#it’s about time marvel start recognizing Steve’s trauma is so much more than PTSD
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You know what I need? I need the Marvel time-travel trope, but everyone goes back to the 40s.
(I say everyone, I mean the Avengers pre-Infinity War.)
Because everyone says Steve Rogers and Bucky Barnes are men out of time (and they’re not technically wrong). But I want to see the Avengers (sans Steve and Bucky) getting sent back in time by some wizard or a freak Asgardian lightning storm or something, and poof, they’re back in the 40s, right smack in the middle of the war.
I want the Avengers to witness what life was like during the war, hiding in bomb shelters and seeing the after effects of the world crawling out of the Great Depression and hurtling into the second World War in twenty years.
Life when Steve really was the weirdest thing science ever created. When he was desperately needed and internationally adored. Because all of the Avengers have PTSD, but Steve and Bucky went through World War II and got spit back out into the 20th and 21st centuries, and that’s a whole different category of PTSD and trauma.
I want the Avengers to actually meet the survivors of Azzano, when Steve marched into the massive Nazi base and saved hundreds of soldiers, part because he could and part because he was desperate to save his best friend, and didn’t think twice about it.
I want the Avengers to see Steve and Bucky thrive. I want them to witness Steve and Bucky with the Howling Commandos. Steve’s first team. I want them to see how Steve and Bucky lived, what life was like, because it was drastically different than the modern world.
I want the Avengers to witness firsthand life on a military base. I want Tony to have to look his father in the eye and pretend he doesn’t know who he is, but get to see all the good his father did because all he remembers is his father being an asshole. How much Steve really did care about Howard (and that Bucky did, too, because Howard made weapons to keep Steve safe).
I want Natasha to see that just because she’s an assassin doesn’t mean she’s a bad person, because there were hundreds of military assassins and spies during the war that did bad things to get information.
I want them to hear about the Tesseract and learn that sometimes Steve’s intelligence should be taken seriously, because he has experience and knowledge that none of the other Avengers will ever have. (“You should have left it in the water.” “This is the guy my dad never shut up about?”)
I want them to see how much Steve loved Peggy, how she and Bucky were the only ones who saw him for who he really was, and realize how awful it must have been for him to come back and work for the organization she created after his death and have to live without her.
I want them to hide and watch as Past Steve screams as Past Bucky falls from the train. I want them to see Past Steve realize he can’t get drunk, and the only way he can cope is to kill the Red Skull and end HYDRA. To avenge his friend. I want them to realize that not only did Past Steve crash the plane for nothing, but that Steve knows, has to live with that knowledge for the rest of his life.
I want them to listen with Peggy as Past Steve realizes he’s going to have to crash the plane. I want them to hear the slight tremble in Past Steve’s voice as he talks about dancing with Peggy, believing he’ll never get the chance, and that he’s going to die alone in the freezing cold ocean. I want them to not get the change to promise him that he’ll survive. I want them to hear the sudden static that cuts off Past Steve’s voice, and the heavy silence that comes after it.
I want them to see the world mourn for Captain America, who died just months before the war ended.
And then I want them to come back to the 21st century and see. I want them to see the way Steve’s eyes linger on pictures of Peggy and Howard, see the rows of records from the 30s and 40s in a whole new light, see rows of 30s-style clothes in his closet that he hardly ever wears because a lot of people will make jabs about it, see the way he always keeps Bucky in his sight, hugs him just a little bit tighter than he hugs everyone else.
I want them to see the bags under his and Bucky’s eyes when they have nightmares. I want Sam to quietly show them Steve’s list, and see that every line on every page is filled because he missed so much. I want them to find two more little books filled up just as much. I want them to realize how lost Steve still is despite how much he’s adapted.
I want them to see the subtle military training still ingrained in Steve’s bones, because any and every war was horrible, but World War II was something else entirely, and so was desperation that existed within the soldiers and the people. I want them to see Steve’s recklessness of jumping out of planes without a parachute, the way his eyes always scan the area when he enters a room, watching ever little detail and listening for any sound that might indicate danger. How he is always, always, on alert, even when he seems relaxed.
I want them to understand why Steve was so against the Sokovia Accords. It wasn’t because he wanted the power to do what he thought was best; it was because he was afraid of the consequences of having too many restrictions. Because even with international laws and the damn Geneva Convention, the Nazis still destroyed half the world, and decades later Nazi HYDRA was still carrying out their mission that Steve sacrificed his life for. Steve was a human experiment. The Serum was a biochemical weapon. The military broke the rules to protect the greater good, and Steve knew that. The war would have gone very differently without him.
Whether he was right or wrong about the Accords, after what Steve experienced, I want the Avengers finally understand where he was coming from. Why he was so afraid of strict regulations.
I want Tony to finally fully understand the significance of Steve giving up his shield in Siberia.
Why he was so determined to protect Bucky from the world. Not just because he was his best friend, or because it was the right thing to do. But also because Bucky was the only thing Steve physically had left of his life before the crash, save for his dog tags, and he was scared of what that would mean if Steve lost him.
Steve Rogers has so much trauma that Marvel completely ignored. They focused on Tony’s and Bucky’s and Natasha’s trauma; and that’s great, that’s important; but so much of Steve’s moral character doesn’t get explained because it gets glossed over with the excuse that he’s “Mr Good and Righteous.” And that’s true, but that’s just scratching the surface.
He’s Mr. Good and Righteous for a reason, and it doesn’t get talked about enough.
#steve rogers#the avengers#marvel#mcu#bucky barnes#don’t come at me steve did crappy things during civil war#but so did everyone else#it’s about time marvel start recognizing Steve’s trauma is so much more than PTSD#that’s my point here
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Okay, so, some Falcon and the Winter Soldier thoughts (will have some spoilers) for episodes two and three. General non-spoilery comment first: I feel like these were both *okay* episodes - neither as good as the first, but I didn’t dislike them, either. I’m still really curious to see how we’re going to wrap this all up in three more episodes; it doesn’t feel like we’re halfway done yet!
Okay, more spoiler-y notes below the Read More, not in any real order, just as I think and type. I’ll probably forget some things, but for now, here’re some thoughts...
--I like ep 3 slightly more than ep 2, mostly because of Zemo!
--I actually really love Zemo here (I liked him in Civil War, too): complex, sardonic, enjoying poking at people, a villain we do feel sympathy for even as he’s still sharp enough to remind us that he is a villain. Daniel Bruhl has always done a fantastic job flipping between calculated cruelty, wry humor - the whole “I am a Baron” moment was great - and pain that for him is still raw, about the loss of his family. (Some things’re awfully cliche - look, the supervillain’s playing chess and reading Machiavelli in his cell? really? - but, y’know...sure. Why not. We expect some cliches in the superhero genre, and this is an inoffensive one.)
--also Zemo dancing. That’s it. That’s everything.
--moving on from that: I’m also really liking how they’re writing John Walker. He does have charm, and there’s a certain amount of sympathy - especially as we see him worrying about filling the Captain America shoes, in ep 2 - but we’re also getting this really subtle sense of wrongness about him. He’s clearly vindictive and angry when things (and people) don’t act according to his mental script for them, and he’s willing to use his name and power to do things like get Bucky released...which in context and given our sympathies for Bucky is a good thing, but...it’s also an indicator of his willingness to do what he wants, because he can. (To be fair, Steve Rogers also often did that! - but Steve earned our trust, both in narrative and character. From his first introduction to WWII leadership experience to all the Avengers stuff, Steve consistently acts to protect people, and he’ll also listen if someone else has a good idea or if someone needs to talk, like with Wanda.) So I’m really liking this slow-fuse character development.
--mixed feelings about Sharon. I love that the show’s acknowledging how much she sacrificed for our main heroes, with no reward. On the other hand, she also clearly knew the consequences that could happen; she said as much at the time. The level of bitterness seems like a lot. But I’m also interested in everything we still don’t know about her - if she’s not the Power Broker herself, she’s obviously Up To Something. So that should be fun.
--hey, look at that X-Men location, with Majipoor! Also a nod to Wolverine’s favorite bar there, I think?
--I love heist and disguise plots!
--I also really like Bucky’s having to revert to the Winter Soldier - Sebastian Stan does it so brilliantly, with so many layers of emotion: not wanting to, loathing it, recognizing the necessity, shutting off all emotion and just coldly doing it, hurting but covering it up...just fantastic, and you know I love some hurt/comfort, and this seems like such a great set-up for emotional hurt
--but! this also seems like...a weird plot hole, kind of? Bucky’s pretty famous at this point, right? I imagine the criminal underworld knows he’s been pardoned and deprogrammed, right? or do they assume Zemo, with his knowledge of Hydra, still has some special control over him?
--along the same “this seems like someone didn’t think this through” path, Sam, you’re a professional, turn off your phone on a mission. Oh my god. Face-palmingly stupid - and I think somewhat lazy writing, as the writers plainly needed a giveaway, and went for the first idea they had. Even if it made a main character look incompetent.
--the Flag Smashers and Karli are...fine. They feel very Generic Marvel Villain - not the big space alien type, but the other type, the “I have a personal loss and motivating pain so I’m a little sympathetic but also Clearly Evil, watch me kill civilians so the audience won’t ever find me TOO sympathetic” type. Meh. Fine. Zemo’s more interesting, but...fine.
--Anthony Mackie is such a fantastic actor - every bit of his reaction to the Isaiah Bradley reveal is so good. The anger, pain, frustration, ferocity...heartbreaking. Actually that whole scene is so good - his emotions at discovering this secret history are palpable, and it’s so painful, because we also understand why Bucky would keep the secret - as someone who knows about pain and trauma and being experimented on, and knowing Isaiah wants to be left alone - we feel really deeply for both characters here, and it’s great.
--I actually liked the abrupt swing from the Isaiah Bradley encounter to the casual everyday racism of the cops on the street - is it subtle, no. But it’s not meant to be: it’s meant to be standing up and shouting about how not that much has really changed, and about how pervasive racism is. I know some reviews were all, “this was just too much!” or “too forced!” but...look, it needs to be shouted sometimes for people to hear.
--Bucky’s notebook being Steve’s, oh, ouch, my feelings. If I had the time and energy to write fic...
--(also, if I had the time and energy to write dark!fic: where’re my fics in which Zemo’s implication about the Winter Soldier “doing anything you want” gets played with? what or who does Bucky have to do to keep the undercover charade going? so many Bad Wrong Kinky power dynamics and explorations of consent and what this would do to Bucky’s head, here, and honestly I’d totally read them all, just saying.)
--Sam and Bucky together...I don’t know. This is one of the elements that I’m not actually a huge fan of, but I think it’s partly a personal genre / sense of humor thing that’s not clicking for me, personally, again. Like...
--I don’t find people shouting aggrievedly at each other to be funny? I’m not sure why it is.
--I mean, I get that they’re doing, like, eighties buddy cop movies, but...it got old really fast then, and it’s not something we needed to bring back. It’s not clever, and it’s...well, shouty and annoying.
--(I say this as someone who genuinely likes the first two Lethal Weapon movies...but the significant difference is, I think, we’re also shown in both those movies that Riggs and Murtaugh care about each other. They don’t want to be partners initially, and they don’t get along initially, and they do argue over tactics**...but they immediately feel responsible for each other and act to protect each other even as they argue, because it’s the right thing to do and we’re shown moments of them awkwardly trying to connect, because they both have that deep sense of...protectiveness...that makes them Good People - like, if they learn something that the other person needs to know, they tell each other. They protect each other’s families / love interests. So by the end of the second movie, with that fabulous character death fake-out, Murtaugh’s initial shock and grief is real and powerful and painful, and so is his genuine relief when the worst isn’t true - and it’s all earned.) (**however, they tend to argue tactics *before* jumping in - “is it 1, 2, 3, go on 3? or 3, then go?” And then once that’s established, they go ahead. That makes a difference as far as...well...competence and teamwork!)
--(Sam and Bucky, as far as I can tell, don’t do the above, and just...maybe shouldn’t be working together?)
--I also don’t find grown men acting like my youngest nephew, when he’s having a temper tantrum, to be funny. Staring contests? Random insults? Sulking in silence? Oh, grow up.
--(Also, yes, writers, we see you with the “couples therapy” and “get closer and make your legs touch” and “landing on top of each other as they hit the ground” moments. I, at least, personally, am very tired of...I don’t know that I’d call it queerbaiting exactly, but this idea that we’re supposed to find these moments funny...because why? Because, ooh, they’re two men getting close to each other, physically or emotionally? Why is this a thing we need to draw attention to? Do you think you’re doing some sort of fan service? Please either make Sam/Bucky happen or stop doing this.)
--both Sam and Bucky are highly competent and professional agents, or they should be. They should know how to work in the field - even with people they may not like - and adapt to shifting strategy, make best use of available assets, include people in the plan, etc. I can’t help but compare this to something like, say, Leverage, which also has a team who mocks each other and makes jokes but clearly absolutely respects each other’s capabilities, has a plan going in and tells everyone what the plan is, and adapts (and trusts each other to adapt) on the fly as necessary, and does it all without random insults about someone’s (PTSD-related) staring and “robot brain”.
--one of the very specific moments that bothers me a lot is the ending of the therapy scene (yay for showing heroes in therapy! but also I’m pretty sure she’s...not a great therapist?). Bucky finally opens up and says something real, about his own self-doubt and wondering whether Steve was wrong about him....and Sam just...brushes it off and goes, “we’re done here,” basically. Not only does that feel wildly out of character for former counselor Sam, it feels cruel. I really deeply dislike that moment the more I think about it. Makes me want to scream.
--Sam insults Bucky way more than the other way around. It’s starting to feel very one-sided (it’d be better if more clearly reciprocal, though it’s still not a dynamic that’s my favorite), and again, feels out of character - maybe this is Anthony Mackie’s sense of humor, but Sam isn’t Mackie, and Bucky isn’t Seb, and it reads as...a weird unbalanced power-trip thing to me. And also out of character for Sam, who can be sarcastic (”If you guys eat that sort of thing,” about breakfast, when Steve and Nat have randomly shown up at his door) but that’s not the same as just throwing unprovoked insults at a person who’s trying to recover from trauma, and a lot of those insults seem to center on things that were done to Bucky, that he had no choice in (the staring, the arm, etc), and that feels....it just feels mean, to me. Make fun of things he’s had a choice in / can do something about, if you have to - hair, clothes, liking “old people’s games” like gin rummy or pinochle, not knowing who Beyonce is, I don’t know, there are so many options that aren’t cruel! Do that instead. Let Bucky have a good comeback for once, too!
--the action scenes are action scenes. Also fine.
--Sam might be right about destroying the shield, and the show may even be (unintentionally?) setting that up as the best outcome, but that’s a problem for the future, Sam; get it back first. Also it’s a problem you caused by giving the shield up - did you really trust the government to leave it unused in a museum? You’re not that naive.
--overall, it’s...a perfectly fine show, so far, I think? Solid, and interesting, but not great. I think some of what doesn’t work for me is because it doesn’t work for me personally, as far as the shouty insult-heavy action “comedy” bits that I’m not enjoying, but I think they’re doing what they aimed for with it, so in that sense, I guess it’s working? There’s a lot of really cool stuff around the edges - John Walker, Isaiah Bradley, that Dora Milaje stinger, the bigger world of a history interwoven with racism and superpowers, the chillingly effective use of Bucky’s past - but I wish I liked the central Sam-Bucky relationship more. Individually they’re wonderful - they’ve both had such powerful scenes dealing with family, trauma, and consequences - but I feel like, in the effort to do the buddy comedy dynamic, the writing has just made me really sure that they actually genuinely don’t like each other? To such an extent that if they show any affection / caring / interest in each other in the last three episodes, it won’t be believable. (I mean Sam and Bucky, not Mackie and Seb. Mackie and Seb’re adorable.)
--I just want to think about Zemo dancing some more.
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So I just read I fell for mantle photographs and LOVE it! And want to take you up on Pepperony fic recs you offered. I’m going to go through your previously written fics and your bookmarked on AO3 but thought I would get a head start by sending you a msg.
Thank you so much for reading my fic! I’ve been ridiculously excited to share what I’ve made this week, so seeing people enjoying so far has been awesome!
Also thanks so much for reading my other fics as well! I was in the Marvel fandom back in 2012-2014, but never ended up writing any fic for it, so it’s been fun to see how the fandom’s changed. (Also, I keep a word document instead of bookmarking things a lot, for whatever reason, so they’re not super accurate. I applaud you for looking, though.)
Onto the fic recs, of which I have many! I’m going to stick to older fics here, but feel free to ask what more recent fics I’ve read, as I have some favorites there too. I’m also going to publish this ask, so that other people that were curious can read some fun Pepperony fic in honor of Pepperony Week.
lake buddies by Quillium - Rated T
A cute little pre-meeting AU, where Pepper and Tony bond over swimming together at different points in their lives as young adults. (They’ve written other good Tony/Pepper ones as well as some good IronDad fics I’ve really enjoyed!)
Drive by roboticonography - Rated M
This fic showcases a super sexy Post-IM2 Friends With Benefits situation that turns into feelings (or always was about feelings?) Anyway, this author is one where essentially anything they write is good. I read their Steve/Peggy fic Flames We Never Lit back in the day, and was ecstatic to find out they’d written great Tony/Pepper stuff too.
Palmer’s Kiss and Mnemosyne’s Lock and Winterlight by VR_Trakowski
This author is one of the best for Tony and Pepper imo, hands down. Almost all of their fic is Pre-IM2, and despite the fact that canon went totally different ways, they have these two perfectly written to how in love they are in current canon as well. Palmer’s Kiss is a perfectly tropey Fake Married!AU, Mnemosyne’s Lock is an expert example of an Amnesia!AU (one of my favorite tropes but sometimes hard to execute), and Winterlight is a sweet Christmas fic where Tony uses the holidays to woo Pepper.
Travels (series) by pukajen - Rated M-E
Tony and Pepper get away after IM1/2/Avengers 2012. While a decent amount of the content is smut, the other half also includes them going out into various cities and learning each other in different stages of their relationship, and it’s super fun.
[More under the cut, to keep the post short.]
love is like a stubborn youth by owlvsdove - Rated T
A story that follows Tony and Pepper from their first meeting to their fifteen year anniversary. They’re both stumbling through who and what they are to each other and it’s great world-building.
Ring of Fire and Stretch Out My Life And Pick The Seams Out by NyxEtoile and OlivesAwl - Both Rated M
In Ring of Fire, Tony and Pepper go on what’s supposed to be a relaxing, sexy post-IM2 vacation. It is that, and it’s also the two of them realizing they work great together when it turns into a survival situation. The more recently written Stretch Out My Life And Pick The Seams Out, is a Post-CW fic that goes into Homecoming fic. Tony comes home from the confrontation in Siberia to Pepper, who he’s also fighting with. To fix things, your boy gets some therapy and makes good on his promises to deal from his trauma, bless.
The Most Adequate Christmas Ever by igrockspock - Rated T
I actually recognized this author from work I’d read in the Veronica Mars fandom, and this Marvel fic is just as good. It shows Tony—used to Big Ass Gestures of Affection—giving Pepper a quiet, loving Christmas.
Almost No One Makes It Out by atrata - Rated T
This AU changed my life??? It’s SUCH an interesting AU that I’m recommending it even though the Tony/Pepper herein is IM1-levels of “teased but not the explicit focus of the story”. It’s a Military AU where instead of being--to quote the author--“richer than god”, Tony uses his intelligence to go into the military, and his relationships with the characters we know and love as well as his origin story change because of it.
Secret Feelings (From Childhood) by emorosadiaz - Rated T
You may have already seen this art and be aware of this fic made for Pepperony Week 2016, but if not, it’s a Friends-From-Childhood!AU Where Tony and Pepper go from best friends forever to dating, and it’s soooo funny and cute and pure.
Nutcracker by cincoflex and VR_Trakowski - Rated T
A Ballet!AU which??? normally might not be my first choice, but it’s very sweet, well written, and wonderfully holiday filled.
Black Market Baby and They Take Apart Their Nightmares by sabinelagrande - Rated E and M
This author has all of the smutty Tony/Pepper you could want, but these pieces in particular are my favorites. I haven’t read a lot of sex worker!AU or seen a lot of “sub/dom dynamic as a way to heal from PTSD” fic before, and these fics made me believe they’re actually really great concepts I’d be interested to see more of.
How Not To Be A Cliche (series) by lettered - Rated E
I’m gonna warn you right now: that rating is there for a reason. This series, within the last fic especially, became smutty in a way that was a little squick-y for me. However, if you can power through, it’s some really great Post-IM2 smut about defining boundaries and getting to know likes and dislikes as a couple. So, yanno. Read at your own risk. (Also, it has the honor of being the first fic that’s ever given me a GOOGLE SPREADSHEET mid-fic that is 100% in context and makes sense. It just wilded me out in my decade+ of reading fic.)
Succession by amonitrate - Rated E + includes a Rape/Non-Con Warning
If you didn’t watch Dollhouse, why I liked this fic might go over your head a bit (though the author does include a basic rundown). For someone like me that really loved that show, seeing it used in this fic HOW it was used was both brilliant and terrifying. They also have some other interesting Iron Man fics, both with and without Tony/Pepper.
Between the Darkness and the Stage by marinarusalka - Rated T
Back when Pepper wearing the Iron Man armor was only a dream many fans surely had, this fic was written, showing Tony being rescued from (another) kidnapping by Pepper. He’s left with some (more) PTSD, and the IronFam works through it together upon his rescue.
All My Killers in the Street by quigonejinn - Rated T
This fic and many more AUs written by this author are kinda twisted, but it’s engaging as hell every time. Like…I don’t want this universe, but I’ll give them that it’s interesting to engage with. This one in particular is where Pepper and Stane are married pre-IM1…and so she isn’t as helpful to Tony as she is in the movie. It’s Tony/Pepper, but it’s kinda one-sided due to the nature of the plot.
Velveteen Rabbit by PutItBriefly - Tony/Pepper - Rated M
IM2 AU where Tony tells Pepper that he’s dying from Palladium poisoning. Tony’s most important take away is that he loves Pepper, and defining their relationship when he’s NOT dying anymore is a whole other story.
I hope that’s enough to keep you reading for a while! I know it took me time to get through them all. (Although, there’s NEVER enough good fic for a ship you love, lbh.) Thanks so much for reading my fic! Keep enjoying Pepperony Week!
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Hi Charlie, I'm making a thing and I was wondering if you could help me by shraing your view about steve rogers and bucky barnes, as individual characters as well as your view of their relationship together, headcanons and such, is totally okay if you can't, but if you do I'd be eternally grateful! Thanks anyway
Pal, you basically just invited me to write a whole entire essay about these two assholes, so… I’m sorry? This is gonna get long and most likely sad.
Steve Rogers:
Steve is an asshole, through and through. He’s got a heart of gold and being a good person is in his nature, but my god is he an asshole.
He will fight anyone who does him or anyone he cares about wrong. He won’t hesitate to pick a fight and he would much rather throw some punches than have a verbal conversation/discussion.
Steve Rogers talks with his fists. He’ll fight until he physically can’t stand anymore and even then he will stand up and push himself just that last little bit.
(”I could do this all day.” Steve, my angry baby, have a seat and take a nap.)
Steve is the bisexual we deserve. I think he’s always been aware that he’s attracted to both men and women, but he never told anyone about it back in the day. He didn’t need people to have another reason to beat him up, so he kept it quiet.
(And if he paid a little more attention to certain drawings of a certain boy, then that was his business.)
I don’t think he knew there was a name for what he feels until he woke up in the future. But once he found out and learned more about it, I like to think he’d be a Proud Bi and just tell everyone he comes across because it’s okay now and he can do it.
Sure, it gets a little tiring when he answers his phone with, “Steve Rogers, proud bisexual. Hello,” but his friends get used to it and strangers get past the confusion quickly.
Steve swears. A lot. Like a whole fucking lot. I actively ignore the whole “Language” line (unless it was a joke that Steve only told because he’s tired of the ~grandpa~ jokes, which, ok, I can get behind that) because Steve Rogers has the mouth of a fucking sailor.
Steve can swear up a storm but compliment him or flirt with him or be extra nice or anything and he’ll blush like a tomato and become so awkward he doesn’t know what to do with himself.
Even after all these years, Steve still feels a bit awkward in this new body of his. He doesn’t miss being skinny and sickly and tiny and on the brink of death all the time, but sometimes he doesn’t like being big and muscle-y either. Sometimes he doesn’t like how he can’t make himself invisible as easily as he used to.
Sometimes he just wants to curl up under the covers of his bed and hide from the outside world that has painted him as a person he’s not; a world that sees him as a soldier and Captain America™ rather than a human being.
He lives in a world he doesn’t recognize where everyone he ever knew and cared about are either dead or only remembers him half the time. This deleted scene from The Avengers shows just how detached to the world he feels and honestly, I have way too many feelings about that three minute video.
Steve throws himself into danger (jumping on a grenade without thought, crashing the Valkyrie, jumping out of a plane without a parachute, etc) because he doesn’t really care whether he lives or dies. He never feared death because death has loomed over him like a shadow since he was a child.
And maybe he wants death to take him sometimes. He definitely wanted to when he crashed the Valkyrie. He could have fought more, could have figured out a way to save the world and still survive, but he was tired and he just wanted it to end, so he stopped fighting.
And then he woke up 70 years later to more fighting and he just never slowed down or took a break, because if he did, he’d have to deal with how he was feeling and he couldn’t handle that. He didn’t want to deal with it because it was too painful.
While extremely heavy on the angst, Einherjar by thecommodore_squid perfectly portrays Steve’s depression. Steve in that fic is pretty much exactly how I see him.
MOVING ON TO HAPPIER THINGS, SHALL WE?
Steve is a Disney nerd. He probably didn’t get to catch up on all the new Disney movies between TFA and CW, but between giving up the shield and becoming Nomad (@ marvel let me have bearded!nomad!steve pls and thanks) he probably took a breather for the first time in years and started on the list.
(Does he sit with a laptop by Bucky’s cryo freezer and watches them with him??? haha shoot me)
Steve will fight for what he believes in, no matter what. He proved that in CW when he gave up everything for Bucky without thinking twice.
And then, of course, there’s my headcanon that Steve is trans but if I dive into that, this thing is gonna end up 100k on Steve alone.
Bucky Barnes:
Bucky cares so much. He’s the guy who stood by this skinny, little punk’s side when no one else did. He’s the guy who probably worked his ass off for hours and hours just to get enough money so Steve could get healthy (or healthier) again.
He’s the guy who went through torture and trauma and had the opportunity to get an honorable discharge after what he went through, but he didn’t. Instead he followed his best friend back into war and it cost him his life and freedom and self.
But I’d bet my left foot that he’d do it all again, because he’s Bucky and Bucky cares so goddamn much about everyone but himself.
Bucky is gay. Yes, he was with women back in the day and yes, he kissed them and fooled around with them and probably got off a little, but I think he did it just because it was expected of him.
If it wasn’t because it would be suspicious to everyone else, he would probably just stay home with Steve and pine every single day.
Bucky is such a giant fucking nerd. He finds science and technology incredibly exciting. I mean, he did spend his last night before going off to war dragging Steve to the Stark Expo (and their dates but eh).
Imagine his reaction to all the science stuff he missed while being used by Hydra? He’s gonna light up like a child on Christmas. God, I love my nerd son so much.
Bucky is smart as hell and no one can convince me otherwise. I mean, “[…] having been an excellent athlete who also excelled in the classroom” is proof enough.
Bucky has been through hell and back several times. He’s been wiped of his memories and himself until he was a blank slate for Hydra to do whatever they wanted to with, and it’s happened probably more times than he’s been able to keep track of. And every time he started regaining just a little bit of himself or just one little memory, the torture would start all over again.
He’s been through hell, so it shouldn’t surprise anyone that he suffers from a severe case of PTSD.
Bucky Barnes is a man who cares and protects and when he’s made into a weapon who kills and murders and destroys – when he himself becomes the danger, he locks himself away because he thinks that’s the best thing for everybody.
Steve + Bucky:
There’s no Steve without Bucky, and there’s no Bucky without Steve. Steve and Bucky have always been SteveandBucky, and one without the other means they’re never really whole.
They’re their own person, sure, but they’re better together. They make each other better. Bucky makes sure Steve doesn’t kill himself with his stupidity and recklessness, and Steve makes sure Bucky gets protected and cared for too.
Steve will give up everything for Bucky, no hesitation and no questions asked, and Bucky will do whatever it takes to protect Steve, even if that means hurting him in the process (ie going into cryo).
Bucky is Steve’s dark side and Steve will do anything for him.
I have mixed thoughts on who fell in love with who first. My first instinct is to say Bucky fell in love with Steve first because of all the obvious pining in TFA, but then I think about little Steve Rogers who everyone beat up and disregarded and didn’t care about getting saved by this wonderful boy who doesn’t look down on him and treats him like an equal and I think it was easy for Steve to fall in love with Bucky, so I’m just¯\_(ツ)_/¯.
It doesn’t really matter who fell in love with who first though, does it? What mattes is that they love each other unconditionally and ‘til the end of the line (and beyond cause c’mon. That kinda love is never gonna die).
To end on a lighter note, I’m gonna give you some fluffy headcanons cause I have A Lot.
Steve is the big spoon. He always has been. Bucky loved when there was a skinny octopus clinging to him and barely being able to cover him and he loves it when he’s surrounded by pillowy muscles and warmth.
Bucky was Steve’s favorite subject to draw. And even after everything, even when he hadn’t seen him for years and thought he was dead, Steve still drew him because he never wanted to forget the face of the man he loves.
Whenever Bucky talks about science stuff, he gets all excited and extra cute, and Steve always falls in love with him a little bit more.
Same for when Steve talks about art or literally anything he’s passionate about. Steve could talk about poop and piss for an hour, and Bucky would be making heart-eyes at him the whole time.
Steve used to wear Bucky’s shirts all the time. His excuse used to be that he was too lazy to do laundry, but really, he just liked wearing Bucky’s clothes. (Bucky never minded.)
Clothes sharing is a Thing with these two. It’s a Thing that happens a lot and no one can convince me otherwise.
Bucky loves having his hair played with and Steve loves to play with Bucky’s hair.
Bucky has always loved dancing. That doesn’t change over the years, and he will make Steve dance with him again. (”I don’t care that the serum didn’t fix your two left feet, Stevie, dance with me.”)
When they finally do get together (whether that was before the war or after TWS doesn’t matter) Steve never wastes an opportunity to tell Bucky he loves him, and Steve takes every chance he can to kiss him because now he can.
Steve was probably the one who made the first move.
Steve is a little shit and Bucky loves him even when he’s being Extra and Dramatic and even when Bucky’s exasperated with him. Steve can be as much of an asshole as he wants to, because Bucky will always love him.
Bucky loves flirting with Steve just to see Steve blush bright red. (Sometimes Bucky will just casually put his hand on Steve’s butt or boob and Steve will become Captain Tomato.)
Steve will fucking fight anyone who says anything bad about Bucky.
Conclusion: Give these boys some hugs and a happy ending, please and thank you.
Anyway, I’ve got a ton more Thoughts but this is already so stupidly long, so I’m gonna stop there. Hope this was helpful (was it??? idk) and thank you for letting me ramble on about these two fuckers.
PS, tell me more about your thing or link me, maybe, if you wanna 👀
#steve rogers#bucky barnes#stevebucky#stucky#otp: till the end of the line#anonymous#answered#this distracted me for a while#which i really needed#so thank you
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