO IN A TOMB FOR ONE. RHERE WERE GROSS MUMMY MOBS !!! IT WAS DISGUSTING THE SOUNDSSS THEY MADE

uh also somewhere in fungal mounds or whatever its called theres a crying person but i cant figure out how to get to them to talk lol

theres also some puzzles that i couldnt figure out that i might retry. acid is somehow my worst enemy still

i have so many rancid eggs now. why am i collecting thwm ?

#HK

1 note · View note

algumaideia · 3 years

Text

The ableism in the Acotar series

I was thinking about all the problematic aspects of the Acotar books, and I realized that they are pretty ableist. I don’t know if someone have already talked about it, but just in case I’ll do it. But before I start, I need to say some things:

1. I haven’t read the series for a while, and I don’t remember some stuff. So, I might write something that is wrong.

2. I’m not disabled myself. This post is based on my research about disabilities and how disabled people are represented in the media. I have a lot of interest in the subject, and I also researched about it because I’m writing a story with several disabled characters. I also did a school project about assistive technologies.

3. English is not my mother language and I’m still learning it. There are gonna be spelling and grammar mistakes. I’m sorry about it, but it is life.

4. I haven’t read the acosf book, so maybe SJM changed the story or some character in this book and therefore my post will be incorrect.

5. Besides the fact that I consider Emerie to be disabled, I won’t talk about her in the post. Because as I said I didn’t read acosf and I think that her appearance in the acofas has the same purpose that the other female Illyrians (since Idk how to write Illyrians this will be write wrong in the entire post, I’m sorry).

6. I forget the name of some characters and I don’t want to search it, so I’ll just give them new names.

Now let’s begin.

I’ll analyze the following characters in this post: Papa Acheron, Lucien, Cassian and Ianthe, the woman from the library and the female Illyrians, the female creature from the forest, the Illyrian soldiers that came back from the war and the girl who couldn’t fly. I think I forgot someone, but patience. In the end of the post I’ll talk about disabilities, ableism and worldbuilding.

I also would like to say that almost all her characters got their disability as a punishment, and the problem with this is that it always links disability with something bad.

Papa Acheron:

As I said Papa Acheron got his disability as a punishment, since he didn’t pay his debts, some people went in this house and broke his leg. I might be wrong, but I think that it didn’t healed well and because of that he has chronic pain. So, to better analyze him I’ll compare him to two other characters with chronic pain, Kaz Brekker and Melissa, one of my main characters.

Papa Acheron became useless after he became disabled. He thought he was useless and by extension Feyre thought it too. I’m not saying that internalized ableism doesn’t exist, but the narrative never calls it out. Feyre accepts this excuse, it is kind of implied that if he weren’t disabled, he would be able to help his family and get money. Now let’s look to Kaz (I haven’t read the second book of the duology, please no spoilers). He accepts his disability, not only that but he uses his cane as one of his symbols. He goes against the idea that a disabled person is stuck with a cane or a wheelchair or whatever. He feels free with his cane. Now, this doesn’t mean that every disabled character needs to feel okay with his disability. My character, Melissa, feels a lot of anger because of her chronic pain. It hurts her, it disrupts her plans, it makes her suffer. However, it didn’t stop her to live her life and she also is not seeking anyone’s pity, which is very different from the Papa Acheron situation. Mel has friends, a social life, she studies, she will have a job, she will date, get married and have children. She doesn’t feel mad because she is disabled, she is also autistic, and she loves that part of herself. What bothers her is that her disability makes her feels a lot of pain. Papa Acheron is just someone to you feel bad and angry about. He doesn’t do anything because he is disabled and believes that this makes his useless and the narrative kind of agrees with him.

Lucien:

Lucien doesn’t have one eye, and that’s what makes him disabled. He became disabled as a punishment for falling in love with a lesser fae and not only that, but he is only without his mechanic/magic eye when he is on his worse. He was without his eye when his family was torturing and banishing him. And then when he was UTM. Again, disability being connected with bad things. Now about his mechanic eye. The first time that Feyre describes his eye she says it is creepy. Which is bad. But also, why it had to be magic and give him the ability to see spells or something like that (this was never brought back btw)? Why can’t he have a normal mechanical eye? Why he needs a mechanical eye? Why does his mechanical eye need to compensate the fact he is disabled? He is as much complete with and without his eye.

Cassin and Ianthe:

I put this two together for one reason, their disabilities were cured. I’ll talk about Cassian first. When they invaded Hybrein (I also don’t know how to write the name of the country) they hurt his wings badly. And considering that to Illyrians the wings are as much a limb as an arm or a leg, he was disabled for a while. (I’m aware that to something be considered a disability it needs to be long lasting. But I think that the fact that it was cured is ableist, if I’m not wrong the text said it was a miracle he was healed.)Then we had Cassian in the floor with his wings all damaged, suffering a lot, what a horrible scene. But don’t worry! The next time he’ll appear completely cured, because being disabled is such a horrible thing and SJM never used deus ex machina to save her characters. So, this injured made him disabled for a while, and it could be interesting. The wings are the Illyrian symbol, the symbol of their toxic masculinity and their sexism. Cassian being disabled because of his wings would make him revalue his culture and his own idea of masculinity and it would be so amazing. But he was cured. I think that this makes Cassian falls in the disabled for one day trope. Just like Ianthe. First the way she became disabled was disgusting. Feyre invading her mind was such a horrible thing to do. I’m not denying that Ianthe is a terrible person/fae but that doesn’t change the fact that it was a horrible scene. I really dislike characters with telepathic powers, because for me their powers are crossing a line. They invade and control someone’s mind. They take off the person free will. They basically turn the person in a robot. If I remember correctly when Feyre made Ianthe broke her hand it was with the purpose to make it useless. And when she appeared again in all her glory she was, surprise, surprise, cured.

The woman from the library and the female Illyrians:

I put they together because their disabilities are used for the same two purposes. The first is that they became disabled as a punishment for being female, and the second it to show how FEMINIST Rhysand is. He isn’t feminist, so all these women suffered for nothing. Again, disability being linked with bad things. The symbol of the female Illyrians suffering is they becoming disabled. NOT GOOD AT ALL. About the woman from the library, she was there to also show how good Feyre is. She is there so we can feel pity of her. She didn’t deserve it.

The female creature who couldn’t see:

My problem with her is that it is implied/said that she has better senses because she is blind. And that’s not how it works?? People just pay more attention in what they hear, touch or smell when they are blind/visually impaired.

The girl who couldn’t fly:

I'm gonna call her Anna. First Anna is like the only character who just have a disability. No trauma, no war, no punishment. She just has. Then she is a great disabled character, right? Wrong. She has inspirational porn written all over her story. She is there to make Feyre feel better about herself and make other abled people/fae feel inspired. She is there so we can say: ohhh poor thing, but at least she overcame her disability and now can fly. So ableist. Anna is also only valued after proving herself useful. That is wrong. Disabled people should be valued because they are people. They don’t need to be amazing in anything to be treated with respect.

The Illyrian soldiers:

My problem with them is how their disability is used to reinforce sexism and make Cassian and Rhysand feel bad. But what about the Illyrian soldiers? How are they feeling? It seems this is not important. They also bother me because of worldbuilding questions.

Disabilities, ableism and worldbuilding:

First, why humans and fae feel the same about disabled people? Feyre has the same opinion the IC have. And the humans and fae were separated for 500 years. This doesn’t make sense. Every court think the same thing about disabled fae? Does something change if the disabled fae is a lesser or a higher fae? It should make a difference. A real world example of how social class affects the way disabled people are treated: the first school for deaf people created only taught children of the nobles.

And why the way people look to disabled fae didn’t change after the war? What about the assistive technology? You know what, it is unrealistic the fact that we don’t have any assistive technology in this world. But this happen in the antient times, how could there be any assistive technology? First, assistive technology is everything that helps a disabled person, a cane, a screen reader, a scooter. Everything can be an assistive technology. Second, assistive technologies exist since the antiente times. One of the oldest prothesis were found in a mummy. There is a painting of Hephaestus using a wheelchair. And considering that this series happens in what was supposed to be the Middle ages, it was supposed to have assistive technologies. Wheelchairs during this time were heavy and the user couldn’t use it by himself, but they existed. There are records of a king using a wheelchair during the middle ages. And I mean with the war something was supposed to change. The first place to blind people in the France was created because 300 soldiers came back from the crusades without their eyes. It was in the century 20 that disabled people started to be more included in the society. And one of the reasons were the soldiers that came back from WW1 and WW2 disabled. Not only that but in war times the technology improves, so a lot of new assistive technologies and materials were created during this time. The first record of guide dogs comes from 1819 in school in Vienna, but it didn’t work. Only after WW1 that guide dogs appeared again. And you know with what purpose? Help veterans that were blind due to the war. Braille was a system used for the French army during battles. Louis Braille only made it simpler. The war should change something.

Why is the world ableist? The excuse that this is an antient society doesn’t work my friend. The Egypt was a very including country. Blind people could be part of any social class. Dwarfs were part of the society since they had a dwarf god. In antient Japan blind people were expected to be independent. They could work with music, religion, telling stories etc. And the work of telling stories was very important since it made the Japanese tradition to continue. The excuse that this is an antient society is just this, an excuse. Now she could have used to say something. Leigh Bardugo used the ableism of her world to criticize the ableism of our world. I’m doing the same thing with my story. SJM made an ableist world just because.

That was my analysis. I’m sorry this was very long. I know this was a little confusing, but it was very difficult to put all the stuff that was in my mind in text. In my mind everythig made sense, but when I was writing it I realized I wasn’t following a logical argument. If that makes sense. Anyway, thank you for reading it.

If you read the books and realized I wrote something wrong, please tell me. If you are disabled and think I said something offensive, I’d love to hear you. If you are non-disabled and want to comment and give your opinion, feel free. And if you don’t want to comment, don’t do it. You can do whatever you want.

Best regards,

Me.

Ps. This is my first post in Tumblr, so I don’t know if I tagged it right, if you want to help, I would be really grateful.

#anti sjm #sjm critical #anti rhysand #anti feyre #anti acotar #anti acowar #anti acomaf #ableism #six of crows #kaz brekker #disablity representation #disabled characters #lucien vanserra #cassian

48 notes · View notes

reversemoon255 · 3 years

Photo

(This is the final of a three-part series chronicling the development and ideas behind “Dungeons ‘n’ Dragonites,” a Pokémon DnD campaign. This last entry will be about the final string of encounters, some of the later ideas for story elements, and a deep dive into the overarching themes of the campaign’s Starters. Speaking of, the fantastic art of them, along with many of the other original Pokémon seen here, was done by @extyrannomon on Twitter, and I highly suggest you check them out.)

Dungeons ‘n’ Dragonites - Phase 3: Fauxchemine

Like the Queen Durant, the Steelix/Glacix fight would have been a transitory battle between phases of the campaign, taking place right before the Starters were about to evolve for the final time. Glacix was an idea I came up with early in development. As Rock, Steel, and Ice have a relationship throughout Pokémon, having Onix evolve into a specially tanky Ice-Type rather than the physically tanky Steelix made sense. This was also a design I put a lot of work into the actual proportions, like stretching its face vertically as Onix is circular, and Steelix is horizontally stretched. Also, as Steelix has two long spikes on every other segment, Glacix has four smaller spikes in the same pattern.

Glacix was also the first of the four penultimate boss encounters before the close of the campaign, each representing one of the four sacred beasts of Chinese mythology. I thought it would be a pattern that players could recognize and possibly plan ahead for. Glacix was always planned as the Phase 2-to-3 transitory boss, but I actually had roughly prototyped the other three before I realized Glacix fit into role of the Azure Dragon (which I was missing).

The second of the bosses, representing both the Black Tortoise and Rare Variants, was a Dire Torterra. The idea was this Torterra was symbiotic, housing a Sudowoodo instead of a tree, and hiding its identity was a shiny Altaria capable of Mega Evolving thanks to the Key Stone that had replaced one of Torterra’s stone spikes. This was a rough concept, and I’m sure it would have changed drastically by the time the players would actually encounter it.

Third, representing both the White Tiger and Ultra Beasts, was Shora (from Shodo and Tora, the Japanese words for calligraphy and tiger). A pure white tiger that paints floating, metal stripes above its body with its brush-like tail. This was an idea I was very happy with, though I lacked the artistic abilities to render it effectively. If I remember correctly, the markings above its shoulder were based on the Kanji for Tiger. I also hadn’t settled on an ability for it, which was key for depicting Ultra Beasts in this campaign.

And the last of the penultimate bosses was Phanic, being a second Ultra Beast and representing the Vermilion Phoenix. Sadly, I had little planned for this guy apart from some concept designs, like the rest of them. I was working on these as the campaign was starting, and didn’t pursue finishing them after its premature conclusion.

Phanic (from Phoenix and Panic) is actually an Ostrich. If you picture a phoenix, you typically imagine great plumes of feathers around the head, wings, and tail, which are all things Ostriches specifically lack, and I wanted to subvert that typical depiction. I liked the idea that when it was startled, it would scatter its feathers resulting in an exclamation point forming using the spot on its face. It was supposed to seem unassuming compared to the many larger and more imposing bosses, though just as dangerous. Also, it was Electric-Type because it is frequently “shocked” *Ba-dum-tish.*

=====

Let’s talk about our players. One of the backstory elements our Grass Trainer, Ethan, had was that his parents’ restaurant was struck by lightning and destroyed some time before he went to school, and saw a Pokémon at that time. This left him with a fear of lightning (ironically picking an Electric-Type Starter). With this knowledge, and as I was using Ultra Beasts, I altered his backstory slightly so that it was caused by a Xurkitree, and would eventually encounter one during the campaign with his victory over it (probably with a lot of Wisdom Saves) curing his phobia.

Johnny, our Fire Trainer, had a goal of becoming an entertainer, but was vague about what kind. I had an idea for a “Streamer” Trainer Class he could run into. Someone who uses their Rotom Phone to live stream battles and get reactions and advice from their chat. (Let’s face it, if Pokémon were real, this would totally be a thing.) There was also DJ Tomomitsu, who runs Stelopy City’s Trainer Radio, and was a Gym Leader. The idea was to present a bunch of different Pokémon-based entertainment ideas and professions and have him decide which ideas he liked and wanted to pursue.

While our other players were aiming for careers, Orion, our Water Trainer, was more interested in exploring his relationship with his family. His father in particular; both he and his wife being high-ranking executives for Silph Co., and raising their children to also be successful. However, Orion had always wanted to be a Trainer, and it was his parents that prevented him from adventuring. I had it that his father was so against the idea was because he, too, was a Trainer in his youth. But not a successful one, failing many more times than he succeeded, and didn’t want his son to suffer the same disappointments as he did. His partner was Rhyperior, btw.

Lastly was our Fairy Trainer, Arthur. He wanted to be a Gym Leader, and cited specific interest in the Galar League. He also mentioned in his back story that his father was belligerent and against the idea. While the Leaders of the Galar League are entertainers by profession, if you look at the list of Gym Leaders and Kahunas in US equivalent regions, almost all of them have a profession and run Gyms on the side:

(Restaurant Owner, Museum Curator, Artist, Model, Business Tycoon, Pilot, Actor, Teacher, Rock Star, Mayor, Shop Owner, Police Officer; 12/15)

It felt like a hobby, rather than a career, and I ran with this idea as it seemed like Arthur and his obsession with the Galar League hadn’t noticed this fact (nor had his player), but his father had and was pushing him into a sports-based career (one that is usually lucrative and has off-seasons) so he could have a well-paying job and time on the side for his interests, similar to Orion’s father.

Though, no DM can control their players, and even by the end of our fist session I could tell I would have to change some things. It’s just good to have some idea of where to lead everyone, and adjust as you go.

=====

There’s one more Pokémon I want to talk about before we get to the Starters.

This is Necrotiti (Combining Necro with the Egyptian God Nefertiti), an evolution of Cofagrigus, evolving if it’s holding an item called the “Ceremonial Jar” (literally a jar filled with Yamask’s human intestines). It was meant to evolve from the Yamask they could catch during their museum field trip. The reason it exists is... silly. It’s another instances where I wanted to surprise my players, and giving the “Gardevoir Treatment” to what I consider the creepiest Pokémon was funny (which I feel is a reason I cite a lot). And I was really happy with this design, which is why it got commissioned.

A lot of the original ideas I had for this campaign were meant to either surprise or creep out my players. Everyone I was playing with knew Pokémon very well, so I had this fear that if I presented them with a standard adventure they would either become bored or be able to easily predict where things were going. Having a Pokémon adventure within a single city, having it be more a mystery than a collect-a-thon, and using new Pokémon were all ways I came up with to keep interest high and have them guessing as to what would happen next.

Back to Necrotiti, despite having a sarcophagus Pokémon, we didn’t get a mummy. I wanted to make the body effeminate without being overly so, which is why her body is very geometrical in specific areas. For the mask, I went with a typical Egyptian Nubian motif mixed with some of the overall design elements and basic lines from Yamask, and the colors and patterns from Cofagrigus. But despite how much I like it, I don’t know if I would have used it. It didn’t match the Mutant Evolution concept, with its only similarity being that it’s a rare occurrence.

Onto the Starters: Epipesis has evolved into Drachenura (from Dragon, Lichen, and Meganeura). Grass Starters are typically based on extinct animals, and Flymph’s line is based on a Meganeura (an ancient species of giant dragonfly). Apart from some bulking out and additional colors, the lichen sacks in its tail are now yellow, as the plant matter has evolved with it. It supplies it with so much energy that it has to constantly move while the sun’s up to burn it off. Its tail tip is also based on the X-15, the fastest aircraft to date, as it was designed to be the fastest Grass-Type.

Steared has evolved into Auradiat (from Aura, Auroch, and Radiate). Now a Fire/Ice-Type, it’s based on an extinct species of cattle found around the time of the Ice Age. Its ability to absorb energy with its horns has become so powerful that they have frozen over. When I was originally designing it, I was actually trying to base it on the phrase “Irish Bull” (meaning a paradoxical statement), but as I kept working on it, it became more and more Minotaur-like, so I kept the Fire/Ice-Typing and dropped the more abstract elements. As I did, I actually made it more bull and less Minotaur since all Fire Starters are bipedal, and I wanted to try and avoid that.

Knaval has evolved into Chivalazuli (from Chivalier, the French word for knight, and Lapis Lazuli). This was probably my favorite example of features naturally changing as it evolves, with the antenna growing longer and the shield and lance growing harder (going from carapace, to stone, to crystal). Some of the things you might not have noticed at first glace were his forelegs becoming sub-arms on his chest, him gaining the lobster nose and it becoming a face guard, and how his eyes recess into his head. Also, almost every Starter is symmetrical (apart from patterns), with the only exception being Torterra, so I designed it to be asymmetrical throughout.

And Uteteo has evolved into Makutah (from the Aztec naming scheme used for their Gods of wealth and abundance and Utahraptor). He’s Fairy/Flying, with the gold adornments that first appeared on Uteteo now on his head and arms, giving him a more bird-like appearance. The idea was to have him naturally evolve from a Dinosaur into a bird, with the leg bands making them look more like talons, and the face mask giving him a beak. Also, he starts out with the singular sickle toe raptors are known for, and gets a new one every evolution, ending with a full set.

The thing that sets these Starters apart from ones you’d find in the games is that these are designed to be a team. As such, there are a few themes they all share to help reinforce that. (This ignores Utaw, but) All the Starters, throughout their evolutions, have a distinct yellow detail on their heads (eyes, nose ring, and antenna). Furthermore, once they reach their final stages, they share colors between them, with Drachenura having red on its extremities, Auradiat having blue neck fur, and Chivalazuli having flecks of green in its gemstone. And on top of that, they also all have two overarching themes. First is they all represent different time periods, with Drachenura being pre-humans (Precambrian), Auradiat being prehistoric humans (Ice Age), and Chivalazuli being more modern (Medieval Period). Secondly they all represent DnD, with a Dragon(fly), Auradiat filling the role of a minotaur and its connection to a labyrinth/dungeon, and the adventurous knight who traverses them.

There’s also reasoning behind their types, as all three’s secondary Types are also strong against their usual counterpart (Grass and Electric are both strong against Water, Fire and Ice against Grass, and Water and Rock against Fire). Furthermore, Electric, Ice, and Rock are all strong against Flying, which is the reason behind Makutah’s Type (a joke against the player who joined late).

Makutah does fit into these themes, but more loosely as it was created later. Utaw and Uteteo lack the yellow facial details (though they do have yellow eyes), only really achieving this during their final evolution. He also doesn’t share any colors, as Fairy is outside the usual threesome. It does somewhat fit into the themes of the others, but not as cleanly. Utaw, being a Dinosaur, is still pre-humans, but closer to them than Flymph is, and having Aztec themes puts him past Medieval and closer to the Renaissance in terms of human history, but is very close compared to the other time gaps. Also, the gold was partly to fit him into the DnD theme, representing treasure.

=====

One of the first things the players were told at the beginning of the campaign, and was reinforced throughout, was that Pokémon from outside the Wellou Region were mysteriously popping up all over the place, with the Ultra Beasts being the most extreme example. As to the cause, there were a number of red herrings. Silph Co. employees could occasionally be seen in areas where UBs were with strange equipment, Tomomitsu could occasionally be found before something would show up, and there were a few other strange characters like the Regional Champion or Silph Co.’s president. The only definite thing they would know was that there was a strange, creepy, grey Charizard that would occasionally appear when they took something down.

However, it would eventually be revealed that the above were only trying to understand what was going on, and prevent the appearances of such dangerous Pokémon, like our heroes. And as a massive Ultra Wormhole appears above the city, they come face-to-face with the true mastermind. Not an evil team, or a lone conqueror. Merely a single, twisted Pokémon. And our heroes have interfered with its fun long enough.

“You stare up at the now familiar form of the grey Charizard, which stares back with unblinking, dead eyes... Its mouth stretches wide, wide enough to swallow you whole, and a hand appears. And another. And another. Four skeletal hands pry its maw open from the inside, stretching it until its skin falls down to settle on its hips. What looks down on you now, with a single, glowing eye, is a monstrous form made of bone and rotting flesh. And witnessing the four of you before it, it lets out a high-pitched, chilling laugh...

“‘Fofofofofo...’“

Fauxchemine. A sadistic Ultra Beast capable of warping time and space to its will. All the disturbances throughout the town, all the strange creatures that have appeared, all the monsters sent to terrorize our heroes; all the result of its twisted sense of fun, and the consequences of getting in the way of it.

So there’s a running joke among my friends that we all “hate” Charizard. Not actually, but it’s always pushed in marketing with new forms and such, even though its popularity has been dropping steadily over the years. As such, I thought it would be somewhat cathartic to have the big bad they have to beat up at the end be related to Charizard. ‘Chemine’s skeletal nature comes from trying to cinematicly picture the encounter in my mind, with the eerie image of the mouth stretching open from the dialogue earlier. With bone white and rotten greens, the skin wasn’t meant to reflect Charizard as a shiny, but rather with all its color drained from it, as it’s more a puppeted skin than an actual part of the Pokémon. And as many Pokémon draw inspiration from Kaiju, ‘Chemine does, too, specifically calling back to an Ultra-Kaiju named Greeza with space warping abilities.

It’s Steel/Dragon with Thick Fat. When planning encounters, especially this late into the game, Auradiat made things tough since its offensive Typing is insane, and that combination made it resistant to all of the Starter Types except Fairy. This was supposed to be the toughest fight in the campaign, so I wanted to build a Pokémon that would be difficult to deal damage to. A swift Pokémon able to warp around the field, summoning Ultra Beasts or other versions of Charizard as adds or for specific attacks, I wanted this to be memorably difficult.

Oh, and the name? It’s meant to rhythmically sound like “Pokémon,” with the ‘faux’ symbolizing its disguise, and the ‘mine’ representing its personality. Everything in this world is its to play with.

But that giant Ultra Wormhole wasn’t just for show. Part-way through Phase 2 our players were sucked through a Wormhole themselves, both they and Fauxchemine bearing witness to a titanic creature as they did, and upon its defeat, it is let loose upon the city:

Standing over 100ft tall is Wreknarogg (from wreck, to destroy, Níðhöggr, a massive world-ending creature from Norse mythology, and Ragnarok, the end of the world). A massive symbiotic group of four Pokémon from a dead world, the whale-squid Bayleige, the parasitic Serrasite, and the barnacle Rhizocano. This was actually the first symbiotic Pokémon I designed, and its creation sparked the others like Shiinotic and Torterra so this wouldn’t be the first time our players encountered one.

Whales are the largest creatures on Earth, so using one as the base for a kaiju-sized Pokémon fit. It also helped that the prototype designs for the Cloverfield monster were based on a whale, so I had something to go on. Secondly, I really like a lot of the eldritch design philosophy, and a lot of those are based on sea creatures, which is where the combined squid elements came from. Also, when I was prototyping the design and trying to make it creepier, a friend suggested having a parasite coming out of its blowhole, which is what sparked the creation of Serrasite and Rhizocano (as whale’s are known to have such parasites in real life).

This was a design very inspired by the world it was supposed to inhabit. Coming from a desert world where they are the only living things remaining, they symbiotically support each other to stave off their own inevitable death, with Bayleige able to create rain with its ability and Rhizocano able to make artificial sunlight to feed Serrasite. Serrasite then gives energy to Bayleige to allow it to keep moving, and Rhizocano takes energy from Bayleige. It’s an incomplete system where energy is slowly lost over time.

Stage 2 of the final boss wasn’t supposed to be as intense as the last one. A gimmick for this fight was, at the start of every round, I was going to roll a D100, and an event would happen. They would be things like their friends showing up with healing items, trainers they knew joining the battle, wild Pokémon they’d befriended getting in pot shots, etc. It was meant to be a fun, celebratory, “you’re at the end of the campaign” fight rather than an intense one off the back of another. I was even considering having everyone use their full parties.

But after it’s defeated, a thick, dark haze enshrouds everyone. With their allies gone, and left with just their Starters, our players are alone in a dark void. I did say there were four Pokémon earlier...

And the final encounter is Wreknarogg (Core). The Pokémon who brought the three titans together, and controls them while siphoning off some of their energy to survive. Similar to Phanic, this was another unassuming Pokémon. Designed to resemble a virus while calling back to aspects from mythical Pokémon like Jirachi or Manaphy. I understand it might not feel as climactic as there wasn’t any set-up compared to ‘Chemine, who was shown throughout, or the previous Wreknarogg, who was foreshadowed, but I wanted a 3-stage boss fight, and this felt like a good way of concluding it.

While stage 1 was supposed to be difficult, and stage 2 was meant to be fun and call back to the long journey, stage 3 was an un-losable, cinematic fight with a somewhat somber tone to it. It was the final fight, the end of it all, and there’s a certain level of sadness that comes with that in accordance with the jubilation of completion. It was also meant to see how much everyone had grown; how would they handle this encounter? Fight it? Catch it? Persuade it? Maybe I haven’t listened to enough DnD finalés, but in how many can you beat the final boss by being nice to it and calming it down?

=====

And that’s the end. There would be some sort of epilogue, picking up with our characters some months or years later, but that’s not something I could write without witnessing the actions of the players. I was debating having everything that came from an Ultra Wormhole be sucked back in after Fauxchemine’s defeat, including the Starters (pull a Digimon Tamers), but as Wreknarogg came from a dead world I thought that a little cruel.

And to end things how I usually do; Overall, despite not getting off the ground, I was very happy with this project. I’m the type to pick up and drop projects frequently, and the fact that I stuck with and continued to work on it for months was something I was really proud of. It was also a great learning experience on many levels. And who knows; maybe I might do something like this again in the future...?

#Pokemon #Dungeons and Dragons #DnD #dnd homebrew #Onix #Steelix #Torterra #Sudowoodo #Altaria #Yamask #Cofagrigus #Charizard #Whale #Ultra Beast

19 notes · View notes

stina-is-a-punk-rocker · 4 years

Text

stephanie perkins: ‘anna and the french kiss’

SPOILERS AHEAD!

Then again, if you’ve read any YA book, ever, it’s fairly obvious what’s going to happen.

I was going to go easy on this book; I really was. It’s really unfair how media aimed at a female demographic is seen as frivolous and vapid, and more often than not bashed and bullied when it comes to reviews. “People actually enjoy this crap?” ask the powers that be. “It’s worthless! Pulp! Dreamy-eyed nonsense only complete nimrods could ever like!”

And I take offense to that. There’s nothing wrong with liking romance or happy endings or stories about cute European boys. I was ecstatic when I stumbled across Anna and the French Kiss upon a chance trip to the bookstore. The cover was… meh (Century Gothic? Really? There were no other fonts?). But I’d heard nothing but praise about the book, and I was prepared to stay up all night and into the wee hours of the morning to finish it.

Admittedly, I was far from impressed upon the first reading. The characters were unlikable, the plot would’ve worked better for less shitty characters, honestly fuck these characters am I supposed to like them, fuck Anna, fuck Étienne, fuck Bridgette, fuck Toph, fuck Dave and Meredith and Amanda and Seany and every other stupid character in this stupid book.

The second time around, I expected to not hate it as much as I did when I first read it. It’s happened- I hated Simon vs. the Homo Sapiens Agenda when I first read it, and when I read it again, all that red-hot anger simmered down into an overall dislike. I thought To All the Boys I’ve Loved Before was trash at first, and then I read it again, and it got promoted to recyclable waste matter.

I found Anna and the French Kiss horrendous the first time I read it, and then I read it again, and… yeah, it’s still pretty awful.

Le Sommaire:

Anna Oliphant is a seventeen-year-old wannabe film critic who is #NotLikeOtherGirls – so she’s exactly like every other female YA lead. To her credit, she never explicitly says she’s special… everyone around her does.

She has a pretty meh life in Atlanta, Georgia with her mum and little bruv Sean- and then her dad decides to ship her off to France for her final year of high school. I’m not judging Anna for bawling her eyes out on her first day; I’m a huge mummy’s girl myself and I’d probably (definitely) do the same.

Meredith is Anna’s next-door neighbor, who does that thing which only happens in YA where she’s like “Oh, newbie? Let’s be friends!” (Or maybe it does happen irl and I tend to make a bad first impression which is why no one has ever approached me.)

Meredith’s friends are: Rashmi and Josh (who are a couple), and Étienne St. Clair. Guess which one is the love interest.

Étienne is cultured in that white person way where he’s half American, one quarter French and one quarter British. A true international.

But- *gasp*- American-British-French boy has a girlfriend, Ellie.

Anna has an absolutely gorgeous punk rocker (yum) boy with sideburns (yikes) back home named Christopher. Also, Christopher’s nickname is ‘Toph’ instead of ‘Chris’ because he too is #NotLikeOtherGirls. Anna tells us that nothing will happen between her and Étienne.

Anna is wrong.

Meredith has a crush on Étienne. So does the Regina George of the school, Amanda.

Étienne and Anna have some moments ™.

♫ Everyone else in the room can see it, everyone else but Anna ♫

I tear my hair out in frustration.

Several other white boys vie for Anna’s heart. Anna remains blissfully unaware (♫ that’s what makes you beautiful ♫). Étienne (who is still dating Ellie, mind you) is unreasonably agitated by this.

Étienne’s mum has cancer btw, which excuses all the shitty things he does, because he’s just a poor, misunderstood boy.

Ellie dresses up as a, quote unquote, ‘slutty nurse’ for Hallowe’en, though- so it’s perfectly okay to dislike her (even though, in the first interaction she had with Anna, where Ellie meets Anna and Étienne, after Étienne takes Anna to the movies, Ellie is perfectly sweet).

Anna, however, is NOT a slut. Amanda is, though. And Rashmi’s cold. And Meredith’s desperate. And Emily’s a slut, too. And her friend Bridgette from Atlanta is a traitor. Anna has an intense case of internalized misogyny.

Anna’s friend Bridgette from Atlanta is screwing Toph, and Anna throws a fit.

Étienne and Anna have some more moments ™.

A truly chaotic series of events befall Anna. She somehow winds up dating Dave (one from the harem of white boys who likes her) to spite Étienne, she gets into a fight with Amanda, more drama ensues, there’s a hint for a spinoff, Étienne and her kiss, Meredith sees and feels betrayed… several misunderstandings and more bullshit later, Étienne and Anna wind up together, because true love conquers all.

Mes Réflexions:

(If the French is off, blame Google Translate.)

Usually, it takes me half a page of my notebook to scribble down my thoughts about the book I’m reading. This motherfucker took me almost an entire page.

Granted, a solid 30% of those notes are me throwing insults at Étienne, but still. ‘STOP STOP STOP YOU HAVE A GIRLFRIEND YOU DICK’ counts, right?

(That was #17 in my notes, by the way.)

For the record, I like Stephanie Perkins’s writing. It’s not as over-the-top and unnecessarily introspective as Jenny Han’s in To All the Boys I’ve Loved Before, and the interactions between Anna and her classmates were natural and not the “How do you do, fellow kids?” style of Becky Albertalli’s Simon vs. the Homo Sapiens Agenda. The pacing is decent- I didn’t feel like it was too rushed; not the insta-love trope most YA romances unfortunately fall prey to.

And yet. AND YET.

Anna: “What’s your problem?” Amanda: “You.”

Same, Amanda, same.

Anna Oliphant is one of my least favorite leads in a book, ever. Étienne’s even shittier. And it’s not like Nick or Amy Dunne from Gone Girl, or any of the main characters from The Secret History, where readers pretty much unanimously hate them. You’re meant to relate to Anna, you’re meant to find Étienne charming and dreamy. I literally had to put the book away and calm myself down several times- especially in the last quarter of the book.

One of my main gripes with Anna is how… dumb she is. I guess Anna’s “Oopsies, silly me, I don’t know French!” is meant to be relatable to the readers. And some parts (like her not knowing how to order food because she can’t speak French) are plausible, but- sis, you didn’t know how to spell oui? And my idea of a cinematic masterpiece is Kung-Fu Panda, but even a dumbass like me knows that France is the film appreciation capital of the world. And yet Anna, a self-professed film freak, doesn’t?

Of course, Anna’s gorgeous, but she has no clue, because of course she doesn’t- even though she has multiple guys falling head over heels for her.

I’m in a short skirt. It’s the first time I’ve worn one here, but my birthday seems like the appropriate occasion. “Woo, Anna!” Rashmi fake-adjusts her glasses. “Why do you hide those things?”

Étienne is staring at my legs. The scales covering them throb under his intense gaze, and the pincers sticking out of my thighs start clicking rapidly in arousal. My hooves shiver in ecstasy.

… sorry, that’s not funny.

Her friends think Anna’s weird for wanting to write film reviews (which is the most contrived thing I’ve ever heard) instead of being the next Margot Robbie or whatever, but of course Étienne doesn’t and he thinks it’s not weird and cool and that Anna is such a special snowflake.

(Man, I sound like Amanda.)

And then we have this spiel by Anna about how she got into film critiquing (?), because we the readers need to know how special and #NotLikeOtherGirls Anna is.

To this, I say, “Piss off, you pretentious fuck.”

Of course, Anna’s a virgin and she’s never gotten drunk before or worn short skirts- she’s not a slut, she shaves below the knees only.

And would YA really be YA without several hearty helpings of internalized misogyny?

First up, we have the bimbo; the Barbie doll archetype whose only goal in life is acquiring the main guy (who is quite obviously uninterested in her), and making life hell for our protagonist. Amanda Whatsername (is she ever given a surname?) has this coveted role in Anna and the French Kiss. She’s blond (because of course she is); the first time we meet her, she’s in a, quote unquote, ‘teeny tank top’, and she also ‘positions herself for maximum cleavage exposure’. She’s always flipping her hair, getting her grubby paws on Étienne, giving Anna the stink-eye, being homophobic and a grade-A bitch.

Meredith goes batshit when Anna and Étienne kiss, and is very pouty and unhappy during prior Anna x Shittiene moments. Honey… he’s just not that into you. Rashmi’s the Ice Queen reincarnate and halfway to bitchdom. Anna doesn’t go as hard on them as she does on literally every other female her age in the book, though.

Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend.

Anna, hate to break it to you, but not everyone’s a possessive fucking weirdo.

About Cherrie, her ex-boyfriend Matt’s new girlfriend:

And maybe Cherrie isn’t as bad as I remember. Except she is. She totally is. After only five minutes in her company, I cannot fathom how Bridge stands sitting with her at lunch every day.

Her lifeless laugh is one of her lesser attributes. What does Matt see in her?

Even Bridgette, Anna’s best friend from Atlanta, isn’t immune to Anna’s anti-female propaganda. She’s screwing the guy Anna used to like, and Anna, the hypocrite, throws a huge fit.

For context: Bridgette and Toph are in a band called the Penny Dreadfuls (why is it with YA books and horrible band names? ‘Emoji’ from Simon vs. the Homo Sapiens Agenda was bad enough), and Anna + Matt + Cherrie go to a bowling alley to see them perform. After the performance, Toph announces that he’s sleeping with Bridge, and Anna confronts Bridge… onstage.

“… You’re welcome to move in when I leave again, because that’s what you want, right? My life?”

She shakes with fury. “Go to hell.”

“Take my life. You can have it. Just watch out for the part where my BEST FRIEND SCREWS ME OVER!” I knock over a cymbal stand, and the brass hits the stage with an earsplitting crash that reverberates through the bowling alley. Matt calls my name. Has he been calling it this entire time? He grabs my arm and leads me around the electrical cords and plugs and onto the floor and away, away, away.

Everyone in the bowling alley is staring at me.

I duck my head so my hair covers my face. I’m crying. This would have never happened if I hadn’t given Toph her number. All of those late-night practices and… he said they’ve had sex! What if they’ve had it at my house? Does he come over when she’s watching Seany? Do they go in the bedroom?

I’m going to be sick.

Give me a goddamn break.

Anna, about Ellie:

To my amazement, Ellie breaks into an ear-to-ear smile. Oddly enough, it’s this moment I realize that despite her husky voice and Parisian attire, she’s sort of… plain. But friendly-looking.

That still doesn’t mean I like her.

“Anna! From Atlanta, right? Where’d you guys go?”

She knows who I am? St. Clair describes our evening while I contemplate this strange development. Did he tell her about me? Or was it Meredith? I hope it was him, but even if it was, it’s not like he said anything she found threatening. She doesn’t seem alarmed that I’ve spent the last three hours in the company of her very attractive boyfriend. Alone.

[about Ellie’s Hallowe’en costume] Slutty nurse. I don’t believe it. Tiny white button-up dress, red crosses across the nipples. Cleavage city.

If I didn’t like Ellie before, it’s nothing compared to how I feel now. It doesn’t matter that I can count how many times we’ve met on one hand.

I fantasize about their break-up. How he could hurt her, and she could hurt him, and all of the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape.

It turns out I am not a nice person.

YOU DON’T FUCKING SAY.

Emily Middlestone bends over to pick up a dropped eraser, and Mike Reynard leers at her breasts. Gross. Too bad for him she’s interested in his best friend, Dave. The eraser drop was deliberate, but Dave is oblivious.

One of the juniors, a girl with dark hair and tight jeans, stretches in a move designed to show off her belly button ring to Paul/Pete. Oh, please.

And I’m meant to like this character? I’m supposed to root for her?

I’m not saying every girl in the book should be perfectly sweet and friendly- that’s just not realistic. But when Anna has something judgmental to say about every other young female character… maybe she’s the problem.

In fact, the only girl I recall getting a pass is Isla Whatsername. And why do you think?

Brilliant.

And now we have the amalgamation of almost every fanfic boyfriend trope from 2014, Étienne St. Clair. Brown-eyed Harry Styles. I can’t fucking wait.

Étienne could’ve discovered the cure for cancer, or abolished poverty, or volunteered at animal shelters in his spare time. He could’ve been the most virtuous guy around (fret not; he decidedly isn’t). And I still wouldn’t’ve thought of him as the man of my dreams because HE HAS A BLOODY GIRLFRIEND.

I mean, which girl doesn’t want her boyfriend to say:

“I cheated on her every day. In my mind, I thought of you in ways I shouldn’t have, again and again.”

Fuckin’ smooth, bro.

“No matter what a terrible boyfriend I was, I wouldn’t actually cheat on her. But I thought you’d know.”

Such a gentleman!

“So you can keep dating Ellie, but I can’t even talk to Dave?”

Étienne looks shamed. He stares at his boots. “I’m sorry.”

I don’t even know what to do with his apology.

“I’m sorry,” he says again. And this time, he’s looking at me. Begging me. “And I know it’s not fair to ask you, but I need more time. To sort things out.”

And this gem:

“If you liked me so much, why didn’t you break up with her?”

“I’ve been confused. I’ve been so stupid.”

*me, banging pots and pans together* F U C K Y O U

“Ellie’s not like you, Anna; she’s a slut and a whore even though I’m the one who’s been thinking about another girl inappropriately and I’m the one who gets my knickers in a twist when another man glances in your direction because my masculinity is extremely fragile and I’m a total hypocrite and a dickhead.”

I mean, he didn’t actually say that, but that’s the gist.

WHILE DATING ELLIE: he gets Anna a book of sexual love poems, he calls her attractive (“Any bloke with a working prick would be insane not to like you.”) multiple times, he gets jealous whenever another guy so much as breathes in Anna’s direction and constantly interrupts such interactions, he’s been ditching his friends for his girlfriend but suddenly decides he prefers a new girl over said girlfriend, he thinks bread pudding tastes good- in conclusion, he is a Massive Fucking Prick. Though in hindsight, him and Anna deserve each other. They’re awful.

I had loads more notes taken down (Anna using Dave; “The important thing is this: Dave is available. St. Clair is not.”); the implication that cheating is okay because Ellie is bad or whatever, even though the sudden change in her character seems contrived because she was perfectly okay with Étienne and Anna hanging out before; how my blood boils whenever I read an American book and American girls are like “oOoOh AcCenT!!!1!!1!!”; me reading “DAVE SAYS YER A SLUTBAG” in Hagrid’s voice; the sheer atrocity of the name ‘Étienne St. Clair’ (sounds like a caricature of a French person)… but this ‘review’ is already pushing 3k and I can’t be fucked to expand on any of those points.

Verdict (which is apparently the same in French):

Who needs Christopher when Étienne St. Clair is in the world?

Speak for yourself.

#books #book review #anna and the french kiss #Stephanie Perkins #french #france #parisian #paris #YA #young adult #romance #teen fiction #bad books

12 notes · View notes

thatforgottenbasilisk · 4 years

Text

what i know about mha

from only looking at fanon content

this is thru the USJ incident bc im tired and i’ll make another post

okay so basic summary of the main plot:

midoriya is a quirkless boi until Sludge Villain blah blah blah 10-month-long-training for One for All which breaks his b o n e s

i did see that episode and only that episode

so first day of school it opens on baku-hoe with his feet up and iida being like ‘hows about stop the FUCKING D I S R E S P E C T’

and iida thinks midoriya knew about the rescue points, which he didnt but whatever

bakugo cursing a lot is probably not actually canon??? probably????

that said he probably does give ridiculous nicknames

so Quirk Assessment is a logical ruse by aizawa

love aizawa btw

he says the kid in last place gets expelled but not actually

midoriya breaks his finger to make a point

battle assessment with baku-hoe and midoriya

midoriya has fucking bunny ears on his costume?? bro??

something something the gauntlets go off even tho all-might said n o

day ends blah blah blah

midoriya gets elected class prebident

he’s like ‘no??? dont do that???’

then reporters get in but it’s Actually a cover for the LoV to get in and steal the schedules for an attack on the USJ but shhhhh

iida is calm and directs classmates to safety and midoriya’s like ‘now That’s What I Call a Class Prebident’

so iida is class prebident and yaomomo (i cant spell her name i tried and now im sob) is vice presidente

then USJ which is the t h i r d d a y o f s c h o o l ?

b r o ?

our plot is moving h e l l a f a s t

so all-might was supposed to be there and he wasnt because he ran out of time

also midoriya has a crisis on the bus because he has friends???

so it’s just aizawa and thirteen

who the fuck is thirteen btw like they exist for one (1) event and just

never mentioned again

i think that they might have died in this attack but nobody cared to tell me

like they’re not a homeroom teacher or a first-year teacher of any kind??? whomst????????????

so the LoV warps in and everybody’s separated

our boi midoriya is sent to the Shipwreck zone with tsuyu and mineta

(fuck mineta all my homies hate mineta)

mineta gropes tsuyu like what the fuck

so minor villains r there blah blah blah

something something AIZAWA GETS FUCKING W R E C K E D

LIKE ONSCREEN WHAT THE FUCK

MIDORIYA CANONICALLY S E E S I T WHICH MEANS W E SEE IT

LIKE HE GETS POUNDED INTO THE GROUND BY A FUCKING QUIRK FRANKENSTEIN

dang heart been broke so many times

all-might arrives tho it’s fine it’s fine everything’s f i n e

he turns into small-might after defeating the LoV and the nomu but e v e r y t h i n g i s f i n e

aizawa’s quirk is damaged because HIS SKULL WAS TURNED INTO FUCKING SPATTER JESUS CHRIST

he do be a mummy rn

so that’s all on the main events for this post rn (like i said im tired) but here’s some misc (there might be spoilers?????):

i know that it’s not technically canon but like erasermic’s totally canon right

like not according to “the manga” or “the anime” but it is in my heart

shiggy’s a weirdo who just. has midoriya’s picture and carries it around to show to serial killers like wtf dude

AfO is midoriya hisashi No I Do Not Accept Criticism

todoroki is my conspiracy man like bro you go with your secret lovechild theories

(ngl he’s actually smart like this is the most logical conclusion bc who’s gonna say ‘all-might gave you a legendary quirk passed on through generations and that’s why the quirks are identical and why y’all r so close’ like no you’d think that all-might had a secret kid and that’s why they have a close relationship and have the same quirk)

i also love dabihawks like hell yeah

we have an Actual Canon Trans Character??? Holy Shit??????

do you know how annoying it is to see literally the same fucking name a bunch of times but one (1) letter changes in a handful of them and u gotta be like sherlock fucking holmes like “is this a new character or a typo??? nobody fucking knows!!!”

lookin at you, shota/shoto

and you, hisashi/hizashi

and you, kirishima/kaminari

ok the last one wasnt as bad but i wanted to complain bc i got them mixed up SO MUCH at first like GOD

i only remember kaminari because calamari :(

bakugo and kirishima are like,,, a Thing, right? like canon? canon-ish? canon in our hearts?

they literally have someone named tetsutetsu tetsutetsu like i fucking give up

#mha #bnha #my hero academia #boku no hero #boku no hero academia

9 notes · View notes

roseskiesandbutterflies · 4 years

Text

Pain Is So Close To Pleasure (Platonic!Reader x Modern!Queen)

Summary: As a recently promoted Soloist for the Royal Ballet, you move closer to Covent Garden with your four-year-old daughter, Rose. But your new neighbour turns out to be the last person you'd expect to pop up on your doorstep.

A/N: Fun fact, there is a woman called Elizabeth Harrod who is a soloist for the Royal Ballet, has a 4-year-old child and once played the character mentioned. All by coincidence. And she is married to Steven McRae who was the inspiration for the fic I was hugely inspired by. Fun times guys. I used to dance ballet once or twice a week for about 5 years but stopped 4 years ago. And I may or may not be regretting my decision to quit. Oh well. I really hope you liked this, do leave feedback if you don't mind and perhaps a like or even a reblog? I have at least 3 more ideas for this but if you think of anything then please please please let me know! Stay hydrated kiddos!

Warning(s): swearing, mentioned arguments, crying, mentioned nightmares, reader is female btw

Inspiration: Brian May’s instagram, Incandescent by @immistermercury on AO3, Modern Times Rock N Roll by @rhapso-kei on Tumblr and AO3, Outed by @platawnic on Tumblr

Word Count: 7.2k+ (it’s a big boi lads)

Taglist: @bhmay @briarrose26 @bijoukitty

Ask to be on my taglist if you want!

Never in a million years had you ever expected moving to a new house to be this fun. For it was only carrying boxes into the house repeatedly for hours at a time. Right?

Wrong!

It turned out that the opportunities for games increased tenfold when you have a child. The child in question had barely even stepped out of the van when she suggested that you compete against each other to see who could carry the most boxes into your new house. Given that you had actual professionals lifting the heavy stuff – chairs, tables and so forth – racing would actually speed things up with getting the smaller boxes in the house.

Small footsteps increased in volume before a similarly small voice asked, “What next, Mummy?”

You looked up at you daughter from where you were awkwardly crouched inside the delivery van, shockingly ungraceful for a ballerina, just for one moment amidst all of the chaos that came with moving to a new house. All wrapped up in her khaki green coat, her nose and cheeks were tinted with the pink of harsh January mornings. Her eyes were the same colour as yours, the most beautiful shade of (Y/E/C), and were always alive with excitement; today was no exception. She was almost the perfect likeness to you: the same skin, the same nose, the same lips. Her hair was more like that of her father’s, but she was beautiful all the same, and more importantly your precious girl.

You dragged yourself out of your daydream and passed a relatively small stack of books to Rose, “You got it?” you asked uncertainly, images of newly-ruined books spilt over the floor flashing through your mind for a second.

“Yup!” she was already running into the house and up the stairs by then and you chuckled despite yourself. You dragged a transparent plastic box from the back of the van to where you had now positioned yourself. This one was full to the brim of dead pointe shoes, each pair decorated with paints and lace and beads and whatever you had in the house at the time; one even had uncooked pasta stuck to it. You were sure that you were going to find more boxes like these considering how many pairs you had worn over the years.

It had become a sort of tradition for you, to decorate each pair of pointe shoes once they died, never quite being able to let go of them. You wrote their date of ‘birth’ – when you wore them for the first time - and their date of ‘death’ – the day they finally broke – on the sole of each shoe in gold paint and a fine brush. Often, they were the same date, which was evidence of how hard you worked. You liked to decorate the wings and the vamp using a random theme, usually shows you had performed. The ones you had oh-so-carefully picked up however was Tangled-themed, chosen by Rose when you had had a lack of inspiration. You placed it back down and swapped it for another, this time a Swan Lake pair. You smiled to yourself at the memories attached to that particular pair; it had been your first ever professional show, when you were still in the Royal Ballet School and the company had merged with the school for the first time since your arrival. You looked at the dates on the soles and almost gasped despite yourself.

16.12.2012 ~ 23.12.2012

Just over 5 years ago.

Those shoes were almost an entire year older than Rose. You couldn’t quite believe that you had been involved with the Royal for so long. It felt like mere days, weeks at the most. The only thing convincing you otherwise was the sheer number of shoes in the box and the combined weight of them all, seen as you went through upwards of 100 pairs every season. Fortunately, ballet wasn’t just turns, leaps, plies and wearing gorgeous costumes, it required a great deal of strength so carrying the box into the house was hardly a problem.

From a stranger’s glance, your new home appeared to be a house, Georgian with bricks the colour of coffee, immaculately painted and symmetrical to every other house in the immediate vicinity. But this was London, more importantly this was central London, and that meant you’d have to be a multi-millionaire in order to afford an actual house. It also meant that the whole block was once something that could only be described as a miniature mansion, and had been split up into houses and now, several flats. One of which you were now the proud owner.

You had spent a long time saving up for this flat; you had needed more space for you and your daughter for a while now and you had been long overdue a change from that studio flat in Camden. So, when this flat came up for sale, you felt as if all of your prayers had been answered. Compared to your previous home, this one had buckets of space, you had a bedroom each for a start. It was a mere twenty-minute walk to the Royal Opera House, making it so much easier when you had late performances or overrunning rehearsals. Or when you accidentally forgot your leg warmers or spare pointe shoes, incidents that happened more often than you would like.

You climbed the staircase to your first-floor flat; you supposed that that would take some getting used to, especially after long days of back-to-back classes, rehearsals and shows. You pretty much dumped the box of pointe shoes on the floor of the living room and turned around to leave only to have Rose collide straight into you.

“Sorry, Mummy!” she giggled, as sweet as ever, and blew you a kiss as a form of apology.

“That’s alright, darling, it was only an accident,” you blew her a kiss back, “Now, where did you put your books?”

She grabbed your hand and tugged you incessantly to your bedroom, “Look!” she pointed proudly to the stack of books on your bed, which looked as if it could collapse at a moment’s notice, but a stack, nonetheless.

Your heart broke slightly when you realised: she still thought you had to share a room. You crouched down to be eye-level with her, “Rose, why don’t you put them in your room, instead? They’re your books, sweetie, not mine.”

“But they are in my room,” she frowned, head cocked to the side in confusion.

“No, this is Mummy’s room. Your room is next door,” it was your turn to lead her into her own bedroom, a tad more gently than how she’d done it, and her eyes opened wide with wonder.

“I can have my own room?” her voice filled with disbelief and your heart ached terribly.

“Of course, princess. This flat is much, much bigger than our old one.”

She squealed with excitement and threw her arms around you, “Thank you, thank you, thank you!”, before running off to grab her picture books. You stood up, shaking your head with a chuckle before returning to the van. You grabbed another box, this one stuffed with Rose’s toys, “Rose! Can you come and bring this one in?”

She catapulted down the stairs, forever a tiny hurricane, and snatched the box out of your hands. You made your way to the front door with another box in your arms for about the hundredth time that day but stopped dead in your tracks in the middle of the pavement.

Rose was wandering down the street, box of toys long forgotten and left on the stairs, heading straight for the busy road perpendicular to your own. You dropped your own box on the pavement and broke out into a full-on sprint to stop her, heart pounding with fear. She was reaching the end of the pavement, completely oblivious to the cars speeding along to her right, and to the car that was indicating to turn left. For a fleeting second you thought the reckless driver was going to hit her, when a man suddenly ran out f the pharmacy at the end of the road and swept her up into his arms. You scowled, endlessly grateful that she hadn’t been hurt, but more than slightly annoyed that a complete stranger had the audacity to pick up your precious girl. Your maternal instincts went into overdrive and, once you reached them, you snatched Rose back from the man.

“Get your hands off my child,” you glared at him. Now you could get a far better look at him, you could tell he definitely wasn’t young, his white hair and beard gave that away instantly. His eyes were masked by sunglasses, confusing you slightly; it may have been sunny that day, but it was only January. Something about him was strangely familiar to you, it was hard to describe but you were sure you recognised the overall aura he had about him. You shook off the thought for now, you could ponder over it long after Rose had gone to bed and you finally had some time to yourself. Speaking of Rose, you shifted your focus to her; she seemed unharmed, if a little shaken up. You placed her on your hip and she instinctively tucked her head into the crook of your neck and looked at the man curiously.

“Well, I did just save her life, you could at least say thank you,” the stranger muttered, his voice gruff but somehow light.

Your gut dropped; you recognised that voice. You tried to convince yourself otherwise, but that voice was way too unique to be anyone else’s. He must have seen the cogs turn in your head for he smirked slightly.

Internally, you were freaking the fuck out because holy shit you think you just met Roger fucking Taylor, but externally, you attempted to keep your composure because it didn’t matter who he was, he still grabbed your daughter and he was crazy if he thought you were going to let that slide.

You were frantically trying to think of something, anything, to you say when Rose felt the need to come to your rescue, “Are you Santa?”. When no one said anything because you were both, quite frankly, too stunned to reply, her excitement just grew, “Mummy, look, it’s Santa! Santa saved me!” she turned to look at him and put on her sweetest voice, “Thank you, Santa!”

He sighed, knowing full well he was about to break this poor girl’s heart, and said, “No, I’m not Santa, he lives a long way away.”

She pouted before finding something else that entertained her, “Why are you wearing sunglasses?” she giggled, holding out a hand to try and rip them off of his face and nearly falling out of your arms in the process. You placed her back on the pavement, just to be on the safe side.

He reluctantly took them off and gave them to her, and she grasped them excitedly. She tried to put the sunglasses on, but they were far too big for her, so they just kept sliding off, amusing her to no end.

You forced yourself to look at the man, now you were definitely sure it was Roger and fucking hell you hadn’t expected your day to go anything like the way it had. He raised an eyebrow and you only just clocked that he was still waiting for a reply. “Thank you for stopping her,” you said somewhat sheepishly; now you’d had the chance to think over what he’d actually done, you felt a little guilty for berating him like that. You’d naturally assumed he meant to cause harm somehow, but if he had had such intentions then surely, he wouldn’t have waited for you. He could have run off with Rose, but he didn’t. Naturally, you were still a little wary but while Rose had been interrogating the man over whether or not he was in fact Father Christmas, you had come to the conclusion that he was probably harmless.

*********************

By around lunchtime you had actually carried in everything that you could, so you’d decided that the rest of the day could be a well-earned lazy day. As you expected, Rose had had no objection to that whatsoever, seen as lazy days more often than not meant Disney marathons. You were making a light lunch, knowing that you’d need to save room for sheer amount of popcorn you’d bought from the corner shop, while Rose was picking out a film to start with.

“Mummy, I got one!” she called as you brought your sandwiches into the living room. She was sat by the TV, surrounded by DVDs with one in her hand. She squinted hard at the blurb of the DVD she was holding, as if she was trying to read it, which made you chuckle to yourself. “What are you laughing at?” she looked at you quizzically.

You shook your head slightly, not wanting to burst her little bubble, “Nothing, sweetheart. Which one did you choose?”

She stood up wobbly, coming incredibly close to falling right back down again but only just regaining her balance, “Zootropolis!” she had to say the word very slowly; the word was very hard to say for a four-year-old, even you struggled with it sometimes.

Zootropolis was one of her favourites at the moment, second only to Tangled, so you weren’t all that surprised by her choice. This would have been the fourth or fifth time watching it so far that month alone, and you were only about halfway through January. The joys of having a child, you thought wryly to yourself. Not that you’d ever complain to Rose. Besides, you’d much rather Zootropolis to Frozen, which you didn’t think you could ever watch again after being subjected to hearing Let It Go every day for weeks and then much longer in your head.

“Ah, good choice,” you said as she thrust the DVD in front of your face. You put the sandwiches down on the coffee table and took the DVD from her, “Why don’t you go and get a couple of your toys to watch the film with us while I set it up? Maybe you could get Nick and Judy.”

Her eyes positively lit up at the idea and she raced off to find them. You’d gone to Oxford Street just before Christmas to see all the lights and Christmas decorations, which then turned into going to the Disney store, which led into incessant begging from Rose to get one of the Zootropolis plushies. You’d ended up compromising, meaning she could get two of her choice, but she couldn’t play with them until Christmas. So now, any excuse to play with them was a good excuse and was guaranteed to keep her entertained for hours on end.

You had just put the disc in the TV when you heard the buzz signalling that someone was at the door. You were a little puzzled; you’d only just moved into this flat, how on earth did someone already have your address? You made your way to the door and held the button on the receiver, allowing you to talk to whoever was there, “Hello?”

“Hi, is this (Y/N)?” an unfamiliar female voice asked, only adding to your confusion.

“Yeah, who’s asking?”

“Well, my name’s Sarina, I think you met my husband this morning?”

A few minutes later, Sarina and Roger were sitting on your sofa with a cup of tea each, with you on the one-seater in front of the window, rhythmically pointing and relaxing your toes, a habit from dancing ballet pretty much every day for about fifteen years. It was around then when you started thinking about how weird this day was turning out to be. First, Roger Taylor saves your daughter’s life, then you give him your address even though you were sure you had no memory of that, and then him and his wife turn up to your flat for no apparent reason other than to have a chat.

You heard Rose’s obnoxiously loud footsteps run down the corridor and once she got to the living room, she stopped dead in her tracks. She had her arms full with soft toys but dropped them all when she noticed your visitors, “Mummy, look it’s not-really-Santa!” she pointed, face lit up with glee at meeting her saviour once again. Then she noticed Sarina and pouted with confusion, “Who are you? Are you not-really-Mrs-Claus?”

“Darling, we told you he’s not actually Santa,” you lightly chastised her.

Rose just looked at you as if she was trying to be patronising, “I know, that’s why I said, ‘not really’!”

Sarina only laughed and said, “My name’s Sarina, I’m Roger’s wife.”

Rose just looked even more baffled than before, “Roger? Who’s Roger?”

Roger waved awkwardly, having not said anything the whole time he’d been there.

A quiet ‘ohhhh’ came from Rose, but her attention quickly returned to her dropped toys, which she promptly rescued from the floor and popped onto your lap. You raised an eyebrow at the pile and looked back at your daughter, “That’s quite a few toys, darling.”

Rose grinned cheekily, “Well, I got Judy and Nick because they’re in the movie but then I thought that my other animals would be sad that I left them out so I got Dumbo, Minnie and Mushu and then I got Rapunzel because she’s my favourite and she loves Pascal and he’s a chame-,” she stopped, understandably struggling with the word.

“Chameleon,” you whispered to try and help her out.

“Yeah, that,” she giggled, not even trying to say it. You put it down to having new people over who she wanted to impress so you made a mental note to help her with it later on.

You turned back to your guests, forgetting momentarily that they were even there, something which you often did while talking to Rose, “Sorry, we were just about to watch Zootropolis as a sort of ‘well done’ for moving all of our stuff inside in one morning.”

“Oh, I’m sorry, we didn’t mean to interrupt or anything, we just wanted to, well, welcome you to the neighbourhood, I guess. We live just down the road from here,” Sarina justified, and suddenly their surprise visit made so much more sense. You were infinitely grateful as even though it wasn’t like you had no friends at all who lived in London, it couldn’t hurt to have some close by.

“No, don’t apologise, it’s really sweet of you both, thank you so much,” you smiled at them both.

Roger then decided to speak up for the first time since he got there, and you were still wondering why he was being so shy, “Listen, is there anything we can do to help you out at all? I know moving house can be a pretty big deal so if we can help you with anything then do say.”

Your instant thought was to say that you were fine, that you’d be able to manage. You weren’t one to ask for help unless it was absolutely necessary, and even then, it was difficult for you. But once you considered it for a moment, you remembered that you had a full day of classes and rehearsals tomorrow, Rose didn’t start at her new pre-school until next week and you hadn’t booked a childminder or a babysitter. You looked at the couple on your sofa, kind and eager to help, and finally opened your mouth to speak, “I have work tomorrow. Is there any chance you could look after Rose for the day?”

******************

“I promise I’ve almost got it; I just need to get the footing right after the grand jete,” you reached for your water bottle, “I’m not sure why I can’t land properly.”

“I think it’s because you’re making the chaines more aggressive than they need to be. If you take a gentler approach, then you can put more energy into how you jump and then how you land,” Samantha, the ballet mistress of the company, suggested.

You pulled your fuchsia leg warmers right up to the tops of your legs and tried again, this time taking Samantha’s advice. You landed perfectly flat on your right foot, unfolding straight away and placing your arms in fourth on impulse. You pointed your index fingers as part of your character’s variation which, as it differed from the traditional ballet hand, still took some getting used to.

The Sleeping Beauty would be your first performance since being promoted to a Soloist, and you had received the role of the Fairy of The Golden Vine, meaning you had your own solo in the prologue. You obviously wanted to do really well, you wanted to prove to both the audience and to the other dancers that you deserved the role and the position in the company, despite the little gremlin back at home who was also known as your daughter.

You absolutely adored the name you had chosen for your angel. Rose. The flower thrown onto the stage at the end of a performance which more often than not ended up in a vase on the kitchen windowsill. The colour of the leotard you rehearsed in. The rose-coloured glasses that all children wore at some point in their young lives when they were oblivious and innocent. The colour of optimism, love, joy. The word rose, in and of itself, had so many positive connotations for you, which was exactly what you had needed when you had been expecting her.

Samantha broke you free from your daydream, “Well, we have about half an hour left, is there anything else you wanted to look at before the show tomorrow night?”

It still had yet to sink in for you that the first of eight performances was tomorrow. You hadn’t given it much thought because you didn’t want it to stress you out. Especially when you had other things to worry about, like polishing your part in Act III. Which reminded you, “Could we go over the wedding scene?” you asked sheepishly.

********************

You lightly knocked on the door, looking at your phone yet again to check the address. You rubbed your hands together to fight the bitter cold of winter evenings, suddenly regretting not wearing gloves. A forget-me-not blue sky hung overhead, already getting dark even though it wasn’t even five o’clock yet. The pristine door in front of you opened after a few seconds of waiting, but what you were not expecting, however, was for Dr Brian May, guitarist for Queen, arguably the best in the world, astrophysicist and animal rights activist, to answer the door with pen all over his face, “Ah, hello, you must be (Y/N).”

“Err, yeah, hi,” you nervously chuckled, a little starstruck at the man in front of you.

“Mummy?” a small, uncertain called out, soon accompanied by an awfully familiar face peeking out through the doorway to the living room.

“Hello, sweetheart,” you crouched down to be eye level with Rose, holding out your arms as an invitation for a hug.

“Mummy!” she quite literally took it with open arms and the brightest smile you had ever seen plastered on her face.

“Did you have a nice time, princess?” you asked between soft kisses pressed to her head.

This launched her into a fit of giggles and she only just managed to gasp out, “I’m not the princess, Roger’s the princess!”

You stood up with Rose sitting comfortably on your hip, “Is he now? Then who are you?” you bopped her nose with each of the last three words.

Of course, more light-hearted laughter ensued, “I’m the queen! And Brian’s the royal ad-” she stumbled on the last word and pouted, only for the man in question to whisper something in her ear and for her to shout, “Advisor! And Brian’s the royal advisor! Can I show you the kingdom?”

You set her down on the floor carefully and curtseyed like you would at the end of a show, “Lead the way, your most royal highness!” You exchanged a curious glance with Brian and followed your now running daughter into the living room.

To the ordinary person, the living room would appear to be in a state of total and utter chaos. Dining room chairs held up bedsheets, forming a makeshift tent in the centre of the room. Pillows were scattered around the fort, along with seemingly ancient colouring books, with pages the colour of buttermilk, washable pens and sweet wrappers that had yet to be picked up.

Rose dived in, luckily into Roger’s arms rather than the wooden floor. He swept her up into the air, the girl squealing with excitement, before returning her safely to the ground. “Roggie, you’re silly!” she smiled sweetly at him, making his face flood with the red of embarrassment.

“Roggie?” you laughed at his expression and sat down on the other side of Rose, sandwiching her between you and Roger. You were secretly loving how much humiliation could be brought on by a four-year-old child.

Roger looked desperate to salvage whatever was left of his dignity, “Well at least it’s not as bad as ‘Bri Bri’!”

Brian just scratched his head awkwardly and took a seat opposite you all, “I thought it was cute.”

You just chuckled at the state of them both; usually it was you who felt like that, more often than not it was when you brought Rose to work with you, so you found it rather amusing to have someone else on the receiving end of your daughter’s jokes.

Brian cleared his throat, clearly wanting to change the subject as soon as possible, “Mind if I take a picture? You guys look pretty cute in there.”

“By all means,” you agreed, knowing that you had to get a picture too. You were almost guaranteed to tell your friends about this later and they wouldn’t believe you without some kind of proof.

He pulled his phone out of his trouser pocket and quickly snapped a photo of you all in your rather adorable tent. He put his glasses on to examine the image and, with a satisfied nod, leaned over to show it to you, “I’d put it on Instagram but with Rose’s age…”

“Well, I don’t have a problem with it,” you said. It was such a sweet photo, you thought it would be a shame to not share it with people, though you figured that might be the performer in you speaking. It was the nature of the job; the performing arts were, at their core, just complex forms of storytelling. You turned to Rose, deciding that she should have a say on the matter, “Darling, would you be alright if Brian put that picture of us on Instagram? A lot of people would see it,” you warned.

She just beamed up at you, “Yeah because then lots of people can see the kingdom I made with Roggie and Bri Bri!”

You just laughed at her and pulled her into a hug while Brian posted the photo onto his account. You froze when your phone vibrated mere seconds later. It’s fine. You could just play it off. Maybe a friend texted you or-

“Mummy, look, your phone lit up!” a girl with sweet and innocent intentions somehow managed to flood you with embarrassment and suddenly you felt bad for laughing at Roger and Brian earlier.

Fuck.

You looked at her with the fakest possible smile and said, “Thank you, darling.”

“Is somebody a fan, then?” Roger taunted, not helping the situation whatsoever and instead making you want to throw your phone out of the nearest window and then you along with it.

Of course you were a bloody fan, why else would you get a notification when Brian posted on Instagram? “You see, it’s a long story, I err, just got, um, a text from one of my friends about the show tomorrow?” It came out as more of a question than an answer.

Brian and Roger exchanged a knowing look before muttering to themselves that you were ‘definitely a fan’ and ‘who do you think you’re kidding’.

To hide yourself as much as humanly possible, you decided to open the app and check the post. It turned out that you weren’t the only one who had the post-notifications turned on. Other fans were already beginning to shower it with likes and comments, and you were intrigued as to what people were saying.

Who is the little girl?? She’s so cute 💖💖

Yes we stan Bri and Rog being grandads

Is it me or does she look like that dancer from the Royal?

How someone had worked out that last one, you would never know.

Brian, being the saint that he was, decided to save you from your shame, “Rose mentioned that you’re a ballet dancer,” he smiled, finally starting to clear up the mess of wrappers and pens.

“Did she now?” you asked playfully, bopping her nose much to her delight before helping Brian out.

“You any good?” Roger asked.

“Well, I’d hope so seen as it’s my job,” you joked.

Roger’s brows furrowed instantly, “Wait, it’s your job?”

You nodded, giggling slightly, “Yeah, I’ve danced professionally for about 5 years-”

“Mummy, that’s older than me!” Rose interrupted, mouth open in bewilderment.

“Yes, sweetheart, that is older than you, but remember to wait for your turn to speak, OK?” you reminded her. You’d been working on that for a little while and she was mostly getting the hang of it, although she slipped up every now and then as you’d expect from a four-year-old.

“Sorry, Mummy,” she apologised in a singsong voice.

“Thank you, my darling,” you kissed her head and pulled her in for a hug, “Anyway, I dance with the Royal Ballet down in Covent Garden. I just got promoted to a Soloist so I’m starting to get better roles than I was before.”

“So, what have you been doing today?” Brian asked, eyes bright with the same curiosity you saw in Rose from time to time.

“Well, I had my warm-up class at nine, then my technical one at eleven. I’d usually have another class or physio but we’re opening The Sleeping Beauty tonight, so I was in rehearsals for that all afternoon. Oh, and we had a final costume fitting just after lunch,” you counted them on your fingers, smiling bashfully when you were met with looks of bewilderment and awe.

“And you’ve got to do a whole performance too?” Roger asked incredulously.

“Yeah, I mean technically I should still be at the Opera House to eat my dinner but I had to come and get this little munchkin first,” you tickled Rose, her adorable giggles filling the room.

When you finally showed her mercy and ceased the tickles, she said, “I get to watch Mummy dance from the side!”

You quickly filled Roger and Brian in when they shot you looks of confusion, “She means the wings. I can’t afford to hire a babysitter for every performance I do so she gets to watch for free. Besides, she loves it, sometimes we dance together backstage when I’m not needed seen as the music’s loud enough.”

“Forgive me for asking,” Brian began warily, and you were already dreading the question that was sure to follow, “But why isn’t there anyone else to babysit her for the evening?”

Ah, the wonderful question that was asked of you nearly every time you met someone. You quickly shot him a look of not in front of Rose, and thank God he understood, for he nodded and sent you a smile as an apology. You turned Rose around so she was facing you instead of leaning against your front and said, “Darling, we have to go in a minute so why don’t you run and grab your toys, OK?”

She jumped up and ran off, hopefully to find her belongings, always oblivious and you hoped she’d stay that way for quite some time.

You took a deep breath and finally answered Brian’s question, “Rose’s father and I split up when she was two, and none of my family live in London,” you shrugged; Rose’s dad was still a bit of a touchy subject. Understanding washed over the both of them immediately, and suddenly you remembered they had both gone through the same thing.

Brian quickly changed the subject yet again, somehow sensing that you weren’t feeling all too comfortable, “Do you think we could come and watch one of your shows? We could bring Rose with us and that way you won’t have to worry about her being backstage.”

“That’s so sweet of you, thank you. I don’t think I can get you tickets for tonight but I probably can for tomorrow if that’s alright?” you smiled at his enthusiasm, especially considering you had only known him for about twenty minutes at the most. Roger didn’t seem as excited, though you were expecting that because, if you remembered correctly, he wasn’t a huge fan of musical theatre and ballet wasn’t far from that.

*********************

It was around one o’clock in the morning and even though you were yawning what felt like every ten seconds, you somehow found yourself sitting on your bed, scrolling mindlessly through your phone. You knew that you should be settling down, Rose had gone to bed about an hour ago and you normally followed not long after, but you weren’t quite ready yet. With every passing minute, you would be feeling even more regret tomorrow, but it felt as though something was physically stopping you from sleeping.

“Mama?” a small, tired voice called from the doorway. You never closed your bedroom door all the way for this exact reason. Rose shyly tottered into the room, dragging her blanket on the floor behind her and hugging her stuffed dragon toy with her other arm, “Mama?”

You placed your phone on a cardboard box full of things you had yet to unpack and gestured for her to climb into your bed, “What’s up, sweetness?” she clambered into your arms and you shuffled back to lean on the wall behind you. Her cheeks were damp against your shoulder and your heart leapt into your mouth, “Hey bubba, it’s OK, you’re OK, I’ve got you.”

Tiny sobs escaped her mouth and you rocked her gently, patiently waiting for her to calm down. Fortunately, it was only a matter of minutes before her crying ceased. You took this opportunity to gently approach the subject of what had caused all of this, “Did you have a nightmare, darling?”

She nodded, keeping her movements and voice as small as she could, as if someone was confining every part of her, “Daddy.”

You took a breath to ground yourself because fuck you didn’t want her to have to deal with your mistakes and said, trying to keep the tremor out of your voice, “What happened with Daddy?”

She rubbed her eye with a tiny hand and murmured, “You. Daddy. Loud.”

You tried to put the pieces together, assuming that you’d been arguing with him. This happened when she was scared, or sad, she would act like she was two instead of four, which restricted her language especially. You supposed acting younger was a comfort to her. When you’d split up with her father, you’d hoped to God that she was too young to remember any of the arguments she’d overheard. You and him had been a classic case of ‘settling down far too quickly’. Rose had been an accident and simultaneously the one to show that the both of you weren’t thinking any of it through at all. He’d walked out after the biggest fight that you’d had, and you were quite grateful for it, if you were honest.

“Me and Daddy didn’t get on very well, darling,” you explained, “You won’t ever see him again, I promise. And I won’t be loud like that, OK?” You felt her nod against your chest, and you could feel her settling down already, “Did you want to sleep in Mummy’s bed tonight?”

She perked up at your suggestion; sleeping in your bed was always a treat reserved for special occasions, and you despised the thought of making her go back to bed by herself. “Please, please, please, Mama? I like your bed, it’s soft and warm and snuggly.”

You responded by turning off your phone and the lamp on your bedside table, and tucking you both in, still cradling her against your chest like a baby. You wondered as she already began to drift off, if it had really been procrastination that had been stopping you from going to sleep earlier, or if it was just a mother’s instinct. Or if you were just thinking that to try and make yourself feel better about yourself.

**********************

Backstage was even more alive with excitement that evening. Someone had seen Brian and Roger in the foyer and word had quickly spread, though you hadn’t said a word on the subject to avoid the rush of inevitable questions. It would make the tabloid headlines by tomorrow morning; you could guarantee that.

The whirlwind rush of backstage never changed, and secretly you hoped it would always stay that way. It was absolute chaos, someone’s pointe shoes had gone soft, or someone’s lost a bit of their costume, or someone’s tights had ripped. It was strange compared to the scene of calm and serenity seen on stage; it was as if each dancer was put under a spell of some sort the moment they stepped out of the wings. While most would find the constant change of environments unnerving, you quite liked it, it kept you on your toes better than the pointe shoes on your feet.

It was a tad strange not having to chase after Rose every five seconds, tonight she was out in the audience for the first time ever. You’d never thought to take her to watch a ballet, she’d seen basically every show in the Royal’s repertoire from the wings, sometimes more enthralled by what went on behind the scenes than the dancing itself. She was forever trying to help anyone who needed it, usually it was looking over a costume or a hairstyle and pointing out anything that was out of place. It was one of the only times people were grateful for the brutal honesty that came with her youth. When she wasn’t doing that, she’d sit somewhere where she could watch the performance through the wings with a sticker book to keep her occupied during the ‘boring bits’, or she’d sleep on the sofa you’d asked Heather to put in place for exactly that reason.

You always felt guilty about making her stay awake so late, considering evening performances didn’t end until around eleven o’clock at night, meaning she wasn’t in bed until just before midnight. Luckily, it wasn’t most nights as you didn’t perform every night, and you had asked to not do as many evening performances as possible, making up for it by doing almost every matinees available. However, that didn’t stop your heart from breaking slightly every time you saw Rose yawn as a result of the lack of sleep. You just didn’t have any other options, until tonight that was. And in secret you were hoping that Brian and Roger would be able to help out again, though you’d never bring it up with them.

You shook yourself back to reality when Meaghan, the dancer in front of you, made her entrance, meaning you had to step forwards, ready for your own. The fairies had to line up in the wings and you were the last one to go on and dance your solo before the Lilac Fairy. You watched Meaghan dance, adrenaline coursing through your veins as it always would just before an entrance, and her beautifully danced solo was done in what felt like thirty seconds rather than two minutes. You took a deep breath and ran on when you heard your cue, plastering a smile on your face that was real for the most part.

You felt the music flood every corner of your mind. You didn’t even have to think about the steps you were dancing, letting muscle memory take control. You lost yourself in the beauty of the music, and in the beauty of yourself. You knew you looked like a real fairy, you sure felt like one, and you hoped that at least one child out there in the audience was watching you and thinking wow I want to be able to do that. You ran over in your head literally everything you knew about ballet, every little piece of advice you’d ever been given, something you probably should have done backstage but that didn’t matter because there you were. You were dancing on your own, all eyes on you, and you relished in the attention that you’d usually shy away from. If that is what it felt like every time you performed on your own, then fuck you were hungry for more. It was over in what felt like a heartbeat but also an eternity, and you ran over to your place further downstage.

Now you had the opportunity to pause for a moment, you took it to scan over the audience, though it was in pure vain as they were obscured by darkness. You supposed it helped dancers with stage fright, though you couldn’t help but wonder why you’d become a dancer if your stage fright was that bad. It was no longer a problem for you, but it had been helpful when you danced on that stage for the first time, especially considering you had only been a teenager when you first started performing with the Royal. You had to admit that you were trying to find Rose, Brian and Roger, knowing they were out there somewhere, watching with wonder in their eyes. You forced yourself to give up with that particular challenge; it was a rookie mistake to try to find loved ones in an audience. You just hoped they recognised you from wherever they were seated.

Elation just ran wild through your veins and you couldn’t stop the blush of pride filling your cheeks, not that you wanted to. This was the reason you danced, for the childlike joy that it brought you, the kind of glee that was the cause of each and every one of Rose’s giggles. It was pointe-shoe pink, it was ice cream on a hot day, it was a butterfly flying past you. It was ephemeral, blink and you’d miss it, but the hangover feeling of sheer bliss, that was the reason you danced.

You were hardly conventional, you knew that. A young single mother, a ballet dancer who had been promoted to a Soloist in her early twenties and living in London of all places. You were a ballet dancer, dancing to the melody of her own piano and to hell with anyone who said that you couldn’t.

#Brian May #brian may x reader #roger taylor #roger taylor x reader #ballet #ballet au #modern queen #queen #queen x reader #royal ballet #the sleeping beauty #child character #brian may imagine #roger taylor imagine #queen imagine #london

96 notes · View notes

belphegor1982 · 5 years

Note

How about the first chapter Tommy appears?

[Pick any passage from any fanfic I’ve written, and stick that selection in my ask/fan mail/submission box. I will then give you the equivalent of a DVD commentary on that snippet!]

Thanks a lot!! (Also I answered this kind of ask about a passage from chapter 2, if you want to take a look - it’s all spoiler-free!)

Here’s Thomas Sean Ferguson’s grand introduction, then :D Oh god, it’s kind of awkward, because like with Blake there’s a certain amount of early installment weirdness. Also I go on and oooooooon (sorry about that). But let’s go!

_________

Quite lost in his thoughts this time, [Jonathan] barely registered that he was walking past the Museum (where Evy is, right now, negotiating the Cairo Museum “lending” the Diamond of Ahm Shere to the British government - which kickstarts the plot) before somebody knocked into him, hard enough for both of them to crumple, breathless, on the ground. It took Jonathan thirty seconds to get his lungs in working order again and, instinctively, check his pockets for anything missing.

A lot of this commentary risks being “this used to be [thing] before I tweaked it in the rewrites”, and a lot of it is because I’ve gained some insight in the past twelve years. Jonathan’s first thought being checking his pockets (which - and I made it explicit in the second or third paragraph of the story :D - comes from his being a skilled pickpocket himself and knowing how it works), however, was there from the very beginning.

“So sorry I bumped into you, mate, didn’t mean to,” came the voice of the attacker. Jonathan’s eyes widened at the sound of this voice and he squinted up at its owner.

And cue Tom Ferguson :D He wasn’t my first OC, far from it (that dubious honour would probably belong to the buttload of OCs I created for my Marauder era story which died when Order of the Phoenix came out), but he was the first I got to really explore and develop, and he ended up one of my favourites ever. Em, I answered an ask of yours way back in 2015, “introduce us to two of your OCs” :o) The first was him, the second was Marguerite LeBeau.

“Tommy? Is that you? Tommy Ferguson?”

The diamond is the reason the O’Connell-Carnahan gang goes to Egypt, but without Tommy, there’d be no plot. Hamilton would probably still find a way to “retrieve” the diamond from the museum, only without Evy and her family getting personally involved and then having to go back to the UK saying she failed her mission. and then cue the end of the world about a week and a half from there, but shhh - spoilers!

The fellow shook his head, still looking a bit dazed; then his own eyes, round and brown, (so he’s the opposite of Jon in almost every way, physically speaking. Like I said in the aforementioned OC ask, I designed him as a foil for Jon, fundamentally different in some ways but very similar in others. Physically speaking he’s basically Sean Astin (with some James Corden thrown in) with brown eyes, blond hair, and a Liverpool accent.) went even rounder as he stared at Jonathan. “Jon! What the hell are you doing ‘ere?”

For the longest time Tommy used to call Jonathan by his last name here (and Jon’s earlier line used to be “Ferguson? Is that you? Tommy Ferguson?”). I changed it quite recently. I think I wanted to convey the idea that school friends at the time often called each other by their last names; but since he calls Jonathan “Jon” 100% of the time - and is the only one to do so, which I have Feelings about - I went back to correct it.

“Glad to see you too, old chap,” laughed Jonathan, standing up and dusting himself off before offering a hand at the man on the ground, who accepted it gladly.

Heh. Look, one of the staples of Mummy fanfiction was and still is the old school friend of Evy’s who follows either the siblings (TM time) or the whole family (TMR/post-TMR time) to Egypt and falls in love with Ardeth Bay. I’m not throwing stones here; I’ve read a couple I really liked. There’s the odd Jonathan/OFC romance, too. What I set out to do as a baby writer (I was 21 at the time!) and unsuspecting ace was to write something completely devoid of romance (except the odd Evy/Rick snuggle and, of course, all-encompassing love for each other). And then, as I reread the story for rewrites a decade and a half later, I became more and more convinced that Jonathan and Tommy used to be more than friends, and then when Elizabeth came along the three of them got together as a thruple and very happy for a while. (For some reason I couldn’t work this explicitly into FTaH, though - it felt too much like hinting at this huge story I was never going to write and might have made FTaH much too crowded. So it’s up to the reader to decide, really. Personally, I like both options.) So here’s 37 year old me shipping Jon with a female OC and a male OC, and quite enthusiastically, at that. *chuckles* Wonder what my 21 y-o self would think of it…

He hadn’t seen Thomas Ferguson since some time after the end of the war, what felt like ages ago. They’d made quite a pair at Oxford, the two of them – the scrawny, foppish Southerner with the quiet grin and the sticky fingers, and the broad-shouldered, round-faced Scouser with the laughing eyes and the deceptively innocent face. They’d rowed for the Dark Blues for a bit, got properly pickled on Boat Race Nights, and helped each other out of many a tight spot. Oh, for the halcyon days of youth.

One of the reasons I picked up FTaH again is because the second half of 2019 was very, very British for me. I saw (and read) Good Omens for the first time in early June and my feelings exploded; July was very much about discovering the delights of P.G. Wodehouse’s Jeeves and Wooster (TV show and books). Halfway through that month I remembered my everlasting fondness for the characters of The Mummy and realised the protagonists and Bertie were the same generation, more or less, and I started imagining a crossover. By the time August rolled in I was fully into TM/TMR again, reading fic and my fingers itching to at least correct some iffy parts of FTaH. This last sentence, about Jon’s and Tom’s Oxford days, would never have come out that way if I hadn’t read Wodehouse.

As soon as Tommy was on his feet he was wringing Jonathan’s hand with all the energy he’d been famous for as a boy. “Sorry, Jon, mate, I was a bit stunned –” After all these years, he still retained some of that accent, too! “– En’t everyday you bump into a pal from Oxford in the middle of Cairo! How’d you get here, for starters?”

…Tommy’s accent. *sighs* I’m not a fan of writing accents phonetically in the first place. When I write Newkirk (Hogan’s Heroes) and his Cockney accent, there isn’t much except the odd “me” for “my” or things like “d’you”. I did have to make it obvious Tommy had an accent, though, if only because later Jonathan is surprised when he tones it down to speak with the curator. (This is something his 18 year old self found incredibly difficult, btw.) @thisstableground oversaw the first chapter and gave me very valuable tips, including “en’t” (// “ain’t), which was super helpful in giving Tommy’s accent its own specificity and meant that I didn’t need him to drop “h”s and “g”s all over the place. (which he does do, but hopefully not in a way that takes you away from the story.)

As for why he’s from Liverpool as opposed to, say, Manchester or the East End of London, the answer is very simple. I’d discovered the Beatles a year or two prior and they remain one of my favourite bands in the whole world ♥

“Well, I followed my sister,” Jonathan replied, grinning. In fifteen years or so, he had not realised how much he had actually missed this accent. “She’s giving a hand to the curator of the Museum of Antiquities – she’s something of an authority now, as a matter of fact.”

“Oh aye? That’s fantastic. I en’t forgotten how you’d talk about her, y’know. On and on and on. I’m curious to see what she looks like.”

Somethingthat didn’t change after rewrites is the idea that Jon was verysecretive about his Oxford years. Tom and Evy never met before this,and Evy hadn’t even heard about Tom before.

Jonathan stole a glance at the entrance steps of the Museum, and turned to Tommy with a smirk. “Really? Well, if you really want to, I suppose I could…”

His sister had just appeared on the stairs, accompanied by the curator, an elderly man with greying hair and whiskers. The curator, Dr Fahad Hakim, has a somewhat larger role later on, but this is just a cameo to let you know he exists :o) There’s another mention earlier, too. Tommy followed Jonathan’s gaze and looked at them, goggling at Evy in particular.

“Jon – are my eyes mistaken, or is this gorgeous woman Doctor Evelyn O’Connell? I’ve read about her, she’s famous in my line of work… According to what I’ve read, she was one of the first people to make it out of the City of the Dead alive –”

He doesn’t say what his “line of work” is, but we (and Jonathan) can infer it has something to do with archaeology or Egyptology. And, incidentally, I’m setting up the first alarm bells here because, as Evy points out in the following chapter, at the time her name was “Carnahan”, so how come Tommy didn’t seem to make the connection between Jon’s bookish sister and this English librarian with the same name? The answer is: because he’s nervous (because he’s in Cairo on secret Chamber of Horus business) and as delighted as he is to see Jon again after so many years his brain went “YOU KNOW NOTHING” then backpedalled and went “…OKAY, YOU KNOW SOME THINGS.”

Jonathan’s grin widened as he nodded. “Yes, that’d be her.”

Tommy rambled on as they walked closer to the stairs, “That’s bloody amazing! I thought she’d look, you know, like in the pictures in the paper, the bookish type with glasses – your typical Southern spinster,” he added with a wink. They waited for the curator to bid her goodbye, and Jonathan, greatly enjoying the situation, crept up on his sister to kiss her on the cheek.

“Hey there, old mum – how’s your day been?”

Evy started, then her expression shifted from slightly irked to a smile at her brother’s laugh. She rolled her eyes. “Honestly, Jonathan, the things that amuse you…”

SIBS!!! I love writing siblings, and those two in particular. One of the things that I find amusing/endearing is how comfortable they are with each other, physically (and emotionally) speaking. It’s all gentle touch here, light slap there, running hand in hand, lots of things you wouldn’t expect from two Very English siblings from the first half of the 20th century.

“You’re just miffed that I startled you. C’mon, I’d like you to meet someone – an admirer,” he added with a grin to Tommy, who stood there, his eyes wide. “Thomas Ferguson, an old school friend of mine. Tommy – Evelyn Carnahan O’Connell, my famous baby sister.”

There’s a couple of instances where someone introduces Tom as “Thomas”, or Tom introducing himself as such. Most of the time, though, he’s “Tommy” - until chapter 9, where we spend some time in his head for the first time and see he thinks of himself as “Tom”, and when we go back to Jon’s PoV in chapter 11 Jonathan made the mental switch to “Tom”, as well, to separate the boy from his youth from the man he’s become. I actually spell it out in chapter 17: “A lot had happened since that late afternoon in Giza when his friend had pointed a gun at him and stopped being ‘Tommy’. ‘Tommy’ was a warm memory of loud laughter, daring escapes, bright eyes over pints clinking in the comfortable darkness of a well-loved pub. Tom, on the other hand, was a fairly decent man chucked into a complex situation, who had a wife he loved dearly but lied to about his job, who had not wanted to bring harm to an old friend but had done so anyway.”

Evy held out her hand, which Tommy grabbed and shook heartily. “So you’re the old scoundrel’s sister? No wonder he talked about you – though you don’t quite fit the description now…”

“What exactly did you tell your ‘school friends’ about me?” asked Evy, warning in her voice, though the twinkle in her eye did not quite disappear. Nevertheless, Jonathan preferred to ignore her question, earning a hard nudge in the ribs.

He bragged, actually. A lot. Since he thought Tommy and Lizzie would never meet Evy, Jonathan considered himself free to speak quite enthusiastically of his baby sister’s achievements and how bright she was. Of course, he also complained a good deal, because even at 12 Evy had a penchant for being bossy that came out even in letters.

“So, what did you say your ‘line of work’ was?” he asked Tommy.

“Well – don’t laugh. I work at the British Consulate in Cairo, specialising in antique stuff. Oh, I’m sorry, Dr O’Connell,” he stammered with a glance at Evy who had an eyebrow raised, “I mean I’m one of the chief agents in the British Antique Research Department.”

No he’s not! He’s actually a secret agent, kinda :D And not remotely close to a “chief agent”, at that. Tom Ferguson is deeply in love with his wife and nothing will ever change that state of affairs, but he might have a little intellectual crush on Evy, which leads him to… wanting to impress her a little bit.

“I’ve heard of you!” exclaimed Evy. “At least of that Research Department. They’re gradually cutting off public funds – encouraging individual financing – but that won’t do any good for scientific research! Such a stupid decision is only going to –”

“So you lot are the ones she kept fuming about for half a year!” Jonathan snorted. The infamous Ferguson rotten luck struck again.

I still regret I didn’t find more opportunities to showcase how ridiculously unlucky Tommy could get sometimes. Ah well.

Tommy looked dejected. Evy must have seen this, because she bit her lip and said, in softer tones, “Look, I’m sorry I snapped at you. But as my brother said, I’ve been… rather upset over this. There’s been some pressure on the British Museum lately by private patrons who threatened to pull out their funding on some… sensitive collections. Without the Crown to back us up, we might have to cave in to their ridiculous demands.”

Before the rewrites, Evy’s speech used to be a lot more “private funding is bad” without much nuance or justification. I changed it to something that hopefully makes sense and justifies her previous outburst.

“I’ll – I’ll tell my superiors about it,” said Tommy, still looking unsure. “See what I can do. I’m sure it won’t be much, but… Well. I’ll have tried.”

“That’s nice,” Evy said cheerfully, taking Jonathan’s arm and starting to walk. See what I mean about physicality? She doesn’t even ask him with a look, just takes his arm and that’s that. And he lets her, because he’d do the same thing. “Look, the two of you – I’ve had something of a rough day, so I’ll go home, if you don’t mind. You can –”

“Brilliant idea!” said Jonathan, flashing a grin at his sister. “I thought of going to the Sultan’s Casbah, but you might find it a tad – let’s say – dingy, my good friend.”

The Sultan’s Casbah, in the novelisation of the film and my personal headcanon, was the bar Jonathan patronised the night before the first time we see Evy and where he stole a valuable-looking puzzle box from an unsuspecting drunk American.

“Worse than the Turf?” Seeing Evy’s puzzled look, Tommy explained, “Sorry, private joke. I mean the Turf Tavern, that’s where I saw him for the first time. Me family didn’t ‘ave much money, so I used to work there to pay for my studies. Very nice pub, didn’t deserve the reputation.”

The Best Beloved and I took a trip to Oxford in the spring of 2003 (by bus - 20 hours to get there, same to come back home) and while we were so broke we had to settle for a soup and some rice in a lovely Thai restaurant we did go for a drink at the Turf. I remember a dimly-lit room with dark wood, and I think either they changed a lot of it or my memory isn’t that good because it doesn’t really look like that on the Google Maps pics. Still, I liked it, and when I needed an Oxford pub for the story it’s the one I worked in. Incidentally, there was a lot of illegal gambling going on in there in the 19th century, hence Tommy’s mention of the pub’s bad reputation.

“I’m sure you did indeed see a lot of my brother there,” Evy slipped in slyly. Jonathan threw a mock glare at her.

“To think you are almost my only family. What a shame.” Then, as Tommy looked uncertain, he added, “Carry on, Tom.”

“All right. So I was one of the only students who needed a job, and there were some others who thought that it was – how’d they put it? – a ‘disgrace’ to our university.”

“Preposterous,” said Evy sternly. “As if money could take you further than talent.”

Jonathan bit back on the cynical comment that crossed his mind. Sometimes Evy’s naïveté baffled him.

“Right,” said Tommy uncertainly, glancing at Jonathan. “So, one day, a little bunch of lads come in, and Jon here was sometimes hanging with ‘em at the time –”

Because Jonathan likes to gamble with people with deep pockets :P

Evy glared at Jonathan in advance, and he threw his hands in the air. “Don’t look at me like that! I haven’t done anything!” Evy’s gaze softened, and Jonathan finished, “…Yet.”

That earned him a playful slap on the arm, and a laugh from Tommy, who went on, “Anyway, one of the blokes orders somethin’ or other, and starts to poke fun at me. Well, I was used to it, so I let them be. Then they continued, and I finally noticed that skinny lad in the corner who was makin’ fun of them for making fun of me. Didn’t quite understand what the hell was going on – oh, sorry, Dr O’Connell – what was happening.”

While John Hannah is not “skinny” by any stretch, he is rather svelte, and one of my unimpeachable headcanons for Jonathan is that he was skinny as a rake in his youth - until he went through basic training (then WW1) and his shoulders filled out a little. It’s more or less what happened to the Best Beloved, so I feel quite secure in this headcanon’s plausibility. Plus, picturing 18 year old Jonathan as a mix of awkward gangliness and skinny limbs and aristocratic poise is just funny. (and I find the comparison with Tommy - who at that point was soft and a little chubby but already had broad shoulders - rather endearing.)

Evy smiled. “You’ll have to watch your mouth in front of my son, but otherwise it’s fine. And please, call me Evelyn.”

Tommy beamed. “Right, uh, Evelyn. So, uh –”

“What he didn’t know at that point,” interrupted Jonathan, “was that I had my eye on that fellow – what’s his name – Farbow. He owed me quite a bit of money, but wouldn’t repay me. So I was looking for a way to get him back for it.”

“And get the rest of his wallet in the process, of course.”

“Evy, he owed me seventeen pounds. (Which used to be £70 until I did some research and saw that £17 was A Bloody Fortune a the time.) And he was not what I’d call a ‘decent bloke’ – nasty, disdainful piece of work he was, and his little friends with him. Always a dirty word about the Scouser who worked at the Turf Tavern, just because he didn’t belong to his snobby little world. I did the community a favour, really.”

What he doesn’t say is that Edwin Farbow also had a lot to say about “half-Egyptian mongrels” who thought they belonged in those ancient walls. Too bad I couldn’t find a way to work it in this particular fic. If I ever manage to finish at least Tommy’s part of One-Step, Two-Step, Waltz, the first chapter of Pirouette features the whole scene.

“Don’t push it, Jonathan,” warned Evy.

Tommy carried on. “Well, I was glad there was at least one person who didn’t think like Edwin Farbow – nice change. Then Farbow said something – I don’t remember what it was about, I just remember it made me really angry, really. An’ it’s not a pretty sight when I’m really angry at someone.”

It’s always the quiet, genial ones, isn’t it.

Jonathan remembered, but thought it wise to keep his mouth shut.

Both because what Farbow said was pretty damn offensive to Tommy’s character, background, and lineage, and also because Farbow’s rant included “It’s bad enough they let inpeople like Carnahan, who only exists because a glorifiedgrave-robber shagged some darkey and didn’t even have the decencyto pretend otherwise –” and he really doesn’t want to bring this up in front of Evy, who’s had to deal with her own share of this kind of racist bullshit and doesn’t need a reminder.

“An’ – an’ I just lost it, y’know? I dropped his tea over his ‘ead –”

“I say, that one was pretty funny,” Jonathan said, smiling widely at the memory. The strangled yelp that had followed had definitely been one of the best parts.

“So they all leaped for me, obviously – began to punch me, the five or six of them – hey, I still managed to get back at them!” Tommy added quickly, as if defending his honour. Evy hid a smile, and it occurred to Jonathan that that last sentence had something very Rick-like about it. “But I en’t a fool. I know a losing fight when I’m in one.”

“Don’t tell me. Jonathan bravely threw himself into the fight to take on as many attackers as possible.” There was mischievous laughter in Evy’s voice, and her eyes were twinkling. If anyone other than her had quipped that way about him, Jonathan would probably have taken offence, or at least pretended to. But they knew each other enough not to cross the line.

Tommy raised an eyebrow. “Well, that wasn’t quite Jon’s style – I don’ know, might’ve changed since then. But yeah, he did. One moment I was squashed under five or six, the next I found out we were two on the floor.”

This was perhaps the biggest suspension of disbelief I’m asking the reader to make - which, in a story where governments have secret agencies to keep an eye on magical ancient artefacts and a diamond has magic powers, is saying something. Jonathan throwing himself into a fight because someone he loves (ie. four people in the whole world that we know of) is in danger? Yep, that checks out, that’s what he does both in TM and TMR. But an (almost) complete stranger? I needed one hell of a justification. Which ended up… 60% Farbow’s money and 40% Farbow being a giant arsehole who had no business making decent bartenders look like that.

Evy began to laugh. “Why, Jonathan? My Jonathan, in a fight, for someone he barely knew?”

At that Jonathan cleared his throat, a mite embarrassed. “I told you, I was looking for Farbow’s wallet. That was the perfect diversion – you should’ve seen that twit looking in every corner for his lost wallet afterwards. It was three months before he gave up.” And it’s lucky you didn’t see me then. I was a bloody mess. “Why’re you looking at me like that?”

“Nothing.” Evy smiled. “You never told me that.”

To be fair, there’s a LOT of things he never told you, old girl ;o)

“Should I have?”

“I don’t know, it’s – it was nice of you to do that, even for the wrong reasons. I’m proud of you.”

Jonathan felt an unexpected lump rise in his throat. Not a very big one, but enough to keep him from talking for a few seconds. It was always like this whenever she said something really nice to him. It caught him off guard each and every time.

Look, it took me years to realise it, but I’m a sucker for validation. Sometimes it bleeds out on characters I write.

After a little while, Evy stopped in front of a door and announced, “Well, we’re home.”

“Nice house,” commented Tommy, taking in the sand-coloured neat front and the curtains at the windows.

“Our ‘old haunt’ since the family moved to Egypt,” Jonathan said, opening the door and stepping aside to let his sister in. “Evy wasn’t even walking then.”

In the first film, Evy, Rick, Jonathan and the remainder of the American party go straight to Fort Brydon, and the next thing we see is Evy emptying her suitcase while Rick tries to fill it. Since both Carnahan siblings actually live in Cairo, I thought they would live in an actual house, and from there I extrapolated that the family had one house in England (the manor we see in TMR) and a smaller pied-à-terre in Cairo.

“I do believe I was,” Evy protested.

Jonathan snorted. “Oh, you weren’t. You crawled.”

si b l i n gssss ♥♥ And like, you can always count on a big sib to remind you that you could be ridiculous as a kid. I should know, I’m the big sister :D

Evy seemed to resist the urge to slap her brother and walked into the living room, her nose in the air. She was greeted by two simultaneous voices:

“Mum!”

“Hey, hon.”

Rick’s first words in this story, and it’s greeting his wife ^^ I didn’t do it on purpose, but it’s. Y’know. There.

Jonathan waited a few seconds, then walked into the room in turn, and grinned at the sight of his nephew looking genuinely eager to see him. He was not fooled, however – as soon as Evy wasn’t looking, Alex mouthed the words “Got one?” and frowned as his uncle shook his head. No, he still had no present for Mum’s birthday.

Evy’s birthday mainly originated as a device to get characters (especially Jonathan) moving. It’s the reason he’s roaming the streets of Cairo just before he bumps into Tommy, and why he and Alex go to the bazaar in chapter 5. It also pops up further on in the story, but I’m not saying anything because spoilers.

“Uncle Jon? Who’s that?”

“Who, him?” Jonathan pointed at Tommy behind him, looking uncomfortable at the family reunion, and Alex rolled his eyes. “Tom Ferguson, he was in class with me at Oxford. I ran into him by chance today.”

Tommy stepped past Jonathan and held out his hand to Alex, nearest to him. “Hi – glad to meet you. Jon’s nephew, eh?”

“Yeah,” said Alex, eyeing him with all the suspicion of a ten-year-old who’d seen what he had seen. Behind him, Rick’s eyes spoke loads about his own distrust. But mistrust towards Jonathan and everything related was par for the course on his part, and, admittedly, reasonable.

Alex has Seen Things. This may sound tongue-in-cheek, but it’s true. After what happened in TMR, he’s 100% entitled to being suspicious of strangers. As for Rick, I took my cue from one of his first lines to Jon in TMR being “What did you do this time?” implying that the weird shit happening right now, with the men in red and the sexy lady waving snakes around isn’t exactly unheard of. Hence the “and, admittedly, reasonable”, which I added in the rewrites.

“Thomas Ferguson, British Antique Research Department,” said Tommy, holding out a hand towards Rick, who shook it slowly, still reluctant.

“Rick O’Connell.”

“So you’re Dr O’Connell’s husband? Pleasure to meet you, sir. I’m impressed, you’ve no idea.”

Rick raised an eyebrow. “Impressed?”

“It seems I’m rather famous in the Research Department,” said Evy, laughing.

“Make that infamous,” quipped Jonathan.

“The Department owes your wife a great deal. She was the one who uncovered a huge amount of our information about some obscure periods of Egyptian history, as well as the major part of serious knowledge we’ve got on Hamunaptra,” Tommy pointed out, and Evy blushed. “She’s a legend – one of the original three who managed to go to Hamunaptra and live to tell the tale! But… I assume you’re another one?”

Oh, Tommy. MATE. You’re saying you know three people made it out of Hamunaptra alive, one of whom a woman with the exact same first and last name as your best friend’s sister who had a passion for ancient history, but you had no idea he was one of them as well?

Incidentally, the early installment weirdness I mentioned earlier mostly consists in Tommy being a lot more energetic and innocent-looking than he later proves to be (which is a little more grounded and pragmatic than Jon). In fact, he and Jonathan’s first couple of scenes together give the impression that he’s the red and Jon’s the blue in the “Bue oni, red oni” trope, when later chapters show Jon as a little bit more of a disaster while Tom struggles to make better choices and be more sensible. Which in the end would make them shades of purple, really.

“Yeah,” said Rick, looking a bit nonplussed. Jonathan definitely didn’t regret bringing Tommy in. Seeing Rick O’Connell confused was a very rare occurrence, too rare to be missed.

“I never knew – who was the third one?”

Jonathan was now struggling to keep a straight face. Rick blinked, and pointed at his brother-in-law. “That was him.”

“You!?” God, the look on his face was priceless. “You were at Hamunaptra?”

“Yes,” risked Jonathan, laughter rising in his voice. “And believe me, it wasn’t exactly a picnic. Oh, by the way, there were four of us, not three.”

Meaning Ardeth, of course. My take is that Tommy - and by extension the Chamber of Horus - know about as much about the Medjai as Evy knew about the Book of Amun-Ra prior to the events of TM: a non-negligible amount of information, but all of it second-hand and some of it a bit dicey.

From the corner of his eye, he could see Rick roll his eyes and grinned, undaunted. This was proving to be a fun evening.

Make the most of it, people, because it’s all going to go downhill fast…

Thank you ♥♥♥

#thatsoneginger #ask reply #fic commentary #Fairy Tales and Hokum

5 notes · View notes

ancient-artificer · 5 years

Text

Treasure Hunters: Morgan’s Lost Chest

A Gajevy AU oneshot mix of Pirates of the Caribbean and The Mummy.

Two professional treasure hunters clash while they desperately seek the lost chest of the infamous pirate, Captain Morgan. During their excavation, they run into a little dead-end...

Rated M for language and possible frightening descriptions.

4k+ words. Also found on ff.net.

This is what happens when you eat too many chocolate espresso beans and ask chat for a prompt (thanks btw). Up all night writing due to heavy insomnia, unending inspiration, and literal magic beans.’

Treasure Hunters: Morgan's Lost Chest

'Salty' wasn't a term used in his daily vocabulary, but Gajeel was sure it was a better word than what came to mind for the tiny spitfire currently berating his excavation team on the main deck. With a quick sigh, he tilted his head and emptied the soda can of its last drops.

The Sea Withers' weather deck carried the large various equipment needed to unearth what they all hoped would lead to the fabled Morgan Chest, reputed to have been lost for centuries when the pirate crew's mutiny went awry.

Golden treasure hidden away waiting to be uncovered sung its siren song.

When he approached the crew on deck, the woman - her finger pointed at one of his team member's chest- turned her attention to him. Her eyes darkened upon the sight. "You," she said with a low hiss.

He greatly wished at that moment that like the gold-laden chest, she too could have become lost.

"May I help you?" He asked. His indifference to her plight was tinged with condescension. His brow furrowed as he put his hands on his hips.

"This is how you treat a colleague!? I worked my butt off to get the rights for this location!" She cried and moved towards him, and though he towered above her, she wielded the finger like a sword.

Gajeel watched the index finger wag at him, almost making him go cross-eyed. He then looked at her reddened face. "Levy, is it?" He started.

Her cerulean locks shook with her anger. "Do not 'Levy' me. I mean it."

He smirked. "I was here first."

Levy all but threw herself at him. "Of course you are! You stole my papers!"

A short sound came from his mouth as he corrected, "I commandeered them."

Levy looked as though she were about to explode. She balled her fists and cocked back ready to throw one when someone came up and redirected her.

Laxus held her away from his team leader as Gajeel called to drop anchor. He let her go to roughly pull herself away from him and righting her t-shirt in the process. A dirty look was all she could muster.

There was nothing she could do about the deranged crew leader and the theft of her hard-earned property. It was by all rights her claim, whatever should they dig up. Taking a deep breath, she tried to calm herself for the sake of their one goal.

"Alright, listen up ladies!" Gajeel called. He pulled his polarized sunglasses down to his face. "A-Team down to ground and scout, B-Team unload the ee-quip. Slow an' steady."

"What about her, sir?" Laxus asked. He gestured to the only woman on site.

Gajeel turned. He didn't want to have to deal with her griping about what he did or did not do. He shrugged. "She stays on the ship."

"I most certainly will not!" Levy shouted angrily.

"Fine," he snapped. He struggled not to roll his eyes. She was a definite pain in his ass and it wasn't even noon. "You can come. But no complaining. Stay on my six. I'm not gonna search for your body if you turn up missing."

Levy was already on the rope ladder on the way down to the small boat below as he spoke.

She, however, rolled hers.

"Gee, thanks. I'll keep that in mind," she said aloud, and then added quietly, "You butthole…"

Once they were on the shore, both teams worked to bring the equipment to solid ground. While they hauled the last of it, Gajeel let the gentle waves lap at his boots as he surveyed the length of the beach.

Most of it sand as far as the eye could see in either direction. Not more than forty yards inland the sand gave way to grass and trees. Further in was a mixed mass of rock and greenery of which the top could not be seen.

He slowly started up the sand towards a fallen tree trunk.

"Where are you going?" Levy asked. When he didn't answer, she pursed her lips and trudged after him, incoherently muttering along the way.

When she caught up with him, he was standing with one foot up on the log looking down at the map of the island in his hands.

"It's supposed to be here," he said to himself. His finger swirled over an area on the unfolded paper.

Levy peered over his arms to see where he was pointing. "How long do you think it'll take?"

"Dunno."

"Well, what do you think we should do first? I mean," she paused mid-sentence to swat at a flying insect crossing in front of her face. "Taking account for everyone on the payroll who follows us there."

Gajeel bit his cheek and then turned his head away from her to spit. "Dunno yet."

"I mean for tonight. For dinner and sleeping arrangements. It's not going to happen over-"

Cutting her off with a huff, Gajeel turned his head to her, the map crinkling in his fists. He seethed, "I don't know, dammit! And I'm not gonna know if you keep runnin' your piehole. I've never been here before, ya know."

Levy scowled at him and at the tone he used with her. She blew out a breath. "Neither have I but I did research before my approved documentation was stolen."

That piqued Gajeel's interest. He calmly looked at her.

"What kind of research?"

Levy opened her mouth to speak but promptly shut it. She gave him a sarcastic look -a wag of her eyebrows and a head tilt- and crossed her arms over her chest. She wasn't going to oblige if her questions would be waved off and ignored.

He shook his head, his eyes narrowed. "Naw, don't give me that bullshit. Since we have to work together, it's in your best interest to tell me everything you know. To help the rest of the crew. For a successful excavation."

She waved a hand out in front of her face and looked at him in her peripheral to see what he would do while she kept silent on her secret knowledge.

He didn't wait long. He breathed a rough sigh and let slip a quiet curse before going back to the map.

And she wouldn't tell him either. If he was going to be an asshole on all fronts, then some secrets were worth keeping to herself. And right now she was the only one she could trust.

The sun disappeared beyond the horizon when the crew finished settling the main camp. Small tents were pegged in the stretch of green vegetation between the beach and the rest of the jungle-like terrain. The night air cooled the island considerably. It was something which Levy had forgotten to take into account when she bounded off in search for Gajeel's ship.

She sat shivering on the same log from earlier in the day in front of the lively fire. Focusing on the orange flames, she jumped when something soft dropped onto her head.

"Put it on before you freeze." Gajeel sat down unceremoniously beside her.

She uttered her thanks and pulled it over shoulders. Warmth quickly seeped into her bones. A deep breath drew in a fresh manly scent, which told her he had recently worn it.

A coffee mug in his hand, he sipped at it and cleared his throat, keeping his eyes on the burning wood. The two of them sat in silence for some time, listening to the camp crackle with the crew's intermittent conversations and the nightly music of the island's various insects and other wildlife.

Levy looked over at the expedition's captain. Her fellow relic hunter seemed to be the type to hate waiting on others but also refused to ask for help or directions. As much as she hated the idea of him taking her claims for himself, he had a point in that they were now in it together whether it was desired or not.

They had to work as a cohesive team.

"You wouldn't like it even if I told you." Her voice cracked when she finally spoke.

His immediate response to her statement told her he had indeed been waiting on her said research.

"That so. And what would that be?"

"It's said there's a curse on the gold, any who open the chest or touch its contents are doomed for eternal misery in Davy Jones' Locker."

Gajeel coughed down the hot liquid. He snorted back a laugh and caught her gaze, her eyes alight from the glowing fire. He asked simply, "And you believe that shit? Are you an archaeologist or a superstitious historian?"

The woman was slightly taken aback. "Do you really think I'd be telling a made-up story? There's proof in the texts I found in Port Royal."

His hard stare bore a hole into her skull. Ha ha. She was pulling his leg. She had to be. When she stared back just as hard, he knew she was serious. Turning back to the fire, he gave a smile and said, "There's no such thing as curses."

A cold wind brushed through the camp. It stirred the fire and blew the hair from both of their faces.

"The ocean wind from the beach," he said, a matter of fact. He sat back and stretched out his legs.

Levy pursed her lips and stood up. She raised her chin but squinted down at him. There was no way the impossible man would believe it without physical evidence, and there was no way of obtaining it.

He stared back with a smug expression and put his hands behind his head.

"I know what I read, Mr. Redfox, captain," she said, holding her arms tightly over her chest against the cold air. "I don't need or want your condescending-"

In her rush to leave, the toe of her boot caught part of the log that had rotted off. Before she could throw her arms out to catch herself, she stumbled forward in the direction of her broad-shouldered rival.

The coffee mug spilled its contents on the ground beside Gajeel as Levy's weight dropped straight down into his lap.

Standing one moment, the next she was gazing up at the surprise plastered on him. She was well aware of his arms tightly folded over her body.

He gaped wide-eyed. "You ok?" He asked.

"Y-yea," she murmured, still shocked at the sudden change. Her nose briefly grazed his cheek and she could smell the dried sweat on his skin.

And for some reason, it smelled good.

A blush crept into her cheeks. She scrambled to her feet, left as quickly as the dark would let her and hoped he wouldn't bring it up in the morning.

***

Gajeel observed with a heightened excitement as the last bit of debris was removed from the roped-off digging area. Three full days of digging away as much dirt as possible in the humid air had taken most of the remaining patience he had left.

The deep pit revealed what appeared to be broken bits of old pitch-covered wood. Pieces of frayed rope and other non-degradable material surrounded an old, half-buried chest.

"Break out the cooler," Laxus called out. He stood above on the topsoil. He tossed their leader a glass container which sloshed with golden-brown liquid.

Gajeel untwisted the cap. "A round of Captain Morgan!" He exclaimed, then brought the bottle to his mouth for the first sip. He passed it to the closest man.

As he and the others celebrated their discovery, Levy felt an uneasiness. She had suspected some kind of supernatural boobytrap, but none came to slow down their progress. The lack thereof made her become overly cautious.

"Come on," Gajeel said to her without looking her way. No trace of their brief conversation the few nights before -and what had accidentally occurred between them- appeared to be of any concern to him.

Levy watched from her perch above them on the ground untouched by the digging equipment. Glancing around at the surrounding environment, she couldn't shake the odd feeling. She wanted to warn him again, but would her heed only fall on deaf ears?

"Gajeel, wait," she called anyways.

Standing by the chest and posing for pictures with other crew members, he seemed not to notice her. Only when the pit cleared away did he remember she had called to him.

He put one large hand on her shoulder and said, "We found it."

"Yes, I can see. Please don't touch it yet."

He huffed. "Levy, I'm telling you, there's nothing going to happen."

Despite his rebuke of the truth and reliability of her "research", he took his hand from her, but kept his other hand on his hip. With her experience in professionally recovering lost artifacts for science and the occasional museum, he let her take point to inspect it.

Levy approached the chest, assuming control of the situation. Bending at the waist, she put her hands on her knees.

Behind her came a clearing of a throat. Gajeel shifted his weight. He tried to not notice her short blue jean shorts rising up the underside of her thigh. His gaze averted, but only for a second. An inaudible grunt of slight arousal settled in his chest.

Oblivious, her eyes roamed over the old wooden box. Rusty iron strips were nailed into the decaying wood at the corners. Bugs crawled over parts around the bottom. It looked like anything someone could dig up if one went deep enough. The closer she got to it, the more it revealed of itself.

Walking around it and without physical contact with it, she closely inspected the front side. The standard keyhole lock from the era was missing. Red crumbly bits of rust settled on the iron rest where it would have been. A faint inscription was etched on the domed lid above the iron edging. A black substance stained its surface.

She frowned. Her stomach threatened to empty itself. The ancient documentation in Port Royal had to be accurate.

"What is it?" Gajeel asked.

Pointing, Levy read aloud the message carved into the rotten mahogany, "'Gold, silver, all treasures this chest has carried now lives to tell of souls long dead and tarried'."

Gajeel's brows furrowed. "The fuck," he grumbled. He quickly moved to her side, his eyes on their prize. "What does that even mean?"

He reached out a hand to flip the lid away to peer inside. Levy gasped and caught his arm, pulling it towards her.

"No! Don't do that!"

"Levy!" He roared in frustration.

One of the crew members hopped down into the pit. "If you two aren't gonna, let me, for fuck's sake..."

He quickly threw the lid back.

Levy, still clinging to Gajeel's arm, shut her eyes. Gajeel glanced down at her as she squeezed his limb tighter. Her forehead brushed against his bicep.

The crew member fell silent. No one spoke. The seconds that ticked by seemed more like minutes. Gajeel shifted his weight once again in his impatience.

"Well?"

The crewman's shoulders fell. His tone was one of shock. "It's empty."

Levy's eyes shot open. She spoke at the same moment as Gajeel.

"It is?"

"Come again?"

He shook off Levy's hold and was beside the brave crew member in one stride, dead set on seeing for himself. It had to be a joke. They spent way too much time and effort to come up short.

There was nothing inside. Not even dirt or sand.

Levy had hoped that despite the warning that there would lie some kind of treasure. It didn't have to be gold or other precious jewels or the like. She would have been ecstatic with an old half-filled journal. Or a comb. Or even a spoon.

She looked at Gajeel, defeated. "Now what?"

A dull, dumping sound filled the pit, like a pile of dirt dumped onto concrete. It gradually became louder.

A surprised cry spouted from the only person known to have touched what was supposed to have been a bountiful riches.

Gajeel looked in disgust at the crewman's arm as it turned a pale green with a shattered cracking pattern snaking across the skin right before his waking eyes.

He put his arm in front of Levy and backed them both to the excavation pit's edge. "Lax, are you seeing this?" His voice seemed both distant and as if he were shouting at the same time.

Laxus replied. "Yea…"

The others were watching the scene unfold, not knowing what was going on or what to do; obviously, no one had trained for something such as this.

The first mate hesitantly pulled the pistol from his holster and brought it up. He didn't want to point it at his friends, but what was happening below to one of them was not normal by any standards. "And I don't like it."

The man's skin went from the pale green to gray, the cracks webbing out began to widen, until one of his wrists severed from the rest of the lifeless limb. The man who had opened the chest was decaying at an unbelievably fast rate.

Levy abruptly turned upon the realization. She made a grab for the hanging rope ladder. Her breaths came shallow and hurried, her only thoughts were of getting out unscathed.

The crewman's face began to change colors. He twitched and jerked while the deterioration accelerated. One of his kneecaps slid diagonally down to the side, causing his leg to turn unnaturally when he attempted to take a step. When he moved his head, the gray skin cracking like dried mud broke loose. The mandible beneath unhinged itself from the skull, permanently propping open the man's mouth.

"Climb faster," Gajeel murmured.

The undead stepped out in his direction.

"Faster, Levy," he repeated with more force.

His colleague was halfway up the ladder. He shoved his hand upwards and cupped one of her ass cheeks, pushing her the rest of the way so he could begin his ascent to get the hell out.

Once she was at the top, a gunshot fired once and echoed into the rest of the island. Levy turned to see Gajeel hurrying up the ladder and the undead shipmate now without an arm on his way towards them.

Laxus fired another shot that missed.

"Has anyone else touched the chest?!" Levy shouted. Goosebumps traveled down her arms and legs. She hoped and prayed it was just the one.

If others had as she suspected, no one confessed. A commotion of mixed shouts and warnings came from the campsite. A few crew members cleared out of the way before the same thing that had just occurred in the pit began to eat away at two more.

Morgan's curse was spreading.

Gajeel scrambled to his feet once he reached solid ground. He yanked the ladder out in case the undead could come up after him. The rotted body loosed a sound that would have been a snarl and clawed at the dirt wall.

"So much for buried treasure, shoulda known," Gajeel roughly spat. In two quick strides, he was right next to Levy.

She gave him a disapproving look. "I tried to tell you."

"Yea, yea." He took her hand and swiftly guided them away from the excavation pit.

The main camp was in disarray. The undead was numerous, turning the others who had ignorantly treated the dig site as every other they previously created.

"We gotta get to the ship before they do."

A half snarl growl from the freshly dead warned Gajeel of its proximity in time for him to snatch up one of the cooking pans by the fire and connect it with the side of its ugly, deformed face. The remnants of their earlier breakfast unstuck itself to snag on the zombie's protruding nasal bone.

It fell to the ground, but of course, nothing could kill an undead in this case, given that it was unleashed via a curse.

He picked up another pan and shoved it into Levy's hand. "It won't kill them, but it'll keep you alive," he stated. He gave her a hard, meaningful gaze, shifting to both of her eyes. "Stay on my ass, Lev."

At her nod, he looked both ways for incoming bogeys and then rushed forward in the direction of the beach.

Gunshots echoed, screams and shouts of men running for their lives met their ears. They lept for the grassy trail which led straight for the ocean. Skinny tree trunks and other tall plants flashed by in a blur as they hightailed it, as fast as the overgrown vegetation would allow.

Gajeel used his pan like a sword and wacked two unsuspecting undeads clear off their broken feet. Bits of dust plumed out in small clouds from the contact made with his makeshift but effective weapon.

When they reached the beach's hot sand, he looked over his shoulder. The fierce little woman abruptly stopped and swung her frying pan like a baseball bat at the zombie following close behind her.

She gave a short grunt with the effort. The bottom of the weapon smacked the unnatural creature, its head popped off and flew back the way they came. Dust clouded the air in her wake. The undead body crumpled in a heap to the ground.

A clean headshot.

The display of power greatly impressed Gajeel.

Her next step onto the beach was a stumble, but he was there to catch her in one of his arms.

"Careful," he murmured. His gaze lingered on her face as he set her upright.

She saw the look in his eyes. A red-tinged her cheeks. Before he could see it, she grabbed his arm with her free hand and gave a tough tug. Her voice was breathless, "We can't stand around, come on!"

They ran for The Sea Wither still at anchor a distance away in deeper water. The smaller boat they came to shore in sat untouched on the dry sand, the motor flipped upside down inside for storage.

When Levy bounded into it, Gajeel started to shove the boat towards the water. They heard a loud shout for them to wait.

Laxus lead a few others out of the fray. They wielded various objects from camp, frantically booking it over the loose sand. The first mate slowed to a stop and immediately helped Gajeel in pushing the large vessel.

The others threw themselves into the boat, breathing heavily, scared out of their wits. Odd weaponry lay on the boat floor: another frying pan, a shovel, a machete, a long stick, a foldable chair. She gave credit for creativity within the group of people still alive.

"Alright, let's get the hell out of dodge," Gajeel said to Laxus and nodded.

Two other crewmen pulled their leader into the boat while Laxus readied the motor by securing it onto its mount. He yanked the pull cord and it suddenly came to life.

"What about the equipment? Everyone else still out there?" A man asked. He gripped his crowbar white knuckles.

"It's not worth the risk. Not right now."

With the motorboat gaining speed towards their ticket home, Gajeel looked back to see more decomposing bodies now emerging from the cursed island. He took a breath and turned to Levy. "Whoever's left isn't going to last," he admitted aloud for everyone to hear above the motor's roar.

Biting her lip, Levy had to turn away from the beach. She shook from adrenaline still coursing through her veins. The cold sea air didn't help either. She felt the warmth radiating from Gajeel when he sat next to her. What comfort she could feel came from him.

The boat slowed when they arrived at the ship. One by one they wasted no time in boarding the massive ship. The first thing he did after making sure what remained of his crew were safely aboard, Gajeel entered the bridge and created a distress call on the appropriate channels.

Levy sat in one of the main chairs and listened as he successfully made contact with the mainland. In her relief knowing there would be a rescue, her gaze shifted from the ships controls to the beach.

"Gajeel, y-you need to s-see this," she stuttered. Fear was again present in her voice.

He put down the radio and glanced up. He did a sharp double-take. "You gotta be kidding me! These fuckers can swim?!"

#gajevy #gajevy x levy #gajevy fanfics #ftfanfics #fairy tail #ft #ff.net #capaleran2-2 #andyswrite #possible trigger warnings #possible scary descriptions #undead #buried treasure

32 notes · View notes