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#in ur operas messing up ur tragedies?
myalchod · 2 years
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Fanfic asks: 🤲 🛒
🛒 What are some common things you incorporate in your fics? Themes, feels, scenes, imagery, etc. I definitely tend to write a lot inside of characters' heads -- does that count? My most common AO3 tags are angst and introspection and that's 0% wrong. A whole hell of a lot of talking (or even thinking) around rather than about feelings, because it's more fun? Thematically, I seem to hit loss and grief quite a bit (which I guess goes with the angst tag). Small touches and significant facial expressions and other gestures in that vein, because they are my kryptonite in a visual medium and I love echoing them in text. I also like incorporating vague mythological allusions, even if they're so vague only I'm going to notice them, because they give me joy.
🤲 Would you please share a snippet of a wip? Gonna go with a couple because I can't pick and because I've been jotting down a lot of little snippets that I want to turn into longer things lately ... and because I owe you opera fic and I haven't forgotten that. (Most of my WIPs right now: House of the Dragon, Fate: the Winx Saga, and occasional operatic and/or theatrical bits as I watch too much of those.)
[ but first, for anyone who wants to ask more ... ]
<Les pêcheurs de perles, because so many operatic tragedies could be solved with judicious applications of threesomes>
Nadir looks back at her, and she sees her heart echoed in his eyes. When she reaches out, his hand finds hers, fingers twining through her own. "Alright?"
"No," she murmurs, "and neither are you," because their hands may fit together smoothly but something is still missing, and because she had learned to watch, in her years at the temple, and she understands. She had wondered how she could reconcile a heart divided until she'd seen what underscored Zurga's pain, seen Nadir's indecision in that final moment. And so she eases her thumb across his knuckles, soothingly, and says, "We need to go back."
That he does not question says everything.
<House of the Dragon, because it felt like time to try to get into Corlys' head for a bit instead of just camping out in Rhaenys' forever>
He leaves without saying goodbye, still smarting from how she had pushed him away. In that moment, perhaps more than he ever had before, he’d needed his wife, but she had refused to leave the hall, sobbing over Laenor’s body like her heart had shattered, and he could not stay there — not when she refused his touch, not when he could not bear to look upon the charred remains of his son — his son, the only legacy his name and his blood might have known. He knows they grieve in different ways; has he not seen her through the loss of so many of her family? And when the news from Pentos had come, they’d held onto each other. But this … this is different.
He bleeds, and part of it is the wound she’s dealt him, and if he knows it was anger and grief that caused her to lash out it makes it no easier in the moment, for his emotions are running as high and wild as her own. Does the sea not boil into a tempest, as surely as a fire may blaze?
But she had told him no with that one gesture, and he cannot stand a fire right now — not when it has taken both of his children in such a short space of time. He needs the solace of the sea, the only comfort that has never denied him, now more than ever.
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what are some of your favorite gay operas and why? (I think we all know ur #1 but I'd like to hear about more of ur faves and/or more on this one as well!)
First off, happy National Coming Out Day to everyone, especially to you, dear anon!!!
So obviously, as you seem to have correctly guessed, my favorite Gay Opera Couple is Carlo/Rodrigo from Don Carlo. Just...such a perfect couple. They complement each other so well, they build each other up, and most importantly they really, really love each other and would do anything to help the other. Of course that leads to tragedy (I’m not crying it’s just raining on my face), but STILL. ahhhhhhhhhhhhhhh just let them be happy.
Some other Gay Operas (gonna try to keep this short although I could probably write about this and opera playing around with traditional conceptions of gender all day):
Julie, premiered as a film opera this year from New Camerata Opera, is everything. It’s about Julie d’Aubigny! Pretty period costumes! SWORDFIGHTING!!! Kissing!!! Neither of the ladies in the couple die!!! (Also it’s very short and in English, and I think it’s really accessible.)
Massenet’s Cendrillon. Mezzos (even though one of them is a trouser role) falling in love and singing glorious Massenet love duets. Bonus if the production lets them kiss. What could be better???
I just rewatched Forza yesterday, and especially with the Kaufmann/Tezier duo, you cannot tell me there isn’t some twisted homoeroticism going on there. It’s messed up (especially because Don Carlo di Vargas is racist as hell), but for just a little bit in Act III they don’t know each other’s true identities and become ‘best buds’ basically immediately and sing amazing duets. Also, you cannot convince me that in Ballo, Gustavo and Renato aren’t at least somewhat in love until the whole ‘wrongly assuming an affair’ thing. They should’ve just agreed on a threesome. I know this, you know this, whoever made That One Met Promo Photoshoot knows this. Also the real Gustav III was likely gay, so there’s that.
You all know my dear love for trouser roles, and one of my favorites is Nicklausse/the Muse. Whether they’re two completely different entities or two sides of the same is something I feel like can be interpreted either way (although please don’t make Nicklausse a girl I am begging you), and I just love that duality.
One more because I realize I’m probably rambling so hard at this point and also I pulled an all-nighter for no reason whatsoever and am starting to regret it: @carlodivarga-s has convinced me that Riccardo and Giorgio from I puritani get together after the opera ends. I love that idea and also ‘Suoni la tromba’ is the proto-’Dio, che nell’alma infondere’ IMO. So there’s that.
Anyway, more opera characters should try polyamory, women in love triangles could usually solve their problems by dumping the jerk tenor and running away together, more ‘out’ representation is always appreciated, and once again, happy National Coming Out Day!
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beauzoleils · 5 years
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ABIGAIL  COWEN ,  CISFEMALE ,  SHE / HER    →   according  to  the  school  records ,  NATALIE  LUCILLE  BEAUSOLEIL  has  been  attending  sacred  heart  for  the  past  three  years .  i  last  saw  them   hanging  around  the  john  bracken  library  ;  i  think  they  were  working  on  writing  her  novel .  at  twenty - one  years  old ,  natalie  has  been  studying  english  literature  and  get  this ,  i   heard  that  she’ll  zone  out  while  writing  papers  for  class  and  come  to  surrounded  by  pages  and  pages  full  of  archaic  languages  she  doesn’t  speak   —   figure  it’s  true ?  everyone  around  here  always  associates  them  with  a  moonlight  sonata  echoing  through  empty  halls ,  seats  in  the  back  row  at  the  opera ,  and  dead  flowers  pressed  between  the  pages  of  an  old  book .  in  the  time  since  these  strange  happenings ,  they  have  encountered  unexplained  occurrences .     
HI ,  hello .  i’m  hannah  n  this  is  like .  the  only  thing  i’ve  been  thinking  about  recently ,  aka  i’m  so  excited .  ok  anyway !  i’m  20 ,  kickin  it  in  the  est !  i’m  a  full  time  student  ( majoring  in  being  a  dumb  bitch  n  gay  rights  and  i’m  at  the  top  of  my  class  baby . . )  and  i’m  ALSO  a  preschool  teacher  so  if  i’m  ever  Not  here ,  i’m  with  my  babies  ! !  but  that  isn’t  the  reason  why  ur  all  here . .   ur  here  for  an  intro  post !  so !  
let’s  talk  abt  my  girl . . .  𝐍𝐀𝐓𝐀𝐋𝐈𝐄  𝐁𝐄𝐀𝐔𝐒𝐎𝐋𝐄𝐈𝐋 !
okay .  so .  first  thing’s  first .  i  have  some  Real  Things  prepared  for  my  girl ,  including  but  not  limited  to :
a  pinterest  board !
a  stats  page !
and  what  i  call  NATALIE :  A  TRAGEDY  IN  THREE  ACTS .  it’s  kind  of  a  bio ,  mixed  in  with  some  stage  directions  here  and  there .  it’s  a  quick  read  n  rly  gives  you  that  Natalie  Flavor  if  you  know  what  i  mean . .  so  if  you  feel  so  inclined  n  wanna  take  a  look . .  but  full  disclosure  it  rly  does  hit  different  than  just  reading  this  intro 
anyway !  i’ll  give  a  more  condensed  version  of  her  bio  here  n  some  info  abt  her  personality  n  some  random  headcanons . .  etc !
𝐏𝐀𝐑𝐓  𝐈 :  𝑨 𝑯𝑰𝑺𝑻𝑶𝑹𝒀
alright  SO .  our  girl  natalie  was  born  on  april  13 ,  1952  to  michel  and  colette  beausoleil .  it  was  a  thursday ,  and  it  was  ALSO  eleven  weeks  before  colette’s  due  date ,  so  we  all  know  that  can’t  be  good 
( spoiler  alert :  it  wasn’t )
natalie  was  supposed  to  be  a  twin ,  but  the  other  baby  ( a  boy  named  pierre )  didn’t  survive .  they  didn’t  think  that  natalie  would ,  but  she did !  unfortunately ,  her  parents  were  too  wounded  by  the  loss  of  their  other  baby  and  it  was  all grieving  and  no  celebrating .  
also .  there’s  more  info  abt  her  parents  n  how  they  met  in  the  bio  but ,  a  sparknotes  version  is  that  michel  was  a  playwright  in  paris  and  colette  was  a  ballerina / his  muse  and  they  rushed  into  a  marriage 
michel  made  it  rly  big  a  couple  yrs  after  natalie  was  born  and  so  they  decided  to  use  that  $ $ $  to  send  natalie  away  to  an  expensive  boarding  school  in  london  called  our  lady  of  sacred  suffering .  it  was ,  of  course ,  a  catholic  girls  boarding  school  and  natalie  hated  it  there
but  they  hated  natalie  there  bc  she  was  just  the  WORST  catholic  school  girl  of  all  time ,  so  it  was  mutual
meanwhile ,  her  relationship  w  her  parents  is . .  very  complicated .  her  dad  is  just  kind  of  The  Worst  across  the  board ,  very  reliant  on  drinking ,  definitely  got  into  drug  use  at  some  point ,  had  lots  of  affairs  with  the  young  actresses  in  his  plays .  and  colette  was  just . .  very  sad  and  very  absent  so  the  support  was  Minimal
natalie  has  a  lot  of  issues  that  are  all  rooted  in  her  childhood  tbh .
somewhere  along  the  way ,  she  found  a  deep  passion  for  Writing  and  developed  this  sense  of  purpose  and  for  a  minute  things  were  going  very  well 
which  we  all  know  means  things  are  about  to  get  WORSE . 
on  her  eighteenth  birthday ,  natalie  receieves  a  card  in  the  mail  from  her  mother  for  the  First  Time  Ever .  and  she  immediately  is  like .  huh .  well .  something  is  Wrong .
she’s  right .
( tw :  nondescript  mentions  of  car  crashes  &  death )
a  week  later ,  she  receives  word  that  her  parents  were  involved  in  a  serious  car  accident  at  the  pont  de  l’alma  tunnel  in  paris  and  her  did  not  survive  the  accident .
( end  tw )
her  mother’s  family  is  not  convinced  that  michel  should  walk  away  from  this  without  blame  and  decides  to  take  legal  action  against  him  and  get  him  convicted  with  a  more  serious  charge  than  just  manslaughter . 
they  promise  to  keep  natalie  out  of  it  as  much  as  possible  but  when  it  comes  time  to  testify  as  to  whether  or  not  michel  had  a  history  of  not  caring  about  colette’s  life  and  well - being ,  the  only  one  who  can  speak  to  it  is  natalie .
so  she  testifies  and  it’s  her  testimony  that  is  the  metaphorical  nail  in  the  coffin .  
( tw :  suicide  mention )
michel  knows  it ,  too .  that’s  what  natalie  thinks .  he  turns  up  dead  in  his  jail  cell  the  day  before  he’s  supposed  to  be  sentenced .  she  never  knows  if  he  deserved  the  life  sentence  he  was  going  to  be  given .
( end  tw ) 
so  then !  she’s  an  orphan !  but  she  does  gain  control  over  everything  that  her  parents  left  behind ,  which  turns  out  to  be  a  lot .  
she  sells  their  house  in  paris ,  goes  to  wales  to  begin  university ,  and  hasn’t  gone  back  since  then .  but  like ,  she  grew  up  in  london  for  the  most  part  so  she’s  not  exactly  sad  about  being  away  from  paris  and  all  the  ghosts  there .
and  now  she’s  at  sacred  heart ,  working  on  writing  her  debut  novel ,  which  is  the  ( albeit ,  dramatized  and  fictionalized )  story  of  her  parents !
𝐏𝐀𝐑𝐓  𝐈𝐈 :  𝑨  𝑺𝑼𝑴𝑴𝑨𝑹𝒀 .
so  basically ,  she’s  got  issues .
fictional  character  inspo  includes :  jo  march ,  alaska  young ,  cheryl  blossom
if  you  know  anything  abt  astrology . .  she’s  an  aries  sun ,  mercury ,  and  venus . .  and  a  scorpio  moon  and  mars . .  and  a  gemini  rising . .  i’m  so  sorry JKDSFM
she’s  very  emotional  but  does  a  super  good  job  of  hiding  it  and  keeping  all  those  emotions  ( esp  the  intense  n  darker  ones )  buried  away . .  deep  down  where  no  one  could  see  it
the  minute  that  ppl  kind  of  ? ?  but  two  and  two  together  n  realize  who  she  is  ( bc . .  in  my  head . .  her  dad’s  whole  trial  was  kind  of .  A  Thing  that  the  public  knew  abt . )  they’re  probably  rly  concerned  w  Little  she  shows  any  real  emotion  to  the  whole  thing . 
rly  she’s  just  the  queen  of  compartmentalizing  n  repressing !
she’s  very . .  Assertive .  like ,  when  she  wants  something  she’s  going  to  do  whatever  it  takes  to  get  her  way  
very  Very  reckless .  she’s  like . .  so  fucking  impulsive  that  it  physically  Pains  me  sometimes .
she’s  very  smart  but  like .  More  So ,  she’s  very  clever  and  very  sharp  with  her  words .  a  very  fast  thinker  and  a  very  loud  talker 
someone  please . .  tell  her  to  stop  yelling .  she  needs  to  Relax . 
she’s  very  charming  i’ll  say  it .  n  like ?  seems  cool ?  the  kind  of  person  that  you  meet  and  immediately  want  to  hang  out  w  them .  
very  flirty ,  has  always  used  that  charming  smile  of  hers  to  get  ppl  in  her  corner  and  she’s  not  gonna  stop  now !  she’s  very  good  at  making  ppl  feel  special  
but  like .  she  means  well  most  of  the  time  sdkfj  her  heart  is  in  the  right  place  okay
big  time  trust  issues .  big  time  commitment  issues .  painfully  independent  and  refuses  to  let  anyone  know  how  much  she  cares  about  them  until  she’s  like . .  Really  sure  that  they  aren’t  going  to  hurt  her
also  very  afraid  of  hurting  people ,  which  is  another  reason  why  she  struggles  to  get  attached  to  people .  she  definitely  has  this  deep - rooted  fear  that  Bad  Things  follower  her  and  she  doesn’t  want  to  drag  ppl  into  that
it’s  literally  a  toss - up  as  to  whether  she’s  going  to  seem  like  she’s  demanding  ur  attention  or  entirely  disinterested  in  it .  bc  she’s  all  over  the  place . 
but  like .  i’m  an  emotional  BITCH  so  she’s  probably  going  to  end  up  being  100000%  softer  than  i  intend  bc  i  project  too  much  soft  bitch  energy  onto  my  characters  Always .
𝐏𝐀𝐑𝐓  𝐈𝐈𝐈 :  𝑪𝑶𝑵𝑵𝑬𝑪𝑻𝑰𝑶𝑵𝑺 .
so  many  things .  literally ,  anything .  just  a  disclaimer ,  if  u  read  thru  this  and  had  An  Idea  then  like .  yes  Pls  tell  me ,  i  want  it  xoxo 
but  here  are  some  i  have  up  in  the  old . .  noggin .
EXES .  please ,  please . .  for  the  love  of  GOD  give  me  some  angsty  exes  nonsense .  do  you  need  someone  who  broke  ur  characters  heart ?  consider  natalie  UR  GIRL .  she’s  Emotionally  Damaged  and  has  the  capacity  to  be  the  angstiest  ex  of  all  time ,  okay ?
give  her  a  weakness .  she  needs  someone  who  she’s  Actually  vulnerable  around  and  actually  sees  her  have  emotions  and  knows  she’s  not  just  this  huge  Mess  all  the  time
i  rly  want  someone  that  is  like .  from  the  same  ( ish )  bg  as  her  in  the  sense  that  like . .  they  also  were  surrounded  by  nice  clothes  n   expensive  private  schools  n  Luxury  but  like .  they  Thrive  in  it  the  way  natalie  used  to  wish  that  she  could .  n  just .  i  think  it  would  b  a  super  interesting  dynamic  bc  they  would  just !  clash !  so  intensely ! !  n  tbh  nat  would  probably  b  lowkey  jealous  Still  n .  spicy !
@ all  those  ppl  who  are  into  theatre :  i’m  Dying  for  some  connections  of  ppl  who  knew / knew  of  her  father  n  would  know  what  happened  w  him  perhaps  on  a  deeper  level  than  ppl  who  read  it  in  the  newspaper  a  few  yrs  ago . .  ( bonus  points  if  they  lowkey  idolized / looked  up  to  her  dad  bc  thats  a  Big  Mess  and  could  b  spicy  as  fuck  to  explore ,  u know ? ) 
idk  if  any  of  y’all  have  characters  who  grew  up  in / around  paris ?  but  if  there  are . .  then  Perhaps  someone  who  knew  her  in  her  youth ?
okay .  not  to  be  Trash  but  like .  i  rly  want  her  to  have  a  dynamic  that’s  jo  x  laurie  adjacent ?  do  they  have  to  be  in  love  w  her ?  no !  i  just  want someone  that  has  that  genuine  bond  w  her  and  they  care  abt  each  other  n  goof  around  n  like . .  i’m  already  getting  soft  on  main ,  huh , ,
she’s  soo  fucking  messy  that  like . .  all  the  messy  fwb / frenemies  with  benefits / one  night  stand  type  of  plots . .  yes  pls 
i  always  want  there  to  b  a  badass  girl  squad  like .  a  group  of  ladies  n  theydies  that  take  no  shit  n  get  in  fights  for  each  other  n  rly  truly  ride  or  die  w  each  other . .  we  can  workshop  the  name  ok  but  for  now ?  my  girl  squad  is  open  for  applications 
okay .  let  me  cut  myself  off  right  there  but  i’ll  leave  you  with  my  WANTED  CONNECTIONS  TAG  n  also  again  i’m 10000%  okay  to  just  brainstorm  out  something  else  completely  if  its  what  ur  feeling !
if  u  read  all / any  of  this . .  i  love  u . <3  either hmu on discord ( let's go 𝓁𝑒𝓈𝒷𝒾𝒶𝓃𝓈 ! #6227 ) ksdjfskm  OR !  like  this  n  i  will  come  to  u !  okay ,  that’s  all ,  bye 
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