#intetview questions

[natdafat]

So I had a very long and strange nightmare last night, here is my attempt at writing out the events of my dream.

So i wanted to get a job and this new and massive office block had oppend stating they had entey level work for a good pay.

So i go and its empty,the car park is empty, the building is near empty till after 30 minutes of walking alongside the person who was gonna give me my intetview we arived at their office. I got the job and was able to start next day. I looked over the slight weirdness as it was new so naturally it wouldnt be full. 

I started working and this is where things developed. in this dream I worked there for about 3 years yet i never did anything i could remember. I dont mean that now awake cannot remember, in my dream both myslef and those i worked with when asked outside of work could not tell you what we did as we couldnt remember,but i didnt question it, the pay was good. Then some freinds of mine started working there as well which was cool... until they started knowing things about the building, things they shouldn't. On their first days they new where their desk and work phone were. Despite never being told. This scared both of us. Why did they no this. In retrospective i was never told these details either yet had been working correctly for 3 years things, it was unnerving.

 Later as my friends and i go to leave to go home after a long shift, they forget something so we go back to go get it. But the building is locked. Which it shouldnt be we can see people still working, why was it locked. So we being the smart arses we were climed up the side of the building, through and open window to get what he had forgotten. While we were in the building it had changed as soon as he picked up the item. It became larger. Darker. Empty of anyone bar us or so what we thought. As we weant to leave back out the window i saw something staring at me. It looked human, wearing office attire. With slightly longated arms and its whole body had skin whiter than snow. Its eyes were black voids and mouth agape to show its roazor teeth. It stood there as i weant to leave. Never moving, even as i got out the window.

Desspite what we saw with the building and the 'worker' we went to work the next day. Not by choice but were forced. Are minds were awaer but our bodies were not our own, taking us to work out of our control. When we arived it was only us working, no one else, they had gone. Friends, colleagues all gone just red stains on the baige carpet on the floor where their chairs use to be...

It finally came time to leave, but my friend had gone, i thought he had left without me but no, a red stain like the others and a missing chair. I went to look for him but i felt affraid and like a failure of a friend gave up and i went to leave, hoping they left before me. But the main building doors were locked. I was traped. And out the corner of my eyes i saw it again, the 'worker', i ran. Quick thinking on my end led to me remembering the window like before. On they way i accidentally broke something and started a fire but that wasnt important at the time. I got to the window, it was still open. I climed out and fell onto the cold dark tarmak of the office car park, but no time for rest i continued to run. But suddently stopped. My body was being forced to go back into this now buring building but i fought agsint it. Each step being harder than the next, the alure to returning geting stronger ever fold. In the end i was somehow saved by my dad, who grabbed my arm and pulled me till i was out the range of the buildings influnece. We stood together watching the building burn. I saw it again, the 'worker' in one of the many many windows. But its clothes had changed that to what my friend had been wearing...

My dad and i left never to go anywhere near again, and thankfully the building had burned and been destroyed completely. My dream ended it being a year later with him and I watching a rerun of an epsidoe of bullseye. But during the ad break there was an ad that caught my eye and brough fear to my soul. It was for the same job comlany they had rebuilt now in another city...

And thats when i woke up, i still have many questions but it was one of the longest dreams ive had in a while.

[warrior-u-preservation]

Face reveal for mod myne lol.

A few weeks ago we got the chance to be intetviewed by the path podcast about Warrior U and geek culture. Mod coffee couldn't be there for the taping, so we got the questions in advanced.

[skillstek]

These SAP Controlling interview questions are majorly based on topics like Cost Center, Cost Elements, Profit Center, Product Costing, Month-End activities & more.

Since Controlling is a vital part of the SAP Financial Accounting module. Thus, reading these questions would help you to prepare for your upcoming SAP FICO interview questions.

[nyounni-blog]

This week therapeutic activity was enjoyable. I liked the idea of blowing bubbles to calm down while redirecting negative behavior to a positive one. Jen did an excellent job of facilitating the activity. I read chapter seven but i could not understand what was meant by establishing goals. Maybe i misconstrued what Dr. G said about establishing goals together in the helping relatioship. For example, the book mention goals in stage 3 of the five stage counseling session to be established in a collaborative way and i heard Dr. G saying during a session, helpers should not tell client what to do, so does that mean the client is suppose to come to a conclusion on his own with little guidance from helper? What if the helper is doing everything correct like asking the right questions while using attending behaviors to help the client think in different but the client is reluctant to do so? How can goals be collaborated if the clients mindset is stagnant? It may be a dumb question to ask but i have seen people go through therapy sessions and then quit after making good progress that is what lead me to ask this question. Chapter seven does have a lot of information in it and some of the information confuse me. i notice my summarizing and paraphrasing during practice intetviews with classmates is a little weak but i plan on practicing more to perfect it.

[animerunner]

Dang well you learn something new every day. I didn’t know about the giant commercial ban from 2005-2010. I had always assumed the hiatus for the manga here in the US at least dealt with the translation. That does explain the manga at least.

Though this brings up some new questions for me. I swear but can’t ever seem to find it there was an article I think on ANN or something similar back in around 2006/2007 with an intetview with someone at Toei saying they wouldn’t ever release an English translation of Stars due to the quality of the first translation or something like that. Not an overall release just talking about Stars. Which is kind of confusing considering that falls under the overall ban period.

Sooo, anon somehow felt the need to send me so many asks that I had to lower the zoom down to 75% in order to encapture them all. Phew! This is going to require a bit of time.

Nothing. Absolutely nothing. Because it’s clear you don’t know your Sailor Moon history well enough to be able to argue about it. Which isn’t anything bad by itself, of course, but it becomes bad if you somehow still feel entitled enough to have discussions in spite of your very flawed knowledge of the facts. But alas, I am a weak person who loves engaging in discourse, so I’ll still take the time necessary to prove you wrong. First of all, it’s not “5-10 years”: from 2005 to 2010 is five years, I believe, 5 and a half if you really want to be retentive. Second, your blind obsession with the old anime somehow made you forget that not just it, but all kinds of Sailor Moon media were put on hold during that period: ever wondered why OldMyu suddenly stopped with Marina’s graduation in 2005 instead of just passing the tiara to another actress like they always did before? No? Did you know that PGSM, which originally aired on TV between 2003 and 2004, was released in two DVD boxes in 2005 that were retired from commerce after only a few months? Did you know that the shinsoban edition of the manga was printed concurrently (2003/2004) and was also retired from commerce in the fated 2005? Did you know that nearly all of these media (the volumes of the manga, the disksets of the anime and the live-action) then reappeared on the shelves in 2010, after the ban was out, except for the musicals, which used to be the most mistreated medium? Or did you think that the 5-year ban only worked for the anime because that’s everything that exists in your mind? Now, we can all discuss hours about the causes of this ban, because different sources claim different reasons for Naoko Takeuchi to decide to put her series in a commercial stasis only to soon change her mind, and it’s a very difficult topic to discuss; but I honestly believe you lack the knowledge necessary to even think of entering the discussion. Now, if you didn’t notice, all of the above also worked outside of Japan: all over the world, in 2005 volumes of the manga and cassettes of the anime were pulled off the shelves. The possibility of getting a non-Japanese version of the shinsoban edition was immediately aborted, and the only media not affected were Sera Myu and PGSM because, as we know, they were never exported to begin with. But, as soon as the ban ended, things changed! Around 2011, many countries around the world started translating the shinsoban edition of the manga and publishing new releases of the anime in the DVD format that they couldn’t use beforehand and, hell, even a freaking videogame for the Nintendo DS was published! You know, it may sound incredible to your ears, but the Sailor Moon world actually doesn’t rotate around the old anime!

Regarding Stars, then, you’ve got your facts all wrong: the fact that you didn’t have it imported back then has got absolutely nothing to do with the Japanese producers and publishers - not with PNP, not with Kodansha, not with Toei, obviously not with Bandai - and instead all to do with your own importing company, Dic or Viz or however it’s called since it seems to be always changing. You might know (but who am I trying to fool?) that the same exact thing also happened in France, where, like in the USA, they decided to stop importing Sailor Moon after the end of the fourth season because they couldn’t come up with a clever enough idea to censor the Starlights’ hermaphroditism. On the contrary, countries with more clever adaptators imported the fifth season regularly in 1998! So, as you see, you really have to blame no one but the censors working for the company of your very own country for the fact that you weren’t able to enjoy a crazily censored version of your precious Sailor Stars back in the 90′s and instead had to wait till 2019 for a loyal adaptation that’s bound to come out in two ultradeluxe Blue-Ray boxes that most US fans will still complain about because their video quality isn’t enough for them to be able to distinguish every single drop of colour on the filmed cels.

Oh! A woman with opinions different from mine! We can’t allow it! But clearly she wasn’t speaking seriously, now was she? Naaah, no one can be serious if their opinion is so drastically different from mine! The fact that you think that all I’m basing my preferences about are the elongated limbs is clear intellectual dishonesty, because you should know perfectly that otherwise I’d be praising Katsumi Tamegai to death, who is the only artist who drew the girls as if they were positively anorexical. And the fact that you think that a character designer’s artworks (which mainly consist of settei) could and should emote tells me that you don’t know the difference between character designing and animation direction. But, somehow, you’ve still got the presumption to act as the lecturer here.

Wow! Arguing with me is so important to you that you actually went and sent me the same answer twice! I’m so flattered! <3

Here: http://tiny012.tumblr.com/post/182437440176 (many thanks to @tiny012 for provinding all these useful data!). Educate yourself. The rest of this last ask is such a big joke that I’ll just leave it here for everyone to contemplate and meditate about the extentions of human stupidity.

[fundedjustice]

JUSTICE FOR MARCUS ARTIS AND HIS FAMILY

Funded Justice

JUSTICE FOR MARCUS ARTIS . My Name is Ann Lavan Marcus Artis is My second Cousin His Father is Olan ARTIS HE I'd My First Cousin My Father and Olan's Mother are Brother and Sister. My Family for the most part do not do  much crime we are not perfect but Marcus had never ever been in trouble with the Law. He had just graduated High School when the tradegy happened a young man named Sammy Cole life was taken on My birthday July 23, 1995 the same year I lost My Mother that April . So I will not forget what happened that year . The Oberlin, Louisiana Police Dept. set out to set MARCUS up from the beginning with the help of Laval Meeks. The police dept. went out of their way to make sure that Marcus would be convicted. They used their wives on the jury to insure a conviction a conflict of interest for Marcus have you ever heard of such, one of the JURORS told MARCUS Father they were going to find MARCUS GUILTY and the trial was going on when they broke for lunch one day. They had no evidence On him at all. The police had people that wanted to tell what they saw and other people heard people that really did this but, the Police did not want to hear from them at all. The police that patrolled that night of the tradegy and reported that they saw some well known small time dealers on a dark street with the trunk up on their car duck down when they saw them patrolling. They just happened to be in the same spot where they found Sammy Cole body . Had a witness in jail with the one that the Police saw with trunk up where Sammy body was found said they were going to get Sammy they had already had a fight with him earlier with Sammy that is why they were in jail . That was before Sammy' s death. The Oberlin Police barely questioned them. They were so busy pinning it on Marcus they had time to get rid of evidence by the time police talked to them. Had an INTETVIEW with young man that saw blood on one of the guys that the police knew about. Mr. Brian Leslie a Forensic Deception Analyst that Specializes in Wrongful Convictions is going to work on Marcus case needs 1000 dollars for now . That is what these donations are for will need more. MARCUS has filed Appeal after Appeal the court gave him life with no parole he has been locked  up for 20+ years for something he did not do over half of his life. He had got his self a job and was working beginning the next chapter of his life until the Police and Laval Meeks set him up. Brian Leslie email address is criminalcaseconsultants.com Thank You In Advance From the Artis, St.Romain, Lavan, Chenevert and Ceaser Familes

Funded Justice

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