#it wont be successful but its what im sticking with til i have the space and time to grow some fungi
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took loki to the vet (hes been over grooming and causing a bald spot). I kept saying "hes feisty, hes quick to attack, he doesnt like most people" and I saw the way the vet tech was holding him and like yeah nope, so he managed to strike at her and i feel so bad, she was being so sweet to him and calling him a handsome panther lmao. they draped him in the towel and yeah no ive learned that only gets him even shorter tempered, so he was inevitably sedated since i'm opting for him to get bloodwork done. vet said its possible it's a flea bite allergy, though theres no evidence of fleas, or that it's anxiety/stress based that was triggered at one point (possibly during the construction that is when the behaviors went in overdrive originally) that has become a behavioral habit of his. fingers crossed it is nothing serious
#cats#cat health#animal health#vet visit#loki#kayrambles#if my boy gets on anxiety meds im taking it as a sign that he's mirroring me and that i should def be on meds#but im just gonna continue self medicating with what increases the anxiety and forcing myself to heal through exposure and rationalization#it wont be successful but its what im sticking with til i have the space and time to grow some fungi
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Joger ask: how would they cope with Roger having a crisis about the fact that John has written hit singles including their biggest ever hit and he has yet to pop his a-aide cherry? Is he rubbish? Is he really just a pretty face? He knows he brings lots of musical input & the sonic volcano & ‘the girl for everything’ for the band but really, who is he kidding? And John can’t deny that he aced his degree or does the finances or wrote hits... Thankfully Radio Gaga comes along and all ends well...
hmmmm ok. this got? long. very ramble-y. apologies
so like. roger is so fucking proud of john y’know???? and it’s not john’s songs being more successful than his which is cutting deep (because, well, commercial success is somewhat ehh to roger now that they’ve already made it big. the music he’s writing and creating, off on the side, is more about the music than anything else), it’s that he didn’t see it coming
100% did not see aobtd being a hit. hated recording it with his drums taped up, and thought the whole thing was a waste of time which.... it obviously wasn’t because john’s latest royalty cheque was big enough to have even freddie blinking in surprise
and. well. roger’s kind of always been the one with his finger on the pulse, so to speak. roger was riding the early waves of punk before the sex pistols had so much as looked at a safety pin and thought, ��hmm, i wonder”. and his ability to keep up with, stay just one step ahead, of the trends has been invaluable in the past and now.... he might be slipping behind?
because even though he fucking hated half of the lines in ymbf he... he knew it was going to be a hit in the US. that sort of soft poppy feel, with a funky little bassline? the american’s eat that shit up in spades. of course it was going to be popular.
but, yeah, he didn’t see aobtd being a hit and now he’s starting to wonder if maybe the reason he isn’t writing hits isn’t because he hasn’t been trying to appeal to the broader audience, hasn’t been trying to write songs that will get massive air time or be played in clubs, but because he’s got no fucking clue about what people want anymore
‘girl for everything.......... except knowing what people want’ doesn’t, uh, sound as good
and it’s not? it’s not a Big Deal, not really. he just gets a little quieter about voicing his opinions on tracks because, well, maybe he doesn’t actually know what the fuck he’s talking about?
and so, hot space
brian’s losing his gd mind arguing with everyone and everything because he feels backed into a corner, freddie isn’t playing the peacekeeping role he usually does, john is being Just a Little Bit of an egotistic shit, and roger is........... not getting involved. which works kind of awfully because both brian and john take his silence as tacit approval of their position, which boils over into a lot of misunderstandings about just what it is roger thinks about what’s going on in the studio
(and mostly what roger thinks about what’s going on in the studio is that this album is going to be a Fucking Disaster because instead of ripping apart one anothers songs and building them back up stronger all they’re doing is ripping into one another and calling it creative differences)
and he tosses up a couple of songs and lets them do what they will with them (and oh my god if you haven’t listened to action this day performed live???? do urself a favour and do it oh my god i fucking hated that song until i listened to it live) because well. they probably know better than he does at the moment, because he doesn’t quite trust himself. and tensions are high enough that inserting himself into the cockfight when he isn’t actually Sure about his opinions just seems an unnecessary risk.
and. uh. hot space...................................................... does as it does
and john is pretty mortified about the whole thing because.... ???? all of that work and fighting and it’s flopping which is. made all the more worse by brian’s oh too casual sympathetic comments during the press junket, and then even worse by the way that roger. doesn’t seem surprised?? because. well. even when it was a love song written about roger roger was honest about what he didn’t like about it, but now there’s a whole fucking album that john pushed really hard for and roger a) didn’t like it and b) didn’t tell him
he thought they respected one another more than that. he thought they were more secure than that.
which sort of........ simmers uncomfortably between them as they gear up for the tour and sort of. explodes when roger starts making suggestions for changes to some of the songs for the live performances that. annoyingly sound much better and why didn’t you bring this up when we were recording the fucking album, roger (look aight atd sounds SO MUCH BETTER LIVE, IT’S BEEN MONTHS AND IM STILL SHOOK)
and roger’s sort pussyfooting around it because oh well... you know you and freddie really wanted to this one as a sort of concept album..... and brian and i didn’t want to interfere...... (brian: very much did want to interfere) ............ so ya know................ it’s not really my style so i didn’t wanna stick my foot where it doesn’t belong.........
and john’s like???? its music what the fuck are you Talking About? you know music you know what sounds good and what doesnt and it’s not like you’ve ever been shy about voicing your opinions before, so forgive me if im a bit confused about the sudden reticence
regardless, it’s Not a Big Deal. no really. roger will insist this til the day he dies
and things calm down? they take a break and, as they are wont to do, the tensions of the band slowly start slipping from john and roger’s day to day lives? like, when they’re not living in close quarters and feeding off of the energies that brian and freddie and mack and everyone else is putting out. it’s just them, yeah?
but anyway, roger’s still been writing music and ha enough for a new solo album so he’s like. yeah. think imma do that and john’s a bit taken aback because? fuck, you’ve been busy then you said you didn’t have much of anything for hot space??? and roger’s like. uh, yup. been busy. busy bee, me. ya know. while ur out painting the shed i gotta keep myself occupied somehow
except. well. john’s obviously lending a hand with bass and mixing, and brian’s in and out too, so’s freddie and. it’s freddie, actually, who picks up that roger had been working on the beat of I Cry for You (Love, Hope and Confusion) back in the studio when they’d been working on hot space which. doesn’t make sense, because he definitely hadn’t shown them it to them which is odd, because roger usually shows them everything he writes in case they want it for queen?
and then brian chimes in because, actually, he recognises the lyrics for killing time?
and john is like what the FUCK is going on because this is just? weird?
so john ends up lowkey cornering him at home in a totally not cool sneaky fashion (read: he gives him a fucking mindblowing orgasm and then is like [head propped on roger’s chest] SO) because???? ofc he supports rog’s solo career but also? why didn’t he share what he was writing with him? what’s going on? music’s always been a language they’ve shared, even if they tended towards different dialects, and now it... well it doesn’t feel very good that roger seems to be inching him out of something that john knows is so very important to him
and roger’s like huh no idea what you’re talking bout. been really busy writing recently. shame though, means i might not have much for the next queen album
and john’s like? do you want to leave queen, if that what this is about?
and roger’s horrified because what the fuck no i’m just not sure i’ll have much to contribute is all which has john like?? because. it’s roger of course he’s got something to contribute what the fuck are you talking about
but roger’s like oh well ya know nothing im really writing at the moment is much of our current style so. that’s cool, though. that’s fine
but john is confused bc well. hot space was a bit of a failure so they’re probably headed back to more consistent waters so that’s not a problem, and hey, maybe if roger had injected a bit more of his style into the album things might have been better right?
ANYWAY basically john’s like yo my man like. if u dont wanna write any material for the new album that’s? fine ig? but we kinda Need You to be a little bitch about the things u dont like because.... things work better when ur being a nitpicky little bitch than when ur being silently supportive of me :) though that was sweet
and rogers like oh i was 100% not being supportive of either u or brian’s bullshit tbh i just. disco isn’t my forte ya know i didn’t wanna chat shit ab smth i know nothing about like, god, imagine if you’d listened to me about aobtd?????????
which. john’s like. i? i mean, i did. fuck sake, the whole thing got rewritten to be about our dog (steve) bc u made a joke about it? i. i did listen to u about aobtd
and john has honestly NO IDEA what any of this is about? because roger has an awful tendency to sit on things until they’re Much Bigger than what they were to begin with. like, john’s actually not great at that? he’s not very good at hiding that he’s angry or upset, not for the long term. roger’s a lot better at it in the worst kind of way, because unless you pick up on it right at the beginning by the time you’ve figured out something’s wrong it’s months down the track and so many micro interactions or events have been tacked onto the Original Problem that it’s a sprawling mess of “i dont want to communicate that im feeling vulnerable about something so instead im gonna try and turn my vulnerabilities into armour” - like deciding to turn all of your writing, not just the stuff that won’t fit on your main project’s albums, into solo material because your solo stuff doesn’t have to be successful
but also, ok fine.
and so he sort of? lets it go? because tbh once roger latches onto something, when u havent go in there early enough? your best bet is to just wait for him to.... get over it. which he generally does. he doesnt have the patience for decade long grudge matches, not really.
and then it all comes to a head when brian writes and shows them all machines (or: back to humans) which obvs came about from an idea of roger’s and. well. freddie thinks its amazing, john is nodding along even as he sends him small little side eyes and well. fuck it, right?
and so the next week he comes in and slams down the first rough draft of radio gaga, the music heavily influenced by I Cry for You (Love, Hope and Confusion) which freddie had been complaining about being used up on a solo album
and then he goes home and tops the hell out of john, the end.
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