#im so glad we talk
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eat-your-ego · 1 year ago
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Daniel Daniel - @goopylittleghosty
I love your writing I love how it sounds like you I love your creative-ness. It's so good! Like a cake!!
I love when you’re reading multiple fics by the same author and you start to spot all the phrases and adjectives they like to use
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hanniballz-lecter · 9 months ago
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*john mulaney voice* the youtubers listened to the fans and genuinely apologized?.... i didnt know they knew how to do that
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sideblogdotjpeg · 22 days ago
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post battle, one last short rest
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taohs · 1 year ago
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五条悟 for @gojosattoru
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yrsonpurpose · 11 months ago
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NICHOLAS GALITZINE This Morning promoting Mary & George
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leenfiend · 1 year ago
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what's ur type first < prev next > full comic
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lee-minhoe · 1 year ago
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hanjitonin for @strayklds 💖🎁
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flintbian · 1 year ago
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There's a disabled angel in good omens 🥺
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yaralulu · 4 months ago
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ok i wasn’t originally gonna say anything but god i’m so glad we’re finally having this discussion about lucien and the day court. i’ve always been such a strong believer that lucien’s transition to day won’t be a fun and easy one ( i don’t even think that should be where he ends up but that’s a conversation for another day). like imagine you’re 300 something years old and suddenly you’re being told this random dude is your father and this random court is your home and oh you’re actually heir!!! …. WHAT.
I know lucien’s very good at adapting to new situations and stuff but he’s clearly very attached to spring and autumn. Home will always be the spring court and autumn court and i don’t think he can just change that. not easily or quickly anyways.
now is he 100% gonna end up in the day court? yes but i’m gonna be bitching about it anyways
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messrsrarchives · 4 months ago
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i've spent a lot of the past 24 hours talking to various trans people in the fandom that reposted or dmed me about this video and i'm gonna yap here under the cut about it.
(i'm not a spokesperson for trans people obviously, and i don't mean to lead these discussions. i know i've had a lot of them recently but yeah it's been rough, i just thought this was interesting to share and can hopefully share a lil of how people are feeling.)
i've always assumed that the hate that i've received on my account was because of me? i post videos talking about discourses, i'm open about ships i like that are generally hated, etc etc, i've just assumed it was a me thing.
but then when people are mad about those things, it more often than not comes to slurs. it's come to people debating my identity, questioning how much of a man i am when i wear makeup, posting me on reddit pages, throwing the words tranny and "she-man" around farrr too much, and i thought "isn't it heartbreaking that this is their first thought?"
so it gradually became less about me as an individual, and instead my identity. and just that these people are mean.
and i made that video from the perspective of someone who's already upset. who's had a lot of stuff like this happen and is Sad about it.
but i've spoken to 47 trans people that reached out to me themselves about this, and have so many more requests to get through, and not one has said that they feel safe and comfortable in this space. not a single one.
so i thought i'd share some of the things that were said (with permission and anonymously) because i think it's quite interesting to see what the issues are:
the MOST mentions goes toooo: the discourse about male characters - namely sirius - wearing makeup and the way gender norms become the forefront of this - makes them feel as though people dislike "unconventional trans people" as one person put it.
alongside this, the hate for trans characters - namely regulus - and how people get very mad about it "reinforcing heterosexuality" - do not feel recognised as the gender they are, feel as though people are viewing trans people as "fake men or women" - quote.
discourses surrounding height, hair, 'gender presentations' etc - brought up by a lot of people and they recognised that this is coming from a good place (not reinforcing heterosexuality) but feel as though the amount of focus put on it is disproportionate to the presence of it. copy and pasted quote: "I'm a 5 foot 2 trans man and feel like less of a man because of it"
profitting jkr: (obviously, because that's what the video was about) i want to add that nearly everyone said that they understand the desire to, and were receptive of the fact you don't know what goes on behind the scenes re: donating elsewhere etc, but said that they've felt less safe since the surge of posts about the reboot.
guilt. which makes me glad that i posted about that here a few days ago because i felt alone in this. a lot of the people i spoke to feel guilty for being here, and feel as though they can't claim that this fandom is inclusive anymore.
comment sections: brought up by a handful of people who said that not enough people delete horrible comments on posts - one said "even if they argue against them it just feels worse than deleting it", another said "obvs i can't ask people to delete them on their own account but it does suck that they dont think to" - every person that brought up comment sections said that they tend not to look at them now which makes them feel like an outsider in the fandom.
cosplays: brought up by four people and feels relevant to above points about "gender presentation" - said that unless you're cosplaying sirius, they nearly always have to delete comments saying something along the lines of "xyz wouldn't wear makeup". all of them said that they just feel nice in it and never meant it in a bad way.
scared to be loud: scared to post, especially with face. a few acknowledged that they are scared to do so anyway, but worry about it in this space as well. bolded this one because it makes me so sad, but having been put on reddit pages for saying pete was their friend, i get it.
and the final point, a copy and pasted line: "i dont want to be represented when it suits them and i don't want to be a box they tick when adding diversity to a fic and then cry in comments. i dont want performative support"
ALSO ADDING HERE:
nearly everyone (bar 7 people) that reached out to me acknowledged that this is a minority, and not the majority. they were very clear that it isn't their whole experience, but is an issue regardless. a lot of focus was put on curating your own space and finding people who do support you, but algorithms don't always make that possible, and it's difficult seeing it happen even if they don't interact.
which is,,, yeah. that's the crux of it really. most of the time it's fine and it's lovely and things like this don't happen, but they still do, and how do you feel like you can engage when you don't know what side it will get on?
which,,, sucks. because there's not really anything anyone can do then. it's just screaming into a void and hoping that you don't end up on the wrong sides.
but anyway, i thought it was interesting. especially the comment sections and the headcanon discourse - which truly, i see less of on tumblr anyway but for all of the above reasons, don't fancy discussing this on tiktok right now which is the epicentre of it.
but yeah. food for thought perchance, and some very good discussions !! thank you to anyone that messaged me and allowed me to write this, you're not screaming into a void with me 🫶🏻
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parasocialpixlriffs · 2 years ago
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feminine trans guy gripping the edge of his counter, staring in the mirror with bloodshot eyes, muttering “if finn5ter can do it, i can do it” over and over again to himself
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kitherondaleswf · 2 months ago
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do you guys ever think about if ty actually saw the livvy and kit kiss and what he thought about it
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axolotlclown · 3 months ago
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So I finished Moominvalley season 4 and here is my review:
Of course, spoilers ahead! It's long. It's detailed. It's a bit much, and I spent hours writing it.
I greatly disliked this season, not just from one particular angle. When Moominvalley first came out, it was advertised as the first narrative-style adaptation. This would imply one concrete story that ran throughout the show. They said the story would take time and required patience, but there was a larger narrative story. What was that story exactly? In the beginning, each character was established with certain flaws that they needed to grow from.
For Moomintroll, throughout season 1, we see him struggle with his father's expectations. He never quite makes his own decisions—either doing what he's told or what other people in his life would do. In the last episode of the season, Midwinter Ancestor, Moomintroll is told by Too-Tikky to not open the closet door. Going against her wishes, he does so anyway. This is the first instance of Moomintroll making a decision for himself. In the end, it was a bad decision, and he regretted it, but it still was a big moment. We understand the importance of this journey when he changes out the picture by his bedside table. It was a baby photo with his parents; now, it's a photo of Moomintroll fully grown. This was meant to denote a journey of independence.
We see him continue with this struggle in season 2. The Hobgoblin's hat adds to the internalized identity crisis. During the lighthouse arc, Moomintroll is mostly doing his own thing, somewhat. Although, I think that cutting out his glade from the book sort of hurt this theme of independence. I hoped that they would revisit that somehow, but they never did. In season 3, Lonely Mountain, we see a sort of regression with Moomintroll. (Ignore how this affected Snufkin, I'll come back to this later.) When Moomintroll unpacks his things, we see a collection of items that represent Moomintroll's past. One of these items was the old baby picture. Aside from this episode, we don't see any notable growth from Moomintroll this season.
In season 4, we watch Moomintroll fall right back into his father's shadow. He continues to struggle to carve his own path. The set up for Comet in Moominland was promising, but ultimately did not deliver. When Moomintroll goes against his friends to make a decision for himself, it turns out to be a bad decision that he regrets later, and someone else has to guide him out of the situation.
Moomintroll ends from the same place he started as a character. All growth is erased and ignored. While this is the most egregious example—with him being the protagonist—he is not the only character that this happens with.
Snufkin probably upsets me the most, as he had so much potential to be the most interesting character in the series. In season 1, The Spring Tune, we see where Snufkin is starting as far as his strengths and flaws go. What particularly intrigued me was his relationship to attachment. We see that Snufkin ultimately fears abandonment, and he copes with this in conflicting ways. He wants to be with Moomintroll out of fear of being left behind, but he is afraid that he feels this way. He tries to create distance between him and Moomintroll in an attempt to ease what he experiences as pain. This is demonstrated further in the next episode, The Last Dragon in the World, when he frees the dragon. We see his struggle with responsibility and commitment in Snufkin and the Park Keeper.
In season 2, The Hobgoblin's Hat, Snufkin is explaining to Moomintroll what the King's Ruby is. The ruby functions as a metaphor for love throughout the season. Moomintroll imagines that the Hobgoblin must love this ruby, while Snufkin argues that he only wants to possess it. While both may be correct in their own ways, they fail to understand each other. As a result, Snufkin decides to leave Moomintroll out of fear of being possessed himself under the false pretense that he is helping with the hat (he did not). We never visit this plot point again.
Snufkin has some large developments in season 3. In the Lonely Mountain, we see Snufkin break down his walls and let Moomintroll in. He acknowledges his responsibility to him and his longing to see him. Unfortunately, this aspect of his character is completely abandoned in season 4.
Back to season 1, Snufkin and the Park Keeper, we get a flashback in which Snufkin is enjoying a party with Moomintroll until he is overwhelmed by the presence of others. He winds up abandoning Moomintroll and the valley. He does this again in season 2, The Hobgoblin's Hat, as discussed above. In season 3, Snufkin and the Fairground, Snufkin chooses not to abandon his responsibility to Moomintroll or the valley. When faced with an uncomfortable challenge, he chooses to stay and support Moomintroll.
In season 4, The Great Cold, when faced with a crowded challenge, Snufkin abandons Moomintroll again. While he appears later in the episode, it felt disingenuous to me. The original problem had already been solved. In Comet in Moominvalley, Snufkin does not abandon Moomintroll. In fact, he makes an active effort to stay by his side. But it feels strange, almost undeserved? We saw so little of Snufkin this season, and when we did, he spent his screen time backtracking his progress.
In season 3, Lonely Mountain, Snufkin has a small monologue about listening to the campfire as the sparks dance and fly. Well, the whole episode was about listening. Anyway, that was a call back to the season 1 episode, The Invisible Child, in which Too-Tikky tells Moomintroll that there are many lost souls in Moominvalley that needed to be heard. The screen then cut to Snufkin leaving the valley. It would have been really cool to find out what that meant!
His abandonment issues never really get addressed. Refusing to let Snufkin meet his father was just baiting the audience. It was also just bad writing! What's his deal—where's his lore?? Who made him like this? Why is he so afraid of intimacy? Why are basic fundamental questions about this main character being left unanswered?
It really is disappointing. Every adaptation (and the books, if we're being honest) treat Snufkin like a stoic hero. He doesn't want to be looked up to, yet he's always painted as a character that you should. This is the first adaptation that gave him flaws. He felt like a character that needed growth and time. He was never given either.
I won't spend so much time on Snorkmaiden, even though she was robbed, too. She never grew to be more independent apart from Moomintroll. In the same vein as Moomintroll and Snufkin, her character ends exactly the way she started. All of her character growth vanished in seasons 3 and 4. I love this version of Snorkmaiden. I certainly prefer it to her other portrayals. But the writers screwed her over so bad, it's heartbreaking.
None of the characters actually learn or change. Everyone sort of becomes a static character, which makes any semblance of a plot impossible to write. For the fun of it, I will try to decode a plot, anyway.
So, you're not crazy. Moomintroll and Snufkin were set up to be endgame. There was a way to make Moomintroll and Snorkmaiden endgame in a satisfying way, but the writers chose against it. It's a very suspicious backtracking that reeks of queerbaiting, but let me explain the narrative romance angles first.
I feel unsatisfied with the ending Moomintroll and Snorkmaiden got. Throughout seasons 1 and 2, they would frequently lie for each other's approval, and jealousy was a common player. They would ignore each other when someone more interesting came along. Ultimately, what led to the break up in season 2, Farwell Snorkmaiden, was the understanding that Snorkmaiden was just more mature than Moomintroll. In her own way, she was ready for a serious committed relationship, and Moomintroll was not.
However, there was never a formal conversation of them getting back together. They just sort of were? And all of the problems in their relationship were never resolved. They still lied to each other and ignored one another for something shinier all the time. It was irritating. These two became no better than Sniff in the end. I'm standing on business with that.
I'm also not convinced that Moomintroll and Snorkmaiden can have a healthy relationship after the finale. They will definitely break up again. They haven't resolved any of the issues that led to their original break.
Okay, so Moomintroll and Snufkin. Let's chat about that for a while. The first three episodes establish Moomintroll, Snufkin, and their relationship together (in that order). We, as viewers, are led to believe that their relationship (either romantic or platonic) is the key to understanding the story. Throughout seasons 1 and 2, every single motif for love (lanterns, fires, the ruby, etc.) that is introduced is done with Moomintroll and Snufkin. Regardless, different expressions of love and intimacy were the focal point of the show. That was almost completely abandoned in seasons 3 and 4. While turning the focus on the greater community could have added depth, it ultimately detracted from the close personal relationships that were driving the narrative.
So, the Groke. She does not just represent fear, she is a reflection of each character's own fears. I loved this! I thought it was a really cool concept, and the ways that she was portrayed in seasons 1 and 2 were excellent. Here's the thing. In her introduction in season 1, Night of the Groke, we are also introduced to lanterns/fires as a motif about love. The Groke is chasing love and craves acceptance. It's not quite something you can catch, and trying to is a failed endeavor. Brilliant episode. We saw what Snufkin's greatest fear was earlier in the season (loving Moomintroll), but we needed to pay more attention to see Moomintroll's fear. I think it was complex. On one hand, with the lanterns, Moomintroll could also be afraid to love Snufkin. However, as we saw at the end of Moomintroll and the Seahorses, he needs to learn independence before he can love someone. This was also reinforced through Snorkmaiden in Farwell Snorkmaiden. The fires and lanterns were constant reoccurring motifs (not just for Moomintroll and Snufkin, though that's where the focus is right now). Rewatch the season 3 episode, Lonely Mountain, and that one monologue that Snufkin gives will start to make sense.
By abandoning these important motifs, the Groke's conclusion feels unfinished. It just felt wrong. In the end, she did just represent fear. This completely erased the layer of depth that she had to start.
For Moomintroll to learn to be more independent and self-reliant, he needed to learn from Snufkin. For Snufkin to learn to accept love and responsibility, he needed to learn from Moomintroll. They were the keys to each other's growth. When they were together, the plot moved. When they weren't, the episodes felt like filler for the most part.
Also, small detail, despite the change in one photo (the baby photo to grown Moomintroll) the photo with Moomintroll and Snufkin never changed. Which narratively makes no sense.
The writers originally set this up for them to be romantically involved. Which, given the context of their dynamic in the books and comics, makes sense. It's not as much of a stretch as people are trying to gaslight themselves into believing. These characters were originally heavily queer coded. However, the original text is sort of a tragedy. No matter what happened, Moomintroll and Snufkin could never truly be together—no matter how much they tried. This mirrored Tove Jansson's relationship to her first fiance Atos Wirtanen as well as her relationship to her own queerness. However, it looked like Moominvalley wanted something different. Queer people had enough tragic stories told already. This one would tell queer kids that it was going to be okay, and that they were going to find love. Tove Jansson's original message about love and freedom was finally going to be understood.
Instead, not only was this potentially beautiful story abandoned, it was mocked. In the season 4 episode, Midsummer Meddling, there was a scene I found quite shocking. Sniff had convinced himself that he was to fall in love with somebody. One of his "love interests" was a male scarecrow. This is the only openly queer semblance of romance that we got and it was played off as a joke. In the final season. They didn't even backtrack Moomintroll and Snufkin, they just completely ignored everything that was set up.
In the final episode, Comet in Moominland, there was an incredibly brief exchange between Moomintroll and Snufkin about who looked up to who. This would have been a fantastic place to give these characters some sort of conclusion, but we don't get that. In all of the 45 minute special, the characters are never prioritized. In the whole season, even. Really, not a single character got a satisfying conclusion, but Moomintroll and Snufkin were the most important.
This is a powerful and historic piece of queer media. Tove Jansson's queer legacy was so iconic that she was directly cited as an influence in the legalization of same sex marriage in Finland. Her work proved to further the queer community. Despite sodomy laws and fear of incarceration, Jansson continued to do what she could to tell her own queer story. That is what Moomin is. That is its legacy.
I was prepared to defend Gutsy if Snufmin didn't go canon. At the end of the day, it's usually TV execs threatening to pull the whole show off the air. The show was too costly to risk any interesting writing. However, the writers didn't recover, and some of the writing just felt downright melicious at times.
Anyway, if you love slice-of-life content, you probably loved this season and the show's conclusion. It is such a shame that the creators promised something completely different from what the show turned out to be. It's no surprise that viewers are disappointed.
I do have one more thing to say ☝️😀. This is going to hurt Moomin's mission to expand to the US. It's been very obvious that they have been trying to expand to North America. Brave and bold writing would have caught the attention of new viewers. Instead, few Americans are going to recommend this show to others. Aside from that, the next logical move is to make an American adaptation. Good luck trying to find a competent YA cartoon creator that won't threaten to walk off the project if they can't have Snufmin. That being said, they'll have better luck making that canon here anyway. (Everybody say, "thank you Rebecca Sugar and Pendleton Ward.")
Well, in the end, I don't think the fight to make Snufmin a real, transparent queer story ends with Moominvalley. I can say, though, that the prioritization of profit over respect and love for others is not at all what Tove Jansson would have wanted.
Seasons 1 and 2 were peak, and season 3, episode 8, was batshit insane. That is all.
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sunlaire · 11 months ago
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The crew make it back to England and a few months later, the admiralty host a social function and crozier is only going so he can check in with the men, see how they're recovering. And while he's there, he spots James. But as he approaches, he overhears him talking about this "beautiful and elegant creature" he has back home
And crozier thinks "ah, alas. He is straight. But I'm happy he found someone..."
Meanwhile James won't stop telling people about his cat. Also he's carrying the BIGGEST torch for his co-captain, who is tragically uninterested in men. Whacky shenanigans ensue
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reel-fear · 10 months ago
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Bendy And The Power Of Representation
So those graphic novel pages huh? Seems I posted my cover post at just the right time because literally minutes after I was informed the preview pages came out and uh. This is Buddy and Norman!
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Oh dear... I'll put the full graphic novel pages down below but I have so much to say on how awful this is it'll need several posts. However, right now I want to mostly talk about representation and briefly touch on why it's so damn important + inform others about the current shit Mike and Meatly are saying about the books n such.
Now note: All the things I'm saying below are based on my personal experience, maybe some people don't care about seeing the representation of their identities in the media they consume. Maybe some will think I'm merely being dramatic and I might be but I'm not lying when I say I personally believe being represented and seen in the media you consume can be one of the most wonderful feelings in the world.
Look I'm not here to argue with people who think that Norman in particular was never meant to be a person of color, I would argue he is very coded but the points I'm making here are not about how Norman particularly had to be black. The point I want to make is the lack of diversity in our cast in general and how Norman's design has heavily dwindled it considering most people [including myself] rightfully assumed he was at least one of three black characters in our cast. Not according to this though and looking at the the rest of the pages our chances of seeing any kind of decent diverse character designs dwindle more.
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So firstly... Buddy a character who has been said to experience discrimination for being Jewish, lacks any kind of ethnic features at all. That's... Cool but yeah I think this shows a rather grim future for the character designs as a whole.
Also, Norman... As I mentioned he was largely assumed to be black due to his southern dialect, his voice, and other factors. But nope, he's a generic white guy. With... Gross looking hair tbh...
Sadly this is not the first time the topic of poor representation has come up concerning Bendy either.
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[note how he disregarded the other mentioned minorities and specifically cites LGBTQ+ characters]
This sucks as a response but sadly considering Mike's recent behavior it seems to fall in line with the Bendy team's general lack of care towards representing anyone who isn't straight and white.
So how did Mike respond to all of this? Well...
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TDLR - "Who cares if the Graphic Novel we're selling to our fans for full price sucks, we now no longer consider the books canon."
This is horrible, I know Mike and Meatly are only really in this for the money, the fact BATIM is in the state that it is proved that, but they really couldn't have been less obvious about it?
So basically when it benefited them, AKA when it meant people would have to buy the books to understand important lore like Boris' identity... [the character you spend all of chapter 4 trying to rescue] They were considered canon... At least the author sure thought so.
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Hell even in the tweet Meatly made here he doesn't say the books aren't canon, he just says they're not needed to understand Bendy's world. Now Mike is using that as a shield instead of doing the right thing and saying "You're right, the poc in our fanbase deserve better we'll have it fixed right away!" Like most reasonable people would considering how his studio has literally been accused of bigotry, poor rep, and general lack of diversity before. Why risk making more people avoid this franchise?
Also just... Imagine how insulting it would be to be an author who helps flesh out so much of this world and gives its characters depth like NONE of the games have managed to do, filling in plot holes, creating a timeline for events, etc... Then because they couldn't bother to change the graphic novel for ur story to be better they instead throw out all ur writing and declare it non-canon.
If I were her to put it bluntly I'd feel insulted and horrible. Why make her do all the work of making sure her works align with the timeline and game's canon if they're not part of it?
I can't speak for her obviously but Meatly and Mike know of her account, so speaking out against this could very much risk her being fired or at least not allowed to work on Bendy anymore... So I would take all her tweets on this situation with a grain of salt. She very much is not in a position where she could be honest if she was against this.
So with all that history now, the question I'm sure many are wondering is... Why does this even matter? Who cares how diverse the characters are when it doesn't affect the story?
Well for one thing, if you think like that consider having more empathy for your fellow human beings but also it does affect the story. One of DCTL's themes is about the bigotry of the period it is set in.
Now the Bendy team has managed to make the discussion of this book centering around their bigotry which is ironic in a way I almost find funny... Though this entire thing is just a bit too hurtful and upsetting to find any humor in, at least for me...
But another thing is representation can bring people such joy when it's done with care. It really shouldn't be understated how far it can go to make people feel more comfortable in their own sense of self to have a franchise choose to represent them and their experiences. I know this from personal experience.
Now if you've been following me for a while, you know I'm a big fan of Transformers. I no longer engage with it much due to baggage from the fandom's awful treatment of me, but before I left I remember being able to witness the release of Transformers: Earthspark first few episodes.
These introduced the Maltos the family who meets the Transformers and serve as our protagonists and guess what?
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It's a family of Filipinos!
Now look I'm not Filipino, but I am half Mexican and I have a lot of love for that part of me. So seeing the representation of any Spanish culture in this franchise I loved made me so happy! I remember just watching the first episode I was happily telling my partner how fun it was to see people like me and my family in a world I love!!
But it didn't end with the Maltos in fact... There was another character who spoke to me, their name was Nightshade. Their pronouns are They/Them and they spoke about it on the show! Not just mentioning it and moving on but actually sitting down to speak about their experiences...
This clip in particular really turned them into an absolute favorite among fans and well... I'll let you see it for yourself.
This scene... Fills me with a joy I cannot describe. It is the creators of a franchise I love telling me they see people like me and find the stories of people like me important enough to include in this series. There really is nothing like being able to say there are Non-Binary characters in a franchise I have so much love for. I was far from the only one too.
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This is amazing, this is wonderful, this clip and character were moving to so so many people and...
This is a joy the Bendy creators have no interest in giving their audience. They don't care how you feel as a queer and/or black person, which... Hurts...
I... Discovered I was trans while in the Bendy community... It was where I learned the word Non-Binary and started using it for myself. To me Bendy will always have that connection... But the devs themselves seem to hate the idea of being forced to actually represent that in their games... And I still haven't really gotten over that pain or betrayal if I'm being honest.
So...
With Norman now being portrayed as white here, we are down to two black characters. Thomas [who Meatly has claimed is white in the past] based on a vague conversation with Sammy in DCTL they could easily ignore... And Jacob.... A book exclusive character which according to Mike means he is non-canon.
If we don't count Thomas' vague talk with Sammy about disrespect as confirmation he's black [which the devs don't seem to think so] then we have one black character in all of Bendy... And he recently got retconned into non-existence. Great.
Look... The Bendy fanbase has always been full of wonderfully diverse designs for the staff and even more diverse people creating them. Bendy's fandom was built with the work of queer people from all kinds of places.
If the Bendy team continues to show how little they care for anyone who isn't straight or white... I wonder who they are counting on to buy this book or in general financially support their franchise?
I know right now, I am furious, I am hurt and I most certainly don't feel like buying a book that's currently just a massive fuck you to the fans and I hope I've expressed why I feel this way in an easy-to-understand way here...
Either way, I will not be forgetting this anytime soon and I hope the fanbase does the same. Maybe just maybe, if there's enough backlash to this series of horrible decisions they'll learn better.
Right now, it's kinda of our only hope for a better future, and if you know any poc who are into Bendy right now... Maybe consider making sure they're feeling okay.
I know from experience how much this sort of thing hurts, to have the creators of a world you love straight up tell you they don't intend to fix the fact no one in their stories represents your identity or life...
What I'm trying to say is...
This is a really low point for Bendy and its fans... Even more for the poc who have to witness such ignorant and careless attitudes from Mike and Meatly towards their feelings.
Please don't forget them when you discuss these tweets or this situation. That's exactly what Mike and Meatly want right now.
For them to be unrepresented and therefore... Unheard.
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mettywiththenotes · 2 months ago
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LEAK SPOILER BUT BUT UHHHH HORIKOSHI DID IT MERA APPEARS ALARM ALARM MERA APEARERED !!!!!!!VSDHFHJAEHWRGETHJ our prayers have been answered !!!!!!!
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!!!! HORI HAD TO DELIVER FOR THE MERA STANS
AFTER 3 AND A HALF YEARS OF NOTHING BUT HINTS, FINALLY, HE RETURNS
I NEVER THOUGHT I'D SEE HIM AGAIN 😭😭 HE'S THE ONLY THING KEEPING ME GOING THROUGH THESE EPILOGUE LEAKS
Btw this is 8 years into the future, Mera was 39 pre-timeskip so now he's 47.. get that man a vacation look at him HE PROBABLY HASN'T HAD TIME OFF IN 10 YEARS
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