#imo I feel like it unfair to compare a self own self produced production with a production that is managed by a big corporation
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devilbeez · 11 months ago
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Okay I love hazbin hotel, I really do. I love the characters, I love the song. But I’m willing to admit that it have flaws and one of it being the pacing.
And ngl I think I found out why and it’s because numerous reason
Production. When Hazbin got confirmed for season 1 for all we could know the team only know that they get 8 episodes and that’s it. They don’t know about season 2 yet so either they got confirmed for season 2 when season 1 already out into work to the point there no fixing the script, or season 1 is don’t in production stage going to post when season 2 is confirmed. Giving benefit of the doubt there’s a certain panic to explain everything to the fandom so it’s just plot point after plot point being stuffed in one season without time to breathe.
Episode. This involved with the previous reason because if you happen to live under a rock, for some reason there seem to be a trend in shorten episodes seasons. It went from 26-25 to 12-15 and now less than 10. There’s not enough time to develop a character to the fullest. It seem rush because with the pressure from fandom and the uncertainty of confirmed seasons.
Lastly, it written like a musical but have TV show concepts. I feel like this is most confusing and might just be me so lemme explain. Hazbin hotel from ep 1 to 6 feel like a one whole musical where they kinda have to rush it a little? Cause musicals usually have 2 Maybe 3 hours and 40-50% of it are songs so you have to rush throughout the dialogue a little bit and let songs expressed the characters the most. I feel like this is what the show been doing, it rush through the dialogue and development to throw all the emotions we supposed to feel in songs and don’t get me wrong if it have one theme, one major problem like a musical it would work. However, Hazbin have all these problems, heaven forces, Lilith and Alastor sudden disappearance, the Vees, Angel’s arc, Charlie’s arc etc etc it all isn’t a minor problems like “oh these kids wanna be respected and accepted as they are” in School of rock or “this demigod lost his mojo” like in Moana. These problems are all main problem worthy and most of the time tv series have time to deal with this. Maybe one season address one of those problems, maybe one season have 2 main problems for first and later half. And so when you have musical writing with mostly songs where you need to have concise story but instead have tv series concept with multiple arcs what you get is a story that feel rush
This have been my tedtalk
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