#it may have been a little fast but i've seen a lot of final villains and i really like storious' story

[t-u-i-t-c]

chapter xlvii

[bunnakit]

my stand in ep 4 thoughts, feelings, etc

WOW WA WE WAA THAT SURE WAS AN EPISODE HUH - happy to report i went back through the episode slowly this week and took notes and really tried to gather everything i wanted to say (but i will inevitably forget something)

🌸 ok disclaimers because i have a lot of them for this particular episode 🌸

i'm just a silly guy on the internet, i'm not an expert in mental health, psychology, body language, whatever. most days i can't even take care of myself. i'm just saying things recreationally.

PLEASE do not put novel spoilers in my replies, reblogs, or tags without a warning notice. i've got an itchy blocking finger for it these days.

i am treating ming and joe and everyone involved in this show as if they were real life human beings. ming was not born some mustache twirling villain sent from hell to make joe miserable. joe is not some pure angel descended from the clouds to do no wrong. everyone in this show exhibits very human behavior and that can be distressing under certain circumstances. i'm just going to comment on them as humans. i'm not interested in a round table discussion on why a character is irredeemable, the scum of the earth, etc. i'm just putting my thoughts out there and you can take them or leave them.

🌸 alright yucky disclaimer time over 🌸

the episode really just picks us back up where everything left off - and yet joe still made ming breakfast, and ming isn't stupid (well right now at least,) he knows something is off.

i am confused why tong needs to get married on this specific day. and like bro how fast are you getting married? relax. the whole thing is just unstoppable force (trajectory of this producers career) meets immovable object (tong's fuckass stubbornness) and the collateral damage is massive.

and then there's the question of did joe ever want to play a lead? or did he let his impulsiveness and hurt put a target on his back? (only emphasized by the fact that everyone assumed joe would turn down the role)

i DO apologize for all my doubt surrounding wut. he, ja, and may are the only people in this show with any god damn sense. maybe jojo and yim. we'll see.

getting into the confrontation at joe's work, i really don't think it's that surprising when we keep in mind ming genuinely has no fucking clue what is going on. all he knows is joe woke up, was acting weird, didn't come home, and then told him to pack up his shit and leave with ZERO explanation. like, joe's completely in the right, but i'd also be confused as fuck. (i wouldn't go to someone's work about it but, y'know, we know ming acts in extremes.)

and to me this is where it really became obvious that joe has always been able to overpower ming, to get away from him, as we have seen joe's physical prowess, we've seen what he's capable of, but he never uses his body to move ming away from him - that's not who joe is, he's not someone that would put his hands on another person like that. it's just another way ming and joe are the direct antithesis of each other.

it's my thought that the argument escalates because ming is used to getting everything he wants - except for tong, and now joe. when joe begins to push him away and deny him his substitution for tong i think ming lashes out in his hurt with a thought of "it's happening again, why doesn't anyone want me?"

i will say while i do believe sol has good intentions for the most part his white knighting is getting a little irksome. while convenient, it just shows how much he's still hovering and laying in wait for a chance with joe - he, too, is not respecting joe's wishes. no is a complete sentence, sol.

and then things continue back at home and joe finally, finally throws ming's words back at him: if i'm so terrible to be with, if you're so great, why are you wasting your time with me?

and ming doesn't have an answer. what ming DOES have is another back embrace, arms wrapped around joe as he asks "don't you love me anymore?" but is he asking joe or tong?

"although i'm not as good as tong" even now joe's rampant self worth issues are still at play but at least he finally knows he's worth more than whatever this is.

then the phone rings and to me, ming looks skittish. he looks shaken. he's never seen joe so angry and he's scared and as the call progresses that fear morphs into rage when sol calls joe. and the thing is, regardless of who played the main role, ming was never going to be happy. it was either going to be joe or tong playing opposite sol and neither of those things would have been acceptable.

and then i said, out loud, in my quiet office: OH! and promptly lost my shit in the group chat.

ming doesn't look wholly present after his act of violence. his face is vacant, like he isn't completely seeing or grasping what he's just done. i get the impression that ming isn't mentally well; stress and fear and anger have a way of making people do really fucking stupid things and as these things happen you risk falling into the sunk cost fallacy - you've already gone this far, you can't stop now - which all aligns with the obsessive behavior we've seen from ming in the past.

as joe wakes up and they talk once again joe doesn't blame ming, he blames himself for not seeing the writing on the walls even though it was written in invisible ink.

"all these times we were together did you ever love me?"

"you can't tell?"

again, so much of the blame and emotional responsibility of their situationship is put on joe and ming refuses to communicate any of his feelings, perhaps because he doesn't know how to after repressing everything for so long.

WE DIDN'T GET HOT KINKY CHAINED UP SEX THOUGH, WHY DOES GOD HATE ME SPECIFICALLY

but the way joe looks at ming as they linger there in the wake of joe's request looks like a goodbye, the way his eyes soak in every detail of ming's face. despite all of this and the nightmare it has turned into he did love ming, perhaps still does, and he does have some of those good memories he was so desperate to keep.

though like.. joe.... maybe we could consider a different career path??? instead of just jumping to risking our lives? like sure food service sucks, cashiering sucks, etc. but you aren't in danger of falling off any cliffs, you know? and let's be real, he could just go into modeling with those looks.

it's my impression that when ming calls joe he looks haggard, like he's lost numerous nights of sleep (and we really don't know how much time has passed) but either way it does seem like he's at least done some amount of reflecting. his voice comes across soft, subdued, and sincere.

and after everything, back in the present, we see ming. he's still in the apartment, desperately calling joe's name all these years later, still unable to sleep and waiting for joe to come home just like he asked him to years ago.

maybe ming never wanted to enter the entertainment industry before, but he has now. perhaps it was never for the attention or the money, maybe he chose to promote those watches because it was a reminder of the gift from joe. and maybe this job, in this specific industry, is the closest he can feel to joe now. and maybe with new influence and connections ming can find out why he was never able to tell joe he loved him before he lost him.

WHO KNOWS, NOT ME, CAN'T WAIT TO FIND OUT THO

[eemamminy-art]

Would you be comfortable elaborating on "whatever they were building up to in 4.X [that] got changed pretty drastically in Endwalker"? I've seen this mentioned only vaguely in the past, so I'm still unsure what it is they were initially planning before they pivoted.

Oh yeah, so there was some interview with Ishikawa, Oda, and Yoshi-P after Endwalker where they were talking about the story a bit and apparently the initial plan was to have a garlean-themed expansion before Endwalker! The details of it haven't been disclosed as far as I know other than in that interview, they mentioned Anima being the planned final boss but most of the story beats would stay the same.

So I can only imagine that what's there already and what's been set up during 4.X (varis' plans to do his own rejoining and cause a calamity through black rose, the existence of the populares and their swift downfall to dissuade any uprisings among citizens) and 5.X (Gaius being framed for regicide, garlean civil war 2 electric boogaloo, tempering and all the 5G towers, and Nerva doing anything at all) would have been the basis for that expansion but we'll never know. And the fact we'll never know is what bums me out since I find garleans to be really interesting as villains but I've accepted it by now. It seems like they're dripping in bits from whatever they'd planned for that expansion into both 6.0 and its patches so I'm certain that it didn't all go to waste but at the very least whatever arc they'd planned for Varis (and most likely Zenos and Nerva too) didn't actually manifest into much of anything.

The setup for Varis as a villain in the back half of stormblood was one of my favorite things that ended sort of lacklusterly, and that's more what I meant with that remark! I do really enjoy the couple of scenes he had in 5.0 and the reveal of anima in 6.0 but it did fall short of what I had hoped for.

But I get that the decision to cut whatever the garlean expansion would have been was probably above even Yoshi-P, and it may have had pacing issues that might've turned off some players. As it is a lot of people don't like the sympathetic lens of garleans in endwalker so I can only imagine the reception a full on expansion might have received! I think because it did get squished into Endwalker the pacing in Endwalker is a little too quick for my tastes, but the msq of this game has always struggled with being either too fast or too slow so that's not just specific to endwalker.

[theharpermovieblog]

#HARPERSMOVIECOLLECTION

2023

I watched Last Shift (2014)

This is an indie horror film I've heard about and which has been on my list for years. Finally giving it a go.

A rookie cop is charged with watching a closing police precinct and starts to believe she may be being haunted.

This movie has a 100% on Rotten Tomatoes. That's a pretty big achievement for an indie horror. Director Anthony DiBlasi is a filmmaker who I know little about. I've never seen any of his films. I do know he directed another film this year, called Malum, which is essentially a reimagining of this film. after seeing this, I plan on watching Malum sometime in the future.

I have seen some people relate movie this to the work of John Carpenter, which makes sense considering that around the time this movie was made Carpenter's influence could be felt in a lot of indie horror. For example 2016's very good "The Void" is heavily influenced by the classic director. Not to mention this film uses the location of a closing down police precinct, much like Carpenter's Assault On Precinct 13.

There are definitely aspects of John Carpenter, but Diblasi isn't ripping off Carpenter at all. He's using what he learned from Carpenter as well as other horror directors and using it well for the most part.

To me, the film starts off feeling a lot like an episode of a horror anthology series. That's not a bad thing, it's good to keep things small. One location, miniscule cast, simple plot, etc...

As an audience we are heavily dependent on lead actress Juliana Harkavy to carry us through Diblasi's sparse film. She spends a lot of time alone, and she does a very good job of keeping our attention and giving us a character to root for. We're lucky for her performance, because like most ghostly horror flicks this film tends to be a lot of slow tension building. Diblasi does make sure this build up leads to decent payoffs though. Don't expect cats to jump out from behind a door and jump scare you. It's made very clear that something nasty and evil is going on, as little by little the story is revealed using the scares to fill in the bullet points.

This is a decent little horror movie. It's got some good spooks at points. The stuff I liked definitely kept me going and enjoying myself. A lot of sound and camera work and lighting is used to make up for the low budget, but the film still manages to have some solid on screen scares and a few forgivable cheap ones.

If I have any real issues with the movie they are, 1. The movie lacks the one thing John Carpenter always has in his movies and that's a sense of fun. It's a very serious and straightforward story with almost no sense of humor or personality. This leads to a slight touch of boredom at points. It's not necessarily wrong to have no lighter stuff in a horror, but it certainly helps it feels less flat and makes the world and characters more real and relatable. 2. Some of the "Crazy" cult members aren't pulling off the acting. They feel like actors trying to play psychopaths instead of truly menacing villains and there's a full scene that should have been cut for this reason. 3. The fast, Shakey headed ghost thing needs to be put away and not used anymore. Stop it. 4. I saw the ending coming, so much so that I even knew what questions I'd be left with after it was over.

Overall the movie is genuinely creepy at times and there are some really nice makeup effects. Combine that with an alright story and enough going on to keep us interested and this is a solid movie. 100% on Rotten Tomatoes good? No. But good enough to go on your 2023 Halloween list.

[my-one-true-l]

So I finished the Evangelion anime.

No I did not abandon studying for finals for this, I am being reasonable, I just got really into it lmao.

Spoilers for Neon Genesis Evangelion

I loved it. Genuinely it definitely picked up my interest after episode 4 and i’m glad I kept up with it.

The whole thing with Gendo and Rei, what in the hell! Okay I saw that coming from a mile off but that doesn’t mean I didn’t go “i’m sorry what” and pause for a good minute afterwards. I’m glad it wasn’t as weird as I initially thought it was gonna be, but still.

Kaworu, I got such fishy vibes from him from the moment he showed up. I kinda miss him though I can’t lie.

Kaiji. What can I say about Kaiji. He was so sus in the start, but I feel like he sort of redeemed himself later.

Asuka i’m very conflicted over. Her attitude towards Shinji and the others does annoy me quite a lot but I can’t bring myself to hate her. It’s frustrating, yes, but I understand why she is the way she is.

Tohji is probably one of my favourites. I don’t know why, I just attached myself to him so quickly.

Now, what’s all this about a rare pair with Misato that you mention earlier? I’m curious to know~

Overall, I’m glad I kept at it. It was a little awkward at times, but the 90s aesthetic and the amazing music and cool opera that randomly showed up was entertaining and kind of nostalgic. I got my start on some old animes like Sailor moon and stuff so it really is quite reminiscent.

Hahaha, Yeah Gendo is definitely messed up. I have so many feelings about him and way too many to put here (plus I don't want to spoil anything for anyone who sees this and hasn't watched it and plans to).

I loved Kaji. I can see where there are times when it's easy to question what his deal is. Asuka...I was never fond of her. With any show I'm super into, I know I've had my feelings on some characters soften with every rewatch, but she's never been one of them. I understand why she's like that and I feel for her, but...idk. There is just something that doesn't hit with me for some reason. I rewatch Evangelion every June (It's a tradition I've had for almost 2 decades lol) maybe this time will be different lol. I adore Toji! He is one of my favorites! Such a bright force in the story!

Misato is one of my favorite all time characters and I run into so many people that that hate her (which is another reason I bounced from the Evangelion fandom fast, though I blame the hate towards her in part on the Netflix dub, which I found horrendous, so if that is the one you watched and still enjoyed it, I applaud you so hard right now lol! The first time I watched it was a bootleg straight out of Japan and I feel like the sub translation was just way more accurate to the intention of the show and had a different feel for the characters than the new Netflix dub. Idk, that may just be me.)

The rare pair was for Rei! :-) I ship her with Kaworu so bad! lol. I call them my moon children. I just....AHKDGSLGHLDSKDK! There are reasons for that...but again...spoilers. lol. I ship Misato (tragically) with Kaji. For someone who doesn't ship much, I have a decent amount for Evangelion lol!

I feel like, to me anyway, a major theme of Evangelion is you can't expect everyone and everything to be black and white. People are complicated and with that, their feelings and reasonings for doing things are as well. Maybe that's why I like the characters that I've seen hated on so much. People want them to be good or a specific kind of "bad" (everyone loves a sexy villain, but that isn't there in Evangelion) and I don't feel that any of the characters fit into those tropes easily.

Ok I have to scream to you about the moment I was hooked and I'm going to put it under a cut because spoilers...

In episode one, When Unit-01 moves one her own to protect Shinji, I was done for. I was like...holy shit his mother's soul is in there, isn't it? The person I was watching it with was like "How the Hell did you...???" That's why I always say the EVA Units are characters. It's not that I'm a mecha fan (I don't hate them, they just usually aren't my jam is all), It was the moment that these EVA's were so much more than just an innovation to fight the Angels. Like...they were sentient. She recognized her baby and wanted to protect him. It was so viscerally moving for me. An artificial construct...with a mother's soul trapped inside it...Hell yes, give it to me. I have literally had people tell me that Yui's soul isn't inside her, and like...Did you guys even watch the anime? Like...that's the whole point and...just wow. The concept of what is it to have a soul is such a central theme in Evangelion (don't get me started on our Rei and that...We'll be here all day lol!)

Ok I will shut it now. Thank you for letting me ramble about this. I have no one to talk about this amazing anime with and I just want to explode sometimes lol. It was the first anime I watched that I fell in love with and it's so special to me. Arguably my favorite of all time, the only reason I put arguably is because L is my all time favorite character, so I feel like I have to put Death Note right up there next to it, even though if it wasn't for him, it wouldn't be as high as it is on the list lol. That sounds terrible but it's the truth lol. I once told someone that Evangelion was my favorite, I just had to make a little room in my heart for Death Note as well. I can't think of another way to put it into words lol.

[bbq-hawks-wings]

hey! I've seen a bunch of posts on how HPSC is slightly corrupted and all, could you explain if you understand this? They're (die hard villain fans) usually using this as a justification to slam the heroes for raiding the army. I'm quite confused sorry

I’d be more than happy to, friend! I have a strong feeling it’s going to be a key detail in the story moving forward so it’s good to go back in reviewing everything we know now; plus, it gives me the perfect chance to offer up my theory that ropes in Aizawa, Midnight, and Present Mic. Buckle up, though, because this gets a little long.

The HPSC tells heroes what to do.

The Hero Public Safety Commission is a pocket of the Japanese national government in this universe, sort of like how the FDA is in America.

It’s important to note that HPSC is a separate entity from the heroes. They’re the ones giving out licenses, disciplining rouge heroes, overseeing hero training, acting as liaison between heroes and law enforcement, organizing cooperative efforts with multiple heroes across different regions, and managing the general image of heroes with events like the Hero Rankings Billboard.

Heroes have to obey directives given by the HPSC and hero schools have to align with guidelines set by the HPSC, but heroes don’t usually get a say in these decisions and often only get to complain about how things are done and are stuck doing it anyway. If someone is caught heroing without a license or not in hero uniform, you can be fined and/or jailed. If a hero doesn’t keep up with paperwork or runs off and does their own thing they can also be fined and have their license suspended. If a hero goes AWOL or completely flips out they can have their license permanently taken away and be jailed.

It’s actually even more important to note that way heroes are allowed to operate and answer to the government is actually closer in line to a militia than a police force. In fact, while heroes are allowed to make arrests and use their quirks, they are more restricted in what they can and can’t do on their own than the police. If a hero wants to work with other heroes on an investigation, they have to use the private network (administrated by the HPSC) or communicate in person. In the case with the Shie Hassaikai or looking for Kurogiri and the LoV where police cooperation was necessary to carry out the investigation and bring in the gang right away there was no choice but to be transparent with the HPSC.

However, the HPSC doesn’t have to be transparent with the heroes.

They require heroes to give up all their information to keep working as heroes, but they don’t have any accountability for themselves and have notably dodged scrutiny up to this point with public backlash almost always falling on the heroes who have little to no say in how they run things.

Starting back at the beginning of the series with the USJ incident, it understandably garnered massive media attention - it should have. Dozens of unknown, random two-bit villains poured into the most secure, prestigious hero school in all of Japan undetected and resulted in the serious injury of two teachers and could have included the students as well if All Might had not been there to fight and subdue the inhuman monster - the Nomu - who had up to that point had never been seen before.

It’s not unreasonable that UA initially got the blowback from this as it could have been chalked up to complacency causing a lapse in security that the HPSC absolutely wouldn’t have been accountable for. It’s treated like a one-off event and despite investigations going nowhere on it, it’s ultimately downplayed and checked out in the background while continuing with the Sports Festival in high spirits. However, things get worse.

After passing their semester exams the Hero Course first-years head off to do practical training in the mountains with a hero team named the Wild Wild Pussycats. Remember, because this is a hero training initiative between a school and a hero team, the HPSC is likely involved at least on some administrative level in regards to granting permission and securing the patch of mountainside to use even if this detail is not acknowledged in the series. Despite efforts to only include the staff, teachers, and heroes involved word somehow still gets out - resulting in more student, hero, and teacher injuries, and most importantly the kidnapping of one of the students.

This can no longer be swept under the rug. A lot happens in the secret hideout raid revealing lots of stuff with the plot, including All-for-One’s direct involvement, but it doesn’t add anything more to our notes besides the fact UA is once again blamed and heroes are thrown under the bus instead of the organization overseeing them.

Fast forward to the Provisional License Arc. This is the first time we see the HPSC acting explicitly. It’s noted that they passed significantly more students this year than previously. Yokumiru Mera, the tired proctor, is overworked. The HPSC has a reason to urgently pump more students into the “working force” now than it had before, though at the moment it’s written off as a result of All Might’s retirement.

During the Shie Hassaikai arc the only suspect detail we get is the fact that the raid on compound is inexplicably compromised, and somehow the yakuza knew the heroes and police were coming. We’ll come back to this and to the leaks in UA again later.

Skipping the remedial courses and school festival arc, we get to the Pro Hero Arc. Big lights, pomp and circumstance, and a massive powerful Nomu attack that nearly kills the freshly crowned #1 Hero. From this point forward, what we get of the HSPC is mainly through Hawks and his experience with him. After the fight, we get a flashback of the President of the HSPC herself telling him to ignore civilian casualties in his mission to infiltrate the LoV, that he has to do it solo, and that he can’t tell anyone. Briefly in the next chapter he says that despite his objections he can’t actually tell them no.

Hold up!

Did a government agency just tell a hero to secretly get in with the villains no matter what, and when he objects and asks whether he’s just supposed to ignore collateral damage in the process is told, “You can and you will”?! (That’s a verbatim quote from chapter 192.) I thought this agency was supposed to hep people and keep them safe!

We get smatterings of interactions between Hawks and the HPSC, and though we don’t get anything from there side we’re getting that every questionable or deplorable thing Hawks does or needs to get on the LoV’s good side is acknowledged and endorsed by the HPSC. “I’m in contact with the shady guy who loosed that monster in the middle of the city with no warning. He wants me to kill the other top hero who just recovered and to join the definitely-dangerous doomsday cult, and maybe THEN he’ll let me in on what’s going on.” Ok, sure. Nothing morally questionable about any of that...

Jump to chapter 267. Up to this point, this note about Hawks’ past has been hinted at, but is here finally confirmed with a chilling detail. Kids who enter hero work may get special coaching by their families when they’re young, but the threshold for entering formal government-regulated training isn’t until 14/15 years of age in the last few years of their education. Chapter 267 shows a little Keigo Takami no older than about 8, at best, being told by the HPSC that he doesn’t get to call himself by his own name anymore. From now on, he’s going to be a hero, and only a hero, and it’s going to long and hard. Back in 192, two mysterious figures promise the same boy, shown at the same age, that his family will be taken care of.

Whatever circumstances led Keigo’s family to end up in the situation they did, they accepted an offer from a government agency, the HPSC specifically - you can see their headquarters in the flashback - to take away their very young son, take away his identity (and implicitly his family), and groom him to be government tool for the rest of his life - a commitment he had no true say in and that he could not understand at the time.

And it gets worse.

Endeavor works with the HPSC regularly as all heroes have to, but his relationship with them and what they’ll let him get away with gets put into greater question the longer we look at it. He turned to eugenics to create a hero he couldn’t be and surpass All Might for the sole purpose of satisfying his own ego. He bought a girl from her family and forced her to have his kids, then subjected those kids to cruel training - passing over each one until he got to one he felt he could work with -, beat his wife as well, and some kind of action he was involved in lead to the death of his oldest son. While the domestic abuse could be hidden, the death of his child cannot. What’s more, shortly after (very shortly if timelines add up), his youngest son received a permanent burn scar on the heat-resistant side of his face and his wife was locked away in a mental institution for a decade.

And the HPSC never bats an eye. They could take away his license. They could call the police. They could have exposed him to the public or at least ordered an investigation. But they didn’t. On some level they knew, and they did nothing.

But it might be even worse.

I skipped over this detail chronologically, but it’s the linchpin for just how corrupt the HPSC might be if all this lines up. Looking at the Endeavor Agency Arc, we get a seemingly random confrontation with a guy called Starservant (chapter 243) who prattles off a prophecy about the Dark Lord returning and his Dark Stars conspiring against humanity which will bring the world to ruin. He calls out Endeavor specifically as the shining light that beckons the darkness, but this sounds an awful lot like the deranged wailing of some crazy old man, right?

Let’s jump over an entire series now to the spin-off serial Vigilantes. This series takes place in the same universe at an earlier point in the timeline of the main story - and take an extra little note that there’s an underlying subplot about unusual drugs meant to enhance quirks (that often result in mutating the user) and that someone may be using them to clandestinely run experiments on humans from the shadows. 

In chapter 59 we get flashbacked to Eraserhead, Midnight, and Present Mic’s childhood experiences at UA, and we’re also introduced to Oboro Shirakumo - their fellow classmate and dear friend. We get a few chapters establishing their relationships and their goals and dream for the future until chapter 63 where things make a drastic turn in tone. On what should be a routine hero training exercise as third-year seniors a giant, monstrous villain shows up and attacks while the UA kids are escorting a class of preschoolers around town.

In the scuffle, though Aizawa is able to single-handedly come out victorious, in the fight and debris Shirakumo is struck in the head by falling concrete as he tries to lead the children to safety and dies on the scene. Go back to main series, chapter 254-255, the villain Kurogiri is detained but the police are having no luck questioning him. They get a sliver of a lead and call in Present Mic and Eraserhead to interrogate him, and it’s confirmed that Kurogiri was a human experiment of Doctor Ujiko - the mad scientist bio-engineer responsible for the Nomu and outspokenly faithful servant of All-for-One - created from the corpse of their dearly departed Oboro.

Here’s the kicker, though, in Japan they don’t often bury their dead. Funerals next to never include an open casket - the loved one is cremated first, their ashes placed on an funeral shrine with their picture, and the loved ones mourn there. That means Ujiko needed to get to the body before it was cremated - which requires some fast work; but that’s not even the worst of it. Jumping one last time to chapter 270, Ujiko recognizes Mic as a friend of Shirakumo and boldly admits the entire time he was after Aizawa for his quirk.

That attack more than 10 years ago was premeditated. This goes back a long ways. How did he find this information - about their quirks and their movements and where to find them? How did Ujiko get the body out of the morgue without anyone catching him? Could it be the same way his fellow servants of All-for-One were able to get into the USJ? And the Training Camp? And the Yakuza raid? All-for-One has a lot of connections for his faithful servants to move about freely in this world of heroes despite every effort being take to stop them. 

Somehow, these shining lights can never seem to outrun the dark no matter how hard they try, as if there’s a conspiracy against them. But a conspiracy of that level would have to come all the way from the top! If you wanted to get poetic about it, you could even say the stars themselves are conspiring against us. But that old man was crazy, right? If he wasn’t crazy - if he was right at all - then no matter what way you slice it:

This is bad.

[low-budget-korra]

Lets talk about Korra

Today I will speak of her, which in my opinion is one of the greatest characters everr : Avatar Korra.

 At first we see a 17 year old girl who probably had her first contact with a lot of things. First contact with a big city, first crush, first handful of responsibilities, first threat...

It is worth mentioning that since day one, Korra has embraced the role of Avatar with all strength and love. She felt proud of her position and willing to do her job as the Avatar

(look at this precious little thing)

Remember that she spent her entire life locked in a training center, without contact with the rest of the world, so her knowledge of everything beyond the gates where she lived was new.

Right in the beginning  we see her dealing with some Equalists Protestants, which she does not take seriously. And only when she witnesses the power of the leader of this movement, she begins to take the threat very seriously and also, to fear this man more than everything in her life until then.

What does Amon represents for Korra?

I think this question can be easily answered by Korra's simple argument of love being the Avatar. And at least in the beginning of the book one they hinted that her life was just about that, Being the Avatar.

We are not introduced to any friends of Korra, except for Naga, or past boyfriend / girlfriend. Nothing. We only know that this girl is the Avatar. And I would not be surprised if that was the only way she saw herself.

Maybe that's why fight in pro-bending was so important. Not only as a means of socialization, after all it was thanks to the pro-bending that she met her friends, but also as a training and more important, search for identity. I think part of the journey of Korra in the first two books is a lot about that: search for identity.

Then, answering the question, Amon is the only person who can destroy that image, which can destroy Korra. He can destroy it without even needing to kill it. And that's exactly what he does.

In episode 4, we have, in my opinion, the darkest episode of the entire Avatar series. To be honest, I'm sure that if TLOK were a live action series for example, we may have a scene of sexual assault or an explicit threat of this there , because of the power struggle there between those two characters, no, power abyss and the way Amon touch her, her face, without her consent . Some people felt some kind of sexual tension there, no wonder there are people who shiped Amorra (Korra and Amon) back in the day.

That scene is powerful because Amon did not have to sexually touch Korra to violate her. At least, this whole situation served for her to open up with Tenzin over her fears and consequently learn how to deal with them, because I'm sure Korra did not get over what happened there so fast.

Still about Power Dispute we have another character who exemplifies this: Tarrlok. Tarrlok is a rising politician who uses  Korra as a pawn in his goal to seize the power of Republic City. Amon also uses the same trick, after all, the moment he defeats the Avatar, the city would be his.

So we have this young woman who will stop right in the middle of a political power dispute.

Tarrlok also serves as a comparative. While Amon wants to dominate and destroy the avatar figure, not caring about who she is, Tarrlok wants to dominate and use Korra. And this makes me think that, that metal box was made exclusively for her. Like if that shit was for Amon, he didnt know Amon was a bender so an simples cell would be good. I think Tarrlok knew that Korra may ruin his plans so he had that as his plan B.

In the end Korra lost the physical battle but won the ethical battle against both. But at what price? Amon was able to remove the bends of the Avatar. And without them, how could she be the Avatar?

I also strongly believe that one of the final scenes of the season, when Korra is facing a cliff, I believe she might be thinking about taking her life. After all, everything she was, everything she'd trained so hard for, had been destroyed in minutes.

She, with the help of Aang and the other avatars, recovered her bends and with the help of everyone, including her then boyfriend Mako, she "moved on."

In the next one, I used to hate the first half of book 2, but then I came to see with different eyes.

In that first half, Korra is unbearable. Everything she learned in Book 1 how to be more mature, less spoiled and all, was thrown in the trash and she was the same "child" of the book one only worse.

Until I stopped and realized that I was also unbearable and childish like this when I had my bad phases of anxiety and depression, as defense mechanism and keep people away. Returning to Korra, and if this way of acting of her was nothing more than this defense mechanism?

Whether or not she was betrayed by her own Uncle. Imagine, shortly after having your life turned upside down, when you are recovering, trying to recover your image as Avatar and suddenly your own uncle betrays you? Yeah.

"Oh, but she should not have stayed on his side against her father"

Yes, but remember that our, still young avatar, has fallen into the trap of believing and trusting someone just because that person says everything she want it to hear.

In the end, Korra again goes through a traumatic moment when she has her connection with past lives destroyed. We see how it affected her when she apologizes to Tenzin, through tears. And Tenzin, as the excellent master he is, tries to motivate her to face Vaatu again (now merged with Unalaq, her uncle) and so she is able to beat him and secure another 10 thousand years of Light to the world.

In the final moments, we see the (somewhat innocent) decision to reconnect the world of spirits and the world of men. And we also see Korra and Mako permanently end their turbulent relationship, which I will speak more ahead.

Book 3 begins in a more mature, we see all the characters being presented in a more mature way and it seems that Korra, now, has overcome everything that has passed. We have the relationship between Korra and Asami deepening as well, and I will also comment further on.

In Book 3, called "Change" we have a great sacrifice from Korra. Her life goes down a notch when she decides to save the new airbenders from Zaheer and the Red Lotus, the strongest villain she's ever faced.

Zaheer, unlike the other villains, who had not explicitly intended to kill Korra, had as goal just to kill the Avatar. And he almost succeeded.

Not only that, Korra was physically and psychologically defeated. She won the battle but not the war, we can say so.

So book 4 begins and we only come across Korra in the final minutes and she is unrecognizable. We see that, once proud and courageous avatar, in someone depressed and cowed.

I think it's visible that Korra is afraid of being the Avatar again, Toph even tells her that  during the season. And I think it's totally plausible.

Korra's fight against PTSD is one of the most honest and realistic things I've ever seen. Do you think that after a violent battle and almost die, even winning in the end, the hero returns home and everything is okay? I think not.

Not only what happened in the end of book 3 , but i believe that she also has having flashs or thoughts about all her fights and all the traumatic shit that she passed 

Another thing I think is worth quoting is that Korra took 3 years to feel safer and re-embrace her duties as Avatar. It was not 3 weeks or 3 months, it was 3 years. And anyone who suffers from some mental illness knows very well the stigma that is, the fight that is, because everyone wants you to be well in 6 months when the truth is that many times you spend years fighting against this. And this is a pressure that falls on you.

Imagine, seeing all your friends moving forward while you continue "stock in the same place"?

Only after Korra confronts Zaheer, I think that was a way to show her coping with the trauma, she improves to the point of returning to be the great Avatar we know. The once "monster Zaheer" who almost kill her now is some dude in chains who fail at his plans and created an big problem and needed Korra to solve it

One of the quotes that struck with me most was in that filler episode thats a summary of all what happened in the show , and in the part narrated by Korra she says "I was so naive" and the way Janet delivered that line..., with some pain and I know the sadness but at the same time, stronger and more mature ... I think it means a lot.

here in tumblr I think, I saw a phrase that until today marks me that is :

 "The Last Airbender is a story of a boy who becomes a god. The Legend of Korra is the story of a goddess who becomes a girl "

This is strong!

And I get very angry when someone comes to downgrade my baby Korra because she is such an incredible heroine and her journey is also incredible.

The story of how life can be hard and unfair, how it can hurt and paralyze, but there is always a reason to move on. We should always move on.

Korra is definitely not weak, quite the opposite, she is one of the if not the strongest heroine I have ever seen. Korra inspires overcoming.

Now l will let to talk about the relationships tomorrow. I promise 

[survivor-algonquin-blog]

IMMUNITY RESULTS #1

Hope everyone got their groove on!!! Let's get to the results,,,

But first let's meet our lovely JUDGES!!!!

Zach!!

Hey! Zach here. A couple of main seasons under my belt and lucky enough to have played with all of the hosts. I've done this challenge and work in entertainment, so I'll be bringing a critical eye to the table and have no reservations about not holding back. Good luck!

Sarah!!

Hi my name is Sarah. Ive played 7 main ts seasons so I am officially qualified to judge now. I cant wait to see what yall did.

Vilma!!

Hi I'm Vilma and all you need to know about me is that I have a burning love for music videos so I hope y'all put in your best effort tonight <3

Now let's get to some music videos!

Castor's Music Video & Explanation

This is the official submission for the Castor Tribe. We choose to do the music video “Bring me to Life” by Evanescence. This song has a strong theme of Duality throughout the lyrics, and we chose to represent that by only using two tribemates for the lip-syncing portion of this challenge. The video focuses on Bobby, crying out for help, but being shut down by his inner thoughts, portrayed by Bryan. At the beginning of the video, you can clearly see the inner turmoil going on, shown through the colour colour changes and spinning screen. Throughout this portion, it is clear he is listening to Bryan, and letting it hold him back, keeping all these negative emotions inside. About half way through the video, there is a clear tone change, with the scarf starting to come off, signifying an opening up, of Bobby starting to let his thoughts out in a healthy way, and his inner voice becoming quieter and less relevant as time goes on. The video ends on a dark room, lit by a single light, showing that as dark as things may seem, there will always be light at the end of the tunnel, you just must keep moving forward. We felt that this was a good representation for survivor for several reasons. Firstly, in order to progress far in the game, you must be able to rely on other people to keep you sane. One of the Key elements of survivor is the ability to outlast the other players, and that requires you to mentally outlast them as well. You can clearly see that on the Edge of Extinction season, where it is only the mental fortitude of these voted off contestants giving them a chance now. Secondly, there have been several survivor Contestants that have struggled with the ideas of self-doubt, and depression both during and after the show, most notably, Sugar, after Survivor Heroes Vs Villains, as well as Spencer Bledsoe, after Game Changers. Finally, no matter how dark you may think your prospects in survivor are, if you believe there is a light at the end of the tunnel, and keep pushing through, you will always be able to make an impact. We chose to make the video focus on only two of our tribemates because most submissions for these types of challenges tend to include almost all the tribe members, and we wanted to create something that stands out. All of us contributed to the final product in several different ways. Firstly, we had Lilly, who was the Creative Director, and Task Manager. She came up with the narrative and focused on creating a realistic schedule in order to get everything done on time, and to a good quality. Bobby and Bryan, you saw in the music video, as our lead lip-syncers. Aaliyah was the editor of this video, putting to use her skill in a way much better than anyone else on our tribe could have accomplished. Finally, Michael and Jack created the write up, in order to communicate our thoughts to the judges, to show the amount of effort we put into this project.

Zach:

Creativity:6

The explanation for idea of the music video was strong and well intentioned, if not wholly originally, but I’m not sure it is entirely reflected in what got with the video. I appreciate the deliberate choice to use only two members of the cast to support that idea, so I can’t ding for points there, but I don’t think what we got was what we were promised in the explanation.

Effort: 7

Going off of the intro text, I’ll take it in good faith that everyone contributed as much as was mentioned, and despite execution, I cannot fault their efforts if they all tried.

Composition: 5

Any time there’s a vertical video, it’s going to hurt a little, but I won’t dwell on that too much. I will say that the video ending before the song ends does not help its case. Also, the idea behind the colors and the black and white to show emotional change was a good thought, but did not have the payoff that it should have had. The rationale behind it feels more film school interpretation of something after the fact than intended execution.

Theme: 7

The theme as explained was a solid one, and definitely can see tones of it in the performances and set dress of the actors. Nice job. Bryan will haunt my dreams.

All-in-all, I think this was a good effort and it’s obvious that this team works together well and has lofty ideas. I think the technical skill might be lacking, and it seems like everyone here is very structured in their thinking. I prefer that way of thought so I’m with them, but they needed a little more creative flair here to pull it off.

Sarah:Creativity: 5/10

Effort: 5/10

Composition (editing): 7/10

Theme: 8/10

I wish I saw everyone from the tribe in this but I get your reasoning behind it. It was still just overall ok

Vilma:

Creativity: 4/10

You made a creative decision to include only two people of your tribe in the lip sync and while I appreciate the ballsy move I can’t help but feel I would’ve enjoyed the video more if more people were included in it.

Effort: 5/10

Bobby was the king of the show and really put his soul into it.

Composition: 4/10

Rule number one in music videos: film horizontally! Overall I wasn’t a huge fan of the constant use of cheap looking effects but otherwise the editing was fine.

Theme: 6/10

I think the duality theme in your video was nice an well thought-out but it would be a bit hard to understand without your thorough explanation of it.

Castor Total: 69/120

Elan's Music Video & Explanation

She walks! She talks! She twerks! She's BARBIE! Jump, dance, and sing with your very own customizable doll! Dress her up and take her out. Barbie is your BEST FRIEND! You can be a Barbie Girl too! SHE'S BARBIE! (batteries not included)

Zach:

Creativity: 7

The idea of using Barbie girl for the song was a strong and out of the blue choice, making it look like a commercial really took it over the top. I can’t go higher than 8 because they used a lot of the original music video to cover gaps, but overall, more creative an idea than I’ve seen in a while, and the execution was beautiful which leads me to:

Effort: 8

To put what they put together as quickly as they did takes a lot of coordination from whomever was putting it together, but the fact that most people went so far as to dress as “Barbies” shows that almost everyone was committed to the gag. There were a couple of people who obviously didn’t have as much time to give to this, but substituting them as the Ken was a nice save.

Composition: 9

Obviously when working with iPhones and computer cameras, the visual leaves something to be lacking, but that is more than made up for here with the various superpositions, graphics, texts, crawls, and cuts. It felt like I was watching a bizarro QVC commercial that was as fun to watch as Barbies are to play with, keeping them right on mark for their:

Theme: 9

The fact that this is basically a weird commercial for Barbies is as fantastic as they are plastic. Every inch of it was filled with something to reinforce the theme, whether it was ordering details, people playing with the toys, warnings, calls to actions, or disclaimers (the bottom Mattel crawl was a brilliant example of all three categories of judgement coalescing to reinforce the them.

I wasn’t planning on rating anyone high, but this was weird, original, well done, and fun. Nice job. It was visual candy, high energy, and all surface, which I wouldn’t typically go for, but that’s what Barbie is about.

Sarah:Creativity: 9/10

Effort: 10/10

Composition (editing): 10/10

Theme: 8/10

You guys impressed the fuck out of me and made me literally LOL.

Vilma:

Creativity: 8/10

Cute outfits, cute barbie nicknames, cute editing, cute CuTe CUTE I want these slutty barbies to myself

Effort: 9/10

The barbie QUEENS and the editor guy did a phenomenal job. It looks like most of your tribe participated, although the Barbies outshined the Ken’s a bit. But overall you guys really put yourself out there and put in the most effort.

Composition: 10/10

The editing was ON POINT. Great job ten out of ten.

Theme: 8/10.

I stan the barbie theme and song choice btw Aqua is a Danish band so I love me some nordic representation <3 My only complaint is I wish you introduced us to the handsome Kens too.

Elan Total: 105/120

Hibou's Music Video & Explanation

We lip synced Survivor by Destiny's Child. Due to time constraints Gavin couldn't be in the video, but it doesn't matter since Sammy stole the show. :) The editing got a little weird at the end. Some of the file types were different and that causes playback issues. Also the deadline was fast approaching so the sequences towards the end are a little longer. :p

Zach:

Creativity: 2

Hate to be harsh, but going for Survivor for Survivor is a little too on the nose. Listen, it’s a great song, and some people have some great energy, but creatively, this was low hanging fruit. On top of that, the video is literally just lip-syncing, which is basically like playing a Borneo Game in 2019. Given that they’d be given plenty of examples of other ways this can be done well, I can’t rate this high. To paraphrase the song “you’re better than that.”

Effort: 4

To the people that contributed to this, I appreciate your attempt. The one guy who really embraced the challenge, got a mic, light-up glasses, the hat, et al, if this was based on just your effort, I could go much higher. It’s as high as it is because of you. Unfortunately, it’s a team challenge, and for the brief moments that we saw most of the other players, you can see them reading the words on the screen as they capture their performance. I hope everyone enjoyed it more than it shows, but again, to the point of the song “you’ve gotta work harder.”

Composition: 2

Vertical videos really just need to be turned 90 degrees and it would feel like we’re watching a movie. Or if you’re given vertical videos, copy the layer, move it to the back, enlarge, and blur. It will make it instantly more watchable. This grade isn’t solely because of that though (3 vertical videos don’t help though). The titles screen is cute, but assembled poorly. Some of the text is covered some of the pictures. There’s no real pace to guide us through the song. The cuts seem arbitrary. Editing is very hard and never appreciated, so to whomever put this together, if you did your best, nice job and I encourage to stick with it, but kinda feels like “I’m not gonna give up��� was something you were saying to yourself over and over again when trying to make this work.

Theme: 2

Picking this song was a bold choice since it’s so obvious, but you can’t lose points in this category based on choice alone. But given that choice, you have to really knock it out of the park, and I don’t think the bat even touched the ball with this one. There’s nothing here that screams either Survivor nor what Destiny Child was singing about, I don’t know if we’d be weaker without this song in our life.

Look, I hate to be critical, especially since it’s obvious some people put it in a lot more work with this than others, but to be honest, this wasn’t a shining example of what you’re all capable of. It’s hard putting these together, and maybe it just wasn’t worth it this time. Making music videos can be fun or terrible depending on with whom you work. I wish you the best, but I feel like because of this, for one of you “I’m gonna make it, here on Survivor” just isn’t true.

Sarah: Creativity: 4/10

Effort: 3/10

Composition (editing): 6/10

Theme: 4/10

You tried.

Vilma:

Creativity: 4/10

I feel like you guys could’ve been more creative with your Survivor theme. I like that you introduced everyone in the beginning but other than that the video was very simple.

Effort: 6/10

Most of your tribe seemed to participate and that’s always nice to see. Some of you guys were really feeling it too so big props to that!

Composition: 3/10

Again, gotta deduct some points for not filming horizontally. Plus the lip syncing was VERY off most of the time, such a simple thing to fix and the video would’ve seemed much more professional!

Theme: 5/10

Your song choice is literally perfect, you GUYS are survivors and you know it but I wish you would’ve included little skits or something to emphasize the theme.

Hibou Total: 45/120

Congratulations to Castor and Elan for winning immunity!! which unfortunately means Hibou you will be heading to tribal council, where you will be voting off the first person in Tumblr Survivor Algonquin. Tribal will be live over Google Hangouts, and we plan to start at 9:00 EST. please let the hosts know beforehand if you will be able to attend tribal council or not.

[plasticnightmaredoll]

Resident Evil 8: Village review (spoilers everywhere!)

Now, I want to start off by saying I've never been very interested in the "Resident Evil" games. I've always preferred the "Silent Hill" series because of how macabre the games are, the creepy symbolism behind the monsters, and the intense moments of fear despite having weapons (well, in most of the games at least). I like dark, twisted stuff, and "Resident Evil" seemed too...action-oriented for me, I guess?

However, I did finally get involved when I saw the trailer for "Resident Evil 7: Biohazard." I was shocked, but pleasantly so. Not only did it feature new characters, new locations, and a new disease, but it was in first person AND looked like a true survival horror game. I know some people may prefer the third-person perspective for RE games as that has always been one of their key characteristics, but I think horror games are much more effective in first person. They're more immersive because they give you the illusion of being in the game itself.

I really loved RE7, and still do. I actually have begun playing it again, the first time in a few years (I think 2019 was the last time I played through the game). I still see it as my favorite RE games and one of my favorite survival horror games, but I have enjoyed the "Resident Evil 2" and "Resident Evil 3" remakes and may play other games in the franchise just because.

Now, onto "Resident Evil 8: Village," a direct sequel to 7 (lol 8 does come after 7 but I mean that 8 is a continuation of the story introduced in 7. I mean, RE7 was not a sequel to RE6 at all). I was excited to see the franchise continuing with what it started in RE7, and while I did enjoy RE8, it does have some issues...nothing serious but things that prevent it from replacing RE7 as my favorite.

The Good:

There Four Lords and Mother Miranda were truly unique characters despite being bosses. I felt pity for all of them in one way or another and enjoyed learning their backstories. I think they are the most interesting and "human" villains in the RE games so far (at least, from what I've seen), and in games in general.

I felt so much pity for Moreau, though. He was such a tragic character, and I felt like I was putting him out of his misery by killing him. Clearly, there was something wrong with him mentally like his mental growth had been stunted and he thought and acted more like a child. His primary goals were to win the praise of the other three Lords since they didn't like him (I think Donna may have been ok with him but her mental health issues prevented her from expressing her feelings in a more effective and healthy manner) and to have Mother Miranda see him as her son. All these emotions over one character, a boss enemy, and possibly the least complex of the Lords and Miranda herself, I think demonstrate some fantastic writing. I mean, I've very rarely encountered bosses that I felt sorry for, and killing them was mercy.

Donna was a very strange character. She was the only one of the bosses who didn't transform into a monstrosity, and her boss fight was vastly different from anything else in the game. I liked it, though, for the most part, this sort of "calm" within a storm of deadly monsters and bloody battles. Of all the Lords and Mother Miranda herself, Donna was almost just there, like she was observing instead of actually participating. She respected Mother Miranda but, unlike the other three Lords, she seemed to prefer to live in her own little fantasy world with her dolls as her family and friends.

The graphics were, as expected, incredible. If you have a computer that can handle the game with high/max settings, it will look absolutely stunning. Also, the soundtrack was very fitting, but I don't have much concern for this trait unless the soundtrack is truly exceptional, which is rare -- or if the soundtrack is awful, which I have yet to encounter in a game.

I enjoyed the change in environment from RE7. I liked the creepy house in the woods and "ghost ship" in RE7, but RE8 had us in underground tunnels, a rundown village, a castle, a factory, a swamp town...I mean, you went all over the place, but it made the experience diverse and entertaining.

RE8 gave us a lot of answers to questions left by RE7, and, in some ways, enhanced that game's story. Finding out the truth behind Ethan's seemingly indestructible body was a twist I didn't expect. It did provide an answer for just how easy it was for him to literally patch himself up and put himself back together over and over again. It was no longer just "game logic."

Ending Ethan's story made sense. It was clear by the end of RE8 that his character had gone as far as possible, and it was time to switch gears. I'm curious as to how the next game will utilize Rose as a protagonist. She has powerful psychic abilities, unlike her father, and I don't think any other RE protagonist has had such abilities (as far as I know), so that could make for a very interesting gaming experience.

With that being said, I really do hope RE9 continues what was started in RE7 and developed further in RE8. I really do. I think there are plenty of things left to explore, plenty of room for some good twists and turns.

There weren't many puzzles in this game, but I didn't think it was such a bad thing. It was still a lot of fun to play with a reasonable amount of action-oriented challenges. There were so many bosses in this game, minibosses included, yet it never felt overwhelming or underwhelming. I thought the minibosses were fantastic "bridges" to each of the 5 main boss fights.

MAGNUM IS BEST WEAPON. Seriously, what is it with these types of guns and their insane amount of power? I liked the grenade launcher as well, despite how slow it was to reload. The use of flashbangs proved to be much more useful than the grenades themselves, oddly enough. I know they have been in other RE games, but they were much more essential in RE8.

The pacing was perfect. I felt like the game was the appropriate length, not overstaying its welcome nor leaving players underwhelmed by lack of content. I mean, I still wish it were longer but that's only because of how entertaining it is to play. Leaving players wanting more but in a positive sense indicates that the game was planned thoroughly with a lot of attention to detail.

Miranda's and Moreau'sboss fights were the most challenging in the game. Both were endurance battles and required you to move quickly and think fast and basically just survive until they died. Ammo was very important in both boss fights because the right weapons made things much easier but if you didn't have enough ammo for them, well...you're going to have a more intense challenge.

My favorite "location" was the Dimitrescu castle. I like the elegant "antique" aesthetic of old castles and houses/mansions.

Unlike in RE7, RE8 does allow you to upgrade some of your weapons, which makes things easier if just to allow your guns to hold more ammo before needing to reload. You also didn't need to pull out a weapon to open crates. If you "interacted" with one, Ethan automatically used his knife to break it. RE7 made you do it manually which was a little annoying, especially during fights.

RE7 pretty much just had the Bakers and mold monsters as enemies. They all put up a good fight, but RE8 has a much wider range of enemies: wolfmen, zombies, flying zombie bats, werewolves, cyborg monstrosities, witches (well, if you consider the Dimitrescu daughters as witches, and they kind of are), a gross but pitiful fishman, a mentally disturbed doll maker, and an egocentric engineer. Variety added another layer of difficulty and surprise to the game since it wasn't always the same enemy types popping up to get you.

Mixed Thoughts:

Donna's boss fight was unlike any other fight in the game -- or any game, really. It was a morbid hide and seek challenge that was a nice change of pace but I do wish it had been a bit more difficult. I liked the concept, and it suited Donna, but it was the easiest boss fight in the game, almost like it was a miniboss fight instead. Good concept, but weak execution.

RE8 allows you to upgrade weapons, but RE7 doesn't, and while it may sound like RE8 has the upper hand, I disagree. RE7's lack of weapon enhancements/upgrades made the game more difficult because what you saw was what you got, and you had to make do. You didn't have the option to make your weapons hold more ammo or shoot faster or deal more damage.

The Bad:

Most of the boss fights were...rather easy? Minibosses included. The only ones that posed a real threat were Moreau and Miranda. Everyone else was just standard boss fodder, unfortunately. In RE7, I felt that, while there were far fewer boss fights, they all were much more demanding and exciting.

Lady Dimitrescu was such a fun character, and yet, she was only in the game for a short time, and her boss fight was just so-so. With all the marketing surrounding her before the game was released, I expected her to have a much larger role in the game.

They had an opportunity to make Miranda a sympathetic villain seeing as how the loss of her daughter basically drove her to madness. However, the way she was portrayed, I honestly didn't feel any sympathy for her, which was a shame. If she had been portrayed as a more tragic, broken character, then it would have made the final boss fight very emotional since you would feel some guilt killing her knowing what she's been through.

Not very scary. I mean, it's not a terrible thing, but for a game that is part of the survival horror genre, I felt like RE8 focused on the action a little too often. It was an intense experience just not a chilling one. RE7 had so much tension and atmosphere that it truly played out like a survival horror game.

Overall, I do like "Resident Evil 8: Village" and want to play it several more times. It bested "Resident Evil 7: Biohazard" in a few ways, namely with a diversity of enemies and customizable weapons but it fell short in the horror department and mishandled most of its bosses.

Final Grade: B+

For reference:

Resident Evil 7: A

Resident Evil 2 (2019 Remake): A-

Resident Evil 3 (2020 Remake): B-

[thesoujishow]

S01E02 - Raimei Tsubusu

[vaporwave lo-fi song]

Souji: Testing? Hello?

Raimei: WUUUUSSSSHHGFGSHSHSHSHSHSHSHS...SSHAAAAAAAA....

Souji: Ok. There we go.

[INTRO - glitchy transition music]

Souji: Hello, and welcome to the Souji Show. I'm Souji and this is a show where I talk about anything I want. 'Cause this is my show, and not yours.

Souji: This episode is sponsored by WcDonalds! WcDonald’s wants to remind you that the most important meal of the day is breakfast. [ominously] So why would you let a morning go by without staring deeply into the mirror until you no longer recognize the face staring back at you – mimicking your every gesture, mocking your every movement?

Souji: [confused + ominous] How else will you get the energy you need for a full day’s work or recreation if you aren’t silently screaming into the visage of a person who gives you such uneasy spirit, such unshakable terror, a queasy feeling every time you make the connection between what that thing is and what you are becoming? What you have become? Where does the void end? Where do you end? When do you end? What time is it now? You’ve been crying, but for how long?

Souji: [cheerful] WcDonald’s! I’m lovin’ it.

[MAIN - glitchy transition music]

Souji: For this very special episode, we have an extra special guest. You may know her as the Violet Vendetta or the captain of the baseball clan. Everyone, give it up for Raimei Tsubusu! You look fantastic today, can you tell our listeners what you're wearing?

Raimei: My sincere apologies for the white noise that was the sound of a closing inter-dimensional portal.

Raimei: It's good to be here. And a great sacrifice on your part, Souji. Not a lot of men would have the guts to expose themselves to this level of danger. As for my attire, these are unique garbs crafted by the Lunarian Moon People, forged in the pits of the thirty-second moon crater. They have plus fifty resilience to all forms of stabbing, cutting and elemental weapons, and the shirt comes with the added benefit of granting me the unique ability: Instantaneous Gangstah Charm. With this ability, I can instantaneously cast any Gokudō spell written within the Book of Yamaguchi.

Souji: Gokudō, that's a synonym for the yakuza, right?

Raimei: Yes, it is. It means the Extreme Path, the hidden school of mysticism I and others subscribe to—one of the five routes to enlightenment, alongside the Mafioso talent tree, and Mexican Cartel Member.

Raimei: In terms of appearance, I had the most excellent designers from Gucci collaborate with the moon people to compress it all down into a pair of pearl white trousers, a tuxedo jacket, white dress shirt, and leather shoes. The Gucci Glasses of Information allow me to see in infra-red and night vision, and I've also got a watch made of platinum that tells me the timezones of all the countries on the world, the moon people's time cycle, and of course, it also dual functions as a holographic mind reader.

Raimei: Some people believe Prada is better. They are wrong.

Souji: I'm more of a thrift store kinda guy, but to each their own. I'll have to get some tips from the Lunarian Moon People on how they make clothes. Most of my clothes are custom made for my Quirk to work on them so I like to sew them myself. Does your inter-dimensional portal go to the moon as well?

Raimei: I lived in this dimension for almost three hundred years before I finally managed to make my first slip into the dream-zone, and that was nearly one hundred years ago. It isn't precisely possible to take a direct, inter-dimensional portal to the moon itself. But it is possible to reach the mirror version of it in the ninth dimension. In that dimension, the moon's where the earth is. So that solves a lot of things. Has to do with the Lunarian's Mystic Mirror view. As you probably already know, portals like these are dependent on reflections. So their mirrors make that impossible by reflecting everything back onto the earth. That's why the moon looks white. It's actually a verdant landscape, filled with grass and trees and everything. But it seems like a rock because we're just looking at a dull reflection of our own planet.

Souji: That's a very unique way to look at the moon. Shoutout to the huge unknown object that smacked the shit out of the Earth billions of years ago and gave us the moon. The sun is cool but that was the real MVP.

Souji: I gotta say, you do look very gangstah. Not to mention a holographic mind reader? Quick, what am I thinking of right now? [laugh]

Raimei: I'm... not sure if that would be appropriate for me to say. Last time I mind read a guy... didn't end well. Besides, this holographic watch would also immediately turn it into a visualization, which can be very embarrassing. So I'll spare you that. But maybe I'll show you a glimpse of my power at the end of this podcast. Sounds good?

Souji: Sounds good. Guess the listeners will just have to stay tuned and find out. Tell me Raimei, how does a multi-dimensional creature end up in Kyoranki Academy? What motivates you to become a hero?

Raimei: That's a good one. There are several reasons. I've lived for about four hundred years in total, so technically speaking, there's no reason for me to go to school. But you might've noticed that there's an expansive underground movement hidden beneath the shadows... the recent events were just one example of that. The CIA, FBI, Interpol, Europol, they're all part of it in some way, preparing for the inevitable Todeskrieg Event. All the major crime groups are getting ready for that, so we are too.

Raimei: On a different level, related to my current incarnation, I'm not unfamiliar with thrift stores either. My dad works long hours... so I want to find a way to help him. I don't know, it's not really black or white. But why Kyoranki Academy? It's one of the best schools in the country. A lot of my middle school friends didn't even get to go to high school. So I consider myself very privileged. I think that alone is motivation enough to be here.

Souji: I get what you mean about helping your family. I think that's a noble cause, Raimei. I grew up poor and mum and dad were mostly out making ends meet. The money's still my number one motivator but it makes me happy knowing that I'll make the city a little bit better for everyone living in it.

Souji: I'm excited that we finally get to go on missions. It makes you think how much far we’ve come. It’s been a crazy year and now we’re actually doing our part to be heroes. I don’t know about you but I’m excited to take down my first villain.

Raimei: I'm concerned people are going to be misinterpreting their roles in this entire thing. Based on what you said earlier, you're from a poor neighbourhood as well, right? So you know what it's like on the streets. What I'm just concerned by is that a lot of the people in our class, like, ... I watch them. I see that the majority don't have that. They don't have any street smarts, they don't know what it's like to be in that situation, to be poor... to be under the influence of junkies across the street. Yea, we've been trained, but I'm unconvinced that we've been prepared to deal with those situations.

Raimei: I think we can take down villains, sure. And there might even be a few out there we could stop. But I'm not excited about running into one; nothing is exciting about meeting someone that potentially wants to kill you. And I'm not sure we're helping the city by pushing our authority down people's throats, especially by a bunch of teenagers that have been told this is their big shot at heroism. Your local twelve-year-old marijuana seller doesn't need juvie, they need role models; good, role models that can inspire them—structural improvements to their lives, like decent food.

Raimei: You know how crazy it is that I can buy five fast-food hamburgers for the price of one piece of supermarket vegetable? If people wanna help the neighbourhood; go help out at a shelter—a soup kitchen. Hand out food; give your homeless newspaper salesman some cash to get him through the day. Japanese society is harsh, man. The second you fall out of the boat, your chances are pretty much zero. Everyone despises you. Your family ousts you. It's not fun. I know it, I've seen it in friends; how they're getting torn apart just because they're like, half-Chinese or something.

Raimei: I hope our peers just remember that when they're going out. If you're going in there guns blazing, you're just going to hurt more people than you'll save.

Souji: I get what you mean. I grew up in the middle of downtown Osaka, nothing but skyscrapers. Our high rise apartment was small, but it kept us safe from the streets. The news spoke of heroes that roamed the streets, shutting down crime wherever they went. People spoke of bright, shining icons in colourful suits, flashing cheesy grins at the camera. But only a few came to ours.

Souji: Growing up in the poor meant that at a young age, I was very cognizant of how the money would and could limit me and my life as I attempted to get to the place where I am supposed to be. Most people our age will never know about ketchup sandwiches, adding water to milk or to an empty shampoo bottle to get more shampoo. Hand-me-downs clothes, books, toys. Having a ‘candle day’ because the lights don’t work. [chuckle]

Souji: When I say to people I know downtown Osaka like it's the back of my hand, I really do mean it. I know which places to avoid during certain times of the day. You had to be street smart to survive, those are the rules of the game.

Raimei: Mhm, mhm. That's what I'm saying. I'm from the outskirts of Airin-chiku, so it's pretty much the same issue.

Souji: It's easy to get caught up in the title. A hero. Believe me, I'll admit that fame is enticing but at the end of the day, we're here to protect the whole city. Trust is a fragile thing. I think most of us in Kyoranki know that because of what happened. Villains and heroes are two sides of the same coin. We're both them in nature. Both are corrupted by the noble illusion of spreading ideas and helping others who on the 'good' side defined by them respectively. It's always been the human struggle in defining 'help' more importantly 'the others'. I don't know if I'm making sense but that's how I feel. [chuckle]

Raimei: And there's a couple of areas in between that too, mind. Not everyone's a bad guy, and not everyone's a good guy like the heroes that just pander for attention or the bad guys that are in it to support their families financially.

Souji: This Todeskrieg Event sounds interesting, what's going to happen?

Raimei: The Egyptian Pyramids. The moon landings. Global warming. Why did they happen? Did they happen? Or were these just small glimpses out of a much larger conspiracy? Why dedicate millions, tens of millions of dollars only to put a guy on the moon?

Raimei: The various gangs around the world know the answer. At least, the established ones. It's all a part of this cybernetic A.I that has kept us trapped in a virtual reality dimension, Souji. You think all of this is real, but like, do we have any proof? How can we reliably say that this isn't just...computer generated?

Souji: I'm a big arcade, video game fan so this is right up my alley. I had the same hunch as you, Raimei. The truth is that there’s much we simply don’t understand about our reality, and I think it’s more likely than not that we are in some kind of a simulated universe. Now, it’s a much more sophisticated video game than the games we produce, just like today World of Warcraft and Fortnite is way more sophisticated than Pac-Man or Space Invaders. If we develop the ability to produce even one simulated reality, we will almost certainly produce more than one.

Raimei: That's what confuses people. They think I'm going on about some sort of magical thing. But magic and science are one and the same, magic's just another way of trying to add rationality to it. And that's part of the Todeskrieg event. It's French for "Totem Pole Disaster"... it's written about in various religions. Some call it the Apocalypse, others Ragnarok ... basically the end of the world. When the simulation will be using too much data for the computer to handle.

Souji: Maybe we're just figment of imaginations and our creators are just forcing their every whim to us for fun. They're our writers, and we are their characters. Maybe they're just a bunch of roleplayers in a Discord server together? Do you hear that creator? I'm The Glitch now, a bug in your system. A disruption to the simulation.

Raimei: Based on archaeological data, humans, in our current shape and form... have existed for about two-hundred thousand years. Now, of course, imagine you're a person living in those sorts of environments. Yes, you'll be stuck most of the day, collecting food and whatever. But do you think those people were dumber than us? Of course not! They might've not had the schooling, but they had the same type of brain.

Raimei: Now, imagine that sort of situation. Okay, so, the first generation of Humans... they got it hard. The second one does as well. The third generation, well, it's a bit easier. And the fourth one... we're talking about everything within the span of a hundred years, considering people lived shorter lives.

Raimei: Now multiply that by a hundred. One hundred thousand years and they're trying to convince us that people only invented farming techniques twelve thousand years ago? It doesn't make sense. You can't convince me, people, before that time didn't... invent something. Didn't create something. Didn't create a civilization. Imagine, with our technology, with our A.I systems, our virtual reality capacities... I mean, if you're into gaming, look at the last fifty years.

Raimei: Now multiply that by four. Imagine just how bizarre that technology would be. Already, we've got games that are borderline lifelike. So how can we know that this isn't just.. some giant simulation? We can't. And we have to look at the empirical, most logical type of data. There's more evidence to suggest all of this is just a program than there is evidence to the contrary. But scientists aren't willing to recognize that.

Souji: I know! I can't believe no one is talking about this. Paranormal events like hauntings or alien encounters can be glitches in the simulation. Stuff like the Mandela Effect is supposedly proof that whoever is in charge of our simulation is changing the past. And don't get me started on Quirks! Superpowers born from radiation. You’re not going to get proof that we’re not in a simulation, because any evidence that we get could be simulated. If I were a character in a computer game, I would also discover eventually that the rules of our universe seem completely rigid and mathematical.

Souji: We’ve spent billions sending probes through outer space and should probably have found evidence of extraterrestrials by now, right? Not so fast: Aliens would likely be far more technologically advanced than we are, the thinking goes, so the fact that we haven’t located them suggests we live in a simulation they’ve figured out how to escape from. Or maybe the computer we’re in only has enough RAM to simulate one planetary civilization at a time?

Raimei: That's what we've been preparing for. The drug trade, the crime cartels, it all has to do with that.

[ASK SOUJI - glitchy transition music]

Souji: Now, let's shine the spotlight back towards the main focus of his podcast... me! Now, Raimei, it's your turn to ask me questions. C'mon, don't be shy, ask anything you'd like.

Raimei: are you sure you want to give me that sort of power? Because if I get to ask anything I like... First up, what's the deal with you and Ken? I don't want to pry into your love life, but you two looked very cosy in that meeting room.

Souji: Me and Ken? Love life? Oh, umm. I mean, umm. No, we aren't. You know. Together like that. [stammering]

Souji: We're just rivals! Yes, rivals. We started talking over the summer and we got closer during the campfire trip. Bunk buddies. Yeah, that. No love life here.

Raimei: Uh-huh. ... Bunk buddies. Well, if that's the official answer...

Souji: ...yes! Bunk buddies. That's the official answer.

Raimei: And I guess, another question is... why did you start this podcast? I'm not exactly famous or especially well-liked around the school, so I'm wondering why you're inviting someone like me to do this sort of thing.

Souji: I started this podcast because of Starlight. He's my favourite hero as you can probably tell. I always watched his talk show growing up, and it was what inspired me to enrol in Kyoranki in the first place. So this podcast is me passing it forward. I want to inspire other kids just like what Starlight did to me. One interview at the time.

Raimei: That's good. That you got a role model to follow, I mean... that you know what you want to do, and who ya wish to emulate. It's the same thing with the guys I mentioned earlier. ... Don't have plushies of them though, unfortunately.

Souji: You say the weirdest stuff in our group chat and I like it! You're interesting, zany and fun. You have a unique point of view, and having you in my show is an honour in it of itself.

Raimei: And I appreciate that about inviting me on your show I mean. Glad I could mention those frustrations I've been holding up. Don't have to go out of your way for me though, I'm okay with sticking to my own little bubble. That's just the life of a made-man. Forever in the shadows.

[Qs from the GC - glitchy transition music]

Souji: Let's move on to our audience questions! These were submitted by our classmates in our group chat. Ready?

Raimei: Yea, audience questions. I'm honestly surprised anyone finds me interesting enough to ask questions, but okay, let's go

Souji: Chia wants to know who are the special people in your life? What's something you're proud of and embarrassed by?

Raimei: Special people, huh? Well, I've got my dad. My mom ran out on us when I was little, so it has always been us versus the world. I've been going to a gym now for about... five years? And the people there are my role models, I guess. They inspired me to get into sports, like boxing. One in particular... the guy's a genuine sumo wrestler. But of the old generation? But yea, those guys have made a significant impact on me.

Souji: Haruto asks, why is your skin purple? Likewise, Ao inquires, do you know the girl who turned into a blueberry in Wonka's factory?

Raimei: As for my skin colour, ... I guess I've gotten a bit desensitized to questions like that. It's a skin mutation on my mother's side, supposedly to do with Quirks. I don't know, I always find it a bit weird to talk about. That nickname they gave me too, it's like calling someone with a darker skin pigmentation the "Black Vendetta". I mean, not that I mind. Asking about the pigmentation's no problem because it's odd. I'm just saying, it feels a bit shitty to compare me with some fucking Willy Wonka scene when like six months ago a kid got bullied out of school because people kept comparing him to a video game character; so, uh, Ao, you're cool. No hard feelings. I'm just going to subtly compare you to a fucking Star Wars Droid if you try that shit again.

Souji: Ken wants to know what you think of the recent baseball team tryout. And to that I say: we have a baseball team? Can I also try out just to beat that monkey boy?

Raimei: Yea, we got a baseball team! I mean, we got teams for nearly every popular sport, right? It's a prestigious school, after all. But we're doing our best to try for the nationals. And you're welcome to join up if you want, we can definitely use a few more clan members. As for our most recent try-out... that all depends on whether he joins up or not.

Souji: Kotoe inquires, do you play the bass?

Raimei: I don't play the bass or any other instrument.

Souji: And finally, Fumi wants to know your favourite genre of book.

Raimei: My favourite genre of books is crime novels.

[ENDING - glitchy transition music]

Souji: Well, we're nearing the end of our show, Raimei, is there anything you'd like to remind our audience, maybe plug whenever they can find you online? Maybe some tips on how to prepare for the Todeskrieg Event?

Raimei: I had an excellent time Souji. Thanks for inviting me. As for preparations, the people can make for the Todeskrieg Event, consider this a bit of an unofficial announcement; we are in fact a highly secretive group. But we, that being me and a few other highly skilled individuals steeped knee-deep in the criminal underground, decided to create a sparring group a few months ago. A fighting ring, as it were.

Raimei: There's no real focus on anything other than fighting a lot, gaining that sort of experience. I don't really bother with rankings or who's best or whatever either, I mean, my choice to just not participate in that tournament should prove of that. So there's no ego thing going on. Whether ya win or lose, it's all good. It's like a clan...But our meetings are sorta irregular, so you can still be part of another, like how I'm still in the baseball clan.

Raimei: As for the best way to contact me, all the usual underground channels work.

Souji: You've been pretty cool to talk to, so before you leave, I have a special surprise just for you. But don't forget, you promised to show me a glimpse of your power.

Raimei: And I did promise to show you a sample of my hidden, mystical power, didn't I? Alright- I'll try and make sure to contain it so that we don't blow up this entire office.

[sounds of moving chairs]

[sound of an 80s disco beat from silly cartoons transformation scenes]

Raimei: Ultra-Mobster, transformation! Percentage; three hundred!

Raimei: Yamaguchi-Gumi spell; Fifty-Five! Gokudō code, page three. Entering heat mode. Specialized skill; DISROBE.

[sounds of thunder]

Raimei: Looks like I got a new favourite shirt. Thanks, Glitch.

Souji: What a way to end the show! [applause]

Souji: Well listeners, if the world does turn out to be just a simulation, remember to make the most of it. Make a point of seeing some good in every day. Drop your resentments. We all have them. Make every day count. The end of the world is coming but until then, to keep up with the show follow me @thesoujishow, and to support my small clothing business, follow @glitchgear on all social media platforms. Once again, this has been Raimei Tsubusu and Souji Yoshihiro, and you’ve been listening to the Souji Show! A show where I talk about anything I want. 'Cause this is my show, and not yours. Until next time. Insert catchphrase here.

[vaporwave lo-fi song]

[EXTRAS - glitchy transition music]

Souji: If you listen to this podcast, chances are you go to Kyoranki Academy. Kido Kotoe is looking for a bass player for her band. So if any of you are interested, please contact her at [Kotoe's school email].