#it was supposed 2 be a sketch 4 the redraw i mentioned a while ago and i uh got carried away

[doodlboy]

Kinda obsessed with this makima doodle

[bittervitter]

ang0mang0′s “copycat” claims

I didn’t want to have to make another post about this, but since people on sonicfan799 / thatAnge / @ang0mang0′s Tumblr profile are getting riled up about this ridiculous drama that should have died ages ago, I figured I’d defend myself. Some people who are trying to support me have been saying incorrect things too, so I also wanted to clear that up. This crap has been going on for months, everyone is sick of it by now. Instead of being brief like I did for other social medias, I’ll be as detailed as possible this time.

[1] “she’s copying/imitating/heavily referencing from my art style!!!”

Like people have said a million times, no I’m not. And nor is anyone else. Just because someone draws the Sonic characters in a similar style to you does not automatically mean they took, copied or “stole” those ideas from you. You don’t own the concept of buff, fluffy bodies or chubby muzzles. COINCIDENCE, as much as you hopelessly deny it, is very much a possible thing- even in crazy situations such as this. There are several other artists who have similar art styles by mere coincidence. IT IS NOT IMPOSSIBLE. As examples, these Instagram artists have similar styles: @ azulytoons and @ indigonite0 / @ magenta_mel and @ zer0finix / @ himemikal and @ natirix. NONE of these artists are “stealing” or referencing from each other- they just have similar art styles, and that is perfectly okay! They draw completely different things with completely different mindsets. The world does not revolve around you, ang0. Not everyone knows who you are, so some people who use the same traits that we do don’t even know we exist.

Also, to anyone unaware, an art STYLE is not merely how one chooses to portray a character. An art STYLE is also what brushes you use, how you sketch, how you line, how you colour, how you shade, how you choose to portray certain objects or ideas- basically your entire fucking understanding of how something’s supposed to look and how you LIKE it to look. It’s not just “chubby faces, poofy curly hair, buff bodies”. It’s everything in a piece AND that.

[2] “she’s tracing my art/ redrawing my ideas!”

Literally no. People have constantly asked you to provide evidence and you refused to. All you did was scream “but it’s so obvious, just look at it!” or “are you dumb? use your eyes!” and several other insults. If you want to prove a point or make someone see something, GIVE. EVIDENCE. The only person who actually provided “proof” was pin_kpeach, your ever so loyal whiteknight, but her “proof” only backfired and proved that the both of you are extremely delusional. In the drawings of ours that she layered over each other, next to NONE of the lines lined up. It looked like a clustered mess of scrap, and the reason for that is because IT WASN’T TRACED. In the one or two drawings where ONE. SINGLE. PIECE. actually lined up was entirely zoomed in to make it seem as though the whole thing was traced. No, honey, that’s not how you provide proof. That’s how you pull a muscle by reaching so desperately to lie about me. The rest of the drawings in those pictures didn’t line up at all, and one- or I believe both- needed to be titled to line them up in the first place. You could say that some people trace things and resize or rotate them, but if I were as dumb as you persist to say, then I wouldn’t have done something like that. Either way, one aspect of a drawing lining up is a common thing for people who have similar styles because- well, I just said it. THEY HAVE SIMILAR STYLES. If they draw something the same way, well fucking duh, it’ll match someone else’s drawing almost exactly sometimes.

[3] “she’s too petty and too much of a liar to credit me! saying the art isn’t hers will hurt her oversized ego!”

Ahaha no. The only one here with an inflated ego is you, ang0. You call me the egotistical one yet you act as though your life is falling apart just because someone else draws like you on the internet. Stop acting like a special snowflake, you are not the only one on this planet with an art style of that nature. I don’t credit you because crediting you makes no damn sense. Why should I credit someone who’s had absolutely no impact on my work whatsoever? What in the hell did you do for my drawings that makes you deserve so much credit? Did you sketch it? No. Did you line it? Nope. Did you colour or shade it? Not a chance. Just because I came up with a design for the characters that happens to look like yours does not mean I owe you jack shit. You cannot. own. a style. Get over it.

[4] “she worsened my depression and is the reason I can’t draw anymore! I have no motivation when there’s some idiot copycat stealing all my art!”

I don’t want to sound like that kind of person, but you worsened your own depression. You painted this false picture in your head and continue to hang onto that belief like your life depends on it. I haven’t done ANYthing to you. You came to ME with these stupid claims back when my art looked LESS like yours, before I even knew who you were. You’re making yourself feel horrible because you, for some paranormal reason, refuse to believe that you’re not the only one with that kind of style. This is why people call you childish, you’re like a whiny baby that can’t accept another child having a toy similar to yours. I can’t even decide whether I should say “grow up” because you’re older than me- not to mention you’re an ADULT.

[5]”she constantly sends her whiteknights to attack me, harass me and send me threatening messages!”

I’ve said several times to my followers NOT to harass you or your followers or anyone against me in this mess at all. I do not send anyone after you. People say things to you out of their own free will and with their own words. I can’t magically know when this happens, why they decide to and I especially can’t control anyone. I’m sorry that my friend Koro sent you all those DMs and horrible messages wishing a lot of very bad things onto you and your family- I asked her several times before and after not to do that, but I didn’t have a clue she did it until after the fact. Either way, don’t go around assuming that I put people up to this or I intentionally ask people to do these things to you. Why in the hell would I do that? What good does that do? All I wanted to do was talk things out but at this point, you don’t even take me seriously, so I can’t even try anymore. The few times we did talk you refuse to see my point of view and just see me as a liar. What the hell am I supposed to do then?

[6]”all vio does is lie, she’s so fake all the time, lying for her petty ego”

I’m not even sure how to respond to this but I thought I might as well bring it up. No matter what I do or say, ang0 sees me as nothing but some retarded liar that can’t help but lie their way around everything, even though I’ve been nothing but genuine all this time. It’s why I can’t even communicate with her anymore, because “shut up, stop lying you copycat” is all I get in response basically.

[7] her insane hypocrisy

Ange and pin_kpeach have said numerous times that I’m rude or insult her, and there have been times where I’ve been mean out of anger, but I know for a fact I apologized for it in DMs. Ange apologized too. I don’t remember ever insulting her after that, but ang0 doesn’t ever stop ridiculing and insulting me with almost every comment she makes on the drama. If she really was sorry, she wouldn’t have done it again, but I guess she said “fuck it” and just continued anyway. Pin_kpeach likes to say I’M the hypocrite for saying Ange is harassing me yet being rude to her a couple times, yet they do they exact same thing, but even worse?? I try my best to be as civil as possible, but ang0 and pink don’t waste a second calling me and my supporters all sorts of colourful names just because they don’t agree with her claims. In fact, here’s a list of every single thing ang0’s ever called me:

retarded, retard, stupid, idiot, dumb, low IQ, mentally ill, crazy, talentless, skill-less, copycat, art thief, (dumb) cow, fuckhole, asshole, bitch, wanna-be artist, unreasonable, clown, fake, liar, hypocrite, delusional, dick, stalker, bittershitter, dumbass, immature

There’s probably more than that, but that’s as much as I can remember. Not hard to forget when she repeats them almost all the time.

[8] gatekeeping ideas

Ange and pink act as if two people drawing a character in the same outfit automatically equals “du bist kopying mein style!!”. I can’t even begin to imagine the mental gymnastics you need to do in order to believe a thought process like that is logical. She thinks that anyone who draws Amy in a dress with a white under-skirt or white ruffles underneath is nothing but a copied idea from her. She thinks that me drawing Amy in a green tank top, blue backwards cap and blue sports shorts is copying her drawing of Amy in a green unidentifiable top (you could only see her back, she didn’t seem to have straps) and blue sports shorts with a slightly different design is automatically copied from her. The poses, shading, angle and idea behind the drawing were COMPLETELY different- but nonono, “this is stolen because the outfit is the same!” They also use the excuse of the whole chubby faces, curly hair, blah blah blah- see point [1] as to why that’s BS.

[9] her perception of my followers/supporters

Aside from Koro, I don’t know if anyone has seriously threatened or harassed her. Her followers comment on my posts, my followers only comment when she brings up the drama or whines about it. She insults my supporters when they don’t agree with her and act like they’re a bunch of immature brats who are wrong while she’s the high and mighty mature one seeing through non-existent lies. I’m used to her making fun of me, but I’m sick and tired of her insulting people who have nothing to do with the drama just because they don’t agree with her. Like, seriously? You call everyone immature and stupid yet you’re the one insulting people non-stop just because they realize how ridiculous and childish you’re acting. That’s why “childish” has become a popular adjective for you, ang0. BECAUSE YOU’RE BEING CHILDISH. CONSTANTLY. You get pissy, insult others and put people down but whine and cry the next minute because you constantly like to play the victim. Speaking of which...

[10] the victim card

I have absolutely no idea what ang0 goes through in real life, but there is no excuse for how she’s behaved during this drama AT ALL. Ange constantly defames her own artwork, calling it shit, calling it every bad name in the book, but doesn’t hesitate for a minute to gatekeep her style as if it was the best thing in the world. She says it’s because she “worked her ass off” and doesn’t want people just stealing her hard work. Okay, but you do realize that other people put just as much work into their own art, no matter if it looks like yours or not, right? She demands that people change their style to stop looking like hers, acting as if that can be done in a matter of minutes, because people having similar styles makes her uncomfortable. Well, surprise motherfucker- welcome to the internet. No one is original and everyone is original at the same time. People are bound to come up with similar ideas and you’re just going to have to deal with it. But despite the similarities, people are still original in their own right. If you believe that people can change a style so easily, why not just change your OWN style? Because you worked your ass off? Well, THEY WORKED THEIR ASS OFF TOO. So don’t act like you’re the only one who’s put effort into their craft. Art is hard, and that applies to EVERYONE- even professionals.

You blame me and other “copycats” for all your problems, blaming us for worsening your depression, ruining your passion for art- when you’re the only one who does this to yourself. Yes, there have been genuine art thieves in your life, and people who have stolen your art- but what I’m talking about are the people like me who DON’T steal your art or are merely inspired by you. People who say “you should be happy they’re inspired!” aren’t saying “you should be happy they’re copying!”. They’re saying that you should be glad that your work is so inspiring that people create their own unique ideas based off your own. Inspiration doesn’t require credit unless they’re purposefully taking a massive part of the original. But being inspired by a hair style or even a pose isn’t stealing. It’s inspiration, that’s it. I’m not inspired by you at all, but I can at least appreciate your art- even if you think I’m just being fake.

[11] ang0mang0′s history and why this shit doesn’t even make sense

Ange has said publicly and to me in detail about how she’s been accused of the same “art style theft” in the past. From what I’ve gathered or heard, people used to accuse her of copying a popular artist called myly14 who’s Sonic art is pretty much everywhere. Whether it be in edits, MVs or whatever else.  Looking at her old art when she went under the name sonicfan799, her art does look similar to myly’s, but ang0 insisted that she didn’t copy myly and didn’t even know who she was. She legit said “it’s not my fault my art looks like someone else’s”, so basically- it was coincidence. She said she changed her art style because she “isn’t an asshole and didn’t want to make the other artist uncomfortable”, even though art style theft isn’t a thing and no one needs to be forced out of a style just because someone else already draws that way. I have no idea what myly’s stance on that situation was, but the fact that it happened just proves how stupid her current claims are.

Ange says that her style is “too complex” to be coincidentally similar to someone else’s, even though the fact that it’s happened 30 times (according to her) just proves that no, ang0, no it fucking isn’t. Your style isn’t complicated at all. Detailed sure, but no style is too complicated to be similar to another’s. Being complex doesn’t make something any less likely to be identical to another complex style.If you didn’t copy myly14 in the past, what right do you have to accuse me of the same damn thing? If I really am copying you, then you have to admit to copying myly, because you can’t just lie about your past and then shit on me for doing the same thing. So it’s either you stop this nonsense or you drag this drama down with you to your grave and admit you copied myly14.

Another thing, myly14 didn’t even have a “simple” style. The fact that her art was almost instantly recognizable and popular meant that she had a signature style that stood out. Yes, she used a lot of the original Sonic style’s anatomy, but her stylization of said anatomy, her shading and the way she composed her pieces gave her a signature style. The most stylized thing I could see was how she drew muzzles, and guess who drew muzzles in a similar way as well? You did. People saw how your way of drawing faces and some parts of the body and thought it looked liked myly’s. The similarities in your anatomy, and not your shading or colouring, was what made people think you copied her. That exact same thing is happening between me and you. My shading, colouring and composition is entirely different from yours, but some parts of the anatomy are similar.

If you really didn’t copy myly14, you have absolutely no. fucking. excuse. to accuse me of the EXACT. SAME. SHIT. that happened to you.

You never needed or deserved to be pressured out of your old style just because people thought it looked similar to someone else’s, and that’s why I refuse to change my style now. Because it isn’t. fucking. fair. To ANYONE.

[12] how I feel (this is copied over from my DeviantART)

At this point I've grown used to what she has to say, but it still hurts. She thinks that I'm some kind of cartoon villain maniacally laughing behind a computer screen every time I post something because she's so deep into her belief that I really copy everything she draws and that nothing I've never posted has any true effort put into it. She genuinely believes she owns all my art and that I devote my entire gallery into recreating her image or some crazy shit like that. It sounds really dumb, but from what I've read from her poorly constructed comments and rants, that's basically what she believes.

She thinks I don't care at all about how all this affects her or anyone at all, but I do. It doesn't just hurt me in the sense that she makes me feel awful with all her insults, but I just feel so bad for her. I feel guilty in the sense that I couldn't do anything at all to help her, not that "shes prolly feeling guilty and made that april fools joke to let out some guilt!!". (If you don’t know, on April Fools Day, I changed my Instagram bio to say “clown” and call myself “the ultimate copycat” as a joke.) That was a really stupid reaction from her by the way... who the hell comes up with that? Now that she's going away for a month, I feel even worse because all I wanted to do was try to make her come to her senses and end this mess. I thought I could talk some sense into her- that didn't work. Her delusions are so strong, she's like a brick wall. I thought I could ignore the drama- that didn't work. She "clowns" and talks about it so annoyingly often. Not to mention people do things on their own to stir shit up. I thought I could support her regardless and maybe try making her feel better about her art- that didn't work. She thinks I'm fake and that everything I say is a lie. Because of me, she probably doesn't believe other people too- and that makes me feel even more terrible.

No matter what I do, I'm automatically the villain and she's the tortured, helpless artist that everyone is against because "everyone is dumb, supporting a copycat" and she's just "used to it, because she's dealt with so much shit already!". It's so ridiculous. If she would just try to actually better herself or the situation, she wouldn't feel so horrible all the time. Like... for god's sake, she relied on a video game to make her happy- that's not healthy, and just like I suspected, it didn't fucking work.

more of how I feel

Because of ang0, I just feel like garbage. My self esteem and confidence in my art was already low. Thanks to her, I don’t feel original (or as original) anymore- and I’m afraid to show many of my new or old ideas because she or her whiteknight pin_kpeach may spring out and say “copycat! stolen! you’re not original!” and a plethora of other insults. I can barely sketch or draw Sonic content without panicking and feeling worthless because all I have is her words and her opinions stuck in my head. She blames me for her demotivation and shit like that when she’s done the same thing to me. She thinks I don’t care about her or her art, when I do, but when I say that, she calls me fake. In reality, ang0 couldn’t give a damn about me and I’m pretty sure she’d be happy if I were dead. She has said before that she doesn’t care if I killed myself soo... there’s that. Anyway lemme not drag my feelings out too long, I just thought I’d say it to anyone willing to listen since her immediate response would’ve been “fake, liar” etc, etc. I really don’t want anyone to feel bad for me or anything like that, I just want people to listen and understand. That’s all.

a final note

I’m really thankful- like, REALLY thankful- for everyone who’s been on my side throughout this. I don’t like picking sides, and I’d hate to make people do so, but there doesn’t seem to be any in between to this at all. It’s either you believe I’m copying her or you don’t.  Most people don’t- thank goodness for that- but some do. And there’s nothing I can do about it. At this point, whatever man.

Please please PLEASE do not harass ang0. Don’t threaten her, don’t insult her, don’t do anything rash or fucking illegal. It’s all fair game if you want to POLITELY SPEAK to her, or try to start a discussion, but please don’t do anything stupid. And especially don’t do things in my name. If you want to debate with me or her, do research first- don’t just jump to conclusions or make assumptions.If you want nothing to do with this drama, then simply don’t say anything- just be aware of what’s going on, that’s all I ask. So nobody gets the wrong idea on either side.

Sorry for this being so long, I think I’m done for now.

Thank you if you read the whole thing.

[9.4.2020]

[maiji]

Process and wip images for A House That Holds Long Limbs

You can read the pages for part 1 here (full complete version will be linked from YYH North Bound master post whenever it’s done.)

Every so often I get questions about how I work, and I also enjoy reading about how other creators make things, so perhaps this might be interesting and useful to somebody out there too. I’ve talked about my process before but never really documented and shared it WHILE working on a project, so here you can see some of my thinking and decision-making (and poor habits lol) a bit more immediately, alongside screenshots, photos and scans.

Very long, everything is below the cut, and apologies to people on mobile and anywhere else this goofs up.

One question I get a lot is “do you start with words or pictures when creating a comic?” I jump between both a lot. That said, I tend to lean more heavily on words when documenting ideas in the early stages of a project. This is because, for me:

Words pack a lot of punch in conveying detail quickly. They work better when I need to quickly communicate something extremely specific to future me. I’m a sloppy drawer, so my sketches tend to make future me squint and go, “What the hell was this supposed to be?!”

A great deal of my thinking and planning is done during crowded commutes. It’s more convenient to jot notes on my phone than to whip out my sketchbook and a pen.

(For a while I thought it’d be awesome to have some sort of app where I can type notes AND have an accompanying thumbnail sketch, and be able to drag them around or break them out into more or fewer pages. At one point years ago I thought about creating a custom app... but ultimately too lazy/busy and my current process works well enough. If anyone wants to take this idea and run with it, please feel free to do so and just let me know about it so I can try it haha.)

I usually start with a few lines summarizing the gist of the idea, enough that’s recognizable and I don’t forget the important things to build off from. From there, I start point-form outlining the stuff that needs to happen, structuring them into key scenes/parts. These scenes are not always fleshed out in order - I just add to them whenever I have ideas for that part. 

Long Limbs, for example, had a progression like this:

Overall story idea: “horror story with rokurokubi, key plot point(s) happens, the end.” (There was a bit more detail than this, obviously, but we’re avoiding spoilers here.)

Initial description for Part 1 of the story: “Hokushin lured to go to somewhere. Separated from Raizen. HOW??????”

After letting it simmer for while, a solution: “Hokushin annoyed at Raizen. Opportunity for him to get away and go do his own thing.”

Gradually more detail: “Stranger invites him to go to this place to look into something/maybe has a paid job that needs to be done and Raizen is busy goofing off or whatever.”

Problem. I couldn’t resolve this chain of thought to my satisfaction. What kind of task/job can someone convince Hokushin to do on his own when he doesn’t know this person/it seems questionable? And how long will the conversation need to run to establish this as believable?

This was starting to get convoluted and I was getting annoyed because it was turning into a burden in being able to continue the story AND IT WASN’T EVEN THAT IMPORTANT. I decided to abandon this path of thinking, and left the entire story for a while.

Much later (like months?), I had an idea: “Mysterious person drops something, piques Hokushin’s curiosity.” Aha! Hokushin’s own initiative. Simple and plausible enough. HOORAY NO MORE THINKING. LET’S DRAW.

Then I realized, oh shoot, I need to figure out who this mysterious person is and what they dropped. More time passes. And so on… in between I’m always working on other things, so there’s no real creator’s block - at some point I start thinking about this comic again, and ideas work themselves out to some decent level of satisfaction and link together. Thanks subconscious!

Eventually, enough key scenes are fleshed out that I feel confident enough to turn this into a real thing. At present, for example, not all scenes in Long Limbs are totally worked out, but I’ve got enough that I ran ahead with Part 1.

Screenshot of the Google Docs notes/script for Part 1: 

This is a close-to-final version. The === on top is just to separate this from notes on other stories or ideas. This is the beginning of the document, but this document actually includes many other notes and stories for North Bound. I delete them as I finish and post the pages. Every so often I wonder if I should bother keeping them, but they’ve been refined throughout the process and usually don’t bear much resemblance to the original jotted notes anymore. Long Limbs was originally planned to be a later story in North Bound, but I got especially excited about it and fleshed it out further than the others. When I reviewed the earlier stories, I didn’t think there’d be a big continuity or reader experience issue if this was finished and posted first. So I moved the messy notes for this story to the top of the document. 

The page breakdown for the script is done by me generally picturing in my head how I might want the scene to go and how much action I might be able to fit on the page for good effect. I’ll sometimes start paginating without thumbnails, and sometimes will do both side by side (thumbnail and update pagination in tandem).

As you might imagine, pagination frequently changes. For example, you’ll see the script above is 9 pages instead of 10.

The original script for this section was broken up into maybe 4-6 pages, with 5-7 being more condensed.

When I started thumbnailing, I found it felt too cluttered and moved too fast.

So I stretched out the part of Hokushin and the mystery girl exchanging glances, and added pages to be able to create a (hopefully) more cinematic feel and really focus on the reason they catch each other’s eye - the bandages on their necks.

I then went back to the Google Doc and updated the script to line it up better.

I was also tweaking the dialogue at the same time and didn’t want to forget any key phrasing I liked. Dialogue is another thing I get really hung up over, often changing words up to the last second. (Sometimes this is because I messed up the size of the speech bubble, if I’m lettering on the computer...)

Thumbnails:

Pretty close to the final in this case - mainly because the sequence is pretty simple and straightforward and not many people are involved. I keep my thumbnails very crappy and rough so that I don’t get upset later when I can’t redraw something as good as the thumbnail. Bottom right was a quick attempt at designing the mystery girl.

Once I think the thumbnails are good enough - translation: I get impatient and just want to start drawing - I proceed to pencils for the actual page.

Throughout all this, I’m repeatedly reviewing script and thumbnail and playing sequences out in my head and then trying to figure out how to better direct the “camera” and the action. I may go back to the script and the thumbnails even as I’m finetuning the actual page if I encounter issues. You can see in both the script and the thumbnails that there are still deviations in the dialogue and the art from the final. Here are a few examples:

Page 3: The panels were originally 1) the setting, 2) Hokushin with his arms folded, 3) Raizen laughing, 4) we see that Hokushin is watching Raizen. After reviewing the thumbnail, I felt it’d be a better setup to flow into the scene if I switched panels 2 and 3. That’s closer to how you’d experience it in real life, or how it might be directed in a shot sequence: you enter an area/place, you hear the sound of some guy’s loud laughter filling the air, then the camera zooms up to the annoyed expression of this one particular dude and you see he’s staring at the laughing guy. Moving from bigger ambience to smaller details around the room.

Page 7: The girl was originally turning in the other direction (hard to tell because I redrew it right on top of the original sketch lol). However, this meant all the directional action would be pointing to the right - Hokushin is facing the right, and when he leaves the bar he’s angling towards the right side of the page. Facing the direction that readers will read in gives a sense of driving the action forward, while facing the opposite direction provides a bit of a mental stop. (This is something from Scott McCloud that always stuck with me.) So, I flipped the girl around.

Page 8: Script has Hokushin going “What’s this?”. When thumbnailing, I thought, “obviously it’s self-evident he’s wondering what this is when he picks it up”. It added nothing to the panel, and the speech or thought bubble would have interrupted the smooth action of him picking up the paper. So, axed.

The damn friggin’ bar and gambling: You’ll see the script mention this, and at one point I actually had the guy standing across from Raizen saying “Is this guy drunk?” I’m actually not sure if they’re in a bar or if Raizen is drinking, but neither were important to the actual story because I just needed Raizen and Hokushin to be in a place where Raizen could hang out with humans and be stupid. So I dropped these details. This is mainly because I ran into historical research problems about bars and alcohol during the Kamakura period (more on that near the end of this post), and this was the only way to stop myself from getting hung up on trying to make it “perfect” and “correct” and just get it done. 

Drawing the actual pages. This part is fun!

Inking the actual pages. THIS PART IS NOT FUN :( 

I don’t have very steady hands and I get very anxious about messing things up, so inking always takes me the longest. (I also get distracted easily, e.g., ink two lines and then surf tumblr for ten minutes lol). I’ve improved a lot since I started drawing comics much more frequently a couple years ago, and my choice of tools and style has helped a lot (I lean to variable lines and sketchy style, which is more forgiving than, say, a very precise art style with fixed-width pens) but I still get nervous at this stage.

I’m very lazy so I usually stick with one tool for inking. For Long Limbs I tried to effort more and actually used three. Right to left: Sailor fude de mannen for panel borders and text, Muji pen for artwork (0.4 because that was the only size available at the store when I went to get my refill), Pentel pocket brush for filling in blacks. I refill the fude de mannen and the pocket brush with fountain pen inks.

I usually ink panel borders first, then speech bubbles, then everything else. I hop all over the place and pages are generally in varying stages of completion. I also sometimes add in some more text lines because it seems like a good idea at the time - Hokushin’s complaint on page 3 about how he should have left Raizen when he got into a fight with a fish-seller in a previous story, for example. Sometimes these work, sometimes I regret it later and edit it on the computer.

Cover thumbnails and pencil sketch:

The one in the page thumbnails was the original idea, but then I thought, “seems kinda cliched. Can I get a more interesting angle where he’s not looking straight at the viewer?” (OK, his eyes are covered, but you know what I mean.) I quickly tried a few other angles and compositions, didn’t like them and ended up going with pretty much the original idea, but more zoomed in.

In the thumbnails, you can see all my little x’s indicating “ehhhh I don’t like this”. I wanted something with a particular mood/atmosphere especially with all the hands and arms, and I was conflicted between zooming out (for more environment and more arms, and the focus on the “long limbs” part of the title) or having a tighter, more close up shot. Ultimately I think the latter works better as it conveys a sense of claustrophobia, and it’s more intimate which supports the idea of psychological horror. ALSO IT’S SEXY (maybe???). The end.

Other random thoughts:

I took a lot of heart/inspiration/motivation from Togashi’s last few volumes of Yu Yu Hakusho to keep the backgrounds as lazy - I mean sparse - as possible and also speech bubbles over plain backgrounds lmao. I think it takes a lot of confidence (or maybe laziness) to be so minimalist and restrained, and it’s an impressive and economical way of working. I was always impressed that when reading those pages of his for the first time, the lack of detail never really bothered me - you had everything you needed for your brain to comfortably fill in the gaps and complete the sense of narrative and story progression, and there are still visual flourishes when the situation calls for it. So I’m trying to bring a bit of that tighter philosophy in.

Research. I struggle a LOT with not getting bogged down by details, especially when it’s something “just” for fun or “just” a fancomic. I have very lovely and helpful friends and family who every so often patiently allow me to whine and bounce things off of them, help me look things up, and/or tell me when I’m getting myopic about stuff. For all the North Bound comics, finding quick and useful historical references for the time period has been a challenge. There’s a ton about aristocracy and warriors but very little about the ordinary/common people, not surprisingly. I frequently question my instincts about what makes sense because I tend to automatically draw on similar/equivalent Chinese culture (there was certainly lots of cross-over, but not always appropriate/relevant) or Edo period references (wrong time frame! Too far in the future). I often end up losing a ton of time trying to find something with roundabout searches, and then give up and look at other comics I have close enough to the time period. And then referencing those and compounding whatever historical errors they have in them. (e.g., “Well if it was good enough for Osamu Tezuka’s Phoenix it’s good enough for this rando fancomic!”) I just would like historical/subject matter experts to know I did try...