#im tagging him bc hes here in spirit. probably holding the camera

[shranstan]

Goth swordsmen siblings

ID in alt.

Mihawk adopting Perona, Zoro, Tashigi and Kuina and raising them from young childhood... Perona has a rapier hidden in her umbrella. Tashigi may or may not be the only non-goth in the family. Zoro's fits give Sanji an... Interesting reaction.

Growing up surrounded by Mihawk's taste for dramatic gothic fashion left its mark.

(Kuina and Mihawk not pictured, but I might draw them too. This was supposed to be for inktober prompt "drip" bc drip -> rain -> umbrella -> perona but then I sketched an ouji inspired fit for tashigi and...)

[lukeyhughes]

so the other day i reblogged a post and vagued about my issues with gk’s framing of iraqi tragedies in the tags, which was then replied to and that reply was circulated. while the reply was awesome/insightful/interesting i feel like my original point sorta got lost in the shuffle. i wasnt going to make a post about this for a bit but i feel like its been consuming my thoughts all day so i’ll elaborate what i meant under the cut! 

gen kill is david simon show, so like all david simon shows the thesis is “people exist in inside of a broken system.” in this case, the broken system is the marine corps chain of command and the people are the marines who have to carry out senseless orders. this is shown in many ways, including pointless dangerous missions (see: the bridge, danger close, etc.), how capable enlisted men are vs. most officers, how the “only good officer” nate is punished for rational choices, and how the marines have their spirits crushed because they are forced to senselessly kill iraqi civilians.

when i was in first year of undergrad i took an african studies class that in one seminar problematicized coverage of the Rwandan Genocide: how many times have you heard/read a Romeo Dallaire interview/account? how many times have you read/heard an interview from a genocide survivor? how many times have you seen pictures of bodies/skulls of genocide victims? the answer for the average person is a lot, hardly ever, a lot. with the iraq invasion, the questions would be: how many times have you heard the accounts of coalition soldiers about the iraq war across media types? how many times have you heard accounts of it from the iraqi civilian perspective? how many times have you seen statistics regarding the amount of iraqi civilian casualties? a lot, hardly ever, a lot.

that is all to say that in western media/society we are very comfortable listening to white narratives and just seeing brown bodies, which translates into only hearing white narratives of the tragedies of the deaths of others in foreign countries. in generation kill, iraqi civilian casualties/fatalities/tragedies are framed so that we feel sympathy for the marines that caused them as opposed to those suffering. that is not to say that we as the audience do not feel sympathy (i certainly do!) but it is because of our own internal empathy, not the narrative framing of the show.

let’s take a look at three of the biggest cases of iraqi civilian tragedy and how they’re framed in the show:

first, when rudy goes up to the roadblock and sees the dead little girl in episode 4. we get quite a few shots of the father’s shell-shocked face, but just as many are shots of rudy’s horror/sadness; we watch him walk away from behind from rudy’s perspective and we see that rudy is unable to look away from them. rudy didn’t actually have anything to do with it (aside from abetting i suppose), but even when he gets back to camp the show makes sure to illustrate how affected by it he is, ignoring brad and ray who call out to him. this one is actually surprisingly gk’s best example of eliciting sympathy for iraqi casualties; however, the focus of the scene is still on rudy and the father’s reaction is still mostly used to contribute to rudy’s guilt/horror.

the next scene is the little shepherd boys who were shot by trombley while out with their camels. we see the mom crying over her son, but its basically background noise and is if anything used to further the marines’ (particularly brad and doc bryan to a lesser extent) guilt at causing the situation. we know this because her actions don’t exist independently: they are used for the marines to react to. we also get considerably more shots of marines looking on in horror than her crying about her son. brad’s guilt/sadness about the subject is dwelled on for about twenty minutes over the next two episodes, longer than any of the actual victims’ screen-time dedicated to their feelings combined.

the worst scene is the man in the white car, which sets off the main drama for the next episode. we get why walt did it- the show goes out of its way to make sure that we do- but at the end of the day a man is still dead, likely for no reason. in the aftermath we get about a hundred heartbreaking shots of walt’s shocked face, with a few of brad thrown in as well. on the other hand, we get no shots of the people in the car being horrified at seeing someone they know lobotomized. we just see them run away, no sadness no horror no nothing: from the show’s narrative perspective, this man’s death has no impact on anybody except for walt and the other marines. to make matters worse the man’s face is only shown when the marines notice how horrifyingly disfigured his body is; to me this is robbing the real man of his dignity even in death. 

let’s take a step back and look at gen kill’s general portrayal of iraqis. we don’t really get to see the marines interact with civilians until they reach baghdad when they go into rundown neighbourhoods. here, the iraqi men are portrayed as greedy and dumb, cutting in front of children and not understanding that there are other types of government. that’s not to say that that didn’t happen in real life- i’m sure it did- but it’s essentially the ONLY view of iraq civilians we get: ignorant, greedy, backwards, etc. deadass the only sympathetic iraqi characters in episode 7 are children, where we get a couple of UNICEF-esque shots of doc bryan holding crying kids to drive home that guilt factor. i bring this up because it means that the iraqi characters are not written so that you feel bad for them or empathize with their terrible situation. instead, the narrative wants you to empathize with the marines (in this case, particularly nate) who feel guilty for causing this chaos that they can’t do anything to fix it. 

the only other time iraqi civilians even have lines is when a refugee women tells brad about how he is destroying her home, but even then the point of that isn’t really her pain but how brad feels guilty/ashamed about what the usmc (an institution that is part of identity more than anyone else) is doing that; also she’s attacking brad who really had nothing to do with the baghdad situation and already feels guilty about other things, so its just creating more material for brad’s identity/guilt crisis and our sympathies for it.

all of this to say is that in basically every single case civilian tragedies don’t exist in the narrative on their own: they are used for the marine main characters to react to: the village. the truck crew. the men at the roadside. even the syrian student.

also @sunnygreys replied to some tags i made alluding to this issue. you should read what they wrote bc it’s a really interesting counterweight to what i’m saying and offers a different perspective. but anyway basically they mention certain lines where people are like “no ones forcing us to be here.” particularly notable was when godfather says that no one is forced to be here because they’re all volunteers in episode 3. my view of this has always been that saying that is ignorance on his part and another symptom of the broken command system. godfather chose to be career military,  he chose to accept the mission, he chose to change the ROE, etc: there was no gun to his head. for the enlisted men, the ones on the bottom who actually carried out the mission that injured the boys, they are pretty much being forced to be there by their circumstances. out of all the marines we interact with in the series, im pretty sure brad is the only enlisted man who comes from wealth and by extension had other options, while most others either implicitly or explicitly grew up in impoverished/unstable households: poverty is the new draft. thats sorta between the lines, but i imagine david simon knows that because of his previous work on poverty. what isnt between the lines is that the command system DOES force men in lower ranks to “be there” and carry out order: they can get NJPed for disobeying, they sign contracts that they’ll be dishonourably discharged and lose their benefits if they break, etc. there’s no gun to their head physically but metaphorically its pretty close. to me at least, those lines are not narratively placed to make us sympathize less with the marine main characters but instead to make us sympathize with them even more, because it shows how disconnected command really is. david simon is a huge dick irl but he’s a really clever writer.

again, i reiterate that we as the audience likely feel sympathy for the iraqi population because for most people its naturally sad when people die/get injured/etc. i think a lot of points i made and ones made by @sunnygreys can be mutually true, but the main difference being that i really don’t believe that gk’s intention was to make us step back and reflect on our sympathy with the “oppressors:” i really do think that’s who the show intends for us to sympathize with most based on their choices in camera shots, who says what, etc. that doesn’t mean we can’t step back and reflect, as i hope many of us have, i just think that was an unintended consequence. (if i’m misconstruing what you said please lmk and ill edit!)

that being said, can’t think of a way that generation kill could have done better in this regard based on the book/characters it had. the marines ARE the main characters and by conventional standards its their narrative/feelings/growth that matters. but just because there may have been no other way doesn’t make it unproblematic. its another example of western media using violence against nameless, distant foreigners for their own horror. 

there are people wandering this earth who are dealing with the loss of the man in the white car, the little girl at the roadblock, an entire village. those little boys, if they’re still alive, probably have to deal with the severe injuries they got when they were shot by marines. those slums of baghdad may still be in unstable today and have likely lost community members due to sanitation/hunger/violence. imagine knowing that there is a show out there where you or your loved ones are being used as a plot device to make viewers feel sympathy for the ones who put you in those positions. i sympathize deeply with the marines of GK, but i can imagine how hard it would be to be in the iraqi population’s place watching yourself and your experiences interpreted in a way dissociated from your own suffering so that the primary victimhood can be placed on the ones who did it to you. 

in conclusion, i love gen kill a lot. i love the story and the characters, and i think its an effective story in terms of achieving what it seeks to achieve. i think it’s okay to love something and be critical of it. also if western media companies weren’t cowards and weren’t scared of losing american military financial contributions they would make a miniseries about the iraqi people who were terrorized by american invaders, including the ones we love in gk!