#independent game companies

[hjeojeo]

it's...missing smackjeeves hours..

telling myself if no one makes a good alternative for smackjeeves in the next like five years, im gonna start making one myself (only 10% serious)

i just miss like that atmosphere of 100% unmarketable, just comic sharing/making space.

where we all knew that 99% of the time the comics we see will never get finished bc ppl get busy, kids grow up and change interests ,etc. (i mention kids bc most of my memories of smackjeeves was when i was a teen, so it was a significant like developmental years as an artist kind experience for me)

like i remember most of the comics were like

barely legible sketch pages with like text written in mspaint.

there was absolutely no quality standard. and that's why it was so good

it made me as a kid feel like oh i can do comics! cause it can be WHATEVER YOU WANTED IT TO BE AND LOOK HOWEVER WAY.

and the collaborative ones on smackjeeves were so fun to look at

just overall.

having that. rough, crude, unmarketable space for art/comics was significant.

[moonbanter]

I haven't watched much gameplay, so not sure how we compare. 32 days is the longest we've gotten. Previously it was only 16! It's just the two of us so Lol

[thisisworsethanitlookslike]

As a loooong time fan of Drawfee and a new Dropout enthusiast, I have a primal little need to see todays Drawfee crew in todays Dropout stuff

[bluehairperson]

I don’t want to start drama but I’ve seen some concerning posts floating around about how distasteful and disappointing it is to see certain creators “support” Dorian and I hate to break it to you guys, but if you’ve ever interacted, shared or created anything regarding The Arcana you are supporting Dorian yourselves.

Being in the fandom alone is supporting Dorian by creating engagement, publicizing the game and being part of the audience they’re trying to target.

And even if you were to delete your whole blog and everything you’ve ever posted to enjoy the original game in private you would still be supporting Dorian by bringing traffic to the app they now own.

The one and only way you have to stop supporting Dorian, if you care about it so much, would be to distance yourself from the series entirely and go join another fandom. Never play the original game ever again and never interact with any fan creation regarding it from now on. 👋

[hidingoutbackstage]

Obsessed with RE people who have the most bland taste in the universe. “I love Ethan Winters as a protagonist because he’s just some guy! He wasn’t a cop he wasn’t a soldier he just got thrown into this without warning! It’s what makes him a great character” as if Claire Redfield doesn’t exist. But I forgot these people don’t care about women

[backstreetmeat]

Microsoft Games started negotiating the acquisition of Activision in 2022, and finished the deal late 2023.

During that time Microsoft invested 10 billion dollars in OpenAI and agreed to partner with them in development.

SAG-AFTRA is going on strike again. This time, the union is calling a work stoppage against the major video game companies after nearly two years of trying to renegotiate its Interactive Media Agreement. The decision to hit the picket lines comes 10 months after the union’s initial strike authorization vote. The strike goes into effect July 26 at 12:01 a.m. The 10 companies facing the strike are Activision Productions Inc., Blindlight LLC, Disney Character Voices Inc., Electronic Arts Productions Inc., Epic Games, Inc., Formosa Interactive LLC, Insomniac Games Inc., Take 2 Productions Inc., VoiceWorks Productions Inc., and WB Games Inc. “We’re not going to consent to a contract that allows companies to abuse A.I. to the detriment of our members. Enough is enough. When these companies get serious about offering an agreement our members can live — and work — with, we will be here, ready to negotiate,” SAG-AFTRA President Fran Drescher said in a statement.

[aroaceofdiamonds]

SAG-AFTRA IS STRIKING AGAIN

This time, for video games.

Some key information:

They are striking so all performers will have protection against AI

The struck companies are those signed to the Interactive Media Agreement

The listed companies by SAG-AFTRA include Activision Productions Inc, Blindlight LLC, Disney Character Voices Inc, Electronic Arts Productions Inc, Formosa Interactive LLC, Insomniac Games Inc, Llama Productions LLC, Take 2 Productions Inc, VoiceWorks Productions Inc and WB Games Inc. Though this may not be everyone.

Important things from the FAQ:

Some games from struck companies are non-struck (due to the Collective Bargaining Agreement still being in effect)

Localisations will be affected if covered under the Interactive Localization Agreement

Actors who are part of SAG-AFTRA cannot work for non-union or independent/low-budged productions during the strike unless they are signed to an Interim Interactive Media Agreement, Interim Interactive Localization Agreement or a Tiered-Budget Independent Interactive Media Agreement

Similarly to the previous strike, struck work cannot be promoted. This includes accepting awards for performances in struck games. This does NOT include hosting/performing a skit at an awards show and San Diego Comic Con (the latter due to the close proximity to the calling of the strike)

As implied by the point above, SAG-AFTRA performers cannot partake in panels related to struck games or companies, including finished games produced by struck companies

The best way to check if a game is struck is to use the search tool provided by SAG-AFTRA

Most importantly: You are NOT being asked to stop playing video games, as highlighted in the FAQ for creators and streamers. This does NOT cross the picket line. Though please do talk about the strike and show your solidarity

I expect to see the same amount of support from y'all that we saw in the last strike. Just because it's video games doesn't mean performers deserve any less support and protection.

Also please reblog with any additions (with sources - we are NOT here to spread misinformation)! And please correct me if anything listed here is incorrect.

SOURCES:

Video Game Strike FAQs | SAG-AFTRA (sagaftra.org)

SAG-AFTRA Members Who Work on Video Games Go on Strike | SAG-AFTRA (sagaftra.org)

[finnieforkys]

Reverse 1999 characters' ages pissed me off. That woman should be in her 30s-40s not 25 wtf???

[thestuffedalligator]

Hmmmm hm. Okay. Worldbuilding/story idea.

One million years after humanity disappears, octopi and ravens have independently developed sapience. And one day an octopus child and an elder raven meet at the edge of the ocean.

Where is your mother and father? asks the raven. I have no mother or father, says the octopus, blushing pale. All octopi are children. Once we’re grown, we will mate and we will die. It is the first and the last thing our mothers tell us.

But that’s horrible, says the raven. It’s not all bad, says the octopus. We play, we hunt, we make games for ourselves in the deep. Yes, but who remembers your songs? the raven says. Who passes down your stories?

What is a story? the octopus asks.

And the raven thinks about this question. And finally it says: A story is how you remember things in the past. It is how you know where you come from, and what happened before you were born. A story can be a warning, or it can be advice, or it can be a silly joke told to make you feel good. Someone remembers the story and tells it to the next generation, who remember the story and tells it to the generation after them.

And the octopus thinks about this answer. And finally it says: Can you tell me a story?

And the raven tells the octopus a story. And it’s a good story. And the next day the octopus returns and asks for another. The next day it brings its octopus friends, and the raven brings its raven friends, and many stories are shared on the edge of the ocean.

Months later, the octopus returns to the raven. I am grown, it says. I am returning to the sea to find a mate and lay my brood. I will not be coming back. I’m sorry.

I will miss your company, says the raven.

I have one thing to ask you, says the octopus. In time my children will come to the edge of the ocean. I would like you to tell them a story I have made. And when they have stories of their own, I would like your children to remember them and pass them down to my children’s children.

Of course, says the raven. What is your story about?

And the octopus thinks, and says: It is about an octopus child and an elder raven who meet at the edge of the ocean.

And this story has been passed down to this day.

[felassan]

SAG AFTRA news update:

"SAG-AFTRA Members Who Work on Video Games Go on Strike July 25th A.I. Protections Remain the Sticking Point SAG-AFTRA National Executive Director & Chief Negotiator Duncan Crabtree-Ireland, acting under the authority delegated by the SAG-AFTRA National Board, and with the unanimous advice and counsel of the Interactive Media Agreement Negotiating Committee, called a strike of the Interactive Media Agreement, effective July 26 at 12:01 a.m. Today’s vote to strike comes after more than a year and a half of negotiations without a deal. The convenience bargaining group with whom SAG-AFTRA is negotiating includes Activision Productions Inc., Blindlight LLC, Disney Character Voices Inc., Electronic Arts Productions Inc., Formosa Interactive LLC, Insomniac Games Inc., Llama Productions LLC, Take 2 Productions Inc., VoiceWorks Productions Inc., and WB Games Inc. Any game looking to employ SAG-AFTRA talent to perform covered work must sign on to the new Tiered-Budget Independent Interactive Media Agreement, the Interim Interactive Media Agreement or the Interim Interactive Localization Agreement. These agreements offer critical A.I. protections for members. Negotiations began in October 2022 and on Sept. 24, 2023, SAG-AFTRA members approved a video game strike authorization with a 98.32% yes vote. Although agreements have been reached on many issues important to SAG-AFTRA members, the employers refuse to plainly affirm, in clear and enforceable language, that they will protect all performers covered by this contract in their A.I. language. “We’re not going to consent to a contract that allows companies to abuse A.I. to the detriment of our members. Enough is enough. When these companies get serious about offering an agreement our members can live — and work — with, we will be here, ready to negotiate,” stated SAG-AFTRA President Fran Drescher.   “The video game industry generates billions of dollars in profit annually. The driving force behind that success is the creative people who design and create those games. That includes the SAG-AFTRA members who bring memorable and beloved game characters to life, and they deserve and demand the same fundamental protections as performers in film, television, streaming, and music: fair compensation and the right of informed consent for the A.I. use of their faces, voices, and bodies. Frankly, it’s stunning that these video game studios haven’t learned anything from the lessons of last year - that our members can and will stand up and demand fair and equitable treatment with respect to A.I., and the public supports us in that,” said Crabtree-Ireland. “Eighteen months of negotiations have shown us that our employers are not interested in fair, reasonable A.I. protections, but rather flagrant exploitation. We refuse this paradigm – we will not leave any of our members behind, nor will we wait for sufficient protection any longer. We look forward to collaborating with teams on our Interim and Independent contracts, which provide A.I. transparency, consent and compensation to all performers, and to continuing to negotiate in good faith with this bargaining group when they are ready to join us in the world we all deserve." said Interactive Media Agreement Negotiating Committee Chair Sarah Elmaleh.  For more information and to search whether a video game is struck, please visit sagaftra.org/videogamestrike."

[source]

[veganterrorist]

SHEIN and Temu aren't the innocent, budget friendly alternatives you may think them to be. They're both companies rooted in exploitative, inhumane business practices, including dehumanising working conditions and slave labour. There's a viral video going around that shows a large amount of Temu factory workers, barely clothed and being observed by security guards, as they sort through thousands upon thousands of packages.

These companies thrive on enticing people from lower socioeconomic backgrounds into overspending by using game-like incentives (interactive spin wheels to increase discounts, minigames revolved around adding more items to your cart or wishlist, etc.) while using their apps. These apps are carefully and consciously designed in such a specific way that encourages people to feel pressured into overspending for fear of missing out on an unmissable deal (this is a common business practice that extends far beyond SHEIN, Temu, and other fast fashion companies).

Their apparel and clothing is made as cheaply as possible with poor quality material (which ultimately means these items have to be replaced sooner and thus help perpetuate a toxic consumerist cycle) and often using stolen art and designs from independent artists. Do yourself a favour and stop supporting the toxic fast fashion industry. Thrifting, upcycling, and learning to make DIY clothing are infinitely better alternatives and help to support your local community.

[emilyofjane]

It’s hard to believe that only a few years ago Neopets was on life support and was almost gutted and stripped for parts by a crypto company.

And now, just one year after Neo became independent, we’ve gotten Daily Quests, UCs, the return of (some) Flash games, trading cards, a mobile app that actually isn’t ass, AND the first full-scale plot in almost a decade.

It’s honestly an understatement to say that Neopets is going through a renaissance era; they’ve literally risen from the ashes. Especially for such a small team, what they have done to revive and rejuvenate this website is nothing short of a miracle. I genuinely feel excited to play Neopets again, which is something I hadn’t felt in years.

This weird little twilight zone corner of the web definitely isn’t perfect, but man…I’m so grateful for how things turned out. We could’ve easily entered the worst possible timeline for this game, but TNT knew that it deserved better. WE deserved better. And they fought like hell to make sure that it didn’t happen. And while the site may still be rough in some areas, we now have a thriving and growing community run by a truly passionate development team who has exceeded everyone’s expectations.

I’m so thankful that we ended up in the good timeline.

[deposedefenddeny]

To the Feds, I'll keep this short, because I do respect what you do for our country. To save you a lengthy investigation, I state plainly that I wasn't working with anyone. This was fairly trivial: some elementary social engineering, basic CAD, a lot of patience. The spiral notebook, if present, has some straggling notes and To Do lists that illuminate the gist of it. My tech is pretty locked down because I work in engineering so probably not much info there. I do apologize for any strife of traumas but it had to be done. Frankly, these parasites simply had it coming. A reminder: the US has the #1 most expensive healthcare system in the world, yet we rank roughly #42 in life expectancy. United is the [indecipherable] largest company in the US by market cap, behind only Apple, Google, Walmart. It has grown and grown, but as our life expectancy? No the reality is, these [indecipherable] have simply gotten too powerful, and they continue to abuse our country for immense profit because the American public has allwed them to get away with it. Obviously the problem is more complex, but I do not have space, and frankly I do not pretend to be the most qualified person to lay out the full argument. But many have illuminated the corruption and greed (e.g.: Rosenthal, Moore), decades ago and the problems simply remain. It is not an issue of awareness at this point, but clearly power games at play. Evidently I am the first to face it with such brutal honesty.

Leaked on Dec. 10 by Ken Klippenstein, a reputable independent reporter

[canine-economy]

Daisuke’s Death and the Invisible Abuse of “Privileged” Children

tw: extensive discussions of child emotional abuse

Another mouthwashing text analysis before I post any polished art? Shocker. But I really really appreciate the reception on my Swansea post, especially as a new account! This Daisuke-centric analysis is gonna be a quick one (< this was a lie. long read ahead!) but he is a character who resonates deeply personally with me as a victim of abuse that looked very much like his own. I do plan on doing a larger analysis of his character, but the abridged version necessary for this piece goes as follows:

Daisuke’s treatment in the narrative—both his implied home life and Jimmy’s taking advantage of him to go into the vent—is another one of this game’s excellent portrayals of normalized (and thus invisibilized) abuse. Children are often cited as one of the most vulnerable classes of people, if not the most vulnerable (I acknowledge that Daisuke is not a child, but Mouthwashing implies that this narrative of his inadequacy has persisted throughout his upbringing and, to this day, he is dictated tasks and lacks independence, treated like a dependent. His youth is also an undisputed feature of his character and, most importantly, the cast treats him like a kid). Children’s dependency on adults and our willingness as a society to accept that the adults in their lives provide the most objective perspective on these young people renders them particularly prone to abuse easily swept under the rug or “justified” by wardens who possess the power to dictate the narrative. Jimmy’s engagement with Daisuke is an extension of the latter’s vulnerability. The co-pilot’s assertion that “he’ll be fine (…) mommy and daddy have him covered” at the birthday party represents a deference to Daisuke’s parents as adequate caretakers who will ensure his longevity and comfort on the basis of their wealth. And we know that Daisuke’s parents think the same—the Q&As reveal that they believe they are doing the best to secure their son a good future. However, the same Q&As indicate that they don’t actually engage with or understand Daisuke’s interests and that their approach to parenting him is entirely understood through their personal beliefs, not those of their son. And Daisuke clearly carries that quite close to his heart. He seems to struggle with identity and acceptance, seeking validation in the form of praise. Daisuke is defined through what he can do for others and not what he independently brings to the table, because that has never mattered where he grew up. The consequences of his parents’ failure to meet his emotional needs ultimately conditioned Daisuke to be perfectly available to be taken advantage of in a corporate setting defined by capitalist attitudes and hierarchies.

While it’s not concrete to say that Daisuke grew up in an emotionally abusive household, it is most important that we cannot dismiss the possibility and that his behavior as the outcome of some obvious degree of neglect is well-aligned with this theory. Moreover, the young man who comes out of that household is easily targeted by Jimmy’s abusive tendencies as a direct result of what he internalizes growing up. Daisuke is apparently financially well-off (contextually we can’t be sure if Daisuke’s family is upper class, middle class, or somewhere in between), and with that comes privilege. Even the way he packs—multiple personalized outfits, entertainment devices, etc—reveal that he’s used to certain comforts and hasn’t yet acclimated to the harsh expectations of companies like the Pony Express. But, especially where young people are concerned, it is all too easy to allow this privilege to act as a curtain between abuse and the outside world. We can acknowledge the privilege and also recognize that it benefits his parents much more than it benefits him as a young person.

Emotional abuse is complex and extremely damaging and Daisuke *does* show symptoms of at least being constantly verbally accosted and emotionally neglected by his parents to the point of permanently warping his sense of self. It also generated his overreliance on authority figures to tell him how to keep himself safe in their world. His mother apparently insulted him to his face (“such a slacker, she said”, and being reprimanded for being too talkative [from the Daisuke teaser]), and a lot of his negative self talk (“total screw-up”, “fuck up”, etc) is reminiscent of how people define themselves by parroting what they are called after internalizing consistent externally-imposed definitions of their identity. While these are not surefire indicators of abuse and I am not willing to diagnose a situation as abusive purely predicated on these factors, the behaviors Daisuke exhibits as a result share many commonalities with those of victims of childhood abuse. In fact, just about every time Daisuke speaks about himself in Mouthwashing, he mentions his failures and his work. It’s not lost on me that the teaser for the whole character is him pondering his mother and how she might not recognize him if he isn’t noisy and obnoxious. He personally puts a lot of stock in their assessment of him as lazy and annoying, but nevertheless tries to accomplish learning through the internship. Furthermore, Daisuke takes on a lot of his mother’s pain, hoping she doesn’t blame herself for the negative things that happen to him (even though in the same scene he reveals that she’s the reason he’s on the stranded Tulpar at all), indicating that he has taken responsibility for the feelings of people in his life even when those people are not his to care for and even bear responsibility for his pain.

Now in young adulthood, Daisuke rarely seems to have any sense of self beyond his parents and his work aside from one-off quips about baseball and babes. It suggests that he has always had to prioritize his parents’ desires growing up to avoid being treated unfairly and even cruelly, stunting his self-discovery. In abusive situations, your understanding of safety and your pursuit thereof are radically impacted and we see this manifest in Daisuke’s continuing willingness to accept those in command as the pinnacle of safety over what one might consider logical, personal acts of self-preservation. He equates safety with obedience, and I contend that that equivalence suggests a lot about how his parents reprimanded deviance from their plans. And not to be that guy, but it is kind of outright cruel to dump your utterly inexperienced teenager-to-early-20-something on a 1 year, no contact, unsafe space voyage in a failing industry knowing that he doesn’t have the necessary skillset yet. That’s what his parents do when they aren’t satisfied with his progress, and it’s intense and disproportionate and alarming! Especially for the dependent! They toss him into the deep end of the corporate machine and insist he learns to swim in such an oppressive, stifling atmosphere. It’s no surprise that he drowns, especially when he himself can’t recognize this as an unrealistic expectation and tackles it with everything he’s got because his parents are theoretically always right about what he needs. I don’t think it’s a stretch to say that normalized emotional abuse from the home and how it maps onto a victim’s adult life is a topic Mouthwashing would endeavor to touch on, because visibilizing invisible abuses of power in heteropatriarchal capitalist schemes is arguably the central undertaking of the game.

I don’t think Daisuke has evil parents or anything, rather that what we accept as “good parenting” and “good mentorship” is often negligent with regard to emotional needs and can easily become a source of heavy trauma for the children and mentees if that emotional aspect is stretched too thin in the pursuit of success. Not all abuse is intentional, and the dev Q&As imply that Daisuke’s parents thought they were sincerely investing in his future. They cared, just not in the best way for his wellbeing. Because capitalism emphasizes the individualistic pursuit of success above all else, it’s no wonder that a parent would think that the best thing they can give their kid is an avenue to prosper financially. But in doing so, Daisuke’s parents deny him the opportunity to define himself, to experience agency, and to build up confidence. Effectively, they create a young man so vulnerable to abuse by higher-ups (a manifestation of abuse that is often intentional at the systemic level) that he decides to climb into that vent at Jimmy’s discretion under the pretense that he will make somebody proud. Because that’s how Daisuke has been raised to understand himself and his place—the presumed screw-up boy as a default, making you proud by doing the right thing, who has learned to pursue that achievement to avoid the condescension and disproportionate backlash (e.g. the internship itself) that comes with failure. Everything circles back to his parents’ expectations that he makes for a good worker. When the cocktail knocks Swansea out, Daisuke makes an offhand comment about getting a bad reference—even in the most dire of circumstances, he can’t stop thinking about their capitalistic expectations for his “good” future.

I find that Daisuke really is such a good subtle portrayal of how parents with resources can get away with emotionally stunting their children because we perceive their ability to put a roof over their heads, food on their plate, etc as adequate parenting and even a privilege for the child when it should be the bare minimum. Jimmy certainly buys into it, and even some of the fandom parrots that, really and truly believing Daisuke is some good-for-nothing kid who doesn’t try hard when all we see is him working, including climbing into the vents to try and help despite not being assigned the work (foam scene, not his death). I find this reception shows how inclined we are to accept those narratives of the privileged child’s inadequacy before we address the parent for not fulfilling a child’s emotional needs, which are just as important if not more than the material.

To wrap this up with a quick discussion of the symbolism of his death in the context of the emotional abuse of children (which is the reason I made this whole post but I can’t talk about this guy without going off): Daisuke getting so badly injured trying to do what’s right is a very physical manifestation of the suffering he was already going through. It is the pain of constantly people-pleasing and of holding it all in when he’s lashed out at. He gets injured at all in the pursuit of appeasing Jimmy and (theoretically) Swansea, both of whom he blindly trusts despite how they treat him because he has always been expected to just adhere to the adults with authority in his life. Being talked down to by them is not new and has never been a reason to question their judgement. Daisuke sees this as a product of his own inadequacy as implied by other people, and not of external cruelty. He was raised not to question the system for fear of repercussions.

Jimmy is perfectly situated to coerce him into a dangerous situation because Daisuke has never been taught to say no. The safest option for a scared child is to trust their mentors, and an adult Daisuke does just that. Even Swansea’s teachings of safety are dismantled by Jimmy’s tactical use of captainhood to break the camel’s back. Authority. Daisuke must always listen to authority. Jimmy knows the vent isn’t safe. Swansea tells him directly and he observes the foam incident (if from a distance). For as much as he acts like he cares about taking responsibility for Daisuke’s safety, his individualistic pursuit of “fixing” things manifests in Jimmy again taking advantage of a vulnerable person on the ship. Jimmy doesn’t reconcile Daisuke’s eagerness to help with lessons on safety like Swansea does, but rather uses it only when it benefits him. Daisuke is taught by his upbringing to accept this kind of treatment—for safety, defer to the leader in the room even if it hurts and you don’t want to do it (just like he didn’t want to be on the Tulpar in the first place).

Then, once the intern is out of the vent and mortally wounded, Jimmy applies the mouthwash (a product to be sold, hauled in the interest of the corporation) to “help” sanitize the wounds. But the sugar content negates medical utility and only worsens the pain. We can interpret this as the application of material privilege, “sweetness”, that wasn’t actually any help at all to solve the deep wounds left by emotional pains. Mouthwash rids you of the bad taste but doesn’t kill all the underlying germs. One could argue further that in this scene, the mouthwash is specifically representative of the Pony Express internship: a rare stepping stone in the corporate hustle gained through privilege and presented as a boon. Like the mouthwash, the internship is imposed on Daisuke to try and “help” him succeed and be better, but it only elevates the pain by irritating the wounds and ends in his agonizing demise. However, this fine-tuned comparison isn’t necessary to my point. I find the broad implications of the mouthwash as an antiseptic immensely representative of parents and caretakers who don’t seem abusive to the outside world but who are actually subversively hurting their children and ultimately conditioning them to be victimized by capitalist attitudes. Our deference to material comforts and corporate opportunities as indicators of wellness renders us blind to where caretakers fail to address the emotional needs of young people. At the end of the day, Daisuke is still killed by the values his parents have instilled in him. It’s always the “captain’s” (literal or figurative) orders that seal the deal and cut off any of his autonomous doubt or dictation (for example, his desire to listen to Swansea and not go in the vent). His parents’ symbolic and saccharine gestures mean very little in the scheme of creating a person who can survive the pressures of the “real world” when malicious actors (JIMMY.) and the capitalist enterprise as a whole bear down on the cracks of an emotionally taxing youth.

A/N: Maybe I’m thinking about all of this too hard, but the beauty of Mouthwashing is that I’m never quite sure that’s the case as this game feels so deliberate. Anyway, as somebody who has clinically diagnosed PTSD stemming from childhood, this has always been a really important analysis to posit and I finally found the time to put it into words. I feel like Daisuke as a symbol is often overlooked by the fandom. He’s enjoyed, yes, but not really broken down like the others are. That diminishing of his importance and his feelings about the situation also feels like a symptom of his age. But that’s neither here nor there—like I said, I believe I could do a much more in-depth analysis of Daisuke as a victim of subtle abuse but this will have to do for now. A lot of my major points have been made, anyway! Perhaps video format would be best for something longer-form. 🌺

[helioooss]

hard times

part two

synopsis: you have been dating mina in secret for nearly five years now. things start to fall apart after her fans finally raise speculations about your true relationship with her

w/c: 7.4k ((oops, got carried away and dragged it out))

warnings: mentions of alcohol…lots of angst. actually just pure angst

a/n: if i had a dollar for every time i yelled “girl, stand up for yourself” while writing this, i’d have like $6. againnnn, not proofread, was sleep deprived writing this, also only had 12 hours of free time at work <//3

✧･ﾟ: *✧･ﾟ:*

The early rays of sunlight cracked through the blackout curtains of your apartment window, sending out golden hues of light to wake you up. You turned over to wrap your arms around your girlfriend, but to your surprise, were met with cold sheets and an empty bed instead.

In confusion, you slowly opened your eyes - melting away any remnants of sleep. As far as you were aware, she had nothing written down on her schedule today.

You were about to reach out for your phone when you noticed the answer to your question: a handwritten note sitting on the bedside table from no other than Mina herself.

A smile tugged on the corners of your lips, she knew you too well.

good morning my love, i got called into a morning meeting with head office today. i should be back home for lunch!

love, minari <3

Sitting up, you let the familiar silence settle around you. You were suddenly reminded of how lucky you were to be a part of Mina's life - to be able to call her your own, she chose you even when the rest of the world wanted her.

Four years later, your love for her only grew deeper with every sunset and beating of your heart. The timeless moments that built your relationship; from the late-night game dates, flying to every tour show, holding her hand as she achieved her dreams and even the silly little arguments that made your relationship stronger — you were grateful for them all.

The light that she brought into your life was otherworldly- she was everything (and perhaps more) you needed.

Though sometimes, there were moments where you wished you could just tell the world about your girlfriend because the world outside of yours, you were only one of her closest friends. At least, her family and friends knew, and to some extent, her company. You could write a million books about her and it still wouldn't be enough.

There was a delicate balance in the fragile world you built together. Mina worked as a popstar and you were an independent producer.

It helped that you grew up with one of her bandmates, Jihyo, who (unfortunately) was always a good first excuse whenever questions were raised as to why you were so dedicated to being present in almost every show. Secondly, you were one of their producers.

Besides that, you had pretty much perfected the art of being Mina's best friend. Anniversaries were orchestrated carefully, always planned months ahead of time and any public appearances involved being friendly with her as possible. Your longing smiles and shared looks were a soft reminder of your love for each other, and that was enough for now.

In the corner of your dimly lit studio, you worked in front of the mixer endlessly - isolated from the rest of the world as you poured yourself into your craft. You were constantly attempting to push JYP into releasing more music outside of TWICE's comfort zone, something the girls had respected you for.

The buzzing of your phone pulled you out of your work trance as you frantically grabbed it out of your pocket. It was Jihyo and it had to be something important if she was calling you at ten in the morning.

"What brings forth the Queen's presence?" you chuckled, however, she held her silence on the other end. "Hello, earth to Jihyo?"

"Have you seen the link Momo and Dahyun sent you?"

You frowned at the seriousness in her tone, the weight of her emotions passing to you. "Good morning to you too, and no, I've been working since I got up."

She heaved out a sigh. "It's not looking too good, Y/N, not good at all."

"What are you on about?"

Within a second, you were scrolling through the group chat you shared with the other members. Multiple links were sent out and you wish you hadn't clicked on it because the sudden doom you were feeling was horrifying - your world had just been turned upside down.

Mina and Y/N - more than friends?

The first one you had clicked was a video compiled of Mina's longing stares, the changes in her mood whenever your name was mentioned and of course, the moments you two shared together in public as friends being carefully dissected. She wore a different persona around you - the one you were only meant to see, and it didn't click to you how painfully obvious it was.

"Fuck, fuck, fuck," you muttered as you clicked another link, heart racing as you watched the headlines unfold.

This time, it was a tweet; a photo of her in one of her many disguises next to a photo of you and her holding hands at the beach...the only indication pointing to her was the fact that she wore the exact same outfit.

There were more "evidences" but you had seen enough.

You have never felt this violated in your life, years of cherished memories were now tarnished by the mere fact that it was being shared around for the public to scrutinise. It would be a lie to say that you two had not prepared for this, but there was always the illusion of your lives being separate - safe in the world you had built.

"It's going to be okay," Jihyo tried her best to comfort you in her soft voice. "Is she not home?"

"No, she told me she got called into a meeting and I'm assuming it's all because of this mess," you plopped your head against your pillow, a million thoughts already running through your head. "Do you think she'll get kicked out of the group?"

"Are you kidding me?" Jihyo scoffed at you. "We aren't Twice without Mina. The only options for JYP are to either confirm, deny or not say anything at all."

"I'm going to lose her, I know it," you gasped out, running your fingers through your hair. "What am I going to do?"

"You know what Mina always says about you, Y/N?" it was Chaeyoung's voice on the line this time. "That she wouldn't be able to do all of this glitz and glamour if she didn't have you in it. You're her anchor, remember that.

"Thank you," you strung out, voice heavy. "I appreciate it."

"Your relationship will always have our support, we love you as much as we love that penguin."

Mina suddenly barged into your studio a mess; puffy eyed and hair messy. Her face showed a mix of anger, uncertainty and more importantly, fear of what the future held for the both of you. In the middle of all the chaos surrounding your relationship, you opened your arms wide for her and you were met with a crying Mina falling into your chest.

"I'm so sorry, baby," her voice was barely above a whisper. "Tell your family that I'm sorry. Everyone's going to pry into your life and —"

You squeezed her body tight, making her stop as you kissed her temple lovingly. You were just as lost as her. "Have you forgotten that everyone was prepared for this? Don't worry about my family, they'll be fine, I'm more worried about your career."

She looked up at you, biting her bottom lip as hard as she could. "They want me to confirm the old dating rumours I had with Jeno."

"What?" your question held so much frustration and turmoil. Out of all the possibilities you two had considered, you didn't see a fake relationship with another idol coming. "How the fuck is that going to help you?"

"They're convinced a relationship with him will be more beneficial for me than damaging, and it'll stir away all those rumours about us if the public is convinced enough," she replied, her tone mirroring your bitterness. "They also want you to go on friendly dates with other idols and make it look like you do this with everyone else."

Your eyebrows furrowed, your grip on her arms loosening. "And you said okay to all of this?"

"I had no choice," she bellowed out, another set of tears prickling out of her eyes. "It was either I lose you forever or for a short amount of time and I picked the latter!"

You sent her an apologetic look, letting out a sigh. It was a mission to contain the surge of anger flowing through you in front of Mina, it was the last thing she needed. This storm would pass, however, it was sailing together that worried you the most.

"I love you, Y/N," Mina firmly reassured you. "Do you know that?”

"I love you too, I'm sorry."

✧･ﾟ: *✧･ﾟ:*

In the days that followed, against both of your wills, Mina temporarily moved out of your apartment and "officially" started dating Jeno. Alongside that was the release of a series of photos of you with other idols - seemingly justifying your intimate dates with her.

It felt like a blow to your place in the industry. You weren't just a mere producer to the public now, you were linked to almost every member of Twice and Blackpink, years of hard work overshadowed by dating rumours just like that.

The thing that convinced the public the most were old photos of you and Rosé's friendship resurfacing, all the way back from her debut days. A recent one caught Mina's eye out of all of them; the blonde idol was kissing your cheek at your favourite Italian restaurant out of all places - the one you took her out to for your first date.

It was the sole reason for Mina's silence tonight.

You and the members of Twice were all seated around the dorm's dinner table; candlelights flickering and casting shadows in the room as Japanese jazz played in the background.

She was sitting right across from you, absentmindedly twirling her ramen but still refusing to eat it. The soft hum of their conversations were drowned out trying to figure out how to push your girlfriend's sour mood away. And, she looked so beautiful in the light - jet black hair cascading past her shoulders and perfectly framing her divine features.

"My love, aren't you going to eat?" you whispered gently, a tinge of concern beneath your voice. "You haven't touched your food since I got here. Did you not miss me?"

You hadn't seen her in over a week due to your clashing schedules, most of her free time were spent doing publicity stunts with Jeno and most of yours consisted of missing Mina and hanging out with idols you have worked with at least once.

She sent you a tight-lipped smile, pushing a strand of her hair to the back of her ear. "I did miss you, a lot, I'm just bothered."

You gazed at her, raising an eyebrow. "What about, my darling?"

A rush of warmth made its way to her cheeks as she shook her head. "It's nothing important, I'll tell you after dinner, yeah?" she reached for your hand over the table, resting it on top of yours.

Albeit unconvinced, you nodded with her. She didn't speak to you for the rest of the night, choosing to engage in conversations with the group. It would've been reasonable if it weren't for the fact that you hadn't spoken to or seen her all week - the longest you have spent away from each other so far since you started dating.

It didn't seem to have an effect on her and it stung.

Nayeon nudged you with her elbow, noticing the shift in your behaviour. "And what's going on with you, Y/N? I miss seeing you lurk everywhere, and now all these other girls get to be in your presence."

All eyes were on you now, but yours fell on Mina whose jaw was noticeably clenched. You nervously chuckled, taking a big sip out of your chardonnay. "I know, it sucks, but also a perfect opportunity for me to play around with my tunes, you know? It's exhausting, but hopefully it'll all tone down soon...specially with Mina dating Jeno."

"So, having fun with Rosé?" Mina cleared her throat, tone coming out harsher than intended with hurt evident in her eyes. And it caught you and the rest of the girls off-guard. "I didn't know you guys were that close until those photos came out."

"Yeah," you awkwardly trailed off. "I used to work for Teddy at the Black Label. We've always been close but the years have grown us apart, can we talk about this later?"

"Why later?" her voice cracked, burning you with her stare.

Your face was flushed with embarrassment as you took notice of the girls sinking on their seats, trying to make themselves invisible and far away from her wrath because angry Mina was bad, but jealous and angry Mina was the worst version of her to exist, ever.

"Because I haven't seen you in so long and I'd like to have a good night with our friends," you said quietly. "Is that too much to ask, Mina?"

She got up, not before exchanging strained looks with you, unable to hide her emotions any longer. "She's kissing your cheek in one of the photos for god's sake," she shot back at you, footsteps bearing the heavy weight of the mess she created. "Girls, I'll be in my room if you need me, I'm really sorry for ruining the night."

The stunned silence that followed after her departure hung heavy between all of you. You were completely blindsided by her reaction because it was unusual of Mina. She trusted you and your judgement regarding everyone in the industry, and you had always been transparent about your previous relationships. Rosé wasn't even on the list of people you've dated, she was like a sister to you.

"Go after her, Y/N," Jeongyeon was the first to break the silence, a gentle contrast against the previous heated exchange. "She's under a lot of pressure from the company right now - please go easy on her."

You silently excused yourself from the table, trailing behind Mina a minute too long. You opened the door to her room and your heart instantly ached at the sight of her sitting on the edge of the bed with a defeated look on her face.

She glanced up at you, tears streaming down her face. "I don't know where that came from, that was unacceptable and -"

You took a deep breath, kneeling in front of her as you cupped her face in between your palms. "Baby, what's going on?"

"I'm scared and I'm so tired of following rules and I hate holding the hands of someone I barely know and don't love," she started, shoulders trembling with silent cries. "And I hate seeing you with girls who are so much better than me.”

"My love, there is no else better for me in this world. I will always choose you no matter what," you said, wiping streaks of tears off of her face with your thumb. "I love you more than anyone else in the world, you matter to me the most."

She searched your eyes for any ounce of lies, and all she found was sincerity. "You promise?"

"I promise," you took her hand into yours, placing a chaste kiss on the back of it. "I'm all yours."

Her head was resting against yours and you sat frozen in that position for a long time, cherishing this moment for the rough waves ahead of you two.

✧･ﾟ: *✧･ﾟ:*

After the first wave, it wasn't long before the cracks in your relationship began to show. You weren't allowed to see Mina for a certain amount of time each week and every interaction with her had to be meticulously orchestrated by her managers - date nights are now rare and she barely replied to any of your texts, it felt like your place in her life was slowly being taken over by Jeno.

Arguments were more common than ever, most of it coming from Mina's side with all the built up frustration at the lack of control in her own life getting lashed in your direction.

In one of the rare nights management had allowed you to see her in the space of your own home; a month and a half after the unraveling of the biggest chaos in your lives, she had specifically told you she only had limited time for two rounds of Fortnite and and maybe an hour or two of Minecraft before she had to leave.

Nonetheless, for you, that was more than enough.

You went out of your way to set up a pillow fort in the centre of your living room, Mina's favourite snacks all on display and even putting up fairy lights all over the space. It was the only way you could try to bring back the intimacy that you both lost ever since being outed by the public.

And honestly, you wanted to remind her that you were so much better than Jeno - that you knew her more than he did.

"So, how long ago did she leave?" you were on the phone to Jihyo like normal. These days, with your movements still limited (the rumours between you and Mina have thankfully died down) you confided in her and she let you.

"She should be there any minute now," the other girl hummed, clapping her hands in excitement. "This is going to make her feel so much better, Y/N, I just know it."

"I really hope so, Ji," her old nickname rolled off your tongue like clockwork. "I miss her so much, I wish things could go back to normal."

"Just hold on a little longer, yeah?"

As soon as you heard the locks turn, you stumbled on your feet trying to make yourself somewhat presentable in front of your girlfriend. "I gotta go, I'll let you know how it goes."

Mina appeared behind the door, a tired smile on her face. In an instant, your arms wrapped around her, being smothered with all the kisses she missed from you.

She planted multiple kisses on your lips, equally missing you. "I missed this."

"I'm so glad you're here, Minari," you pulled her into the living room with your back turned towards her. "Just like old times, hey?"

Your eyebrows furrowed when you were met with silence, confused as to why she wasn't saying anything. So, you turned towards her and you wished you hadn't because you felt so small under her cold gaze.

"What's this?" she began, her tired giggles replaced by an angry scowl.

Your hopeful smile was gone. "What do you mean?"

"I'm so fucking tired, I told you not to do anything special, didn't I?" she rubbed her temples in irritation. "You never listen to anything I say."

Your heart sank at the entirety of her words. Tonight was supposed to be special for you both but Mina's lack of effort and gratitude were beginning to show and it hasn't even been five minutes. "I thought it would've been nice to bring a sense of normalcy back into our relationship."

"Normal?" she scoffed at you, clearly offended by the words that came out of your mouth. "There's nothing normal about our whole situation. It's hard for me to keep up with you when you're always at my back for the smallest things. There is only one of me, Y/N, can't I catch a break from you?"

"Mina...what are you saying? What am I doing wrong?" you stood there, dumbfounded at the lack of context in her words. She was simply rejecting you and it felt like a punch to the stomach.

"You're obviously rubbing it in my face that I'm not putting in enough time into our relationship," her voice was laced with nothing but anger. These days, it was a common tone from her. "Do you know how exhausting it is to act like everything is fine when it's not? To act like I'm in love with someone I'm not? I didn't ask for any of this, I just wanted a night of peace - not a fucking extravagant date."

Your expression softened, heart aching at the sight of her scrambling to let all of her bottled emotions out. She was struggling to balance everything and you hoped that she would let you carry some of the weight on her shoulders. "Okay, we'll get all of this silliness out the way," you were trying so hard not to cry in front of her - you hated making things worse but feeling a sense of rejection from your own girlfriend wasn't exactly the best one.

"Forget about it, don't follow me, please," she added, walking out of the living room and into your shared bedroom.

Your heart broke as she stirred away from you with every step, all you could do was sink on the couch - the fort you built crashing after you. Burying your face into your hands, you let the tears fall: you were losing her, and that realisation had cut way too deep.

Minutes later, deep within your thoughts, you failed to notice the presence in front of you until she wrapped her arms around you, muttering gentle apologies and reassurances.

"I'm here, baby," Mina's tone was laced with a heavy sense of regret, drawing circles on your back just like how she used to. "I'm sorry I took it out on you, again."

"I don't understand what I'm doing wrong," you turned to face her with bloodshot eyes. "I'm trying my best for you and none of it seems good enough."

"None of this is on you," she reassured, placing a kiss on your neck - lips lingering longer than usual. "I love you so much, I don't want to lose you."

"It feels like I'm losing you, Mina."

"I'm here until forever, remember?" she promised, a hopeful glint in her eyes.

"I hope so."

"I do know so," she smiled at you with sincerity, that was all it took for you to forgive her. "Let's smash a few rounds in, shall we?"

Mina somewhat kept her promise of putting more effort in, she fought with her managers more, never failing to defend you from their wrath. With the rumours toning down, you were allowed to be out in public with her and Twice again. Of course she was still dating Jeno in their eyes, but with their schedules constantly not aligning due to his group's upcoming album, the rift that was building between you and her grew smaller because it meant she could see you more.

✧･ﾟ: *✧･ﾟ:*

Things were nearly back to normal again, until you had to meet him.

"Remind me why I have to meet this guy again?" you raised an eyebrow as Momo and Sana both circled around you.

"Because the public is starting to notice that despite being Mina's best friend, you have never been seen around Jeno," Momo described the situation perfectly.

"Um, what?" you chuckled. "I could literally say the same thing about you and him!”

"Okay, but we're idols, and our worlds are bound to crash with each other," Sana defended their situation.

You rolled your eyes. "Whatever you two say."

That same night, you were seated around the candlelit dinner table once again. Arriving a little later than usual, you had exchanged formalities with Jeno against your will, and as much as you wanted to hate him, he genuinely seemed like a nice guy and if the circumstances were any different, you would've liked him.

Cutlery clinging and small conversations that were filled with laughter took up the sound of the room. Instead of taking the seat across from Mina like you always did, you chose the one next to Tzuyu. She didn't even notice.

With him around, she barely acknowledged your presence. If anything, she seemed to enjoy being wrapped under his arms as they all laughed to a stupid joke he made.

"Are you alright?" Tzuyu whispered into your ear when she noticed your white knuckles on the wine glass, carefully treading around your anger.

"Me?" you forced a smile.

"I'm asking you, lovely."

"Why would I not be?" you swallowed the bitterness along with your drink. Her eyes held a bunch of questions, frowning when her bandmate who moved a little too close to you for liking. "I'm feeling great, Tzuyu."

Tzuyu didn't press you any further for the rest of the night and as the evening drew to an end, you had nursed at least a bottle of wine to distract yourself. It only heightened the growing knot of jealousy and despair in your chest as Mina laughed to another joke Jeno had said; leaning in closer to him.

"Please enlighten me on what the fuck the show they're putting on is all about," you asked Chaeyoung with a low voice, and heard by Tzuyu and Jihyo as they turned to you. "Are there cameras around?"

"No," Jihyo shook her head, confusion plastered on her face. "You're going to have to ask Mina that."

Chaeyoung sent Jihyo a warning glare, not wanting her to add any more fuel to the fire. "Y/N, are you sure you're meant to be pouring another glass?"

"We've already taken photos, why the fuck is she acting like this in front of me?" your voice feigned with hurt, ignoring the concerned looks from your friends.

The sight in front of you frayed with your emotions and clawed at your insecurities. They looked so perfect together and she seemed happy. At your expense, you watched as he leaned in closer and captured her lips unexpectedly.

You were met with nothing but only horrified looks from everyone in the room, including Mina. The pain in your heart grew, and the temporary bandaid placed on it ripped apart - the wound you thought was healing was gaping open once again. Without thinking, you slid off your seat; chair scraping harshly against the wooden floors.

"I'm sorry, but I have to go attend more important matters," you held your composure firmly, looking Jeno right in the eye before bowing your head down. "It was nice meeting you, you're perfect for Mina. I hope the rest of you have a good night."

Everyone seemed to hold their breath as they finally pieced what the breaking point in your relationship would be. You turned on your heel, not bothering to look behind you. And with one certainty, you held your head up and slammed the door shut.

Outside, you stumbled down the pavement; the cool winter breeze hitting sharply against your flushed skin. You clenched your fists as you tried to steady yourself through the alcohol and the free-falling of your tears - the picture of Mina and Jeno kissing replaying in your head, sealing it into place.

Behind you were audibly hurried footsteps, and Mina's voice echoed throughout the street as she called for you to halt. You quickened your pace but anyone sober was guaranteed to be faster than you. "Please let me explain, Y/N," she pled desperately, grabbing your arm.

"Explain what?" your voice was cold, another set of tears making its way down your face. "How do you explain kissing someone else in front of me? You barely spared me a glance tonight and now you want me to listen to your bullshit?"

Her grip tightened, fearing that you would slip through the cracks and leave her completely. "He doesn't know about us. It's all my fault, I'm sorry, I know I should've told him beforehand but I assumed he would've gotten the hint after meeting you —"

It felt like another punch to the gut. "He doesn't know we're dating?"

The fake relationship with Jeno was supposed to make things better for you and Mina, but it felt like he was slowly seeping into your lives, casting you to the sidelines. You failed to notice all the Jeno this and Jeno that, but it all came to you at once now.

What you had witnessed tonight; the way she slipped into that fake relationship felt too real - it looked like what you two once had.

Mina's features were etched with fear, eyes glistening with tears, and despite all this mess, she looked gorgeous under the streetlights and your hazy vision. "I love you, please stay over tonight."

Your breath shuddered in disbelief. "You want me to go back and watch you play housewife with this guy? Don't you think your actions have embarrassed me in front of our friends enough, Mina?"

"Okay," she heaved out a sigh, pausing to consider her other options. "Then please let me come home with you tonight."

One thing about her was that she was stubborn - always almost determined to win you back immediately after arguments. You've never felt to defeated in your life; in the back of your mind, you knew you were never good enough for Mina.

In your eyes, she was a bright star with so much ahead of her future and the shadow you casted over only dimmed her; she deserved someone who would let her shine. And tonight, you saw that in him.

You shook your head, turning away from her. "Forget about this, okay? Go home, Mina.”

"Y/N, you're not listening to me," her voice trembled. "I wanna come home to you."

Ignoring her desperate pleas, you continued to walk ahead of Mina - widening the gap between the two of you. In one last final act, her body collided with yours from behind, arms wrapped around your waist tightly.

"Mina," you tried to wriggle your way out, but you undermined the extent of her strength. "Let go, people are going to fucking see!"

"Then let them," she cried out. "I'll end this stupid contract and tell him about you and how I have loved you for the past four years. No more drifting apart, my love, it all ends tonight."

You finally gave in to her touch, allowing yourself to lean against her. You began to think about all the things she gave up for you; ones that would've been beneficial for her career but in the end, Mina always chose you. And tonight was no different from that.

She was willing to defy everyone else, with her career on the front lines, just to keep you in her life - but why?

"I love you," she whispered, breaking the silence. "Please don't give up on me now."

You took a deep breath, turning around to face her. "Okay," a flash of hurt appeared in her eyes as she took a good look at your tear-streaked face - regret filling her body knowing that she caused it.

"Okay what, baby?"

"Okay, you can come home to me tonight...after you do all of that."

Her eyes lit up, pulling your face in for a kiss but you immediately stopped her. She looked at you, a mix of hurt and confusion plastered on her face. "What's wrong?"

"I don't want his germs on me, please brush your teeth first," you put your hand up in disgust. "I'll see you at home, okay?"

She chuckled, nodding her head in understanding. "I love you baby, text me when you get dropped home."

✧･ﾟ: *✧･ﾟ:*

For the next three months, things settled down for a while. In the eyes of the public, Mina was still dating Jeno - you two figured out that it would be too soon to end it and would only make things worst for the both of you. Their dates were less frequent due to her insistence; she fought for your relationship like she would. And he was extremely apologetic about his actions that night.

The two of you were rediscovering your love for each other, coming out stronger than before. Days were filled with laughter and heartfelt conversation - you were rebuilding your safe space together once more.

Things were good, until they weren't.

You were more careful than before, even after JYP offered an extension of your contract that came with a new apartment in the same building as Twice.

This allowed you to spend more time with the girls whenever you had the chance, hence why you were currently sitting on their couch with a bowl of bulgogi in your hand whilst Mina was away...which seemed more frequent nowadays.

After some blissful weeks together, the shadows of the past were creeping up behind Mina, and the person the came with it was Jeno.

They had frequent shoots for international brands together and were practically the face of the industry after one of their Prada campaigns went viral. The thought that often lingered in the back of your mind, the one that told you that you weren't good enough for Mina, was beginning to resurface in her absence.

"Can you cut more trees for us, Somi?" Chaeyoung rasped out. "Stop swooning that useless and ugly man over, the village doesn't need more mouths to feed right now!"

You chuckled at her frustration, eyes glued to the screen. Tonight's game was Medieval Dynasty, and both Chaeyoung and Somi were new to it. Usually, it was Mina playing it with you but with her often gone, you managed to convince one of her members to play with it - who also swayed her friends, Somi, into it.”

"I don't care, I wanna see useless and ugly babies," she snickered, eyes quickly falling on you. "Can you throw a mouthful of that into my mouth, please? It smells really good.”

"Have some damn shame, Somi," Chaeyoung said, fake annoyance laced in her tone. "Put some in my mouth first.”

"And what makes you two think I'll give you some?" you quirked up an eyebrow. "I asked if you wanted any but you chose to order sushi instead, so live with that decision."

"I just cut you thirty-four trees you ungrateful brat!"

"And I just built you three houses and a hunting lodge, plus I gave you my copper axe."

As the night continued, the nagging doubt inside your mind gnawed stronger - constantly looming over your thoughts. It was nearly midnight and it was unusual for her to be out this late.

to: minari

hey baby, you good? when are you coming home

from: minari

Was out with jeno and some of his members tonight, on mg way home now. Sorry!!!

You frowned; she couldn't even tell you that beforehand. Jamming your phone back into your pocket, you grabbed the controller in frustration again. Jihyo woke up from her "nap" (which was six hours long, you counted) and took the empty space on the couch next to you.

"Was that Mina?" she mirrored your expression. "Why isn't she home yet?”

"Went out with Jeno and his friends," you mumbled, eyes focused on the screen and failing to notice the glances your friends exchanged with each other. "Chaeng, I think you should build a huge orchard. I have all these seeds for you."

Not too long after, the door rang open and Mina stumbled inside; hair messy and eyes red. The scent of alcohol entered the room with her and the laughter faded into concerned looks.

"Hello," she slurred, struggling to kick her heels off her feet. "Hello everyone, sorry for interrupting."

Your heart immediately sank at the state of her, walking over towards her to hold her up. "Christ Mina, how much did you drink?"

She sheepishly smiled at you. "I'd rather not count."

"Okay, let's get you to bed," you said, suppressing your anger for tomorrow's conversation.

As you laid next to Mina with a million thoughts running through your head, you took note of his scent lingering a little too long on her.

✧･ﾟ: *✧･ﾟ:*

The next few days grew longer. Mina was out almost every night, barely making time for you. You were seated on the edge of your bed, hands buried in your face after Mina had slammed the door on you after voicing out your growing concern about her spending too much time with Jeno.

"You know this is important for my career, right?" she immediately turned defensive after hearing the familiar tone in your voice. "Y/N, the man you speak of is actually boosting Twice again. The girls are getting booked more -"

"And that's awesome," you said gently, going back into the mental box you built around yourself after stepping a foot out. "I don't have a problem with that, but Mina, it's affecting our relationship. I'm not seeing you, you're always out and when you come home, you're hammered. I'm not getting any sleep just staying up to look after you, it's unfair, I have work to do too."

That didn't help your case because she just seemed angrier than a second ago. "Why are you being so selfish? It's always about our fucking relationship and never about my career, do you even care about me?"

"Is it selfish to ask you for the bare minimum?" you bit your lip. "I want you to show our relationship a tinge of respect."

"You're so clingy all the time, I can't stand it," her frustrations were cut short with the sound of her phone ringing. "Why do you always start pointless arguments when I'm just about to leave?"

You sent her a glare. "If you leave now, you can sleep at your dorm tonight."

"Perfect," she clenched her jaw with no hesitance in her voice. "Goodbye, have a nice night!"

That night, you accidentally found out from Momo that your girlfriend didn't end up coming home. Accidentally...because she ended up asking where Mina was after she didn't show up to practice.

You knew the worst had already happened a long time, you felt it in your gut. Something shifted in Mina and its been going on for weeks now, the distant look in her eyes, their intimate photos together - she had been pulling away from you for some time now but you loved her too much to let her go.

Four years. Four years of building your life around your future and this was how it was going to end, tainted by her betrayal.

That wasn't even the turning point for you. No, it wasn't when the girls cornered you into a table in an attempt to talk you into confronting Mina about her late nights, not the photos plastered all over online - the ones with her head on his chest outside of a restaurant in Gangnam and definitely not the smell of his perfume on her clothes.

You knew it was truly over when she barged into your apartment one night with marks all over neck.

The room was illuminated by the television, a random Anerican show playing in the background. Your eyes were glued to the clock on the wall, a glass of whiskey on your hand as you waited for her to come home. She was supposed to be here four hours ago for your anniversary dinner...and she didn't turn up.

Mina was now living a fast life and you fell behind. You sprawled out on the couch, loosening the tie on your neck as you pictured a desolate life without her. It would end all the heartbreak, for sure, but could you really do it without her?

The door creaked open, revealing the disheveled woman in front of you. The knot in your chest tightened, eyes failing to ignore the dark spots on her neck.

"Y/N baby, you're still up?" your presence startled her, assuming you'd be asleep by now, she didn't even bother to hide it.

"Do you know what today is?" your grip on the glass tightened when she remained silent. "Happy fifth anniversary."

The severity of her shortcomings instantly dawned on her, rendering her frozen in her spot. It seemed like those three words pulled her out of the safe bubble she had been living in - away from all the guilt that had been eating its way into her chest. She knew that you have known for a while now, yet she was too selfish to let you go.

Deep inside, Mina needed you more than you needed her.

"It's not what you think -" she stammered, struggling to find a decent explanation.

"Do you think I'm stupid?" you asked her, voice dangerously calmer than expected. "You forget our anniversary and come home to me with hickeys on your neck? After five years together, you dwindle me down into a stupid idiot - how could you stoop so low?"

She flinched at your tone, noticing the half-empty bottle of whiskey and a gift box on the table. "I know there's nothing in this world -"

"You only get to speak when I'm fucking done talking to you, Mina," you stood up, towering over her - your anger rising. You couldn't look at her, she was a stranger to you now and the thought of it hurt. "How fucking dare you. After all these years!"

Tears welled up in her eyes, never having seen this side of you. You were always gentle, even during heated arguments where all she did was yell at you, you remained calm. "I don't know what happened, Y/N, but please, give me another chance to make it right."

She searched for love in your eyes and found nothing but indifference. You were enraged, her betrayal slashing deep cuts into the home you built for her inside your heart. Everything was crumbling apart, each fall carrying the weight of your love for her.

"Get out of house," you said through clenched teeth. "And my life."

This was the end.

Mina stepped closer, eyes filled with regret. She reached out for you, but you slapped her hand away. "I love you so much, I'm so sorry for everything. I know I ruined it, but we can fix this, Y/N, I'll do anything just to get what we had back."

You shook your head, refusing to shed another tear for her. "Fix this? I can't even look at you without feeling disgusted. It's gone, Mina, the love that we shared is gone. You threw it out of the window."

She remained silent, the weight of her own actions bearing heavy on her shoulders. "I understand," she nodded slowly, choking a sob out. "But I'll wait for you, until you're ready to fix things with me."

You held your breath. "Don't you get it? There's nothing left to fix. Please go now before I say anything I'll regret.”

"No," she shook her head, trying to intertwine your fingers together. "You and me always forever, right? I love you, please don't leave me."

A forced smile tugged on the corners of your lips as you were starkly reminded of the happy memories you shared with her over the years. It calmed you in an instant. "And let's keep it that way by letting each other go. Don't ruin any more memories for me, Mina, I don't think we can fix this. We have to move on separately."

"Let me remember you," her fingers desperately traced your face, her eyes closed as she brushed over your features - heart shattering at the thought of not seeing them anymore. "I don't know how to let you go."

You gently placed a hand on top of hers, stopping her. "Goodbye, Mina."

Tears cascaded over her cheeks as she tried to understand why she needed to let you go. "I've hurt you enough, haven't I?"

You didn't say anything as your eyes followed her towards the door, each step she took felt like another knife to your chest. As soon as her hand reached the handle, she turned towards you with a grateful smile on her face amidst her tears.

"Thank you, for everything. For being you. And for allowing me to love you. Goodbye for now, Y/N."

The door behind her closed with a gentle thud, the harrowing silence of your loss echoing. The loneliness was beginning to settle in your heart as you threw yourself back on the couch. Memories of her felt so distant now, but the way they made you feel were real. She loved you in those moments.

You weren't certain about what the future held for you, it was going to be a rough road ahead of you but you hoped to find yourself again. And maybe, live a life where love didn't have to hurt this much.