#irina kravchenko

[a-state-of-bliss]

Irina Kravchenko @ Maison Margiela Fall/Wint 2016

[unes23]

Irina Kravchenko at Louis Vuitton FW13

[thinkingimages]

Irina Kravchenko - AnOther Magazine Pictorial [United Kingdom] (March 2013)

[dear-science]

Dries Van Noten S/S 15

ph. Lea Colombo

[anotherfuckingfashionblog]

Schiaparelli haute couture fall 2017

[estie-references]

Dries Van Noten Autumn/Winter 2023

Nancy Rohde - Fashion Editor/Stylist

[carzenriq]

Junya Watanabe - Comme des Garçons // Spring 2024 #PFW - Paris Fashion Week

[fashionlandscapeblog]

Irina Kravchenko photographed by Coni Tarallo for Cero Magazine June 2023

[fsarchival]

Janice Alida and Irina Kravchenko by Mikael Jansson and Karl Templer, Interview, March 2013.

[dreamssomethingsomething]

Irina Kravchenko        Rami Kadi spring 2018

[universomovie]

Glenn Martens ultrapassa os limites da desconstrução têxtil para Y/Project F/W 23

por ANIRE IKOMI Alex M e Irina Kravchenko | Todas as imagens por Elodie Chapuis Mais uma vez, Glenn Martens provou sua experiência em desconstrução de denim com seu último Y/Project F/W 23 Show . A mostra ocorreu em um canteiro de obras no Institut Français de la Mode, preparando o palco perfeito para as proezas inovadoras de Martens em distorcer tecidos pesados ​​como couro e jeans puídos em…

[paradamaxima]

Apple picking! Summer 1938

[carzenriq]

Peter Do  // Fall 2022 #NYFW - New York Fashion Week

[estie-references]

Louis Vuitton Autumn/Winter 2013, under Marc Jacobs - Accessories

Pat McGrath - Makeup Artist

Michelle Lee - Casting Director

[theolsentimes]

WWD, 2015

📸: Photography by Nigel Parry for The Row Fall 2015

“It was approached as a passion project and it was baby-steps and wasn’t coming from any other place but creativity and there was such a purity and innocence,” Ashley says. “I look back and I’m like, ‘Where did I get the gumption to go out and do that and meet with these people?’” — 'The Row: The Quiet Ones' written by Jessica Iredale (WWD, April 2015)

-

Mary-Kate recalls the early days of trying to sell the fall 2007 collection in Paris when she, her sister and two other employees would rent an apartment and take sales appointments. “We would be selling the clothes off of us,” she says. “We had a rack and the stores would come in and say, ‘OK, explain every garment, take us through it.’ And they would say, ‘If you’re here next season we’ll do this again.’ They wanted to make sure we were going to show up every season, the product to be shipped on time, and it was going to evolve and be well made.” — 'The Row: The Quiet Ones' written by Jessica Iredale (WWD, April 2015)

[onthecoverofamagazine]

Haider Ackermann Spring 2013

Mod: Irina Kravchenko