#it’s a shame that my lesbian moon pin fell off at that point so she didn’t even see the full collection

[ohello0]

When I sat down with my tote full of yarn to crochet while my granny rested my nosey ass aunt (homophobic) moved the bag to get a better look at what was on it and when she saw they were pride pins she pulled her hand back like she touched something weird and looked away

[stardustizuku]

well i guess we’re doing this

@skating-jellyfish @scintillant-h @quasargirl

ASK AND YOU SHALL RECEIVE  

The Westernization of Magical Girl Genre

By StardustIzuku aka me 

AKA the 2k magical girl essay people wanted me to talk about.

A lot of people were asking about this, wow.

Magical girls. Glitter, cutesy names, stuffed animals, and puns. What is there not to love about them?

It was only bound to happen for it to be tried in the west. Much like transformers, which were a westernization of gundam, Magical Girls are going through their rocky paths to that idolized version of Magic targeted towards small girls.

There are a few shows that are borrowing these themes today in children’s cartoon, so I wanted to talk about them. How they managed to miss the mark with some fans, and why their following is significantly smaller of the likes of Sailor Moon.

Here you have today:

The Westernization of Magical Girl Genre

The thing about Magical Girls is that the plot is often very predictable. It, quite frequently, does not have that much of a great romance, and its villains are basic to the core.  

So, why do we like them if they’re, supposedly, so shitty?

Well…The answer is

Two Things:

The feeling. 

The message.

This is the core of the Magical Girl’s success. If it has a nice feeling but no good message, you get things like kamichama Karin. If it has a bad feeling but a good message, you get things like Madoka.

(Which are in my opinion the two worst things that could have happened to Magical Girl genre)

And having said this, there’s two shows I wanna talk about today. One is SVTFOE and the other is Miraculous Ladybug. Two westernized versions of the Magical Girl genre…And both fail to recreate the very specific beauty of Magical Girls. As they struggle with its own voice, they get something that feels genuine but ultimately disassociated from the genre.  

I will first start with the easiest to tackle.

Miraculous Ladybug;

It does everything right in the regard of plot, romance and villains. It’s a real classic of Magical Girl storyline that could be easy to get behind.

And while I do watch it, I do not feel the love I know I could for it.

The reason is simple: because of the feeling it gives off.

I think the biggest mistake Miraculous did was making it 3D. This means it’s technically easier to make, yes. But it also deteriorates the very particular aesthetics Magical Girls have. And this makes it drop quality.

It feels less magical, and more real. Less sparkles, more concrete. And taking into a count the fact that it’s set in Paris? This show should be looking ethereal. But instead it looks very plain. It feels…wrong even.

There’s also a very key aspect that I think it’s missing: the team. It’s taking them way too long to form the team. Time that could have been spent making the team -Ayla, Chloe etc- feel closer and work through their difference is instead focused on them individually.

And that’s good, since it has a ���Monster of the Week” narrative. But it lessens the impact. We are two seasons in, and we have a very lacklustre incomplete team.

By episode 43 -the time im writing this- Sailor Moon was already meeting Sailor Venus -the last Sailor Scout- and heading to the final battle. Sakura was friends with Meilin and biding goodbye and saying thanks for the memories. In Tokyo Mew Mew Zakuro and Mint -the closest girls on the team- were having one of the most emotional fallouts in anime history. Even Amu had finally unlocked her god damn Amulet Diamond and was essentially already friends with the “evil” Utau.

But 43 episodes in Miraculous ladybug and we have three out of the supposedly five characters of the team, queen bee is loosely alluded to, and we haven’t seen Ayla interact with them as superheroes that much.

Its strange, if you ask me, for a team to be presented this way. When are we going to see them start trusting each other? When are we going to see them work together? Ladybug and Chat are good, but how could the team as a whole even remotely begin to feel so close?

Ladybug has the heart and the intention to be a good Magical Girl adaptation…but it simply lacks the resources to make it actually work. It’s wasting so much time in stuff that does not advance the plot, or round up the characters. It has more useless filler than sailor moon.

And that’s not even kidding, because by this point, may I remind you, Sailor Moon is like two episodes away from ending its first season.

Over all, it just feels a bit plastic and stiff.

However, credit where credit is due.

They nailed the romance.

When it comes to romance in MG it falls under two categories:

1.- The straight forward plot with pinning girl. (eg. Sailor Moon, Mermaid Melody)

2.- The dreaded love triangle between the bad guy and the nice guy. (open a shoujo manga)

And Miraculous Ladybug did a pretty interesting thing, fusing the “bad guy” with the “good guy”, in chat and Adrien.

It’s like telling you Ikuto and Takase are the same person. Or Kishu and Masaru are the same guy.

Pretty crazy, if you ask me.

It also solves the “who will she chose” narrative that drives everyone insane. Instead it’s replaced with a slow burn that makes you keep watching. You know they’ll end up together, but you want to know how.

It also keeps the “he’s in love with my alter ego” trope that to this day is a MUST in any magical girl, just because its super fun and never gets old.

So Miraculous Ladybug is very close to becoming the true magical girl adaption we all wanted. I would say it could be better, but there’s a reason why it has a large following.

It did many, many, things right. It just needs a push. I’d rank it number two in Magical Girl Goodness.

Now, let’s jump to a more difficult thing to tackle.

Star Vs The Forces Of Evil;

At first glance, you’d think SVTFOE is a love letter to classical Magical Girls. And while it does borrow a lot of aspects from animes like Sailor Moon and Sakura Card Captor... The more I look into it, the more I see it as faulty westernization of it.

As I said before there are a few things that make a Magical Girl show shine.

The feeling, and the message.

And while Star certainly has the feeling, making it feel crazy but fun and cutesy, the message is…

Very different.

As a matter of fact, I don’t think SVTFOE has a bad message. On the contrary, it’s a pretty damn good one…But the thing is…It’s not one MG often have.

Magical Girls messages are one of two things -although they sometimes mix:

Finding yourself, and the power of girl’s friendship.

Messages that are really cliché, but they thrive because in a society where girls are shamed for being who they are, Magical Girls encourage them to be brave. To seek solace and friendship in one another.

SVTFOE is…different.

Something that really pisses me off, is how Star’s only female friend is Ponyhead, someone who doesn’t really give emotional support.

Girlfrienship is being thrown away, shown as toxic. While Marco and Star’s relationship is put in a high pedestal. Despite being clearly a romance.

Star’s message is nice in a superficial level. Fight racism and stand your ground.

But, it’s also about doing it alone. That no other girl will support you, and that even your mother sometimes will leave you alone. In recent episodes, even Eclipsa left Star.

This is teaching girls to be brave on their own.

The antithesis of typical Magical Girls.

But, we as girl are stronger together. We are not alone, we shouldn’t have to fight alone.

It also shows that fists are more powerful than kindness. It’s kind sad, from my point of view.

The message in SVTFOE is ultimately flawed.

There’s no team. It’s just Star and Marco.

Which brings me to another point:

The plot is good, the romance is the worst I have seen in my life, and the villains are very complex.

Nothing like a sample MG anime.

The romance specially, has jumped through a lot of stages. First being the straight forward pinning girl narrative, then switching to the bad guy vs nice guy (tom vs marco), then switching the roles of the good guy vs the bad guy…And honestly who knows what comes next.

SVTFOE has thrown away any pretence of being a magical girl adaptation long ago. Nothing it has comes remotely close to what a magical girl storyline is. For fucks sake, she doesn’t even have a stick now.

WHEN HAVE YOU SEEN A MAGICAL GIRL WITHOUT A STICK THINGY.

It’s, overall, a very individualistic tale. As a westernization of the genre…it speaks more about the culture we live in than the concept.

I’d place it right below Miraculous Ladybug as an adaptation, maybe 3rd place.

But there is one cartoon that is a neo Magical Girl I love.

The first seasons of Steven Universe;

It has everything, from the healthy girl’s friendship message, to the aesthetics, the kindness on its core, to the monster of the week formula.

Early seasons of steven universe did this phenomenally. Capturing the true essence of Magical Girl. And even then, I would not be able to tell you when exactly it stops being a westenazation, to when it is its own thing.

The actual lesbian romance is without a doubt the best adaptation they could have done, since there’s obvious subtext in early magical girl’s.

But even in episode that are relatively new, you see the contrast. Escalating villains, healed with compassion and offering a hand (Blue and Yellow Diamond), and a Big Bad Villain (white diamond) that needs to be stopped. Not to mention Rose being the Pink One™ and having an alter ego, which was the one Greg fell in love with.

There’s an ethereal beauty that followed Steven Universe during its earliest seasons and that’s why I do think it’s the best westernazation of Magical Girls so far.