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#it also feeds into the thing i hate where alternative fashion is only acceptable if it's perfectly coordinated and aesthetically pleasing
lazylittledragon · 1 year
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if one more alt character gets saddled with the "smells bad/doesn't shower" headcanon i'm going to start swinging
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partygaming924 · 4 years
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Why is my gaming pc running games so badly
Gaming Blogs UK Best 10
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Exactly how To help Win Supporters With Control People with GAMING
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The journey to becoming a Guru is an thrilling roller coaster of social feelings. Individuals get pretty attached to their board games, and getting to the final stage of getting rid of games is not a step that everybody requires. What everyone can agree on, on the other hand, is that modern board gaming is fun, and a great excuse to get some buddies with each other.
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aeondeug · 5 years
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That I think is a big part of why it’s so important to me that like the Knorth twins’ lives were awful right from the get go. I remember being kind of angry when I heard in the podcast that Jame didn’t act like a kid. And then I just kind of calmed myself down and didn’t really do anything about that and just had to think it out. Since that wasn’t the kind of mood where I could act appropriately and reasonably so it was better to sit on it and think. And I’ve had time to think it out and calm down more and express it more coherently and less in a panicked fit. And the reason I was so angry is that Jame does act like a kid when she’s a kid.
And that’s horrifying.
A kid shouldn’t have to have that sort of life and go through those sorts of things and be thinking of that sort of stuff so early but that’s just kind of the reality for a lot of kids. Like, no, I guess potatoes can’t really grow creepy eyeballs that pop into poisonous toxic goop but there are lots of kids who don’t grow up with safe food. And, no, I guess there’s no such thing as your dad actually having like spooky mind control blood but like your parents might as well have spooky mind control blood when you’re that young and weak and they’re that big and cruel.
The cartoon robot dad dying in a movie was never the worst thing in my life. The worst thing in my life was pets dying, my parents screaming at each other, my father trying to break down the door and yelling about how he’d kill my mother’s then boyfriend, my brother trying to stab me because I’d spent years as the favorite and lying to get him in trouble instead of me, it was having to leverage my status as the favorite in that fashion at all because the alternative was worse. I had an emotional breakdown about it sometime last year and I had to write these broken choppy poems about it because I had to come to accept the fact that this happened.
And it’s not like there’s been nothing happy in my childhood. There’s lots of happy things in my childhood. I remember how much it meant to me to save up enough allowance to get Lunar 2: Eternal Blue Complete because I loved the original on the Sega CD when I was like 4. I remember long beach trips where I just got to wander around and do whatever I pleased for hours on end. I remember the first time I caught a wave and the first time I ever popped up on a board. I remember lots and lots and lots of trips to Disneyland and how even if my mother hated the fucking ride she’d always go on It’s A Small World with me because it was my favorite ride and she’d never make me go on Splash Mountain like how my father would.
But I also have to balance the mother that did that with the mother that had a child taken away because she was deemed abusive and unfit as a mother. And that’s why I had to write those poems and that’s why I so distressed because for years I tried to pretend that the worst thing that happened to me as a kid was the cartoon robot dad dying and that’s just not the case. It’s really not. I think my brother was well within his right to have stabbed me. Because that’s how bad the levels of abuse physical and mental we suffered were. It would have only been just.
There’s some fucking post that goes around here on tumblr about how anxiety for people with C-PTSD is different from that of people with like irrational phobias and GAD and there’s a bit from it I remember super well. In how living with this kind of trauma is like living with a fire alarm that constantly goes off at random times every day. It’s living with the fear of things getting horribly bad not because they theoretically could but because they’ve been that bad before and your brain knows that and is trying everything it can to prevent that from happening again. Because it’s been that bad. This isn’t a cutesy what if scenario. It’s something that happened.
And how in the fuck do you deal with a world in which someone can say something like how being a kid the worst that could have happened was the cartoon robot dad died and you can’t fucking relate because that’s never been true. My earliest memories are of people yelling and screaming and slamming things and having to move and leave my school because my father hit my mother in front of my baby brother. I was the kid that liked Digimon and Monster Rancher more than Pokemon because my pets could die in the game and that felt more real than some world where no matter how bad my pet got beat up it never, ever died and I never had to spend time with it and feed it and make sure it didn’t get sick and never had to deal with the fear that one day you’ll wake up and find out that the cat has a sickness and can’t get better and it’s going to fucking die.
My therapist asked me once to remember a time when things were fine and I felt safe and I got very angry at her and I cried and yelled at her because I can’t remember a time when I was safe. There was never a time when I was safe.
Jame acts like a kid. I know she does because I’ve been that kid. Or rather I’ve been the other kid in the equation who hated her and loved her all at once. But the point is they act like kids. I know they do. I’ve been one of those kids.
I’m happy that there are people who haven’t been. But I’ve never felt more alone knowing that there are. One of the happiest days in my life was showing someone I trusted the poems I wrote during that mental breakdown and knowing that they understood them on a deep, personal level due to going through similar things. But people like us shouldn’t exist. There shouldn’t be a world where anyone should have to know what it’s like. We should get to live in a world where people can see Fate in Nanoha getting beat by her mom and go ‘Oh that’s not believable! This is just so cartoony.’
That’d be such a lonely world for me but it’d be a better world I think.
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Clean White Research
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Steve Jobs by Albert Watson (2006)
With this being such an iconic image, I almost felt like I couldn’t talk about clean white portraits without including it!
Albert Watson found Jobs to be a very charming man. Before they got started, they briefly chatted about computers, iPods, etc., but then quickly got to work on the shoot. Watson recalls Jobs arriving on set and scanning the studio. Within sixty seconds, Jobs had sussed that they were very well organised, and that he would be out in good time. In fact, the whole shoot was known to have taken no longer than fifteen minutes.
As to how the famous ‘thinking’ pose came about, Jobs actually suggested it himself, as he had used it before for a previous shoot a few years prior. Watson gladly accepted the suggestion, saying “if someone wants to give you something, you take it”. The impression you get from how Jobs is engaging directly with the viewer, is that he is a highly confident and intelligent individual. While this evidently is the case, it’s interesting to note that he was actually quite camera-shy and was uncomfortable being in the public eye.
Watson is known to be a master of his craft, and at the same time also considered to be “old school” in his approach, and the lighting setup for this photoshoot was fairly straightforward. The portrait was made with the use of three strobe lights. The key light was a white umbrella at f32 to the left of the camera. Two other umbrellas at f16 1/2 (-1 stop) were placed behind Jobs to the left and right. The result was an evenly lit background that removed any present shadows.
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Morgan Freeman by Art Streiber
The initial reason I chose this photograph is because, well, it’s Morgan Freeman; everyone loves Morgan Freeman! He a very reassuring figure, and has the effect of setting people at ease. As I pondered this, the more I began to think about the various techniques that went into the portrait, and how they conveyed these different qualities.
Although dressed in a formal suit and tie, Freeman’s stance is quite casual, with his hands in his pockets. He is turned slightly away from the viewer, and positioned left of centre of the frame. This, I think, this has the effect of relaxing the viewer, as it appears less confrontational. While the black of his suit is almost silhouetted (the white of the shirt sleeve - indicating the position of his arm), Streiber uses the lighting effectively to highlight that recognisable Morgan Freeman expression.
Streiber is known for being highly conscientious in his approach to working with people, and wants his famous sitters to have a favourable experience He has said “I want my clients to come away from every encounter with me and my crew thinking that they’d like to work with us again.”
His aim is to achieve a look that is “organic and accessible”, while at the same time, retaining a sense of nobility in the subject. Streiber engages in his work almost like a film-director, which he feels is reassuring for celebrity sitters, that they know he’s in charge and he knows what he’s doing. He manages to do this while, at the same time, being very considerate and collaborative with his subjects. He will acknowledge their time limits, respect that they have shown up to do a job, and will share what he’s planning to do for the shoot and ask what they think about it.
Looking at the picture, I can very much imagine Streiber himself was put at ease!
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Arnold Schwarzenegger by Richard Avedon
I chose this photograph because of how well I think Avedon conveys the well-known “badass” public image of Arnie. Being a big ‘Terminator’ fan, I’m very familiar with Schwarzenegger, and this photo encapsulates pretty much everything I know and love about him! The fact it is only the shoulders-up that’s featured, Arnie’s stern facial expression is all the more prominent. This is enhanced by the low camera angle and the strong tonal contrast between light and shadow achieved by the skilled use of lighting.
Avedon is noted for his portraits, which first appeared as fashion shoots. Later in his career, he did away with blurring and soft focus, and instead used strobe lighting which produced a harder light, which was starker.
Stylistically, the portraits and the fashion photographs are alike. The sitter’s face is usually facing forward, often filling the picture and sometimes printed with the black edges of the negative forming a frame. Printed in starkly contrasted black and white, Avedon’s subjects are isolated against a white background. The viewer is not able to locate the sitters within a context, and therefore are forced to focus on how their personalities are revealed by their faces and gestures.
Avedon believed that photography is a collaboration between a photographer and his subject, and enjoyed using stories to evoke specific reactions from his subjects and to play with their emotions, allowing him to capture the expressions he wanted to show.
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Daniel Craig by Andy Gotts, from the exhibition “Behind The Mask” 2015
This portrait of Daniel Craig was taken by Andy Gotts, who is a London/New York based photographer – and a big James Bond fan. The portrait is included as part of Behind the Mask, which was a collaboration between Gotts and BAFTA Future Archive. This project included over a hundred international actors to have won or been nominated for a BAFTA since 1954. The exhibition, which took place in 2015, took over two years compile with Gotts travelling around the world in order to photograph film stars.
Gotts is mostly known for his distinctive black and white portraits of well-known Hollywood actors. The first celebrity Gotts photographed was Stephen Fry, who had been giving a talk at the college where Gotts was a nineteen year old student. This was the moment he knew that what he wanted to do was photograph actors, and that is what he did for the next twenty years. He has said that “it’s because people say, ‘do a job that interests you.’ I wouldn’t say photography really interests me, but movies do.”
A variety of things feed into Gotts work, however not so much the work of other photographers; although he admits to admiring the photography of Albert Watson, Richard Avedon, and the early work of David Bailey. The movies are probably his biggest influence, where he tries to take note of how the actors are lit in certain scenes. He also admires the work of certain painters, and the lighting they used and also everyday things can often influence him.
“According to Gotts, actors hate being photographed, and that about ninety percent of his portraits are done in the actors’ homes or at a hotel. He says, “That’s probably why they feel more comfortable - because when you do a shoot in a studio, it’s all very clinical. I try and get my shot within the first five, six, frames.”
Gotts developed his own style of lighting. Early on, while studying photography in 1989, he began to use Elinchrom flash heads as an alternative to the very heavy and bulky ones he was using. He likes either very soft or very hard lighting, and allows trial and error trial and error to inform which to use. Gotts has told the story of a time when he was in NYC shooting Christopher Walken, and his light meter broke during the shoot, so he mocked up a lighting set, not knowing if it would work or not. The resulting soft shot was so successful that it is a lighting style he still uses in emergencies.
Because, as he says “most shoots are different”, Gotts doesn’t have a common or standard setup that he uses, but he is known to use three ELC Pro HD heads, using a softbox or an Octa as his main light source, and also at times a grid on another light or a bounced light.
In the portrait of Daniel Craig, the facial expression, and the strong contrast between light and dark on his face encapsulates the very essence of Bond character.
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Mick Jagger by David Bailey, 1964
David Bailey is a British photographer known for his advertising, celebrity, and fashion photographs. Bailey began photographing for British Vogue in 1960. His celebrity portraiture, known for stark backgrounds and dramatic lighting effects, is thought to have transformed celebrity photography.
This early photograph of Mick Jagger is considered a ‘Classic Bailey’, and is one of the portraits in a collection of 36 portraits of personalities from the arts, fashion and music scenes. This collection is called ‘Box of Pin-Ups’ was compiled in 1965, and was the start of a “stripped-back style and ruthless honesty” in Bailey’s portraiture. Jagger is one of the most photographed male faces in the world, yet it has been said that Bailey’s image of Jagger has a fresh and different look.
I cannot confess to being a Mick Jagger fan, but I liked this portrait. It is unusual in that the hood is used as a kind of a prop, and Jagger seems to be almost trying to hide by pulling up his fur-trimmed hood around him as if to shield himself from the camera. Jagger’s head and shoulders is cropped and fills the frame. This, as well as the fur-trim, gives a sense of uneasiness, and a more edgy feel. As a contrast, Jagger has a look of innocence in his expression, and his clasped hands below the hood catch the light and draw your eye away from his almost hypnotic gaze.
This portrait of Mick Jagger seems deceptively simple in its pose and composition, but Bailey makes it look simple. Bailey showed dramatic contrasts between light and dark and made use of strong compositional shapes, which resulted in this striking and memorable portrait.
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Congratulations ALLIE! You have been accepted as CELINE CHAMBERS.
Note from Admin Hannah: If I had to put into one word how to describe this app, I would just have to say wow. There is nothing I love more than when an app is exactly how I picture every little detail - and yours did just that. With every description and every headcanon I was just saying in my head that is definitely Celine. From the way you described her relationship with Lucien, to quoting Sun Tzao in the first line of the sample, even the fact that her cat is her favorite child it was all just perfect.
Name: Allie
Age: 21
Preferred Pronouns: She/Her
Timezone: EST
Activity Level: Very active! I’m taking time off from waitressing for once so all I’ll be preoccupied with is classes.
Triggers: REMOVED
Anything Else? If you’d like to request an approved FC change, please do so here.
IN CHARACTER
Desired Character: Celine Chambers
Describe this character in your own words:
When it comes to weapons, Celine and a garrote are one in the same. What’s more lethal than possessing the conviction to seek out resistance, only to instinctively pull tighter when it’s found? If she were a season, be it fall. Dancing leaves falling from grace, a distraction from the bitter cold leering around the corner. The sole Lefevere daughter is Whiskey, dark and opaque; simultaneously warming your insides while sparking a fire. Some of our favorite things can be surprisingly sinister, but never as much as Celine Chambers.
Personally, I think that what forms a kind, soft, considerate person is their instinctual need to find love and acceptance. This is a search that Celine never knew, because was born right beside all the companionship and understanding she would ever need. As a child she never quite understood other people’s vulnerabilities until she realized that they didn’t have a Lucien. And while he is her greatest strength, he is also her biggest weakness. Being so connected to someone, makes it feel like there is a phantom limb when they aren’t around. In many ways she is codependent on him and he is a factor in every single one of her decisions. Some would even say, her achilles heel.
If I had to sum Celine up, it would probably be in the fact that while she considers Valentina a daughter, but instead of nurturing her she poisons her with malice. Honestly, to Celine that is the best nurturing a girl could get. It also speaks volumes that she is heartless enough to ignore her children as much as she can. Most mothers would be so proud to have a son as just completely good as Zaine, but she’s disgusted.
Having no soul to call her own, Celine has found mild amusement in testing out a multiplicity of artificial ones. She does the same with Louboutin’s and expensive cars, it all depends on what type of mood she’s in. This is how she ‘relates’ to others, finding the experience utterly nauseating and gleaning nothing from it except conformation that they’re hopelessly inferior. She’s taken bottom tier emotions such as empathy and kindness for a spin and they proved to be completely frivolous time and time again. So she no longer bothers with them, and if you ask her she’s better for it. There’s more time to sharpen her wit and strengthen her resolve.
Celine’s motives
1) Herself
2) Herself
3) Herself
4) Lucien
5) Herself
What drives Celine
1) Herself, in a Limited Edition Bugatti Veyron.
2) Her obsession with power and influence. It’s more than just an obsession, for Celine power and breathing go hand in hand.
3) Basic human need for destruction.
4) Distancing herself as far away from the mediocre life that she was born into.
5) But seriously, the one person who really drives her is Lucien of course. They feed off of each other and they are the most fabulously evil duo in the world. Whenever she wakes up missing a particular manipulative edge she calls up her brother and it snaps right back into place again.
Celine’s goals
1) To graduate from breaking people to breaking entire families and dynasties. It’s so much more fun, you know? She hardly got a kick out of creating her own empire, the real thrill is causing someone else’s to crumble.
2) Making sure that baby brother doesn’t bite the two hands that fed him all these years. Her biggest fear is that Giuliana will think she can be the Geppetto to their Pinocchio.
3) To break as many people as possible, and have fun doing it!
4) Staying away from her children and Selena as much as humanly possible.
5) Instill fear into the hearts of all those who cross her.
6) Remain eternally youthful.
What potential plots do you foresee for this character?
REMOVED
PARA SAMPLE
“When the enemy is relaxed, make them toil. When full, starve them. When settled, make them move.” Sun Tzu. The perfect piece of wind down literature to calm oneself to. Before Celine could begin to appreciate the quote in applying it to her own superior art of war, something that could only be a fucking banshee tore across the hall. A serine crimson smirk twisted into a quick grimace before her immaculate features turned completely neutral. Kiah’s sobs reverberated through walls that Celine had so been meaning to soundproof. Her assistant’s first task in Rome would be to create a place to retreat into utter silence. Pink silk slid against white satin as Celine reluctantly slipped out of bed. With one swift movement her manicured hand cupped her cool glass of wine. Rose colored robes bellowed around her, feathering against the floor with the momentum she used in approaching the doorway.
Leaning against the doorframe, bored eyes drank in the sight of spoiled girl fighting with her father. As Kiah alternated between screaming and crying, she decided the scene was rather unflattering. Sure, this was an acceptable tactic for Celine as an infant, back when she lacked basic motor skills. It wasn’t until she was finally a toddler that she realized there were far more respectable ways to get what she wanted. From the sound of things Harland was going to have to dangle his daughter’s- their daughter’s- bank account over her head until they landed in Rome. Unable to remember a time where she was in want for more money, Celine supposed she should pity those that were. However, the national debt was at an all time low, and she always regarded as cash dirty and unhygienic. What did it get you, really? Objects can be broken, considering the amount of tantrums she threw, Kiah should know that. A goddess’s currency was power, a concept her daughter failed to grasp.
Regardless, incessant arguing was a surefire way to kill the buzz provided by few glasses of wine and The Art of War. Serenity was the motivation for Celine’s swift intervention, eyes on her daughter as she approached, sipping her white wine. Red nails found their way across Harland’s wide muscular back, and it was no surprise when he visibly relaxed. “Mon cherì, let me know if I need to purchase four plane tickets- or three.” Not bothering to address Kiah with even a glance, she pressed a quick kiss to her husband’s cheek before descending the stairs. At least Zaine knew how to be quiet.
In the kitchen, Celine was greeted by the only tolerable child in the household; her Persian cat Jinx. Not to be mistaken for a family cat, Jinx spared not a single should from her wrath, save for Celine. Everyone avoided the furball, even Lucien, because the hate radiating off of her was palpable. It made her even more ruthless than Celine, and she loved and respected Jinx for that. It was clear the feline appreciated the sudden peace and quiet, as did her owner who was now topping off her glass of wine. “Rome. Jinxy.” Celine purred against soft fur as she scooped the cat against her chest. “We’re going to rule Rome.”
EXTRAS
001) Celine is bisexual, but prefers being with men because there’s something less thrilling in manipulating women.
002) She’s very into fashion, but in a classic way. Celine doesn’t like to display labels but there’s always the need to be the need to be the best dressed woman in the room.
003) Celine fawns and fusses over Christian, not because’s she’s genuinely concerned for his well being. Everyone watching, including them both, need to be subconsciously reminded that Celine was the number one woman in his life. She’s in charge.
004) White wine over red, because the latter stains your teeth, darling.
005) She spends more time with her cat Jinx than she does with her own children.
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Social Media, Politics and “Howl”
Social media and politics- together, they have become a dangerous combination. In the world we live in today, they are a major component of our everyday culture. The trouble is, they have a bad reputation to do more harm than good. In fact, things have become so bad that: 
“Boundaries have blurred between personal and professional lives, as well as between nations, through international networks that bring people together as never before. It is vital, therefore, that all who implement social media strategies for organisations, or use it for personal purposes, are aware of what the digital world offers in the community, the political sphere and the workplace” (Reiman).
One key component to both things is perspective, particularly politics. When it comes to politics, a perspective can be influenced through the candidate’s platform which is, “A manifesto of principles and policies that a candidate or party seeks to be elected upon. Although important, US political platforms tend to be less detailed and binding than the equivalent manifestos of European parties” (Tomson). In addition, having social media can also provide a platform for politicians. 
However, there was a time when the culture was a little bit different. Picture yourself in America just after world war II. America in theory is on the upswing after winning the war in Europe and Japan. This perhaps would lead you to think that everything was good right? Not exactly. In the decade that followed the second world war, “Conformity was common, as young and old alike followed group norms rather than striking out on their own. Though men and women had been forced into new employment patterns during World War II, once the war was over, traditional roles were reaffirmed” (“The Culture of the 1950s”). There were some that were against the reoccurring culture of conformity and they became known as the Beat Generation. The overall motivation for the Beats was, “They fashioned a literature that was more bold, straightforward, and expressive than anything that had come before” (The Beat Generation) which was a conscious behavior on their part. The most controversial Beat was Allen Ginsberg who published Howlin which, “Ginsberg takes the reader/listener on a tour of the underside of America” (The Beat Generation). One such example is, “Who ate fire in paint hotels or drank turpentine in Paradise Alley, death, or purgatoried their torsos night after night” (Ginsberg). With “Howl”, “There is a visceral rage against the system that requires conformity and selling-out. Foul language and slang are common throughout the work, as well as drug use and criminality. All of these things were shocking to the 1950s establishment” (The Beat Generation).
 Which brings me back to today. It was about a week and a half ago I wrote a creative manifesto after reading Ginsberg’s “Howl” and when he called out America’s culture at that time, I decided to follow suit: 
America; Land of the free home of the brave, 
Oh, really? 
In a world where tension is at an all-time high?
Where politics and media of all platforms control shape our perspectives? 
The world we live in today is not what we want.
That is just the first few stanzas and when I was writing this, it made me think about songs that are politically influenced such as “American Idiot” by Green Day or “B.Y.O.B” by System of a Down and I do reference those in the work: 
In a world where, “Television dreams of tomorrow” (Armstrong, et al.),
It’s a government system where to quote System of a Down, “You depend on our protection, yet you feed us lies from the table cloth” (Malakian and Tankian).
You see, things started to significantly turn after, “May 2, 2011, U.S. Special Forces raided an al-Qaeda compound in Abbottabad, Pakistan, and killed the world’s most wanted terrorist: Osama bin Laden” (Marks). That is actually referenced in the manifesto: 
Once the head was cut off the snake, 
it seemed that only one thing was left: ourselves 
For instance, “When we killed it all The hate was all we had” (Slipknot).
Ever since then it’s been nothing but political tension.  
Like Ginsberg calling out America’s culture going to back to the, “Visceral rage against the system that requires conformity and selling-out” (The Beat Generation), the manifesto is calling out the trends/actions that both politics and social media have committed. However, there is some good news when it comes to social media and politics. One such example is an article recently published by CNN in which, “Facebook and Twitter are reviewing and taking down posts that spread disinformation about how and when to vote on Election Day” (Collier) and, “Ahead of last year's midterm elections, Facebook and Twitter declared such posts against their policies and created methods for states to flag election-related misinformation for removal” (Collier) but, that’s not all. Recently, “Twitter (TWTR) will stop accepting political ads, the company's CEO, Jack Dorsey, announced Wednesday” (O'Sullivan and Fung). 
Politics and not just social media but mass media in general have come a long way and that is due particularly due to technological advancement. In fact, “Advancement in technology had a profound impact on the practice of statecraft” (P.R. 146) and so much so that, “It is technologies of social connection which has direct influence on international relations in the twenty-first century. In the age of globalisation and Internet, top-down alleyway communications have almost become meaningless” (P.R. 146) and it doesn’t stop there. As a result of the evolution, “Politicians are constantly seeking alternatives to social media as a dominant form of communicating to the public” (Owen).  With this comes with what lies ahead and, “Great uncertainly surrounds the future of political communication” (Owen). However, there is some hope for these trends to provide some insight.  One benefit includes, “Issues and events that might be outside the purview of mainstream journalists can be brought to prominence by ordinary citizens” (Owen). Social Media and politics seem to bring nothing but negativity especially lately but hopefully actions performed by companies such as Twitter and other events such as gaining insight from the news will keep the good of media intact.
Works Cited
Armstrong, Billie J., et al. "Green Day American Idiot." Genius, 21 Sept. 2004, genius.com/Green-day-american-idiot-lyrics. Collier, Kevin. "Social Media Companies Remove Posts Spreading Disinformation About Election Day." CNN, 6 Nov. 2019, www.cnn.com/2019/11/05/politics/social-media-companies-disinformation-election-day/. 
Ginsberg, Allen. "Howl by Allen Ginsberg." Poetry Foundation, www.poetryfoundation.org/poems/49303/howl. 
Malakian, Daron, and Serj Tankian. "System of a Down B.Y.O.B." Genius, 17 May 2005, genius.com/System-of-a-down-byob-lyrics. 
Reiman, Cornelis. "social media growth and global change." Public Interest and Private Rights in Social Media, PDF File, 2012, p. 36. Marks, Julie. "How SEAL Team Six Took Out Osama Bin Laden." HISTORY, 24 May 2018, www.history.com/news/osama-bin-laden-death-seal-team-six. 
O'Sullivan, Donie, and Brian Fung,. "Twitter Will Ban Political Ads, Jack Dorsey Announces." CNN, 31 Oct. 2019, www.cnn.com/2019/10/30/tech/twitter-political-ads-2020-election/index.html. 
Owen, Diana. "The Past Decade and Future of Political Media: The Ascendance of Social Media." OpenMind, 2019, www.bbvaopenmind.com/en/articles/the-past-decade-and-future-of-political-media-the-ascendance-of-social-media/. 
P. R., Biju. "Internet Diplomacy." Political Internet State and Politics in the Age of Social Media, 2016, p. 146,  www.taylorfrancis.com/books/9781315389929. 
Slipknot. "Slipknot Psychosocial." Genius, 20 Aug. 2008, genius.com/Slipknot-psychosocial-lyrics.
"The Beat Generation." The Literature Network, www.online-literature.com/periods/beat.php. 
"The Culture of the 1950s." American History from Revolution to Reconstruction and Beyond, 1994, www.let.rug.nl/usa/outlines/history-1994/postwar-america/the-culture-of-the-1950s.php. 
Tomson, Alex. A Glossary of US Politics and Government. online read, Edinburgh University Press, 2007, p. 136. 
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