#instead she got a swamp vacay
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temporary-tats · 4 months ago
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A ko-fi roulette request from @kaelidascope of team RWBY (and Alfred, the stuffed Gator) on a family vacation to Florida's true greatest attraction, Gatorland!
This is gonna be funny to like, 6 people, and I'm one of them. If you happen to be one of those 5 other people - I hope you enjoy this!
(My Ko-fi, should you wish!)
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iluvtv · 7 years ago
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Break Fast with Snack Blankets
I celebrated the Jewish New Year and the masochistic Jewish tradition of atonement by wrapping up season 3 of Difficult People. I had been waiting, savoring, delaying… but can’t seem to hold off any longer.
Finishing a  secular, divisive comedy on the holiest night of the year may seem sacrilege to some but I would argue it is entirely apropos. Much like some choose to fast for their sins, this too is a masochistic “task” as once I finish I will have another ENTIRE lonely year without my dear difficult friends (and that’s counting on another season even being made at all….*).  
In the spirit of the season premiere where Julie found it necessary to medicate just to survive Passover I will wager bets that I may need a tranquilizer (or two) to survive the combination of another terribly sad Yom Kippur along with the end of my annual DP fix. Thank goodness a season premier of Great News will quickly follow. While it is, perhaps a more mainstream, accessible sit-com, it also is fabulous and produced by Tina Fey. Let’s be honest I basically need something fresh to laugh at from either Pohler of Fey at all times. It should be like a law or something that their particular female dream-team is always gifting us with their comedic fruits of labor.  
So, let’s debrief the season (but seriously let’s put the brief back in debrief as I am a little swamped right now, looking at menus from pricey local restaurant in hopes that my exceedingly generous client will treat me to yet another wonderful dinner —and time is of the essence).
We’ll start where I left off…
Episode 3 delves into Julie’s addiction to her Mother. Grappling with her diagnosis Billy asks Julie what the opposite of Endorphins are.
“Judaism” she replies, deadpan.
And of course it is. Hence the desperate need to self-medicate in episode 1.
In episode 4 I can’t help but notice all the subliminal and yet repetitive advertising of shitty restaurant chains (all of which happen to be in serious financial trouble according to my limited research). Why are Quizno’s, Applebees and Subway advertising with such a leftist show?  What is their agenda exactly? Saving face perhaps? Or maybe Julie just really likes sandwiches on terrible bread. And if staring at Applebees doesn’t excite you here are three unbelievably relatable quotes:
Julie: I have plans later
Billy: food or tv related?
Julie: both, I'm curling up with my snack blanket to watch the lifetime movie of all lifetime movies.
Julie (to her doting man): “I need a break from the sweet snack blanket can you grab the savory one from the closet?”
(I literally own both a sweet and savory snack blanket! How am I single?!)
Julie: I know cunt moves, I respect them
And the cunts that move them.
Namaste.
(And that’s literally how I feel about yoga).
And then, of course the episode ends with Billy and his new boyfriend's first kiss taking place in front of Equinox.
And while clearly Equinox and Gay Pride do go together like me and Gay bars (never underestimate a fag hags love of only flirting with the unavailable -- I guess if the “snack blanket” didn’t cinch the deal this might explain things) Klausner and Eichner might be a bit interested in the fact that I (a girl who only flirts with the unavailable) was actually fired from the company on an unfounded accusation of sexual harassment… basically a sexist overreaction to a female saying the word vagina. I know this isn’t really relevant to our debrief but cultural relevance is cultural relevance and basically Equinox isn’t as progressive as you might think....
Which of course, brings me straight into episode 5 where Julie and Billy discover that the part of Central Park which used to be reserved for Gay hookups is now an outdoor Equinox yoga studio. So, it is basically the same thing but with a hefty price tag. Gentrification is everywhere and even fictional butt-fucking in the park isn’t free anymore. Sad face emoji.
This episode is also fabulous for its intense focus on sexism and the tremendous pressure on women to smile at all times.
Julie just can’t do it.
And that’s why we love her.
Then there is episode 6 where there are so many riffs on sex, politics and TV I don’t even know where to start. So, let’s instead discuss OpenTable’s odd arrival to the small screen. First with this quote from a casting agent to Billy and Julie:
We know from your opentable reservations neither of you have NYE plans
(Oh, fuck my life neither do I. Unless, maybe we can count watching the Season Finale of Difficult People on Yom Kippur and call it a day...?)
Later in the episode it is revealed the the aforementioned reservation platform is also “running original content”. And while they may be the one app that isn’t yet doing this I’m sure they actually are close behind. Funny cuz it’s true?
Which reminds me, I must be brief…I have my own OpenTable reservations to make...
But, before we move on I simply must mention one more sexist/tv/food related quote from this episode:
“Like the ad for yoplait where the woman gets so thin she disappeared and the man says, ‘now there's a woman I don't wanna punch’”
If that doesn’t make you lol you’re dead inside.
If you like the recurring theme of how sexist TV is, Episode 7 takes the cake. Julie (thanks to a vision board) is able to try her hand at working in a writer’s room. Clearly though, no matter how hard she tries she simply cannot make the opportunity successful because what we learn from these insiders is TV is written for men by men (though the recent 2017 Emmy’s did prove times are a-changing). The whole episode is perfect but is best summed up with this quote from the writer’s room:
"Oh no I hate women, I got into writing for tv so I could not write for them"
Meanwhile Marilyn decides to “do something for herself” (gasp, I know) and settles on a Bat Mitzvah. And while I (a Bat Mitzvah myself, actually) had no idea, she teaches us you can’t become a woman without a theme. Her theme? “ME”. 
Why didn’t I think of that?
Episode 8 is a perfect representation of modern day city life. Billy and his boyfriend aren’t able to fall asleep next to each other as this quiet act is just far too intimate (I can relate). The lovebirds spend most of the episode trying to tire themselves out in a desperate attempt to move forward with their relationship. Their antics towards exhaustion are, of course, fantastic especially when the most tiring thing Billy can think of to do is calling his cousin and asking her “why she decided to take a break from social media.”
They take part in every boring, typically tourist adventure New York has to offer only to discover that those who visit their city are actually bigger freaks than those who choose to live full-time in New York. Fabulous.
Meanwhile, the two most narcissistic people on the show (Matthew and Marilyn) secretly work to manipulate the other in selfish attempts to steal the other’s identity. 
And if all this wasn’t enough antics, Julie tries to return to improv only to discover she just isn’t the requisite “yes, and” girl of improvisation but does quite well with “a no but girl.” agenda
Me too Julie, me too.
And finally we have episode nine which includes an unintentional ayahuasca trip, a trans-sorority reunion vacay and most importantly a focus on the premise that the opportunity to change on a whim is available to all selfish, difficult people because we don’t have dependents. You’re welcome world.
Here are the most quotable treats:
Billy (who is feeling very over NY) on Bowling Alleys (and I suppose hipsters in general):
"It's like Poor Man: The Ride "
The team’s view of Etsy:
Julie: “Etsy’s a cult "
Billy: "except for with arts and crafts so basically it’s camp"
Yes, OMG, how did I not think of that?!
And then there is the neurotic Jewish Mother’s method of procrastination/anorexia.
Marilyn: “I should have a lemon wedge. I worked out this morning, I deserve one.”
There is one of the best public transportation scenes I have ever witnessed. I won’t even debrief it because I literally just can’t do it justice.
And then we get down to the nitty gritty: the crew accidentally do the trans-sorority girls’ ayahuasca and in a panic of the unknown Arthur finds a step-by-step guide on Miley Cyrus’s website.
Of course.
They all are on board with most of her steps (no-one even flinches in regards to vomiting) but when the thought of confronting their innermost truth they are less than thrilled.
I agree, who wants to do that?
But they do and it seems to be bliss for them all:
Marilyn enters a Marilyn only world
Matthew hallucinates a terribly fat, naked  gay man in a chef’s hat, jumping
Arthur hallucinates Julie taking charge
Billy gets on a tv show and breaks up w/ NYC
And Julie’s crafting persona has a duel with her actress persona
so, basically everyone wakes up glad they did ayahuasca .
Maybe being a difficult person also means you are secretly really well adjusted?
Revelations aren’t easy but they are wonderful from this crew:
Julie reading her closing monologue which is covered in vomit: "because I do comedy I will always be on the misery spectrum...I am an unhappy person but the alternative is being someone I don't know and that, is terrifying."
Motivated to change, Billy starts looking for apartments in LA, but finds the process a wee bit exhausting (even his IMDB page must be submitted— fucking LA).
Meanwhile, the trans-sorority girls recite their pledge:
“never go on CNN to discuss Caitlyn Jenner.”
OH GOD IT’S ALL SO GOOD. 
Shall we mourn it’s passing with a yahrzeit? 
But before we commemorate this tragic, tragic end I’ll have the series finale recap for you shortly....
*sadly since writing this first draft the cancellation of this essential comedy has been revealed
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