#it’s not like they cared for Katara to begin with

[kataraslove]

@blade-liger-4ever You’re not going to downplay what your friend stated when the original response is RIGHT here - where she states that we should be okay with being raped.

Additionally, “women who ship Kataang are more in danger of being raped” is a dangerous AND exaggerative statement to make because there’s no proof of this. All women are in danger of being sexually assaulted. Their consumption of fictional relationships does not enhance or reduce their chances of being sexually assaulted. Please look up sexual assault statistics before spewing nonsense because you want to appear morally superior for your choice in ships.

Let’s get to the crux of this exchange: there’s no greater good that you or @guardiandua think you’re protecting women from with your tumblr posts. Quite frankly, you want to win a moral argument when it comes to shipping. That’s what this has always been about. I don’t even believe guardiandua’s claims that she’s “team katara” when, from the very beginning, the entire point of her ask is that she’s bitter that people are critiquing her interpretations of Katara and Aang in a YouTube COMMENT section. When you put fanon ideas out there and try to sell it off as a fact, OF COURSE people are going to disagree. People have the right to disagree about anything. Crying about it on tumblr won’t change the fact that they still won’t agree.

I haven’t seen a single Kataang shipper defend the Ember Island Players non-con kiss. The narrative itself paints Aang for being in the wrong. Should there have been more narrative repercussions? Yes, definitely. But stating that Aang’s actions in EIP shouldn’t continue to define his actions in a long-term relationship does NOT mean women who ship Kataang are more likely to be raped; what a ridiculous statement. Especially when the same people calling Aang a rapist for his actions in EIP have no issues shipping Aang with someone else, like Toph.

If Kataang shippers deserve to be raped for “defending” the EIP kiss (as per GuardianDua’s words) or are in danger of being raped (as per your own words), what about the Zutara shippers who glorify the scene where Katara is kidnapped by Zuko and tied to a tree? Why is that no longer problematic fandom behaviour, especially given the amount of missing and murdered indigenous women? What about the shippers write non-con and dub-con Zutara fanfics (and there is a LOT of those)?

Zuko also acted extremely possessive, jealous, and entitled around Mai in The Beach - yet you both seem to be only blaming Mai for his actions. I could bring forth the argument that shippers who defend Zuko’s actions in The Beach, such as yourselves, are in danger of ending up in relationships with highly jealous, possessive, and potentially abusive exes. Does that sound about right to you both?

Again, you nor guardiandua don’t really care about protecting women from a fictional imaginary threat. Or think you’re doing something important in the name of feminism. All you’re doing is trying to seem morally superior over shipping. That’s it.

And yes, saying that real women deserve to be raped over fictional ships does, in fact, make me question people’s understanding of the world and the individuals around them. I’m glad we could both reach that conclusion.

And sorry, what exactly did guardiandua handle maturely? She offered no apology to the real women she offended; she didn’t retract any of her statements. She didn’t even apologize to me for wasting my time. You’re coddling this grown woman for no reason when she hasn’t done a single thing.

Even more bizarre, she was angry over Kataang shippers on YOUTUBE, and instead of handling it like an adult, she took to blaming Kataang shippers on tumblr? Like WHAT?

Hello,

I just wanted to say I am open to any arguments against Zutara...if you can do it without insulting me. Someone who puts out ad-hominem attacks against me...I can't take them seriously because to me, if a person needs to insult you, its a distraction technique to discredit. I never called anyone a loser - a toddler until I was insulted first. If you cannot do that, well I've blocked you anyway but if you send anyone else from your little posse (you all have similar language and writing so I'm thinking it may just be one person with multiple accounts), do let them know. If they insult me as a person, they will be blocked. If they're respectful and just attacking my argument, I can respect that.

Not sure what the point of sending me an entire ask only to have blocked me will do, but sure, I’ll entertain it.

The core of my response always critiqued your argument. I only referred to you as a weirdo - the choice of insult that you used YOURSELF in your original response - for not only stating that women who ship Kataang would want to be raped themselves, but willingly WANTING them to be raped. That’s where I draw the line.

I’ve provided more respect for you than you’ve given any of us, to be frank. I went out of my way to say that you’re entitled to consume and engage in any fanon you want; you’re entitled to exploring the realms outside of canon in transformative works. On the other hand, you’ve made it very clear that you think people who ‘glorify’ ships that you have a personal moral problem with deserve to be sexually assaulted. So excuse me for calling you a weirdo; I think I was actually being way too kind in my response!

I’m not sending anons to chase you down. This is just a guess on my end, but hmmm… usually people don’t really take it too well when someone on the internet says that they should be raped for what they like in a fictional story. So the multiple people attacking you probably came after reading your own filth, believe it or not, which - might I remind - you put in the TAG. I didn’t have to do a single thing, nor did I care enough to. If people are still sending you comments and asks, then that’s their right. This is tumblr and I have no control over that.

Lastly, people have tried to approach your arguments in good-faith, as disrespectful as you’ve been, and you’ve still blocked them. You’re not interested in being open about anti Zutara arguments. If you were, you’d unblock us and offer an actual response.

[lyriumsings]

i always forget how much i love korra she lights up my soul the only bisexual woc icon to exist for me in my teens in like a super popular media like atla like the space she has in my heart is so!!! she’s so perfect to me!! i just wish her story and supporting cast had been as good as aangs her villains and like tenzin and lin were mwah chefs kiss but ooooo if i could do it all over again i have so many opinions

[demaparbat-hp]

Hiya!! 👋🏼😄 How's it going? Your fashion taste for Zuko in a Modern AU seems to be artsy, or maybe "formal" is the word. That shirt he wore when he gave Sokka romantic song advice looked Versace🧐. Anyway, I was wondering how you came up with it, he always struck me more as the type that didn´t care much about fashion, so I'm curious about other´s opinions and heacanons about it. And do you have any other fashion headcanons for the rest of the GAang? Also, their music tastes. How did you come up with them? Especially Katara's! 😍

Hello! As it happens, I have a lot of Thoughts and Feelings™ about this, so I'm leaving these over here, and the rest of my ramblings down below the cut!

Let us begin with the Gaang, shall we?

SUKI always struck me as that Pretty Girl from the Gym. She is so incredibly fit it isn't even funny. She could kick anyone's ass, and we'd all thank her. She has this casual gym style that somehow always looks glorious on her, as it should! Comfy yet fashionable clothes for a nice workout or a day in town.

Her music tastes are basically any and all power songs from the eighties and nineties. (Eye of the Tiger, anyone?) She also enjoys metal via Toph, and bands like BSB, NSYNC, or Boyz II Men with Katara. My girl has a very eclectic Playlist and we all love her for it.

SOKKA is That Guy™. Loose T-shirts and shorts everywhere he goes, no matter the weather. He's stupidly into fashion but it doesn't show! At all! And everyone teases him about it. His closet is about 90% Cactus Juice merchandise, hence the "it's the quenchiest!" shirt.

His fashion and music tastes are pretty much the same. He loves poetry but isn't really into lyrics. He'll misinterpret just about anything you place in front of him. His Playlist is mostly vibes and tiktok songs he kind of enjoys. He isn't really into music...at least not as much as his sister.

AANG owns exactly one hoodie, one pair of shorts, and one beanie (THE beanie). Oh, and the crocs—don't forget the crocs. Somehow, he's always wearing the exact same outfit. Every. Single. Day. Ancient Gaang lore suggests that the day Aang goes out without his beanie, it's the end of the world.

His Playlist is the poppiest, most bizarre thing ever. Every single song is Happy by Pharrell Williams levels of happy. Yet sometimes, among the bouncy dance-to songs, you'll find the strangest of things... (He does know what Good Day by Twenty One Pilots is about. That's the reason he likes it so much, actually. And it's so weird.)

KATARA is all about sundresses and loose pants. The epitome of comfortable loveliness. Light fabrics in blue shades, careful embroidery, delicate shoes, and little to no accessories—hers is a simple, yet quite adorable, style. She just needs to add more colors to her usual palette...

She is, first and foremost, a Florence + The Machine girl. It's the Dark Goddess of the Sea vibes, to be honest. Florence Welch is her idol and yes, she will fight you about lyrics interpretation, and win. It may not seem like it, but her music tastes are also very varied.

She draws a little from each member of the Gaang, so you'll hear her humming along to Gorillaz (where did you even find out about them, Aang?), The Weeknd (I...don't think this song means what you think it means, Sokka...), and Hozier (Zuko why did you dedicate Talk to me, Zuko WHAT DID YOU MEAN BY THAT).

TOPH...ah, lovely girl. I'll summarise everything about Toph’s fashion sense in two words: comfort and rebellion. Stuffy dresses forced on her by billionaire parents? No thank you! Give her tank tops with loose shirts and short pants. Bandaids shared with Aang, bracelets from Katara, and even piercings she got in tandem with Sokka. Shoes? What even is that?

Something I love about this fandom is our collective agreement that Toph is into the dirtiest, heaviest, most ear-splitting and soul-crushing death metal of all times. Her Playlist is full of the most obscure names to ever exist, and she can and will blast through your walls with the sheer volume of her speaker.

Zuko. ZUKO.

Even in a modern AU my boy must suffer. That being said, I envision Tales from the Couch as—well, exactly what it is: an ATLA modern AU. While there is not a war to fight, and a lot of plot lines are discarded or expanded upon, much about the core story remains the same.

This is my way of saying that Zuko still goes trough his redemption arc, and it reflects on his fashion choices.

The way you described it works perfectly because of one single reason: in this AU, Zuko is an artist. He had to suppress his love for writing and drawing because of his background and the expectations Ozai had for him (taking over the family company), and a very large part of his redemption arc directly affects his relationship with art.

In the Couch equivalent of S1, Zuko has fallen out of Ozai's graces, and is desperate to protect his place in the company and the Kasai household. He's pretending to be someone he isn't and trying to live up to his Father's image of a perfect heir while still being somewhat cut-off financially, and it shows.

He's all about imposing long coats and a semi-formal style, imitating what he knows Azula and Father would respect. He's striking and sharp and dark. But no matter how he dresses or carries himself (that air of cold superiority and arrogance)—it won't help him when he needs it the most.

In S2, Zuko has hit his lowest point. He's officially disinherited and tossed away by his father, and would be out in the streets if it wasn't for Uncle Iroh. He goes from sharp, high-tailored outfits to old second-hand clothes that hang loosely on his frame. He starts smoking and cuts his hair off, forgoing the undercut for the first time in years.

But then...Father accepts him back. When Zuko returns home, it's with respect to his name and a very high position in his father's company. He's finally the perfect Kasai heir, dressed in overly expensive suits and finery, even at home... But Father forbids him from wearing Lu Ten's earring, and Zuko can no longer recognize himself without the familiar glint of gold dancing on his peripheral vision.

When Zuko leaves the Kasai name behind him and goes back to living with Uncle Iroh...he's finally at peace with who he is, and what he wants in this life. The sharp edges aren't gone (they'll always be a part of him, after all), but now they're dulled by looser clothes and softer hairstyles.

He's an artist, and for once in his life, he is determined to pursue his own ambitions. Zuko's outfits may not be designer-made anymore, but he takes what he has and makes himself look like he wants to look, like the person he wants to be.

He doesn't read fashion magazines or keeps up to the latest trends like Azula does. He's just...Zuko. And his newfound confidence makes everything he wears look like it belongs on him.

As for music...well, Ursa raised a literature boy.

He loves lyric-heavy music and natural voices, be they soothing or powerful. Dissecting song meanings and possible interpretations with Katara is one of his favorite parts of the day. They're both very passionate and strong-minded individuals, so it stands to reason that their debates can get quite...heated.

Zuko's Playlist is both incredibly eclectic and somehow very...him. There's a common thread that binds together every song and artist he likes, and he's hilariously unaware of this. To take a look into his Playlist is a higher honor reserved only for those closest to him.

In the wide spectrum of things, it is no wonder that Zuko is, first and foremost, a Hozier man. But though Andrew is his God in all aspects of this life, there's someone else that has had a huge impact on him...

Two someones, actually.

Zuko refuses to tell anyone how he got into Twenty One Pilots, but it's kind of a moot point when the beginning of his obsession is nothing compared to everything that came after. They have just about the right amount of everything that makes Zuko...well, Zuko. The poetic lyrics, the soothing or raging music, the heavy, intensely resonant themes...

Up there, in the second artwork, I placed an album cover behind each period of Zuko's life. The election of these records is intentional, as I feel like their general themes work incredibly well with Zuko's arc and growth.

Blurryface in S1. For the demons within us. For giving a name to our fears and shame.

Trench in S2. For escaping the confined walls of a depression city, and fighting to understand the depths of the map of your mind.

Scaled and Icy in the first half of S3. For returning to places you had left behind. For convincing yourself and everyone around you that you're fine, that you're perfect, even though everything is crumbling inside...

Clancy in S3. For recognizing that you can backslide, that you can have fears and shame and pain—but you're shaping yourself with each step you take. For knowing that seeking help from others is okay. Nobody learns to walk on their own.

(And, in the end, you'll always be better than the person you were yesterday. If only because you're still here. You're still alive. You're still yourself.)

.

Overall, I rambled a bit too much, don't you think?

If you made it all the way down here—thank you so much for reaching out and being interested in this crazy AU! I hope you enjoy these ideas and tell me some of your own ❤️

[hitemwiththeoop]

dont even get me started on how they reduced mai and ty lee as blind followers of azula that showered her with praise. or how they made zuko look like her example to follow when it was his banishment that made azula look down on him. or how they randomly tried to show ozai's care for zuko and a bit of a soft spot or care for his family. or how they made zuko fight him when the point of the scar scene was that he got it because he refused to fight his own father.

better yet, i could begin talking of how they took away katara's maternal attitude because it wasn't “fitting” for a girl her age and instead gave the role to sokka, who angrily tells her to grow up at one point, when it originally showcased the effects of the loss of her mother by trying to assume the position she left empty, while in the original show sokka did the same trying to fill hakoda's absence.

let's also talk about how they made hakoda look horrible when he criticised sokka's actions behind his back instead of supporting him with the idea of improvement to instead make ozai look like a better father. Or hey, wait, the scenes where everyone keeps blaming aang for having “abandoned” (even kyoshi) the world for some freaking reason???

suki head over heels for sokka right off the bat and stalking him around. june incessantly flirting with iroh. the whole cave of two lovers lore completely butchered. the omission of plot points to give priority to unnecessary scenes. the avatars being a bunch of a*holes that bully aang instead of guiding him. that random miniplot of roku with the small replica of the mother of faces????

what a ride

[skyahri]

Arranged Marriage |Zuko X Reader| HC

Summary: Caught up in his personal conflict, Zuko completely neglects his marriage.

Warnings: Arranged marriage, forced marriage, whatever. Mentions of violence. Angsty Zuko and reader. Fem pronouns.

Masterlist Ko-fi

- - - - -

You'd married Zuko a little over a year into his reign as Fire Lord. You're the oldest daughter from a noble family, and the council decided it was best if Zuko married someone well liked by the community.

He didn't take it well. He was still hoping Mai would come back to him, and you being there completely obliterated those chances.

Not that there was a shot to begin with. Mai had made it abundantly clear that she wanted nothing to do with Zuko, even if she admitted to still having feelings for him.

Your relationship was staged to be perfect in the eyes of the people. Young love against all odds sort of thing.

The marriage ceremony was beautiful. Your robes were elegant, the flowers were perfect, and even your soon-to-be husband was handsome.

Zuko was charming towards the guests, really selling the story and gaining a lot of trust with his people. He was awkward but personable, something everyone ate up.

But he wasn't like that with you.

As soon as the two of you were away from public eyes, he didn't so much as look your way.

You slept in different rooms and ate at opposite ends of the table. He excluded you from as many duties as he could, stating something about him not wanting to concern you.

Life in a palace was pretty isolating. The only people you could talk to were servants, and even then, your topics were extremely limited.

You'd taken to the gardens as much as possible. It felt nice to be outside and even better to see the plants and animals.

Tending to the flowers was one of the few things you were allowed to do without constant eyes on you. The lonely atmosphere felt intentional instead of forced.

But after a year of this, not even the newly budding flowers could heal your disdain. Your once bubbly exterior had been chipped away by the dread and disappointment that lingered in your heart.

You were truly just a shell of your former self by this point.

There was no change with Zuko. He'd made no effort to get to know you or even just not hate you. Any attempt you'd made in the beginning to soften the relationship had been put out the moment it left your lips. It seemed like public pleasantries would be the extent of your marriage.

You'd long given up on trying to befriend the older women who waited on you. They had no desire to be anything more than the people who got you through the day.

You'd given up on trying to sneak away with the kitchen staff to the market. They feared being held responsible for you, even if you claimed to be plenty capable of taking care of yourself.

All that was really left to do was to just stay quiet and look pretty. The sad fate of the Fire Lord's wife.

You'd been laying in bed all morning. It was one of the few days where nothing was planned. No meetings, no guests, no events- nothing.

Well, at least you thought.

"Miss Y/N, Lord Zuko has requested your presence. We must get you ready immediately."

They'd dragged you out of bed and stuffed you into a pair of your nicest robes. They're doing your hair up and rushing to cover your face in makeup.

"Why am I being summoned?"

"The Avatar and his friends have arrived. They were the ones to request you."

"I see."

It made sense. You had met the Gaang at your wedding, and they were everything you'd expected; kind, loud, and passionate. Just like Zuko was said to be.

At the time, they'd promised to come by often, but you hadn't seen them since. You'd heard something about the rebuilding of the air temple and having some unexpected issues arise, so they just hadn't had time until now.

You met Zuko at the front gates. His friends arrived just after, allowing the servants to take their things to their rooms. Without a word, Katara grabbed your arm and dragged you away with the other girls. You turned back to see the same happening with Zuko and the boys.

They pulled you all around the surrounding area. For the first time in a long time, the dread started to fade away.

You'd bought some new incense, hair pins, and seeds for the flower beds. They were small purchases in comparison to the others, who had gone all out with new clothes, trinkets, and a heap of spicy snacks for Sokka.

You'd suggested several times over the last few hours that it was time to head back to the palace, but only now that it was growing dark did the trio actually listen.

Just as you had begun packing up, a string of explosions started on the next block and made its way towards the plaza you were in.

Toph was quick to make a stone barrier, but that didn't stop the cloud of soot from staining your skin and clothes.

A group of men had emerged from the smoke and revealed themselves to be Ozai supporters. Not everyone was pleased with the fundamentals Zuko was running the country on, so rebels had started causing a bit of an uproar.

Katara, Toph, and Suki did their best to take the men down swiftly, but that didn't stop you from getting injured in the process.

Your forearms had been severely burned when you'd covered your face from an attack. Katara offered to heal you, but it'd have to wait until you got back to the palace where her spirit water was.

The trip back was uneventful. Some of the local guards stationed in the city had insisted on escorting you guys back, which at this point you couldn't deny.

Apparently, word had already gotten back to Fire Lord Zuko, who was waiting at the front doors of the palace for your arrival.

He immediately stepped forward and picked up your hand, letting the scorched fabric fall and reveal your burn. He did the same with the other and sighed.

"Please give us the room."

You watched as everyone filed out of the room, the guards towards the exit and your friends towards the south wing.

"These are severe,"

He cupped your face in his hands and tilted your head so he could get a good look. His thumb swiped over some of the soot on your face.

You were confused by his actions, but the pain from your burns created a bit of a blur in your mind, keeping you from thinking too hard about it.

"The others couldn't protect you?"

"They did what they could. I apologize for the hassle-"

"Why are you apologizing? None of this is your fault."

You opted to stay silent. You weren't sure what to say. This is the longest conversation you'd had in private since you'd met, and you were finding it hard to navigate.

It was silent for a minute. The vibe was awkward, and you desperately wanted to hide away from all of it.

His face contorted slightly, like he wanted to say something but couldn't. You didn't pry. It didn't feel like your place to ask.

"Why don't you head to your room for a bath, and I'll have Katara meet you in there once you're done."

You nodded and made your way down the corridor. You stripped down and opted to just toss your clothes in the trash. Between the ash and scorch marks, there was no saving anything.

The second the water touched your wounds, you winced. Tears pricked your eyes as you watched small bits of charred skin go down the drain. The pain quickly went from a sharp sting to almost mind-numbing. You sat down and let the water just run down your body while you waited for the brunt of the discomfort to pass.

In your hazy state of mind, you hadn't heard the knock on the door, so you were surprised when Zuko entered in much more casual clothing.

When he saw you hunched over on the shower floor, he didn't say anything. He moved to the side of the tub and went to touch you, but you weakly swatted his hands away.

"I'm not comfortable with you being in here whole I'm naked."

"I'm your husband-"

"You're a stranger."

Ouch. Harsh but fair, and he knew it.

"Look, I know I haven't been good to you over the past year, and I'm sorry. We can talk about it more when you're feeling better, but for now just let me take care of you."

Satisfied with his response, you stopped resisting his help. You let him wash your hair and scrub your skin. His touch was gentle despite how rough his hands were.

He never once made you feel uncomfortable. He was thourough but never lingered. It was almost as if this was a normal occurrence.

When he was done, he offered you a towel and left you alone in the bathroom to get dressed. When you entered your bedroom, Katara was on your bed, but Zuko was nowhere in sight.

"Just me. Sorry to disappoint."

"No, no. I'm glad you're here."

You sat in front of her on the bed and let her examine your burns. She positioned your arms for easy access and opened her canister. You watched the water glow and the skin slowly heal itself. It was amazing, nothing like anything youd seem before.

"So," she broke the silence, "Has he warmed up to you at all?"

You were surprised by her words. You weren't sure how much they knew or what all you should say. Last thing you wanted to do was incriminate him.

Sensing your hesitation to respond, Katara clarified her question.

"I know everything, at least, from his side. You can be honest with me."

"Honest?"

"Honest."

A small smile crept onto your face.

"I think you're friend is an ass."

"I couldn't agree more."

You told her everything; the loneliness, the isolation, the lack of, well, everything in your relationship and life. She listened, something you're eternally grateful for. It felt nice just to get it off your chest instead of suffering silently.

"Today was the greatest day I've had in a long time. I got to leave the palace and talk to people and for once it felt like my husband didn't hate me."

"Zuko doesn't hate you."

"Could've fooled me."

"He doesn't hate you. Just talk to him. I know he has a lot to say, and it seems you do as well."

Once your arms were healed good as new, Katara left your quarters and returned to her own. You'd crawled under the covers and passed out, completely exhausted from the day.

The next day, you took Katara's advice and decided to speak with Zuko. You woke up early, before the sun had risen and made your way to his room.

He was surprised to see you, much less in your nightwear at such an hour. He invited you in nonetheless, where you then entered and decided to sit on his bed. You patted the spot in front of you, and he hesitantly sat.

"Katara said we should talk."

"Okay."

Sensing that he wasn't going to be the one to initiate anything, you decided to get the ball rolling.

It was a long conversation. Zuko confessed a lot of things, mostly about bitter feelings towards life and guilt over his actions. He apologized for everything and listened to everything you had to say. He made a lot of promises to be better.

He stuck to his word. He began including you in anything you were welcome to. Dinners became more personal, and eventually, you started sleeping in his room like a proper married couple.

By the time team Avatar had visited again, things had visibly changed. You were both happier, and your once fake marriage had become real. You meshed into the group just fine, making the pseudo family that much bigger.

All thanks to a simple conversation.

[melzula]

Ok hear me out. Reader and Zuko go on a run for supplies .Reader makes a mistakes and almost gets seriously hurt/ near death experience. Zuko gets pissed at reader, maybe yells at her. Reader laughs it off and acts like she doesn’t gaf. Zuko later finds reader all shaken up and crying by herself. Love if you don’t, love if you do!

a/n: ty for requesting and hope you enjoy anon !

summary: zuko apologizes and receives something in return

What was meant to be a simple trip into town for supplies had quickly turned into a disaster, and Zuko believed it was your recklessness to blame.

You’d been too preoccupied in admiring a local merchant’s vast collection of sea shells to notice the Fire Nation soldier creeping up behind you, and if not for Zuko shoving you out of the way to take on the man himself you surely would have been burnt alive. Your failure to stay aware of your surroundings and lackadaisical attitude had almost gotten you killed, and the Prince made sure to point this out to you afterward.

“Are you trying to get yourself killed?!” He scolds you after dragging you out of the marketplace by the arm and back towards camp.

“I was looking at shells, actually, before you so rudely interrupted,” you correct with an impatient roll of your eyes, but the act only seems to annoy him further.

“This isn’t a game, y/n! We didn’t come here to mess around, we came to quickly get more food and go, and we couldn’t even do that because you were too busy looking at stupid shells to notice your surroundings! You could have been hurt or worse!”

“Relax, ‘your highness,’” you dismiss him defensively, harshly yanking your arm away from his grasp. “In case you haven’t noticed, I’m not dead. I’m fine. You need to stop overreacting and leave me alone!”

Zuko watches with a scowl as you stomp away from him and towards your tent, ignoring the quizzical looks your friends send your way as you shut the flaps closed.

“What’s her problem?” Toph asks with a raised brow from her spot beside the campfire.

“What did you do?” Katara snaps at the boy with an accusatory glare.

“I didn’t do anything!” Zuko exclaims defensively. “As a matter of fact, I just saved her life and now she’s mad at me!”

“Saved her life? What happened out there?” Aang questions with a worried frown. “Was anyone hurt?”

“A Fire Nation soldier snuck up on her while she was distracted and was about to strike before I pushed y/n out of the way and fought him myself.”

“So… what you’re saying is you guys didn’t get any food?” Sokka notes dejectedly only to receive a scolding smack upside the head from his sister.

“If you saved her life, then why is she so upset?”

“I may have been a bit harsh with her after,” Zuko admits reluctantly, awkwardly grasping at the back of his neck. “I didn’t mean to snap at her, but I was just frustrated that she wasn’t taking her own safety seriously.”

“Look, that’s just how y/n is sometimes. She’s too trusting of her surroundings sometimes, but you have to gently remind her to be careful,” Sokka explains to his friend. “Maybe if you hadn’t yelled at her she would have taken you seriously.”

“Just give her some time to cool off and apologize later,” Katara advises the fire bender. “She just needs her space.”

Frustrated, Zuko lets out a long sigh before ultimately relenting. Katara is right. He just needs to give you some space to process before bothering you again.

By nightfall the moon has risen in the sky and the rest of your group has called it a day, retreating to their tents to sleep and rest for whatever tomorrow may bring. You still haven’t set foot out of yours since Zuko yelled at you, and the Prince has spent the better half of his day groveling outside waiting for you to emerge. He’s beginning to grow impatient, but he’s also extremely worried. You missed dinner, and no one has been able to get you to come out.

Deciding enough is enough, Zuko takes it upon himself to barge into your tent and check on you. Better you be mad at him for invading your space without permission than for something to be wrong with you without anyone knowing.

When he enters your tent the last thing he expects to find is your figure curled up in your sleeping bag crying. Your body trembles under the blankets and your quiet sniffles are the only sound in the space. If you notice his presence you don’t acknowledge it, and Zuko hesitates before carefully sitting himself beside you.

“Y/n?” He calls out softly, gently pulling the covers back to get a look at your face. Water marks line across your cheeks from tears that had managed to dry off your skin, and it takes you a moment to finally meet his gaze.

“I’m sorry for making you mad,” you whisper meekly, voice cracking with effort after hours of minimal use.

“No, you don’t have to apologize. I should be apologizing for how I acted,” he assures you sincerely, carefully wiping away your remaining tears. “I shouldn’t have snapped at you. I was just worried about your safety- I’m not sure what I would have done if something bad had happened to you.”

“You really mean that?” You sniffle, looking up at him with doubt clear in your eyes.

“Of course I do. I know it probably didn’t seem that way when I was yelling at you, but I’ve come to care a lot for you, and I’d hate to see you get hurt.”

“I didn’t know…” you murmur quietly as you carefully sit up from your sleeping bag to reach eye level with the Prince. “I always figured you just saw me as some annoying girl you had to babysit.”

“Well, maybe at first,” he admits with a sheepish chuckle only to immediately stop when he catches your unamused glare, “but now I look forward to being sent to the market with you. I enjoy your company even if it means having to be more vigilant of our surroundings on your behalf. Can you just promise me that next time you’ll be a little more careful?”

“I promise,” you nod earnestly and, much to Zuko’s surprise, pull him in for a tight hug. He stiffens at first, unsure how to react to the close contact, but eventually he’s able to allow himself a chance to enjoy your warmth and reciprocate your embrace.

Only you could have the grumpy Prince wrapped so tightly around your finger.

| zuko tags: @ilovespideyyy @yiyibetch @eridanuswave @lammello @a-monsters-love @taeeemin @livelaughlovekuni @lovialy

[prying-pandora666]

I don’t know how to say this tactfully, but I’ll do my best.

If other fans online have convinced you to see the gentle, optimistic, empathetic, fun loving, whimsical, forgiving, wise beyond his years genocide survivor, as a sexist, racist, xenophobic, abusive, pro-colonization, sexual assault perpetrator who doesn’t care about anyone else and doesn’t understand trauma…

You have been LIED TO.

Please just think for a moment!

ATLA was banned in China from the beginning for a reason. Because they didn’t want anyone empathizing with a character based on Tibetan monks. Why? Because they are an actual oppressed and persecuted minority IRL. Their religious leader lives in exile. Their second most important spiritual figure is the youngest political prisoner ever taken (and to this day no one knows if he’s alive or dead!). China has actual prison and labor camps. Tibetan people get sent there for “re-education”.

Can you please think about what these “fans” are saying when they stomp all over this allegory in TLA and try to frame Aang as the oppressor?

Do you really think it’s appropriate or these people who call Aang all these horrible (and inaccurate) things are being in anyway fair when they call Aang “white coded”???

Even without the real world context, Aang is explicitly the only survivor of a genocide. The last of his people. He has lost more than anyone else in the entire franchise. There’s a reason he clings so hard to Appa.

Do you think it’s fair to compare a 12 year old misreading signals and trying to kiss a girl who already consensually kissed him before, and immediately backing off and giving her space when she says no, to rape?

Tweens and teens miscommunicating and trying to comfort each other with kisses, only to realize that’s not what their friend needed and immediately backing off is the same as having your body violently violated against your will? The same as having your “no” ignored?

How do you think this makes survivors feel? To see people use their experiences as a shield and cudgel for ship discourse? It certainly upsets me as someone who experienced intimate partner violence, let me tell you! And I know I’m not the only one.

And how is it in anyway feminist or pro-Katara to ignore her own agency and deep love she shows for Aang? Yes, that includes her own crush on him! It IS reciprocated!

Lastly, you don’t need to demonize Aang to ship whatever you want to ship. Please understand that the majority of these takes are bad faith and born out of bitterness and insecurity over a friggin FANON SHIP.

And none of it is necessary! You can ship whatever you want! You don’t need permission or excuses. You can just ship them! You can make your case for why you like another pairing better without misrepresenting what happened in the show and what these characters are like, let alone what they represent.

There’s already plenty to work with in the show as it is! Otherwise why bother?

I’m imploring fans taken in by persuasive and manipulative metas to please just think about it. Get off social media and rewatch the show for yourself thoughtfully.

It doesn’t need to be like this.

[sokkastyles]

You know, I find it funny when people (let's face it, it's mostly zutara antis) say that zutara shippers make Zuko too caring or emotionally intelligent, and always point to things from the beginning of his arc or places where the narrative showed him making mistakes so that it could hold him responsible for learning how to be better, and then showed him doing that.

Like, that's the entire point, that he learned how to empathize with other people, and we saw him do it throughout the story. Zutara shippers most point to the Southern Raiders as an example, but he spends that entire bundle of episodes caring for the gaang, not just by making them tea but doing emotional labor for each and every one of them. He apologizes to Toph for reckless bending and validates her trust in him. He not only teaches Aang firebending, but also boosts his confidence and helps him face the firebending masters, a metaphor for Aang's fear of firebending / running away from what took his people. He tries to shield Sokka from details about his father's imprisonment but is ultimately aware that Sokka will seek out the danger himself anyway, and does what he can to protect him. And finally, he helps Katara get closure for her mother's murder, when no one else knew or cared to find out what was going on with her emotionally. Zuko in book three is incredibly emotionally astute. He also knows when to give Aang space and takes charge of the others, which is why they end up looking to him as a leader. He humbles himself before Iroh just like he did for the gaang, but also knows when to stand up to his father and Azula. He's very much not the person he was at the beginning of the show or even at the beginning of season three by the end of it, and since the show portrays that progression, it comes across as believable and it's reasonable to assume that Zuko would continue to be that person.

[bloodbenderz]

there was a lot of mistakes made in the live action but the worst one without reservation was that the creators did not understand patriarchy and they did not understand women's liberation outside of an american context ( or any context if we're being honest )

it's easy to see on a surface level how that fucked up katara's whole character how she wasn't allowed to have her character defining moments how she wasn't allowed to be angry or even excited or impulsive but i think it doesn't really become clear how deeply wrong the show's conception of gender & patriarchy is (and the implications for the political landscape of the show) until you get into how they destroyed sokka's character too

sokka's whole Complex is born of patriarchy. i'm not trying to do men's rights advocacy here but in my experience when a people is under constant threat, constant assault, constant violence (much of which is gendered) and the traditional "protectors" or "providers" of that people are men, the masculine role becomes protecting women and children. i am not saying this is a good thing or a bad thing but it is true the narrative of violent resistance is overwhelmingly about men. to be a man in a time & place like this means fighting to protect your women, & to die for them is honorable. that is where sokka gets this idea that he has to be a warrior & he has to fight & if necessary die for katara & the rest of the tribe. it's about duty. everyone has a part to play, a role to fill

everyone including women! which is the other half of this. the duty of women is to keep up the home, to maintain a country worth fighting & dying for, to raise children so that the community can have a future. it becomes especially obvious in the context of the show when you see how the nwt lives & in specific how yue lives and dies.

many women participate in patriarchy. many colonized women participate in patriarchy. most of my family comes from or still lives in a country completely devastated by colonialism & its aftereffects & many women in my family believe wholeheartedly in the idea that everyone in the house has a role to play. it's not because these women are stupid or they hate themselves. but when you grow up believing that men & women are fundamentally different, and seeing that women are in specific danger because of their gender, it actually makes a lot of sense to expect the men in your family to protect you, and to raise your sons that way.

in practice that means that men aren't really expected to do anything around the house, especially when there's no actual danger. my aunt literally 2 days ago told me this lol like she doesn't make her sons do anything bc she wants to let their lives be easy before they have to go out into the world & take care of their wives & children.

what does women's liberation look like when an entire community is under threat? colonized women have been dealing with this question as long as colonialism has existed. the writers of this show don't even pretend to understand the question, much less to formulate a thoughtful response to it. they just say oh, well, katara, yue, & suki are all the exact same type of liberated girlboss for whom patriarchy is no significant obstacle.

which brings us back to sokka lol. sokka, at the beginning of the show, has completely subscribed to patriarchy, has integrated it into his sense of self. he has a lot of flaws, but he also has a lot of really good traits. his bravery, sense of honor, loyalty, work ethic, selflessness, all of this came from him striving to be a good man. he would die to protect katara, because she's his sister. he also has her wash his socks & mend his clothes, because she's his sister. even after he meets suki, humbles himself, & expands his view of the role a woman can play, he doesn't completely disengage from patriarchy. at the end of the day he believes in his soul that a good man's duty is to fight & if necessary die for his people, & that's exactly his plan. this is a very real psychic burden. pre-aang, it's also largely fictional & completely ridiculous. we're SUPPOSED to think it's ridiculous. he's spending his time training babies & working on his little watchtower. the swt hasn't been attacked since their mother was killed because it has been completely stripped of all value or danger it once held for the fire nation, & everybody knows this. there is very little "men's work" left, aside from hunting & fishing, which is so damaging to sokka's self image he resorts to toddler bootcamp to feel useful. the contradiction here is comical. it's also completely devastating. that's supposed to be the fucking POINTTTT like colonialism & patriarchy convinces this young boy he needs to be a soldier & die for his family. & you know what he does? He acts like a young boy about it. they didn't just leave this unexplored in the remake they completely changed the circumstances to 1. make sokka incompetent for some reason 2. make his "preparations" seem less ridiculous. Which ruins the whole character. Possibly the whole show.

all this makes the writing of katara & the other women infinitely more offensive to me. katara is a good character because she believes in revolution. she wants to liberate her people from imperialism, & she wants to liberate women from colonial gendered violence, traditional patriarchy in her own culture, & the complicated ways those things interact. it is LITERALLY the first thing you're supposed to learn about her. she's the PERFECT vehicle to address the question of women's liberation under colonialism. one of the things i was most looking forward to seeing in this show was how labor is distributed in a place where almost everything that needs to get done is "women's work" & how it affects katara & sokka's day to day relationship when their lives weren't at risk constantly. what actually are her responsibilities every day, & how do they compare to sokka's? how does her grandmother enforce these traditions with katara & sokka, & how is that informed by her own experiences in the nwt? what does patriarchy look like in a tribe made up of mostly women & children? it's so important to who katara is & what she believes! but why bother exploring any of that when u could instead make her a shein model who has nothing in common with the source material except her hairstyle lol.

yue is actually even worse to me bc yue is supposed to be sokka's counterpart. she's supposed to show you how destructive it is for women specifically to internalize this gendered duty so completely. it sucks for sokka, but he is a man & thus his prescribed role gives him some agency. yue's role affords her no agency whatsoever, & this is the POINT. to make her someone who's allowed to break things off with her fiance if she likes, who sneaks off to do what she wants when she's feeling stressed, whose will is respected as a monarch, like what is even the point of yue anymore? in the original the whole reason she was even allowed to spend time with sokka was because her father knew she was with a trustworthy boy. her story completely loses all significance when the dimension of patriarchy is removed from it. the crux of her whole story is that she is not just a princess but the literal & spiritual representation of the motherland. that's what women are supposed to represent during wartime, at the cost of their own sense of self. in order to fulfill her duty to her people she gives her life to them in every single way that matters.

it's just so unbelievably frustrating (and WRONG) that the only types of characters for these writers are "soulless misogynistic fuck" and "liberated american-style feminist." there's no nuance at all! they don't bother exploring how real love manifests in patriarchal communities, & how patriarchy defines the limits of that love. or how for so many of these people their idea of goodness, morality, & honor is gendered. or how imperialism affects not just individuals but entire cultures & their conceptions of gender. but why do any actual work when you could completely change sokka & katara's general demeanors, their entire personalities, & their roles in the tribe so you can dodge any & all nuance

Anyways. in conclusion. it was bad

[burst-of-iridescent]

well since i can already tell that we’re all going to be subjected to the same old tired mai & mai.ko discourse for the foreseeable future, let’s get it clear right now that the atla comics have never been, and will never be acceptable mediums of character development, and here’s why:

1. the comics are given the benefit of hindsight, which impairs organic character growth.

it’s become extremely clear over the last few years that many of the comics are made as, or include, direct responses to criticisms of the original show — especially when it comes to katara, mai, and the canon pairings. aang didn’t ask katara for consent? look, he’s checking if he can kiss her! mai doesn’t care about fire nation imperialism? here, she’s an anti fascist! iroh was a creep to june? don’t worry, here he is apologising!

many of the things the characters do or say in the comics feel unnatural because they are not written as characters, but as mouthpieces for the creators to address fandom complaints from the original show.

“but that’s good, right? they’re trying to make it better!” i mean… sure? it still doesn’t change the fact that it’s damage control, and that no matter what stories span the middle, the arcs of these characters still begin and end with avatar: the last airbender, and the legend of korra, both of which are fixed and immutable. the comics cannot retroactively fix the issues of either show, because they’ve already been defined as the goalposts of the characters’ lives, and there is no way to undo that.

it’s like if you eat a meal that isn’t to your satisfaction, and maybe the chief makes you another dish, which is all well and good — but it doesn’t fix the fact that the original meal still sucked! sometimes, accepting criticism means accepting that there’s no way to go back and fix it but to do better next time, with the next story you wish to tell.

if the legend of korra didn’t exist, and the arcs of the characters were left open after atla, then maybe there would be for the room for the comics to function as character development if not for the fact that…

2. the comics are intended for a very different audience than the show.

it’s obvious that the audience for the original show vastly outnumbers the audience for the comics, likely by thousands, if not millions. this isn’t the mcu, where the installation of any atla property is vital to understanding the next, and so on. you can skip the comics and miss nothing whatsoever (and honestly your life would be far improved by doing so).

those who read the comics are likely only the real diehard fans of the show — and the creators know this, which is why we have the whole issue of point one above. but this difference in audience matters, because it reflects the significance of the story being told, and how important it is for the audience to know it. this is why, if the characters’ development and storylines in the comics truly, genuinely mattered, it would have been in the show already.

i’m not saying that the gaang wouldn’t have continued to grow and change post-atla, but generally stories exist as closed circuits, self-contained within themselves. when you end atla, you’re meant to believe that those arcs are finished. that’s the whole reason the comics deal mostly with fun silly adventures, or with quick, temporary conflicts instead of grand, overarching narratives, because they are not truly meant to function as a continuation of the story of atla, or its characters.

(if you ask me frankly, they’re meant to be nostalgia cash grabs, but that’s neither here nor there.)

creator intention matters with the atla comics (or any atla property, in fact), because creator intention was the subject of criticism for the original show in the first place. why must we rely on the comics or the cookbook or avatar legends to tell us that katara did things with her life outside of aang? why do we need to turn to something released nearly two decades after atla to find any evidence that mai denounced the fire nation’s imperialist indoctrination, when she’s romantically involved with one of the show’s most important characters? why are these stories relegated to a medium with far less reach, far too late?

the answer is that the writers didn’t find those stories to be originally worth telling, and that is the real problem fans have been pointing out since 2008.

so, tldr:

[beifong-brainrot]

Katara and the fear of loss (aka why she waited)

I think one aspect of Katara's storyline I don't see explored nearly enough the fact that she is terrified of losing others, especially those whom she cares for. This makes sense, especially looking to her background, how the death of her mother affected her and the fact that war has been a very large part of her life since she was a small child. Not to mention, she is actively a huge part of said war, along with her brother and friends, at the tender age of 14.

Now, some of you may ask "quill what the hell does Aang have to do with Katara's mother?"

Yes, on the surface, there isn't that much connecting Katara's dead, grown ass mother to Katara's alive 12 year old goofball bf but the parallels between Kya and Aang are planted even at the beginning of the show, in the first few episodes.

When Zuko and the Fire Nation attack the Southern Watertribe, they are looking for Aang, the last airbender, not dissimilar to the Southern Raiders looking for the last Southern waterbender. Furthermore, both Kya and Aang willingly give themselves up to the Fire Nation in order to protect the village, particularly Katara.

Throughout the show, we see Katara's interest and endearment towards Aang grow, and we see them create a genuine friendship. But I'd argue that Aang being the Avatar is, to some degree, a problem to their relationship. Aang's duty as the Avatar, and the risks and decisions he is faced with due to it, often create a rift between him and Katara.

Be it due to Aang's responsibilities leading him to make decisions she doesn't agree with, like in the Avatar State, where Aang feels the pressure to force the Avatar State due to the suffering of the soldiers he feels responsible for.

Or, more poignantly, in the Awakening, where Aang is once again compared to one of the parents Katara lost due to the war, though Hakoda's 'loss' was not due to death, but a need to fight. I think this also shows how much Katara values Aang not just as the Avatar, but as a person.

Katara: Aang. He just took his glider and disappeared. He has this ridiculous notion that he has to save the world alone, that it's all his responsibility. Hakoda : Maybe that's his way of being brave. Katara: It's not brave; it's selfish and stupid! We could be helping him, and I know the world needs him, but doesn't he know how much we need him, too? How can he just leave us behind? Hakoda : You're talking about me too, aren't you?

This is twice Aang has been directly paralleled to one of Katara's parents, whose repsective losses have clearly affected her greatly. This is also extremely poignant, since we've been explicitly told that Aang's love for his own lost family, the Air Nomads, was reborn into Katara. For Aang and Katara, the ways they deal with their losses influences how they pursue each other romantically.

Of course, there's also the ✨️ immediate threat of death and physical injury✨️. Aang and the rest of the Gaang, but particularly Aang is constantly being chased and tracked and endangered by the Fire Nation and he is meant to face the Firelord and defeat him. There are a lot of possibilities for something to go horrifically wrong here.

From Aang being half dead when Katara found him, then almost immediately getting kidnapped by the prince of the goddamn Fire Nation, to almost every villain of the week shenanigan, Katara already has good reason to worry for Aang.

But then the reach Ba Sing Se and things get even worse. Jet, Katara's only other canonically confirmed love interest dies, and Katara is helpless to do anything about it. This is already enough to make someone reconsider future romantic endeavours, but surely it can't get any worse, right?

Oh yeah, Aang FUCKING DIES

He gets blasted in the back with lighting, right as he enters the avatar state, right before Katara's eyes. The saviour of the world, but more importantly, her dear friend, brutally cut down before her very eyes. And Katara, a child, is the only person with even a sliver of hope of bringing him back.

So is it really any surprise that Katara, having experienced loss before multiple times over, and almosf having lost Aang himself, would be hesitant to enter a romantic relationship with someone being actively hunted by the greatest military in the world, someone obligated to take on the leader of said military?

Katara is afraid. She's afraid of opening her heart up to loving Aang and then losing him after that. This is the main reason why she hesitates in initiating her and Aang's relationship. Whenever Aang tries to brooch the subject, she brings up the war and the Firelord, but due to being a child, she struggles in communicating her exact feelings, which leaves Aang confused and of kilter. Katara often gives Aang romantic attention, and clearly feels rather possessive of him, however, she is not ready to enter a romantic relationship due to the threat of the war looming above their heads. But due to being 14, she doesn't know how to explain these feelings, which is what leads to the minor conflict between her and Aang. Because, you know, they're both children in a situation that children aren't built to deal with.

Katara : Aang, I don't know. Aang: Why don't you know? Katara : Because, we're in the middle of a war, and, we have other things to worry about. This isn't the right time.

It's important to note that Aang isn't exactly a bad person for wanting this relationship to be made tangible. He does push boundaries, and kissing Katara without her consent in the Ember Island episode is obviously a horrendous misstep (which he acknowledged), but I think you can at least understand his motives. He may soon die, after all, and he wants to love Katara and wants to express that love before he possibly loses his entire goddamn life. I think this can also be traced back to how Aang deals with the genocide of the Air Nomads and vs how Katara deals with the death of her mother.

Aang certainly blames himself for the death of the Air Nomads, although this guilt is unfounded. Perhaps part of him believes that if he'd just stayed with them, spent a little more time with Gyatso, he could've helped them. It wouldn't be a leap to imagine that Aang wanting to spend more time with those he loves, including Katara is a coping mechanism surrpunding that loss.

Now juxtapose this to Katara, who's entire encounter with Yon Rha is permeated by helplessness and fear, an 8 year old Katara being unable to do anything but run away and try to get help, sadly not in time for Kya to survive. So Katara trying to assert some control over her relationships, maintaining a certain distance to Aang while the war that robbed her of her mother is still in full swing isn't an improbable concept. She's trying to not feel that helplessness again.

(Katara probably blames herself for her mother's death too, but it has less to do with Katara's actions and more to fo with what Katara was; a waterbender, something she hasno bearing on)

This is why she initiates the kiss with Aang at the end of the show. Not because she feels the need to give in to his advances due to him being the hero of the world. Not because she's caving to his insistence or because she's pressured. But because the possibility of Aang getting fucking murked by glorified pyromancers are significantly lower than they were during the war.

This is not a 'taking one for the team bcs I feel like I have to due to Aang saving the world' type of smooch. This is a 'finally I feel safe to express my feelings' type of smooch.

To be completely honest, I don't like how Kataang was handled post day of black sun, I think it was an unnecessary addition of a redundant "will they, won't they?" aspect to the relationship. Teasing Zutara in the last few episodes was also just unnecessary, because it was obviously never a viable endgame relationship and it only served to give kid zutara shippers false hope. This is especially fucked up looking at how the same zutara fans were later mocked by the creators, which, no matter what you think if the ship, is a horrible thing to do to a bunch of teenage girls and I think has contributed to those teenage girls growing into bitter, aggressive adult zutara shippers.

But, as much as I dislike this storyline, it does make sense for Katara's character and is an interesting and touching 'silent arc' for her to have. We often see characters fall in love in the midst of a conflict, but we aren't always shown how that conflict would affect the way they look at their relationship, so I appreciate this storyline for what it was.

[toph-bi-fong]

They’re mad it’s not ZUKO she’s leading the movie with. They’re mad it’s not a ZUKO centric movie with Katara as his fire-lady.

The movie will likely depict Katara having her badass and character driven moments, but these little piss-babies will never be satisfied because at the end of the day, it’s Aang who is her lover, her husband, and the father of her children.

i find it exceptionally telling that kataang antis who claim to love katara are also the same ones upset that she has a lead role in the gaang movie. these people are genuinely outraged that there will be an opportunity to expand post-atla katara’s role and give her character the justice that she deserves in this upcoming movie.

[rightwheretheyleftme]

Do certain Katara fans even like Katara at this point?

This is a viral post on Twitter with +100 retweets, it was posted by a famous Kataang acount. As you can see, the ‘lame idiot’ character in the meme likes The Southern Raiders, Katara in FN clothes, and the Fire Lady Katara headcanon.

I’m not going to add to the Fire Lady Katara discourse because I honestly don’t care- but why would a Katara stan belittle the SR episode? Genuinely, what is there to dislike?

Southern Raiders is one of Katara’s finest moments. She gets to pour out all of her righteous anger and be unapologetic about it, without having to mother or take care of anyone. She seeks retribution not only for herself but for all of the victims of the genocide in her tribe. She displays more maturity than 99% of the characters in this show when she rejects the eye-for-an-eye ideology but denies Yon Rha any absolution. She stands proudly and proclaims herself as the last southern waterbender without any fear. By the end of the episode, Katara has formed her own ideology, which she states succinctly:

Aang: You did the right thing. Forgiveness is the first step you have to take to begin healing.

Katara: [Rises from boardwalk.] But I didn't forgive him. I'll never forgive him. [Smiles at Zuko and walks up to him.] But I am ready to forgive you.

Katara doesn’t believe in blanket forgiveness. She doesn’t need to forgive her abuser to move on and heal. However, she will see the goodness in people who work to better themselves.

To see a Katara stan reject this episode and mock it is perplexing to me. I understand that everyone has different tastes- but if you think that liking Katara in TSR is for idiots, do you even like her?

Now onto a less important point: Why is Katara in her FN clothes in the ‘idiot’ side of the meme? Katara loved those clothes! Look how excited she was to wear the silk robe, she was giddy with enthusiasm! And even after they stop disguising themselves, she continues wearing them. Again, why would a Katara stan hate this part of her character? She clearly likes those clothes. Let this girl enjoy her pretty flowy robes.

[rifari2037]

16. Do you think Zuko and Katara developed feelings for each other in canon or post-canon?

I think, Zutara developed feelings for each other in both canon and post-canon.

If talk about development feelings in general and not specifically about romantic feelings, I can say that their development feelings had been there since the beginning of the season.

When they first met, neither of them cared about each other's existence. Zuko didn't see Katara as a threat, while Katara only saw Zuko as someone from the Fire Nation. They were enemies, nothing more than that.

After they met a few times, Zuko's impression of Katara changed from an unimportant girl and terrible waterbender, to an enemy that couldn't be underestimated.

It's a development of the relationship.

Then, their conversation in the Crystal Catacomb became a significant development in their relationship.

Their feelings develop from enemies, to someone who can understand each other because they have the same experience, which is losing their mother.

Katara trusted Zuko enough to give him something she was saving for a very important situation. Meanwhile Zuko trusted Katara enough to let her touch his scar.

Katara's expression towards Zuko conveys different meanings, in the first scene she looked annoyed and in the second scene she looked hurt. It showed that after Zuko betrayed her, Katara's feelings for Zuko grew from hatred for an enemy to hatred for being betrayed.

No one would hurt when betrayed by an enemy, unless they already trusted their enemy on different level.

Their relationship development changed drastically after Katara forgave Zuko. Their feelings for each other changed from enemies to friends. And they became yin and yang, opposites but complementing and trusting each other.

When it comes to developing feelings romantically, I feel like the spark was there since their journey in Southern Raider. Moreover, I always had a headcanon that Zuko and Katara had a really deep moment together, until Zuko picked up the rest of the Gaang to Ember Island.

The spark was still so small, they could still deny it.

The spark grew bigger when they saved each other's lives when facing Azula. This moment makes a lot more sense if they were the ones kissing in the final scene.

Or if you follow the canon storyline, then their feelings would develop in post-canon, when they finally realised that their 'canon' partner wasn't a bad person, but not right for them. They could no longer deny their feelings for each other and end up together.

17. How do you think Iroh and Hakoda would react to Zutara?

Iroh and Hakoda are wise men, I feel like they wouldn't have a problem with Zuko and Katara's relationship.

First, Hakoda. He initially had a bad assumption of the Fire Nation royal family until Sokka said that Zuko could be trusted. And Zuko proved it by reuniting him with his daughter.

Not only that, Hakoda must saw when Zuko saved Katara from the rocks. Hakoda certainly could trust his daughter's safety to Zuko no matter what the stakes. And that was proven when he gave up his life to save Katara from Azula's lightning.

If they were together, Hakoda clearly had no worries about his daughter.

In post-canon, Katara couldn't deny her feelings for Zuko but she was hesitant. She thought about her mother who died because of the Fire Nation, how she ends up in a relationship with the Fire Lord?

Hakoda would convince Katara that Fire Lord Zuko wasn't the one who killed her mother, instead he was the one who brought her to her mother killer. And her mother wouldn't be happy to see her daughter kill her own heart because of her, after she sacrificed her life to keep her daughter alive.

Then Iroh. He knew his nephew very well, especially his stubborn nature. Iroh is wise and always sees things from a different perspective, he must felt that Katara was a good influence on Zuko. But still, I'm sure he was surprised when Zuko, without any hesitation, asked Katara to accompany him to facing Azula, rather than insisting on fighting her alone.

If they were together, Iroh must be sure they would complement each other, because he knew there was bond between them since Zuko took the lightening to save her.

In post-canon, Zuko couldn't deny his feelings for Katara but he was hesitant. As a Fire Lord, he was afraid that his people would not accept someone from the water tribe to become First Lady. Moreover, this had never happened before in the history of the Fire Nation royal family.

Iroh will convince Zuko that he has made history by declaring the end of the 100-year war, he as Fire Lord can also make history by marrying someone from the Water Tribe. Their marriage will be a symbol of peace between the Fire Nation and the other nations. Also, Zuko has a lot of responsibilities and Katara could help him to lead their people.

18. How do you think the Gaang would react to Zutara?

When Zuko and Katara surprised the Gaang that they were dating, no one shocked, except for Aang.

They were like, "I knew this day would come."

Zuko and Katara didn't realised that their love on each other was very obvious. The rest of the Gaang knew it from the start, but kept it quiet and gave them a chance to develop their own relationship.

I guess, the Gaang started to get suspicious at this point. They didn't know what their problems, but it seemed very personal.

Imagine after that, Zuko went to Sokka and talked about his sister. Since Zuko interrupted his date with Suki, Sokka must've told her and Suki started to wonder, "Is there something between them?"

After a little field trip with Zuko, they seemed to be very close, but they denied it. But, the more they denied it, the more it became clear there was something between them.

It was weird that during the performance of Ember Island Players, the Gaang always commented on various occasions, but they didn't comment or shocked during Zuko and Katara scene in the Crystal Catacomb.

I mean, the show did exaggerate the facts, but it was still based on reality. No one really knows what was going on between them and the scenes on stage were supposed to be controversial.

I was expecting a comment, maybe from Sokka as her brother, like, "Hey, you guys weren't really flirting, were you?" But no, Suki smiled instead and Sokka looked like it wasn't a surprise.

They denied it again when June teased that they were dating. Did the Gaang notice? Of course!

They held hands before, then they slept back to back, then Katara comforted Zuko before meeting his uncle, then Zuko asked Katara without hesitation to face Azula. And Gaang was there to notice all of that.

As I said before, all of the Gaang members are aware that there is something between Zuko and Katara, except Aang.

It wasn't like Aang didn't realise that, he just denied it because his attraction to Katara. He was still saw her as his 'forever girl'. But later, after Aang matured, he finally realised that his duty as the Avatar was far more important than his crush on Katara. The only way to open his chakra was to let Katara go and he did that.

Aang finally accepted the relationship between Zuko and Katara.

[starlight-bread-blog]

Three Books, Two Characters, One Story

An essay on Zuko and Katara's characters and character arcs

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Zuko and Katara, fire and water, red and blue, one rises with the sun, the other rises with the moon. And yet, they are similar, tied together and grew closer than they could have imagined. In this essay I will discuss Zuko and Katara's characters in Avatar: The Last Airbender. I intend to touch on their shared traits and backgrounds, on their development and on their points of convergence in their over overarching story. Now, without further ado, let's begin.

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The Common Ground

Zuko and Katara share their core traits and core events in their respective lives. Firstly, their loss of their mothers. Zuko lost his mother, Ursa; and Katara lost her mother, Kya. But if you ask me, it goes deeper than that. For Zuko, the loss was a loss of shelter from the cruelty of his father and the bliss of being a child. In Zuko Alone, we see how Ursa took care of Zuko, played with him, and gave him a proper childhood.

With that gone, he remained almost completely unprotected. But more importantly, he lost his childhood. (It is true that he still had Iroh, but Iroh can help to an extent. He can’t be at the dinner table when Ozai tells Zuko he was lucky to be born).

Similarly, when Katara’s mother died, something in her internalized it. As Sokka says in The Runaway:

We see Katara help fill the void many times in A:TLA. Namely in The Desert, where she takes care of the Gaang in ways ranging from giving her bending water to endangering herself to pull A\ang out of the Avatar State. Katara doesn’t like to be viewed as someone who lost her childhood, as her reaction to Sokka’s speech was to join Toph and go scamming. However, Kya’s death is an integral part of who she became. She wants to cling to her childhood, and she partly succeeds,but that speech was made for a reason. A part of it was gone with Kya.

Another parallel between their similar grief is sacrifice. Zuko’s mother left to save his life from Fire Lord Azulon’s ruthless order. Katara’s mother died when pretending to be the last waterbender of the South Pole when a Fire Nation raid came looking for her. Both of their mothers left because they protected them, saving their lives from the cruelty of the Fire Nation. In these parallel narratives, the themes of sacrifice against them are intertwined.

But beyond their grief, I believe that at their center, they are very similar. Zuko and Katara are filled with righteous anger and empathy even towards strangers. Although clearly everyone in the Gaang is a good person, doing their part in ending the war, it’s not a defining trait as it is for Zuko and Katara. In The Painted Lady, Katara insists on helping a Fire Nation village while Sokka pressures that they’ll leave to make it to the invasion, while Toph and A\ang remain natural. Her compassion clashes with the Gaang. When Sokka scolds her for being impulsive with her attempts to aid the village, Katara angrily responds with this:

Similarly, the thing that kicked off Zuko’s arc was this righteous anger. In The Storm, we learn that Zuko’s scar came from him standing up to a general who suggested sacrificing a division of rookies for an operation.

You can't sacrifice an entire division like that! Those soldiers love and defend our nation! How can you betray them?

It is their shared compassion and anger at the injustices around them that makes them and the way they interact with the world so similar. Iroh described Zuko as “an idealist with a pure heart with unquestionable honor”. How well does this describe Katara?

Moreover, it is not only their anger. They are both incredibly strong willed with how they act on their anger. In The Waterbending Master, when Katara found out master Pakku won’t teach her because she’s a girl, she didn’t give up. She challenged him, a master, to a fight to prove that she can do everything a boy can do. And Zuko’s strong will is almost over talked about. When A\ang escaped his ship, he jumped on his airbender staff. In Zuko Alone, Ursa said to him “That’s who you are, Zuko. Someone who keeps fighting even though it’s hard”.

To sum up, Zuko and Katara’s foundational events and personality traits are parallels to one another. They both lost their mother when they sacrificed themselves for them, and it marked the end of an era for them. They are both driven by compassion and righteous anger and have a strong willed personality. They are guided by their morals first and foremost. They are parallels to one another.

The Development

Zuko and Katara’s character arcs serve as parallels to each other, and bring them closer together. Zuko’s redemption arc is, to put it simply, about unlearning Fire Nation propaganda and coming to realize the horror his country inflicted on the world. In book 2 Zuko sees the harm they caused first hand, and in The Day of Black Sun he fully rejects the Fire Nation.

Zuko: Growing up, we were taught that the Fire Nation was the greatest civilization in history. And somehow, the War was our way of sharing our greatness with the rest of the world. What an amazing lie that was.

He rejects the lie that the Fire Nation is somehow helping the world - that it’s inherently good. His arc was about unlearning Fire Nation supremacy.

Katara’s arc is not as easy to pin down, but it’s nevertheless there. Her arc is about idealism, hope and a change in perspective. Katara started her journey as an idealist, the literal voice of hope in the opening, and with a black and white view of the world - the Fire Nation is evil, and everyone else is good. Throughout the show, Katara encounters both good people from the Fire Nation, and bad people from around the world of Avatar, such as Long Feng, Jet and Hama. In The Puppetmaster in particular she learns that waterbending can be just as destructive as firebending, if not more so. Her arc is about unlearning naivety and Fire Nation inferiority.

The symmetry comes from them learning to lean on the other’s view across the seasons. In book 1, they are rigid in their view. Zuko is still working a full time job tracking the Avatar, while Katara still clings to her black and white view of the world, such as when she had a conversation with a Firebender who told her firebending is inherently destructive. In book 2, Zuko becomes a fugitive and sees the Fire Nation’s horrors for himself, while Katara sees that the one safe haven from the Fire Nation can be evil too. In book 3, Zuko goes back to the Fire Nation to see that it’s not what he’d imagined at all, while Katara goes to the Fire Nation to find people just like her.

Not only are their arcs symmetrical, but they are what allows their bond to flourish. Katara can only forgive Zuko after she’d let go of her ideals, and Zuko can only seek to redeem himself in her eyes after he’d let go of his idealization of the Fire Nation. Their bond is a true testament to their arcs.

The Encounters

Zuko and Katara’s relationship carries a lot of narrative weight. Their journeys are intertwined on many occasions. For Katara, it’s significant that after Katara masters waterbending, it is Zuko whom she has to defend herself to. It’s significant that she sees humanity in Zuko, despite him being the face of the Fire Nation. It’s meaningful that she goes to find her mother’s killer with Zuko, and even bloodbends before him. And finally, it’s meaningful that she spends the 4 part finale with him.

For Zuko, it’s significant that when he truly connects with someone other than his uncle, it’s with Katara. It’s significant that he learns through Katara that revenge doesn’t always help. It’s significant that Katara is the last member he has to earn forgiveness from. And it’s meaningful that jumping in front of a lightning bolt to save Katara is his last act of redemption.

While Sokka and Zuko for instance never interact in book 1 besides some one liners, Katara and Zuko had a subplot around Katara’s necklace. Although their stories do diverge, such as most of book 2, they always return to spend the season’s finales together. They don’t drive each other’s characters forward as much as they represent milestones in each other’s stories. You cannot remove their scenes together and have the rest of the show make sense.

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In conclusion, Zuko and Katara’s characters follow a story of mutual suffering, personal development, and deep friendship. They have a common experience of sacrifice, sorrow, and unflinching compassion. These experiences have narrative weight because they act as development, redemption, and forgiveness catalysts, creating a connection that ultimately serves as a reminder of how far they’ve come.

[hadesisqueer]

I'm not saying people must ship Kataang or anything, everyone here is free to ship whatever people want, but at the same time, some of the criticism I see of the ship is insane.

One of the softer ones (because today I saw some crazy stuff) is that they're sibling coded. Like, I watched ATLA several times, I kind of just rewatched ATLA, and yet I still don't get how exactly they're sibling coded? Aang pretty much had a crush on Katara from the moment he met her, and Katara at first saw him as a friend —she never said she saw him as 'her little brother', by the way, you guys need to learn the differences between sibling dynamics and friend dynamics—. That starts changing at the end of The Fortune Teller when she begins seeing Aang from another perspective, though. By the beginning of Book 2 it's pretty clear she has already started to develop a crush on him. If you think it's very 'sisterly' of her to blush while asking Aang 'we're in the Cave of the Two Lovers, so what if, you know-- what if we kissed 😳👉🏻👈🏻', then get upset when Aang said he wouldn't kiss her and then after they did kiss and were already out she blushes and gets nervous again-- or when she gets jealous in The Headband when he dances with another girl and then blushes again while dancing with him-- you're tuning into the wrong show, go watch Game of Thrones or something, because this is not it.

You can argue that Katara was 'like an older sister' or 'motherly' to Aang over the fact that she was often very caring towards him, but honestly, that's not it, either; otherwise, you could say that Katara sees Zuko as her brother because she likes teasing him. Do I think Katara and Zuko are sibling-coded? Not really. But if you say that Katara was sisterly or motherly to Aang because she's caring towards him, you can also say Katara sees Zuko as her brother because she often teased him the exact same way she teased Sokka, her older brother. (I do not think Katara sees Zuko as her brother, btw; just clearing this up. And I may not ship him and Katara but if that's your ship, you do you, I am not getting into a ship war here).

Katara in general is a very caring person, to the point that yeah, it comes off as 'motherly' sometimes. She was like that not just to Aang but towards Toph and Sokka as well. That doesn't mean she really sees any of them as her 'children' as well, guys, nor do any of them actually see them as their mother (well, Sokka kind of did, but that's another thing). And she's very protective of Aang, yeah. Try to switch Kataang's gender for a second; Katara as the boy and Aang as the girl. Switch it up and you have a girl with a cute crush on a slightly older boy who at first sees her as a friend but after a while starts reciprocating. If you saw that boy act more caring and protective of that girl, you wouldn't assume he sees her as a daughter, you'd just assume he is extremely protective because his feelings are strong. I once saw someone saying 'Katara acts like a Booktok boyfriend' and honestly? Kind of, yeah. A lot of Kataang is them being kind of a reverse of the stereotypical 'kind but stronger, older boy gets with sweet, younger girl' stuff we see in a lot of media. Both of them are very caring and supportive and constantly reassure each other, not just Katara to Aang, (and Aang is also very protective of Katara as well, we see it many times, most of all in The Avatar State), but Katara is the older one, and usually the most protective as well, the one who fought off Zuko at the North Pole to protect Aang, the one who almost lost it when she saw him literally die and fought off the Dai Li, Zuko and Azula to get him and get out at The Crossroads of Destiny, the one who grabs Zuko when he joins them and literally tells him 'hurt Aang and I will kill you'.

Yeah, I don't think Kataang is sibling-coded at all. That person is right, Katara is just Aang's 'Booktok boyfriend'.