#it really just needs to be natural and make sense

[fastandcarlos]

Save The Day : ̗̀➛ Carlos Sainz

summary: your shopping trip couldn't have gotten much worse, until a stranger approaches and swoops in to save the day

“Excuse me, is everything alright? You look in need of some help.” 

Your eyes flickered up at the sound of an unfamiliar voice, noticing a man stood just beside you. You were walking all over the place as you tried to push your daughter’s pram, balancing your shopping bags in both of your hands, barely able to walk in a straight line as things stopped to drop out onto the floor. 

You smiled shyly across at the man as he picked the bits that you had dropped off of the floor. Once he’d put them in a bag he took the bags from both of your hands, walking by your side. Walking immediately felt easier as you focused on pushing the pram out of the store and over to where your car was parked. 

The man carried your bags with ease, the strength easily defined in his arms as he walked at your pace. You didn’t quite know where to look as you walked, feeling his eyes watching over you. 

“Where’s your car?” He asked you, watching you point to your small car that was hidden by a much fancier looking vehicle, a car far too expensive for the area where you lived. 

There was a shade of embarrassment in your cheeks as you walked, feeling slightly humiliated that you weren’t able to carry your bags. Trying to balance all the weight was hard, but you were stubborn, and liked to think that you could take on the world all by yourself. 

“I’m just here,” you told him, reaching into your bag for your keys. 

You opened up the boot, going to take the bags, only for the man to swerve you. “Allow me,” he grinned, easily lifting the bags and placing them in the back of your car. 

You stepped back as he did so, watching as he carefully let go of them. “Thank you, you didn’t have to do that for me, most people just walk straight on by.” 

“Well, I’m not most people,” he told you, a wide smile on his face. “Most people are assholes, it’s human nature to help someone when you see them struggling, or in my eyes at least.” 

You offered him a grin as you unbuckled your daughter’s pram to start getting her into the car. “Saying thank you doesn’t really feel like enough, there’s got to be something that I can do for you.” 

His head shook, taking a step back and watching as you took your daughter into your arms, hearing her let go of a squirm. You hated taking her out when she was asleep, but at this point you couldn’t wait to get home and forget about your struggle. 

“She’s beautiful,” the man whispered behind you, leaning across and tickling against her tummy, bringing a smile to her face again. “I bet your mummy and daddy feel like they won the lottery with you,” he added, only to watch your smile drop, eyes landing on the ground. 

“I-it’s just me,” you stuttered, immediately hearing the man mumble several apologies beside you. “Don’t be sorry, I’m used to it by now. Most of the time I’m alright, the two of us make quite the team,” you smiled, not wanting him to feel bad for you. 

It didn’t stop the man feeling guilty for making his assumptions, sensing that you found things harder than you were letting on to him. 

As the two of you fell silent, your daughter soon began to get quite unsettled in your hold. You quickly tried to settle her, bouncing her in your arms, but as a gust of wind blew through the car park, your eyes soon darted onto the sight of her pram beginning to blow away from you. 

“I got it!” The man shouted, running down the car park and quickly grabbing onto it. 

“You really are saving the day for me today, aren’t you?” You smiled. 

He looked around and found the brakes of the pram, quickly putting them on. Before you knew it, he had managed to collapse it down, placing it into the back of your car too, making sure not to squash any of your shopping. 

“You must have had some practice doing that before.” 

“No,” he smiled back across at you, “but I assumed it can’t be too hard to figure out. I’ve not really got any experiences with babies, although I’d like to,” he carried on, surprising himself that he suddenly decided to confess such a thing to someone that he barely knew. 

You didn’t quite know what to say as he spoke, offering him a sympathetic smile. You weren’t expecting him to be so open with you, leaving you a little loss for words. You almost felt bad for standing in front of him with your daughter in your arms, as if you were showing off that you had something that he seemed to want.  

“Does your partner not want children?” 

His eyes widened at your question, unaware that you had dropped yourself in it almost as much as he had done with you only a few moments earlier, feeling bad when his head shook at you. 

“I don’t have a partner,” he told you, scratching nervously over the top of his head. “I’m going through life on my own currently, that’s why I have so much time to help other people when they’re in a mess.” 

“Well, you definitely saved me from one today.” 

He was glad to have been able to help you out, but now he found himself unable to take his eyes off of your daughter. There was something about him that seemed to be drawing her to him too, her eyes watching him closely every time he moved or spoke. 

“I didn’t even get the chance to introduce myself, I’m Carlos by the way.” 

“I’m Y/N,” you smiled back across at him. 

“And who’s your little one?” He asked, poking your daughter’s tummy again. 

A giggle came from her that left you both grinning. “This is Luna,” you told him, “although I think you might be able to call her your biggest fan judging from the smile on her face.” 

“Well, I like to keep my fans happy, so do you think Luna would like to hang out again sometime?” Carlos offered, “I mean, only if that’s something that her mummy would like to do too.” 

“I think she would,” you smiled, pressing a kiss to the top of her head, “and I don’t think her mummy would mind either if she got the chance to see you again, maybe coffee sometime?” 

Carlos nodded in reply to your offer. “I’d love to grab a coffee with you, well, the both of you. How about I give you my number and you can let me know a time that works best for the two of you?” 

“Yeah, that would be good,” you told him, walking across to place your daughter into her car seat so that you could take Carlos’ phone from him. 

His smile was wide as he passed it across, “make sure you text yourself from my phone so you have my number too. You can save my number as the guy who saved the day.” 

“You’re a bit of a hero, aren’t you?” You smiled. 

“Well, I certainly try my best.” 

˗ˏˋ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ! ´ˎ˗

[philosophicalparadox]

Also to add: sometimes questions don’t get addressed. Or other parts of a conversation just naturally turn away from where they started to the point it’s too awkward to bring it back up, or there’s just no need to respond to it.

This is especially true of what I call “mediocre” (in the archaic sense of “average quality” ) questions, I.e. “do you remember how you got here?” To a patient in a hospital. Does the answer have meaning? Yes, in the right scene. But not every scene needs to focus on that, though literally any nurse is going to ask if you are unconscious upon arrival, or even if you faint while there. They also don’t particularly care about the answer, as long as you’re not obviously in distress about it.

Similarly, “are you okay?” Asked to a person who is obviously hurt or struggling needs no answer, as such; I certainly don’t tend to answer that question conventionally when the answer is itself obvious. Can it be answered, with meaning? Yes. Does it NEED an answer to feel realistic? No.

“How are you feeling?” I think can fall into this category too.

However these are different from the “flock call” questions, as I call them — the “I’m human, are you human? Oh you are!” Game, which is all social script, I.e. “how are you?” -> “I’m fine”. “How was school?” -> “it was good” etc. these are dictated by social expectations, not legitimate answers, so I don’t even really consider them questions tbh. Nonetheless, it can feel dreadfully awkward to answer those in the expected way sometimes, and for ND people in particular, we tend to have our own little way of answering those. So as a character building aspect of dialogue, they’re valuable.

Also — that body language point!!!!!! Body language IS A LANGUAGE. Entire conversations can be had with no words spoken at all, especially between people who know each other well or in intense confrontations.

And that carries into dialogue as well — sometimes what’s being said with words is Not what’s being said with body language, and that can really make a scene feel both dynamic and real!

The number of times I’ve seen my fiancé, for example, having a “pleasant” conversation with his uncle or mom, and unless you knew how to read his body language, you’d never assume by dialogue alone that he was being closed off or defensive. But nearly every time they have any kind of long talk, regardless of topic, he always crosses his arms, and leans backward, and stands up if he can, if he’s not already, and will, if they follow suit, put something between himself and them. He is the veritable picture of “please don’t talk to me” , buuuuuuut we live in a house of people who can’t read into that to save themselves, except ironically for lil old autistic me, because I had to learn that body language unintuitively lol. However, it’s a great example of that subtextual information being presented in conjunction with dialogue; if you only heard them speak on tape, you’d think they got along and had a wonderful relationship. But by observing the body language, the entire tone of even the most “nice” conversations shifts dramatically into a more questionable light.

But anyways, those are just my contributions! :)

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[xazse]

Warnings: Centaur!Suguru x Centaur!Satoru x female!reader + smut + size difference(ofc) + fantasyAu + big cocks + squirting + jerking off + big!men + notproofread + VERY NASTY!! + you may not be into this and that’s okay! Skip and wait for my other works, love you<33

Centaur!Satoru and Suguru are huge men, bigger than you they tower over you with broad chests and thick bodies that look sculpted Greek gods.

They found you passed out deep in the forest, No human had ever come this deep, they’ve heard of your kind but never actually seen small things like you, only the elders have seen humans and their terrible nature.

They’ve been warned countless times that they aren’t to be trusted. But what could a thing like you do to them? They could easily snap your neck should you become aggressive and so far you haven’t. They’ve been secretly nursing you back to health in a little cave they fixed up for you. With a broken ankle you can’t do much moving, they could let you ride on their backs but they’re curious things who want to know a little bit more about you, so they’ll keep you for just a tad bit longer.

You’re so sweet too, the stories about your kind don’t compare to your innate sense of kindness, you allow them to ask allKinds of questions no matter how weird or personal they get, Satoru had really gotten curious about your feet, how do you manage to balance on just two? He needs four to support his body properly.

You giggled so sincerely and explained that to him in the most make-a sense way possible.

You love touching and rubbing their hefty backs, when they lay down near you, your hand always finds a way to rub their soft fur, they seem to enjoy it. Things get a little weird when they find themselves unusually interested about what’s in between your legs, they asked and you obliged to let them see but not underneath your panties.

You shyly spread your legs and lift up your shirt, your fat clothed cunt on display for them to see, they stare for a little: intrigued at how different you are from their females. Then the touching begins, it goes from just looking at you to you allowing them to rub you through your underwear.

Suguru is the first to move closer to you to take his thumb and rub up and down, when he grazes your clit and sees the hitched breath you hold back he does it again, then again. Gaining even more cute reactions out of you.

Satoru is an impatient thing who wants in too, he slips his finger beneath your underwear and quickly pulls back: you’re wet, soaked in fact.

He slips his fingers back in, rubbing them inbetween your plump lips, he moves down far enough to feel where your wetness is more prominent, when he pushes inside that little opening you let out the lewdest moan you’ve had all evening.

Oh.

That spurs Suguru to also slip his hand into your panties, he rubs the little nub at the top whilst Satoru prods his fingers in that little twitchy hole.

Suguru being the most level headed is the one who’s bringing his hand to his own unsheathed cock, you get a glance through glassy hazy eyes at him: he’s thick and long, a nasty combo to have.

He starts stroking himself in tune with the way he rubs you clit, the way he squeezes himself looks like it hurts but he seems unfazed by the grip, he just keeps his eyes trained on your greedy cunt already taking two of Satoru’s fingers.

“Oh god… do it faster Satoru.” Suguru moans out so unashamed, asking for Satoru to give you more pleasure so he in turn can feel more as well. Satoru abides and further ruins your pretty pussy.

You’re suddenly being forced stomach down on a hefty rock, Satoru is the one mounting you, you think he’s forgetting just how massive he is that you can’t possible take his cock, even his tip looks to be too much.

“Toru, calm down, she can’t take you right now.” Suguru telling satoru to calm down like the look in his eye isn’t excited at the thought of Satoru just forcing his entire length in, Suguru is still jerking off his slick cock in a rough manner.

“Mhn… a little- jus’ a little” Satoru rubs his tip against your pussy, dipping inbetween your lips just to cover it in your sopping wetness. You help him push his thick tip in a little, the stretch is something you’ve never felt before, it hurts so bad but it makes you want more.

He gets a little past his tip in, and starts rocking his hips agaisnt you, making you take anymore than this is off the table he’d seriously injure you.

Suguru can be heard, groaning when he sees you’ve squirted on Satoru’s cock, his tip remind you.

You’re left panting opened mouthed, filled leaky cunt and Satoru not even finished with you.

[claudiafrankie]

Pick a Card: How They See You

DISCLAIMER: TAROT IS NOT AN EVIDENCE-BASED PRACTICE. YOU ARE IN CHARGE OF MAKING YOUR OWN DECISIONS.

Pile 1: The Dog

This person sees you as having mastered the earth element. I think you are pretty detached with the way you approach your goals and it like doesn't compute in this person's brain that this is how you get the things that you want and build the world around you that you have.

They see you as someone who revels in the simple pleasures in life - sitting in the grass on a sunny day, stretching your body in the morning, a delicious seasonal coffee creamer. You are rich in the ways that count pile 1. You take good care of yourself and because of this you kind of exude a nurturing quality to those around you. Whether you intend to or not, you help other people get to where they want to go. You build people up and show them that they are capable of achieving their goals. I think you have a good eye for material goods and know what to splurge on and what to buy generic brand. Maybe you invest in nice cookware and knives because you know you'll use those for years to come, or in a high-quality bed spread or mattress. You take care of your body and appearance, you understand this to be an art form. But you also know that it's not everything. And this down-to-earth quality of taking good care of yourself but also not taking it too seriously or to extremes is really sexy to a lot of people. I think this person thinks that other people see you as husband/wife material. If you're single they're scratching their head like "how the hell are they not wifed up yet"

I think they see you as someone who doesn't stay in people's lives for very long, and they are worried that this is going to be the case for your relationship with them as well. They think you are in tune with the rhythms of nature and aren't afraid to let go and move on. You enjoy the good times when they come knowing they won't last forever, and you don't let the hard times beat you down when they come because you know they will pass.

I think they see you as someone who has learned all this the hard way. As someone who has been through many highs and lows, someone flexible in the circumstances you can thrive and survive in. You know when a tree lifts up the concrete of a sidewalk? That's you. Pavement be damned, you are going to keep growing and growing. You understand setbacks are part of progress. You don't let the hiccups hangups and obstacles sway you from steady movement forward.

I think they think that you are very loyal to those you care about, perhaps to your own detriment at times. I think this person sees you as someone who feels easily caged and needs a lot of space to try new things and be your own person. They see these two sides of you being at odds with each other at times, whether that is true or not.

This person sees you as being perhaps at times unwilling to open up emotionally. I think they respect you for your stoic disposition, but they think that sometimes you take this position/approach when it isn't necessary and that you actually hold yourself back a little bit in this way. Like you are a little blocked in your self-expression. Again, this is how they see you. It doesn't mean that this is actually who you are.

Pile 2: The Moon

This person thinks that you are in an incredible amount of pain underneath a calm surface. The card you picked, I just really tried to sense what it would be like to be there. Sitting next to a lake on a cloudy night. You have that smell of the freshwater and grass, and the sound of maybe a frog or two. Some light wind ruffling the surface of the lake... sitting in that setting depicted on the card it has the vibe of "something happened here and there's this weight hanging over the whole place." Like the trees are clinging to the ground so tightly because they are afraid of a strong wind knocking them down, and maybe there's a dock with a small boat that has rusted over from getting no use anymore and with no one around to take care of it or store it properly.

That's how they see you, as someone who has been through something, or maybe a series of things, that have deeply impacted you. And it's like you're still processing and aren't quite sure what the you that comes out the other side of all this processing is going to look like yet. This goes beyond sadness, this person sees you as grieving. Who or what I don't know, but they see you as dealing with some kind of loss. I think it could have to do with your family. Maybe you have been dealing with family troubles or grieving the loss of a family member or a family friend. Or, if it's not a literal death that you are processing, it could be that you are beginning to understand your family in a different way, a deeper way. Maybe your perspective on your family is expanding, you are understanding the pain and wounding that they have been through, and you're angry. You could be reconciling feelings of bitterness or anger towards your family with feelings of sympathy for the difficulties they have faced in their own lives.

I think this person sees that you are holding on to this pain and struggling to let it go. Maybe they sense a despondency in you, a subtle hopelessness. Not detachment so much as fear of encountering the same lessons with different people, of being hurt in the same ways again. They can feel a deep anger in you, seeing you as someone who is looking for their place in the world, wanting more than anything to feel like you belong.

This is really sad pile 2. You are so strong and this person wants to help you but they know that you have to want to get better, and they think that you don't even see the sadness, anger, and longing in yourself. They won't offer unsolicited advice, so for the time being I think they are taking the role of being a supportive friend and willing to give advice should you go to them for it.

There is some judgment coming from them. Like "why can't they just get over it" or "they are so stuck and don't even realize." It's weird, they want to help you, but they do kind of want you to lean on them as some sort of savior/hero/rescuer figure. I think they believe that you really want someone like this to come along and sort of take care of you. I'll say it again, this is how this person sees you not necessarily who you actually are, so don't get too fixated on their perspective - especially if it is not accurate. You know yourself best.

I think this person is equally invested in making you feel better as they are making themselves feel better. Maybe they think that your well-being is what they're concerned about, or this is what they're telling themselves, but really they are dealing with their own insecurities and need to feel like the hero to be worthy of love. Maybe this person is an overachiever, or highly successful for their age. They could come from a family where this was expected of them - to win.

So yeah they see you as a little bit of a damsel in distress pile 2. I don't think you need anyone to save you or are trying to signal this to people, but I do think that this person thinking that you deep down want someone to come along and sweep you off your feet has some truth to it. And I feel like I should tell you that wanting to be saved and taken care of is totally normal and human. We live in a world where it's difficult just to be a person. Dealing with deeply rooted pain while navigating the mayhem of daily living is incredibly difficult. You are doing a good job, pile 2. Maybe no one has said that to you in awhile. Keep up the good work. And, while there's nothing wrong with wishing for a knight in shining armor, remember who it is that has been saving your ass this whole time in their absence. ;)

Pile 3: The Broom and Whip

Hey pile 3! Lets get into it

This feels like someone that you had or have a romantic connection with but there was a falling out. They see you as someone who is defensive and in a lot of pain. They know that you are not the type of person to lash out and take your hurt out on other people, but they almost wish that the two of you could have it out - I just don't think that you are expressing your anger to this person. I think they could be concerned that this is eroding you mentally and emotionally, that you aren't expressing to them how you really feel.

I think you guys aren't talking right now and they are feeling this separation big time. They really want to work this out and come back together. You literally got the Lovers and the Two of Cups side by side - whoever you are asking about sees you as a soulmate, as their endgame. They are worried that this won't work out and they are trying to plan how to fix things with you, possibly asking about you to their friends or asking their own friends for advice on the situation.

This person sees how naturally cooperative you are with the people around you, how you are so willing to work with others and put your own interests aside if it benefits the majority - it's like this is just how you operate, you don't even have to think about it. They could see you as working on some kind of skill and gaining notoriety for it, gathering some attention for your diligence, attention to detail, and team-oriented attitude.

Yeah dude this person just thinks that you're it for them. The Lovers and the Two of Cups??? Come on. I think that even though this person is upset they see whatever upset is currently going on is temporary. It's like they aren't even entertaining the option or possibility that things are over over between the two of you. It will not compute in their brain.

I think this person thinks that you're pushing them away. They think that you are retreating into yourself where it's safe and keeping them at arms-reach. I think the way you are interacting with them now compared to the way you used to interact with them is very different - I think right now you are giving them friendly, polite energy but it's just a way to maneuver around them so you can keep them away. You are relying heavily on your manners to protect yourself in this situation and they can tell. They hate that you used to have so much vivaciousness when you used to talk to them and now they don't get that side of you anymore.

I do think that there is part of this person that enjoys the suspense and tortured waiting of what's going on. I think that they want to comfort and soothe you, to coax you into their arms and hold you while you hang onto them. I think this is part of a sexual fantasy of theirs as well, where they are the one to console you and then fuck the sadness out of you. They could be into BDSM type stuff, or if it's not that heavy/intense, they just want to test your limits a little bit. They like the idea of being the one to inflict some pain on you and then show you that they can make it better, that they can make you feel even better than you did before the pain even occurred.

It's hard to explain but it's not really an exotic fantasy or unusual I don't think, I'm just having a hard time putting it into words. They want to like........ stretch you? LMAO Like yeah just see... what you can take. And when they're done having their way with you, being the one who you collapse into. They want to be the person with the power to harm and to heal you. Not sure if that's your vibe but that is what I'm getting from this person. Very intense and steamy, if this is your situation then please write smut about it or something so the rest of us can live vicariously through you lol.

Take care pile 3 :)

[bayetea]

there are many things about hazel's povs that have an intensely de-racialized vibe to them (read: divorced from the black girl experience) but I think any black person will tell you that the most obvious sign is the complete lack of attention paid to her hair

like firstly:

she's from the 1930s her hair was definitely getting permed and straightened (it was not acceptable to just wear your natural hair out back then. optics + cultural assimilation/you'll be hard pressed to find photos of black american girls with unstraightened hair in that time period unless they're from like..... harlem)

I do believe that marie was straightening it for her For A Time but then she became more neglectful and stopped so hazel had to do it herself. I'm almost positive that hazel wouldn't have even been permitted to set foot in her school building without straightening it because that's just how much of an expectation it was

ok she comes back from the dead. what's she doing to her hair now bc it's not just gonna be cutesy effortless curls falling over her shoulder no matter what the length is

how does she feel about living in a time period where natural black hair is more accepted (read: more, absolutely not fully)

there are no black people around her At All. in fact she's around a lot of white people on the argo (+nico) so that would probably be giving her some intense feelings of double consciousness (look this term up if you don't know what it means) and that would inform how she feels about her hair

theoretically she ought to be wearing her hair in braids for simplicity's sake but I think it's more likely that she would cling to what she knows (perming/straightening) because it's not easy for a 14 year old girl (PSA hazel is 14.5 in hoo not 13 btw 👍) to go from assimilating to deeply-ingrained white hair beauty standards to just proudly wearing a distinctly black hairstyle all by herself

mind you black women and girls can do whatever they want with their hair and straightening/perming it does not always/have to come from a place of self-hatred or whatever but in this particular case back then straightening one's hair was political And a survival tactic. it was as normal as brushing your teeth. it was enforced through dominant cultural messagings about the Absolute Necessity of conforming to white conventions of beauty. if you don't understand then think of it similarly to how you'd think of 1930s women needing to be perpetually dolled up and modestly dressed in order to be considered "good women" and anyways I'm just saying that this would be a lot to unpack for a 14 year old girl so hazel's probably just continuing to do this impractical thing (straightening her hair all the time) like 60% out of habit and 20% out of shame and 20% she doesn't know what else to do

something something about a missed potential character arc regarding all of this and in general there's so little mind paid to race in hazel's povs which is just ridiculous to me because a black girl from the jim crow era should have at least a few feelings about where she fits into modern society even if that society is camp jupiter. rick demonstrates his capacity to talk about how his characters feel about their race most notably in the kane chronicles so I don't think was too much to ask for. see this quote from an early son of neptune chapter:

^ like....... hazel's feelings of out-of-place-ness are There in the text and important to take note of when understanding her character (note that she's been there for like a year already and she still feels like she doesn't belong) but the emphasis is always put on her Being from a different time or Being undead and is never put on her out-of-place-ness regarding her race as a black girl from segregation times who is literally so out-of-place in this weird post-racial camp jupiter society. it feels like such an obvious thing to consider so its glaring absence really bugs me when I reread her povs and it bugs me when her hair is never talked about by extension because It Matters

you might be thinking "well she had a lot going on and she's not a superficial person maybe she just didn't care what was going on with her hair" and my response is simply that Black girls don't get to "not care" about their hair it is not the same thing as a white person going to school with bedhead it's not the same thing At All (if you aren't black then chances are you've never actually seen what untouched black hair looks like in the morning), especially when it's been beaten into your head for your entire life that your hair is ugly and you have to "do something to it" for it to be acceptable (and again...... she's from the 1930s so that feeling is magnified like 50x over). remember that perpetually dolled up modest 1930s woman I mentioned previously. picture her time traveling to camp jupiter of all places in 2010 and struggling to drop all of her makeup/hairstyling routines and internalized misogyny and conceptualizations of what women are "supposed" to be. this is the kind of fascinating character exploration that we really missed out on with hazel (and tbh regardless of her race she was never believably written as someone from the 1930s. I don't think rick even really tried to be honest)

you might also be wondering "how was rick supposed to know/attempt to portray any of that" and then my second answer is that If you're going to write a character who is not the same race as you then you should do some research and we have the internet now so research has never been easier 👍 this would be especially important to do if that person is a poc from the jim crow era I think! (he could have at least googled black hair 1930s)

anyways what I choose to believe (this is pure fanfiction) is that during hazel's first year at camp jupiter (remember that she was there for about a year before son started) nico would have helped her figure something out after observing her distress over her hair c: like they both secretly watched youtube videos on black hairstyles circa 2010 and then they got attacked by monsters for using a laptop (neither of them know how to use a laptop but he's trying his best for her) but then after killing them he helped her do her hair as something she likes that is easy to maintain <3 (I could also see reyna doing this because she surely knows a thing or two from her spa days)

[welcometohellfilm]

Congrats to everyone who has been working on W2H2! 🎉 If it's alright, I'd like to ask to ask 2 questions:

Is there by chance an official ref of colors for Debbie, or is it still up to interpretation at the moment?

Would you say that your personal, real life experiences within the 10 years moving from W2H to W2H2 shifted the tone/story of the series in some way? Something that I've always been fascinated with when I started looking more into W2H was the shift in Sock's character from the original comic -> first film -> second film, and Jonathan's character from the first film -> second film.

Thank you! ✨

I actually just made some 'official'-ish colors for Debbie! Her voice actor Kaitlyn wanted something to use on a banner for conventions haha... so here you go!

2. I'm not really sure how to answer this one, haha. I mean I've definitely changed as a person over the course of making each iteration of W2H. I started the comic while I was at community college, before I went to art school. I adapted it into an animation for my graduation project. And I started W2H2 a couple years after I graduated college. So there's a good 2-3 years between each attempt at W2H I've done, haha. I think a lot of my original ideas from the comic had to change because it needed to be condensed into a short film. I didn't even GET to Jonathan yet in the comic! Some things just didn't make sense to me anymore, like the idea of Sock already having a human body count. It'd just be absurd for him to be able to hide it for so long! Plus, if I made it so that Sock has only ever entertained the idea of murder, it makes his new job that much more appealing-- it's a chance for him to really lean in to this thing he's always had to hide. Between the first and second films though, I mean... I think there's been some tonal shift, for sure (I don't know about a character shift? We'll get to that haha) But basically, when I was first thinking about W2H2, my idea was "Sock and Jonathan hang out and attempt to figure out touch physics, also there's some drama about a journal Jonathan keeps." All of the hell stuff is something that came from bouncing ideas around with my friends, Michael and Neil. I was worried that sending Jonathan to hell would be too bonkers for a "2nd episode", but we all kinda agreed that enough time had passed that the fans would probably enjoy something higher stakes, so it would be fine. (I'll give everyone a moment to realize this conversation would've been happening in 2015-16... ha.)

We also kind of thought, y'know... I have no idea how many more of these there's even gonna' be, so why not go a little bigger with this one? W2H2 is a higher stakes story than what I set out to make in the beginning, that's for sure. It is interesting to compare all of them.. the employee handbook was actually from the comic and I cut that because it wasn't helpful for W2H... but then it became helpful for W2H2, so it came back! Haha. I'm curious to know in what ways people think the characters have changed though. (And is that a good thing or a bad thing?) Especially a character like Jonathan, no one's really even seen that much of him yet, I think most of the characterization comes from fandom, or like... art I've drawn, I guess? Haha... I'm not sure! I guess Sock's a little more confident and antagonistic in this one (though he'll have his moments of hesitation... we're only at Part 1 right now!), and Jonathan has had to become a more vocal/active character, just by nature of the kind of story it is, I suppose. But yeah, I'm not sure! Happy to hear your guys' thoughts though!

[hoshinasblade]

you are so close to gaslighting yourself into thinking that maybe, just maybe you have already told hoshina's mom in the past what your favorite tea is.

the problem with that thought is today was the first time you met the mother of your boyfriend.

you denied it in your head - for all you know, perhaps mrs. hoshina is just really a good at guessing. that, or you are going batshit crazy.

because at that very day, people you have met for the first time - people who may be friends with hoshina soshiro but are practically strangers to you - seem to be aware of small details about you.

captain ashiro complimented you on your blue dress after shaking your hands, saying it's obvious why it is your favorite color, emphasizing how it brings out the intensity of your eyes. even okonogi, who you know works directly with the third division's vice-captain, had a specific joyful aura on her friendly face as she offered to hang out with you in the future, mentioning how she is a fan of true crime documentaries too and suggesting in the same breath that you should try the pudding sold in the headquarter's cafeteria.

you could have let all of that go if only you did not blush like a teenager after hoshina's own older brother called you by your childhood nickname during family dinner.

"i'm sorry." hoshina's hand found yours, his thumb drawing patterns on your wrist. he knows you'd been on edge since morning, and although this is entirely your idea - meeting his friends and his family in one day - he wouldn't blame you if you're overwhelmed.

"they did their research on me or something," you tried to laugh the nerves away. it didn't work.

"ah." hoshina suddenly looked guity. " that. well -" he stopped for a moment, gathering his wits, choosing the right words to say. "i mean, it makes sense that everyone who actually knows me would know about you, really."

you wanted to joke as a response; you wanted to say that he's talkative and tends to yap for hours about stuff he loves so yes, people around him would naturally know things about you. but then you caught yourself because this is yet another confirmation of what hoshina soshiro had been telling you for months now - that you are someone he loves.

you did not know being known could feel this sweet.

"huh. do you reckon i can extort them for information about you next time?" this time it was your turn to grab hoshina's hand, and with your forefinger, you traced three little words on the warm skin of his palm.

[author's note: hello guys, i know i haven't been posting a lot anymore, but i am thankful to everyone who still remembers this blog - yes i can read your asks, yes i see that you've tagged me in a fic, yes i checked my notifications in this blog every now and then. it might take me long to respond most of the time so apologies in advance but please know that i appreciate all interactions from everyone.

also i dont need to remind you but i don't tolerate copy-pasting or reposting any of my works anywhere. i read a lot from here too, and other writers can attest to this as well - we know if a line or a paragraph from any of our works is copied and/or reworded. ]

[diodellet]

try wishing for it: magical girl au (scarabia x gn!reader)

inspired by @ceruleancattail's magical girl au and @yan-lorkai's yandere genie fic. note: i also imagine scarabia's mascot form to look like this. title is ripped from tohma's magical girl eudaemonics. content warnings: -yandere (if you squint, since scarabia's taking the role of kyubey in this fic. references of manipulation and general moral grayness.) -fic uses "magical girl" but means it in a gender-neutral sense (reader is referred to with they/them pronouns) word count: 2.7k words

Being a magical girl means gaining the power to do virtually anything you can dream of.

The first time you defeat a wraith, you stare in awe at your hands, breathing heavily from sheer excitement rather than exertion. With one final roar, the beast falls to the ground, before dissolving into black smoke.

“Woah, you did it! You really took it down!” Kalim barrels into you, gushing praise after praise. “See, Jamil? I told you they were going to be powerful!” 

Jamil is more mindful of you, instead floating over to land on your other shoulder. “Nice job.”

“You’re a natural!” Kalim’s bouncing with joy in your palm, waving his little stubby arms. “You probably won’t even need to use your three wishes!”

Right, there was that. In the case that you were against an overwhelmingly powerful foe, you could draw on your familiars’ magic—a ‘wish,’ they called it.

“Don’t jinx them, Kalim.”

“...What happens if I asked for more wishes?”

“It doesn’t work like that.” The stitches of Jamil’s plush smile don’t change, but there’s a note of something foreboding in his words. “Though, you don’t seem like the type to squander them. Don’t worry about it too much.��� Despite their cartoonish appearance, your familiars’ words and warnings carried a grave weight

Your gaze drifts to the slain wraith. All that remains is the tarnished metal collar that hung around its neck, until it too crumbles into dust.

There’s something hauntingly beautiful in that faint shimmer of gold as it gets blown away by the wind.

Being a magical girl means toting around two innocuous round plushies of your familiars to class.

With your new double life, you get two new companions following you around. It means bearing Kalim’s excited chattering as you take notes, dealing with Jamil’s snide teasing as your classmates point out your new bag charms.

What you don’t expect is to see the two of them sitting in your living room the next morning, clad in your school’s uniform.

“Good mor—oof!” Your book bag collides with Kalim’s chest and you use the momentum to drag him and Jamil by the elbow out of your house, ignoring your dad’s concerned calls with a loud “I’m heading out!”

You didn’t get the memo that being able to transform was part of their repertoire as magical familiars, but you should’ve expected this. Between Kalim’s thousand-kilowatt smile and Jamil’s calculating gaze, you very much prefer them as small round plushies.

(It’s strange that your schoolmates and teachers don’t question the two new additions to the class, but you appreciate that your cover wasn’t blown with this curveball. You suspect it might have to do with the red glow in Jamil’s eyes. You decide to question them at the end of the class day.)

“It’d be better if one of you stayed as a plushie.”

“Then that means it would be Jamil since he’s better at keeping attention off of us.”

“By that logic, they’re talking about you, Kalim.” Is it you or is that a hint of a smile on Jamil’s lips?

“Oh.” Kalim’s expression falls into a pout. “But I like attending classes with you!”

He probably wouldn’t like it as much during exams week. “I wouldn’t be able to keep a low profile if people noticed you…guys following me around.”

“Aw, I guess so…Thanks for treating us to ice cream, though!”

You offer to buy them another one, just to make their one and only day at school special. You start heading towards another freezer, there’s a special lottery on these soda popsicles.

Jamil’s attention turns toward the counter. He’d been eyeing the person at the cashier. “Wait, something seems—” 

And that’s all the warning he can give before a group of wraiths crashes through the convenience store wall. Ending up in a sprawled mess of tangled limbs was not ideal. It’s settled, you definitely preferred them in their plushie forms.

Being a magical girl means getting woken up by Kalim in the middle of the night to patrol the city.

As a hand-sized plush ball, he’s already pretty strong. But under the cover of night, he can shed his disguise and drag accompany you around to see you deliver justice to evildoers. 

Your drowsiness fades away as you leap from rooftop to rooftop, dispatching fledgeling wraiths hiding in narrow alleyways, stopping drunken confrontations, watching over lone pedestrians traversing through seedier parts of the city.

“There’s another one, it’s a low-ranking wraith!”

“I’ve got it!” Magic gathers around your weapon, bathing it in golden light as you swing and cleave the monster into two.

It didn’t even get a fighting chance to writhe or fight back. All it can do is dissipate into nothing.

Which is for the best.

“That was so quick!” Kalim bounds over to you as your weapon fades out of view. “You’re getting better and better at fighting!”

“Well, you did say it was a weak one…” You tug at the collar of your outfit. His praise feels like staring into the glare of the sun, straight on. “I’m probably not that much better than those other magical girls before me.”

“Still! It doesn’t make you any less amazing—Are you hurt anywhere?” Kalim starts looking you over for any injuries that he might have missed.

Too close. “Not a scratch. Come on, let’s head home.”

Though you should’ve expected things would go sideways at some point, that the night would bring untold horrors instead of passing peacefully. In a mix of your carelessness and Kalim’s overexcitement, an avian-like wraith appears and catches you both offguard, talons closing around his midsection and carrying him into the sky, each powerful beat of its wings taking him farther and farther away from you.

Adrenaline surges through you and the asphalt of the sidewalk cracks underneath your soles as you leap to the sky in pursuit. “Kalim!” Just before you can close the distance, he screams at you to get back, making you falter. A long shadow whips through the air—a prehensile tail of sorts—preventing you from approaching. 

Switching tactics, you aim for its wings. Better to bring it to the ground.

(Miraculously, Kalim got the cue to turn into his plushie form to avoid getting caught in the crossfire. You manage to catch him before the both of you crash. Though, Kalim’s awed gushing was probably going to give you a sunburn.)

Being a magical girl means Jamil takes your healthcare into his own hands, sometimes.

“It’s the sleep deprivation.”

“No, it’s not.” A coughing fit strikes you at that moment, betraying the extent of your sickness.

“It’s because you’re overexerting yourself with your ‘nightly escapades.’”

“Fine—so what if I am? Isn’t that what I’m supposed to do? To protect helpless people day and night?”

“Obviously, not at the cost of your own wellbeing!”

You didn’t think you would ever end up in this kind of situation, being yelled at by a floating plush ball while confined to your bed of messy blankets and used tissues.

The angry heat in your face is making your headache worse, makes you see gray for a moment before you could fire back.

“...I’m sorry,” you spit without an ounce of penance.

Jamil sighs. “Well. There’s no use in pressing the matter any further.” Just before he disappears, he tells you to get some rest.

Easier said than done.

The minutes inch by agonizingly slow. Your room is so silent, magnifying the buzz of your own thoughts. Up until this point, your life became a whirlwind of academics, extracurriculars, and fighting evil monsters. But at this moment of standstill, you can’t help but come to the realization that he was right. With your rashness, you basically incapacitated yourself. Sure, your familiars were also capable magic users. Sure, they could hold off wraiths from doing any major damage, but the thought that this entire situation could have been avoided, that this was entirely your fault—

A tear slips down your cheek, then more and more, until you’re quietly sobbing, frustrated, into your palms.

The mattress of your bed dips with the added weight of another person. “Mom—”

Jamil shushes you. “Drink this first.” You hear the rustle of plastic—did he go to the pharmacy?—and feel him press two tablets into your hand. As you swallow them, he hands you a glass of water. His other hand rests against your sweat-covered back, thumb rubbing soothing circles into your skin. 

(It is a stark contrast to his rough words from earlier.)

“I thought you…” They probably had other magical fighters to watch over, didn’t they?

It’s probably the fever messing with your senses, but there’s an uncharacteristic softness in Jamil’s voice. “Shh. No more of that, now.”

“...then why?” Were you really the only one?

“Just focus on getting better.” 

“But—”

“Your mom’s making soup for dinner, she will come to check on you in an hour. I’ll stay with you until then. Rest.” 

His words are not enough to placate your worries fully, but there’s a soft glow of red in his irises that makes you acquiesce and close your eyes, all while clutching onto Jamil’s wrist.

Being a magical girl means thinking up new ways to explain your many conversations “to yourself.”

Your parents are easy, it’s just the angst of youth. But your siblings are a little more difficult to convince. In addition to your moments of listlessness, they can hear your frantic back and forth pacing and the thump of you throwing your plushies against the paper-thin walls of your room. It can only mean one thing—

“Get out! I’m not having romance issues!” You slam the door behind your sibling’s cackles.

Your familiars remain still, seated on your bed until the sound of footsteps is sufficiently out of earshot.

“Are you really seeing someone?” Kalim pipes up.

“No!” You bury your face into your hands. “I—How would I have the time for that?”

“Besides,” Jamil chimes in, “we’re the only ones who’ve been accompanying them. Unless—”

Your body moves of its own accord, snatching Jamil with both hands and giving him a threatening squeeze, an unspoken ‘don’t you dare finish that sentence’ left hanging in mid-air.

When he stays quiet, your death grip lightens up. Just a little bit. A heavy exhale leaves your frame. “Look, for all that we’ve gone through—”

(A part of you is hesitant to admit it but, having gained them as new companions made your journey as a magical girl feel less daunting. You felt safe knowing that you could rely on them to watch your back, in spite of the close calls you’ve had. 

As for whether or not you’d started looking at them differently, well, you’d need more time to think on it. There. End of conversation.)

“I guess… I’m glad I met you. The both of you,” you finished lamely.

The silence that followed was deafening. For once, you’d wished their plushie forms could emote more instead of giving you that placid smile. 

With a pop! and shower of golden sparks, Kalim’s arms close around you in a tight hug. A bright grin splitting his cheeks. “I’m happy we’re friends too!”

“Stop squeezing me!” Jamil grits out.

Being a magical girl means double checking your word choice, especially for any quips and retorts.

The first time you transformed, you commented offhandedly about your footwear and Jamil made a little adjustment to your attire. 

With a snap of his fingers, a golden bangle clasps around your ankle. Lightweight, no doubt it would look beautiful when the light hits it at the right angle, but—

A frown pulls at your lips.

“Would you like another one? Just for some…symmetry,” Jamil suggests. 

You decide better against responding to that. 

“Think of it as a gift from me and Kalim.”

Was this something they bestowed to every magical fighter they took under their wing? “...Some gift this is.”

“Relax, you still have three wishes left. I won’t trick you into wasting them.”

Well, that diminished most of your initial doubt. “How can I be sure of that?” you question.

Jamil’s head tilts to the side, appraising you with an eerily-observant gaze. “All you have to do is ask. Anything that your heart desires, anything your mind can conceive.” 

You don’t like how his eyes are trained on you, making you feel small. You pick at an imaginary speck of dirt on your top, straighten out the already-impeccable fabric.

A thick silence falls over the both of you.

“...Will you—will you both ask me if I’m sure, before granting my wish?” It’s such a stupid thing to worry about, to fuss over the intricacies of your arrangement as Magical Girl and Familiar.

“Of course.” Jamil gives you a smile. “Shall we head to where Kalim is?”

“Yeah.” Your weapon appears in your hand with a flash of gold. “Let’s destroy that wraith’s nest.”

(More than desires you want fulfilled, there are anxieties you want quelled, fears you want silenced. Miracles to the myriad of unfortunate catastrophes that plagued your home—the flawed world that you lived in. So what if you contained untold power at your fingertips? You were only one person tasked with the protection of hundreds. At the peak of your distress—in the midst of sirens and flashing lights—you call for Jamil and utter your first wish through choked sobs.)

Being a magical girl means not relying on your powers, sometimes.

The trapped kitten gives another pitiful wail, thrashing against your grip as you clamber down the tree. In holding onto it tightly, you earn a set of angry-red scratch marks along the backs of your hands before reaching solid ground. The kitten bounds away with a final hiss.

“Why didn’t you transform?” Kalim asks.

You shrug, running a finger over one of the scratches. “I guess it’s ’cause I didn’t wanna mess up the outfit.”

“What do you mean?”

Bashful, your gaze ducks to your shoes, worn from years of use but sturdily hanging on. “It’s just, lately, the wraiths have been getting more and more powerful. And I…” Feel weak? Pressured? Alright, maybe you were still hung up over leaving a little crater at a major intersection, but it was either that or letting the ursine wraith lay waste to the nearby shopping center. There wasn’t any time to dwell on those shortcomings.

(But your mind liked to circle back to it. Was there any more you could do? Why couldn’t you do more?)

They warned you about this, that at some point, you would end up facing more destructive wraiths. That you would have to choose among innocents.

He takes your injured hands. “You can always make a wish.” Kalim’s healing magic washes over you, cool and gentle, like a stream of water. You watch the scratches slowly close up until they become nothing more than a set of faint white lines. “That’s what me and Jamil are for.”

“That’s true…”

“Anything you want.” Kalim repeats. “I’ll make it happen.”

It’s those simple words— and the sight of him cradling your hands in his palms—that grant you the courage to speak your next words, your second wish.

Being a magical girl means weighing your soul against the lives of people, friends and strangers alike.

“Come on, you have to get up.” Tears are streaming down Kalim’s cheeks, his hands hover by your prone and bloodied form, unsure of which wounds to heal.

Wearily, you gaze cranes upwards as if every bit of movement caused pain throughout your body.

Jamil has witnessed this scenario a thousand times. He keeps a stoic face. “Are you just going to let them destroy everything?”

“...I can’t let them…”

“You’re hurting yourself! Jamil, you have to do something!”

“It’s not my choice to make.”

When in the face of an unstoppable threat—a horde of chimeran wraiths that will lay waste to your home, will you make that final third wish and trust in them?

Jamil knows how you’ll answer. Rather than using them as quick and easy schemes, your first two wishes were—in some way—made for the good of others around you. For someone who won’t even know or care about that small bit of kindness. At the core of every human is a desperate self-preservation instinct that pushes them to make a final wish. And like clockwork, you will follow like the rest of the magical girls that they created. It’s a strategy that has benefited him and Kalim. And he has been fervently waiting for this moment, for a powerful one like you to—

“I’m...not giving up…!”

Or not? 

His lips curl into a smile. “Then give them hell.”

They can wait this out. Compared to their infinite lifespan, your emotional fortitude was only a drop in the ocean.

a/n: aaaa thanks @jessamine-rose for betaing this fic with ur fresh eyes. this au rlly gave me brainworms of the feral variety, i think i liked leaving most of the details ambiguous and free to interpretation, but i might come up with a separate author's note post about worldbuilding bits i couldnt fit in? eh we'll see! i hope yall enjoyed reading this! tagging some jamilnatics: @viperwhispered @twstgo @just-a-little-silly @mama-m1na @crystallizsch @sillystr1ngs (lmk if you wanna join the taglist for jamil writing in the replies)

[pricesprincess]

from this ask | fat fem! reader | asshole oc for story purposes

simon riley really did live up to his nickname ghost with the way he followed you from place to place and any obstacles didn't matter to him, not when it came to know if you were safe or not.

he knew your schedule like his own and after years of being together it was just natural and simon couldn't just give up on the notion that you weren't his wife anymore so that's why he calls you everyday.

it could be about the weather, if things around your apartment need to be fixed, or if any men are hitting on you at your job because the idea of you moving on makes him sick to his stomach with dreadful pain.

but the first thing he always asks is are you okay love? because he wants to know if you are doing alright, perhaps without him and it seems that you're struggling with it all as well.

so when you ask simon to crash your date when you're halfway through dinner because he keeps making odd comments that put you on edge the moment you two sat down from each other there was no way he wouldn't help you.

your date was polite at first but something in your gut was warning you to text simon a simple word. red. he knew what it would mean.

"i'll be right back, i just need to freshen up." you murmured with a fake smile as you grabbed your purse and stood up knowing that if you were to be honest he could flip out and do something crazy.

your date nodded looking you up and down with a slight lip curl. "you could've dressed better and sprayed more perfume." his words were said so nonchalantly like they couldn't hurt a person's feelings.

you couldn't get away from his faster.

once in the bathroom you leaned against the wall pulling up simon's contact, the picture was of him and the cat you had custody of, princess q-tip who you had to beg him to do it but gave in quickly.

white with blue eyes and spoiled since you weren't too sure on having kids with his job, while you would love to have a baby with him it was the practical thing to do right now.

instead of texting you called him.

hearing simon's rough voice made the hair on the back of your neck stand. "hello? everthing ollright love?" the use of your nickname had your mouth going dry knowing you only had so much time.

"i'm on a date and its in the red, if you're busy i know i can always call the guys too and one of them can save me." your words tumbled out in a rush you were nervous he didn't hear and you'd have to repeat it.

in the background you heard the television click off and simon grunt as he stood up to get dressed. "send me your location." he hung up giving you some time to prepare yourself before going back out.

when you came back your date was flirting with the waitress, his eyes undressing her as she stood there until she finally saw you and smiled awkwardly before leaving you two alone.

"don't worry about her, your rack is a lot bigger." he told you with a wink and tipped his beer back all but chugging the thing as you watched with a slack jaw, you weren't offended when insults came from people who were clearly miserable with themselves.

the moment you leaned down to grab your water cup to splash him with it you smelt him before you felt his hand on your hip giving it a squeeze as he towered over the table casting a shadow over it.

his intense gaze cut through the air like sharp daggers intimidating the man who looked up at your ex-husband who pulled on his mask for old time-sake. "she's coming home with me." simon told him.

there was no arguing from your date which only made you laugh mentally as simon guided you away from the table and prying eyes, his lips brushing against your ear. "you deserve a lot better than that."

his words were laced with a profound sense of sadness and his sentence had a double meaning. "thank you for saving me, i don't think i'm going to date for a while after all that." you murmured and let him walk you to his car and open the door as usual.

almost like you were both on autopilot.

simon listened as you told him about your date and you both laughed and joked about everything which was really what you needed and then when the porch light flicked on as simon pulled his car up into the driveway he knew he shouldn't ask but did so anyway.

"can i come in for a nightcap?" he asked turning to look at you before tugging his mask off, it was a rare sight that he never let anyone see.

without saying anything you leaned over and kissed his scarred cheek. "of course, i'll make your favorite." you told him with a grin feeling your heart ache at being so close to him again.

[sweetsaladpainterranch]

I just binged your Challenges of raising a demon in a day and I love how wholesome it is <3 Your last entry was great too. Like when Al tossed reader off the bed XD...can you ppplllleeeaaaassssseee write it from Alastor's POV?

Thanks, much love!

Hey again Anon 🙂

sounds really interesting so let's try it lol

...

It was approximately 1 am at the Hazbin Hotel by the time Alastor managed to walk into his shared suite to find the lights in the bedroom off and that you had already put your fawn to bed in the ajoining room. The you shaped lump on the bed stirred slightly so he quickly, but silently, made his way to the bathroom to rid himself of the day's stench.

A heavy sigh huffed through his nose as red chunks of viscera easily melted away from his skin in the hot shower. Knowing you'd disprove, he had only told you that he'd be away into the late evening on overlord business in the city and to not wait up for him. Truth is that he went to hunt down the cretins that had whistled and made lewd remarks about you a day earlier. He found out from Niffty, who had accompanied you to the grocery store, and it had made his bood boil.

No one may talk to The Radio Demon's mate in such a disrespectful manner, though he was more than willing to make examples should anyone need reminding.

Coming back to the bedroom, Alastor took a moment to look down onto your beautiful visage laying surrounded by a halo of your curly hair. Your face was completely serene and he could see how well the thin nightgown clung tightly to your more endowed features. He felt, as he always did in these quiet moments, a strong sense of pride that this goddess had accepted his proposal to mate.

Your husband slid into the crimson sheets and leaned over to gently brush his fingers over the wedding band on your slender finger, however, you stirred again and turn away from him on your side. Now that he could clearly see your curves, Alastor couldn't stop himself from reaching out to drag his claws slowly down your side to better feel your plush shape.

But it still wasn't enough.

He found his arms slipping possessively around you as he settled his body close to the soft skin of your back and inhaled your neck. An excited smile cut into his face as the smell of pomegranate and cedar wafted from his wife directly to his crotch. God, you always smelled delightfully of nature. Sweet and dignified, yet wild and unpredictable.

It didn't take long before his excitement made itself physically known and he snapped away his confining clothing, so that, his entire body could press against his beloved doe. You awoke from the feel of his alternate head standing at attention and eagerly sought his lips upon turning in his arms. Alastor felt hands wandering ever downward until you grazed his pelvic bone with a sigh when you understood that he hid nothing from you. He couldn't help but smirk at the blush on your cheeks as your doe eyes looked into his own.

You were still so adorable and his heart skipped a beat when you whined for another kiss ❤️

Alastor, mind fogged by loving lust, completely melted into his mate's sweet sounds and needy touches as he happily reciprocated. You had begun straddling him as he had finally had enough of your nightgown and began to thread it over your stomach when you suddenly froze.

He didn't understand why you whipped your gaze away from him until his blood deprived ears picked up the sound of a pacifier. He's ashamed to admit that he panicked and immediately pushed you off his lap, however noticing that he was too forceful and his goddess was yeeted over the bedside.

But before he could ask if you were alright, the tiny deerling intruder had already began climbing her way up onto the bed.

Fuck Fuck Fuck Fuck Fuck Ffffuuuucccckkkkk!

He was explicitly aware that his body was completely uncovered still, except for the blanket that did little to hide his persistent arousal, and quickly snapped on a set of pajamas.

"E-Evie, my darling.", he hated how his voice trembled, "What is it that brings you here so late?"

His only answer was a weak whine as his daughter rubbed her tear stained cheeks, but his instincts picked up on how her ears were folded back and she slightly folded in on herself to seem small.

"Was it another nightmare, sweetheart?", Alastor knew which one and had experienced it himself several times. Deer demon often dreamt of predators lurking around them and of being eaten alive if caught. He could only assume it was because prey animals needed to stay sharp even when asleep. Though, his heart broke for his daughter just the same and he was about to take her into his arms when you had crossed the room to do the same.

In the end, the Radio Demon didn't mind falling asleep wrapped around the two most important people in his life. In fact, he had never felt more at peace than when holding his girls and knowing they were protected in his arms.

...

If this Anon is who I think it is, then I'm pleased to have spent a little extra time on your request and I appreciate you taking the time to send me these asks. 🙂

I really hope you enjoyed reading!

-SSPR

[itsabouttimex2]

For fun how about rating Wukong ship from lmk and give your opinion why?

SWK Ship Ratings

(Scores rank from -10 at the lowest, and 10 at the highest)

Shadowpeach

Name Rating: 5/10. Basic, but rolls off the tongue. Started the trend of Sun Wukong having extremely basic ship names- more on that below.

Canon Rating: 0/10. Whatever they had in the past, Macaque simply treats Wukong far too awfully to really justify the two of them ever getting together. Even the attempts at reconciliation feel more like extremely forced ship baiting, given how it goes from one of the two being marginally kinder to the other than usual, then immediately dropping it for more sniping. (Past!Shadowpeach receives 5/10.)

Fanon Rating: -10/10. I’ve spoken at length about this, but fans love to distort Wukong into a drooling abuser so stupid he can’t breath through his nose, usually while turning Macaque into a Possession Sue who only serves to be the author’s simpering self-insert who is the most perfect little baby of all time who has never ever done anything wrong at all even once. If there is an attempt to be “nuanced” or “unbiased” it manifest as “Sun Wukong “killed” (re: defended himself against) Macaque so he’s worse.” It’s an awful, extremely pervasive dynamic that rots any fandom enjoyment I could have had for this couple.

Personal Enjoyment: 6/10. Getting to write Macaque as the legitimately awful person that he is takes off the edge of seeing constant “uwu sadboi” Macaque content. Still, I rarely touch anyone else’s Shadowpeach content because of this.

Peachlotus

Name Rating: 2/10. As you’ll see, most ship names involving Sun Wukong are, uh… extremely lazy. Just one of the other character’s traits with “peach” slapped before/after it. Fandom really dropped the ball with most of these. This one is especially clunky, at least on my tongue.

(See, Macaque gets stuff like Lunartides, Inkypages, Shadowpeach, etc- all very cool.. We need to diversify the nouns is what I’m saying. Coulda been something like “GingerRoot” cause orange fur + plant boy. “FlowerBuds” for the platonic name for peaches + lotuses. Do you guys see what I’m saying. It can’t just be raw peaches all the way down.)

Canon Rating: 2/10. Ne Zha also doesn’t treat Wukong too kindly, interacting with him mostly through insults and physical attacks. He does seem to have some understanding of the king, though, which gives him a slight boost over Macaque.

Fanon Rating: 1/10. It barely exists, and what little does exist is essentially just “Ne Zha is mad at Wukong over what the fuck ever, so they’re fighting” and little more. There’s a lot of potential for bonding over immortality and awful pasts or being commandeered by domineering authority figures, which I wish was used more often.

Personal Enjoyment: 2/10. I don’t see the dynamic, personally. Again, Ne Zha’s only interactions with him are only ever vitriolic or exasperated in nature, which doesn’t leave stable footing for a relationship to stand. Maybe I’ll make a chatbot for them one day and see if I come around to it.

“Freepeaches”

Name Rating: -5/10. This shit is exactly what I’m talking about with the lazily slapping “peach” onto whatever and going on. “Free” has no meaning between Wukong and Tang- it’s just a holdover from a more popular ship. Tang only mooches food from Pigsy. That’s one of the biggest elements of their dynamic. Sure, Tang likes free stuff (food, rides, physical labor), but when does he ever get that from Wukong? It just makes no sense.

AND IF IT HAD TO HAVE THE FRUIT, TANGYPEACHES WAS RIGHT THERE

Canon Rating: 6/10. Tang literally drew himself and the Monkey King together inside a heart. He adores Wukong, thought maybe not for who he truly is- and the two don’t any interaction in terms of Tang realizing his autistic parasocial special interest idol is a lonely old sage who misses his friends, which cripples what was a pretty cute dynamic. I think Tang coming down from his hero worship and being just a genuine friend to SWK would be cute, definitely.

Fanon Rating: 9/10. Pretty enjoyable! Freepeaches is one of the few dynamics where Sun Wukong isn’t constantly turned into a punching bag/villain to be beaten around for the amusement of the audience, and the two are often portrayed as legitimately healthy together- I especially enjoy how Tang is portrayed as needing to move past his hero worship for the two to have a healthy relationship. It’s cute.

Personal Enjoyment: 6/10. Never addressing the resemblance to Sanzang or having them interact in regards to this while the circlet is back on Wukong’s head feels like a massively missed opportunity, honestly. I think Sun Wukong’s personal feelings have been left to the wayside for far too long in canon, and getting to a point where almost every fucking character represses their feelings is lazy and boring.

Peachbuns

Name Rating: 4/10. Again. Just “peach” slapped onto an adjective or noun. It’s frustratingly boring. This one sounds delicious and both components are related to food at least, which fits Pigsy’s background… but it also sounds like something a horny dude would ask for pics of in your DMs.

Canon Rating: 1/10. Pigsy isn’t willing to take any of Wukong’s shit, so he serves as a pretty great “bullshit barrier” that provides a legitimately strict opposing force to Wukong, but there’s little else to even their relationship out. He’s never kind or supportive or worried- if the two interact, it’s always through the lens of “Pigsy is mad/suspicious”. There’s never any real bonding or growth between them at all.

Fanon Rating: 4/10. This ship barely exists, and when it does it’s Sun Wukong being lectured through life by a big strong man- not a dynamic I’m a fan of. However, it is surprisingly kind to Wukong in terms of empathizing with his struggles. Again, I wish there was less of “Pigsy teaches Wukong basic life skills” because it falls right back into the revolting fanon that is “SWK is a big dumb fuck who can’t read or cook or take care of himself without a husband to wipe his ass.”

Personal Enjoyment: 2/10. I just don’t click with it. Pigsy doesn’t like Wukong, doesn’t trust him, and doesn’t interact with him outside of that.

Moonstone

Name Rating: 10/10. This is what I like! Moonstone is not only a very real (and very beautiful) mineral, but it ties to both of them equally! You don’t see Wukong’s status as a stone-born demon be referenced often, so this is a refreshing change of pace from the constant “peach” names.

Canon Rating: 7/10. Chang’e is a lovely woman who is simultaneously not be willing put up with Sun Wukong’s bullshit while still legitimately respecting and admiring him. It makes for a nice duality in their relationship that most of his dynamics don’t provide.

Fanon Rating: 10/10. The working dynamic is so fucking good to start with that I’ve never once seen fanon drop the ball. Never. This ship is always so fucking sweet and honest with Chang’e calling out Wukong for his bullshit while never pushing it to the “Shit on Sun Wukong Show” levels that the fandom loves so much- she takes no shit, but does no harm. She’s supportive and acknowledges his traumas and fears. Wukong does his best for her. Moonstone shippers get an A+ and extra recess time.

Personal Enjoyment: 7/10. I just… I really like this one, dammit. There’s not a lot to go off of, but seeing fanworks that do not primarily treat SWK like living trash/baby the hell out of him is nice.

Lionpeach

Name Rating: 3/10. Again. Very boring and generic. I’ve seen Fuzzypeach which is a little cuter, at least. Still, it’s all the same “peach”+noun format.

Canon Rating: 3/10. The devotion Azure bears to Sun Wukong seems like it would bear a higher marking, but it’s shallow and flimsy. Azure never understood Wukong, never wanted what was best for him, never cared about his safety or happiness. Azure projects his beliefs and wants onto the people around him, blinding the big fella to shortcomings on their parts, and is delusional enough to never look inwards. Still, I can legitimately see

Fanon Rating: 0/10. It’s just smut. That’s it. When it isn’t it’s just “Ooooh! Azure is jealous of Macaque! Tee-hee, sorry Azure!” and that’s it. I’ve never actually seen any non-sexual, Azure-focused Lionpeach.

Personal Enjoyment: 5/10. It’s a fun enough dynamic to explore, especially with how unhealthy it is. I’ll probably make a bot of this too one day. Maybe a “yandere dads” type. Or a mutual Primal Moon bot.

Celestialchaos

Name Rating: 10/10. Another not peach-based name is a win in my book!

Canon Rating: 6/10. Xiangliu is civil enough to Wukong (about as much as everyone else), but the mention of them having once been friends is what got my attention. Shrouded past + + potential reincarnation shenanigans + decently civil behavior = a very happy writer. It’s so little but it makes my brain itch.

Fanon Rating: 0/10. It doesn’t even exist babes ;( I’m scrounging for water in the lonely plains of a desert y’all. I’m a lonely little cactus and Celestialchaos is my annual three-inch rain.

Personal Enjoyment: 10/10. C’mon now. You all were expecting this. I love this ship. I’ve already made four chatbots. I love Xiangliu as a wild little freak who desperately tries to push Wukong away from other people and sad lonely Wukong finding refuge in a freaky toxic snake. Especially I like the idea of Xiangliu pitting himself against Macaque and going after Sun Wukong just to cause a little trouble, only to actually catch feelings and start pursuing him in earnest. I like “I want you at your worst so I can prove that I still love you even then” Xiangliu and “You love me at all?” Wukong.

I really like this ship.

End Result

(Scores ranging from -40 to +40)

Shadowpeach= 1/40

(Past!Shadowpeach would around 20)

Lotuspeach= 7/40

Freepeaches= 16/40

Peachbuns= 11/40

Moonstone= 34/40

Lionpeach= 11/40

Celestialchaos= 26/40

[apoloadonisandnarcissus]

Why did Galadriel allow the Three Elven rings to be forged, in 1x08?

Despite knowing, for a fact, Halbrand is Sauron, and he has been working at Eregion, alongside Celebrimbor, all along, in 1x08? It’s because she knows the Three are truly free from Sauron’s influence, like she tells Elrond in 2x01?

Because her own statement in 2x02, seems to contradict this: Sauron... sees himself not as master of a barren waste, but of all Middle-earth. He seeks to rule it not only through conquest, but by bending the minds and wills of all its peoples to his own. And for that, he needs not armies... but Rings. And he cannot craft them without Celebrimbor.

Galadriel is not naïve, nor is she stupid, quite the opposite. Tolkien describes her brilliant in mind and swift in action. And, in Season 2, we saw her lying to hide the true nature of her connection to Sauron: to Gil-galad, in 2x02, she denies Halbrand was her friend; in 2x06 she tells Adar, Sauron promised her an army.

Galadriel’s entire plot in Númenor, in Season 1, was her trying to get herself an army to fight “Sauron” in the Southlands, and to persuade Halbrand to reclaim “his” throne.

Halbrand: I'm afraid you're short an army. Galadriel: Leave the army to me. 1x02

Halbrand: How? You're stuck on this island. And you're still short an army. Galadriel: That is all about to change. 1x03

Halbrand: You used me. After I all but begged you to let me be. Galadriel: I have just convinced Númenor to send five ships and 500 men to aid your people and place a crown upon your head. Many might assume you used me. Halbrand: Find another head to crown. 1x05

1) Galadriel knows Sauron’s reputation

As are all Elves, and that’s why they feared him so. They know Sauron is a powerful sorcerer, and very much so. He’s known as the “great deceiver”, a trickster, who employs deception and illusions.

2) Galadriel was aware of Sauron’s goals

Galadriel was, also, perfectly aware this was Sauron’s plan and goal, all along. Adar revealed it to her, in 1x06:

After Morgoth's defeat, the one you call Sauron... Devoted himself to healing Middle-earth, bringing its ruined lands together in perfect order. He sought to craft a power not of the flesh... But over flesh. A power of the Unseen World. He bid as many as he could to follow him far north. But try as he might... Something was missing. A shadow of dark knowledge that kept itself hidden, even from him. No matter how much blood he spilt in its pursuit.

3) She knows the rings were Sauron’s idea

And hearing Celebrimbor speaking about a “power over flesh” was what made her suspect Halbrand was lying about his identity and had hidden motives to be at Eregion, in the first place:

His [Halbrand] suggestions were but the key that unlocked the dam. We are on the cusp of crafting a new kind of power. Not of strength, but of spirit. Not of the flesh, but over flesh. This is... This is a power of the Unseen World.

4) Sauron’s request

Persuading Galadriel into allowing the rings to be forged was the entire point of Sauron’s first illusion, when he takes the form of her brother, Finrod. 

He [Sauron] was seeking a power not to destroy Middle-earth, but to heal it. Just as your fellow Elves are seeking to do this very moment. You needn't lie to them. Simply let the work proceed.

This alone should “ring the alarms” in Galadriel’s mind that something is “up” with this whole project. And Sauron is talking in the past tense, which indicates he already found the power was seeking (as he tells Galadriel himself before the reveal: “we found it!”).

However, this is exactly what Galadriel does. She only doesn’t reveal to Elrond and Celebrimbor Halbrand’s true identity, but she allows the rings to be forged, anyway. But instead of two, she makes it three. For balance.

Are the Rings really free of Sauron’s influence?

Yes and no. The Three Elven rings are free from “Sauron’s influence” in the sense he doesn’t enslave its bearers to his will, but they not free from his power, they feed off of it, all the same. We know this from Tolkien lore; after the One Ring gets destroyed, in the Third Age, the Three lose their magical properties, and become mere pieces of jewelry.

What is most likely to have happened is that Sauron infused the mithril with his intentions in 1x08, as he did in 2x03 (for the Seven), and this was him attempting to replicate what he did before (in 1x08), but now he wants control and dominion, too, so his intentions are tainted with greed (which will be what the Seven rings of power will do to the Dwarves’ Ring-bearers):

The rings of power are Sauron's masterplan, after all. He sees himself as their creator and their master, like he says to Celebrimbor in 2x08:

And this strengthens the theory it was Nenya that stopped Galadriel from joining him, and compelled her to fall down the cliff, in 2x08. The ring resisted his command. Which might indicate these rings have a will of their own, like the One Ring, and Nenya chose Galadriel and sees her as its master:

Having a ring of power desobey him (his very own creation) would give Sauron not only the motivation but the idea to forge a “master-ring” to control all others:

"They worked wonders"

And this is why Sauron wants Nenya, and other Two of the Three. He needs them for his masterplan, because these were the only rings that actually worked. They heal Morgoth’s corruption. And he wants to know what he did different with them.

And 2x08 answered to that, too:

I’ve already talked about this on several posts: the Three contain OG Mairon’s essence and the qualities he was created to have by Eru himself (perfection, order, beauty), plus his desire for healing Morgoth’s corruption. And this idea is also present in 2x01:

But this is not Celebrimbor’s doing, at all. This is powerful Ainur magic, that only one of the Ainur (Vala or Maia) could accomplish: and that's Mairon.

Through Adar in 2x08, we got confirmation that the mithril can cure Morgoth's corruption in every sort of way. But this effect is only temporary, and that’s probably why Sauron/Halbrand wanted to forge two (one for himself, and the other for Galadriel, because he recognizes the same yearning for healing in her).

Then why, knowing all of this, did Galadriel allow the rings to be forged, anyway?

Galadriel herself answered to that, in 1x08:

Indeed, the Elves were running out of time (Gil-Galad gave them three weeks to find a solution), soon they would have to leave Middle-earth, otherwise they would fade, and die. And Galadriel refused to return to Valinor, in 1x01, because she wants to destroy Sauron. And Elrond failed his mission in Khazad-dûm in getting more mithril (like she said to his face in 2x01):

She knows Sauron is an ancient and powerful sorcerer, and if anyone can pull something like this off is probably him. And, subconsciously, Galadriel is aware she needs his power, because he tells her so, himself, 1x08:

Sauron: You have no choice. Without me, your people will fade. And the shadow will spread and darken to cover all the world. You need me. Galadriel: I should have left you on the sea.

And to “the sea” he returns her in the next vision, to the moment when he saved her in the Sundering Seas, to make this point across.

And it worked. Because Galadriel is willing to take that gamble and allow the Three to be forged, because there’s no other way for the Elves to stay in Middle-earth. And, in order to do that, she has to keep Halbrand’s true identity concealed from Elrond and Celebrimbor, otherwise they would never agree.

And Gil-galad himself agrees with this idea (“it’s the only way”), in 2x01, as he compels Elrond to surrender the rings:

Elrond: He worked with Celebrimbor for weeks. We know not the depth of his influence Gil-galad: Soon, the last Gold-leaf will fall, and it will be my task to inform all Lindon our time here is ended, and the Elves must abandon these shores forever. Now, you inform me our most cunning enemy is rising again. If we leave now, the peoples of Middle-earth will be left to suffer under the tyranny of a new Dark Lord. Those Rings are more than our last hope, they may be the last hope for all Middle-earth. It is a risk we must chance to take. Give them to me.

Because of you, we've no choice but to test the virtue of the Rings.

And Galadriel sort of says this to Elrond, in the same episode: I did what I felt was right. And time alone will reveal whether that was folly or wisdom.

Now, the irony of all of this is that Galadriel and the Elves, by keeping the rings for themselves, instead of destroying them and returning to Valinor, are enabling Sauron to continue his masterplan. Because had the Elves left as they were meant to, Sauron wouldn’t had the means to see his plan through (because Celebrimbor would be out of his reach), nor had they condemned Middle-earth to the tyranny of the a new Dark Lord. Which means: Elrond was right.

[icarusredwings]

oooooh HELLO NEW CONTESTANT!!

Ps. Im so sorry for whoever has to see this huge chain of reblogs.

So yeah that was semi the plan love love love your thoughts except I had the idea that eventually they would find the cure BECAUSE of wade. Since wade can consent (and can restrain himself not to chomp people) he (unfortunately) would infact be the perfect test subject and because logan is definitely not gonna let some assholes test his lover without making sure its ethical and not harm him more then good, Wade would be quite accepting.

It also helps (Now don't look at me like that- you gotta understand his situation) that wade is very food and affection motivated so yes while he does still feel pain and heals slower then usual (still way faster then a human) it would only be natural for him to whine or not want hurt.

So yeah, in between shots and what not he's given pieces of meat and hugged, nuzzled, etc.

"One more and then were done. Hear me?" Logan tells them, coming to wade, Giving him some left overs and putting his arm around him.

"Just one more okay? Then we'll go see the girls."

He nods, mouth already full of the food, happy at the mention from the girls.

Another thing is Wade dosn't just wonder off in a sense of he dosn't know what hes doing or just aimlessly is leaving like how other zombies mindlessly walk around. Wade "wonders off" mainly because he knows if he dosn't eat anything soon hes going to hurt someone and he dosn't want that so he removes himself from the situation.

He also eats just about anything. Yeah he heavily prefers meat because something about the virus craves protein, its why his muscles have gotten weaker too but the virus knows of they eat their host there wont be anymore.

Most zombies die because the virus starves and has to eat the host, but because when they eat wades cancer it just keeps coming back, and eventually the cancer would whoop the virus's ass due to sheer out numbering but I like to think that before things get better (much like cancer) it gets WAY worse.

So yes, for a year or two hes off an on, randomly being feral the first year but the second year only being feral about once a month for a short period of time.

He slowly is becoming better and better as the third year rolls around to the point where he hasn't been feral in awhile, slipping up only because he hasn't eaten in 2 days, in which Logan apologizes to him because it's winter and theres not much to spare.

Wade knows he gets fed last, and honestly isn't too upset about it. He's lucky to get food twice a day simply from how scarce it is. In the summer its a lot better, much more animals come out, theres a lot of plants, hell the girls started a garden before Logan and Wade even found them so often times they have food its just... not.. sustainable.. for wade.

Yes, he'll eat it. He'll eat it all, clear his entire plate like hes been starving for months but he needs the protein. He needs the high fat content. Its why he gets a lot of beans.

Laura had even managed to trade for a chicken that first year but uhhhhhh wade ate it.... just... mauled the poor thing. Ripped it to shreds. It made gabs cry because she already named the hen "Penny". Well. No more penny. And now Wade isnt allowed out back by the chicken coop no more.

Sometimes, still 3 years later, She'll catch wade crouched down and staring at them with such wide eyes, like a cat watching a fish in a bowl.

"What are you doin? Get away from there! You know better." She'll tell him and he'll whine at her a bit because once in a great while Logan will let him pet the chickens. He'll hold it tight and let Wade run his fingers on its back with the biggest grin. But after whats happened to penny? No sir. He wasnt allowed to pet them without Logan around.

He's just so... hungry. And there's nothing really anyone can do about it. Because of this though, Wade makes a great hunter and well... sometimes.. even in the third year half of the animal will be eaten by the time he brings it home but he does infact bring home many intact kills. It sucks though because bassically anything Wade puts his mouth on or licks immediately is thrown out and cant be eaten by the girls or logan, So yeah.. Logan gets frustrated when Wade comes home with a useless deer because wade already took a chunk out of it.

By the fourth year wade is allowed to sleep in the house nightly, is allowed to hug the girls each day, and can control himself enough to even have dinner with them as a family. Year 4s biggest issue right now is that he keeps trying to kiss them. Trying to kiss the girls cheeks, trying to kiss logan, and he keeps trying to share food, trying to give Gabs more vegetables off his plate when now her entire plate is ruined because of cross contamination.

From what they know is that this virus is similar to rabies because it stems from the same family in which feasts on proteins and fat but its evolved enough to understand that the host needs to be able to do things such as swallow and walk so they do not attack the spinal cord or the ceribellum which controls movements. Unlike rabies in who devoures the brain, rendering the person not to be able to swallow and mindlessly walks around looking for water especially in heavily dense human population with zero fear. (Seen in foxes the most)

The zombie virus does attack the Broca's area though in which controls speech. They attack other parts of the brain like memory logic and processing but because of how much cancer wade has it just keeps growing back.

Some early days of being bitten he will just stare at you like a dementia patient trying to remember who you are, other days he will run into a door and then just stand there like a sim who cant move because theres a plate on the ground.

It also is better for him to NOT get bit or licked again by other zombies so after year one Logan stops letting him eat other zombies, noticing that he gets worse afterwards because he becomes reinfected. This- Has limited wades food sources to human grade stuff, aka.... a lot less.. which causes more snappiness for a few days, but after 2 weeks he improves a lot.

By year 5 he has an entire week straight where he is unconscious, growling and struggling against the chains in the shed. Logan is sitting out side of the shed on a stump, crying because he dosn't know what happened or what to do. Wade was doing so good to the point he was starting not to worry about him biting anymore and now he was at square one.

The next day he sees that the noise has stopped and wade is pased out for another good week. Logan is almost relieved. He thinks Wades body finally gave up. Finally died.

He sobs that morning, Whispering thank yous to nothing and im sorrys. He dosnt even know why hes apologizing, he didnt do it. If he could put wade out of his misery he would have done it years ago, so this is a blessing.

Laura, much like her father, has very mixed feelings, crying behind closed doors but is glad. Finally he wouldn't hurt anymore.

Being barley 18 now, Gabs still sobs. Cries that its not fair that her papa died. Cries because he was so nice to her and now he was gone for good. She would never get to hug her papa ever again.

This was until...anyway.. when 8 days later theres a soft knock on the inside of the shed. Logan couldn't bare the idea of him coming back and hurting the girls so he sealed off the shed, being his husbands forever tomb.

At first he thinks its a cruel joke. "Gabby, quit! That's not funny-"

"What dad?"

But if gabs wasn't doing that, and lauras in the house..

Carefully, he unlocks it, peeking in to see Wade awkwardly standing here. Blinking.

"...hai..?"

"....hi...??"

"...urrhhm... yor wracked meh n hare.."

Logan swears hes gone insane, he could have SWORN his dead husband just said "You locked me in here" and "hi"

His skin looking better, less open gashes and healed up, still scarred up but no longer really decomposing.

This has to be a dream right?

"..no.. No. Ha! Heh.. no."

"...no rhat?"

He stares in disbelief, wondering how in gods name he was alive still. And talking? Like.. actually talking.. Tears run down his face faster then he can think, Gabby is already crying and quickly unchaining him. "You're the worst dad ever!! Yo-you know that!?" She sobs, angry from the hurt but also so glad that he was okay.

"Ar rnow... I Sarry."

"B-but you were gone- I... I saw you.. you were rotting and everything.."

"Rhat rRh- er... h-harppins." He smiles softly, worried just how much he upset his family, and is even more worried by how tight Logan held him and sobbed into his shoulder. "You fucking IDIOT!" He cries, breaking a few of his ribs.

"Aouch! Owr" he whines, turning his head from him and everything, not wanting any of his saliva to touch Logan despite him desperately trying to bury himself in his neck.

It wasn't much Laura seen her father like this, but she has a pretty similar reaction, complete with a slap and telling him to never die on them ever again.

"Nor pramases!"

Hello there. You must be crying by now. Dont worry so am I. If anyone wishes to draw zombie wade I would be extremely happy. Different stages would be so cool to see. I might do a little sketch if I have time. Anyway. Here. You will need these.

I dont CARE that it's November 9th and "Halloweens over" ITS MY BIRTHDAY MONTH ILL POST IF I WANT TOO

Anyway.

Thinking about apocolpse au.

Wade getting bitten by a zombie, Logan freaking out, Wade dying, and him coming back (Again)

"Didn't you just die?? I literally fucking burried you!!"

And wades like:

"Of course. Man, God REALLY hates you dosn't he?"

And he's bassically the same person except just saying, "Rahhah har ran re" (translation: I think the devil doesn't want me either)

"What?? Oh for fucks sake... tell me you're kidding.."

"Rah?" 🤔

"Great so now you stink more and you can't talk. Fucking lovely."

"Mmmmh..." 🥺 (would you still love me if I was a zombie?)

"*sighs, blushes and grumbles how insane this is and how much of a bad idea this is* Fine! Come on...."

"Raah!!" 😄

And sometimes his limbs fall off because I think it would be funny if you just saw him stop, turn around, pick up his arm and shove it back into place like a dislocated shoulder. (Marvel Magic)

But its very obvious that Wade is still consious and so logan leads him around, puts a leash on him, ties him up when he goes to sleep the first few nights so wade dosn't eat him, sometimes luring him with a piece of his thigh or telling him he'll feed him soon to make him behave.

The only thing about this resource wise is that it seems Wade is a bottomless pit, not ever able to get enough. It's like all the nutrients just pass right through him, so he can't get fed meals daily, but Logan will share at least one bite of his food. It makes Wade so happy and way more "wade like" than zombie.

Logan has learned that the hungrier Wade gets the worse it would be, snapping at logan a few times.

"Grr-"

"Aye! That's enough outta ya"

"GggRah!"

"Hey!! I said no! Bad! Bad wade!"

"Mmmh??"

"Bad!!"

"Mmh....rahah.."

"I forgive you. But stop trying to bite me. I feed you, don't I? I hold your hand and tell you that I love you?"

Wade is actually extremely friendly for a zombie (duh) and still yaps at logan except its nonsense. Logan tries hard to understand him and talk back.

He holds his hand sometimes, even lays next to him only to scold him if he gets too bitey. This is hard because wade already had a biting issue and seeing as he practically ate anything or anybody now it was more difficult.

"...aahh-"

"Wade- No."

"Ggr.. raahh"

"Wade! No! Bad."

"Mmmh..."

"Ill feed you tomarrow. Don't bite me mkay? You wanna hurt me?"

He shakes his head like a dog shaking off from a bath, or that ate a bee.

"Then don't bite me."

"Mmh? Mrah?"

"No. No kisses right now. Im still not even sure if thats safe.."

"Mmmh...🥺 ahrrah?"

"No, not even a tiny one."

"Mm...😔"

Until Logan grunts and pecks his hand. "There. Happy?"

"🙂‍↕️mh"

"Good."

Honestly Logan felt bad, pitited him. No matter what food he ate it wasnt enough substance to sustain him and sometimes Logan would wake up to find him eating a different zombie that made the mistake of trying to eat Logan.

You ever wake up in the morning, lose your zombie boyfriend, call for him only to walk outside and see him knawing on some poor chaps arm like a happy puppy who found a chicken leg? Logan has. Many times. And he wishes his phone would charge so he could take a picture of it but unfortunately theres no electricity in the post apocalypse world.

This being said Logan is like- THE perfect guy for apocalypse au because he can smell everything and hear anyone before they even get to you, he has better wilderness survival skills then anyone I know and he'll never NOT have a weapon on him because of his claws. The only downside is that he's tired easily, needs a lot of food, and would lowkey be withdrawing from his tabccao and alchool, therefore very moody.

"Stupid fucking apocalypse having to happen when im fucking alive!! Why can't I just NOT live through ONE major historical event! Is that too fucking much to ask? One damn decade where everything is fine and dandy and- WADE! Get your ass away from that!! It's radioactive!! For fucks sake!"

"Rahahrah?"

"NO!! You can not become Spiderman! That's not how that works!"

"Aawr..😔"

The whole thing is they're on a quest to find Laura and Gabby, because when everything went to shit, they were on a cabin trip and now Logans brain is itching because he dosn't know where his babies are and its driving him insane. Once he finds them, they're gonna shack up somewhere with food and animals to hunt, and hes gonna make a little shed outside for Wade to sleep because he'll kill him if he bites one of the girls.

He dosnt care that much about himself really and he hates himself deep down for not being able to trust wade anymore but even wade dosnt trust wade, sometimes wandering off on purpose, staying about 30 feet away from him at all times, growling and giving Logan that glazed over look of unconsiousness. The only good thing about this, though, is after he removes himself from the idea of hurting Logan (because if logaj were to become infected - HA! Your all fucked. Utterly fucked. The whole humanoid species would go extinct because he'd kill anything that moved) he feels more trusting of him and it's not uncommon for them to hug after either. Afterall Wade- Some how???- is still wade and is very affectionate and sensitive when its not returned.

This whole thing also makes him think worse about himself, kicking reflective objects or staring at himself in a shop window in utter shock and disgust with a face of 'thats me..?' While logans raiding the place for supplies.

Did you know zombies can cry? Well, Wade could. Not a lot, only able to get a bit of liquid from dehydration, but sometimes Logan will catch him just... sitting there.. crying. Upset with himself for being bit. Upset with himself for trying to bite logan all the time. Upset at how ugly he is. Upset that he's starving all the time. Upset that he can't even talk to anyone, and Logan just has to guess what he's saying 90% of the time. Bro is literally

When they DO find Laura and Gabby, the girls are doing great. Laura was going to blow wades head off until Gabby ran in the shot, hugging him instantly, only to be ripped away.

"Of course my dad is the weirdo married to a zombie." Laura grunts, but is secrelty happy that wade is still 'alive'

Gabby, being as young as she is, thinks it's so SICK that her dad is a zombie now, giggling when he talks to her and holding his hand. She's not allowed near him for long, and not at all by herself, but Gabby bassically becomes Wades number one supporter, defending him when he messes up and snaps at laura.

"He's just hungry!! He's not bad! It's not bad to be hungry!" She'll say. "You wouldn't kill me if I was hungry.." she tells her bigger, more survival oriented sister whos suggested putting wade out of his misery, for his own sake. "I tried that... he found me again 3 days later." Logan tells her with a pang in his chest. It had taken everything in him to kill him the first time, and sobbed himself to sleep the next 2 days. By the third when he noticed Wade following him from a distance he couldn't believe it.

Not even the apocalypse could keep them away from each other..

[letsgofullpogue]

I don't usually share my thoughts on the season here, I try to keep it more of an archive than anything, but this shit was a mess and I need to unpack it somewhere. Thoughts on season 4 below the cut.

Groff being JJ's father doesn't make any sense.

Before part two even came out, this little kernel of story rang so false for me. How does Luke wind up with a kook baby who "died" at sea? And the obvious answer is he had an affair with a kook, they had a baby, and, sure, she dies and he has to take care of the baby, leaving him bitter and alone and resentful of JJ. This is a reasonable expectation based on what we know of Luke thus far. But that's not what they're selling. Luke is a good-natured groundskeeper for the Genrettes, forming a light friendship with Larissa and bringing her little baby flowers to light up their days. Chandler, the baby's actual father, lurks in the background, seemingly jealous and controlling and not a fan of Luke. This completely stomps all over what we know to be true about Luke from the beginning, and really wipes out all the beautiful, horrifying work that Rudy and Gary did to build their relationship up until now. What a tragedy.

Why would Chandler kill Larissa and hand off the baby, pretending that he died? Was he hoping that Wes would take him under his wing and he would become the Genrette heir? Why not just keep his own baby with him, who would presumably be the real Genrette heir, coming into the money and property by way of guardianship when he inevitably killed Wes anyway? What's the deal with Chandler and Larissa? Did he marry her for money since he was a Pogue (more on that later)? Is this Foghorn Leghorn accent put on? Did he marry her specifically for her Blackbeard connections? Was it on the order of the Lupine Corsairs? Did he start working with them before he hooked up with Larissa? Was this all part of the plan? Why did Larissa keep her last name? Why in god's name do I care?

Watching Chandler play JJ the whole time requires us to believe that JJ is stupid, and JJ is not stupid. Impulsive, sure. Acts before thinking, absolutely, but not stupid. He's not going to get played this way (especially by a Kook), letting Chandler lock him in a mausoleum, giving him the necklace, giving Chandler his phone. It's insane. And driving around town in the Twinkie while being wanted? Still using their house and surf shop as home base for planning? Stupid stupid stupid.

The retread of scenes we've already done

Pope and Sarah in the tunnel with the rain is Kie in the sewer with the water flushing her out.

JJ and Chandler in the Twinkie is Big John and John B in the Twinkie, and just as bad. I thought they understood that was too much time away from the group, but what I've come to is that they don't actually understand anything.

Wasting too much time with a band of villains, see also last season. At least Singh had an interesting story that somewhat wove into the quest. These guys are just hired grunts. They're not on this hunt for themselves, they were hired to find the crown. Hired by who? And why do we care? They have a code that they live by, but we don't care that one of their faceless guys got killed and that they're out for revenge while pursuing the treasure. They get way too much screen time for us only have ten episodes.

Pope running from the Marines is Pope running from his scholarship interview, with higher stakes consequences that'll never be addressed, I'm sure.

Pope, John B, Cleo, and Sarah in the garage is John B in the garage in season one.

JJ wounded and floating in the water, just like in season two.

JJ and Kie talking about wishes while on watch is surf trip again. I was like, oh wow the chemistry is totally back here, and then I realized that it's fully leaning on the cadence of something that's already happened.

These are not parallels, this is bad writing. Or lazy writing. Or both.

High-stakes actions with no regard for consequences

Speaking of, they're constantly writing themselves into situations they can't get out of at this point. Last year, with JJ making deals with Barracuda Mike, big-time drug dealer, a thing that should have had huge consequences for reneging on the deal, but wound up with none. And in an even bigger 'this doesn't matter', he goes to Barracuda Mike's house this year and demands things of him? Wild and unbelievable.

This year, with JJ assaulting cops and destroying the town, for reasons that don't even really make sense. Wanted and on the run. How do you come back from that? (And a side note. JJ wasn't ever really a physically destructive presence, moreso destructive in the way that he has impulse control issues and acts before he thinks. But JJ has always been the type to take the beating, not start it. Happy to defend himself and his friends, but out of a feeling of usefulness and purpose in the group, not for funsies.)

Also this year with Pope, assaulting a cop, slipping his ankle monitor, and running away from the Marines. THE MARINES. Consequences should be looming, and who knows if we'll get there. But why set these kids on the run for the rest of their lives? The point is this place, the point is these kids. These beautiful idiots with bad luck and good hearts, just trying to get a win. What win is left? Evading jail? Revenge killing? What happened to our little boat show? This is a mess.

A family way

It's insane to me that they would chose to make Sarah pregnant in these circumstances that they've written them into, but then again, it's written by men who seem to have big-time mommy and daddy issues, so why am I surprised? I do feel like the best part of the season is that before John B even knew about the pregnancy, he was basically like I want to be done with this shit. He is not his father, he doesn't yearn for the adventure of it all. He wants to build a life, a normal life, and I wish we had had more time to sit with that and explore it for him.

The dialog

I don't know if it's that they're not improving as much anymore because of ~*reasons*~, but the dialog has gone completely down the tubes. In the last episode of the season, Kiara says "JJ hurry" over and over, at least 5 times in the span of like 15 minutes. When John B, Sarah, and Cleo are running from the Kooks, it's hurry, hurry, hurry. It's either that the writers simply aren't trying anymore or so much of the dialog was filled in with improv that now that everyone hates each other (she says casually and not addressing it at all), they're unwilling to play. Either way, that's their jobs. This show should be so fun to watch and it's becoming a drag.

The filters

I know everyone has complained about the colors of this show the whole time, but it's becoming unforgivable. The blue nighttime filter? I want to throw something at my tv every time they use it. Shoot at night??? Or on a stage? There are options that aren't the most awful fake-looking filters in the world, which, by the way, make watching on any smaller screen completely impossible. I miss those season one South Carolina sunsets. It feels like we've replaced most of those with a really harsh yellow filter that makes lighting people impossible.

Pogues vs. Kooks

That was the setup for this show, right? The haves and the have-nots? Two tribes, one island? Well, now almost every Kook is a Pogue and every Pogue is a Kook. They're muddling the message with bad results, because they still seem to want the tension and the storylines that result from it, but Chandler is a Pogue turned Kook, Ward was a Pogue turned Kook, so is Mike. JJ is a Kook turned Pogue, Rafe, RAFE of all people is working with the Pogues and engaged to one? With season five being the official last season, what will we be left with at the end of all this?

Interviews

So much of what they intended for this story, or what they want the audience to take from this story is told in interviews. I don't know if they're flat-out lying or they really think they nailed it in the telling. They say JJ is freaking out because he finds out he's a Kook, but that's not really what happened on screen, it seems more like he freaks out because their land is being taken from them and Luke's back and betraying them for a deal to keep him out of jail (yeah, not enough time spent on that). That JJ dying was the plan from the beginning which I don't believe was the case for one single second. "JJ is super jealous", where? Show me where because he barely glances at Kiara the entire second half of the season. They're two unsupervised children, dating, living in the same house, who barely ever touch, nevermind kiss. You're making this shit up to get the fans in a frenzy about it and not delivering in the telling.

The biggest fuck you

JJ dying. If talk is to be believed (and I do believe it) Rudy asked to leave and the Pates granted this request by killing him. I'm pissed as hell that the Rudy/Elaine/Madison/Mariah whatever it was ruined a truly great character and couple (the thing that brought me to this show in the first place) and I'm also pissed that it was written this way. Their right as writers and showrunners, I guess. BUT. There is a way to do this and have it make narrative sense and spur the story on and it is their job as writers to figure that out. What they did was strap him with an insane storyline about biological parents that makes no sense, act completely out of character for much of the season, have him pick up a drinking problem that he's never had before (becoming a liability for his friends), and have his new daddy kill him with a 1-inch blade in retribution for *checks notes* not letting him out of a well? Oh, and having his friends bury him in an unmarked grave in a land far from home, a home that they really can't even return to without some of them going to jail for a long time. And now they're out for revenge, as suggested by Rafe.

What is season five going to be? Losing JJ (and Jiara by extension) is a devastating loss for this show. Saddling John B and Sarah with a kid on the way while on the run and actively pursuing very bad people is irresponsible. How can we bring it on home in a way that honors these characters and makes sense of the mess they made of this story? How can we bring it on home at all? I'm not sure, but I guess we'll find out when the time comes. Lord knows, I'll be here until the bitter end.

[bitchslapblastoids]

Prompted by your post about dnp inviting audience interaction: it /is/ really brave, and so interesting! I haven't been watching them for long at all and one of the biggest things that just drew me in and deeply fascinated me about them is how so much of their work (not just on stage) is in some way a conversation/interaction with their audience and the more you watch the more you notice it. No wonder its easy to be parasocial about them and about the Phandom itself!

To me, at least, they seem to be the sort of performers/creators that need a relatively high level of audience interaction in order to be inspired or for their work to feel meaningful. Like, im absolutely sure they could also create things without this close relationship with their audience but it seems to be what their naturally drawn towards? Obviously the problem has been in maintaining boundaries within that but it seems like that's going better now than at some points in the past, which makes me really happy for everyone!

Sorry about the long yap, this is so interesting to me and I just needed to express it a little

yes!!! i love this!!! so beautifully worded! no need to apologize at all - i am in such hearty agreement and actually think about this so often. i think the engagement with their audience is their superpower, and it runs so deep. what was one of dan's favorite things about phil before he met him? phil's interactive adventure videos, in which he was creating an interactive experience for his viewers.

when they film pinof1 together, what are they doing? they're answering an audience-submitted q&a. the audience interaction is literally baked into their foundation! <3

2010, dan's uni dorm. what's displayed behind him on his wall? art and letters sent to him by viewers. he films danmail vids where he opens and reacts to said art and letters and personally thanks the senders.

for years and years and years, what's at the end of every phil video? fanart! draw phil naked! (in retrospect literally so weird lol but shhh)

the ongoing avalanche of vyous and younows and tumblr reblogs/follows and responding to yt comments and retweets and and and. so much interaction. the videos directly engaging with twitter and tumblr creations. they see us, they know us, they get us.

their first book? included a double-page spread with dozens of pieces of phanart.

every single one of their tours has multiple essential audience interaction components, and even more brilliantly, with multiple different access points that are perfectly calibrated to their audience. too shy to speak up? send in a submission ahead of time. want to be a part of the masses? shout something out during the audience participation segments! and there's always the likelihood that they'll include fanart in the show itself, casually mention an actual actively popular fic, throw in an ancient phwedding manip, or just build whole segments of the show around our tropes and the world that we created with them. all of that keeps things exciting and engaging on stage, bc you never know exactly what's going to come next. but it also keeps their audience feeling seen, valued, and like co-creators in a way.

When you look at the other britcrew and big yters from the 2010s, they simply weren't generating that ongoing, authentic conversation with their audiences. their approach followed the simple format of: i post, you watch. and then it became: i post, you watch, then i try and sell you something while i call you my 'community' because you are all watching me and sometimes you talk to one another in the comments. but it's not like zalfie or joe and casper etc. were chiming in on the convos too, or at least not in any meaningful way. it wasn't a community in the same way.

dan and phil truly built community. i think communities require mutual exchange, communication, a sense of value and worth, commonly agreed upon truths, shared experiences, touchstones of connection, and leaders who have integrity. i know this is all starting to sound a little lofty, but i really do think dan and phil are good humans who have worked hard to wield their power and influence responsibly and compassionately. they set the tone for us, constructed this world, paid attention to what landed for us, how we responded to things, everything that we were up to in response to what they were up to. they listened. they made us feel seen and celebrated and appreciated, and in turn we continued to celebrate them. they created weird inside jokes, we adopted them, then we all shared the weird inside jokes. they existed, we created our own language and lore and encyclopedia in response, and now there's a whole stage show about it.

that's how you get people sticking around for 15 years. that's how you get people to actually want to spend money on you. and yeah, some more boundaries at times couldn't have hurt. they fostered a sense of proximity and entitlement that obviously put them in harm's way. but i'd say ultimately what they've manage to do has been a net good for them and a tremendous success.

you raised such a good point that it seems to be what they are naturally drawn towards. i think it's because they, too, were fangirls. phil was writing buffy fic. dan was running a lost wiki. they both understood the power of online fan community before they were the titans of their own. they get it, they get us <3

[haru-dipthong]

Ep 11 of my Utena fansub is out (sorry for the wait!)

だめだめ。そんな味気ないお昼じゃ、つまんないでしょ？

No, no. Don't eat that, it's just packaged junk.

This line when literally translated is actually closer to “a tasteless lunch like that is boring, don’t you think?”. However, つまらない is more versatile than the English “boring”, and it can also kind of mean “not very good”. Plus, I can’t imagine a middle schooler like Wakaba saying “tasteless”. I tried rephrasing the whole line in a way that would make sense being spoken by a kid who’s trying hard to be an adult.

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基本はレトルトだけどフォルムが超プリティーでしょ？

It's mostly pre-made ingredients, but doesn't it look super pretty?

This line took me AGES to hear correctly. I had to write it down as I heard it to make out all the words, and even then I still had no idea what レトルト (retoruto) meant.

Crazy! I’ve used and seen these in Japanese grocery stores my whole life and never known they had a proper name.

-----

俺なら君をここから出さないな。永遠に。

If it were up to me, I’d keep you here… for eternity.

If it weren’t for the pause, I think I might have translated this line as “If it were up to me, I’d never let you out of here.” However, I think I like that I was forced to work around the pause, because it made me think about how I could end the sentence with “eternity” while still phrasing it in a natural way. The Japanese version of the line works as a complete sentence without the last word addition, which I kind of wanted to keep in the translation (cause then the ETERNITY has more of a gut punch), but I think I did the best I could given the constraints.

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そうだ。僕が姫宮を守らなければ。僕なら姫宮を普通の女の子に戻すことができるんだ。他のやつに渡すわけいけない。たとえ、僕の王子様であろうと。

That's it. I have to protect her. I'm the only one who can help her get back to normal. I won't let anyone else take her. Not even my own prince.

I think it’s important with these lines to start to show how Utena’s well-intentioned chivalry is warping into something that resembles the attitudes of the student council. Here Utena is showing that they can be possessive like Saionji, self-important like Miki, and ruthless like Juri.

I love this, and Akio’s round up of the duels in the next episode makes me think about it more - I think that Revolutionary Girl Utena is all about competing 世界観 (views of the world). I like the duels as a metaphor for philosophical debates. In this episode, the negative influences of the other duelists’ worldviews on Utena’s naive and righteous view of the world starts to really show. I think that the text intentionally shows this change right before Utena’s first loss to signify that this change is a weakening, a corruption, and that their previous worldview was “better” (for lack of a better word).

This is a bit of a tangent but I also think that the times when Utena is led down paths of heteronormativity and normative forms of gender are when they are shown to be weakest in-universe. This episode is a perfect example. Utena commits to two normative ideas - 1. being heteronormatively enamoured with Touga, and 2. the idea that Anthy, a feminine girl, can’t do anything herself and needs a masculine hand to help her and protect her.

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Thanks as always to @dontbe-lasanya for their editing!

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