#insinuator

[itseghost]

the captured! quest was so funny that i actually drew multiple things at once

[vexanari]

Hehe thought it'd be fun n indulgent to draw Kieran (and Carmine) as the zorua line !!

[transfemstarscream]

this post was made in derision to the suggestion of male characters being inherently more complex simply by virtue of being male. it was made in frustration to the suggestion of female characters being inherently less complex simply by virtue of being female.

it was not an invitation to discredit, dissect or detract from m/m works, nor suggest the dominating percentage of it in fandom culture was solely a result of misogyny. it was not an attempt to shame creators, more of whom are women, for their sexuality i.e. exclusive attraction to men (which would be hypocritical of me) or for not creating works centered around f/f.

[fyodior]

a talking point i often see when defending the consumption of dark content is that it’s a coping mechanism for those with trauma which is very valid and true but i also want to make this abundantly clear: you can like dark content for no reason. you can enjoy fucked up shit in fiction because it’s enjoyable and entertaining. trauma is not required as a ticket for entry. enjoy your dark content bc it’s fun and sexy and don’t let anyone take that away from you

[beesinmymoth]

Dog of the military

[waterdroid]

Yeehawgust Day 15: Even Cowgirls Get The Blues 💧

Sam has many, many nightmares about Benny shooting her in the head. They get worse as she gets closer and closer to the Strip...

[thehappyvet]

Where do people get this misconception that every single wildlife case at a vet clinic is euthanased so it's better to not take them in even if they're obviously hurt or sick and in need of treatment?!?!

Friendly reminder that a member of the public should not be able to easily pick up or catch a wild animal. We are not in a disney movie. If you can pick it up*, 80% of the time its extremely hurt or sick.

Wildlife, and most animals for that matter, do not show pain as humans do. That does not mean they are not in pain and suffering.

Veterinarians only euthanase wild animals that are suffering from extreme injury or illness, or animals that would stress themselves to death in a hospital setting that cannot be released and survive in the wild with their issue.

We do euthanase some animals, but that's because it's the best welfare decision for that animal and its specific problem.

Maybe trust the professionals trained in providing treatment to animals instead of some Karen on Facebook who demonises vets because she can't understand a bird with multiple wing and shoulder fractures is very unlikely to regain flight and return to the wild and her plan of keeping it means it will live a life of chronic pain and suffering.

*Disclaimer: If you live in a country where diseases such as rabies are endemic, you should not handle wildlife at all if you are not trained or vaccinated. This post is not recommending members of the public handle wildlife in any country.

[fizzlo-and-the-cubes]

Enderking's thought process confuses me to no end

[cheebuss]

He has another answer too but he knows better than to OVERSHARE overshare with her 😌

[3-aem]

im not gonna lie until today I had always thought it was dramatic to insinuate that gojo was but a weapon. now hearing him admit that he had love and dreams too and express this type of grief and acknowledgement that he would be left behind.

truly heartbreaking

[just-some-user-hunny]

Gimme Nikto who just lets you do whatever. grab his big head like a stress ball and shake him around a lil. Patient like a big burly dog getting prodded by a kitten.

Grab his mean burly shoulders and squeeze his arms. Scratch them, hug them, draw little shapes on them with your fingertips. He melts. Blinks contently as if he had let all thoughts go.

"grabby little one". He'll grunt, bristling under the drag of your nails across his Adams apple. Your smile is sweet- so sweet he can taste it. Like jam and sugar and honey.

He nudges a few thick fingers beneath your chin, tickling softly at your neck- enough to make you squeal joyfully, but not enough to make you squirm.

"hey, you like it". You'll chide softly, and he doesn't disagree or argue. Simply guides and nudges your hand to slip into the loop of his belt to hold as he squeezes you into his big arms, nestling you against his sturdy hard chest and gathering you close. So close you can hear his heart thumping against your ear.

"we do".

[enden-k]

[OC] top right → bottom left

[side] a ghosts touch

main story: 1 /

[jesuis-assez]

He was just dropping her off...

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[gilly-moon]

I am BEGGING society to start using the oxford comma again. I have misunderstood too many sentences in recent memory all because someone couldn't put ONE extra comma in.

[robolvrr]

Love your writing soooo much. Could you make some sfw headcanons (and nsfw) if youre okay with it of conjunx (tfone) d-16 with his femme conjunx??? Also what do you think would be his ideal partner? Maybe someone shy and sweet or someone bolder to contrast him?? Would he ever want a family?? Hes so sweet i love him i cant stop ranting about him😭🤍

déjà vu ☆‿⁠｡✷

[ requests: 3/11 ]

d-16 x fem!conjux headcanons

warnings: nsfw under cut!

realistically, you're both miners. there isn't a lot of fraternization on shifts.. though every once in awhile, you catch his optics and he peels through the crowd (and shoves orion, too busy making kissy-faces and calling out embarrassing memories he's sure to pummel him for sharing), making efforts to get to know you.

d-16 is strong. mentally, emotionally, even his physique, is quite literally built for his role in all aspects. he's appreciative if you take care in yours and share that competence.

isn't judgemental over frames. while he is actually pretty charming and easy to speak with, he's not used to attention and doesn't even stop to think of the possibility.

of course - that was before you, that is. and this tug at his spark, that makes him ignore the cycles of grief, anxiety, fatigue and instead want to earn a bit more from you than a simple hello.

conjux aren't unknown, just a foreign concept for many of the uncogged. especially miners, due to the natural risk with the job. many had died and understandably, few were actually willing to grow close for this very reason.

it's not as if he hasn't weighed the decisions. a part of him is frustrated you smile at him because then he can't forget how his servos shake when you do.

in between short conversations - "what do you think about megatronus?" - "yeah, orion is kind of a glitch, but he means the best." - "oh. so you.. don't have someone waiting for you?"s, it's so obvious he wants you.

when you talk, he leans against the wall, his expression soft. because as violent as he can be, as grouchy or prickly his vocals edge, he wants be soft for you.

elita just shakes her head. he does pick up heavier gear and material around you, puffing his chest. offers you spare energon cubes even though it's digging into his rations.

d-16's love language is touch. he doesn't like it much but he initiates and if you're allowed to instead? then the unspoken is obvious. he may be... stubborn, at first, admitting his feelings. his actions do the talking.

i think he'd do well with a combination - someone who isn't as pessimistic, someone who can still encourage his hope to continue to burn. a little bantering never hurt anyone and coupled with attraction.. well. he's not as irritated with it as one might think.

while he thinks the idea of sparklings is something he may like in the future, he doesn't want to put any risk when he's still so low on the totem pole. if you bring it in passing he tries not to jump you. because while it's clear you two are intertwined, the idea of a part of him connecting with you and creating something new makes him dangerously possessive.

nsfw.

the first time wasn't full interfacing.

you explored the ridges of his empty cogcase, watching him twitch and grunt watching your smaller digits flirt along the sensitive surface.

he makes a sound, some cross between a sharp hiss and a moan that slows you down.

"did i do something wrong dee? you're. you're looking at me kinda intense."

"ffff... just be careful."

"i-i am being careful!"

"hng.. shut it."

even though he wants to flip you right off, pin and yank open your modesty paneling, he wants this to be slow. he wants to take all the time you can afford, because he has no clue when he'll get it again.

that's why even in your fidgeted affections, he keeps still. looks at you in the dark with haunting yellows, two beams of sunlight in his stare that make your plating hot.

he huffs out, slick with lubricants and glad he hit the refreshers before being undone. his servo finds your back, trailing up and down before hooking at your hip.

"e-enough. your turn."

when he slips underneath you, prevents even the slightest suggestion of a wriggle, you have to bite back a whine.

"are you sure? i. i haven't —"

"sit. this? is mine. you are mine. let me show how good you can feel."

that'll do it. he can be commanding but that appears moreso in the berth. it rubs a smug part of his ego that half the time you do what he asks anyways, without even thinking to snark.

"you're so wet.. that's it. open up for me."

quickly your panels open, valve quivering. and his intake is right there, dermas teasing against the pulsing throb of your need. because you don't only want him, you think as his glossa starts to lick — you need him or you might just offline.

maybe in another universe, your lover is a poet. he croons up to you, intimate, filthy, all the praise he never dares to say in public.

you can't see him. but there's a smile you feel pressed up when he finds your exterior node, takes it between his dentae. you relax, only for his glossa — which is thicker than you imagined — eagerly sinks further inside you.

who knew your dee was such a romantic.

remember when i said he wouldn't want to make sparklings? well, he certainly doesn't fuck like that's the case. he can be rough but in a slow, hard and relentless way. his strokes are deep, he never pulls until every drop of transfluid is mixing with your own. he likes when he can pick you up, still your strong and valiant dee, nestled inside when he thrusts up into you.

there's a liiiittle toxicity. just a smidgen. he has a lot to work on himself and some of that is his passiveness. so sometimes, his stress comes rearing its ugly head, or his silent jealousy is starting to flare, which ends with you having to recalibrate your stability and try not to go into stasis while he works that off.

robolvrr 2024.