#it really doesn't get better than this. this is prestige television. to me.

[filmnoirsbian]

[bitch-for-a-rainbow]

So there's a blanddcheadcanons post that says that "Kara is the mortal avatar of Rao" and I really don't like it, especially in the context of SG 3x04 (The Faithful). At best, as was pointed out to me by a friend with whom I discussed this post, the House of El is likely blessed and somewhat sponsored by Rao, which probably doesn't do much but produce Krypton's greatest heroes, given what the word "El" **means** in Kryptonian. I'm interested in your thoughts on this (pls post your answer).

    I reject the headcannon solely because if it were true it would mean Coville was right and I fucking hate that bitch.

     In all seriousness, though, this is an idea I've seen a lot and I'm not a huge fan of. I don't know much about Raoism beyond what appears in the show and that which can be inferred off of the show. One thing I would point out though is that El in Kryptonian (while obviously being intended to mean God by the original comic writers) can mean Sun or Stars, and since the Kryptonians in the show are, as far as I can tell, monotheistic, and worshipped only one particular star, the El family is not necessarily named God. It would, however, signify their enormous prestige on Krypton and contribute to the famous El pride (or rather, arrogance). I’m not sure it would necessarily have to mean anything more than that-- that the Els are a respected house who have produced a variety of successful politicians, civil servants, and scientists. And (this time reaching a little bit) that they are perhaps so old and respected that their house name was once a title. 

      There is a certain allure to the theory, for sure. Kara is a paragon character. She always, always does what she thinks is right, regardless of the cost, personal or global, and regardless of what other people might think of it. She has a very direct moral compass, and there are only a handful of times when she doesn’t follow it, all of which involve saving Lena. Ship who you want, but it is notable that Kara routinely prioritzes Lena’s life over that of others given the rarity of that happening otherwise. She never even considered breaking Rick Thompson’s father out of prison when he kidnapped Alex, and all he’d committed was bank robbery. Kara has lines she does not cross (though murder is clearly not one of them). She is a character that has seen some of the worst that sentient life is capable of, has seen more death and suffering than most people could imagine, and she came out of it with an all-encompassing desire to protect others. She lives to give people hope. Plus, the humor of having Kara-- the one person most offended by the idea of being an Avatar of Rao-- turn out to be an Avatar of Rao is great.

       But, I would also say that having Kara want to do good because she is the avatar of a benevolent god is reductive and not particularly true to her character. It is true that helping and protecting people is a large part of the core of who Kara is. But there is a difference between altruism and the self-destructive, bordering of suicidal desperation to save absolutely everyone that Kara practices. And to anyone who doubts the suicidal bit, I direct you to the season 1 finale where Kara literally goes on a goodbye tour because she thinks if she goes out to fight Non she’ll die. She still goes because she has hope, but that hope is that she can at least save Earth with her life. She doesn’t fight because she is certain in the ultimate victory of good and justice. She does it because she more afraid to lose another family than she is to die. Kara doesn’t become Supergirl and risk her own life because she believes in good, she does it because she can’t stand to listen to people suffer-- because she has suffered. To use Alex’s words in 1x13 “You fight everyday to keep people from struggling like you have.” Notably also in 1x13, Kara wakes up from the Black Mercy and her first words are “Who did this to me?” and then she goes after Non in what could arguably be described as a homicidal rage-- a rage that is fueled entirely for personal reasons, not the greater good of Earth (though that comes as an added benefit), which is.... not very befitting the avatar of a benevolent god. 

     A major part of season 1 is Kara dealing with grief and rage. She nearly breaks a guy's arm in episode 6 because he screamed at her for damaging his car, to hell with the children he'd almost hit with it. In season 3's Midvale flashbacks we see her first put both hands through a lunch table, then attack Jake when she suspects him for Kenny's death. She gets better at controlling it as the seasons progress, but during Crisis she very nearly melts Lex. Also not particularly godly of her. 

     Then there is the fact that so much of who Kara is is shaped by fear: fear of the government, fear of humanity, fear of abandonment, and fear of herself. In her civilian life, Kara is, for the most part, unnoticeable. She's polite, soft-spoken, doesn't wear a lot of bold colors or styles, and is often a pushover. As shown by her encounter with Red Kryptonite, Kara would not dress or speak the same way to people without the pressure of hiding her identity (though much of her dialogue is purely the loss of her "don't be an asshole" filter, some of it is stuff she had every right to say before and just didn't). I have always found that episode to be very interesting purely for the fact that Kara doesn't actually seem to be seeking harm on others so much as seeking their attention. Her argument with Alex is almost entirely about how much she hates having to hide and pretend to be less than she is. Kara drops Cat off the balcony and then catches her. She attacks the police when they point weapons at her but doesn't kill or even hurt them that badly, instead of destroying the car they're using as shelter. Red-K removed her inhibitions, made her angrier, yes, but if her goal was to actually hurt people, she could have done so-- would have done so, and with great ease. She goes to a public bar and uses super strength to smash bottles by flicking peanuts. Why do that at a crowded bar? Why not just flick potato chips at the windows in her own apartment?

      This is Kara at her absolute worst-- but does she seek out the DEO agents who shot her out of the sky? Does she go after Maxwell Lord or Non? No. She tries to make people pay attention to her. Her most shameful and hideous desire is for people to give her respect. (Admittedly, respect gained through fear, but still.). Kara's a nice person-- much, much nicer than average-- but a lot of that "nice" is just her avoiding conflict to avoid attention.

      Kara is a good person. Kara inspires people. But that is because Kara gets up every day and chooses to be good and to inspire. It's one of the reasons I enjoy Non as a villain so much-- he and Astra are Kara's narrative foils. They also remember Krypton and grieve its loss. They also were trapped in the Phantom Zone. But where Kara had the Danvers to convince her that some good people existed and would risk themselves just to help others, Non and Astra had Alura sentencing them to eternal suffering rather than helping them save their planet (through the means they thought necessary) and then landed on Earth and found it headed on the same path as the planet they'd just lost. Kara had people to help her grieve. Non and Astra were surrounded by misery. They lost hope. Kara discovered it.

     Kara is the Paragon of Hope because she has been hopeless. Because she has suffered so much, seen so much, and because she chooses to believe in a better future. She didn't have hope her first time in the Phantom Zone. She didn't even have hope for a while on earth. From what we can gather, Kara's choice to start actually believing in the future was a gradual shift that occurred sometime after Kenny's death and has lasted her ever since. For Kara, hope is learned. She chose to hope and she won't let it go, and to assign that incredible victory off to her being a God is an insult to her growth and to her character. 

   Now I personally thought “The Faithful” handled this concept very well. 3x04 is one of my favorite episodes of television in general, let alone in Supergirl. Season 3 is my second favorite season, and that says a lot for its good episodes when the bad of season 3 is so, so very bad (To say nothing of the episode to episode production value, we have the waste of Argo, Mon El’s return as obviously he’s grown he has a beard Mon El, and whatever the hell was going on with Kryptonian genetic engineering eclipse causing witches). To this day I don’t know why Kara had magic dreams. The show did nothing to explain it and I can’t imagine up a reason. 

     But “The Faithful” works because it highlights the whole paragon part of who Kara is. When you realize that every person in the room of Coville’s cult is a person she has personally saved-- that hits hard. Especially since only a fraction of the people she’s saved would ever set foot inside that building with the totally not-creepy, entirely wholesome way they deliver the invitations. (“Your daughter is special. She has been chosen. As have you.”) It works because it focuses on how the average human must view Kara, the ones who don’t see her argue with her sister over potstickers and crush her phone when she gets mad. It works because of how desperately hard Kara tries to be a human. It works because the writers know that we, the audience, do not see Kara as anything but a regular person with irregular abilities: a kind and remarkably devoted person, but not a god. 

[lizzybeth1986]

Quick Thoughts on TRR Book 3 Chapter 19

• It's our WEDDING DAY. But it looks like Anton wants to make it our Deathday first.

• For the kind of wait most of the stans have been keeping since this book has begun, seeing our MCs finally married to our favourite LIs is quite...satisfying. Well. For most of us at least.

• Title: You Are Cordially Invited. To see me get married or to see me die?

• Mara goes outside, vowing that to get through to us they'd have to get through to her first.

• Madeleine and Bertrand barricade the door with a couch and Bertrand warns everyone to have something in hand (Olivia is one step ahead, obviously, with her sharp-as-fuck stilettos).

• That girl is ready and prepared to commit maritricide, y'all! XD

• Hana picks a vase, Madeleine keeps her clipboard, Penelope is panicking at the back with Merlin and Morgana (this was the shit I was trying to avoid with court, Mom! I can almost hear her thinking), but if you really want to see a legend minus the legend points...I should point you all to Kiara:

I repeat. A legend I stan.

This is someone having a trigger attack, and steeling herself despite the trauma of two previous experiences before plunging herself into a possible third one. That takes serious guts.

• Madeleine isn't exactly prepared to fight (clearly being Queen never seemed to involve fighting assassins before for her, strangely enough), but Olivia sure is. She says "do you want to keep bleating like a defenseless lamb or do you want to get ready to fight?"

• Honestly though Olivia delivers some of my favourite lines this chapter.

• Ana is staying out if this - (in public) because she "does not have the equipment for this" and (in private) because she wants to capture the scoop of the century!

• THANK YOU MAXWELL for gifting me that sword!

•

(All the screenshots, except for the Maxwell one from the HIMEME channel, are mine)

I have better bodyguards inside this boutique than I do outside. Look at all of these people. Picking up clipboards, stilletoes, vases, mannequins, scissors, THEIR OWN BARE HANDS, and defeating these dudes. Like...like...they may have been incredibly sheltered and protected by their families but all of them know how to make the best of a situation where their lives are under threat. And mind you, at least two of those women openly struggle with issues related to their mental health and still manage to emerge from this doing what they can.

• I loved the sword scene! It was a nice look back at TCaTF (esp Book 3) and a nice way to celebrate the Choices anniversary. In TCaTF books 1 and 2, you had different point systems for Kenna and Dom: prestige for her and power for him, to show the rise of Kenna as a formidable leader and the gaining of Dom's fire powers. Because he possesses enough power to transform into a dragon by the end of Book 2, the focus then shifts to them gearing up for their biggest battle yet - the one with Empress Azura of Ducitora (though part of this book is spent with Dom trapped inside an airship fighting a particularly frightening form of mind control from Hex). The implication is that Kenna becoming a legend consolidates her position as the uniter of the Five Kingdoms, which is what she becomes by the end of the story. It's therefore fitting that the legend points feature here, just before the MC's wedding - for like Kenna, she has just returned from reuniting the nobility (or not) into supporting Liam's right to the throne through her wedding, and like Kenna she needs to fight a Nevrakis, while possibly having the support of other Nevrakises...well, just one in the case of TRR.

• If you're marrying Hana, she features nowhere in this scene, and Olivia stabs the assassin who attacks Madeleine with knives. If you're not, she is part of your entourage, and particularly is shown taking action when Madeleine's life is under threat. If they hadn't already been hinting at Madeleine's "feelings" for Hana, and the latter's convenient amnesia regarding the events of the engagement tour...I wouldn't have minded. But I do. Very much.

• Maxwell only features in this scene if you choose him as a bridesmaid, but I would highly recommend choosing him as one at least once (if he's not your LI that is) because he and Bertrand do so amazing fighting together here.

• Ana's motto will be "my life may leave me but never my desire to catch proof of a burning-hot scoop".

• Gee, Bastien, you took a while to get here. Like...8 chapters or something.

• Mara comes back with an injury and an attempt to say our code name, which...sure thanks Mara but you still suck at your job. If guarding us is really your job at all.

• Bastien and whoever is with him have managed to capture the remaining assassins but Anton managed to escape. If that doesn't come back to bite us in the ass later...

• Why is Madeleine so involved when it comes to MY dress? Her hand is literally trembling. Please don't tell me this design was intended for her wedding. That'll be a waste of 25 whole diamonds.

• Or perhaps she's just shook coz THERE IS FYDELIA LACE INVOLVED YOU PEASANTS.

• "I need to have security remove any guests wearing white," says the press sec who tried to sneak in a white dress to wear for my wedding.

(Yes. I plead guilty. I just needed an excuse to cram in a Brian May gif there. I can't help that this man is the Meme King of Queen).

• OF COURSE I'M WEARING DRAKE'S POCKET WATCH AND HANA'S SHOES.

• We've finally reached the cathedral! After threatening to either drive the carriage through the premises, cry or sue Cordonia if we don't get there soon enough.

• I see the Applewood people! You get loads of options to greet the crowd. And of course I was going to try getting Esther to say " 'sup" once lol. I think depending on how you wave to them, the press will either see you as graceful or playful.

•

(Screenshots: Hana's is mine, Maxwell's from the HIMEME YouTube channel, Penelope's from @sgt-peppers-coffee-club , Olivia's from @i-dream-so-i-write , and Kiara's from @callmetippytumbles )

Here's all our Maids (plus one Man) of Honour! All of them speak about this day being a long time coming, but also reflect with the MC on what it took for them all to get to this point. I think Olivia (by virtue of being the Fighter of the lot) and Kiara (because of what she's faced at least thrice now) get some particularly meaty lines for their MOH scene.

• You get to choose whether Bertrand should accompany you down the aisle, since it's tradition to be done so by a member of your House, and the Beaumonts have been her sponsor from the beginning. Cue an emotional moment with Bertrand, who regards you as family now and is immensely proud of you. The Maxwell stans got a similar conversation in the vows diamond scene, but in more detail because it's his kid brother you're marrying, but now we get it as an honorary Beaumont as well. He gets super super emotional if you ask him to walk you down the aisle.

• Oooh pretty! And so many stained glass windows! Why was Leo complaining so much about this cathedral in RoE Book 3? I would have given an arm and a leg to get married there.

• NEW MUSIC!!! Lots of lovely flowery piano notes and trumpets. Very regal and very much a wedding march tune.

• So technically I'm guessing this is where we get to see the results of our tour, because in my playthrough everyone is here.

• If you're marrying Drake, you get to see his mother Bianca, and she speaks to you after the ceremony. I can kiiinda see where Savannah gets her "I only met you ten seconds ago but OMG WE'RE GOING TO BE BFFS" vibe comes from.

• WTF none of these people changed clothes it seems 😂 Everyone's else is wearing what they usually wear. Guys, this wedding is going to be freaking TELEVISED and these nobles are wearing their usual dusty outfits 😂😂

• The Best Men/Women, are depicted positively - whether they have feelings for the MC or not. Drake is said to be showing a "rare, unabashed grin", and Liam is "smiling proudly". Kiara is "smiling excitedly".

• So as you all know, you can choose between Liam (if you're marrying Hana or Maxwell), Leo or Regina for officiating your wedding. The speech is largely the same - they all mention the seed and apple tree analogy, the traditions of Cordonia and how important love is - but the opening lines vary.

(Regina's is from mine, Leo's is from the Bizzy's Choices channel, and Liam's is from @kennaxval )

Regina's is distant and formal, which suits her and suits the scale of the occasion. Leo's is humorous, and Liam's is flowery and poetic. This suits both of the men as we know them. Leo is known to not take himself very seriously, and Liam's language is very ornate by default.

• The vows (I'm talking about the LIs' ones here, since the MC's is customizable) are all beautiful. Every single one delves into their history with her and how their relationship with her grew from strength to strength. You can see why they decided to go off-script for their vows. Their story with her has always been personal and these vows are about acknowledging the long, hard journey that got them to this altar.

•

Liam's is about how the MC taught him to believe in possibility, to believe that he needn't be stuck in the rut of royal stoicism to be the king his people need. Hana's is about the freedom the MC gave her from a future carefully charted out for her, into a better, brighter one. Maxwell's is about how he has found a woman whose very presence represents adventure for him, someone who will raise him up rather than tie him down. Drake's is about embracing change, accepting the love the MC has for him and the love he tried to deny having for the MC. I love them all.

• In my mind this is the improved version of the wedding scene in TCaTF, as is the RoE wedding. I recall, way back when Kenna got married, fans (rightly) pointed out that while her LIs' vows sounded heartfelt and acknowledged their relationship with her, the few options given for Kenna's vows made her sound impersonal and not very involved in comparison (for instance, even though Diavolos appeared only by Book 3, Kenna still was made to sound like the relationship had been there for longer). In RoE, they attempted to correct that, by giving us the diamond option to personalize our vows (still using their choices, but we got more options here and went into more detail). In TRR they've gone a step further and have US type what we want with our wishes, because even when you have the same LI - no two people can view one character the same. There's space for shitposting haha, but it's also to ensure that we have enough say in the vows we want our MCs to repeat.

• If you don't choose either your corgi or Bartie, the Cordonian children become your ringbearers. In this case, they are Valerie and Marco, the little ones from Lythikos, which I think is a very interesting choice. Because it does show us that though the Nevrakis clan seem to want to destroy Liam and his line, Lythikos itself - represented by Olivia - is in support of him. If Liam doesn't marry you, it makes even more sense that the children meant to represent Cordonia come from Olivia's estate.

• Lol everyone got the same ring. At least it isn't the cheapass one Madeleine had us pick up for her in Book 2.

• Vows exchanged, tears shed, and we can be as thirsty as we want in public without anyone saying a thing (wink at the LI, tell them you wish you both were alone instead of at a cathedral, give them a steamy kiss after your vows are exchanged).

AAAAAAAND WE'RE MARRIED!!!!

(Screenshots: for Drake and Maxwell it's was @sgt-peppers-coffee-club and for Hana it was @kennaxval 😄)

Ngl I was super super emotional when I saw the wedding portrait it took us so LONG and it was so BEAUTIFUL 😭

• Esther wants to call the monarchy the "DuPont dynasty" right now haha. I think there are some playthroughs (for instance Maxwell's I think) where Hana speaks of creating the Lee dynasty which...well...is odd if you're not marrying her, yes. This chapter had a whole bunch of goof ups going on.

•

YES DONNIE KEEP SAYING IT. I'M QUEEN NOW. FINALLY.

• From rats in a dumpster to this...what a journey.

• We now have a reception to go to! There is a teaser about whether this reception will be the one we hoped for (which is shorthand either for "gear up for drama folks" or for "you didn't spend enough diamonds for this, sucks to be you" 😒).

General Thoughts:

• How many of you folks have seen Cold November Rain? That music video from Guns n Roses? In that one, there's a wedding and Slash, the band guitarist (cum best man who seems to be in love with the bride) drops the ring in the bridegroom's hands and then steps out into a...desert for this:

Would have been epic if either Drake or Liam left the ceremony midway to perform an epic guitar solo to the bustling crowd in Cordonia 😂 (you know the writers have friendzoned Hana and Maxwell hard enough that that will never happen for them).

• For the most part this chapter definitely did live up to the hype. This wedding was the culmination of everything we've been through since the book began so of course it was going to be big - and it was. I may have lost a lot of love I used to have for this book, but damn did I feel emotional when I read those vows, saw that wedding screenshot, heard the wedding music, fought alongside my girls.

• I think there may be two chapters left. Next chapter will be dedicated to the reception, and we'll see the following choices we made play out, most of which are certainly diamond-options:

1. The nobles (free, but it largely depends on whether you won them over or not)

2. The main course (from the food festival in Castelserraillian). Liam also showed us a chocolate souffle from there which he was suggesting for the wedding but IDK if that one will feature.

3. The wedding cake (Capitol cake scene) and the surprise dessert for the LI (baklava, cheetah cake, s'mores, hot chocolate).

4. The chocolates/macarons for guests

5. The gifts for the LIs (all of which open up a special scene).

6. The presence of Drake's mother (if you are marrying Drake).

That's a whole lot of stuff to code so get ready for a few goof-ups here and there, fam. As long as it's not as bad as the one they did at Hana's wedding that would be fairly okay.

• Now I know the "husband and wife" thing was a goof-up with the code, as is Liam not wearing the white uniform if you chose it for him and Hana's comment on the Lee dynasty with the MC (which somehow never showed up on my Liam playthrough). And technically, not many would actually be this angry about it if it weren't for the fact that Hana has been treated like crap by her writers before this, and on a smaller scale so has Maxwell. It's bad enough that she is the only option out there. It's even worse that while Drake gets extra development and extra scenes and extra characters (they worked hard enough to do the artwork for his mother for just that one playthrough), Hana is stuck with lazy writing and the person shown having a crush on her was her bully in the previous book. Having Liam announce that Hana and the MC are "husband and wife" even after different options had been given or chosen, would feel like a slap in the face.

Thankfully, PB has recognized how badly this could alienate fans, especially fans of characters like Hana and Maxwell who don't get the attention they deserve, and not only apologized but recognized how hurtful it was and tried to compensate.

I mean, how would you feel if the LI you liked was constantly being treated like they didn't matter? Wouldn't it frustrate you? Wouldn't a "glitch" like this one be the rotten cherry on a huge crapcake?

I'm saying this because I have seen at least a few say "this is a glitch lmao why are you guys complaining so much". This is why. It goes beyond just the glitch. It goes into why "husband" has to be the default here. It goes into chapters and chapters of shitty writing given only for certain LIs. That frustration is bound to boil over at some point.

• We'll also definitely be sneaking out and doing some post-matrimonial banging at some point. And if I don't get lingerie before that happens Ima be very very angry 😡

• I think it would be better to spread this out into two chapters.

• Is there a chance Anton might actually try something at the reception? Possibly.

• Will it be enough to warrant another full-length book? I don't know. I hope not.

• Alright, it's time for Chapter 20 now!