#imma be honest i forgot this existed for like 2 weeks
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kurikorso · 2 years ago
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i think Vash would make his own posters and hang them up over the wanted notices
[ID: Trigun Stampede fanart of a bounty poster for Vash. The art of him smiling and raising a finger with one hand while carrying a stack of donuts with the other. Text below him says:
Born to be a good friend
World is a place worth understanding
植物   Feed Em All 1998
I am capable off forgiveness and mercy
410,757,864,530 donuts. End ID]
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aquello-main · 4 years ago
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A peek into what goes on in Nes's brain: a collection
(basically imma collect random thoughts here for abt a week then post it)
Nov. 11, 2020
🎵Every girl in constantinople lives in Istanbul not constantinople so if you have a date in constantinople she'll be waiting in Istanbul 🎵
Ok so what if bbh is a dreamon/has some form of control over them? He's probably gonna end up being the next villian, and it would be super cool if they were able to incorporate the dreamon hunters into the main storyline. Like, since we typically depict him as a demon (cause of his skin), wouldn't it make sense for him to have some form of connection to the dreamons? I imagine that bad will be able to manipulate the members of the smp without them realizing it because of the innocent character he's been shown to have to most people. If he was able to have control of the dreamons... Ahh dude so many ideas
Boneless ice's temperature is its flavor
Why is uhhh what's it called................... Hang on... Episode, it's called episode- why is it so weird and why are they letting me make my character the biggest lesbian ever
I should read some fanfic to give my brain ideas to draw
What if I get into skeppy cosplay rn- it's like midnight:49 but sleep is a lie
Oh wait my mask is in the laundry room cause I somehow got caramel stains on it
C u b e
🎵just the two of us, we can make it if we try, just the two of us🎵
🎵they had it coming, they had it coming, they had it coming all alonngggg🎵
🎵she's a killer queen🎵
Tiktik is whack bro
WHY ARE THERE SO MANY SCHLATT BLOGS WHAT
*pigstep playing somewhere in my head*
My brain works like a text post
Ahhhhhhhh I'm so excited for villian bbh
For the record, a koala pouch is not called a Balinda, Bedilia, nor a Badildo. It is called a pouch.
Life is an std and no I don't take criticism
Nov 12, 2020
Pasta de dientes= tooth pasta
Nov 30, 2020
I forgot this existed and then i remembered but i kept forgetting to update it
laws are just forced suggestions or just suggestions if you know what you’re doing lets be honest
Dec 2, 2020
my brain has replaced the word ‘and’ with the word ‘y’ and i dont know why
i have had this sitting in my drafts, so take whatever this is
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thisselflovecamebacktome · 5 years ago
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Lover 1 month later thoughts
So for those who have missed my other posts, going back and listening to an album from start to finish at the 1, 2, 3 and 6 month points to see how my opinions on songs + the album itself change is a thing I do with Taylor albums now. If you’re that interested, here is my Lover release date thoughts along with my Reputation release date thoughts, my Reputation one month later thoughts, my Reputation two month later thoughts, my Reputation three month later thoughts and my Reputation seven months later thoughts.
All up: I tend to agree with people that it’s wild that this album has only been in our lives for a month. While it’s definitely still got that new shine to it that makes me listen to it more than most my other music at the moment, it feels as if it has integrated itself into my other music very well and feels like it’s been there forever. The general feel of the structure this album is reminiscent to Speak Now for me which probably sounds weird to say, but I feel while Taylor’s other albums felt like reading a chapter of a book into her life or watching a movie, these two albums feel like looking through a photo album. They are moments with great depth but are more loosely connected all together in a linear sense. I will also say that certain songs on this album were definitely growers for me to the point I probably could have made a Lover 1 week later post that was different from my first listen thoughts. It also means that while I have a clear top 3 and bottom 1 song, my ranking for the rest of the album moves around dramatically dependent on my mood. I’d also probably say that due to the growth of certain songs plus the different sounds throughout and quality of Lover, it has probably moved comfortably and purely into being my third favourite Taylor album behind RED and Reputation instead of sharing third place with Fearless. Finally, the more I listen to this album, the more I pick up little things that remind me of Australian artists I listened to in my childhood which is a nice throwback and makes me cherish those moments more.
I Forgot That You Existed: Hot take? The laughs in this song are the happiest parts of this album. Like that moment she realises she’s free from their grasp? Amazing and I can say from experience, is the most freeing feeling in the world. I definitely think it still gives off major Kate Miller-Heidke vibes, especially with the inflictions and voice/music changes on the indifference and blur lines. I also think it’s still Bad Blood’s older, wiser and just generally better sibling. In saying all of this, I can also understand why this would be a mood based song for some people because there are definitely days where I could listen to it on repeat while others it just plays in the background while I do my uni work or cleaning or whatever.
Cruel Summer: This song has definitely grown on me. I’ve also realised that a large part of the reason I wasn’t feeling it at first may or may not have been because it reminded me of a time and person I didn’t really want to think about so I legitimately think my brain subconsciously blocked out this song to the point it took weeks to learn the words when I had the rest of the songs down in days. I don’t know, that probably sounds stupid and weird but yeah, it was a thing. I also have to say that I couldn’t help myself laughing at people who thought she was calling his body blue because like all I could think of was Avatar to be completely honest. But then again, who am I to talk because I still have issues not hearing “he looks so pretty like a devil”? I also find it interesting that Taylor wants to make this a single given the perfect time for that would have been before the album came out given her focus on American charts. On that note though, I will say that a November/December release could be amazing for her if she is trying to broaden her horizons for tour because that’s Summer for the Southern Hemisphere and given how well Getaway Car did in Australia without being an official single and how related the two songs sound, I could see Cruel Summer smashing the charts here.
Lover: My thoughts on this song have basically stayed the same. The whole song has grown on me so I like it all now, but there’s just something so special about the bridge that it’ll probably always be my favourite part. It also still makes me want to ballroom dance/waltz and have a romantic partner, but alas, I do not have the time nor resources for either of those. I also can’t wait until Summer because I’m still feeling those Summer night time vibes and it’d be great to experience that. Either way, like I said the first time, it comes off Cruel Summer very well and feels more and more right being placed where it was in the album.
The Man: I think that this song is one of the most relatable songs Taylor will ever write to be honest. Like it is still a mood and one of the songs I listen to most from this album. There have also been two things that have made me appreciate the song even more. Firstly, my ex told me that despite being a man, The Man is in his top three songs for this album because he relates it to how people perceive his bisexuality and the racism he has faced. Secondly, I ran into my other ex (yes I’m that girl who stays friends with most her exes, mind your own business), and he told me that he was shocked that it wasn’t in my top three songs for the album because it’s ‘so [me]’, and I mean he’s not wrong. I guess that just speaks volumes of how strong my top three for this album are though because like if they can beat out a song I listen to constantly that people see as my song and thought was in that top three, then the others must be amazing haha. The only thing less than positive I will say about this song is I still think it feels a little weird coming off Lover.
The Archer: This song has been hitting more than usual lately (especially the bridge), but I still maintain that this song hits the hardest when you are in a specific mood. I also still maintain that The Man leading into The Archer is the best contrast transition on this album and I’m shocked more people have not spoken about it.
I Think He Knows: Talk about a grower. This somehow went from “yeah that’s cute” to one of my most played songs for this album. I still hear a mix of “That’s my toe” and “That’s my soul” instead of “Bless my soul” though if I’m honest. Also, I am very shocked at people being like “No Taylor, he doesn’t know holding a glass is attractive because there’s literally nothing sexual about that” because my god is that line relatable. Like there were so many times with my ex that I’d look at him doing something mundane and just go “Shit, I fucking love/want you right now”. I mean it wasn’t always sexual, like sometimes the way he held a kid would make me feel the romantic love I had for him more, but there were definitely sexual moments where he was doing mundane shit too. So yeah, I like get what Taylor meant a lot. As a final note, I made a post that I wanted booty shorts that said “Boy I Understand” across the ass and Imma be real, if Taylor doesn’t release them, a sequined version of that may or may not be my current tour outfit plan.
Miss Americana And The Heartbreak Prince: Imma be real, I completely missed the political undertones to this song on my first listen. And it makes me feel stupid not only for missing it but for then in the same breath saying I wanted a whole song on “If boys will be boys then where are the wise men?” because this song is literally that. Having the political view of this song definitely made it a lot better for me, especially seeing as even though it is a very American song, it heavily relates to how I feel about Australian politics at the moment. I also read a reading of it surrounding sexual assault, and as a victim, it both broke my heart and made me love the song even more. I still think it has very movie like and Lana Del Rey like vibes to it. This is the other of the songs my ex wrongfully guessed was in my top 3 because he got the political message straight off and as such also thought it was ‘so [me]’. All up, I think this is one of the most important songs Taylor has written and I can definitely see myself listening to it for years to come.
Paper Rings: This is still a feel good bop that I can mostly put on at any point and enjoy, but to be honest, it’s still not one I’ve gravitated towards. Like it’s got some killer lyrics in “Without all the exes, fights and flaws we wouldn’t be standing here so tall” and the bridge in general. But yeah, something about it just hasn’t stuck with me past “it’s a cute song” which is interesting given how many people I’ve spoken to that say this is a favourite of theirs.
Cornelia Street: I saw a post a few days ago about how someone can’t listen to Lover because they keep stopping at Death By A Thousand Cuts and repeating it because they love it that much and to be honest, that’s how I feel about Cornelia Street. Like even now, I’m fighting the urge not to just listen to this for the next few hours on repeat. I’m not exactly what it is about this song but something just grabs my soul every time I listen to it in a way that most songs don’t. Upon my first listen, I felt that this and Soon You’ll Get Better shared the spot for my favourite song on this album, but now I have to say that Cornelia Street has surpassed it and is a clear favourite. That’s really all I’ve got to say about this song; like it’s just that good.
Death By A Thousand Cuts: Lyrically this song has grown on me a lot in the last month, especially the line “I ask the traffic lights if it will be alright; they say I don’t know” and I think had this come out on Reputation or a year before, it would have been a favourite lyrically because it would have been relatable as fuck; but I’m not in that headspace anymore. The production also still isn’t my favourite so I’m glad she’s done that acoustic version at the France show, but I still also really want a piano version at some point.
London Boy: I’m gonna be real, I can probably count the amount of times I’ve listened to this on my hands. Like it’s cute and I’d have no issue with it playing, but it’s just not at relatable to me and there’s just songs on the album and otherwise I’d rather listen to.
Soon You’ll Get Better: As I alluded to in my first post, the most heartbreaking thing about this song for me is knowing the person I relate it to most isn’t going to get better because she doesn’t want to. Much like Death By A Thousand Cuts, had this come out at a time where I still had that hope, it probably would have rivaled Ronan as my favourite Taylor song ever. Don’t get me wrong, it’s still a top two track on this album for me, but I know when I eventually get around to reranking all of Taylor’s songs, it’s going to be a lot lower than it otherwise may have been. It also somewhat concerns me hearing “Who am I supposed to talk to, what am I supposed to do if there’s no you” after hearing Taylor saying that she’s not getting professional psychological help and Andrea is the main source of venting. Like I know she’s got other support, but losing someone that vital (as much as we don’t want to talk about it, Andrea is probably going to die before Taylor, cancer or not) is rough when you do have professional help, let alone when you don’t. I mean I know it’s not my place to push anything, but it definitely does make my “protective mum friend” mode come to life and want to protect Taylor and I just hope that should the worst happen, she’s got everything she needs to move past it.
False God: Again, another song that has grown a lot on me. I think the production and New York City line being part of this song just felt so leftfield for me upon the first listen that I somewhat threw it away, but like after getting used to it, I adored it.
You Need To Calm Down: I don’t really have much to say about this song itself. It’s still an absolute bop that I listen to at least daily. I do find it interesting that most people said that this would be the song they would take off the album because it doesn’t ‘fit’ because in some ways I see that. But by the same note, I feel like it connects really well with The Man and I Forgot That You Existed that it does fit. Personally I feel like if it was in the first half of the album, less people would have said it should have been the one to chuck, but I guess we’ll never know.
Afterglow: I honestly haven’t listened to this song as much as I thought I would. Like this would have been a 2018 me anthem, but 2019 me has not burnt any bridges or caused bad fights so there’s just not the need to listen to it. I did listen to it enough to realise that the Weeknd vibes I heard production wise was a similar beat to Wicked Games. Also, the way Taylor says “I don’t want to do this, I don’t want to do this to you” gives off major The Veronicas vibes which I have to wonder if that was intentional given Taylor’s friendship with Ruby Rose during the time Ruby and one of the girls dated. All up, it’s a good song that I’m sure I’ll cry to and heal with one day, but today is not that day.
ME!: This is still by far my least favourite song on the album, but I’ve gotten to the point where it can play in the background and given I’m in the right mood, I won’t actively skip it. Really its only saving grace in my opinion is how well it comes off Afterglow. I do also wish she would have put something else in the “spelling is fun” part because as much as that part was not my favourite, it sounds empty as fuck now to the point it’s kinda awkward.
It’s Nice To Have A Friend: Okay look, I get that this is potentially the most different sounding song Taylor will ever write and a bit to get used to, but it grows so much on you if you let it. Like the Sunday after release date, me and the ex that relates to The Man were just laying on my bed, drinking Camomile tea and listening to Lover (for the first time for him and first time in company for me) in silence and in the moment this song was playing, it clicked for me. Like it truly is nice to have a friend. And in that moment, it was just so relaxing and I was so at peace with myself. So I’m not going to stand here and say that this song is the one I’ve listened to most, but given the right mood, this song really hits and I hope that you all get to experience that one day because it truly was incredible.
Daylight: My new ‘song written for a romantic relationship that I relate to on a self love basis��� song. I’m not quite sure if it meets This Love’s standard on that front purely because again, timing is a funny thing and This Love came out right when I needed it whereas I don’t “need” Daylight as much. But I still love it to the point that it rounds off my top 3 for this album and is the one song my ex correctly guessed was in that top 3. I will say that I find it interesting that most the interpretations of the line “Clearing the air, I breathed in the smoke” where positive, because to be honest, I did and still take it as “being too nice gets you in trouble” teas. Like I assumed that she meant that she was so desperate to make things good with certain people that she injured herself in the process. Either way, as I said, I love this song and as I said the first time, it’s definitely a good closer to the album
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