#it will make for a much more logical media analysis i promise lol

[acewizardinspace]

Star Wars makes more sense if you think of Legends continuity and Disney continuity as AU fanfictions of Lucus' canon.

[queer-muslim-culture-is]

does anyone relate to me as a queer muslim?

Just wanted to put a disclaimer that I personally am not acting on it but I did find a way to reconcile my queer identity and religion <3

I grew up mostly thinking I was straight but in my teens I didn't label with heterosexuality anymore. I was never really passionate about queer activism but I recall being uncomfortable with homophobia at masjid and gatherings but I never thought about it too much until may 2022

That is May 27 2022 to be specific, the stranger things release date. Im not going off topic lol I promise. So basically I converted from being a mileven shipper to a byler shipper after watching. This was when my queer religious crisis started. I loved Mike and Wills relationship and I thought it was so beautiful from the way they treat each other. I was reading fanfics, watching edits, reading analysis 24/7. How could it be wrong

I knew that the logic with ''Sinful'' actions is that even though you desire benefits coming from it, and you intend good things to come out of it, the reason why its a sin is because unseen harmful effects come out of it even though that's not what we intend. ''But perhaps you hate a thing and it is good for you; and perhaps you love a thing and it is bad for you. And Allah Knows, while you know not.'' I could deal with the fact that queer actions were forbidden cause that meant you don't hate the sinner or the ''Sin'' but only the fact that your action has ''harmful unseen/unknown affect'' that you just have to trust in God that its there and that he would only make harmful things forbidden. For example: Promiscuity is a sinful behavior in islam, and God considers it disgusting because it is harmful, but in Jannah all the harmful effects of your desires are removed, this explains why alcohol and hoor al ayn, music etc exist in Jannah. So can I act on my queer desires in Jannah? I made the horrible mistake of going to cishet people with this question and obviously they said NO. I was so fucking pissed and mad and I felt guilty for being mad because it felt like I was questioning Allah. But mostly I was hurt because God is not who I thought he was and I felt ignored, betrayed, neglected, and I took the queerphobia as my image of God. It just made me even more pissed off when people said '' you will get something better'' why can't I get what i asked for and be treated normally like everyone else with their forbidden desires? After suffering an entire lifetime of homophobia and abstinence, God wants to brush this issue under the rug and ignore it even though it becomes a part of who a person is, where is the justice?? At that point I felt like if I couldn't get queer liberation in the next life for myself I would want it for someone else and I would fight for it. I had mercy in my heart for queer people. So this does not make sense cuz GOD IS THE MOST MERCIFUL, more merciful that any lgbtq+ activist on this earth, so God surely must out mercy me

I went through a religious crisis period for 6 months just constantly soaking up all the queerphobic media online from muslims. I felt sick reading all of it and I felt my heart drop. Why do muslims deny that queerness is not a choice. Why do these scholars have rights to speak on issues they've never experienced. How can a person tell another person how they feel. How can you deny centuries of queer people and why do some muslims make fun of queer people, hate us, think were disgusting etc. I really never felt any righteousness or respect from these people yet they say ''respect not support'' tf? I started getting depressed, failing in school because I took these people and modeled my image of Allah based on them. Why wont I get what I want in this life or the next? So my love was considered ''disgusting'' for no reason.

Then months later, everything changed. I started talking to God everyday and treated him like my therapist and I vented out all the pain of queerphobia. I did scientific research on queerness and found out that is generally innate/unchangeable and internalized homophobia turned into anger towards queerphobic people. I was just crying out to Allah wishing that Queer Love could be honored and respected one day and that slowly, naturally it turned into me making dua to Allah that queer people could act on it in Jannah. I for some reason thought it would be more acceptable to ask for queer relations without the sexual aspect lmfao my puritarian era. So anyways I slowly started making Dua to Allah often and asked all the time for queer liberation in the next life and for people I knew in real life, online, my moots, queer muslims who passed away etc. I turned the anger of queerphobia into calling out to Allah to ask for liberation for the queer ummah. I eventually also asked for the sexual aspects as well lmfao. I remember one day I prayed tahajjud and asked Allah for queer people to be with their lovers in the next life and to be themselves (gender identity) and I asked for a sign. I even talked to Allah about my love for byler lmfao dont judge me ok I was crying my ass off at the van scene where Will confessed to Mike. So anyways the ''Sign'' as I saw one day I was cleaning my room and read a book that said that Allah would never guide a person to make a dua if he didn't want to answer it. I was shook and long story short I learned that God is what you make of him and you must trust God when you make dua to him. Another Sign I saw was that I was a video literally explaining this concept in a tik tok another time after I made tahajjud and asked for the same thing again.

My perception of God has fundamentally changed and I am so grateful. Byler endgame 2024 <3

im just gonna quickly note that this blog *does* support acting on your queer attraction and i, as the mod, have multiple partners. i choose to interpret the stories that supposedly ban queerness otherwise (some of these interpretations are or will be shared in #resources) and that any harm that comes from it can either be mitigated (safe sex practices) or is the result of bigotry

but thank you for sharing your experience anon. genuinely happy that you managed to reconcile both with yourself and Allah :]

and hey, i get what you mean abt the fanfiction part skdfjh ! some of my earliest experiences w queerness were reading queer fics on ao3 and feeling,,, something. something i couldnt quite identify till years later. fics exposed me to queer romance, helped me come to terms with my allosexuality, and even helped me experiment with my gender in a way. i owe a lot to fic writers

[itsclydebitches]

Hi Clyde! I know this might be a bit late to the conversation but I just wanted to ask if you think M&K are writing Yang through a male lens? Not in the sense she's hyper-sexualised, but in the sense she lashes out at her allies without consequences (Fiona), has little empathy for female survivors of abuse (Salem and Blake) and gives her loved ones the cold shoulder when she doesn't agree with them rather than trying to reach an understanding (Blake and Ren).

Hi there, anon! No one is ever late to the conversation around here, not when I'm forever answering months-old asks lol

On the whole I would say no, simply because - as many others have pointed out in regards to other posts - this behavior is by no means seen solely in Yang. Ruby is out there lashing out in Volume 6, Jaune was giving Ren the same cold shoulder, no one else has expressed any empathy for the abuse survivors lately (though Yang might actually have a point in her favor there, given her talk with Weiss in Volume 5, when she learns about her mom's drinking). My point being, pretty much everyone is written with this classic masculine lens right now, where being angry, violent, and dismissive are framed as the correct way to approach problems, whether we're talking about Weiss shoving her weapon in Whitley's face, or Nora coolly brushing aside Ren's concerns. The exceptions being, to my mind, Ren - who learned this season that considering a kinder, more strategic approach is wrong - and Oscar who is embodying the archetype of the innocent child so fully that it allows him to forgive/grant absolution outside of the bounds of the story's internal logic and gendered expectations. Him reaching out to Hazel, Emerald, and even Ozpin is less a commentary on gender and more an extreme upholding of his status as the youngest and, comparatively, most innocent (which, as said previously, bumps up against Ruby's same, former status). Think Harry Potter, destroying evil with the love in his skin as an 11yo by merely touching Quirrel's face, not an older teenager hurling a dark curse at Malfoy while overflowing with rage. Oscar is still very much in that initial stage of being the young, baby-faced character who is not yet jaded and is thus able to overcome evil purely by wishing it so. Yet everyone else, including Yang, gets by on lies, secrets, violence, and anger - no matter how much the story wants to dress it up as heroics. So Yang is by no means alone in that.

What does interest me regarding Yang characterization right now is not, strictly speaking, about Yang. Rather, it’s about the presumed relationship with Blake and how changes to Blake’s character have reflected back on Yang. I won’t go into a full, eight season analysis of it here, but suffice to say, Blake’s personality has taken a sharp dive lately, most notably in the most recent volume. She used to be an opinionated, outspoken woman, the kind of person who marched up to Weiss in the middle of the street to denounce her family’s slavery, fighting for her people with as much intensity in a conversation as she gave on the battlefield. This is the woman who stormed off in anger at Weiss’ racism, demanded a solemn oath from Yang if she was going to believe her about the Mercury fight, rallied an army to defend Haven, set her own house on fire to defend her parents... I could go on. Blake used to only be quiet when it came to settling down with a good book. Now she’s far more meek and submissive. She’s been reduced to blushing prettily at Yang’s praise, begging Ruby to save her, going along with Yang’s plans for betrayal because she’s scared about killing again, clasping Ruby’s hands to assure her that she’ll save them all, etc. I use the term “reduced” intentionally because, on their own, there’s nothing wrong with any of these traits. If anything, Blake should be a more well-rounded character for being able to collapse crying over Adam, or go tongue-tied at a compliment. The problem lies in replacing her original personality with this new one: softer, less confrontational, less skilled, no longer as determined, no longer as angry, keeping to the background to play at comic relief or the damsel in distress. I bring all this up because - within the comparatively slim queer rep we’ve gotten in media - there’s a long history of writing them so that one is clearly the “man” in the relationship and the other is clearly the “woman.” This extends from visual markers like dividing them between assumed masculine and feminine clothing preferences - who wears dresses and who can pass for a boy in a baseball hat and sweats? - to caching in on equally assumed personality traits - who is the calm and compassionate individual; who has the temper and is constantly itching for a fight? To use two examples, think of couples like Sapphire and Ruby, or Kurt and Blaine. One is a cool blue in flowy dresses, always working to be sensible, while the other is an angry red in a sensible shirt and pants, easily pissed off. One is practicing a version of Beyoncé's “Single Ladies” in a sequined leotard, framed as the lady, whereas the other sings “Teenage Dream” in a suit at the piano, a song meant to appeal to the teenage girls watching, no matter the character’s sexuality. I’m simplifying a LOT here, including the context for the times (Glee) and the ways in which this divide is sometimes flipped (Ruby and Sapphire’s wedding), but my point is that whether authors realize it or not, they often force their queer characters into the gender binary, even while they’re supposedly meant to be challenging those norms. Blake and Yang, to get to a long-winded point, are becoming a part of that trend, wherein the closer they get to becoming a canonical couple, the more classically feminized Blake becomes. That, in turn, positions Yang as the “man” of the relationship. Already embodying some of those assumptions with her tough personality and brawl fight style, Blake’s regression into someone in need of rescue, someone less likely to speak up, someone who is visually positioned as less confident and in need of emotional care (think of her drooped ears and inability to make eye contact in “Ultimatum)” only increases that reading, especially given arcs like Yang’s insistence that she doesn’t need anyone protecting her, morphing into her becoming Blake’s protector instead. Yes, the dialogue states that they protect each other, but we all know RWBY struggles to show what the characters claim. Scenes like Yang arriving on a badass motorcycle to fight the majority of the battle against Adam, ending with her cradling a sobbing Blake who promises to never leave her side, or confidently taking Blake’s cheek in hand to comfort her after their not-fight, a moment of confidence and (unneeded) forgiveness... this all speaks volumes of something RWBY doesn’t think is there. So I don’t believe it’s intentional and, as said, there are a lot of complexities to take into account here, but I nevertheless don’t think it’s a coincidence that we’ve lost so much of Blake’s original personality right around the time the show got more serious about their relationship. As a presumed queer couple, there’s an instinctual desire to figure out which is the “guy” and which is the “girl” in the relationship, with Yang being positioned as the former the more Blake changes to fit the latter. 

[spaceorphan18]

What do you think about Kurt and Blaine’s chemistry in season 5? for some reason I’ve always felt like it was really off in the New York arc. I’m not sure whether it was the fact that the writers were only giving Klaine tension instead of happy moments or whether it was due to Darren/Chris, or if I’m just imagining it. Kurt just definitely seemed so cold during that period of time.

You know, I kinda figured I’d get this question eventually, lol.  

So - let’s talk about the New York Arc and Advanced Television Production.  

This question has /layers/ lol. 

For a simple answer, so you can check out if you’d like, I think their chemistry was fine, I think production was super rushed and flimsy at points, and I don’t really think Chris or Darren had anything to do what you might feel is /off/ but since actors are the face of the show, they get the brunt of the feedback.  

For a longer answer (and I mean long) follow under the cut! 

So, among being an avid fan of film production where I’ve picked up a lot of the industry knowledge (to which I’m not very -- just a fan) I’ve been listening a lot to The Office Ladies podcast, and they’ve been bringing some stuff up that I think is important to remember about film and tv production.  There are a lot of parts that go into it.  There’s the writer’s intentions, the director’s vision, the editor’s cut, the producer’s needs, and the actor’s performances.  And between those things - the show becomes what it is.  

1. The writing - The writing of Klaine in the New York Arc makes more sense when you look at the thing as a whole within context.  Kurt and Blaine were headed down a path towards a break up.  Kurt felt like he was losing his individuality and wasn’t communicating that well to Blaine, there were also some unresolved issues due to the previous break up, and the fact that Kurt was so stubborn on his stance about marriage.  Meanwhile, Blaine was so insecure, he depended on his relationship to mend those feelings, and tried to preserve that perfect feeling instead admitting that he needed help and the relationship wasn’t perfect.  

I’m oversimplifying, there are a lot more complex parts going on but neither of them were truly happy despite them feeling grown up adults in the city of their dreams.   The point being that they needed some time apart to grow up and mature a little to understand what being in an adult relationship means (explored more in season 6 after the break up).  

One of the problems, in general, with the writing is that it was so focused on the more dramatic moments of the Klaine story, we didn’t get to see much happy down time or times when they did work better.  This is a fault of Glee in general being a story about big moments and broad brushstrokes rather than zeroing in on the nuances of a complex relationship.  

2. The direction - believe it or not, the actors are kind of vessels for what production needs them to be.  Chris and Darren are both professionals (I’ll get to them in a minute) and if the director wanted more angst he’d give them another take.  Ultimately - the director makes the call whether or not he’s happy with how the scene is playing out.  If the directors weren’t happy with Chris or Darren’s performance, they would have done it over again.  

3. Editing - so, I’ve studied Glee long enough as an artform to now have paid attention to things like editing.  And let me say this -- I have long had issues with the way this show is edited.  I’ll have to do a separate post on it if you really want it, but let’s say -- how you put together a TV show from various takes makes a huge difference.  And by season five, the editing was choppy and often misleading.  Part of it is because the scripts weren’t great.  Part of it is because at this point I think they were under pressure to get things done in a short amount of time.  And part of it is, I believe, by season 5, most of production didn’t have their hearts invested as much as they used to.  

This goes and in hand with... 

4. General production -- I do think this context is important.  A beloved member of their family - Cory Monteith - had just passed away.  That is /hard/.  It’s hard to work around, it’s hard to write around, it’s hard to produce a show when someone you care for just isn’t there anymore.  On top of that - Glee was not as popular as it once was.  They were probably getting pressure from the network to do the show with less money, which meant less time to do all the normal production stuff -- and because glee had to incorporate things like musical performances, they were always pressed for time, which can cause sloppy production values.  

5. Notes from the Network - there are always some -- I have no idea what they were, and what the network insisted they had to change, but the network always hand some kind of hand in shaping the show for better or worse. 

6. Chris and Darren -- okay, let’s talk about this, even though I’m a little over this one, cause I’m tired of the two of them getting blamed for things - especially in season 5. 

First of all, I don’t know either of them personally.  And I think it’s unfair to speak for them.  Unless they come out and say specifically how they felt about that time period, I would say take this analysis with a grain of salt.  

No. I don’t think Chris was checked out.  I’ve often said that Chris’s time on Glee is a lot like going to college.  Sometimes it can be the best times! Sometimes it can be the worst.  I know when I finished, I just wanted it to be done and over so I could move on with my life.  I do think Chris was tired of certain aspects of the show -- I think he was tired of having to grow up on camera and in the media.  I think he was tired of people constantly thinking he was dating his costar when he (clearly) was not.  And both he and Darren were vocal about not really wanting Kurt and Blaine to get married (or being boring in the background of scenes). 

Do I think he hated his job? No.  Do I think he hated Klaine? No(ish).  I think he wished Kurt had his own story line, and I do think both he and Darren actually enjoyed the heavier emotional stuff they were getting by the time season 5 came around.  I also think that Chris does not want to be known as Kurt nor as one half of a popular TV couple because it impedes on his individuality.  And I also think Chris was ready to move onto other things in his life.  

Do I think that bleed into the show? No, I really do not.  I think Chris knew how the season was going to play out - and played it accordingly.  

(As an aside - I want to point out that Kurt during the NYC Arc is generally unhappy with more than just Blaine.  And in fact, I’d argue, he’s more irritated with Rachel at any given point than he is with Blaine.  Go watch Old Dogs New Tricks again -- he could have stuck it to Darren/Blaine, he did not.  He stuck it to Lea.  But that’s a completely different topic for later.)  

Meanwhile, Darren! So, I’m going to preface this by saying -- I love Darren, I really do, and under good circumstances, he can be a great actor.  And he has some just stellar moments in the NYC Arc.  He also has some not so great ones, too - and out of the two of them Darren wavers in acting quality during this time period.  I promise, it’s not a slam on Darren (I do love him!) but there’s some over-acting (and a little underacting) that’s going on, which doesn’t help much. 

Also, I want to point out, that a lot of issues Chris was vocal about concerning Klaine, Darren had as well, he was just better about being diplomatic to the fans about it.  He also wasn’t (as) bothered as Chris was about the whole tinhat thing (unless it involved verbally assaulting Mia, which then he put his foot down - yes that happened.) 

So.... let’s talk a little about the episodes in NYC Arc and hit up some of the problem points, shall we? 

New New York 

The biggest issue people always seem to have with this one is the performance of You Make Me Feel So Young - which is off putting out of context.  They’re supposed to be happily living together, right?? What’s going on?? Well, we’re a good nine months after Blaine moved in, it’s the morning after the bedbug scare where they were up half the night, and Kurt is a person who just needs his space and they’re living in a place that doesn’t have any walls. On top of that - Blaine is pushing a little hard on his fantasy of wanting to be an old married couple already. I’m not surprised Kurt isn’t all roses and daisies about it.  

Am I sad we didn’t get to see the first few months of sunshine and rainbows? Yes absolutely! They definitely allude to the fact that they’re having a lot of sex -- and I’m sure there were a ton of sexy times in the beginning. But living in one room with five-ish other people is not fun, especially for someone who needs alone time and space to recharge.  Or someone who just wants to have sexy times with his fiance and can’t because roommates.  

No, You Make Me Feel So Young isn’t the most feels-y, but I’ll also argue that Kurt isn’t the most checked out either.  There are moments in there where Kurt is genuinely happy and having fun messing around with Blaine.  And the point of the song is that they are young and shouldn’t be singing that dumb-ass song about being old marrieds anyway.  

The other thing is the whole Blaine moving out stuff.  Which... is entirely because it propels the plot of everything else going on, not because logic.  I do not really believe any young, engaged couple wouldn’t kick their friends out to their other friends house if that was an option so they could be together. But the show needed Kurt and Rachel to remain living together so Kurt could continue to be Rachel’s emotional prop.  Whatever. And they wanted to set up the ending where Blaine moved back in again as a full circle moment (even though they end up breaking up again, lol I’ll get to it.) 

So writing nonsense aside, I think they handled the important scene at the end of the episode really, really well.  It’s one of my favorite Klaine scenes because it’s a time when Kurt actually expresses what’s in his heart - that he’s conflicted because he’s figuring out that love is not all you need to make a relationship work and he doesn’t know how to navigate that -- or if ultimately, the relationship is what he wants.  But, it is, and his saying that his relationship with Blaine is one of the most precious things in his life is one of the strongest affirmations about anything that Kurt ever gives.  Happy or not happy in that moment, Kurt values his relationship with Blaine above everything - and will protect what he thinks the relationship means at all costs -- even if it means breaking his own heart in the process.  

Bash

This episode is a mess, and the weakest written episode of the arc.  It’s essentially two very different plot lines unevenly stapled together.  Kurt being bashed doesn’t get enough screen time, and it ends up being a morality tale for Rachel rather than delving into the impact it has on the actual gay members of the group.  Blaine’s POV is very limited, which is a shame because there’s an entire story there they really should have told.  

I’m using the still above to show that, yes, as awkward as the set up the scene above is - Kurt’s happy to see Blaine when he enters.  

Why is Kurt so cold during the scene where they lay flowers at the dude’s attack scene?  I don’t think he is? I think he’s recovering from getting the shit beaten out of him, and I’m under the impression that they guy actually died in the initial shooting of the scene and they changed it in post to have him live.  On top of that - Blaine’s feeling clingy because he almost lost the person whom his entire self worth is relying on at the moment.  

Tested

Tested is super, super complicated, and I’m just not going to rehash it here... again.  Please read my meta on this one - I do go incredibly in depth on it.  

I will say this -- Tested is an episode that is densely packed, and relies on subtext to tell a lot of its story.  While I love this episode, the episode needed to be 100% focused on Klaine to really do the stories they were telling justice, and a lot of it is up to interpretation.  

The biggest push back I always get on this one is the ending, and Kurt seeming ‘cold’ here.  And I’ll say this -- You can love a person deeply, and still be as affirming as you can, and still be upset about how they were treating you.  You can be sympathetic to their plights and frustrated that these conversations keep having to be had.  Blaine’s insecurities are feeling heavy to Kurt -- that is a part of being in a relationship, that is a part of being in an adult relationship.  Your prince and knight in shining armor is going to eventually be a human being with problems that you can’t always solve.  And sometimes that is tiring - no matter how much you love a person.  

Opening Night

There is zero Klaine in this episode - because it’s Rachel’s episode, and Kurt was needed as the gay best friend emotional prop.  Do I think there was an missed opportunity to show Kurt and Blaine happily dancing together at the club? I do! But I don’t think it has anything to do with any interpretation of their characters.  I think they told the actors to go have fun - and they did. 

The Back Up Plan

I don’t necessarily have any major faults with this episode, nor have I heard much push back against it?  Out of all of the episodes - this is the one where I do have some minor quibbles with acting, some of it being from Darren not clicking Blaine on for ten seconds or so at the beginning, and some of it from Chris being over-the-top in a few places, but nothing that fully takes me out of it.  Neither of them are being different in scenes with each other than they are in scenes with other people.  And there are some really solid Klaine moments in the episode itself.   

Old Dogs, New Tricks

AKA The one that Chris wrote.  Here’s my thing...  there isn’t very much Blaine in this episode (wisely so).  I think a) Chris wanted to write Kurt a story line that didn’t involve Blaine so Kurt could have a story line that didn’t have Blaine -- and that’s fine and valid and b) I don’t think he wanted the pressure of writing for Blaine, so wisely didn’t have him in it much. 

He wrote a very sweet Klaine moment that incorporated the overall story.  I have no complaints.  And I’ll add -- Chris (purposely so I assume) directed all the passive-aggressive writer-y things towards Rachel.  I do believe if he ultimately was having issues with Darren (or Blaine) he would have had zero compulsion about bringing that into the script. 

The Untitled Rachel Berry Project

Do people have issues with this one? -- I really only have one, and that’s the end of the scene referenced above with the still.  And it’s a good example of how I think production effects story.  This is a beautiful scene, until the last few beats.  We have this big emotional moment for Klaine -- and then it’s capped with a really dumb joke about Blaine being the luckiest guy in the world and a throwaway, badly edited kiss (scored to some upbeat, tacky scoring).  If it were me - I’d let the emotion of the scene continue, let the boys stay on the steps, let them kiss in an emotionally driven moment, and then they can go run up stairs to have sex and not make a joke about being turned on by birds.  The last ‘joke’ can be left on the cutting room floor because it’s really not needed.  But Glee being a ‘comedy’ felt the need to cap the moment before the break with a joke because it’s Glee.  

See what I mean? That’s not Chris or Darren’s fault.  That’s one part writing, one part directing/editing, and one part my opinion of it not working.  

Otherwise, I really don’t have issues with this particular episode. 

I’ll say this though -- a) Kurt is incredibly happy to have Blaine move back in and that means something.  b) the reason this is left on such an upbeat note, and not necessarily foreboding of what’s coming next season is that there was a real chance they weren’t getting a next season -- and they wanted to make sure the characters ended in happy places in case this was the series finale.  c) we were shortchanged two episodes from this season -- who knows what more they could have developed if the had had more time. 

*****

I don’t know if any of this helps (or if any of my additional meta helps) but I suppose I’ll say this -- I’ve meta’d these episodes so much that I see the cracks in the production, but I don’t really take issue with them anymore.  I like the story being told, and all things considered, I don’t think it’s all that bad.  

I think one thing to keep in mind is how Glee tells stories in general.  Are the couples happy? Well, then they’re in the background not doing anything.  Are they having conflict? Yes - well that’s front and center.  Also, keep in mind that Glee prefers telling stories about couples getting together more than them being together (or breaking up).  We start season 6 after the break up, and even season 4′s break up happens at the beginning of the season - why? Cause Glee loves writing angst-y couples who eventually get together in a big moment.  

And I’ll add to that -- did you notice that Sam and Mercedes go through a similar arc as Klaine during the NYC arc? No really - do you know why Mercedes breaks it off with Sam? Because their lives are just in different places and she wants to preserve her good feelings for Sam -- and that’s very similar to Kurt’s reasons at the beginning of season 6.  

No - this season isn’t happy, flirtiness of Kurt in season 2 (and I’ll argue that was Kurt’s story - not Blaine’s, and it’s also somewhat flimsy in structure when considering the love story aspect of it).  It’s not the background moments of season 3 - because they’re together, and there’s not a classroom to be backgrounds of.  (Could they have done a little more in the group scenes? Sure - but it’s not that bad.)  It’s not the angst fest of seasons 4 and 6.  And not helping is the fact that the first half of season 5 really had very little Klaine development at all.  

so, back to the beginning, I feel like the story they wanted to tell was about Klaine having conflict and resolving said conflict, and getting them to grow into an adult relationship.  Do I wish there were more happier times to balance that out? Of course I do! Do I feel like there’s a lack of chemistry or that Chris and/or Darren are to blame? Absolutely not.  Hope this helps a little Nonny - and feel free to ask me about specific moments if you need to <3 

[garregmachmatchups]

hi mod ava!! would i please be able to request a regular matchup?? i’m bi, so i don’t mind any gender. i hope this isn’t too much info, but i hope the layout makes it readable?? thank you so much!! 

personality

the good: 

curious

i love to learn? is that a good thing? (as long as I’m not being graded on it,,, otherwise that’s a disaster)

open-minded

thoughtful

good conversationalist/listener (or, at least I’d like to think so,,, i can talk for hours and hours)

trustworthy (ish)

compassionate (or at least, i try to be!!)

patient

accepting (within reason aadjsdfkjhfds essentially i just try to not judge people)

understanding (i do my very best!!)

the bad:

prone to catastrophizing (that’s the anxiety poking through)

indecisive (I cannot make a decision to save my life)

shy (it’s not that I’m quiet or withdrawn, I’m just Deeply Afraid Of Rejection)

unforgiving (while I can be pretty patient, once I’m done with someone, I’m Done)

prone to melancholy (I do my best to fight it, but that melancholy be Strong)

overthinker (i literally write a whole dissertation in my head about a topic literally No One cares about… or i’ll decide to pick apart my relationships with others when it’s really not that deep. this one’s a mixed bag.)

irresponsible (ish. i can take care of myself and my roommate, but i get a bit scared of Responsibility with a capital R. idk if i’m making much sense but,,, i can take responsibility, i’m just scared i’ll mess up so i try not to?? ir’s something i really need to work on)

the neutral:

opinionated (I’m putting it as a neutral trait bc I’ve been told that I’m “interesting to talk to” because of it, but my god… sometimes I wish I’d just calm down,,, and there are just some things it’s not worth being opinionated on, you know?)

Sensitive (with a capital s) 

imaginative (fun for creative things, bad when your catastrophizing)

talkative (for similar reasons as opinionated… I love to talk and I have So Much to say, but sometimes I wish I’d just learn to… shut my damn mouth)

my sense of humour (i’d describe myself as a “chaos goblin”, and one of my friends once said I’m a “mixed bag of human”, meaning that he can never predict what I’m going to say to him next; essentially i have a very “flexible” sense of humour, but the more absurd, the better)

perceptive (neutral just bc while it’s good when dealing with people I like, it’s fuel for anxiety)

a bit of a “mum friend” (in the sense that,,, i’m always concerned with people’s health and wellbeing but that can come off as overbearing at times? and it’s ironic that i’m a mum friend because as stated earlier, i can be kind of irresponsible hhh)

Interests

reading (when I can actually commit to a book sjkdfhs)

writing (when I’m not LAZY!! Also, my genres tend to be more along fantasy or urban fantasy lines? A little sci-fi, when I’m not scared off by trying to do worldbuilding for that genre because O H B O Y science & technology is a LOT scarier than magic tbh)

trawling Wikipedia for an unreasonably long time

drawing

character analysis (my favourite part of engaging with any new media skdfhkfhj)

anthropology (it’s my uni major and I love it!! so much!! i could talk about it for hours!!)

history (shamefully, i am a nerd)

art history (I LOVE ART, my fave artist is probably alphonse mucha? If you’ve never seen his stuff definitely have a look! It’s A Lot but it’s stunning)

sociolinguistics (it’s so interesting!! And I guess languages too, but I’m so bad at learning them asjfdhddsklj)

fashion (in a way? I just love pretty clothes, and my style is… a lot of patterns, especially animals and flowers, and it’s retro-adjacent?)

D O G S

most animals tbh (I love foxes and owls! i also adore mythological creatures, like dragons and griffins and all that)

again, i hope this isn’t too much!! thank you again, and i hope you enjoy the rest of 2019!! (when will i stop using exclamation marks my goodness–)

Hewooo!💕Omg I love your matchups I can’t believe you asked me for one I feel honored lsfdjdjakj. I really hope I don’t disappoint lol. Also haha I got inspired. So without further ado, let’s get to it! Your match is…

Claude von Riegan!!! 

Bro you and Claude are like two peas in a pod. You both share a passion for knowledge, curious about the world and people around you. It’s a big part of who you are, which makes it all the more important for you to find someone who sympathizes with that need. For Claude, it’s one of his biggest motivators. Same as you, he appreciates different cultures and societies greatly. For that he needs someone who is open-minded and accepting, someone who can support his dreams, a world without borders, as well as someone who can accept who he truly is. With Claude’s curious nature, he always looks to be engaged, so your conversational and passionate character would certainly be intriguing to him. I can just imagine you two going on about for hours and hours, discussing anything and everything that comes to mind, especially about stuff relating to different cultures and different ways of life. Because Claude is more on the lighthearted side, someone with a sense of humor would be best suited for him, so someone who is as “chaotic” and unpredictable as you would be perfect to keep him engrossed and prying. All the same, Claude’s light-heartedness would be greatly beneficial to you, as you often struggle with anxious thoughts and feelings. A calm presence in your life to remind you things aren’t as bad as they seem, especially one as rational and reasoned as Claude. As we all know though, Claude despite acting light-hearted is quite secretive and wary of others. Therefore the fact that you have a trustworthiness about you could really get Claude to open up to you more so than to others. You being patient and perceptive would also be of great help, knowing Claude has his reasons as well as you being willing to wait until he opens up. Together, you’d be sure to change yourselves and the world for the better

Headcannons:

When you first meet Claude, you are incredibly drawn to him, as he possesses a very mysterious air about him, which of course only entices your curiosity.

Claude, sensing this, in turn, becomes curious about you (meanwhile everyone else just senses sexual tension)

Um, lowkey a detective couple? Discovering the mysteries of the world together…or your classmates’ secrets

Also tea time with you guys is #DEEP. Just thinking about the world and life in general

Sometimes it just turns into you rambling about your opinions or just in general things you want to talk about and Clause just listening to you with admiration or vice versa where he just talks about his vision of the world and you just staring at him in wonder, just goals

When Claude first hears you talking so passionately about stuff like anthropology and history, he immediately goes “Yep, they’re definitely the one”

He really appreciates how patient you are with him, even when you are curious about him. He promises though that one day he’ll share everything with you

Claude is always there to help whenever you start overthinking or catastrophizing, as he always has a logical argument as to why the situation is not as it seems. If it’s something more serious though and you really start panicking, he’ll hug you while reassuringly tell you it’s okay (he doesn’t always help with the indecisiveness though, like my bro how are you so chill about every decision you take)

He could also be of great help with your fear of responsibility, teaching you to have faith in yourself

Loves that you are imaginative, seriously you just brought his schemes up to a whole new level

Also haha chaotic couple, people are either dying of laughter with you guys around or are super confused about your dynamic (or scared who knows)

I get the impression that because Claude is always so immersed in his goals and responsibilities he has, he sometimes forgets to take care of himself, so you being a sort of mom friend would definitely be good for him

Umm also i’m pretty sure Claude loves dogs and animals (he rides a wyvern for christ sakes). He’ll totally take you out on a ride on his wyvern, just soaring across the sky seeing the world

If you’d ever take an interest in Almyran art history or fashion the man will love you forever. Honestly just taking an interest in the Almyran culture, history, etc. Will increase his love tenfold

Ughhh I just stan

Other matches: Ignatz Victor, Petra Macneary

Hope you enjoyed the matchup! If you feel like you weren’t portrayed correctly/I misinterpreted your information let me know and I’ll make the corrections!