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What's kind of phone I think each Carmen Sandiego character has:
Carmen: That limited edition red iPhone that came out a few years ago. Because it is red, along with a red case with a red pop socket on the back that keeps.falling.off. It's also mysteriously in perfect condition?
Player: A Google Pixel because he doesn't want to conform to the status quo of phone brands and claims he made it 'hack proof'. He sticks by it and claims it's better than any iPhone or Samsung on the market, but it's really not. And he knows that, we all know that. And no phone case because he literally can't find one for it because no one has a Google Pixel. So why make phone cases for a phone no one has?
Shadowsan: They got him an iPhone 12 Pro, big enough for him to use and see the screen because he has to view it from a distance as, and I quote 'The phone lights make his eyes blurry.' It also had one of those wallet cases mums have on their phones. He left it behind when he went on his sabbatical and got a Nokia brick and an international sim plan just for calls.
Zack: The most disgusting, feral, warped, sticky, crusty and shattered iPhone 6 in white you have ever witnessed in history yet it works completely fine despite the glass you find lodged in your finger when you use it and the centre button that is just an empty hole to the motherboard. REFUSES to get a new one because he doesn't want to lose the headphone jack and claims that apple removing it in the first place was cash grab and he will have no part in it. And honestly dam right zack I am with you there my man stay strong King xx
Ivy: She has a custom made franken-phone that is made up of various parts from all brands across the board. Alot of the parts donated from Devineaux's pile of fallen soldiers that met their doom between the 18-24 months he was actively chasing Carmen/VILE before VILE fell. Literally a beast and has a military grade case that she also crafted which she had tested. It is literally military grade, she has a certificate and everything.
Julia: Currently, a Lavender Samsung Ultra 23 256gb storage. She got it mostly for the cool pen it comes with, and because it's lavender. She updates her phone model every 2 years and sells the latter for almost the same price she bought it for because she keeps it in pristine condition. She's only ever cracked a phone once and it shook Julia to her core. It looked horrific in her opinion, the hair line crack so bad it made her gag when she brushed her finger over it. So now she always has a nice, strong silicone pastel purple case and screen protector over her phone which she cleans regularly.
Chase: He went through 6-7 phones during the 18-24 months while chasing Carmen/VILE before VILE fell. Before then and now after, he had whatever the latest phone was the year he got it regardless of the brand, about every 2-4 years or until it kicked the bucket. During that 18-24 months, he'd walk into a phone store, ask for the latest thing, and be on his way. Most of them died in his care before he even had the chance to take the back plastic off. Now, he's in far fewer situations that indanger his life or phone. Or if he is, takes the moment to hand his phone and wallet to whoever is nearby for safe keeping because he really likes the new one Julia picked out for him (which is just the same model as hers but black). Julia also being the one who made him get a case. He had no idea that phones came with their own clothing options.
Chief: Only uses holograms. But has a landline??????????????
Zari: She once owned a black Samsung A20 with a yellowing clear case back in 2015 before she was declared missing at sea? That's all the information I can get on it my sources tried their best sorry.
Brunt: Doesn't need it because she can project her voice across vast distances. Get her a rolled TV guide and she can blast your message from one side of America to the other 🇺🇸 yeehaw and also because she's scared those 5g mega hd3g Max phone microwave rays will melt her brain if she gets one of those flat things and slaps it to her face like an genz zombie.
Bellum: Has 17 Ipads all with different cases on them.
Cleo: She has other people do that phone thing for her so she isn't sure what kind of phone she has and I don't know either.
Maelstrom: A telepathic link chip he had installed into his brain to connect to cell towers. It doesn't really work... Or do anything... But it's in there so.... Yeah?
Dash: A Samsung flip BECAUSE ITS JUST AS PRETENTIOUS AS HE IS and so he can snap it shut to prove a point. He's been through like 10 of them because he snaps them closed too slay-ily damaging it. No case because I have no idea how you'd even get a case for it?? Like it folds? I don't know.
Paper Star: Lives off grid.
Sheena: A white iPhone 11 with a gold trim case that has a huge crack down the front. The back glass is completely shattered, but it doesn't stop her from endlessly scrolling through those insta reels about reviewing different tanning lotion brands.
Crackle: An oily iPhone with the most humongous case you've ever seen. You could drop it and it would bounce around like a ping pong ball. The grease that covers the lens gives his selfies an air brushed vibe to them that he just loves.
Mimebomb: An invisible 1970s orange rotary phone.
Neal: That mystic purple conch shell with the pull string from that one spongebob episode that answered questions or something. You know what I'm talking about don't make me pull up a picture.
Topo and Chev: They share one phone so covered in stickers you can't even tell what kind it is but its probably an iPhone. It's filled with couples selfies and can only work when permanently charging so it's always connected to a power bank that is also covered in stickers. Ugh.
#tag yourself Im the invisible 1970s orange rotary phone#i was bored and inspired by my new phone#Carmen Sandiego#disfordevineaux#chase devineaux#julia argent#cs 2019#carmen sandiego netflix#carmen sandiego 2019#cs ivy#cs zack
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Finally I cracked a phone screen. First time ever since I’ve had a smart phone. I’m careful about handling them, but something happened and I joined the crowd.
That phone still works. But it’s old and the cracks drive me nuts. A good excuse to buy a new phone. The old one I’ll keep for a backup.
Apple isn’t my brand. When phone shopping I sort of wish it was. You can pick which latest generation you want, with a small number of variations or sizes.
I am sticking with Android. At my local phone store, that gave me a choice of multiple brands. Each branch has too many models for my taste. I understand iPhone 12 versus iPhone 13. Samsung A54 versus Samsung S21? Please...
So I set a price point and made an appointment with someone to help me. The guy was super nice. Phone shopping reminds me of laptop purchasing. Decide how much memory you want, select a screen size, and set a price range. The brand doesn’t matter much. That’s why the employee more or less shrugged his shoulders when I showed him the four similarly priced phones. It mattered little which one I chose.
So I picked one. I didn’t want to pay the store to transfer everything. The DIY process at home was easy and fairly fast. The only problem was I had to re-enter a lot of sign-on and password information. That was a pain. Luckily I had a source of all this information and didn’t need to re-set any passwords.
Now it’s 97% set up. I still have to tweak some apps. LIke the Ring doorbell app that keeps telling me someone is walking down my street--every 15 minutes, or the text messaging app that isn’t giving me sound notifications. Easy remedies, I’m sure, but I have to work, eat, sleep. Phone settings are an annoyance to me now.
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Do You Know the Cost of Screen replacement of iPhone in India
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NEW GENERATION 5G MOBILE PHONE WITH BEST DEALS
4 minutes, 10 seconds Read
EASY WAY TO CHOOSE PHONE
POCO has finally confirmed a date on screen for its new phone , it carries screen-to-body ratio of 93.3% at it as minimal possible art . It will carry a 7.69mm slim body. The company has confirmed LED screen for the PREMIUM ART . The TEAM confirms 108MP rear camera for the phone, blue and golden colours, but we can expect more colours possible and wish for our choice. Based on earlier news the phone will be renamed, the phone will be a rebranded version of the Redmi Note 13R Pro 5G which was launched in China last year, so we can expect a 6.67-inch FHD+ AMOLED screen, Dimensity 6080 SoC (Rebranded Dimensity 810) SoC, 108MP + 2MP rear cameras, 16MP front camera, Side-mounted fingerprint sensor, Infrared sensor, 3.5mm audio jack, and a 5000mAh (typical) battery with 33W fast charging. The phone will be sold on Flipkart, similar to other POCO phones. Since the phone will compete with realme 12, it is expected to be priced in Rs. 17,000 range. A Mobile Phone in this day and age of this running era are far more than just tools for communication on the move, not for only calling or messaging it contains our world in it The MARKETKAR.IN is just one click away from you table we take you to the new mono world of best category mobile phone timeline its where about issues relevant to you and your mobile.…let me take you to know whenever new launch with new camera features on any Web pages will get you notified on this website telling you about mobile relevant information and news some of which could save time and money. Ever wondered how the Apple name came to be and why? Well here is how it all began. Who new Jobs was on one of his “mid full days ” and had just come back from an apple farm and thought the name sounded fun, spirited and not intimidating in anyway. That’s how it work choice of your thought your choice matters . Chose it wisely from latest mobile series’s from MARKETAR.IN The very first iPhone was personally announced in early 2007 by Steve Jobs himself from the ground up suffice to say that they have not only led the whole SmartPhone industry but have also revolutionised the mobile phone into SmartPhones that we see today, to put it quite simply they more or less shrunk a Mac laptop computer to fit into the palm of your hand coupled with great aesthetics in terms of design, with their great desktop and laptop computers they produced. A natural transition for Apple
Apple’s latest iPhone 15 series is still fresh in the market, which means that the best Apple iPhone 15 prices far off the original retail price. We’ll likely see some worthy price cuts during this year’s Black Friday sale son but the more significant savings will be record-low iPhone 14 prices instead, as part of the early Apple Black Friday deals. The standard iPhone 15 has a starting price of 80k, with the iPhone 15 Plus sitting at 90 k and the iPhone 15 Pro at 99. Only the iPhone 15 Pro Max was given a higher starting price than the previous year , but it now has 256GB of storage at a minimum, instead of the original 128GB, making it more on par with the original iPhone 14 Pro Max price. The best iPhone 15 deals are usually found through new contract offers and by trading in your old handset. If you’re not on fussed choosing and owning the latest Apple smartphone, or one of the best iPhones for photography at all, then take a look at our guides to the best camera phones in 2023, as well as the best Samsung Galaxy S23 prices for Android fans
DEPENDING ON YOUR BRAND CHOICE AND PRICE RANGE AT LOW COST AND EMI OPTIONS ALSO AVAILABLE
Pre booking of upcoming variety of phone’s available at MARKETKAR.IN in today’s rapidly growing world in tech landscape staying updated is the most demanding thing today. Know your latest smart gadget at very cost friendly part With it’s essentials. The wide variety and range choices in latest mobile phone what set apart the competition in best price market with latest design at the effective cost with warranty Key features like 5g connectivity advance camera systems revolutiozing mobile photography with multiple mode added with advance technology.
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The more I look at Apple's products and especially their prices in Brazil specifically, the more I feel like everyone at Apple needs to be beheaded. WHY IS A FUCKING TAG 400 REAIS. WHAT THE FUCK IS WRONG WITH PEOPLE WHO BUY APPLE PRODUCTS.
A fucking stylus for your iPad? NINE HUNDRED FUCKING REAIS. The iPad itself? FIVE THOUSAND REAIS.
HOW FUCKING ABSOLUTELY RICH DO YOU HAVE TO BE. DO YOU UNDERSTAND THAT A GAMING LAPTOP CAPABLE OF RUNNING CYBERPUNK 2077 IS THE SAME PRICE AS A FUCKING IPAD. HI HELLO DO YOU FUCKING UNDERSTAND THIS????? HOW ARE THERE PEOPLE THAT CONSISTENTLY ENABLE APPLE TO BE LIKE THIS. PEOPLE BUY THIS SHIT.
THAT'S WHY APPLE IS STILL THRIVING AND THEY'RE STILL GOING TO MAKE THE SAME FUCKING PRODUCTS ONCE A YEAR BECAUSE PEOPLE ARE STILL GOING TO FUCKING BUY THEM. TELL ME ONE FUCKING DIFFERENCE BETWEEN THE IPHONE 12, 13, 14 AND 15 APART FROM THE CONSISTENTLY INCREASING PRICE AND THE APPEARANCE. THAT'S FUCKING RIGHT YOU CAN'T. "Oh but it has a different chip and a different screens and the cameras are marginally better" YOU. NEED. HELP. GO. TO. THERAPY. TAKE. YOUR. MEDS. THIS ISN'T NORMAL HUMAN BEHAVIOR.
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The e-World of Molly Soda
2023. The further in time we get, the more I realise how chronically online we've all become. Low key Instagram photo dumps are king, we're being sucked into the world of producing short videos for various different platforms and A.I is becoming bigger by the day. I still remember when DALL-E Mini first launched (I say this like it was a long time ago, but it wasn't) and I was typing things in like Wembley lasagne and some other unhinged subjects that could never happen in the real world. This little machine would then make me this cute little pixilated image combining the keywords into something weird. It's been a few months and already there are apps stealing thousands of artists work and combining it for a small fraction of their price to allow you to have about 50 forms of A.I generated selfies. Personally, I don't see the hype with those but it's whatever makes you happy. Who am I to judge? I think that Covid has really pushed the way that we as a society have become so reliant on being online, all the time. I think there are a lot of artists out there who also use being reliant on the Internet to push their forms of work out there.
Take Molly Soda for example, a performance artist based in Brooklyn, New York. Soda works from every form of digital medium that could possibly exist. Much of her work is selfie based. She makes GIFs, zines, videos and then produces them for both online gallery spaces and physical real life gallery spaces. A breakdown to show examples of this is to talk through a variation of works that she has created during the span of her career so far, all being different but fairly similar. You'll see what I mean as I speak.
Exhibit A) Comfort Zone for Annka Kutlys Gallery (14 October - 12 November 2016)
Installation view images of Comfort Zone by Molly Soda. (2016).
The full installation features a multi-media selection including photos and moving images made viewable on the laptop on top of the plinth. The works themselves are to challenge the notion of what art is to the viewer. How would you feel to walk into a space that is full of digitalised images and videos, as if you were to step into someone's iPhone gallery and have to view every piece. It explores how we engage with electronic devices which are always with us, the way our phones buzz with notifications from various social medias as the day goes on. An endless cycle. The video from the laptop on top of the plinth is titled All by myself, this features 18 hours of footage taken directly from Soda's MacBook camera roll and is then published into a video format for the audience to see. A selection of images that were never intended to reach a public audience the way that it did. Perhaps it is there to make you feel a little bit uncomfortable, immersed with all of these images of a person you don't know, images of theirs that are supposed to be private to them. But through their private images, they are stepping into their comfort zone because they have no secrets to hide from anybody.
The floor of the gallery space featured two pink TV screens, something that is nostalgic, as if you've entered someone's room from the early 2000's, featuring All I have is my phone and Phone Zone, both of these being images of Molly Soda on her phone. Instant messaging, social media, being able to speak to anyone in the world at the tip of our fingers is taking over our lives, and this is what the collection of works has been made to portray. It's powerful in a sense of how uncomfortable the works would make specific audiences in the gallery space. I on the other hand feel as though there should be more work in galleries that challenge the notion of art and instead discuss the concept of social media and digital work. Sometimes I feel as though digital works should leave the digital world and be displayed in a real life space.
Screenshot taken from Molly Soda's website.
As Soda puts it, 'a screen recording of what someone does on their computer or on their phone in the day is like a diary entry at this point.' and perhaps I'm starting to see it too. In this day and age, you truly don't know someone until you've seen their Internet history and their saved tabs which sit on the top of their Chrome. Much of the time, Soda bases her work more on classic Internet, the early 2000s. This could be purely down to how desensitised the Internet used to be, the things that I saw on the Internet when I was a child that I shouldn't have seen astound me and it's insane to me to see how much of the Internet now seems to be under lock and key. As Molly Soda puts it, classic Internet is something that was important for her personal development, but also for Internet development as a whole. Looking at her website specifically, I feel as though I am on a MySpace page, something that is oversharing so much that it doesn't look like it's sharing anything at all with anybody. Soda has spoken openly about how the general aesthetic of the Internet has changed over time, a world that was so femme and female orientated is suddenly something that is so dull. 'I think the aesthetics really got smashed. There are no more glitter graphics. (Does anyone remember Blingee??). 'It's really streamlined and white and blue, with no music. It's a little strange.'
Screenshot taken from Molly Soda's website.
It's nostalgia. It's bright pink moving blinged out images. It's when people would insert music players onto their Tumblr's and pirate music in order to play their favourite music loudly on their blog as you click it core. It's something that just doesn't happen anymore. It's make your YouTube channel entirely pink and filled with colourful comments core. But it isn't all about the aesthetics and the cute pink colours filling your screen. It's about being filled with shame as a teenager. It's about deleting your old Tweets because you said something so embarrassing that you don't want anybody to ever see that, a modern day version of making your social media private so your future boss can't find out anything about you. Soda's works are curated to be vulnerable, as in she is displaying herself in that way to the public. Perhaps as a comfort thing, to remind girls that it is okay to be embarrassed by past images or things you've said that is deep on the online archives forever.
All I have is my phone (2016)
Comfort Zone is such an important exhibition in coming to terms with the online world. One of its key reasons is also to do with not only how we are addicted to our phones and being chronically online, but also how we perceive ourselves online in this day and age. How we have these fake identities that we use to make our ordinary lives seem so much more interesting than they actually are. But also how even when we post ourselves in these public spaces and then perceive ourselves in these spaces, that they then follow us into our private spaces. How we wake up first thing in the morning, looking rough and we immediately look at the notifications on our phone, or we look at who's been watching our Instagram stories while we've been sleeping. We can never escape the world of the persona we are on the Internet, and it is brave of Soda to mix both the public and the private to create these artworks. 'The moment I post something and make it public, it becomes less of a big deal. All of a sudden, I'm in control.' Long story short, none of us should be afraid to be a little unhinged on the Internet.
From Soda being chronically online as she has grown up, it only makes sense that she has also managed to pretty much rinse out YouTube and every type of video that has trended on there over the years too. 'People think, 'oh if I just post a bunch of videos about my life, eventually I'll be able to quit my day job and become a lifestyle blogger.' I'm always thinking about how the successful YouTuber is a new version of the American dream-'if I just work enough at curating my life, eventually I'll be paid to just exist.' And while it's been true for people to make this aspect of their life to work, for many others it hasn't worked out the way they wanted. Soda has also been very plain in the way in which YouTubers design their space for when they talk in their videos, and how it is very similar to how the layouts of social media work. Very plain. She notices their interior and how they choose not to show many items in their space purely on the grounds of how they don't want their audience to notice it. 'Everything has to be really clean and look a certain way.' She speaks of how platforms such as YouTube have overtime become too advertisement friendly and how everyone is becoming the same through that. How can you as creator be different to everybody else if you look the same and act the same as everybody else? It's as if the Internet has become a very bland space where everybody wants minimal and everybody wants to talk about the same things at the same time, so when you finally find someone online who has a little bit of a personality, it's whelming.
Finally, another one of Molly Soda's exhibitions, You Got This, a show that took place just before Covid hit in 2020. The show is mixed with Internet culture with the use of American suburbia. Essentially, these two concepts are two very different things, but also interlink within each other perfectly. It is the way in which the Internet and the suburbs are heavily controlled places where status is defined by wealth you can project and what others think of you.
It is interesting because Soda's project heavily relies on video content, and because of Covid, most of the exhibition is now online forever on her YouTube account.
youtube
Decorating the desktop is an interesting concept for the way in which we view spaces and also art. It is not something that is typically art, especially when you consider it in the world of digital format. Do we even think about the design of our desktops? The only time I ever thought about my desktop was when I was back in uni and I had to show my lecturer my work and I wanted the ground to swallow me whole when I connected my laptop to the big screen and everyone could see the HD image of Antonio Garza crying and holding a knife that was my desktop image at the time. Soda likes to view the desktop space as a form of interior design because our homely spaces have become like sets because we are always broadcasting them. The way in which Soda decorates her desktop space is very much like how the space of a room a YouTuber sits in looks like. White space, big open spaces, plants and *that* inspirational quote that you can always find somewhere. Not only that, but the music. Name one YouTuber who doesn't use music like this when creating the outro to their videos, which then leads you to hyperlinks of other videos just like the one you've watched.
youtube
House Tour is another empty of example of this. The lofi beat that plays as the intro to the video starts, this video feels as though it is a punch in the face to all online influencers who post home tours, what's in my bag videos, you know the ones I mean. The house is literally the suburban mansion, the modern day American dream, but the homes always look exactly the same. It's unnerving at best.
Molly Soda's work has to be one of my favourites at the moment. It is so cool to me seeing someone who has such an Internet presence and makes it work so well with the response to art at the same time. The works are statement pieces, all so different but so alike. I would love to see a collective of these works myself in a gallery space and I really love how she keeps it real, or does she. Looking at this work has made me want to be even more unhinged on the Internet, as if I'm not bad enough for spam posting absolute garbage on my story for my boss to see.
Molly Soda's website for more.
Further reading:
Molly Soda's Comfort Zone gallery synopsis.
Molly Soda on making art from your Internet history.
Molly Soda challenges the the notion of private areas as safe-havens.
What Molly Soda has learned from watching YouTube all day.
Molly Soda wants you to know You Got This.
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I sell appliances as a big name hardware store, and I hate seeing all these smart features. I don’t need a TV in my fridge. If I wanted to watch tv in the kitchen I would get a TV for my kitchen. It’s absolutely ridiculous. I have customers asking all the time about them. Appliances don’t last more than 5 years anymore it seems. There are too many moving parts and complicated bits and failure points built into the appliance so you HAVE to buy new appliances. Not to mention their price ranges. I have seen smart fridges go for $3-5k USD for a ‘simple’ smart fridge. You could buy an entire appliance package for less than $4000 including the washer and dryer if you get just a basic set without smart features. They make them easily broken so you have to shell out more money so that they can keep lining their pockets.
Appliances are supposed to be simple machines. I don’t need a microwave that tells me the game score. I don’t need a range I can start preheating from the other room. I don’t need a washer that has a setting I may use once a year for some super niche item that needs to be washed. Fridges keep things cold, and sometimes they have water and ice makers in them. Dish washers sanitize my dishes. Microwaves and ranges cook the food. Yet they market them for convenience. Am I really saving that much time when I could just walk 20 feet to turn on the oven before I go do things?
I just want a headphone jack back in my goddamn iPhone so I can use the million pairs of wired headphones WITHOUT having to use an adapter, and so I could charge my phone at the same time. I also wouldn’t need to worry about charging my headphones or not. Just plug them into the phone like they were supposed to be. Not to mention how easily they are lost or broken because they’re so fragile? I had Bluetooth earbuds. Especially the ones with silicone tips that go into your ears. They’re so uncomfortable and I have small ears. They fall out a lot. But the over the head earphones hurt my ears. The only comfortable earbuds I have are my apple style ones.
What I really miss are BUTTONS. I miss my slide out keyboard phones. I miss the click-clack of buttons.
Also why are there touch screens in cars now? They’re very impractical and so unsafe. I shouldn’t be able to stream the news in the car. All I need is a radio, a clock, and an aux cord input. I don’t need a 6-12” sized screen to control the temperature in my car. I’m driving, I should be paying attention to the road. Not another screen.
I feel like the late 00’s-early 2010’s was about the peak of convenience. We had functioning phones that fit in our pocket (some with touch screens), and yeah ads seemed to be frequent but not EVERYWHERE. Social media was so simple too, and each platform was unique. No everything has some sort of short video format on it that are riddled with ads and all that. It really makes me want to live off the grid and get rid of my technology. It’s so overstimulating and obnoxious. I’m tired of technology. And some people try to make you feel bad for not keeping up sometimes. Like I don’t need every streaming platform, gaming device, or new cell phone the moment it hits the market.
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Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Product Description (Does not support) Not compatible for Microsoft, Amazon Fire, Kindle, Chromebook, EMR screens or devices with the MPP/USI protocol on the screen. including Samsung Galaxy s series/Samsung Galaxy A9 Plus Tablet/Samsung A8 Tab Redmi 13/Redmi 12/Redmi note 10/Redmi pad pro 5g Xiaomi pad 6/ Xiaomi pad 5 & Nothing 2a Wide Compatibility: Elfora universal touch screen stylus pen is compatible with most IOS/Android tablets, such as iPad/iPad Air/iPad Mini/iPad Pro, iPhone, Huawei, Lenovo, Xiaomi, HTC, Samsung (non-S Pen models) and other capacitive screen devices. High-Precision Performance: Equipped with a high-precision tip, the pen allows for accurate and smooth writing or drawing. Ideal for detailed tasks like note-taking, sketching, and precise editing on your device. Efficient Type-C Charging: Features a Type-C charging port, enabling quick and convenient recharging. The modern charging standard ensures fast power-ups with minimal downtime, keeping the pen ready for use. Bluetooth-Free Operation: Designed to work without Bluetooth, this stylus eliminates the need for pairing or syncing. Just pick it up and start using it immediately, simplifying your user experience. Stylish and Comfortable Design: The sleek black finish gives the pen a professional look, while the ergonomic design ensures a comfortable grip. This makes it easy to use for extended periods without strain. [ad_2]
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The Highs & Lows of Switching To Physical Music - My Journey
Allow me to invite you in on my (in-progress) journey of switching from Spotify Premium to listening to all of my music ripped from CDs and digital purchases through foobar2000. I'm listening to the music I like and doing only that, while also owning what I listen to. No subscription expiration is gonna bar me from that. Read more below!
Streaming music through services like Spotify, YouTube Music, and Apple Music offers many benefits to the user. Listening to an album as soon as it releases at midnight, easily sharing playlists with friends, as well as their little "collected user data from the past year presented with a pretty little bow on top". Oh, sorry. I mean "Spotify Wrapped", "Apple Music Replay", and "YouTube Music Recap".
Though, there's also some downsides to using the services. One of them is the pricing. Spotify Premium is currently $12 a month at the time of this writing, with YouTube Music and Apple Music being priced just a dollar lower. There's also different features spread between all the different services. Spotify has its Daily Mixes, podcasts, and audio books, Apple Music and Tidal have their high quality Dolby Atmos streaming, and YouTube Music has… switching between the music video and audio. It's too much sometimes and things can be pretty bloated, especially when all you want to do is listen to music. Nothing else.
The biggest thing to me, however, is the fact that you don't own the music you stream. Once that subscription runs out, it's off to YouTube for you. And you can't even listen to music with the screen off or in picture-in-picture without a Premium subscription. Now, you can always "arrrgh matey" this shit and truly be a rebel against the system, in which case I won't stop you. Do whatever you want. The rest of this doesn't really concern you. But to those who prefer doing things more legally, then I'm about to tell you about how I started this whole journey, and how I'm going to keep going on it for as long as I want to.
How I Got Here
This first started when I got my Blu-ray drive in the mail. I just have this for DVDs and Blu-rays (and I even have a modified firmware to play 4K Blu-rays), but realized soon after getting it that there was another optical media I could take advantage of: CDs. I have a CD player already, and I could just listen to the songs on my large speakers, but this was my chance to back up and preserve what I own. Disc rot is very much a thing with CDs, and while it hasn't taken my discs yet, I don't want to risk anything. Plus, my Spotify Student plan was going to run out after I graduate. So, I did some research and tinkering to find out how to rip the songs from my CDs and listen to the music backed up on my hard drive. What I found is that a program I already used for listening to music I ripped from video games, foobar2000, was great at handling all of this. So, for the past few months I've been working to back up my collection and ultimately ditch Spotify to use it as my main music listening app. It even has an iPhone app as well! Though, in replacing Spotify, this means I've also been working to get the songs I love on CD, by whatever means possible. Discogs has been a big help with this journey, as it led me to discover different variants of albums that I had no idea existed. Did you know that while P!nk's version of "Whataya Want From Me" is readily available on streaming and digital stores, it's only on the German and Australian versions of that "Greatest Hits...So Far!!!" album? I didn't. It's one of my favorite songs from her, and now that's a release I'm looking to get my hands on soon.
This is unfortunately going to be more and more of a common practice for me as time goes on. Importing. A lot of deluxe editions of albums release only for a limited time on CD, only on vinyl, or just don't have a physical release at all... in the US, anyway. Japan has a lot of CDs of deluxe editions readily available to import from sites like CDJapan or sellers on eBay. I happen to have three examples of those (though, I only needed to import two). Midnights by Taylor Swift is a complicated mess when it comes to owning the complete experience physically, and it shouldn't have to be. The "Lavender" CD at Target is the only physical release with "Hits Different" and two remixes, while the "Late Night Edition" is the only release with any of the "3am Edition" songs, "You're Losing Me", and two different remixes, this time of "Snow on the Beach" and "Karma". The first problem with the "Late Night Edition" is that it doesn't even have all of the songs from the "3am Edition". It has 5 of the 7 bonus songs from it, omitting "Paris" and "Glitch". Now, I'm unsure if this was a storage issue with all of the songs, but they very easily could have just made it a second disc instead of trying to cram everything onto just one, and cutting songs in the process. But even then, you'll need the "Lavender" CD to have the other songs for the (almost) complete experience.
The second problem with this edition is that it was only ever sold in the US during the 2023 shows of The Eras Tour, starting in late May with East Rutherford. It wasn't even brought back for the 2024 US leg. It had small drops on Taylor's website during the 2023 holiday season and was available as a digital download for one day only, but outside of that, there is no other way to buy it in the US. It never even got a release in Europe, Australia, Mexico, Brazil... literally any other country stop on her tour. This has led to the CD rising in price ever since then, and even bootlegs being made to trick people. These are usually pretty cheap and ship from China, sporting darker colors for the front cover and inserts, as well as having an incorrect sticker on the front. People might have to (understandably) settle for these just to own the songs physically. Thankfully, there is another option, but time might be running out until their prices go up as well. Japan thankfully has a wide-release of the "Late Night Edition" that is more readily available. It comes in a 7-inch vinyl-like sleeve with a larger poster, a lyric booklet, and some even include a guitar pick. The disc contents are also completely identical to the US release. You can buy it from UMG Japan's store as well as YesAsia. eBay also has copies but for a bit more money.
The second and third examples are the deluxe editions of Olivia Rodrigo's GUTS and Sabrina Carpenter's emails i can't send. GUTS (spilled) has a vinyl release worldwide, but emails i can't send fwd: does not have a physical release at all. Of course, both have CD releases in Japan. They, like the "Late Night Edition" of Midnights, were released to commemorate their respective artist's tour stops in Japan. Unlike that release however, they boast that they're "Japan-only" special editions. This means that there's probably no chance of the CD ever coming out anywhere else.
The good news is that they're not at risk of selling out anywhere. You can even go to my regular site CDJapan to purchase them.
But yes, that's my long and convoluted way of telling you that if you're wanting your favorite songs physically, you're going to have to shell out a bit more money to import. Like me. There's another way to obtain the files of the songs you like, though. Sites like Qobuz let you buy the high-quality FLAC files legally, so you can download them and have them with the rest of your songs. I recommended this way if your song doesn't have a physical release at ALL (or is only on vinyl) or if you don't want to spend more money to import the CD.
Now that we're all caught up with how I got obsessed with all this, it's time to get to the juicy bits. If you want to do any of this yourself, I'm going to go in depth with what tools I use and how I do certain things so that you can have an ideal listening experience.
Ripping Discs + Playing Music
When it comes to actually ripping the discs, I'm gonna be honest. Any cheap CD USB drive is going to work (I assume), and what I have is very much overkill for this sort of task. For a disc drive, I have an ASUS BW-16D1HT internal Blu-ray burner drive, paired with a Vantec NexStar DX2 enclosure so I can use it externally. As mentioned before, the software that I use for playing and ripping my music is foobar2000. It's a completely free program that has a lot of customizability and versatility when it comes to its design and layout, as well as having plugin support for anyone who happens to make any. You can even install one that adds a Discord Rich Presence - and it looks just like Spotify!
When you load a CD into your computer for the first time, naturally you're given options as to what to do with it. You're going to want to set it so that foobar2000 opens when you put a CD in the drive. From here, your music will play and everything should work just fine. Sometimes the metadata for the album, like the artist and track names, or release year might show up immediately. Other times, it does not. If this doesn't bother you, then you can leave it alone. For me, though, I prefer having the details there so I know that I'm listening to.
So, here's how you fill that metadata out. Right-click on a track (or album) in the program and select "Properties".
You'll be able to change all kinds of data here. This is an example of a track that I filled out some of the data for. Once you've done this, you can click "Apply" or "OK". It'll do the same thing.
You can also see that you can change the artwork, but this can't be done with the tracks on the discs themselves. You're going to have to rip the tracks to your computer, and edit those files. Something I'm going to teach you how to do as well! When you right click on a track, you will also see a "Convert" option.
There are a couple of options here, but what you want to do is to go into the "..." menu.
This lets you choose what to convert the file to, where it goes, and any other processing.
In "Output format", there's a number of options. I personally use FLAC at compression level 5 for all of my music. The difference between level 0 and 5 is incredibly minimal, only a hundred or so kilobits that an extreme audiophile with crazy headphones might notice. True lossless would be converting the CD tracks to WAV files, but that almost doubles how much storage your music takes. Only go this route if you care about a 1:1 CD rip and have the storage. You can also just convert them to MP3s. There's multiple settings for MP3 encoding, so you can have high quality files while still saving on tons of space. Just right click on the option and "Edit".
Note that you will need to have the LAME MP3 encoder executable somewhere on your device in order to be able to do so. You can obtain an already-assembled version of it here. Just place it anywhere on your computer and define the path in foobar2000, and you should be good to go. Once you convert the files, it's up to you how you have them stored. I personally make folders for all my albums and set the icons of the folders as the album art. That's just a matter of converting the image to a .ico file and setting that as the icon in the customize tab in "Properties" in Windows Explorer.
This makes everything easy to visualize and nice to look at. I even have this Music folder pinned to my Quick Access so I can easily get to it. Of course, now you're going to need to have foobar2000 actually see where this all is. If you go to "File" -> "Preferences" (or just hit Ctrl+P) you'll bring up your settings. Click on "Media Library".
Here, you're going to want to define where your music is located. Click "Add" and navigate the Explorer window to where your music or folders of music are located. Select the folder, hit "Apply", then close out of the window. The albums and songs should now show up wherever your album list is located, which is usually on the left side. Now all you have to do is scroll through it, click on the drop-down menu of the album, and play a song!
Extra foobar2000 Tips and Features
I have foobar2000 set up with a few more features and settings that make everything easier to handle, just so I spend less time in Explorer. This way, you won't have to do what I used to and drag the whole album into the program every time you wanna listen to it. The first thing I want to go over is the layout. You can edit your layout in "View" -> "Layout" -> "Quick setup".
This is what "Album list + Properties + Visualisations" looks like, and is my recommended layout if you don't want to mess with anything. Of course, this isn't what mine looks like. Same colors, but a bit of a different look.
I've removed the properties and shrank the visualization portion, while adding the album art in the bottom left. This is through the layout editing mode, in the same dropdown menu as "Quick setup". I recommend you play around with it and see what you like. If this is a bit too complicated for you, I also recommend searching for foobar2000 skins. I don't have experience with installing them, so I recommend using this video here. Earlier, I also mentioned a Discord Rich Presence add-on you can install. That's found right here! Download the file from the "releases" section (I'd use foo_discord_rich-x64.fb2k-component if you're on a modern system), double click it, and it should install right away. If you want something that looks like this though, there's a few more steps to follow.
Under the "Preferences" menu, "Discord Rich Presence Integration" should be a new selection under "Tools".
These are my settings for the plugin. You can see in the first image that you can have the plugin try to find the album cover from the internet. But what if the cover isn't the right one? Or what if you want a custom one? This is where the "Art cache" window in the second image comes in. Select "Open containing folder..." and you'll find a lone .json file. It looks something like this.
The program takes the linked images and displays them in the plugin. If your album doesn't show up here, just copy the formatting and replace it with the artist name, and a link to the image of the album cover. You can get it by searching for the album cover, right clicking, and selecting "Copy image address". From here, go to "File" -> "Save", close the document, and go back to foobar2000. Select "Reload from disk" and play the song again. If you check Discord, it should show the album art you linked. If you want a custom album cover you made yourself, try something like Imgur. Make an account and upload the image as a hidden image (it defaults to this anyway). Copy the image address from that and put it in the .json file alongside the artist and album name, just like before. I also wanted to mention that if you're buying a file from Qobuz, the metadata of the files you ripped from the CD and the file you bought might not match up, if you plan on having them as the same album anyway. You can easily go back to the songs you ripped and select the metadata in the "Properties" menu, copy it, then go back to the "Properties" of the purchased file and paste it over. Make sure to apply the changes before closing the window. If everything worked, you should see that they're under the same album in your album list. Double-check the track numbers and edit them if needed. The album covers might not match, too. This is easy to fix, though. It's all in the "Artwork" tab of "Properties".
Just right click on the art, export it to a file, then go back to the file you wanna replace the artwork on, remove the artwork, then import it. It's best to remove it first so the file doesn't have multiple artworks assigned to it.
Closing Thoughts
I'm not gonna go much longer with this, so I just wanted to close with a few things.
Get the mobile app. You'll be able to transfer your music over through an FTP connection. For those who don't know, it's through the internet. I don't wanna explain all that right now, but I can recommend FileZilla as a program to use.
This is going to cost quite a lot of money initially. Buying a whole bunch of CDs and/or files at once to replace what you have on Spotify is going to be hefty. But in the end, you won't be paying a monthly subscription. Unless you buy an album a month, then I guess that's your monthly subscription.
Discogs is your friend. And mine. I mentioned the site before, but it's an amazing tool for finding what album variants have which songs, and it's even a marketplace like eBay. I've bought from the site before and I can recommend it for that purpose as well.
That's gonna be all from me for now. It's been ages since my last blog post on here, and I have two in the drafts. I'll revisit them soon and continue working on them, but for now, I'll see you guys later.
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