#it was a lot of fun to use the greyscale too!! i havent wanted to color much lately

[rexscanonwife]

So that scene in The Hunchback of Notre Dame huh 🥺👉👈 I've had this idea for ages and finally got around to drawing it! I also find it funny to imagine whatever villain he tussled with just lying on the ground next to us while this happens lmao

Bonus, Izuku asking about this story!

[zontiky]

Hey for bullet point AUs ideas (you were asking for them right..?) 2010s-type sitcom (like Community or B99) AU! What Silly Sitcom Tropes would the siblings get into?

i actually havent seen either of those shows 😳 nor do i watch sitcoms, but to my knowledge u SIT and u are ENTERTAINED so everybody SIT DOWN and i will ENTERTAIN ✨✨

(wait are disney shows sitcoms? because when i think abt older tv humor i get slapped in the face with bits of disney tv i managed to catch as a kid. my entire sense of humor thru elementary school was based on that. ok i can be funny i promise here we go)

diego: wait... so she’s... our sister?

*laugh track plays*

grace has a laugh track function because i think thats extremely cursed and also hilarious.

reginald building himself a robot wife: what do kids these days like? humor? is humor still popular? yeah im adding it

there’s a christmas episode but it’s very obvious that none of them have ever fucking celebrated and half of them don’t fucking want to skjhfs

is wacky ringtones a thing? patch calls diego to help her out in the hotel and the dial tone is britney’s toxic

britney obviously exists in the tua universe and i will accept nothing less. a world without britney is a really sad one and like i know tuaverse is kinda shit what with the apocalypse happening thrice and the music cult and all but like come on... its not THAT bad. it cant be

luther’s coat gets torn off and there’s a slightly smaller, other coat underneath

that gets ripped off too and he’s wearing a tshirt

YOU KNOW THE GAG WHERE A CHARACTER JUST KEEPS PULLING WEAPONS OUT OF THEIR CLOTHES, WHERE THERE SHOULD NOT PHYSICALLY BE ROOM FOR WEAPONS? FIVE

or lila

i think that would be really funny with either of them tbh

five whipping a knife out of his bowling shoe: a-HA

lila unsheathing a broadsword out of nowhere: o-HO

five pulling a rifle from his waistband: a-ha-HA

lila swinging a mace from behind her back: o-ho-HO!

and so on

every time klaus makes a joke there’s applause coming out of nowhere but also distantly, faintly, the ghostbusters theme

specifically “who you gonna call? GHOST-” on loop

ben is the only one aware of it. not even klaus hears it

ben constantly makes stupid mocking faces behind klaus + over klaus’ shoulder

klaus: guys please take me seriously

ben giving him bunny ears: yEah GUyS LiSten tO hIM

nobody else can see it. i know thats obvious but i have to specify. only the audience can see ben doing it. klaus knows ben does it but hes never caught him in the act and has absolutely no proof. ben does it purely for his own amusement and to fuck with klaus big-time

there is no young!hargreeves cast. it’s just the adult hargreeves but in umbrella uniform crouching down to 12yearold level

before slaughtering the commission board five uses one of those toy BANG guns on carmichael and then immediately whips out his impossible axe

vanya plays a tiny violin and it’s only her, every other violinist in the orchestra has a normal violin and her tiny little violin is never brought up

by tiny i mean realistically tiny. like maybe 1/32? thats a small fucking violin yall

helen with her full size violin: you’ll never amount to anything

vanya:

who else have i not made fun of yet

allisons hair is purple but not bc im laughing at her bc i genuinely think she would have peaked with it. purple hair allie ftw

leonard runs a toy store not a woodwork shop and he hands vanya a weird cartoonified wood action figure of her and she’s like thaaaanks as the laugh track plays

vanya storms out of the family meeting and her back faces the camera and we see that there’s a piece of paper taped to her shirt that says NOBODY KNOWS I’M A LESBIAN

*laugh track but gay this time*

klaus makes a joke about ben being his only straight friend and it cuts to ben passionately making out with a ghost dude in the back of a club or smth kjhwkfd

WOULD THIS BE A GOOD TIME TO SLIP IN OUR LIGHTHEARTED CRACK “BEN IS THE ONLY ALLOROMO” AU? IHFHKLHFKFD

five is wearing bowling shoes the entire first season as well. when they go to the bowling alley he switches them out for a different pair of bowling shoes, which he wears through the entire second season. again this is never brought attention to or mentioned in any way

diego drives an impala /j

little girl god popping wheelies on a motorbike in greyscale heaven

allison has a fight scene where she stabs someone with heels and then breaks the heel and goes aw :( my stilettos and this isnt even funny its just extremely badass i love her a lot 

we get more screentime with dave but he says groovy every other sentence

klaus’ ‘68 club shirt is garishly flamingo patterned

a scene where five is sitting at the breakfast table, half asleep, sipping a cup of coffee, and allison sits down next to him with a mug of hot cocoa (we can tell by the overabundance of whipped cream and marshmallows) and quietly swaps out his mug for the cocoa and he doesn’t even show any sign he noticed he just keeps sipping and allison either quietly finishes off his coffee or takes the initial mug and walks offscreen. cut scene

there’s a scene of klaus and ben in the 60s  on october first and ben is wearing a little ghost party hat and holding a single balloon

whenever sissy and vanya are in a room together careless whisper starts playing

remember that snl lesbian totinos sketch. yeah

the handler only addressed aj by his full name. ATLAS JERICHO CARMICAHEL.

dot is twice as tall as herb. i mean shes already taller than him but like, dot is Really tall. it’s implied dot and herb are married (it would be cute i think dont judge me)

when diego fucks with the infinity switchboard the thing like in cartoons happens where the screen fritzes out and everything goes black and then after a second or so his eyes appear

reginald dresses exclusively in green. im not saying he dresses like the onceler. but im not NOT saying that. *sigh* does this joke require a onceler tw tag on this post

i dont know if this post is what you had in mind but i hope you liked it anyway! <3

[baconpal]

so heres the long super paper mario post

strap in for why super paper mario is fucking bizarre and why that’s pretty much awesome

gonna be a good amounts of spoilers, so if you’re on desktop then hit that read more, and if your on mobile, then here’s your punishment for using this god awful app

super paper mario is a game that is incredibly difficult to put into words, but it leaves such a powerful, lasting impression on me and i can’t come to say anything first other than I love it so much, and if you havent played the game, please just go do it now, even if you have to pirate or emulate or something, just let yourself play this game. It’s one of those games that I really feel I can just recommend to anybody

it’s difficult to think of where to start with dissecting this thing so i’ll just start with the art since lookin at things is pretty easy

ART/WORLD DESIGN

every world in SPM is completely unique, not just in what type of environment, but it’s art style, and this is premised with the fact that none of these worlds are capable of existing together and are completely separate, and NOT part of a cohesive universe (LOOKIN AT YOU ODYSSEY I STILL THINK YOU LOOK STUPID)

The hub and the first 2 worlds are mostly just slight variants on the same general style of simplistic shapes and colors, with world 1 delving into more linework type aesthetics, and 2 focusing more on impressions and silhouettes, 

world 3 changes this completely with what is obviously an 8 bit kind of style, but instead of jarring over sized pixels, the world is composed of detailed tiles arranged to look like pixel art that imply a more real world, and not a gamey one, 

world 4 focuses on patterns and big patches of color to give the impression of the vast emptiness of both space and the surface of a barren planet, before giving you the “Whoa Zone”, with a striking mix of wire frame and futuristic UI style to it

world 5 takes the idea of nature being crude and simplistic and humanity being sharp, angular, and extreme and flips that on its head, with humanity and the space they occupy being these absolute memes with no sense of depth, and the plant life existing in a system of clean cut caves with futuristic technology and elegant historic values

world 6 simplifies a kind of colored Japanese painting aesthetic, down to the funny cylindrical cloud clusters and brushstroke trees

world 7 depicts what is essentially hell (yes there’s hell in this game keep your pants on) as a squarish blur of bright greens and warm reds and purples, and depicts heaven as fluffy land of clouds and Greek temples

and lastly, world 8 is inverted greyscale, where light is black and darkness is white, its simplistic and striking and i couldn’t think of a better style for the final area of a game so focused on the concept of light and dark

MUSIC

I’ll just try and keep it simple, the musics fucking cash money

The game makes great use of motifs when it needs to, where specific themes and instruments are used in other songs to suggest relationships and put battles and travels into perspective

And when it ISNT doing that, it’s just fucking funky stuff, with a weird trend of BOING and PLOP and SPLISH noises in the percussion because fuck you i guess

There’s a lot of good songs that do lots of interesting things, any of the like 5 final battle songs are great things to point to, but i’ll just go ahead and say the main theme of world 8 “Castle Bleck” is one of my favorites that isn’t super highly rated. It brings in the types of instruments that have been associated with the villain the entire game, but also throws in 2 very important things; a sudden triumphant burst of almost JRPG styled chiptune that pushes away the constantly building tension, which is then followed by the sound of a clock ticking, which is a musical motif only present in the songs “Memory” and “Promise” which is played whenever the memories of the player’s little guide thing and the main villain’s past lives together are alluded to. This one song holds a lot of weight, as well as simply being a fucking cool song.

GAMEPLAY

This is, sadly, the one place I’ll not mince any words and say the gameplay is not amazing by any standard, it’s pretty much a classic mario game if it had RPG stats, items, and random abilities granted through the character and partner systems. The 3D flipping mechanic is nothing astounding, though it is very interesting to see how worlds are constructed

One of the biggest flaws people will mark the game for in its gameplay is that it’s tedious, and while I have to agree, that’s because I’ve already played the game before, and the tedium only comes from not being completely invested in the experience anymore. I’ll get some specific examples in a bit, but there’s a few cases of “tedium” that i believe are 100% intentional and drive the story in an interesting way

STORY/WRITING/GAME DESIGN

Thats a fuckin broad section, but its pretty much everything else i have to say on the game, and where the most spoilers and random praise is gonna be

I’m not actually gonna talk about the whole story, more just the strong parts of it, under the assumption you’ve already played it or understand a story as simple as “villain wants to destroy world, hero wants that to not happen”

The writing and characters are just flawless, everyone is fun to be around, especially the bad guys, who you see more antics of than your own party. There’s goofy running plotlines about O’chunks and mimi essentially getting grounded and being forced to write essays about why they fucked up at beating mario, and big stinky brother dimentio teasting and bullying them and sneaking them out to do his bidding when The big Count Bleck is away

The game is full of referential humor to not just mario itself but all kinds of games, there’s skeletons in hell who are clearly just Marios from the mainline games who died in stupid ways, there’s an actual dragon quest turn based boss battle in hell too, and chapter 3 has an otaku villain who tried to get with peach in a simulated visual novel

but the humor exists not just in references, but in simple good scenarios, with things like “Having a game show in a bathroom when everyone's life is at stake” and “locating an ancient manuscript to use as toilet paper” or “flying through black holes to find a convenience store” and things of that nature

It also interacts with the players emotions in many interesting ways, one of the more lauded being chapter 2-3, where mario is forced into working off a massive debt of fictional money, and is required to do hard, boring labor. There isn’t anyway to avoid doing both the hitting a block 100 times and the running on a treadmill for a few minutes thing, but the constant feeling of “there has to be a faster way to do this” drives the player to prod around, find the secrets, and slowly discover how to break the system wide open and get to the end, and i love it for that

This entire game is some sort of bait and switch, to put it simply, while it’s already a bit of a departure from both mario itself and the paper series, the first 5 worlds are pretty fucking tame stuff, other than the void, which is a giant black and purple spot that sits in the sky, always, every single world has the void growing in its sky, and it does grow, every chapter it gets bigger and bigger and takes up the sky, but where this truly culminates into the “switch” part is chapter 6, which starts itself by presenting you with the most TEDIUS sounding chapter possible, fight 100 enemies in a row, and nothing else, and for 25 straight fights, that is all it is, so you’ve locked yourself into it at this point, you know whats up, but the void in the background begins to grow to the point of being the entire fucking background, and every enemy you face speaks as if they know they’re all going to die, and by the 30th fight, one of the villains comes to stall for time as the void completely swallows the world, and the party is sent back to the hub. When they decide to go back in to world 6, its empty, the entire world is a white void with a single black line making up the ground, and colorless destroyed structures occasionally peaking out of the ground.

and you walk on this white void for so long and you just feel nothing but regret and fear and no matter how fast you make yourself go you feel like you’ll never find anything, but you do eventually get your plot item and escape

then, Dimentio, one of the villains you’ve seen the least of, appears in the hub world, the safest place in the universe, and kills mario

he just fucking kills him

he puts mario in a box and fills the box with explosions and mario fucking dies and goes to hell because fuck you mario

then you go through all of chapter 7 just to escape hell (called the Underwhere cus how could we possibly be allowed to take hell seriously) and join up with your full party before confronting the final world, which i’ve already stated i just love the design off

the game just takes the comfortable ride you’re on and throws it into the fucking sun and burns you alive and i love it so much, even the very end of the game doesnt let up, where the main villain is overtaken by that absolute madman Dimentio (Whose name is a play on both Dimension and dementia), who clearly was powerful enough to have done the whole “ending of the world” himself, but did it this way for the theatrics of it

there’s a lot i could still say about the game, but this post is absolute rambling and its 2 in the morning but as usual, i just wanted to shit my thoughts onto the internet to people could maybe learn somethin about either the game or me and how i think and look at and respond to stuff, and as always, anybody who read this whole thing is cool and i love you a whole heck of a lot