#it’ was a king and hard fought battle and it wasn’t linear and it wasn’t easy and it’s acknowledged that it wasn’t easy

[kacievvbbbb]

I know, especially with how much more proactive he is in the live action, some people think that Iroh was too complicit with Zuko and should have put more effort into pushing Zuko down the right path.

But I don’t know I think the point was that it had to come from Zuko. This great change had to be something that Zuko wanted for himself and not something Iroh pushes him into. It’s why although he tries to distract or dissuade him subtly he’s pretty content to let Zuko do as he feels the need to (except when he’s taking insane actions that would have killed him if he wasn’t too spiteful to die) but yeah there’s no obvious push to get Zuko to believe this or that or even to undo the fire nation conditioning he simply just worries for his safety and honestly with how reckless zuko was probably the safest route without pushing him into full mental breakdown.

It’s not till he’s almost captured and they go on the run do you actually start to see that maybe Iroh has a side in all this and it’s not the fire nation. But even then being on Zuko’s side takes precedent. It’s not until Zuko is on the cusp of real change, he’s right on the precipice does Iroh start to push a little harder but even then it’s focused in Zuko making a decision for his life one that nobody else can make for him. The closest Iroh gets to forcefully pushing Zuko towards any direction is him yelling “It's time for you to look *inward* and begin asking yourself the big questions. Who are you and what do *you* want?”. And then siding with the avatar during the fall of ba sing se.

If Iroh tried to manipulate him, take advantage of this scared angry child to unconsciously steer him towards his own side then he’d be no better than the fire nation, he’s just be another person wrenching control from Zuko life. But instead Iroh offers him that control, let him go out and see what the world is and let the conclusions of whatever he finds be the foundation on which he is rebuilt again and and again. It’s why when he stands infront of Ozai and says “ No, I’ve learned everything! And I’ve had to learn it on my own” we feel that shit. Because yeah he did he struggled and he fought and he learned and damn it all, he is making a choice for himself.

The story works because Iroh isn’t his mentor, he’s his uncle and he loves him enough to push aside his own personal belief to allow Zuko the space to decide who he wants to be, to give him the agency over his own life. That’s why Zuko’s redemption works so well because he’s not forced into it, If he decides to join the avatar to take down the thrown that has been his choice. If he decides to stay with the fire nation be the prince he was born to be….well that had to be his choice as well. Because that’s the crux of this. None of it matters if it isn’t Zuko, with everything that he has learned, making a decision for his own life.

[sny-bylle]

Personal Dark Souls rankings

World Building:

DS1 > DS2 > DS3

Let’s start with an quite obvious one. I agree with many fans that DS3 is more linear, while the other two games allow more exploration. 

What gives DS2 the lower place is the fact that sometimes hidden paths are SO WELL hidden that I actually lost orientation at some point. I couldn’t find the next location or simply couldn’t recognize if a place actually was a dead end or not. That way I really was unsure whether I was making any progression in the game or not. 

DS1 linked the levels perfectly. At the beginning, I immediately tried out all paths from Firelink Shrine. And I had no problems memorizing the several locked / accessible entrances and where they (might) lead.

Soundtracks: 

DS3 > DS1 > DS2

You mainly hear Music played either when you’re in a Boss Battle or at Firelink Shrine / Majula. And while I consider Majula’s Soundtrack better than the Shrines, I can’t say the same about the rest in its game. 

Generally you’re too busy focusing on the boss to pay much attention to the Soundtrack. But in DS3 it happened often enough that I still noticed some bosses’ melodies. First it was at the Cryszal Sage battle, where I thought: Man this music is creepy and intense! Then in the Abyss Watchers battle I thought: Holy sh*t the bell and the violins and the voice! Absolutely badass! These are only a few examples of many times I caught myself focusing more on the soundtrack than the Boss. Yes, it cost me many lives, but it’s worth it! 

DS1 didn’t have many soundtracks I really noticed. But still, after some boss battles I had an earworm. Right while I’m typing this, I have the Gaping Dragon’s soundtrack in my head. 

And DS2... In short: There isn’t a single soundtrack I had really memorized. Majula is the only great exeption. 

Level Design:

DS2 > DS1 > DS3

When I think of it, DS2 generally has he biggest world. And due to this size, so many different locations could fit into the game. We have a great underground “labyrinth”, stormy mountains with Dragons flying around, sand pits, giant castles built at the edge of the ocean, simple forests and don’t get me started on Drangelic Castle. I think from all levels in EVERY Dark Souls game, Drangelic castle has to be my favourite... Okay, next to Anor Londo. 

All places in DS2 are noticeable and memorable in their very own way and I love that! I could never look my fill when I traveled from one location to the other. Even the Gutter has its own uniqueness. I still hate it. 

Now to DS1. It’s lower placed because in my opinion the levels are too bound to the Dark Medieval Fantasy theme. The game mainly consists of Castles, Dungeons, Catacombs, ruins of Castles, evil lairs filled with fire, abandoned Cities, maybe a forest. The only exceptions I can think of right now, are the Crystal Cave and Blighttown. But I think that’s it. 

Now to DS3. I don’t dislike the levels at all. I just think they’re... not quite diverse. Just like DS1, we have our ruins, catacombs, castles, forests, etc. But plus to this, another detail makes almost every location similar to each other: Everything is in ruins. Destroyed. Far past its glory. Abandoned. And full of freaking candles. Again, not that I dislike it. But I feel like so many levels follow the same style. Of course there are some exceptions here and there. Sure, it might have something to do with the lore in DS3. But it is as it is.

Bosses:

DS3 > DS1 > DS2

As I mentioned before, what makes bossfights far more enjoyable for me than in the other games, is the soundtrack. That already is a big plus point for DS3. Apart from that I appreciate the variety of the bosses. With that I don’t only mean the species, but also the sizes. From a group of old men up to one gigantic skeleton. 

Also I think DS3 has the most cutscenes for its bosses. Altogether I feel like most efforts were put into DS3 bosses than in the other games. And the fights themselves are often enjoyable. I can’t think of much that really frustrated me in the game, except the Curse Rotten Greatwood. But again, there I like that you have a different fight mechanic, where you have to hit specific spots to deal damage. Heck, I even like the fight against the Ancient Wyvern, just because the mechanics are different. 

The fights against DS1 bosses was also often fun. Except Bed of Chaos. But here you mainly just have the “beat it until it stops moving” fight. Pretty simple. Not that I complain though, it doesn’t make the fights less enjoyable. 

What I like the most about DS1 bosses, are the bosses themselves. With that I mean their character, their design, and most importantly: Their lore. I already knew Sif’s story before I started to play any Dark Souls just because he got so famous. I like how we have our four main bosses introduced in the beginning cutscene. With Gwyndolin you have the chance to freaking challenge a god. In the DLC you get into the role of the fairytales’ noble knight, who saves the land from evil forces, and who slays the big monster to rescue the pretty princess. Also the fight against Artorias is one of the best fights in the entire series. 

DS2 also has bosses which I like, simply because of their lore. Especially King Vendrick and the Ivory King. But what gives DS2 the last place, is the lacking diversity in the bosses. Many of them are... well... Dudes in Armors. Of course I think of the exceptions, too. And the fact that DS2 has so many bosses. But to put it simple: The number of good and enjoyable bosses is heavenly balanced with the number of frustrating / less memorable ones.

DLCs

DS2 > DS3 > DS1

As I said before: DS2 has a great level design. And the same goes to its DLCs. 

Frozen Eleum Loyce with its clear blue sky and buildings covered in snow is one of the prettiest areas in the series. And I love the idea, where you have the option to search for trapped Knights which will then help you to fight against the final boss. And the bossfight itself is also one of he best in the series. Mainly because of the boss stage itself and the Burnt Ivory King’s epic entrance. 

Heck, I even loved the Frigid Outskirts. I can see what it’s so hated by many fans, but I enjoyed the concept of this great field of snow, where you have to navigate trough the storms and defend yourself against demonic thunder horses. The grim Atmosphere is intense. Okay, I didn’t like the bossfight, but that’s actually the only negative point I have. 

While the other two DLCs weren’t that much fun and eye-candy, I still couldn’t stop exploring every corner of the maps. Especially the Sunken King DLC. Also the bosses were great, too. Even if I got really frustrated at the fight against Elana, I still liked her character design. 

So, in short: The flaws in DS2′s DLCs could be easily overshadowed by all the good aspects.

I actually had to think whether I should put DS3 above DS1 or otherwise. But I decided to rank DS3 higher because of the level design. To be honest, it wasn’t really that much fun to navigate through any DLC maps. The Ringes City looks beautiful though. And I liked that the lore about Gwyn was picked up again. The characters all were great and the fight against Ariandel and Friede was epic in every aspect. 

But from all levels in the series, I felt like the DLCs in DS3 are the least obliging. Yes, Dark Souls is known to be hard, I know that. But here it was just frustrating and disheartening. Usually when I die in Dark Souls, I’m thinking: Okay, next time I got this. I need to pay attention to X so I won’t get killed again. I can make it. Challenge accepted. But here I just was glad when I could bring places behind me. I didn’t feel that much of a sense of accomplishment while I fought my way through. It’s definetely the Lore that carried DS3′s DLC to the second place. Also Lorian was mentioned and had a role. Yes, that is important.

The main reason I placed DS1′s DLC last is the location’s design. Mainly it’s just a brighter, dryer version of Darkroot Garden. On the other hand I liked Oolacile and The Abyss. But especially in Oolacile I didn’t have that much fun either. Mainly because of the enemy type you encountered there. What I really liked though, were the bossfights. Okay, the Sanctuary Guardian and Kalameet were very similar to Monster Hunter battles for me. Manus was fun to fight because dodging his attacks felt really rewarding. Plus you had Sif by your side. But Artorias. Dang, he was hard. And Challenging. I died at least 20 times against him. But i didn’t care, just because the fight against him was so fantastic!

As I said, DS3 and DS1 are very close to each other and DS1 could have easily landed on second place, just because of Artorias. You could actually just consider both of them as second.

_________________________________________________

So, for now this will be it. I have no idea if anyone will ever read this list, or even care about my opinion. But I just felt like talking about anything Dark Souls related. Noone in my real life is interested in Dark Souls at all, so I decided to share my thoughts here.

If you want, you can write why you agree or disagree with my views. If you want, you can even ask for other aspects to rank the three games, but it’s totally up to you.

For those who spent their time reading this: Thank you very much for reading. It’s much appreciated!

[kaile-hultner]

Dialogues With A Dreg, Part Four

Spoilers for Destiny and Destiny 2 ahead.

Hello, Guardian.

Let’s drop the allegory for a while. I don’t think it was working to begin with, and I prefer to speak plainly instead of in prose.

I love the game you serve as the protagonist in, at least mechanically. Part of the reason I’ve put nearly a thousand hours in piloting you around and clicking on enemy heads is because I’m chasing that satisfying “pop” when something’s brain explodes after I get them with a linear fusion rifle. I guess it’s better than being addicted to drugs or alcohol or video games with gambling mechan- oh shit god dammit wait, fuck, there’s Eververse here, I forgot.

Anyway, Destiny 2 has my full buy-in when it comes to gameplay, as I think it’s grabbed many folks in its three-year lifespan. I’m not as big a fan of the many modes to choose from in the game, and I think the story – when looked at holistically – is more-or-less a wash. But one aspect I can’t ignore is one I’ve tried to reason out in these Dialogues: Bungie, the game’s developer, wants me to live at least part-time in this world, and there are certain ramifications that come with that.

I first noticed these ramifications during the Faction Rallies in D2Y1, when it asked me to pick a faction and fuck shit up across the solar system. I picked what I thought was the coolest-looking faction, a group of (it turned out) thanatonautic, neoliberal warmongers calling themselves Future War Cult. They basically killed themselves over and over to see the future, and as a result they want Guardians everywhere to become absolute war machines. But as far as I could see, they were a “better” option than the other two factions: Dead Orbit, who just wanted to get the fuck out of the solar system and away from the Traveler, our slumbering charge, and New Monarchy.

New Monarchy is the MAGA hat gang of Destiny 2. They want to keep humanity safe by locking them inside the Last City, forming an eternal Guardian-led kingdom, and ruling with an iron fist. Yeesh.

In my first Faction Rally, I fought hard for FWC. I liked the gear they were giving me, not to mention the guns I could earn from them. They had an aesthetic I liked, and the story of thanatonautics is interesting enough for me to want to know more about how all that worked. But I didn’t like the insistence that we “reclaim” the far-flung reaches of the solar system, as if they belonged to us inherently. I didn’t like the ramping-up, constant drumbeat for war they were throwing out. Even if Lakshmi-2, FWC’s leader, seemed like the eye of a hurricane – calm, yet clearly still dangerous – the hurricane she was the center of was starting to irk me.

I’m sorry to say I didn’t drop FWC in subsequent Rallies, even if I wasn’t as enthusiastic about them as I was initially. If I could pick again, though, I know now I’d pick Dead Orbit. They had it the most right, plus Peter Stormare plays Arach Jalaal, the faction’s leader, which is just cool.

But the winner of pretty much every rally was New Monarchy. I couldn’t see the appeal, even if you stripped the clear trump-ass bullshit away. But a LOT of other Destiny 2 players fought for them, and they were the victors constantly. Bungie took the Faction Rally away in D2Y2, but it basically put me on an inexorable thought track to where we are today.

Simply put, I think the world that Destiny 2 is advocating for is at best a fascist one. At worst, we’re talking about reinstating the divine right of kings. Not only does mortal humanity lose in this bargain, but every other living creature inhabiting our solar system suffers for it as well.

Now, Guardian, I can see that this is an unwelcome statement to hear. I get it. After spending the entire five years of your existence thanklessly putting around the solar system and killing gargantuan, god-level threats to humanity and life itself, watching some nerdy, doughy writer cast aspersions on everything you do probably extends past irritation and into wishing you could shoulder-charge me into Glimmer particles. But I want to be clear: yours isn’t the only video game world – or even the only sci-fi world in general – that does this. As Nic Reuben (the original Destiny 2 fascism warner) put it in his 2017 post on the subject, Bungie writers are “blindly following a set of culturally encoded science-fantasy tropes”:

“‘True leaders are born. It’s genetic. The right to rule is inherited.’ Any time you play as a really, really ridiculously good looking person killing mobs of ugly things for a vaguely defined reason, you’re witnessing this kind of ideology first hand.”

One thing I would like to point out, though, before we continue: Guardian, I know you personally. I’ve fought as you across the stars. I know you don’t inherently want to rule over anything. You are intentionally a blank slate, you never voice your own desires except for that one time when a possessed Awoken prince killed your best ramen bud, and I want to believe that the only thing you want — which is the only thing I want — is to race Sparrows on Mars. But the version of you I play as is not the only version of you that exists. There are over a million of you. And aside from that million iterations of you that exist in this game world, there are others who absolutely want to rule. It’s high time to interrogate this world.

Fantasy Space Fascism: The Game

In his book Against the Fascist Creep, freelance journalist and Portland State Ph.D candidate Alexander Reid Ross defines fascism as “an ideology that draws on old, ancient, and even arcane myths of racial, cultural, ethnic, and national origins to develop a plan for the ‘new man.'” He continues:

“Fascism is also mythopoetic insofar as its ideological system does not only seek to create new myths but also to create a kind of mythical reality (ed. emphasis mine), or an everyday life that stems from myth rather than fact. Fascists hope to produce a new kind of rationale envisioning a common destiny that can replace modern civilization. The person with authority is the one who can interpret these myths into real-world strategy through a sacralized process that defines and delimits the seen and the unseen, the thinkable and the unthinkable.

“That which is most commonly encouraged through fascism is producerism, which augments working-class militancy against the ‘owner class’ by focusing instead on the difference between ‘parasites’ (typically Jews, speculators, technocrats, and immigrants) and the productive workers and elites of the nation. In this way, fascism can be both functionally cross class and ideologically anticlass, desiring a classless society based on a ‘natural hierarchy’ of deserving elites and disciplined workers. By destroying parasites and deploying some variant of racial, national, or ethnocentric socialism, fascists promise to create an ideal state or suprastate – a spiritual entity more than a modern nation-state, closer to the unitary sovereignty of the empire than political systems of messy compromises and divisions of power.”

Ross, A. R. (2017). Against the Fascist Creep. AK Press.

The Destiny franchise begins with you, a freshly-reborn Guardian, shooting and punching your way through a hive of vaguely-arachnid aliens your Ghost companion calls “Fallen.” You find a decrepit jumpship deep in the heart of the Old Russia Cosmodrome, which your Ghost fires up and uses to take you to the “last safe city on Earth,” a walled metropolis underneath the Traveler. You first meet with the Vanguard triumvirate, Titan Commander Zavala, Warlock Ikora, and Hunter Cayde-6, and then, after completing some tasks for them, you are granted an audience with the Speaker (voiced by Bill Nighy):

“THE SPEAKER: There was a time when we were much more powerful. But that was long ago. Until it wakes and finds its voice, I am the one who speaks for The Traveler.

“You must have no end of questions, Guardian. In its dying breath, The Traveler created the Ghosts to seek out those who can wield its Light as a weapon—Guardians—to protect us and do what the Traveler itself no longer can.

“GUARDIAN: What happened to it?

“THE SPEAKER: I could tell you of the great battle centuries ago, how the Traveler was crippled. I could tell you of the power of The Darkness, its ancient enemy. There are many tales told throughout the City to frighten children. Lately, those tales have stopped. Now… the children are frightened anyway. The Darkness is coming back. We will not survive it this time.

“GHOST: Its armies surround us. The Fallen are just the beginning.

“GUARDIAN: What can I do?

“THE SPEAKER: You must push back the Darkness. Guardians are fighting on Earth and beyond. Join them. Your Ghost will guide you. I only hope he chose wisely.”

Bungie. Destiny. Activision Entertainment, 2015.

This introduction to the world of Destiny is… shockingly reductive. Even playing the campaign when this happens, my first thoughts were, “wait so we’re not even smart or good enough to hear the children’s scary stories about the history of this world? what the fuck?” But over the course of years, we find out more and more about the so-called Golden Age of Humanity, the tools humans built with implied assistance from the Traveler, the various rich families and corporate megaliths that consolidated power over people across the solar system in the years and decades leading to the arrival of the Darkness and the ensuing Collapse.

Not only that, we start to get a pretty clear image of what life was like immediately following the Collapse. Humanity was almost driven to extinction, and the people left alive after this apocalypse soon wished they were dead. The Traveler “defeated” the Darkness but in the process put itself into something similar to an emergency reboot mode. It deployed the Ghosts, who resurrected people who could, as the Speaker put it, “wield its Light as a weapon,” but the first of these “Risen” were nothing short of horrific. They used their Ghosts’ regeneration and resurrection powers to become regional warlords, subjugating what few mortal people remained, draining the desolate wastes of what few resources they had, and basically sealing the deal on the “Dark Age” brought on by the Collapse. It wasn’t until the advent of the Iron Lords that these warlords were defeated and the “age of Guardians” could begin, but even the Iron Lords did some pretty heinous shit – like use a whole town of mortals as bait to lure in a band of warlords on the run.

But when it comes to creating a mythical reality, the Speaker has his formula down pat. Don’t get too bogged down with details, paint the conflict in stark good vs. evil, literal “Light vs. Darkness” broad strokes, and mythologize the actions of Guardians (but most importantly, our Guardian). And oh, what fodder for mythology we are.

By the end of the first campaign, we’re the hero who severed the connection between the Hive, the Vex and the Traveler and tore out the heart of the Black Garden. By the end of The Taken King, we’ve slain a god-king. In the Rise of Iron expansion, we stop the spread of a virulent nanoparticle with murderous intent called SIVA in its tracks, using nothing but our fists. In Destiny 2, we become the Hero of the Red War, the one who put an end to a Vex plot to sterilize all worlds, and who killed a Hive Worm God. We avenge our fallen Hunter Vanguard, we kill a Taken Ahamkara. We are the hub on which the spokes of history are turning.

In terms of video game power fantasies, I really truly can’t imagine a better-feeling one. It’s basically pure uncut dopamine being transmitted directly to the pleasure centers of the brain, one Herculean feat at a time. And if we were the only Guardian, if we were not part of a larger world, if everything around us was in a vacuum, I don’t know if I would be writing this article. But Bungie has been very clear about wanting to make a world where our actions do materially affect our surroundings. As such, we are essentially a walking propaganda tool for the Consensus, a pseudo-democratic government over the Last City, consisting of faction leaders, the Vanguard and the (now-presumed-dead, hasn’t been replaced) Speaker.

The Consensus wants badly to declare the advent of the New Golden Age, a time in which Humanity can finally emerge from under the shadow of the Traveler to pick up where it left off prior to the Collapse. The problem we supposedly face is the never-ending onslaught of Enemies. Four alien species showed up on our doorstep after the Collapse, all seeking to finish us off (according to the Speaker): the Fallen, the Cabal, the Hive/Taken, and the Vex.

Of the four-ish races of enemy, only one can said to be truly, deeply “evil” in the sense the Speaker intends: the Hive and Taken, led by Taken King Oryx and his sisters Sivu Arath and Savathun, the only force in the galaxy more fascist than the Guardians. The Vex are a race of machines whose only focus is on making more of themselves, a threat similar to SIVA. The other two alien forces, the Fallen and the Cabal, are certainly antagonistic toward Guardians but our initial reasons for fighting them are, frankly, butt-ass stupid. Basically, we fight them because they’re there. They have the audacity to land on planets that “belong to us” and scavenge resources from them. Until the Red Legion showed up on Earth, we basically only ever fought Cabal on Mars, and there’s really no reason as to why.

The Fallen, or Eliksni, on the other hand, end up coming off more as the tragic victims of our flippantly rampant genocidaire practices than actual “enemies.” They’re probably the weakest alien species we come up against. Their backstory involves them living in peace under the Traveler before their entire society was caught up in a Collapse-like “Whirlwind” and destroyed. Rather than give them Guardians, like it did with us, the Traveler instead just up and peaced out, leaving the Eliksni for dead against the maelstrom of the Darkness. The surviving “Fallen” got in their skiffs and desperately chased the Traveler across the heavens, stratifying the remnants of their society into “houses” and developing religious devotion to machines like Servitors in the process.

They tried to take the Traveler back at the Battle of the Five Fronts and Twilight Gap, and lost. Their armies were shattered, and we’ve been nonchalantly killing them en masse ever since. They are the “parasites” our Guardian must exterminate, along with the Hive, Cabal, and Vex. When we make friends with, or even simply allies with, a Fallen (like Variks the Loyal, Mithrax the Forsaken, or the Spider), it is made clear almost immediately that this 100 percent doesn’t change the relationship we have with the Fallen as a group. Variks is absolutely subservient to Mara Sov and the Awoken. Mithrax wants to create an Eliksni House that bows down to Guardians and Humanity for being “better stewards” of the Traveler than the Eliksni was. The Spider makes it clear that he only wants to grow his crime syndicate, but that we can help him out if we want. Never once does the Vanguard or the Consensus reach out to these allies and try to broker peace. And in-game, we simply don’t have an option but to fire on and kill Eliksni in droves. Kill or be “killed,” right?

When it comes to Humanity itself, while we never get a chance to actually leave the Tower and walk through the streets of the Last City, there are at least hints as to the deep class stratification at work here. You can’t get much more on-the-nose than an ivory tower of immortal beings overlooking an enclosed human race. Guardians atop humanity, the Speaker above the Vanguard over the Consensus over the people, and you, the very fulcrum on which history pivots, functionally over everything else. But in the mythical reality of this game, it’s really the Traveler über Alles, and humanity underneath the Traveler has become a wonderful, diverse melting pot without class, without fear. An ideal state where the walls keep Darkness at bay and humanity can discover the joys of tonkotsu ramen yet again.

A Light Story Vs. Lore Steeped in Darkness

Destiny has a reputation, unfairly earned, for being an okay game with a bad story, or at best a nonexistent one. The story isn’t really all that bad, it’s just poorly implemented up front, and I think my willingness to engage with the game’s world to the extent that I have is a testament to how powerful and evocative some of the beats in Destiny’s writing truly are. If we dissect the game we can separate the writing of the “story” from the writing of the “lore,” and in watching the plot develop over the past few years, we can see a gradual unification of these two areas start to occur.

This is helped greatly by third-party resources like Ishtar Collective, and by mechanical decisions Bungie made in D2Y2. Adding the lore back into the game with Forsaken was a good idea; choosing to fully integrate the lore into the world starting with Season of the Forge was a great one.

A side-effect of this lore-plot unification is a dismantling-in-real-time of some of the game’s most beloved and widely-spread legends, like the legend of Shin Malphur and Dredgen Yor. Even our personal legend is challenged in this way, and it’s a really neat way that Bungie writers new and old are critically engaging with their work. But it also really throws into stark relief some of the issues I’ve laid out in this article so far.

Take, for example, the lore book “Stolen Intelligence.”

Presented to us as intercepted secret Vanguard transmissions, “Stolen Intelligence” shows us exactly what the Vanguard really thinks of our actions, and what their goals really are. It was part of Season of the Drifter, which overall had a ���trust no one” vibe to it, but some of the entries here are BLEAK, y’all.

Here’s an excerpt from the first entry, titled “Outliers.”

“Fallen armed forces continue to fall back from active fronts across Terra. Factions of House Dusk remain active in the European Dead Zone. Throughout the rest of the globe, refugee attack incidents have dropped by more than 70 percent since the conclusion of the Red War – largely attributable to depressed Fallen and human populations rather than any significant change in interspecies relations.

[…]

“The recent trending emergence of so-called “crime syndicates” (cf. report #004-FALLEN-SIV) is emblematic of the continuing destructuralization of Fallen society. Likely an artifact of multi-generational colonization of human strongholds, this agent believes that because these syndicates have no relation to indigenous Fallen culture, young Fallen are appropriating and imitating human mythology in absence of a strong cultural heritage of their own.

[…]

“VIP #3987, another former confederate of the Awoken, is a lesser-known personality known as Mithrax. Scattered field reports suggest that like #1121, #3987 styles himself a Kell of the so-called “House Light,” an otherwise unknown House apparently founded by #3987 himself. We have secondhand accounts that Mithrax has engaged in allied operations with Guardians in the field, though we have not as yet been able to corroborate these accounts with any degree of veracity. This agent is inclined to treat these reports with a healthy degree of skepticism until otherwise confirmed, as they may be propaganda from Fallen sympathizers in the Old Russian and Red War Guardian cohorts. We have requested intelligence records from the Awoken which may further clarify the matter.

“In addition, whatever the findings of said intelligence records may be, it should be stressed that one or two sympathetic outliers cannot be relied upon to erase the wrongs of past centuries, nor should their good-faith efforts to correct the sins of their forbears be taken as sufficient symbolic reparation.

[…]

“We have come too far to pull our punches now.”

Bungie. Destiny 2: Forsaken – Season of the Drifter. Lore Book: Stolen Intelligence. Outliers. Activision Entertainment, 2019.

Here’s another piece of “Stolen Intelligence,” about our relationship with Cabal Emperor Calus:

“Related to the above, #3801’s aggressive propaganda campaign appears to have been successful. Despite #3801’s recent inactivity, sentiment polls captured in the Tower at regular intervals over the last several months indicate that he has successfully swayed a significant percentage of the Red War cohort to believe that he may be a potential ally. Given our history with the Cabal as well as the events of the Red War itself, this is shocking and perhaps attributable to a case of mass traumatic bonding.

“It is my strong recommendation that the Vanguard pursue a reeducation curriculum before #3801 invites any Guardians of the City to defect to his service, a possibility which we have documented in multiple previous reports.”

Bungie. Destiny 2: Forsaken – Season of the Drifter. Lore Book: Stolen Intelligence. Passivity. Activision Entertainment, 2019.

Other entries detail the efforts of the Vanguard from keeping ostensible “conspiracy theories” from being published in the Cryptarchy’s journals; show the apparent oddity of mortal-Guardian “integrated neighborhoods;” and discuss the ongoing surveillance of the Drifter, a rogue Lightbearer who has survived since the early Dark Ages and who uses Darkness-aligned technology to run a PVEVP game called “Gambit”.

There are many other stories like these, scattered throughout the lore. Stories of Cryptarchy students being banished for making fun of New Monarchy’s leaders, of Guardians messing with Hive technology being burned alive and killed fully by the Praxic Order for their crimes of experimentation. Stories like these wouldn’t happen – couldn’t happen! – to our Guardian, because they’re too important, but are seemingly everyday occurrences to less consequential members of this society. In the real world, we’d call that an increasingly oppressive police state. In Destiny 2, it’s just flavor text.

There was a degree of narrative complexity added to Season of the Drifter that hadn’t been in the game prior. The entire season was essentially boiled down to “which side are you on, the Drifter’s or the Vanguard’s,” and in our path to make a choice, we heard from various bit players in our world. The Drifter told us his story in greater detail than perhaps we needed (and how much of it is true is debatable), but his story is also the story of a less morally-pure Guardian class. Everyone from the warlords to the Iron Lords did heinous shit to humanity while the Drifter watched, and it hardened him. The Praxic Warlock Aunor goes all in on her adherence to the City’s propaganda and ideology, trying to show us how untrustworthy the Drifter is. She ends up revealing more of her order’s goals than perhaps was wise.

This narrative complexity is nice, but it still betrays the game in a fundamental way. We now have the documents. We know what Guardians are actually about, and how they’re not exactly shining beacons of unwavering good like the Speaker would have had us believe. Regardless of declining Fallen activity, of a shift in Fallen culture, of actual living Fallen who want to ally with Guardians, the Vanguard is still adamantly pursuing “extirpation,” which is a fancy way of saying genocide (I’m not kidding, it literally means “root out and destroy completely”). We know the Vanguard and the Praxic Order have a hard-on for exile, reeducation and information suppression.

On top of everything, the narrative complexity was not met with any kind of mechanical complexity. Even with proof that the Vanguard wants to kill every Eliksni in the system, conscientious objectors don’t get to opt out. The narrative path that forks between the Drifter and Aunor converges again by the end of the quest. The “conspiracy theorist” that has been trying to publish paper after paper detailing exactly how the Nine worked with Dominus Ghaul to sneak his fleet into City airspace undetected was proven right by lore WE FIND IN THE GAME, but that doesn’t change our combat relationship with the Cabal remnants anywhere in the system, and homeboy still gets his papers rejected.

Ikora and Zavala, our remaining Vanguard members, insist repeatedly that Guardians are not a warfighting force, that the Vanguard and the Consensus is not an authoritarian organization. But everything we do says otherwise.

“A peace born from violence is no peace at all.”

Guardians do not get to choose their paths in the world of Destiny 2. The paths laid out before them lead to a life of warfare, of pain, of endless murder. Ostensibly, they are agents of good, trying to beat back the forces of evil, but if you look too close you see that really they’re just a bunch of indiscriminate killers with a mandate from the Orb God. Desperate to get out from under the heels of warlords, the Guardians created a fascist society, and adding insult to injury they pretend it’s a democratic, free one. Killing the Fallen is genocide, but you can literally never stop killing them because the game won’t let you. The only right way to play at that point is to turn off your console and go outside.

Destiny 2 isn’t the only video game to fall into this trap. As Nic Reuben said in the follow-up piece to his first story on how Destiny 2 is fascist, “I’m not saying Destiny is propaganda, just reliant on some of the same narrative tricks that make propaganda so powerful. At the same time, I don’t think that it’s too much of a stretch to say that games like Call of Duty make certain assumptions about what is justifiable, righteous slaughter and what is terrorism. Replace modern military hardware with future tech, replace terrorists with alien races that have traits synonymous with cartoon portrayals of traditionally marginalized social groups, and you’re effectively playing through the worst aspects of Call of Duty with a new coat of a paint.”

There is one glimmer of hope in the game. One sliver of lore that gives us pause and helps make the game bearable in its current state. It comes in the form of Lady Efrideet, former Iron Banner handler, youngest member of the Iron Lords, and a Guardian in self-exile from the City, the Vanguard, and its fascist dogma.

Lady Efrideet is one of the most fearsome Hunters in the Destiny universe. She is known as one of the best marksmen, if not the best one. She is impossibly strong, having once thrown Lord Saladin bodily off a mountain into a Fallen Spider Walker, destroying it. And she is also one of the only named pacifist Guardians who isn’t a member of the Cryptarchy. Her story is the story of the fall of the Iron Lords, as well as the beginning of the SIVA crisis, many years before our Guardian’s rise is documented.

But it isn’t SIVA or the Iron Lords that we’re interested in. Instead, we know that after SIVA was sealed away, Efrideet snuck away from Earth. She saw the deaths of everyone she knew and her will to fight was shattered. If this was the result of fighting for the Traveler, she didn’t want any part in it. So she took to the stars. In doing so, she ended up in the far reaches of the solar system, beyond even where we currently roam. It turns out, a small enclave of other Lightbearers, hesitant or unwilling to use their powers to kill, had also fled to this part of the system and had established a colony. It’s there that Efrideet resides, and it’s there I’d like to go.

Unfortunately, our Guardian is too “important” to the vast tidal forces at work in the Destiny universe for us to be able to leave for the outer reaches whenever we want. Because we are the hub on which the wheel of history turns, and there is no escaping that now, if ever we could. We are death, the flattening of a complex and intricate universe into one of simple shapes, the sword logic in a human/Awoken/Exo body. We are needed for the plans of the Nine/Mara Sov/Hive Queen Savathun to come to fruition. When or if the Darkness ever does come back, we will be the force that faces it and, win or lose, shape our future afterward.

Sometimes it’s nice having a video game place your character on a linear track. Games like Half-Life or Titanfall present to us simple choices in otherwise-complex story environments: progress, or die. Our characters are not immortal, but they have help from the technologies around us, are tenacious, are resourceful, are quick to adapt to changing situations. In Destiny, we simply exist. We can’t truly die. Even when it comes to the rules of the game, our immense “paracausality” causes us to shrug Darkness Zones off as mere inconveniences where other Guardians have died their final deaths. Because we are necessary. The Vanguard and Consensus need us to justify their horrific fascist policies. The great forces at work in the background need us to work as a pawn. Even Bungie itself needs us, powerful, trapped beings with a sense of right and wrong but no agency to actually act on those ethics, to continue its game.

I haven’t preordered Shadowkeep yet. For once I’m glad we’re not focusing on the Fallen or the Cabal. Going to the Moon means we’ll pretty much just be dealing with Hive, to say nothing of the unreal Nightmares we’re supposed to face. But I’m still undecided as to whether I even want to order Shadowkeep in the first place. If Lady Efrideet can go to the edge of known space and live peacefully with other pacifist Guardians, maybe I can put my controller down and step away, once and for all. It would be nice to have the extra space on my Xbox One’s hard drive. Other games exist to be played, and having the time and energy to do so would help me here, with No Escape.

But even then. I’m not expressing agency as a Guardian, but rather as the person who controls you, Guardian. While I go off to play other games, you sit and wait in stasis. Even if I don’t play, there are a million iterations of you willing to commit genocide daily for cheap rewards (shoutouts to the sixtieth Edge Transit drop in my inventory this month alone). Sure, it’s just a game. But this is what having a dynamic world means in practice. There are consequences to your actions. There always have been.

There is no reason why Humanity couldn’t share the Traveler’s gifts with, at the very least, the Eliksni. There is no reason why we couldn’t just ignore the Cabal in a state of mutually assured destruction, given how small a faction the Red Legion was relative to the Cabal army’s full size. Of the two remaining enemies, the Vex are less evil than they are simply a thing that wants the universe to be like it, and that’s threatening to diverse life throughout the universe, not just Humanity. The Hive/Taken are the true enemies in the game, but even they are directed, pawn-like, by their Worm Gods.

There is, likewise, no reason why the Risen had to organize in the fascist context they did. They could have created a society in which everyone could come and go freely, where ideas and actions could be given and received absent interference, where a true “golden age” could have sprung up naturally simply by living together harmoniously and using the Light the Traveler gave them to create, rather than destroy.

But that’s not how this story shakes out.

[medjaichieftain]

Silence Watches The Mummy and The Mummy Returns – Musings, Headcanons, Criticisms, & Observations About Ardeth, Horus, and the Medjai - [Part 2 of 2]

(Continued from here.)

[12.] All the commanders were able to be in one place on short notice? How big is a region, how far apart are these tribes, and how the hell did they get there so fast? Like how did Ardeth get word to them, have them decide to join him, and then have them all travel to that central location at literally a couple days’ notice? That really does not compute, heh. Then, once there, he told them, okay now all of you line up so I can just say who you are, and then you can go back to your tribes again? I mean, if I were them, I would’ve told Ardeth to go to hell, heh. Like thanks a lot asshole, we just traveled here at the speed of light and now you’re waving and smiling to us like okay bye-bye? Jerk. XD

[13.] So lemme get this straight… The Medjai can get to all the locations in the second movie while moving slowly on horseback, but the baddies need a train and a caravan of camels and the good guys need a dirigible? Uhm… let’s talk about distances and travel times, shall we? Haha. This is another aspect of writing these kinds of stories that needs to be paid attention to. Horses do not travel at the same speeds as camels, trains, and dirigibles. Also, if they knew the legend and knew that the big showdown with the Scorpion King would only occur at the last location the bracelet showed, then why did the Medjai travel around to all the locations? Why didn’t Ardeth just wait until they found the last location (which, didn’t they already kindof know it was in Ahm Shere anyway? Ardeth said the freaking legend right in the beginning of the damn movie, heh) and then just have them travel there? Because I doubt it was a linear path. He probably had these poor people trekking all around the frackin’ desert like, “Come on Ardeth, cut to the chase already!”

[14.] Okay, I love Horus. I do. But. There is no way… that a falcon… no matter how well trained… can go back and forth between two groups of people if he doesn’t know where they’re gonna be! I mean really?! Falcons are taught to fly to specific people (and yes, they have favorites) and specific locations. So he’s used to flying to Ardeth and he’s probably been familiarized with one or two other chieftains/commanders at least if not more. Okay. That’s fine. Now… Ardeth is in one place. He gives Horus a message and sends him off. Horus is trained to fly back to the location he last saw the other person! So he would go there and give the message and then fly back to Ardeth in the last place he saw Ardeth! And when he got there, Ardeth wouldn’t be there! XD And even if he managed to find him… the next message he was given to take to the other commanders… where would he bring it? Back to where he saw them last! (facepalm) I mean he can’t anticipate where they’re going to be and you can’t talk to a falcon and tell him where to go, heh. They’re trained specifically to go to certain places and people. There is a chance that he will go back to where he saw them last and circle for a while looking for them, but if they were covering as much ground as the bracelet was showing us in the movie, I doubt Horus would circle that wide looking for these people, heh.

[15.] Ardeth’s first thought when faced with a wall of Imhotep-shaped water that could bring down the dirigible and kill him and everyone else in it was to save Horus by telling him to fly away. FEELS. I mean, I possibly also think he let him fly to show them the best way out of the canyon (because the falcon is more instinctive than humans are), since Rick watched Horus and then told Izzy the way to go based on where he flew, but still… I like to think that Ardeth was kindof telling Horus to save himself. Well I don’t like to think it, I do think it. =)

[16.] Why is Ardeth commanding the entire Medjai army at the end of the second movie? Maybe Ardeth is a regional chieftain, but when all the tribes come together, he should be outranked by the higher commanders. So it is my understanding that there are twelve tribes, each with its own commander, and then regional chieftains within each tribe. The way I write him, I’ve kindof blended chieftain with commander, largely because to me Ardeth seemed to function much more like a commander. So screw it I’m making him one as far as duties are concerned heh. But in his particular religious warrior society, I would guess that three things should be respected above all: experience, age, and religious conviction. He’s got the last one, but he’s only in his late twenties in the first movie and early to mid-thirties in the second. Some of the other chieftains looked to be 40-60 years of age. Ardeth should not be commanding the whole combined army of all the Medjai tribes against the Army of Anubis at the end of the second movie, in my opinion. I mean, he looked amazing doing it so I’m really not going to complain, but... It seems unrealistic to me based on how tribal societies and religious organizations like his should normally be run. Did his actions during the first movie make all the other chieftains/commanders think hey, this guy can really handle his shit, let’s put him in charge even though he’s 10-20 years younger than us? I mean yeah, Imhotep got out, but Ardeth & Co. successfully imprisoned him again. That probably earned him a lot of kudos with the higher Medjai. Also, perhaps because the waking of Anubis’ Army pertained also to another awakening of Imhotep, it fell within the “jurisdiction” of his region, so since he was charged with all things Imhotep, it was his deal to lead all of the Medjai to help destroy him again? But the Army of Anubis had nothing to do with Imhotep, really. It had to do with Anubis and the Scorpion King. It was just that they woke Imhotep up to kill the Scorpion King and take over the Army… which I guess is reason enough. Whose jurisdiction did the locations in the second movie fall under? Were they all in Ardeth’s region? Because… that’s a big ass region, heh. I feel like at least one other chieftain should have been involved? But then also… he introduces the twelve commanders of the tribes of the Medjai like they work for him, heh. And they listen to him! So… I mean… there either has to be something else going on with Ardeth that we just weren’t privy to, or he had a history that was never explained, or they just saw a ton of potential in him and were maybe grooming him to take a higher leadership position? I am exploring all of those options in RPs because I can. XD

[17.] Again, I love Ardeth and he looks amazing when he’s fighting, but… there’s no way he would have survived the first round of battle with Anubis’ army at the end of the second movie. He had not slept at all that night and had fought through most of it. He would be exhausted and dehydrated and probably sore as hell. As a writer, I really focus on things like this because I’ve written full-scale battles just like that, sometimes after the character have been traveling for days or weeks, haven’t slept in a while, are wounded, are sick, are suffering from exposure, etc. As a writer, you need to keep track of all that. Your characters should not be super heroes (unless, you know, they are actual legit super heroes, and then okay but… make some rules and limits on their abilities and be consistent, heh). Ardeth was a normal human being with no magical powers whatsoever. He needs to sleep. And drink water. Think about it… He went from fighting in the jungle of Ahm Shere (including his fight with Lock-Nah), to what… running out of that jungle and through the damn desert to find his people because he didn’t have his horse or camel with him and the dirigible was down and Horus was dead (nope just winged, I swear, he’s okay folks)… and then went right from that into battling Anubis’ army? Soldiers that were godlike and huge and probably really freaking strong? We never saw him sleep or eat or drink any water. I’m sorry but… as cool as Ardeth is, he would have been having some serious exhaustion and dehydration issues which would have definitely affected his ability to fight.

[18.] Why is it that Ardeth ties back his hair in the second movie almost consistently in every situation but when he’s in battle and needs it out of his face? I know why. It’s because he looks a helluva a lot sexier fighting with his hair in his face, heh. But in all seriousness, as a warrior, your life depends on you being able to see clearly and from all angles. Hair in your face could spell death for you. As a supposedly seasoned warrior, Ardeth would have always had his hair tied back when he was in battle, assuming he wasn’t ambushed and had time to think about it. And really, he should want to keep it very short. Long hair is a liability. It can get caught on equipment and weapons. Your enemy can grab hold of it. Again, I’m not gonna argue to hard because his hair is amazing, but it made no sense from a warrior’s point of view to have it down in every single fight he was in.

[19.] Ardeth cries out Horus’ name when he’s shot down and starts to run after him, as if he’s a person who can respond back to the call, and as if Ardeth can reach him. It’s an immediate and emotional response. It speaks to the level of respect he had for the bird, but also to the depth of Ardeth’s love for him. He loved that damn falcon to bits. I firmly believe that. He wasn’t just a pet… or a living, breathing messenger bag, heh… he was Ardeth’s friend. Sad as hell. I hate that scene. [Stay tuned for a one shot shortly on this blog (as soon as I get time to write it) I which I change this and have Horus reunite with Ardeth.]

[20.] Omg Ardeth, you never do a sword flourish on horseback when riding at full speed toward an army of evil god warriors, haha. Wtf happens if you drop it? Great. Now you’re unarmed. Why would you even risk it? You also would not THROW the weapon. There was no guarantee that it would fall perfectly stuck into the sand such that he could retrieve it. In a life or death fight, this is simply too reckless. The stakes were too high for heroics and badassery. He should have been trying to stay alive every bit as much as fighting Anubis’ warriors. Beyond that, these people would have really valued their swords. Metal is expensive and making weapons is not something anybody can do. It is probably very difficult and/or expensive for the Medjai to make their own swords because where are they getting the metal from? They would probably scavenge weapons from the dead or buy them from cities and towns. But there’s no way they would be throwing them like they were a dime a dozen.

[21.] Ardeth is a good leader. Seriously. Like… I can see why he was put in such a position of power at such a young age, if that’s really what happened in the whole Medjai society. Like if it was decided or voted on, I mean. He does not act impulsively, and he does not risk the lives of his men unnecessarily. When Rick lights the dynamite when the Medjai attack the camp at Hamunaptra, Ardeth immediately decides this fight is over. He made his point, and if they stay longer, a lot more lives will be lost for not much more proving of the point. At the end of the second movie, when he orders the Medjai army to fight the Army of Anubis basically to their deaths, the way he does it is to make it not sound much like an order at all. He basically just yells out that he’s fighting to the death and it’s assumed that this is an order but it sounds more like “I’m with you” than “go die,” heh. He takes the time to look at the men standing closest to him. He knows there’s no other choice for them, but he places himself on their level when he looks at them. It’s not a decision made without consideration for the value of their lives. He understands the gravity of the decision and what he’s asking them to do because he’s going to die right alongside them. It’s a small gesture that really boosts morale in the moment, even as grim as their situation was. And the cool thing about Ardeth is that he didn’t even do it for that reason, he did it because he actually cared about the people he was fighting with.

[22.] When Ardeth makes the decision to die fighting Anubis’ army, and thus makes that decision for everyone else standing there with him, what is going on in his head? I mean, there really was only one choice, given the Medjai’s conviction, and even if they had chosen to flee, I doubt they would have actually escaped. There was nowhere to run. But after making that seriously heavy decision, did he feel badly for essentially telling the whole of the Medjai to die right here and now? And what about his own life? I have always headcanoned that Ardeth assumed he would not live to be an old man. It had nothing to do with skill or luck or anything like that, but he had seen countless other Medjai fall before their natural time. Such was the nature of his calling in life. So when he decides that he is going to die fighting Anubis’ army, was he thinking… “geez, I didn’t think I’d have this much time to ponder this?” He probably expected to die young, but I bet he thought it would happen randomly, in a split-second, in the heat of battle. I don’t think he ever planned on having all that time while waiting for the army to reach them to think, “hey… this is it. I’m going to die right now.” And then, when the army is banished, he had to be thanking Allah for that, and I think he might have believed that the courage of the Medjai had been rewarded. Perhaps he or other members of the society would tell the story for years to come of the time their faith and bravery was tested… and they passed the test.