#iron complex

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[thefluxsystem]

You know what the worst part of having a dissociative disorder is, for me personally?

The emotional amnesia.

Your entire life feels like something that you watched on TV, rather than something that you actually lived through.

You know that some of the most horrific things imaginable have happened to you, and you feel nothing about it. Sure, the memories disgust you on principle, but you don’t feel anything.

It makes you question if anything that you remember is real. If that actually happened, shouldn’t it feel significant? Shouldn’t you be sad, angry, hurt, something?

And to top it all off, nobody understands. Not even yourself.

[fangrurin]

Fashion of the Great Houses of Westeros: House Tully of Riverrun

[flovoid]

who will take the fall who of us is stronger you’ll just want it more if you could, you’d have fought it  but you know you’re not  from the start, they knew you were wrong

[serpentface]

A Nesi male showing off his brightly dyed cloak and hood to a partnered pair of prospective suitors (a hen and a faeder, these are not constructed as wholly separate genders by the Nesi), in hopes that he will be chosen to sire and raise their offspring.

Ornamentation that so thoroughly conceals a cock’s breeding plumage is relatively rare among qilik peoples. The exception here is due to the extreme significance of trade and mercantilism in this culture, resulting in a heavy prioritization of the quality of the costuming over the quality of one's own plumage. Colorful, high quality decoration emphasizes that a suitor comes from a wealthy family with secure trade connections, an ideal situation for one’s offspring to be raised in.

There is no permanent association between parents, rather the goal of this union is to best provide for the resulting offspring and to receive a hefty child price from the male suitor’s family (children of all sexes remain with the father’s family, and are effectively ‘bought’ by them.) The mother's family benefits from the money and goods received in this exchange, the father's family benefits from having additional children who will eventually provide labor and care for other family members.

This particular individual is of upper-middle class means, an especially rich mercantile family can afford more ornately woven robes with a greater variety of colors. The parts of the body deemed most attractive (the tail fan, the brow plumes, the seasonally bluish legs) are the only parts exposed. There is some intra-cultural division over whether even these parts should be exposed, as it is sometimes seen as a desperate or wanton diversion from a suitor being unable to afford more extravagant costuming.

Hens, faeder, and cocks all wear minimal clothing in day-to-day circumstances, with the exception of headdress (as seen here with the couple)

Nesi are a relatively genetically isolated population in spite of their significant trade relations, maintained partially by cultural resistance to reproduction with foreigners who do not share these customs. The population is distinguished by many individuals having naturally whitish and brown-gray feathering that acquires bright reddish pigmentation from a diet heavy in crustaceans.

[a-bit-predictable]

arcane: A show about how people from all sorts of backgrounds can be broken down in their suffering and resort to doing bad things, and about how it's never too late to let go of hatred and break the cycle of violence.

some "fans": Selectively hating and demonizing every character that isn't their fav over those bad things. Willfully misinterpreting narrative details to paint those characters as negatively as possible to support a bad-faith argument. Fully dismissing obvious underlying reasons for the bad things with 0 sympathy. And denying that any of the characters' goodness ever existed or can still exist and be nurtured again after having done bad things.

the rest of us: just trying to enjoy a tragic cautionary tale with a hopeful ending in peace

[mythalism]

at all times i am thinking about how this is the core of not only his character but (was, up until recently) the core of dragon age's storytelling

[dcbnam-aep]

everyone saying alicent is a bad mother and focusing on the moment she left rather than the moments (plural!!) that she stayed. the maesters tell her they’re getting to the hard part and instead of leaving the room she just steps back because she cannot leave her son alone in his state. she tries to become queen regent so that she can act for him rather than provide aemond the opportunity to do more harm. and then, despite her own sick history, she returns to the same bed where she cared for a dying viserys and sits with her son. we don’t know how long she sat there before she left. it could have been hours. can we not give her the benefit of the doubt unlike the men on the council who stripped her of any and all authority despite her proving herself time and time again!?!?

(this is the same woman who Did Not Hesitate to step in front of a dragon to protect her son even though it has been established from ep 1 that she does not like dragons!!!)

I’m not saying she’s perfect - she’s flawed like Literally Every Other Character in the show - but she does love her children and only wants the best for them.

[corneredcopia]

Sonic 3 stob spoilerssss:

Thinking about how much the past few years of his life had fucked up stone so unfairly.

He had lost the doctor three times. The first was out of his control and he had hope the doctor would come back.

When Ivo did return, he was overwhelmingly happy and thought he was unstoppable this time.

After movie 2, stone had to drag Ivo out from a large pit of metallic rubble and nurse him back to health all by himself with limited resources. In these moments he was probably extremely frightened for Ivo, but I imagine after the shock wore off he was immensely grateful for Robotnik’s recovery.

In movie 3, they’ve lived together for months, closer than ever before, and Stone thought they’d be on the up and up again. However, soon he would have to experience a loss yet again—this time permanently.

I can’t even begin to imagine how heartbreaking it must’ve been for Stone to be offered a miracle in movie 2 with Robotnik’s recovery, only to have to watch that miracle be wasted only a few months later.

He never got to experience a second of peace. Always worried for Ivo’s demise or his mental state, and never allowed to indulge in happy moments with the doctor.

The only way in which we could see the two blissfully together, with all Stone’s dedication and sacrifices worth the pain, is if Ivo can make it back home yet again. Will Stone be gifted another miracle, or did his luck just run out?

Idk this was just my rant about how much stone had to go through in such a short span of time. Something something The sonic 3 theme of making choices….and how stone always made the choice to care for the doctor above all else…and still lost him in the end despite it. However it was all because the doctor on his own returned the favor and actively chose to care for stone above all else this time….just because stone deserves to live and be awarded the closure he needs from Ivo in their final moments together.

[david-talks-sw]

"The idea of it..."

This is obviously a reference to the ol' argument:

"The Jedi weren't bad but the Jedi Order as an institution needed to go."

So as a quick reminder I thought I'd point out:

1) George Lucas describes the Jedi's eradication as a sad thing, not something sad-but-necessary:

"[The] Jedi getting killed through the Order 66 of the clones is just done as one of those kind of inevitable pay offs in terms of getting rid of everybody, the Emperor is getting rid of all his enemies, but there’s a certain inevitability of it all and a sadness to it.  - Revenge of the Sith, Director’s Commentary, 2005

2) Out of 770 George Lucas quotes, I've never seen him refer to the Jedi Order as "an institution" once.

He does refer to the Republic itself as an institution.

"[In The Phantom Menace one of the many storylines is] the story of a young queen who's faced with the total annihilation of a people, and how she can get a sluggish political institution to pay attention to what's going on." - Premiere, 1999

He might be referring to the Senate instead of the Republic as a whole, but the point stands: he's not talking about the Jedi.

Which tracks with what Lucas defined as Dooku's reason for leaving the Order: his disenchantment with the Republic/Senate, not the Jedi themselves.

But let's go slightly further:

The Jedi Temple was designed as a place of worship that would contrast with the corporate coldness of the Senate.

Also, the Jedi were originally designed as a more organized police force. As the script evolved, they were turned into peacekeepers, diplomats.

Mace's room was redesigned so as to not convey that the Jedi were mired in bureaucracy and protocol.

And when describing the political situation of the Prequels, Lucas doesn't blame the Jedi, but rather the corporations and Senate:

"But as often happens when wealth and power grow beyond all reasonable proportion, an evil fueled by greed arose. The massive organs of commerce mushroomed in power, the Senate became corrupt, and an ambitious named Palpatine was voted Supreme Chancellor." - Shatterpoint, Prologue, 2004

Wow, it's looking like not only is the "Jedi Order as an institution needed to go" narrative not a thing per Lucas, but

3) Lucas went out of his way to make it clear that the Jedi aren't the issue, here, the Republic/Senate is.

So how did we get this narrative?

Well, it comes from a generation of fans and Star Wars creators who were not the target audience.

You know the type. It's the kind who, when asked if they like the Prequel Trilogy, will respond that they liked...

... but not the execution.

AKA they disliked the Prequels, but then EU books and The Clone Wars came out and provided them with enough material to form a headcanon justifying why they didn't like the Jedi, despite wanting to: it's because the Jedi are meant to be disliked! Totally!

The Jedi failed as an institution is an idea that comes from authors who wanted to engage with the material (it IS Star Wars, after all) but not the narrative that George Lucas had crafted, whose work then influenced older fans who preferred the author's retconned version of the story to the original one.

The rest is history.

As Prequels producer Rick McCallum put it:

"The myth begins on paper. During preproduction, filming, and postproduction, the myth becomes visible through the work of hundreds of dedicated people. Following the film's release, the myth becomes public and the public makes it its own." - Rick McCallum, Mythmaking: Behind the Scenes of Attack of the Clones, 2002

[rickytickychow]

Okay but like I LOVE the idea of Blitz saying some crazy shit and pissing Stolas off because for all his power Stolas is NOT ready for a relationship with this dude

The idealized Thing Stolas has made Blitz into in his mind is something Blitz will forever feel insecure about, and until that illusion gets shattered Stolas will never Actually respect him.

Blitz has simply resigned himself to the fact that he's not who Stolas thinks he is and Stolas isn't gonna like the real him.

Blitz is traumatized, hasty, temperamental and probably feels pretty pathetic given how many times he's "failed" people. Stolas is a perpetual victim of circumstance and has no idea what being ANY of that feels like (except for being traumatized obviously LMAO).

Blitz is like a magic prince charming to him, and until Stolas matures he's gonna be pretty mad when Blitz doesn't "care" to live up to that

[soullessjack]

⭑

⭑

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sonic 3 (2024) + the iron giant (1999)

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[factsilike]

Really tired of constantly seeing posts declaring that everyone in MXTX novels is complicated and 'morally grey' and that's what makes her works wonderfully written, and that everyone else who doesn't see that is stupid, or is 'demonising' characters and bashing them for rightfully criticising their shitty, very much unjustified actions.

And ironically it seems so simplistic to just declare that, because yes her stories are wonderfully written and complex, but not for that reason. You're clearly not reading her works and only spouting what you think her stories say. There are many morally grey characters in morally complex stories out there, but MDZS IS NOT ONE OF THEM.

NONE OF THE MAIN CHARACTERS (i.e protagonists and their male leads except for LBH maybe) ARE MORALLY GREY OR MORALLY COMPLEX.

THEY ARE ALL MORALLY RIGHTEOUS.

Just take a closer look at their actions compared to the actions of literally everyone else around them, it's not that hard to see.

Not to mention that MXTX herself literally says that WWX and LWJ are both morally ideal and that ahe hopes her readers can be like them, but people seem to have no respect for the word of authors in the name of their self projection onto the characters being contradicted nowadays 😒

(also saw someone dismissively say that HC may think that the world revolves around XL or whatever, but others don't and they're right??

First of all, did you even read the novel? HC made his judgement based on how others treated him versus how XL did when he was a CHILD. And how XL continues to treat others to this day. He is well within his rights to think the world of XL, especially since XL suffered more than every other person and still doesn't succumb to evil, despite having every right to do so, miles more than others. He all but regards XL as his moral compass, because he's proof that truly good people do exist in this world, and not ONE other person in the novel is shown to be as good as him.)

One of the reasons why I really don't like the Xianle Trio is this; neither FX nor MQ seem to regard XL as his own person with his own agency, who is capable of making his own decisions initially as HC does, and only near the end of the novel do they let up a bit when their asses had to be saved by XL multiple times. (especially considering what fools they made of themselves in that spiderweb cave lmao)

Both of them try to enforce XL ALL THE TIME ("Your Highness don't do this or don't do that or don't say this or don't go there or don't talk to him"), as if XL has not survived perfectly well on his own without them FOR 800 YEARS.

The difference between them and HC is clearly spelled out when FC asks HC about why he is not stopping XL, and HC replies that while he may not agree with some of XL's decisions, he would never force him to do what he thinks is correct, something both MQ and FX are CONSTANTLY shown to try to do.

Like please. Xianle Trio who? More like suffering XL and his pair of nuisances who think themselves to be his babysitters. And most of the time he's the one babysitting them.

Another thing that irks me is that their frequent arguments are often played off for laughs, but XL is truly a saint, because if my friends were constantly bickering over petty things all throughout our dangerous journey and giving me nothing but headaches, especially in survival situations, I'd given them the boot a long time ago.

[angelicheaven12]

This is CLEARLY difference between them and simba is the one ACTUALLY tried his best as father despite he was overbearing and over protective yet very strict with his children is justified because he literally didn't want his children got same traumatic experience like he was and he knowledge that he is wrong fo misjudged kovu and apologizing to kiara while stolas is just being neglected his own daughter and prioritizing his affair partner even brought his affair partner on bonding days with his daughter and basically- simba is way better character than stolas ever be

[amelia-mariee]

I hate when a show/movie is trying to show that like “we’re stronger together than we are apart!” so they have to write in conflict for the characters and make them all be mean to each other and all it does is pit everyone in the fandom against each other, and then the characters forgive each other and learn lessons about friendship, and the fandom is still on fire and never quite the same