I acknowledge that the season was cut almost in half so I should really cut them some slack but I WON'T, SO:
Plot holes/Forgotten Stuff in TUA:
(some of these are mostly just unanswered questions)
-Sloane?? Where tf did she go?
-Why was Jennifer (in the original timeline) in a cage? In Moldova?? Like, was she discovered to have something ( the dimaldo stuff whatever) inside of her, so they wanted to test on her? if she never came into contact with marigold before ben then why would they? WHAT
-also wait how the fuck did she get that stuff in her anyway? How did the dimaldo get to earth after it caused the end of Reginald's home planet? Like,,,shouldnt we know that?
-Her,,,in a squid??? she was Inside a giant squid? W h a t
-the S3 post credits of ben in the train. sure, whatever, that means nothing LMAOO
-I also can't get over - Five explaining "oh yeah when we do this EVERY ALTERNATE TIMELINE is gonna be destroyed, leaving only what should've been - the original," and lila fighitng to put her family in the train station,,,All the other timelines will be destroyed??They're dying and being reborn/reincarnated in the new one anyway GIRL WHAT ARE YOU DOING
(unless ive highly misunderstood that which is likely)
-this isnt a plot hole just - five "trying desperately over and over again to save his unhelpful family who he loves very very much" being literally turned into,,,that. did someone say character assassination?
-lila and five. thats a plot hole in and of itself I DONT CARE if he's aged 12 years from season 3, (6 yr timeskip at beginning of season, then 6 technically 7 in teh train), I DONT CARE IF HES 25 NOW, I DONT CARE IF HES MENTALLY 60 SOMETHING. Lila met and spent time with him when he looked like THIS
THATS A CHILD. and clearly, the family had SOME contact in the 6 yr skip, so she WATCHED HIM GROW UP from 13 - 19, like thats just so WEIRD WHAT
this was supposed to be plot holes and just turned into me being pissed im sorry but HOW DO YOU FUCK UP AN ENDING THIS BAD??
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I haven't thought much about Jonathan Sims for long enough that I kinda feel like I've started thinking about him a little more divorced of the emotional attachment I might have had once. Because I just saw a post lamenting his slow descent into inhumanity and losing his identity, becoming the archivist rather than Jonathan Sims, losing his friends, his house, everything he loves.
But is that true? That put upon head archivist persona he had in the beginning, was that really him? The way I see it, real life has already leached him of any identity he might have had, he didn't really have friends, Tim and Sasha clearly weren't, as we saw in their season 5 recording. He chose to make them his subordinates over beib friends, pushed away Georgie, he became so desperate for approval that he agreed to take a job he clearly has no idea how to do, let his stress over it isolate him from everyone around him, had a desperate need to assert himself in the beginning of every recording as 'head archivist of the Magnus institute london'. Forget about even having a home, he often slept in his office for heaven's sake.
The way I see it, this story is about him finding himself, finding the perfect place for himself in this already doomed world that was already strangling him and everyone around him. He became the Archivist, no longer needing to connect himself to some godforsaken capitalistic institute to identify himself. found his role, he enjoyed its power, even admitted to it. He found love. He found purpose in trying to save the world. In the end he was surrounded with the friends he made along the way (as friendly as they could be under the circumstances). He was finally allowed to make real choices, have true responsibility over himself and not be some tired corporate worker, part of a tired pointless system. Sure his choices weren't that great, and getting there was through outside manipulation and his own ignorance and he had to suffer immensely and pay an awful price of what we like to call his "humanity" but he Became and found what we all look for - his calling.
"It's still me" he says in the last episode. Because he is. He lost nothing and gained everything. Even dying in his lover's arms.
Forget about being human. In the end Jon achieves apotheosis and truly becomes Jonathan Sims
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--")
("Tucker?")
("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
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