#in this piece too. makes me want to put together a little personal film curriculum

[baravaggio]

"Bisexuals Who Kill: Hollywood's Bisexual Crimewave, 1985-1998" by Jonathan David White (Bisexual Men in Culture and Society, p. 47)

[doomonfilm]

Ranking : Top Films of 2018

Here we are... that moment that every critic simultaneously loves and dreads : the Year-End Top 10 List.  At worst, we are forced to scrape the creative dredges and cobble together something that resembles a best of list that will bring glory and honor to the year.  At best (like this year), we are forced to leave personal favorites in the dust and judge the larger quantity of offerings on a much tougher scale in order to truly represent the top quality work of the year.

As I’ve said in many pieces this year, 2018 was a joy in terms of being a film-lover.  This list was not an easy undertaking, and it more so resembles a snapshot of how I’ve felt over a judging period than it does a concrete group of selections in a fixed order.  Take this list as more of a jumping off point for discovery than you do the gospel of DOOMonFILM. 

Note : I am not sure when I will get a chance to see Vice or The Favourite, which I am sure will skew my results once I do see them... I will address those films in their respective reviews, however.  Forgive me in advance.

Honorable Mentions

Damsel Even if the Zellner Brothers weren’t representing Austin beautifully with this gem of a film, it’d still be on my radar simply for the fact that it is a unique twist on a genre that most figured had seen every presentation imaginable.  Add to that a strong female lead character, and you’ve got a winner on your hands.

The Endless A science-fiction modern day classic, and apparently part of a possibly bigger line of stories (with some of the best integration of aspects from another film I’ve ever seen).  This film is chilling in its approach to the concept of cults, as well as its use of the concept of ‘the danger that lurks just off-screen’.

Isle of Dogs Had this year not been full of stellar animated films, this one probably would have made the main list.  More groundbreaking animated films, combined with personal feelings about the films of Wes Anderson, however, regulated this one to Honorable Mention status.

Mid90s I was all set for Eighth Grade to be my bit of nostalgia, or my reflection on what it’s like to be a kid again, and for what it’s worth, it was a great film.  The thing is, Mid90s directly spoke to me in a way that Eighth Grade unfortunately could not, simply because Mid90s was like looking in a time-traveling mirror. 

Thoroughbreds I really wanted this to be on my top 10, but ultimately, it was too ‘quiet’ of a film to make it in a year full of big noise.  Thoroughbreds will certainly be a future favorite for public screenings and friend viewings, but a couple of films this year hit the same notes on a higher frequency.

Black Panther The cultural impact of this film is one that cannot be ignored.  It took February, a month that is generally a box office bust, and it put up unparalleled numbers that not only lasted throughout the year, but were topped from within rather than by another Hollywood studio.  The respect given to the characters and their African heritage did not go unnoticed, either, as several think-pieces and a number of curriculum were spawned from those researching elements of the production design.  The narrative is strong, and it righted the Marvel villain boat prior to the big MCU bombshell that was lying in wait. 

The Favourite I really wanted this to make the top 10 of the year... I thought long and hard about what film I should remove or replace.  What I came to realize, however, is that despite The Favourite being a world-class comedy and production, it simply falls short in the realm of the spectacular : it does not contain visual innovations, it is not a reflection of the times, and it didn’t completely break my brain.  That being said, on any given day, I’d happily name this one of the top 10 films of 2018... it’s essentially like having 11 cakes on the table and having to pick the 10 best.

Avengers : Infinity War This movie was the true film event of the year.  Marvel has been building up to this singular event for nearly two decades, and in my opinion, the payoff more than succeeded.  Thanos tiptoed the line between anti-hero and villain with purpose perfectly, and the rapport between characters worked both in terms of advancing narratives and being mined for humor.  I am definitely looking forward to Avengers : Endgame this April, and I know the masses are right there with me.

10. BlacKkKlansman

Not that I ever doubted Spike Lee had it, but after a few abstract offerings and documentaries, one wonders if their style can translate into an ever-expanding world of film language.  Luckily for Lee, it seems the world has grown into his cinematic vision, with an older true story serving as the perfect backbone for many of Lee’s trademark tricks to be implemented for maximum effect.  The ending will put you in tears if you have anything closely resembling a soul.

9. Blindspotting

This film really deserved a bigger run than it got, as it hit race relations of today on the nose without coming off as preachy or heavy-handed.  Daveed Diggs proved that his charisma translated on both stage and screen, and his integration of hip-hop into both realms will hopefully have positive long-lasting effects.  The chemistry between all members of this cast is kinetic, the story is told with perfect pacing, and the movie rides visual highs that match the narrative ones.  I would love to see this movie receive some high-degree nominations.

8. Annihilation

I came into 2018 with high expectations for this film, as I’d spent the previous 16 months or so completing the Southern Reach trilogy in its book form.  Then I started hearing things about the production and the release that gave me a bad feeling : a Netflix distribution deal that seemed to all but kill a true theatrical run, trepidation from the studio in regards to the director’s vision, and other whispers that attempt to sink a film.  Then I saw this movie, and was taken away to a completely different world.  We may not be getting a faithful, trilogy-length adaptation of the series anymore based on what happens in Annihilation, but if these are the moments I’m left with, I’d consider myself happy in the long run. 

7. First Reformed

It took me longer than I intended to get around to this one, but knowing that Paul Schrader wrote and directed it made it a must-see.  The film was drawing comparisons to Taxi Driver (not a surprise, based on the aforementioned Schrader involvement), and surprisingly, it more than lived up to that hype.  The tension is equal, but updated to reflect the times in a way that could impact any of us.

6. Suspiria   

This movie will make it extremely hard for me to blanket-debate against remakes simply because it does all of the right things in regards to updating a classic.  The film does not rely on existence as a new millenium version of an old film... rather, it boldly takes concepts only touched upon in the original and fully embraces them, presenting a true psychological horror gem in a year full of them.  The film also looks amazing on top of everything, which was a high bar to meet considering the original movie is basically driven by its visual style.  A 2018 must-see, film buff or not.

5. Spiderman : Into the Spider-Verse

Easily the most fun I’ve had in a theater all year.  I was blown away by the animation, and can’t wait to see further installments of the Spider-verse specifically to see how that enhances over the years.  There was such a high volume of homage and Easter Egg placement in this film that it warrants repeat viewings, and it was one of a handful of films that I wanted to instantly own as I was walking out of the theater.

4. Mandy

Like Spider-Man : Into the Spider-verse, I wanted to own this movie the second I walked out of the theater as well.  The trailers intrigued me, a recommendation of Beyond the Black Rainbow fully sold me, and the final product did not disappoint.  This film certainly is not for everyone, and funny enough, the two biggest aspects that would place it on that ‘not for everyone’ list sit in opposition of one another : the film is a bit indulgent on the style at the sake of what would be considered normal pacing, and it has some extremely violent moments.  That being said, Mandy is easily one of, if not THE, most beautiful films of the year.

3. Roma

This seems like the closest thing to a Fellini film that us modern day film lovers will ever get.  The story itself is intriguing, as it juxtaposes class issues, political issues and the barrier of trying to raise a family in a crazy world all in an intriguing tapestry.  The cinematography is calculated, observational, and the choice to film the movie in black and white adds an instant timeless quality to it.  Director Alfonso Cuaron even manages to get in a little cinematic and visual humor, albeit mostly subtly, but it definitely pays off if you’re in tune to what he’s doing.  Easily one of the best pictures of the year, worldwide, and a party that I was certainly late to.

2. You Were Never Really Here

If Mandy is a bit too over the top for your tastes, then You Were Never Really Here may be the jarring experience you need in 2018.  This film is almost as visually stunning, but the narrative is far more calculating, deceptive and intriguing, both on the surface and as you dig deeper.  The hectic camera setups, editing and score put you in such a disjointed state of mind that Joaquin Phoenix becomes the only thing you can hang on to, and your involvement in his journey is completely immersive.  In a year of performances that focus on the anti-hero, this film found a way to scrape to the top of the pile.

1. Hereditary

Something strange is happening here... who would have thought that a horror film would be my favorite film of the year?  Hereditary is no run of the mill horror film, however... it treats its audience as intelligent, and there is so much texture in the film that it’s impossible to see it all without multiple viewings.  The close of the first third of the film is horribly unsettling, but it propels the narrative forward so abruptly and intensely that you’re locked in from there out.  A genius film, and an instant classic.

(Editor’s notes)

- Original post date : 12/27/18 - Revision date : 1/8/19 (Roma added to position 3, Black Panther moved to Honorable Mentions) - Revision date : 1/10/19 (The Favourite added to Honorable Mentions) - Revision date : 1/22/19 (Suspiria��added to position 6,Avengers : Infinity War moved to Honorable Mentions)

[angeltriestoblog]

Second sem (and freshman year) recap

It’s pretty hard to believe, but another chapter of my college journey is finally over and done with. Since I had ended the first half of the school year in such high spirits, I didn’t really believe upperclassmen when they warned that things were only going to get harder from there. In fact, I even thought I’d be the one to prove them wrong! I mean, with a class schedule that looked like this, how would I run out of time for all the things I both needed and wanted to do? My Tuesdays and Thursdays were practically free, save for that one Math class I had to attend in the morning that I surprisingly never cut.

For the most part of the semester, I was in a chill state compared to everyone else. I claimed that I had successfully adjusted to the demands of higher education to the point where I found what once was an unreasonable workload to be manageable. I was able to make time for my home org’s activities and devote enough attention to the only project I was deployed to, which I touched on a bit in my first recap blog post (linked here in case you want to jog your memory). As previously mentioned, I was assigned as one of the Documentations Heads under the Information Management department of the Career Building Program, a three-phase event that gives its participants a glimpse into the corporate world. We kicked things off with a resume writing workshop that I was lucky enough to join. The facilitator assigned to me gave useful insights that I was able to apply in the creation of my own curriculum vitae, which I am keen on using when it’s my turn to apply for internships and jobs in the future. I obviously don’t have much on it yet, seeing as I’m just a freshman, but the idea of filling it up with more experiences over the years is exciting me in ways I cannot explain.

Our group was even given the opportunity to explore the studio of the country’s biggest network, where we were briefed by executives in communications and IT and toured around the sets of our favorite shows. We even ran into Luis Manzano while he was filming Minute to Win It! Unfortunately, I wasn’t scouted by any representative from Star Magic and spontaneously put in a love team with Donny Pangilinan, but I guess that’s alright.

I also went to Talent Night with some friends (not in pictures: Gela's boyfriend and ICA barkada), which is shocking since I’m honestly not the type to attend parties like this. I’ve always been the girl who stayed home and binge watched YouTube videos on a Friday night. But, I guess the drunk confidence of those I was with rubbed off on me and I managed to pull through! It was also a plus that Timmy Albert was one of the performers: I do pass him by along the corridors quite frequently, but it’s just different seeing him sing and play an instrument in front of a crowd, especially since I’ve loved Roses and Sunflowers even before I got into Ateneo.

One surprise that I definitely did not see coming was participating in Daloy, our annual program that revolves around corporate social responsibility. This year, we decided to shed a light on how this could be seen in the Philippine clothing industry, so it seemed fitting to hold some talks featuring prominent figures in this field, as well as a fashion show to exhibit the collections of local brands that advocated sustainability. I was really interested in the concept when I first heard of it, and initially wanted to go as a mere audience member - little did I know that I would be tapped by the committee to model! To this day, I don’t know how or why I was chosen: from what I know, there were even screenings held a week prior to the event to determine who would get to walk the runway. But, I was messaged three days before and in that short span of time, I had to fit clothes, find pieces in my closet to match them and perfect my walk (which took several tries on my part, given the fact that when shy, I’m stiff as a board).

Agreeing to join was a huge step out of my comfort zone - the closest I’ve ever come to strutting on a catwalk was back when family members would ask me to “walk like a fashion model” as a kid during reunions. So, the fact that it had all paid off in the end, and that I was even complimented for the way I looked and performed beyond what was probably expected, was definitely a huge confidence boost for me. I couldn’t have done it without Nelly, Daloy’s project head who patiently guided me through the entire process before the show.

Shoutout as well to the other ACTM upperclassmen who were so friendly to me this school year. We may not have any pictures together, but you deserve a spot on this post nevertheless: Gella, my "boss" (hehe) who was always so patient when I asked questions and even went out of her way to say such kind words about my writing; Sam Que who made me feel like we had already known each other for so long even if we had just talked for the first time, and Ysagab who constantly reassured me that I was doing a good job even if I was looking like such a rookie.

My presence in events wasn’t limited to those of ACTM, though. I also went to the Loyola Film Circle’s Under the Stars, where I was able to see the live performances of OPM acts and watch one of my favorite chick flicks beneath the beautiful night sky. Since it took place the day after Valentine’s, I was surrounded by Ateneans and their significant others (who didn’t hold back at all when it came to publicly displaying their affection), but I didn’t even mind since I was content in the company of both my college constants and high school friends.

I dropped by Sulyap as well, which was the culminating activity of the Ateneo Heights Writers Workshop and the launch of the chapbook of their fellows. It was one of the busiest Fridays of the school year, but I still made it a point to go, because I wasn’t about to pass up the opportunity to be a part of something organized by my dream org, Ateneo’s premier literary publication. As much as I love my course and the people in it, I have to admit that I haven’t been able to exercise much of my creative side. So being in a room full of like-minded individuals and hearing them speak lengthily about their works and the process that brought them to life was a refreshing experience, a much-needed break from the usual routine. My personal favorite was Unica Hijas by Mikaela Regis, which revolved around a lesbian couple trying to make their relationship work despite the fact that they study in a conservative, all-girls high school - a setting which is all too familliar to me.

It’s also worth noting that I was sorta able to tick a particular item off my freshman year bucket list. And I say sorta, because… well, you’ll see. It’s been a dream of mine ever since to watch a UAAP basketball game live, show up to the arena in a bright blue shirt, cheer as loud as I can when a player makes a point and raise my fist in the air while Song for Mary plays in the background. But, even if I’m consistently in school by 6am, I was never able to get tickets - I couldn’t match the efforts of some fans, who would camp overnight just to get their hands on them. But, just when I thought there was no more chance for me to show my school pride at a match, my friend Mika offered me a free ticket to the Ateneo Lady Eagles’ volleyball match against FEU at the Filoil Arena one Wednesday. We weren’t really on speaking terms before because we were from different cliques, but after bonding over K-Pop, I saw how nice and chill of a person she actually is. So, I didn’t want to turn her down even if I was hesitant to go at first. You see, I was never a fan - in fact, I didn’t know how the game went despite the PE lessons I had back in Grade 5. (Ms. Abella, if you see this, I’m sorry.) But, it didn’t take a lot of convincing for me to agree and I ended up enjoying way more than I thought I would. Fortunately, I was able to catch on when it came to the rules of the sport: the energy of the crowd was contagious as well, and the performance of the players was way too good it was impossible not to shout either out of triumph or frustration. Once we made it to the finals against UST, I even found myself waiting for announcements on where to buy tickets. I didn’t get any though, because they were either sold out due to the ever-increasing demand (ALE fans don’t play around) or there was a conflict in schedule (hi, Enlit play).

Despite this, I streamed the last game and screamed like I was actually in the venue myself. Apologies to all our neighbors, who probably thought someone was getting killed in the house beside theirs. I was so proud when they brought home the championship after three years, I even bought a Team Ateneo shirt (it’s not that hard to guess whose name is on the back) and went to the bonfire with my friends Gwen, Julia and Lou. I had hoped to meet and take a picture with the players, but they were already far too wasted when I arrived. Like, seriously. I saw Maddie Madayag chug a whole bottle of Mule right before my eyes.

So, you could say that it was all fun and games (quite literally) for me until hell weeks eventually rolled in. Plural form intended. I found out that all my professors were just holding back every major requirement until the very last stretch of the semester. Suddenly, my schedule was chock full of presentations and final papers, comprehensive exams and extra classes that put my time management and endurance to the test. I spent many days in Matteo Down just like before, but also started going to the floor above it in case I wanted to suffer in the company of more people. The studying would only continue once I got home: I’d pull all-nighters despite my brain’s and skin’s desperate cries for help, as manifested in my worsening acne. I don’t think I’ve ever felt that stressed in my life, and it’s scary to think that that’s only the tip of the iceberg in the Ateneo.

Coping mechanisms I’ve picked up to help me deal with these unavoidable circumstances would be trying every restaurant along the Katipunan area whenever I had free time (which I will elaborate on more extensively in another blog post, so do watch out for that!) and eventually discovering Pancake House’s corned beef hash, which I love so much I once had it thrice in the span of a week. Another one would be the addition of yet another emotional support K-Pop boy to my collection. After watching My ID is Gangnam Beauty over Holy Week break, I fell in love with Cha Eunwoo and his god-tier visuals, mild demeanor, impressive English skills and heartfelt determination. This led me to binge watching reality show episodes and furiously putting the entire discography of Astro on loop. If you look at my Last.fm, you could see how Crazy Sexy Cool easily climbed to the top of my most played songs, sitting prettily at the #1 spot with over 300 plays in just a little over two months.

Although I constantly had to bear the pressure and stress on my shoulders over the past academic year, I am eternally grateful to Ateneo for equipping me with lessons both within and beyond the realm of academics that have helped me grow into someone I never imagined, but am happy to have turned into anyway. When my naive and starry-eyed self first entered college, I had such high hopes for what my experience would be and proceeded to map out the next four years of my life in accordance with the vision I had in my head. Having just broken free from the metaphorical chains of my previous school, I found it to be the perfect time to transform into a student who excelled academically, had a long and winding list of extracurricular activities and easily built a vast network of connections thanks to her pleasing and magnetic personality. If I got lucky, maybe I’d have one of those so-called “college blooms” and even get myself an actual boyfriend!

This isn’t something unique to me, I bet a lot of people entered this new stage of their lives with the same mindset so I wasn’t the only one in shock upon realizing that it doesn’t always play out that way in real life. Because of these ridiculous expectations we have implanted in our heads, that basically state that we have to be successful in everything we do and fast, we subconsciously keep ourselves from enjoying the process. In our desire to aim high and aspire for perfection in all that we do, we could end up failing to acknowledge the small yet equally important wins we gain along the way: the friend we make outside of our block despite the sheer discomfort we experience in meeting new people, or the answer we gave in class that impressed our most intimidating professor could appear minuscule when placed beside our goal of being straight-A student who’s active in seven orgs. In addition, we deprive ourselves of the allowance to make mistakes, stray from taking the detours and breaks we need to remain functional human beings and often drive ourselves to the point of fatigue and burnout. And when we are still not flourishing and thriving as planned, we fall prey to toxic comparison: we pit ourselves against others who don’t have the same background or circumstances as we do and question why our progress doesn’t match with theirs.

This is obviously such a toxic way to go about things. Talk about sucking the fun out of what’s supposed to be the four most enjoyable years of our lives. Thankfully, over time, I did some growing up, if you will, and channeled the power of acceptance - both of what I am and what I am not, and the will of God (or whichever supreme being you've placed your faith in) who meticulously planned out what’s ahead of me before I was even old enough to know what school was. I now work to the best of my ability, confident that all I have to do is put in my share of the hard work and see where it takes me, and am also more gentle with myself when I make mistakes.

On a somewhat lighter note, I’ve also been able to form my own opinions about very controversial issues on campus: an example of which would be what I think is the best CR - the answer is definitely Arete. You can’t go wrong with its triple killer combo of aircon, bidet and strong WiFi connection. The only possible downside could be the fact that there are usually a lot of people, so it’s not the best option if you’re planning on being loud and… um, smelly. The secluded and fragrant Leong Hall and ever-reliable New Lib restrooms come in second and third place respectively, while honorable mentions include the 2F Kostka CR (but only from 6:00-7:00am, when no one else is around) and this one specific stall in the Socsci building that's spacious enough that I can bring all my belongings inside with me.

Another point for discussion would be the superior place to eat on school grounds: this might cause an uproar, I’m aware, but I still believe it’s JSEC, despite the stark price difference compared to other cafeterias on campus. I was set on trying something from every stall before the school year ended, but I was too fixated on my top picks: I don’t have any regrets though. In fact, I wish I had more of the beef salpicao with calamares on the side from Casa Paella, the Superbowl from Blendabowls and The Coop fries with garlic aioli served on the side. Besides the fact that the food served is satisfying beyond measure, I enjoy the chit-chats I have with the ates and kuyas manning the stalls, who never fail to ask me how I am and tell me about the cute chinito boys they see on campus that they think I might like.

Although I can’t completely rule out Gonzaga, because of this particular stall with quality liempo and a kuya who always gives me a five peso discount. (I’ve been told he does this with girls he finds cute, but I have yet to confirm that). Also, it’s the only place on campus that I know of that sells fresh fruits by the kilo - perfect for those days when I try to convince myself to go on a diet before I relapse and binge eat at Pancake House.

A lot of people do say that ISO sisig is worth the cross-campus walk it’ll take to get there (e-jeep rides are more recommended! An experience in itself! Especially if you’re seated in the back, where there’s a constant feeling of being sucked in a vacuum! But, I digress) - it might just be a matter of preference, but I think it’s overrated. A destination that deserves more attention is the Cervini Hall cafeteria just by the university dormitories. I’ve only been there a grand total of two times so I don’t exactly have any specific favorites on the menu that I recommend, but I’d definitely still go for the homey ambience.

As for superior study places, Matteo Down has been tried and tested several times: I do prefer getting a place opposite to the entrance though, because it does get distracting having to see people enter and go out the door so often. What was supposed to be a study session often ends up becoming a game to see how many people are wearing a striped shirt today. I usually spend time on the fourth floor of the Rizal Library, and get the couch as often as I can because of the comfort (and charger) it provides.

Of course, I wouldn’t have been able to power through this year without the help of my closest friends: Sevi, Gwen, Raya and Christine. I always had this nagging fear in the back of my head that I wouldn’t be able to find a tight-knit group once I got to college, but thank you for proving me wrong. Thank you for letting me be my true self, for entertaining even my most random thoughts and for accepting all the kalat that comes with being my friend. I sincerely hope that we stay together and have more Gino’s dates in the future along with Chloe!

To Gela, Jill, Shar (and Dom, but we don’t have any pictures together except for the last one HAHAHA) - I didn’t expect at all that I’d be writing about you guys. I was so intimidated by all of you at first, because I felt like we were so different in terms of our upbringing and environment. But after getting to know you, I came to realize that you are seriously some of the most down-to-earth, chill people ever. Thank you for always providing quality chismis, volunteering to find me chinito boys to date and giving me apps to make my IG stories look cuter.

To the rest of X1, we weren’t exactly the most united and we knew that - it’s just that we were probably the most diverse out of all the groups in our batch, and with that comes clashing personalities and differing opinions and interests. But, nevertheless, I am content with the time we managed to spend together, where I was able to get to know all of you!

To the friends that I made outside of my block (and even my course), thank you for laughing at my jokes and telling me that I'm fun to talk to. Hopefully, we get to hang out more and maybe even have common classes in the future hehe

To my Enlit section, we barely spoke to one another during the first semester so I fell under the impression that you were all stoic and no fun to be with. But, I was proven wrong eventually. I wish I was able to talk to more people in LL, but to the classmates I was closest to (Dootie, Cyrah, Czarina, She and Jessa), I will never forget our side comments and mini-rant sessions. I heard we’re having another English subject come sophomore year, and I really hope I end up with you guys again.

All in all, there is no other word that could sum up the experience that was my freshman year in college better than “adventure”. It was every single emotion on the spectrum All At Once, but I wouldn’t trade it for the world - in fact, during the first half of the semester, I admit that I’d entertain thoughts of alternate universes where I’d be an Iska/Lasallista/Tomasino out of sheer curiosity, but now I just can’t imagine myself anywhere else. Anyway, enough with all that drama. I’m going back to school in three weeks to start my summer term, which we fondly (lmao) refer to as intersession. So, there’s technically nothing to miss.

Hope the rest of you enjoy the summer break that I unfortunately will not be able to experience until I graduate from college! Wishing you nothing but love and light, always.

Angel

[ynibytina]

Meet Spencer Kane!!!

I fell in love with Spencer Kane's voice when I heard his song "One Of THE Kind" on Youtube. The message of the song is simple: everyone is different, so stand out and be yourself, and don't be a bully. I recently got to interview this Kendallville, Indiana native that is a spokesperson for PACER's National Bully Prevention Center and also is just about to perform on the 2013 iShine Live tour. If you want to learn more about him, you can check out his personal website, YouTube channel, or Facebook & Twitter pages.

Favorite Musicians: Tobymac, Lecrae, Trip Lee, Jor'Dan Armstrong, Jason Derulo, Capital Kings, The Ground Above.

Favorite Movies: Ace Ventura Pet Detective (#1) & any action movies.

Favorite Books: I Am Number 4 Series.

Favorite Color: Blue.

Favorite Holiday: Christmas.

Mac or PC: Both.

Twitter or Facebook: Twitter.

Blackberry or iPhone: iPhone.

Chocolate or Vanilla: Vanilla.

Winter or Summer: Summer.

Pancakes or Waffles: Pancakes.

Math or Science: Math.

Past, Present, or Future: Present & Future.

What's your favorite song off your new EP besides "One of THE Kind?"

Move-In The Right Direction is my favorite on the EP because even though I wrote 4 of the 5 songs on the EP, that is the one which I was most involved in creating the music and overall production. The other songs I sang and gave input, but they were more directed by the Executive Producer and Producer. I like them all, but Move In The Right Direction was almost like I was able to help assemble each piece of the song the whole way through. The others I would sing my vocals and then kind of wait for the producer to give me a rough cut with music that I could critique and just kind of wait to see what happened. MITRD was very hands-on in the studio in Nashville for me and that will always be my best memory of this EP.

What made you realize you wanted to pursue a career in music?

I believe it was when I was 13 and auditioned for a local version of an Idol competition in my county. There were like over 100 people who tried out in my age category (under 16) and I made the top 10 and actually finished 2nd place. (The video of this performance is on my Youtube channel). I sang Sunday Morning by Maroon 5 and the judges of that competition were professional artists and voice trainers. They all said I did well. So when I look back and see that someone other than family felt I may have a chance to do something with music, it sort of made it easier to choose to pursue it. But even then and until the past 6 months, I was still not sure if it was something I'd do as a hobby or pursue professionally. Once I met with iShine in Nashville and Robert Beeson (founder of Essential Records who originally signed Jars of Clay and Third Day, and like the winner of 6 Grammys and a bunch of Dove Awards) I was told I had good potential. So, I guess that made it even more clear that I should take it more seriously. I'm such a jock athlete, it's been hard to walk away from a life in sports and dream of playing at the highest levels, but right now I'm just like taking it a step at a time and hopefully this upcoming tour starting on February 15 will make the picture even more clear. LOL.

What can you expect to see in the fourth season of iShine Knect?

The show is based on a school of performing arts and students who are talented in a lot of ways. It centers around The Rubyz, Mission 6 and a few other regulars. This new season was my first and I play myself in the show (Spencer Kane). I have a few episodes where I have more speaking lines than not, but many where I am just an extra in the background. I do know we filmed me performing my entire EP on stage at a concert at TBN Studios in Nashville the beginning of December 2012. I know they will be showing me singing on some episodes. I really liked the scripts and the topics of each show and think the over 1 million kids who tune in each week will like it too.

Your song "One of THE Kind" is about bullying. You recently became a spokesperson for PACER's National Bullying Prevention Center. How did that come along?

Yes. That song was based a lot on my own personal experiences in junior high and still even now being bullied for things. But it's also about some of the sad stories I've been told by fans around the world who face bullying in their own country just like here. Some places it's worse than here, but bullying is bullying. So the song is kind of my way of telling people to reach out and be kind and talk to people who may be hurting. PACER was a site that we submitted my song to in hopes they would tweet it or at least post a link on their site of the music video since it was based on what they are all about. That kind of led to a few phone calls from them to learn more about me and after a conference call with my manager in early December along with my dad and I, we sort of agreed to move forward in them helping me with bullying prevention curriculum to share at my live performances and them having me become a national spokesman for their organization. It's quite an honor since Demi Lovato has been their primary spokesperson for the past 5 or 6 years. They work with Disney and The Ellen Show as a partner against bullying, so it's really cool to know that they believe in my message enough to want to join together in our efforts to prevent bullying.

Someone once said write what you would want to perform over and over again. With that in mind, if you could only sing one song on stage (one of your own songs and one cover song), what would it be and why?

Great question. Right now I'd have to say "Be Alright" by Justin Bieber is one that I relate to and think I can sing well in a live performance. Reason To Be from my new EP is one that I actually like to sing because I believe the producer helped me to get the best out of my vocals on that song. I think people that hear the song really connect emotionally and in a live concert, that's what you really hope for.

What does a current day in your life look like?

Haha! Well, thank goodness right at the moment it's not been as crazy as it was from June until Christmas in 2012. But the tour is coming up in February and March and I'll be on the road for nearly 5 consecutive weeks and that will probably be crazy. But I'm a full-time H.S. student and varsity basketball player. I wake up early for school at like 6:15am and have to travel like 20 miles to get there one way. I usually have practice or a game 6 days a week, so I can usually plan on being up until 10pm working on homework, home chores, or cramming whatever other free time I have into something to do with music like chatting with fans online, or rehearsing music, writing music, listening to music, filming music videos or Vlogs, or even doing interviews or performances somewhere. Most people don't know HOW I fit my life in, but we seem to manage as a family right now. I'm sure my schedule after the tour may look different.

Besides music and sports, what do you like to do for fun?

I'm an Xbox gamer. I love playing online against friends or people I don't know. I'm very competitive so I like being able to try to beat my personal best score or be able to talk smack to a friend if I can manage to beat them. I play sports games or Call of Duty. Otherwise, I'm a movie guy. My parents and I watch a lot of movies when we have the time. I have a pretty beast-man cave in my basement where my dad and I just chill, so that's fun. Sometimes I go to the mall or hang with friends, but not very often.

What does your family think of your performances and how do they support you?

Well grandma's, of course, think I'm amazing. LOL. But honestly, my aunts and uncles are pretty supportive too. My best friend is my cousin Evan who is also 16 and he and I go to the same school. He is a huge supporter of me too. But my mom and dad are probably my biggest help. Dad owns a marketing company and is a photographer and videographer. He films all my music videos and edits them. He also does all my pictures so that is a huge help. He manages my marketing stuff like album cover art, and posters, and making my website. He like takes care of a lot of the business stuff for me like contracts and stuff. Mom is my cheerleader and is always checking out the "fangirls" to make sure they aren't up to something that will hurt her little boy. LOL. But I'd say that a lot of what I do with music is because God put me in a great family. My parents always try to make sure I have time to be a kid and have as normal a life as possible. So I guess that is a huge help too.

What's the best part about working with iShine?

I think the fact that I can be the artist I want to be and don't have to meet a stereotype that people expect when you're working with a Christian media group like iShine. I mean, the first time we ever met I explained that I'm definitely a Christian and always want my music to be morally positive, but I have NO plans or call to be a "Christian Artist". Like I don't envision me making albums of praise and worship type songs. It's not who I am or how I want to make music. iShine owners and management said they appreciated my sincerity and honesty and that it made them even more supportive of working with me. They believe my music will reach a broad group of young people who may or may not be Christians and that, I guess, is a good thing for them. So, they have been amazingly helpful in developing me and teaching me about the music industry. They let me work with Jeff Savage (Tobymac's Grammy Winning producer from the album Momentum and Diverse City and the writer of Irene and J Train). That alone was amazing to know I was working with him. He's awesome. He produced One of the Kind, 413 and Blue Sky from my new EP. So just working with him and then working with Zach Hall (producer of Newsboys "God is Not Dead" album) was also amazing. So I just think our goal in 2012 was to be able to work with professional and experienced producers who could help my music get to the next level, and iShine has definitely helped me to do that.

If you could perform anywhere in the world, where would you play and why?

I think anywhere in a huge venue with like 100,000 fans would be incredible. Even like 20,000 fans would be insane. I think the location isn't as important as knowing I would be able to perform for people who really wanted to see me perform. That's going to always be my goal. I love making music videos and seeing people like them on Youtube, but performing live in front of a huge audience would be fantastic.

[yeslabyrinth]

MOST COMMON QUESTIONS (ACCORDING TO REDDIT)

  As a consumer of all things improv, I research as many blogs, books, and videos as possible. This includes the subreddit r/improv. The nice thing about reddit is that if you subscribe to any niche subreddit, you can start to see the most common questions that arise, and it's kind of a reflection of the culture around that particular subject. Today, I want to pull from this hivemind the most commonly asked, and repeated questions on r/improv, and just give me take on them.

1) ANY EXERCISES TO DO BY MYSELF TO PRACTICE?

  I will give you a couple things to practice, but I also have some thoughts on this question. First, I love your enthusiasm, person who asked this question. You're probably new to improv, you love it, and you want to be doing it all the time. I empathize with you completely. The thing is, improv is ALL about playing with another person. It's about building something TOGETHER with other people. So, while there are things you can do by yourself to practice some of the skills you're doing, you are not going to gain much from playing with yourself aside from getting a little better at characters, or object work, or sharpening an accent. To really get great, you're going to have to practice with others. It's kind of the best, and worst part of doing improv. Whereas if you wanted to get good at piano, you could just hide in your room all day, putting in your 10,000 hours to master piano. With improv, those 10,000 hours will come with some company.

Now, instead of exercises, I think the best thing you can do to improve your improv chops is to just be present in your real life. Notice how people talk, notice when you meet people, notice when you think, "they were such a character", and think, "what made them that way?" Notice how people act when they think no one is looking. A lot of improv is playing real, and to the top of your intelligence, so study your fellow humans, and take account of your own habits, and idiosyncrasies, and bring those to your play. The other piece of advice is the opposite of this, but it works well too. Study film, and all forms of fiction. Knowing the tropes of genres, and the tropes of life can help you play in scenes. You can think, "oh, this scene feeeels like a slasher film scene", and you can play the role of a person in that film. Art imitating life, imitating art, and so on forever.

2) I'M STARTING IMPROV TONIGHT, AND AM NERVOUS. WHAT DO I DO?

Oh, man. EVERY single improviser had these nerves before their first class. It doesn't matter if they were the class clown, super shy, a theater major, whatever. You're literally about to practice how to be funny on the spot. That can be super intimidating to anyone. I did a post on this already

https://yeslabyrinth.tumblr.com/post/166045247048/its-okay-to-sweat

, but first off, it's great that you feel this way. I've only had two students I would say I haven't enjoyed teaching, and it's solely because they thought they knew everything. They could have used some self evaluating filter that allowed them to be vulnerable, and honest with their emotions.

Secondly, be certain that everyone else in the room is a bit nervous, but your first improv class can, and should be an incredible time. You will begin learning an artform that encourages support, trust, and letting go of fear. You are not in this alone, and you never will be. Any curriculum worth a damn will be showing you this from day one, minute one. Let's say worse comes to worse, and you take this class, and realize it's not for you. By just trying something new, and getting outside of your shell, you're doing a great thing. So many people go through life, and never allow themselves to be in a position where they might "fail", and that is the ultimate failure.

3) HOW DO WE KICK OUT A MEMBER OF OUR GROUP?

This is always a tricky situation, and of course, how you handle it varies a bit depending on why it is your group feels like you need to kick someone out of it. The best thing is to always be direct about this. If you are feeling this way, and you talk to your other teammates, and they too feel this way, than you first need to see if cutting them is the only option. Sometimes, just a conversation with them can be the kick in the ass they need to shape up. Sometimes, they are too problematic, or will never change their ways, and you have to cut them. Make sure when you bring this topic up to the group that you don’t try to use your opinion to skew everyone else’s mind. I may start the conversation with, “How does everyone feel about Pat?”, and let them speak. If everyone else seems to be cool with them, than maybe it’s you that has the problem, and you need to just talk with Pat one on one.

Noting a fellow improv teammate is always a tricky thing. Ideally, if your problem with them is based on their play style, and choices they make, the instructor should be noting them on these things, and not you. But, if your problems are more personal, like you don’t like them as a person, or think that there is no way you, and this person can be on a team any longer, again, be direct. The more you try to tip toe around it, or just make a decision like sending an email that they are cut out of the blue, the more problematic you will make the situation. Having a conversation about not wanting to be with someone is hard, but avoiding confrontation by doing something very passively confrontational is even worse.

4) HOW DO I KNOW IF I’M FUNNY?

Wow. This is a weird question. For one, it assumes that only the class clowns, or the constantly witty people in life are the “funny” ones. To be a good improviser, you need a lot of skills. Listening, honest reactions, noticing what’s absurd, making choices, recognizing a pattern, living in the moment, etc. But of all the major skills, being funny is actually not a prerequisite. I know a lot of amazing improvisers who wouldn’t say they are very funny, but consider themselves good at improv. In fact, the “funny” people, often struggle in improv because they need to do something other than to be the center of attention. They need to support, and often their jokey moves can undercut a scene, and cause resentment with their fellow players. In general, being a naturally funny person is a good thing, and can give you a leg up in improv if your whole life you have been doing bits with your friends, but with enough practice, an “unfunny” person could quickly surpass some “funny” person in improv.

All that said, I think the top comment from u/Rhynick on reddit nailed this answer with this comment. “You’ll be a lot funnier when you stop worrying about it.”

5) HOW DO I SHUT DOWN SEXISM/HARASSMENT IN A SCENE?

I feel slightly odd answering this question being a white, bearded dude in improv, so let me say talk to women in your improv community about this to get a better answer. These are just my thoughts from my experience. That of a white dude.  This question has come up a few times this year, and unfortunately, I expect to hear more, and more about it in the future. In the reddit threads, a woman would give an example of a man who would often turn their scenes sexual, or made comments about their appearance off stage that made them uncomfortable.

The first thing you have to do, is tell this person that what they did made you uncomfortable. In a perfect world, the coach would notice you are uncomfortable, or just notice the sexism of the scene, and call this person out in front of everyone. Even if they didn’t intend to do this, I think being called on your shit is something that needs to happen more often, and ANYTIME anything like this comes to light. If you personally don’t feel safe having this conversation, please get with someone popular in the community to help you have this conversation. No matter what, the person who did this needs to know it’s not cool.

So, in my experience, if you confront someone who does this, they will have one of two reactions.

1) They say they didn’t mean to, apologize sincerely, and say they will change.

2) They make up excuses to reason away how what they did was fine, and you’re being too sensitive.

Even in the first scenario, where the person seems sincere in not meaning to make you feel this way, and they feel that it was not their intent to do it, you need to let them know that intent does not matter. They made you feel uncomfortable, and they need to know it. Any human worth a damn will agree, and be more cautious in the future. They will not make excuses, and try to paint themselves as the victim. 

For this second person, get them the fuck away from the community if at all possible. We should have ZERO patience for this shit. If it happened once, and they seem to not take any responsibility, what will happen the next time? Who will they do this to next? If this person is in some high position of power in the community, all the more reason to get them the fuck out of there. Oh, and one last thing to remember, BELIEVE WOMEN!

That’s all the answers I have for today. If you get a chance, look into reddit.com/r/improv It is a small but growing community, with lots of great people trying to help each other out.

[fashiontrendin-blog]

Two Women in the Art World Reflect on the Past to Imagine the Future

http://fashion-trendin.com/two-women-in-the-art-world-reflect-on-the-past-to-imagine-the-future/

Two Women in the Art World Reflect on the Past to Imagine the Future

In partnership with GUCCI. 

M

y mom, a former historic preservationist, swears she can do what so many voyeurs wish they could: hear walls talk about all they’ve seen. She’s like a house-whisperer for old buildings, a medium of storied districts, a bridge between past and present of landmarked grounds.

My own mind is nowhere near as filled with historical research logged or information gathered, but my mom has taught me to walk through neighborhoods with an awareness of its many dimensions, its many pasts, and its varied depends-who’s-looking present.

Soho is a prime example of this kind of space with a storied past. What is now very much a shopping destination was at one time, during the 1970s and 80s especially, an artistic hub — a place where art, music, fashion and creativity in its many forms converged (if not clashed together like drum cymbals). But just because the neighborhood’s focus has shifted doesn’t mean its gaze is gone entirely. In addition to the Soho galleries that still exist, new art world stories are being made.

On May 6th, Gucci opened its first-ever presence in Soho at 63 Wooster. We partnered with Gucci to celebrate this opening and pay homage to the neighborhood’s artistic roots. To do so, I spoke with art activist Kimberly Drew and artist Sue de Beer about their own experiences South of Houston. De Beer showed her work in the area, while Drew did a residency there — both of them on different paths, linked by a Soho string. Meet these two women below. Maybe through their stories, you’ll be able to catch the whisper of another era.

Writer, Art Activist

Tell me about your involvement in the art world. How did you get started in it?

I studied art as an undergraduate, I currently work in the art world, and I work as an advocate for the arts. What that means is I have a keen interest in making the world of art — specifically visual and performing arts — more accessible to large audiences. I spend a lot of time thinking about how people feel really connected to music, or really connected to food; I’m trying to make the visual and performing arts barrier to entry a little bit lower than it’s been historically to help foster a similar connectivity.

My first introduction to the art world was during an internship at the Studio Museum in Harlem, which really provided my framework for how to engage with a general public, and my framework around how stories of art history, specifically, can be really restrictive. I studied art history in college, then spent the summer at the Studio Museum where I learned about artists who might never be in the curriculum that I was studying in school. Of course, there are schools with programs all over the world that exist to focus on specific genres of art, but it took me going to a really culturally-specific institution to realize there was a lot that I was missing.

What did you learn about public engagement?

I learned that people need an invitation to engage. This also happened simultaneously through my blogging efforts. I realized it’s one thing to say, “Here’s this really amazing artist,” and another thing to say, “Will you go see this work with me?”

In 2016, I did a residency at Recess, which, up until very recently, was housed in Soho, on Grand Street. The project was called “The Black Art Incubator” and I worked with Taylor Renee Aldridge, Jessica Bell Brown, and Jessica Lynne to make it happen. The idea was born during a drink date with Jessica Lynne. As we sat, we both expressed our frustrations about the art world. We thought, “There are so many creative ways we could bring people together. Why do people who work in galleries feel really separate from people who work in museums? Why do people who work in philanthropy feel really separate from these people who are working in other parts of the art world? What would happen if we brought all of these people together through a black cultural lens to have a more integrated dialogue about the way that different things happen and operate in the art world?” We broke our inquiries into four categories: thinking about finance, archiving, professional development, and criticism and developed workshops that would focus on each topic. Over the course of five weeks, we hosted about thirty free programs in the Soho community.

Given that Soho is so rooted in the art world’s history, what was it like to work in an art-centric space in Soho?

Because Recess is a public art organization, and “The Black Art Incubator” was open to the public Tuesday through Saturday, there was healthy mix of people who wanted to come to the space, or people who happened to just be walking through the neighborhood. I normally work primarily in digital spaces and in direct relationship to an archive rather than with the general public, so it was amazing to see what a holding space for this kind of thing looked like, especially in Soho. Soho is such a heartbeat in the way that New York operates.

When I think about Soho, specifically in the arts, and spaces that were super important, I think about Franklin Furnace, The Drawing Center, Sur Rodney (Sur)’s Gracie Mansion Gallery, and even over to spaces on the Lower East Side. These spaces were all critical hubs for art experimentation in the 70s and 80s. As lifelong student of art history, these spaces and the Soho lofts stick out to me as a radical sites that I hope to learn more and more about with every chance I get.

Whenever I think about the 80’s Soho art scene, I think about a real merging of art, music and fashion. Do you think we have that today in the same way?

I think there has always been a really clear wedding between art and fashion. Human beings have long used both art and fashion to communicate who they are. I don’t think that’s ever going to stop happening.

What’s interesting is that I couldn’t imagine an art world without fashion, or a fashion world without art. Even wearing something that’s super muted is a very particular aesthetic choice. My big hope and takeaway is that the way these things are historicized is done in a more vibrant way. I think there’s a lot more to be done in the way that history remembers fashion, or fashion is communicated. There’s a really strong arm around fashion journalism, but there isn’t the same kind of strong arm around fashion history, or how history is told through fashion — whereas art history is like, ironclad. I hope that marriage continues to happen so that stories are properly told, that things are interrogated, and that we continue to learn from how people have created things and how we’ve used those creations to tell who we are and where we are in a moment.

Since you did your residency in Soho, what areas feel super nostalgic to you?

41 Grand Street, which is where Recess used to be located. Going to The Drawing Center always feels significant and it’s in the same area. When I think of Soho, I really think about the intersection of Grand and Wooster. Deitch Projects is right there. Housing Works falls into my own Soho outline as a really important space, too, since it’s an organization that is as much about art as it is serving New York’s homeless community. Some of the great poets have performed there, there are so many book events there; it’s such a birthing place for culture. Of course, this is a contemporary read, but when I think of this triangulation between Housing Works, Angelika Film Center (at the very tip of Soho) and the Drawing Center, it reminds me why I love living in New York City, and part of why I remain committed to the creative community here.

What are your personal hopes for the future of the art world?

I think we’re in a moment of particular demand on our attention and literacy, so I hope that people really take a slower look at what’s going on in this particular cultural moment and think about the ways in which we can support it. It’s not just being a huge donor and buying a piece of work, it’s going to openings, it’s engaging with your friends who are thinking about creative outlets. Investigate the areas of art that peak your interest — and don’t stop just because you’ve hit a dead end in your research. My hope is that as citizens of our respective communities, we take time to remain curious.

Artist

Can you tell me about the moment or series of events that put you on the path to becoming an artist?

I had decided to become an artist when I was quite young. I was still in high school. I think a key moment for me was being expelled from high school [laughs]. Before that I was on a kind of academic trajectory, and no one in my family had ever become an artist or done anything creative. I think the idea of becoming an artist was confusing to them. My family also didn’t have a lot of connection to contemporary art or the contemporary art world. So as a young person, when I was expelled from school, because people’s expectations of me changed, I suddenly had this radical freedom.

I started looking at art. I was curious about it — it was unfamiliar to me, and I found it to be really challenging. I was living in a small town in Massachusetts, and I would take a bus into Boston to visit museums. I took some art classes and fell in love with it.

I also was looking to music for information about art (which doesn’t really make any sense). I was into the Velvet Underground at the time, so I discovered Andy Warhol through Lou Reed. Because of his music, I had this idea that New York was a place where artists lived. His music made me think, “I should be in New York.” So I applied to art schools there, got in, and moved. It was a lucky set of poorly-made decisions.

What was your first day in New York like — or your first day of art school, your first realization of, “I am actually in New York…for art school?” Did it live up to your expectations?

I didn’t really have realistic expectations. I didn’t quite know what or who artists were. I was going off this self-taught, feeling-in-the-dark drive that brought me here in the first place. But I do remember, in the first week, just feeling like New York was the place I really belonged, and art school felt really natural. It felt like home.

I had always felt like I didn’t really make sense in my small town — I was a bit different — so it was nice to be in a place that was so big and so much. There’s so much going on this city, so many different kinds of people; it felt electrifying, and it opened my mind and broadened my thinking.

Can you recall one instance when you were like, “Oh, this is an artist”?

There were so many. I was interested in Johanna Fateman, who was self-publishing ‘zines about contemporary art. I was friends with Dennis Cooper and he introduced me to West Coast artists and the scene out there.

A few exhibitions really made an impression on me as a young artist. One of them was this Nari Ward show at Deitch Projects [Happy Smilers] — it was a big installation piece with fire hoses and a fire escape in the middle, and he had painted the walls yellow, which I thought was a crazy color to choose. It felt shocking to me. The whole installation was immersive and beautiful.

1993 was the first time I saw the Whitney Biennial. It was my first encounter with a broad array of contemporary artists, and it became a touchstone that I compared other exhibitions to. I remember much later, comparing the ‘91 Biennial catalog to the ’93 Biennial catalog, and realizing that a dramatic shift had just happened in the art world right when I arrived in New York. Many artists of color were included, a lot of female artists were included in the show. To me it was a baseline, what was “normal.” It continues to be what feels “normal” to me.

The early 90s in New York was a brilliant time to begin to participate in the art world because of the energy at that time. Later, I think the art world boomeranged back and narrowed down again, and that was an awful shock to me: like the only male “group” shows, or only female “‘group” shows. But the art world goes in waves.

What part of the wave do you feel like the art world is in now?

Well, I think this is an exciting moment. Things seem to be opening back up. There’s all kinds of energy going on right now that I really love, that I haven’t felt in years. It makes my heart beat faster.

When the art world swung back into its conservative mode, all of these voices went missing. It was so depressing. So boring.

How do you think social media effects the art world today?

I like how social media changes who the gatekeepers are for content and ideas. It’s added an additional venue, or an additional access point that has nothing to do with the market or capital. Social media is about an image or an idea, like Kimberly Drew talking about power, history, and representation through what she posts. I also like to follow Liz Renstrom, who is one of the few female photo editors of Vice.

Your work was shown in galleries in Soho in the 90s — what was that whole experience like?

Oh. The art world was much smaller back then — or it felt that way as a young person in the space. Some of my friends who later became artists or gallery directors worked in the fashion boutiques in Soho to pay their rent.

There was this row between Grand Street and Wooster where there were some fantastic galleries and some great shows happening. I had some work with Stefano Basilico for a while. He had a small gallery space next to Friedrich Petzel. I did a show with Jeffrey Deitch at Deitch Projects.

I was briefly represented by Jack Tilton Gallery. I remember he had just taken on the artist Xu Bing, who did a show for Jack [A Case Study of Transference] that involved live pigs…

You must have so many great stories from this time…

So many. I remember I had a woman helping me sew these stuffed animals for my installation for the 2004 Whitney Biennial. She had a studio on Canal Street on the fifth floor of the building (places were accessible then that aren’t today because of New York City real estate), and we produced work there.

We didn’t realize how big the animals were until they were actually stuffed. We couldn’t get them into the elevator because they wouldn’t fit. I tried to squeeze them in the stairwell and they barely moved. The animals were two or three feet taller than me. It was like a five-story birth canal with this circular staircase, and there were three of those animals to get downstairs.

You couldn’t have a studio space on Canal Street today unless you owned it, but at the time, it all seemed very reasonable and very funny to be squeezing this giant purple lion thing five floors down.

You’ve been showing your work for 20 years now. What projects are you currently most excited about?

I’m getting ready for my show that opens on June 21st at Marianne Boesky Gallery. It’s my werewolf film, The White Wolf, that I’ve been working on for two-and-a-half years. I asked Yuka Honda, from the band Cibo Matto, to star in it because I’ve always been a fan of hers. She’s just magentic on camera.

I’ve also been thinking about the past recently, so I asked Marianne if we could show the first body of work I produced when I was a young artist in my twenties, which are these horror photographs I made between 1998 and 2000. So the werewolf film is the major installation, and then in a project room, we’re going to show these horror photos. I’m excited about it. I think the works will be in beautiful dialogue together. [Horror, as a genre] has a specific type of beauty. It has a sort of gracefulness to it. My work has always asked about the way that people are, or what people love, or what they fantasize about. It plays around with form and changes it, and pulls it apart, and puts it back together again in the wrong way. It asks a lot of questions about the nature of people.

10 PHOTOS click for more

Photos by Edith Young; Styled by Amelia Diamond; Makeup by Teddy Wilson; Hair by Sergio Estrada and Regard Tang. 

[wordcollector]

Trypod: Tackling Podcast Unawareness with My Top 10 Podcasts

This month, NPR asked people to share stories about their favorite podcasts in an effort to encourage others to try listening to podcasts.  The effort has been termed ‘trypod,’ which is admittedly clever, but which makes Google really mad when you try to search for more information. Google’s spell-check aside, I wanted to participate and share my top 10 favorite podcasts, the ones that have kept me company on my long drives between Kentucky and Missouri.  Maybe you’re looking for a new podcast to try, or maybe you’ve never listened to a podcast and don’t know where to start.  Or maybe you’re looking to find someone with weirder listening tastes than you to make you feel a little bit better about yourself.

Whatever the case, I give you the 10 podcasts that have managed to capture my heart and my ears:

Animation Addicts Podcast: I love all things animated, so it was great to find a podcast of other late-20s-year-olds discussing animated films and shows.  But better than that, Chelsea, Morgan, and Mason really discuss these films, dissecting the story and the characters, examining the style of the music, arguing about whether the jokes are funny or annoying.  It’s fun to recap some of my favorite films and to hear other opinions about them.  I also really like that the three share information regarding the history, the context, and the innovations of each film, particularly when Mason, who’s in school for animation, talks about new computer technology, programs, or techniques that were used in making a particular film; even though I don’t always understand all the technicalities, I can appreciate the outcome.  The Animation Addicts Podcast is the perfect show for any animation fan, and it’s guaranteed to brighten your day.

The Black Tapes: The Black Tapes is set up as a mockumentary of sorts, one that explores the unsolved and unexplained cases of a famous paranormal researcher.  Even though you know this story isn’t real, it’s easy to forget it at times, especially as the cases begin to resemble those horror films that begin with ‘Based on True Events.’  Alex is an interesting and determined lead, and her back and forth relationship with Dr. Strand both as friends and as professionals is fascinating to hear unfold. This podcast may be a bit scary for some listeners, as the cases do sometimes get a bit graphic, but it’s a great podcast to pull you in and keep you listening until you run out of episodes.

Harry Potter and the Sacred Text: As the name suggests, Harry Potter and the Sacred Text examines the Harry Potter books as if they were an actual sacred text a la the Bible.  Each episode covers a single chapter of the series, beginning, of course, with the Sorcerer’s Stone, featuring quick recaps of the chapter from the two hosts and then proceeding into a discussion of the characters, events, and important truths found in that section.  Eventually the hosts begin to look at each chapter through the lens of a particular theme—with a new theme each week—and it’s fascinating to see what can be revealed about the story when you look it from a new perspective.  The chapters are also discussed further using one of a handful of sacred practices designed to deepen the understanding of the chapter.  Don’t let the hint of religion push you away from this great podcast.  They’re talking about Harry Potter and not any true religious text, but examining these books as if they were sacred will reveal thoughts and feelings that will make you realize all over again just how fantastic a series Harry Potter truly is.

Invisibilia: One of the few NPR podcasts I truly like, Invisibilia examines the unseen forces that impact us as individuals and as part of the human race.  These are things like our natural tendency to categorize people and things, the way clothes influence our perceptions and feelings, and the power of societal norms. This is definitely a podcast that makes you think as the hosts present interviews, scientific studies, and personal anecdotes all designed to open your eyes to the invisible factors affecting your life.  

Lore: Lore is a podcast that explores tales and folklore from around the world with an eye for telling the true story.  Each episode focuses on a different topic, whether that topic is a person (H.H. Holmes, Mary Toft), an event (Salem Witch Trials, the construction of the Hoosac Tunnel), or strange and explainable occurrences (curses, doppelgangers, supernatural creatures).  The host presents whatever facts or information is available on the topic in a way that is both informative and intriguing, and I appreciate the obvious amount of research that goes into each episode.  I also appreciate that, for the episodes where something explainable is discussed, the host gives evidence for multiple possible explanations, yet he always ends with one final bit of fact that really makes you consider your beliefs on things that exist at the edges of what’s truly known and what could be.  Some episodes are spooky, some are horrible, others are simply sad, but they all tell fascinating stories that will leave you wanting to know more.

Sayer: Sayer is a sci-fi/horror podcast with a psychopathic AI that someone decided should be in charge of everything.  Set on Typhon, Earth’s new man-made moon, each episode is narrated by Sayer itself as it provides you with information and instructions to help you get along in your new home and job.  Unfortunately, terrible and bizarre things happen quite often on Typhon, so you get placed into a tale of new chaos every episode. The storylines seem strange and disconnected until things really get going and you realize everything is in fact part of the same story.  It’s likely you’ll end up re-listening to episodes in a new light after new information has been revealed.  The story has a great ending if you manage to put all the pieces together, but I will admit to being confused from time to time, so here’s a free bit of information to help clear things up: there are no bees on Typhon.

Serial: I will admit to only having listened to the first season, but that was enough to land Serial on my list of favorites. If you’ve watched Making a Murderer, this story is quite similar, with a young man being convicted of a murder he swears he didn’t commit and a line of evidence that fails to conclusively prove anything.  The writers have done a fantastic job of laying out all the evidence and presenting both sides of the story.  They make no claims as to the man’s innocence or guilt, but they show that there was enough reasonable doubt to make you wonder how the man ever got convicted.  A lot of time and research has been put into making this podcast, and although it’s tough to listen to at times, you’ll want to binge all 12 episodes of season one.

Stuff You Missed in History Class: Educational yet entertaining, Stuff You Missed in History Class is a podcast that cover historical people, events, places, and artifacts that probably didn’t make it into your high school curriculum.  There are a wide range of topics, and each episode covers something new, so you’re free to pick and choose what ones to listen to.  And there are plenty of episodes to choose from, since this podcast has been running for a while.  It’s fun, it’s interesting, and it’s educational in a way that will make you look really smart come trivia night.  A must-listen for any history buff or for anyone wanting to know a bit more about the past.

Welcome to Night Vale: You’ve probably heard of this weird little podcast or at least seen it as you scrolled through the most popular podcasts on iTunes—this podcast has been high on the charts since it was first released.  Welcome to Night Vale is a community radio show for Night Vale, a little desert town where some really strange stuff happens.  No one’s allowed in the dog park except for the hooded figures, the librarians are more likely to eat you than they are to help you find a book, and you’re liable to be late for work because the Faceless Old Woman that Lives in Your Home filled all your shoes with scorpions.  And these are just the things that happen on a normal day.  Welcome to Night Vale may seem too weird or too ridiculous—and it is more than a bit of both—but it’s also extremely intricate, clever, heartwarming, and truly terrifying.  It takes pages out of shows such as The Twilight Zone and Twin Peaks to create a world where things aren’t quite right, but where the people you meet are truly one-of-a-kind.  But only because everyone had to kill their double.  Wait, you let your double go? And she’s working at Big Rico’s? You’d better hope the City Council never finds out.  

Witness: Produced by the BBC, Witness presents interviews from people with firsthand accounts of people, places, and events that changed the world.  These interviews span decades and cover a wide variety of topics, and each gives a unique and personal voice to a time past.  It’s educational, but still interesting, and once again, there are years of episodes to pick and choose what interests you.

Bonus: Flash Forward: Every episode of Flash Forward begins with a quick trip to the future, where some change in society has altered how our world works. Some of these changes seem more realistic than others, yet each is truly a possible scenario, with some even probable in the near future if technology continues to progress as it has.  Upon returning to the present, the host discusses the realities and consequences of that particular imagined future with experts on the topic, ranging from psychologists to scientists to science fiction writers.  It’s a very logical game of “What If?” that will sometimes leave you looking forward to the future and other time will make you paranoid of how humanity will screw itself up next.

There you go.  My top 10 podcasts plus one extra just because. The next time you need something to listen to, check out one of these podcasts or one of the other thousands of podcasts available now.  Whether you’re looking for something that makes you think, something that makes you laugh, or something that makes you cry, there’s a podcast for it.

So try a podcast today. You won’t be disappointed.  Happy listening.

[kroncreative-blog]

Top 10 Saviours of 2016

I’d like to start off 2017 by taking a brief trip down the 2016 section of memory lane. 

2016 was a mind trip of a year. From the stacks of shocking political moves, across the globe, to the sheer number of legends taken from us, this year has been a lot.  On a personal level, the trials and tribulations of the year were made a little easier because I started dabbling in a little self care. It wasn’t a conscious decision: it just kinda happened. Some of my fav artists dropped gems, lost a little weight, started sleeping a little more. These all helped pull me through. They were so helpful in fact that I am bringing some into 2017. So here is a list of my top 10 saviours of 2016. 1. Lemonade by Beyoncé Unless, it has not yet been made clear, I am a HUGE Beyoncé fan.  This album and accompanying film was easily one of the highlights of my life never mind year. The album itself is a stunning showcase of Beyoncé’s range and ability - not that we needed any more reminding. ‘Freedom’ and ‘Sorry’ are two of my personal favourites from the album. The visual element of this album is simply beautiful. The way Warsan Shire’s words and the imagery were weaved together was just out of this world.  One of my absolute favourite things about this Bey project though? Was seeing the joy and elevation it brought to the Black women in my life and those I follow online. It was genuinely a heart warming thing to see.  2. ANTI by Rihanna The release of Rihanna’s eighth album at the top of the year was an absolute delight.  One of the highlights of this album was actually the way the album was promoted. The launch of ANTIdiaRy in November and all of the rooms really helped build up hype which this album DEFINITELY followed up on. “Higher”,  “Love on the Brain” and “Kiss it Better” are my jams.  A particular shout out to the opening track “Consideration” with SZA. The way their vocals merge together is like honey.  This album really made me feel like Rihanna is an artist who even with eight studio albums behind her has not yet peaked.  3. Giovanni’s Room by James Baldwin Embarrassingly, despite having a degree in English Lit, 2016 was the first time I had picked up this book by Baldwin. And flipping heck! Why this book is not taught as part of the school curriculum is a down right mystery to me.  The way Baldwin writes is simply astounding. In Giovanni’s Room he deals with the complexities of David’s relationship with Giovanni and others around him in such a palpable way. His articulation of David’s immersion in French culture, his love for Giovanni and in particular Giovanni’s love for David are highly emotive. I felt as if I was going through these experiences with David. Such is the capability of Baldwin.  “I thought of the people before me who had looked down at the river and gone to sleep beneath it. I wondered about them. I wondered how they had done it--it, the physical act. I simply wondered about the dead because their days had ended and I did not know how I would get through mine.”  4. 6,741, S05E04, Person of Interest I could, and perhaps at some point will write an entire in depth blog post on this exhilarating episode, but it was too important to miss out of this list. This was one of the most highly anticipated episodes of this season as it marked the return of Sameen Shaw (played by Sarah Shahi). 

6741 is a mind bender and mirrors the episode If-Then-Else which marked Shahi’s temporary departure from the show.  The way this episode was directed by Chris Fisher and written by Lucas O’Connor and Denise Thé and the concept of it is just phenomenal. Also shout out to Shahi’s fantastic acting skills which heightened the impact of this highly emotive hour of tv. One of the most beautiful aspects of it was the exploration of the depth of Shaw’s feelings for Root. The use of simulation to expose the audience to this was not only creative AF but inline with Shaw’s type II personality disorder.  “Do you know where we are? What they did to me? The torture? I told you I couldn’t escape it. But when things got to be too bad there was one place I would go to in my mind. Here. With you. You were my safe place.” 5. Grayish Black by Devyn Springer I received this poetry collection as a present from a good friend. And my days! What a present it turned out to be.  Everything about this poetry collection is stunning. The cover is black which is intentional. “Your fingerprints are all over this book now. It is all you can see across all the cover.” There is something about this notion that personalises the collection straight away and immediately makes it feel more intimate.  Something which builds upon this intimacy, is the photographs. When I first flicked through, the photographs took me surprise. I don’t think I’ve ever seen photographs in a poetry collection before. There’s also photocopies of some of Springer’s poetry/stream of consciousness/drawings which again add to the intimacy of this collection. The actual poetry though? I found it to be very raw and extremely evocative. There were a few instances where I had to close the book and set it down and come back to it later because the feelings brought to the surface were just too much (in a good way). But such is the power of Springer’s writing. Just so damn beautiful and breathtakingly honest. Again this is probably another piece where I will have to do an in depth blog post just to encourage people to go out and buy this piece and read it. 

“It seems all of the things I hate about myself have latched their claws into my skin, planted seeds in my bone marrow,  built hones in between my ribs, and decided to stay for a while.” 6. Dreamland by Mic Righteous This is one of my many musical highlights of 2016. Not only because I have been waiting for this album for the longest time but because it was entirely worth the wait. Straight out of Margate, Mic Righteous has an undeniable talent. His flow is effortless and his wordplay is genius. And his storytelling ability is insane. Every track on this album tells a story, just a tiny segment of different aspects of his journey. Highlighting his difficult childhood in Margate to his outsider status in the UK Scene.

This album also has a strong set of accompanying videos. Not every track has a video but some of my personal favourites are the passion filled ‘Gone’, party vid, ‘I Turn Up’ and the highly personal ‘Kids’. Stand out tracks are ‘All Dressed Up’ and anthem ‘Tempo of the Dance’. This is an album that you’ll just have to check it out for yourself. 

“My family don't get why I'm dead broke I'm deffo on my arse I guess that's the tempo of the dance I'm certain of my future like a psychic read a palm Maybe it's the patience that's ringin' red alarms I don't wanna see a sceptic have the last laugh Nearly spent seven years to perfect my every part Thinkin' of my examples and I don't get very far Because not many of them last or achieve What they set out from the start Selling out, dwellin' on what could be I live to prove people wrong because they overlook me I live to see my son smile, father livin' cushty” 

7. The Friendzone Podcast Hosted by Dustin, Assanté and Fran, this is one of my favourite podcasts and it’s one that just keeps getting better and better.  As is no secret to anyone, 2016 was hard. But this endearing yet hilarious podcast was something that helped keep me grounded and not get too consumed by the nonsense of this year.  This podcast is primarily concerned with “mental health, mental wellness and mental hygiene because who in the hell wants a musty brain?” Every weekend brings a wellness segment brought to you by Fran of Hey Fran Hey fame which aims to help you increase your wellness. One of the coolest things about this wellness segment is that everything that is recommended is trusted and used personally by Fran. Not only that the segment is well informed providing scientific research where necessary. Some of the things I have incorporated from the show are Palo Santo, weighted blankets, journal work and the Forest Productivity app.  Assanté is the musical maestro bringing us musical recommendations and has put me onto some flames music including Isaiah Rashad and Xavier Omär. His vulnerability adds an extra layer of familiarity to the show. 

Dustin. Sir Dustin is a law unto himself and keeps the show real and hilarious. His speciality segment is reality tv. Every week he gives the lowdown on shows such as Married to Medicine Atlanta and the Real Housewives franchise. His knowledge is encyclopaedic. Also the intro freestyle every week has a special place in my heart. Its literally lit every week and I haven’t heard a dud one yet.  8. Coloring Book by Chance The Rapper Listen. I was BEYOND hype about ‘Chance 3′ since I first heard ‘Ultralight Beam’. Which was also a freaking bop! It was so much of a bop in fact that I am yet to listen to the rest of TLOP. And my favourite part about it was Chance’s verse. Anyway, back to Coloring Book.

Coloring Book is beyond amazing. I am in love with the mixtape, the cover, Chance’s voice, the beats, the production, EVERYTHING. Chance even had me singing along with Bieber in ‘Juke Jam’.

Even though I’m not a Christian I really love the Gospel influence and features on the mixtape. Although the presence of Gospel in Hip-Hop/Rap is not new, I feel like Chance really elevated it. And his level of faith is inspiring.  Every single track is astounding. And to be honest, I know that I’m going to be listening to this for a very long time. I also know that there are not enough words for me to do this mixtape justice.  9. The Good Immigrant edited by Nikesh Shukla With Brexit and the election of Donald Trump largely played to the tune of ‘fear the foreigner’ 2016 has taken a toll on this particular second generation immigrant.  Just when the rhetoric of British Values began to feel like almost like a vaguely defined threat, this little gem came along. This collection of 21 essays hit me right in the heart. These essays represent and validate the breadth of the experience of immigrants in this here United Kingdom. The blurb boldly asks “What’s it like to live in a country that doesn’t trust you and doesn’t want you unless you won an Olympic gold medal or a national baking competition?” Although it is worth noting that even these people have been exempt from racism.  Anyway, pretty much every essay in this book was relatable and made me feel some form of validation and acceptance. One essay which resonated with me deeply in particular is ‘Going Home’ by Kieran Yates. Yates details her perspective of the British Asian experience and learning how to navigate society, family and personal spaces and all the spaces within these spaces. The difficulties which sometimes arise like the ability to make a round roti. Yates highlights how she doesn’t feel a split between her Indian culture and British culture when she can take the best bits of both. “But for me, there is no neat duality; no neatly sliced elements of my identity that are in opposition. There is no hollow insecurity about rootlessness because these additional details and stories I’ve learned are additions to our identity, not losses.” This is something that took mea long time to realise and I’m still learning to be entirely honest.

10. The Get Down, Netflix Oh My Goodness. 

This series yeah? This series is already one of my fav tv shows ever.  Anyone, who knows me, knows I love Hip-Hop. This musical series loosely explores the origins of this spectacular and beautiful art form including, DJing, Graffiti, B-Boying and of course rap. It stars Justice Smith, Shameik Moore and Jaden Smith. The show was created by Baz Luhrmann and Stephen Adly Guirgis. I can’t lie, as soon as I heard Luhrmann’s name I was sceptical. I mean I love Moulin Rouge and his adaptation of Romeo and Juliet but I wasn’t sure how this would translate to 70s South Bronx. I was wrong, this series is visually gorgeous.  The raps in this series are largely written by Nas. Not only does this make the series feel more genuine but it made me fall in love with Nas’s own discography again. It also reminded me of the poetic nature and roots of Hip-Hop. There is a scene of Zeke’s teacher reciting one of his pieces to him in the opening episode and it is just breath taking. One of my favourite things about this series though, even though it deals with some really heavy social issues, it is infectiously hopeful. It can’t help but inspiring hope and looking forward. I feel like, in the coming months, this is something we will all need more of.