#ina's 1969 film

[capiolumen]

Spring Musings 2023 iPhoneXR Hipstamatic Photography Original Photographers Photographers On Tumblr Lowy Lens, Ina's 1969 Film, No Flash

[hooked-on-elvis]

Elvis as Jess Wade and Ina Balin as Tracey Winters in Charro! — National General Pictures, 1969. Directed by Charles Marquis Warren.

[eptodaytommorowforever]

Here’s Whishing All My Elvis Presley Friends A Very Happy😊 And Blessed 🙏And A Peaceful Weekend.✝️

Elvis Presley And Is Beautful Co Star Miss Ina Balin Having Fun Here On Elvis Presley’s Only SpaghettWestern Charro! Filmed In Arizona In 1968 And Released On The Big Screen The Following Year in 1969 In My Opinion He Should Of Been Given More Roles Like This As He Was A Natural In Front Of The Camera The Camera Loved Him.Anyway Sadly We Shall Never Know But A Beautiful Photo Of Him Having Fun On The Movie Set Of Charro!

True Fact; Did you Elvis Presley Friends Know The Mexican Spanish Meaning Of The Word Charro! Means The Proud CowBoy And Originally That Was Going To Be The Movie Title Till Elvis Presley And The Director Changed The Title To Charro! And They Was Considering Another Title The One Called Charro! But In The End The Called The Movie Title Charro! But It Still Says On A Lot Of Promotional Posters Around The World 🌎 The One Called Charro!

[labbai]

Rata poikki! Tietä! Ei veturi kulje!

[everyrecordtellsastory]

[mad-over-elvis]

oh to touch him like that

[dummy-kanji]

Going Home por Miki Nagata (bananagranola) Por Flickr: Hipstamatic for iphone test It's so fun! Twitter

[blackkudos]

Maxine Sullivan

Maxine Sullivan (May 13, 1911 – April 7, 1987), born Marietta Williams in Homestead, Pennsylvania, was an American jazz vocalist and performer.

As a vocalist, Maxine Sullivan was active for half a century, from the mid-1930s to just before her death in 1987. She is best known for her 1937 recording of a swing version of the Scottish folk song "Loch Lomond". Throughout her career, Sullivan also appeared as a performer on film as well as on stage. A precursor to better-known later vocalists such as Ella Fitzgerald and Sarah Vaughan, Maxine Sullivan is considered one of the best jazz vocalists of the 1930s. Singer Peggy Lee named Sullivan as a key influence in several interviews.

Career

Sullivan began her music career singing in her uncle's band, The Red Hot Peppers, in her native Pennsylvania, in which she occasionally played the flugelhorn and the valve trombone, in addition to singing. In the mid 1930s she was discovered by Gladys Mosier (then working in Ina Ray Hutton's big band). Mosier introduced her to Claude Thornhill, which led to her first recordings made in June 1937. Shortly thereafter, Sullivan became a featured vocalist at the Onyx Club in New York City. During this period, she began forming a professional and close personal relationship with bassist John Kirby, who became her second husband in 1938.

Early sessions with Kirby in 1937 yielded a hit recording of a swing version of the Scottish folk song "Loch Lomond" featuring Sullivan on vocals. This early success "branded" Sullivan's style, leading her to sing similar swing arrangements of traditional folk tunes mostly arranged by pianist Claude Thornhill, such as "If I Had a Ribbon Bow" and "I Dream of Jeanie". Her early popularity also led to a brief appearance in the movie Going Places with Louis Armstrong.

In 1940, Sullivan and Kirby were featured on the radio program Flow Gently Sweet Rhythm, making them the first black jazz stars to have their own weekly radio series. During the 1940s Sullivan then performed with a wide range of bands, including her husband's sextet and groups headed by Teddy Wilson, Benny Carter, and Jimmie Lunceford. Sullivan performed at many of New York's hottest jazz spots such as the Ruban Bleu, the Village Vanguard, the Blue Angel, and the Penthouse. In 1949, Sullivan appeared on the short-lived CBS Television series Uptown Jubilee, and in 1953 starred in the play, Take a Giant Step.

In 1956, Sullivan shifted from her earlier style and recorded the album A Tribute to Andy Razaf; originally on the Period record label, the album featured Sullivan's interpretations of a dozen tunes featuring Razaf's lyrics. The album also highlighted the music of Fats Waller, including versions of "Keepin' Out of Mischief Now", "How Can You Face Me?", "My Fate Is in Your Hands", "Honeysuckle Rose", "Ain't Misbehavin'", and "Blue Turning Grey Over You". Sullivan was joined by a sextet that was reminiscent of John Kirby's group of 15 years prior, including trumpeter Charlie Shavers and clarinetist Buster Bailey.

From 1958 Sullivan worked as a nurse before resuming her musical career in 1966, performing in jazz festivals alongside her fourth husband Cliff Jackson, who can be heard on the 1966 live recording of Sullivan's performance at the Manassas Jazz Festival. Sullivan continued to perform throughout the 1970s and made a string of recordings during the 1980s, despite being over 70 years old. She was nominated for the 1979 Tony Award for Best Featured Actress in a Musical (won by Carlin Glynn) for her role in My Old Friends, and participated in the film biography Maxine Sullivan: Love to Be in Love, shortly before her death.

Personal life

Sullivan married four times; her second husband was the band leader John Kirby (married 1938, divorced 1941), while her fourth husband, whom she married in 1950, was the stride pianist Cliff Jackson, who died in 1970. She had two children, Orville Williams (b. 1928) and Paula Morris (b. 1945). [1][2]

Death

Maxine Sullivan died aged 75 in 1987 in New York City after suffering a seizure. She was posthumously inducted into the Big Band and Jazz Hall of Fame in 1998.

Discography

Leonard Feather Presents Maxine Sullivan 1956 (Period, 1956)

Leonard Feather Presents Maxine Sullivan, Vol. II (Period, 1956)

Close as Pages in a Book with Bob Wilber (Monmouth Evergreen, 1969)

Live at the Overseas Press Club (Chiaroscuro, 1970)

Sullivan, Shakespeare & Hyman with Dick Hyman (Monmouth Evergreen, 1971)

We Just Couldn't Say Goodbye (Audiophile, 1978)

Maxine Sullivan with the Ike Isaacs Quartet (Audiophile, 1981)

The Queen Maxine Sullivan & Her Swedish Jazz All Stars (Kenneth records, 1981)

Maxine with Ted Easton (Audiophile, 1982)

Great Songs from the Cotton Club (Stash, 1984)

On Tour with the Allegheny Jazz Quartet (Jump, 1984)

Sings the Music of Burton Lane with Keith Ingham (Stash, 1985)

Uptown with Scott Hamilton (Concord Jazz, 1985)

Good Morning, Life! (Audiophile, 1985)

I Love to Be in Love (Tono, 1986)

Enjoy Yourself! (Audiophile, 1986)

Together with Keith Ingham (Atlantic, 1987)

Swingin' Sweet with Scott Hamilton (Concord Jazz, 1988)

Spring Isn't Everything with Loomis McGlohon (Audiophile, 1989)

At Vine St. Live (DRG, 1992)

The Music of Hoagy Carmichael (Audiophile, 1993)

1937–1938 (Classics, 1997)

Love...Always (Baldwin Street Music, 1997)

As guest

Bobby Hackett, Live from Manassas (Fat Cat's Jazz,)

World's Greatest Jazz Band of Yank Lawson and Bob Haggart, On Tour II (World Jazz, 1977)

Charlie Shavers, The Complete Charlie Shavers with Maxine Sullivan (Bethlehem, 1957)

Film and television credits

1938 - Going Places (Film)

1939 - St. Louis Blues (Film)

1942 - Some of These Days (Short)

1949 - Sugar Hill Times Episode 1.2 (TV series)

1958 - Jazz Party (DuMont TV Series)

1970 - The David Frost Show (TV series)

1986 - Brown Sugar (Documentary)

1994 - A Great Day in Harlem (Documentary)

Theater credits

1939 - Swingin' the Dream

1953 - Take a Giant Step

1954 - Flight From Fear (directed by Powell Lindsay, a play about the numbers racket)

1979 - My Old Friends

[lostcollection]

The Lost Candy La Trobe St, Melbourne 24 December, 2017 Gregory Lens // Ina's 1969 Film // Tasty Pop Flash

[capiolumen]

Sunday Flowers Spring Musings 2023 iPhoneXR Hipstamatic Photography Original Photographers Photographers On Tumblr Lowy Lens, Ina's 1969 Film, No Flash

[karinesauzedde]

Michael Lonsdale, 24 mai 1931 - 21 septembre 2020

Marguerite Duras et Michael Lonsdale, allongés dans l'herbe, sur les lieux du tournage du film de Duras "Détruire dit-elle", 1969

Photo © AFP / Michel Lioret / Ina

[jasoncole-co]

Maybe next year! . . Shot in 2017 with an iPhone 4 using Hipstamatic. Fun and games! . . Hipstamatic Model 280 John S Lens, Ina's 1969 Film . . #gameoftones #minimalzine #hipstamatic #photographylovers #pixsoulmag #realgoodmag #myfeatureshoot #noicemag #photocinematica #tv_living #weltraumzine #weltanschauung #take_magazine #subjectivelyobjective #archivecollectivemag #paperjournalmag #ourmag #composition #jasoncole_co https://www.instagram.com/p/CBi0UG9ncXO/?igshid=6qevzolpqace

[everyrecordtellsastory]

[movies-derekwinnert]

Charro! * (1969, Elvis Presley, Ina Balin, Victor French, Barbara Werle) - Classic Movie Review 9264

Charro! * (1969, Elvis Presley, Ina Balin, Victor French, Barbara Werle) – Classic Movie Review 9264

Writer/ producer/ director Charles Marquis Warren’s boring 1969 Western film Charro! is one of the real low spots of Elvis Presley’s career.

Elvis plays Jess Wade, a one-time outlaw who is set up as the fall guy after a gem-coated big gun is stolen in Mexico by his former friends, the gang of Vince Hackett (Victor French).

Poor writing and weak direction from Warren ruin what is not even an…

[centredelill]

!DESSINS TCHÈQUES! - Acte 2

Continuons notre exploration des illustrateurs tchèques présentés actuellement au Musée Tomi Ungerer avec le travail de l’immense Jiri Trnka, à la fois dessinateur et marionnettiste pour l’animation et dont l’œuvre touche autant par sa virtuosité graphique que par la profonde poésie qui s’en dégage.

Considéré dans le monde entier comme un maître du film d’animation, Jiří Trnka (1912-1969) est aussi l’auteur de dessins pour près de 150 livres pour enfants. Montrées pour la première fois depuis l’exposition au Musée des arts décoratifs à Paris en 1959, ses illustrations pour les aventures de l’ourson Micha, les Contes de l’Ancienne Bohême, les Contes de Grimm, un inédit « Alice au pays des Merveilles » ou encore Pierre et le Loup, sont à la fois poétiques et truculentes.

Découvrez les livres de Jiri Trnka au Centre de l’illustration et dans vos médiathèques :

- “Contes de Bohême”, racontés par Jiri Horak, illustrations de Jiri Trnka, éd. Gründ, 1989 ;

- “Contes de Grimm”, illustrations de Jiri Trnka, éd. Gründ, 1980 ;

- “Fables choisies de La Fontaine”, par Jean de La Fontaine, illustrations de Jiri Trnka, éd. Gründ, 1974 ;

- “La Caravane: le Cheik d'Alexandrie”, par Wilhelm Hauff, illustrations de Jiri Trnka, éd. Gründ, 1980.

Au sein de l’exposition “Dessins tchèques” du musée Tomi Ungerer, vous remarquerez peut-être le livre dont est issue la première image ci-dessus : il rassemble des photographies de l’adaptation en marionnettes que Trnka a réalisée en 1969 du “Songe d’une nuit d’été” de Shakespeare. Cet ouvrage provient du Fonds patrimonial des médiathèques et il s’agit d’une véritable splendeur, à l’image du film dont il est issu : “William Shakespeare. Le Songe d'une nuit d'été” : illustrations tirées du film de marionnettes de Jií Trnka , éd. Artia, 1960 [MOD 17551]

Pour en savoir plus sur le travail de marionnettiste d’animation de Jiri Trnka, nous vous recommandons également l’article de Pascal Vimenet : “Jiri Trnka : le maître tchèque des marionnettes“ au sein du numéro consacré aux marionettes au cinéma par la revue “Puck” de l’Institut international de la marionnette (éd. l'Entretemps, 2008).

En ligne, la vidéo INA “Les petits personnages de Jiri Trnka”, tournée à l’occasion d’une exposition consacrée à son œuvre au Palais du Louvre en 1959, est courte mais très émouvante car elle montre l’artiste au travail depuis les croquis jusqu’au tournage.

[blackkudos]

Maxine Sullivan

Maxine Sullivan (May 13, 1911 – April 7, 1987), born Marietta Williams in Homestead, Pennsylvania, was an American jazz vocalist and performer.

As a vocalist, Maxine Sullivan was active for half a century, from the mid-1930s to just before her death in 1987. She is best known for her 1937 recording of a swing version of the Scottish folk song "Loch Lomond". Throughout her career, Sullivan also appeared as a performer on film as well as on stage. A precursor to better-known later vocalists such as Ella Fitzgerald and Sarah Vaughan, Maxine Sullivan is considered one of the best jazz vocalists of the 1930s. Singer Peggy Lee named Sullivan as a key influence in several interviews.

Career

Sullivan began her music career singing in her uncle's band, The Red Hot Peppers, in her native Pennsylvania, in which she occasionally played the flugelhorn and the valve trombone, in addition to singing. In the mid 1930s she was discovered by Gladys Mosier (then working in Ina Ray Hutton's big band). Mosier introduced her to Claude Thornhill, which led to her first recordings made in June 1937. Shortly thereafter, Sullivan became a featured vocalist at the Onyx Club in New York City. During this period, she began forming a professional and close personal relationship with bassist John Kirby, who became her second husband in 1938.

Early sessions with Kirby in 1937 yielded a hit recording of a swing version of the Scottish folk song "Loch Lomond" featuring Sullivan on vocals. This early success "branded" Sullivan's style, leading her to sing similar swing arrangements of traditional folk tunes mostly arranged by pianist Claude Thornhill, such as "If I Had a Ribbon Bow" and "I Dream of Jeanie". Her early popularity also led to a brief appearance in the movie Going Places with Louis Armstrong.

In 1940, Sullivan and Kirby were featured on the radio program Flow Gently Sweet Rhythm, making them the first black jazz stars to have their own weekly radio series. During the 1940s Sullivan then performed with a wide range of bands, including her husband's sextet and groups headed by Teddy Wilson, Benny Carter, and Jimmie Lunceford. Sullivan performed at many of New York's hottest jazz spots such as the Ruban Bleu, the Village Vanguard, the Blue Angel, and the Penthouse. In 1949, Sullivan appeared on the short-lived CBS Television series Uptown Jubilee, and in 1953 starred in the play, Take a Giant Step.

In 1956, Sullivan shifted from her earlier style and recorded the album A Tribute to Andy Razaf; originally on the Period record label, the album featured Sullivan's interpretations of a dozen tunes featuring Razaf's lyrics. The album also highlighted the music of Fats Waller, including versions of "Keepin' Out of Mischief Now", "How Can You Face Me?", "My Fate Is in Your Hands", "Honeysuckle Rose", "Ain't Misbehavin'", and "Blue Turning Grey Over You". Sullivan was joined by a sextet that was reminiscent of John Kirby's group of 15 years prior, including trumpeter Charlie Shavers and clarinetist Buster Bailey.

From 1958 Sullivan worked as a nurse before resuming her musical career in 1966, performing in jazz festivals alongside her fourth husband Cliff Jackson, who can be heard on the 1966 live recording of Sullivan's performance at the Manassas Jazz Festival. Sullivan continued to perform throughout the 1970s and made a string of recordings during the 1980s, despite being over 70 years old. She was nominated for the 1979 Tony Award for Best Featured Actress in a Musical (won by Carlin Glynn) for her role in My Old Friends, and participated in the film biography Maxine Sullivan: Love to Be in Love, shortly before her death.

Personal life

Sullivan married four times; her second husband was the band leader John Kirby (married 1938, divorced 1941), while her fourth husband, whom she married in 1950, was the stride pianist Cliff Jackson, who died in 1970. She had two children, Orville Williams (b. 1928) and Paula Morris (b. 1945). [1][2]

Death

Maxine Sullivan died aged 75 in 1987 in New York City after suffering a seizure. She was posthumously inducted into the Big Band and Jazz Hall of Fame in 1998.

Discography

Leonard Feather Presents Maxine Sullivan 1956 (Period, 1956)

Leonard Feather Presents Maxine Sullivan, Vol. II (Period, 1956)

Close as Pages in a Book with Bob Wilber (Monmouth Evergreen, 1969)

Live at the Overseas Press Club (Chiaroscuro, 1970)

Sullivan, Shakespeare & Hyman with Dick Hyman (Monmouth Evergreen, 1971)

We Just Couldn't Say Goodbye (Audiophile, 1978)

Maxine Sullivan with the Ike Isaacs Quartet (Audiophile, 1981)

The Queen Maxine Sullivan & Her Swedish Jazz All Stars (Kenneth records, 1981)

Maxine with Ted Easton (Audiophile, 1982)

Great Songs from the Cotton Club (Stash, 1984)

On Tour with the Allegheny Jazz Quartet (Jump, 1984)

Sings the Music of Burton Lane with Keith Ingham (Stash, 1985)

Uptown with Scott Hamilton (Concord Jazz, 1985)

Good Morning, Life! (Audiophile, 1985)

I Love to Be in Love (Tono, 1986)

Enjoy Yourself! (Audiophile, 1986)

Together with Keith Ingham (Atlantic, 1987)

Swingin' Sweet with Scott Hamilton (Concord Jazz, 1988)

Spring Isn't Everything with Loomis McGlohon (Audiophile, 1989)

At Vine St. Live (DRG, 1992)

The Music of Hoagy Carmichael (Audiophile, 1993)

1937–1938 (Classics, 1997)

Love...Always (Baldwin Street Music, 1997)

As guest

Bobby Hackett, Live from Manassas (Fat Cat's Jazz,)

World's Greatest Jazz Band of Yank Lawson and Bob Haggart, On Tour II (World Jazz, 1977)

Charlie Shavers, The Complete Charlie Shavers with Maxine Sullivan (Bethlehem, 1957)

Film and television credits

1938 - Going Places (Film)

1939 - St. Louis Blues (Film)

1942 - Some of These Days (Short)

1949 - Sugar Hill Times Episode 1.2 (TV series)

1958 - Jazz Party (DuMont TV Series)

1970 - The David Frost Show (TV series)

1986 - Brown Sugar (Documentary)

1994 - A Great Day in Harlem (Documentary)

Theater credits

1939 - Swingin' the Dream

1953 - Take a Giant Step

1954 - Flight From Fear (directed by Powell Lindsay, a play about the numbers racket)

1979 - My Old Friends