#im saying it counts as meta for absurdity reasons if nothing else

[sapphorror]

Anyway not to be insufferable but TECHNICALLY a goldfish couldn't have even been used as diy spaceship no matter what because the kids are never IN space, but the outer ring which is a separate plain of reality entirely—or the void between sburb planets, which I guess you could call space, but it is still in a dimension entirely separate from our own + it's physics clearly have no relation to actual space since the kids can just like. fly through it. anyway there's your free homestuck fact for the next time you need to logically deduce what may or may not have happened in this comic

reblog to let it break containment btw

[shriekbackmusic]

Collaborations #1 (’Shriekback are Seeing Other People’)

Well, collaboration is everything really innit? No man is an island, not even the ones who pretend they are. That’s what I reckon.  Merging somebodys’ talents and energies with yours. What a thing. The very stuff of life.

Still, it can be a fractious business: politics will come into it. LIke: who’s in charge here?  Who gets to say whether your bit is better than my bit? And how do we work that shit out? A microcosm of the world or what?

Undeterred, we  seem to do it (collaborate) quite a lot. And these are some pretty successful tunes, I would say. Good for us. Bold and resolute Shriekback! 

So there’s Hope, right?

(BA)

MART’S TRACKS:

DROP BY DROP Barker/Burridge

Taken from my Album" Water and Stone." Exploring my rolling Gtr and groove in 7 with the wonderfully talented musician cellist Emily Burridge.

Inspired by the miracle of water, its rhythm, its music, its journey, its myths, its poetry and beauty 

FLYING SAUCER Barker/ Roedelius/Noah1

Lovely to have met and worked with the master of Ambience, Hans Joachim Roedelius for the Album Fibre.

Recorded up in the hills of Shropshire with George Taylor (Noah1) and Jez coed

This piece was inspired by my riff Im playing on the Hang Drum, hence the title "Flying Saucer"

GOLDEN MOON Barker/Young

Taken from my mini Album”  Blue” Talitha Rise.

This was my first big endeavour into the musical spiritual world and  collaboration with Jo beth young.

We are joined on the Riti by Juldeh Camara.

PILGRIM`S WAY Barker/Adams

My new project/collaboration still ongoing with the mighty talent of Justin Adams .

This first piece inspired by ancient walks.

This new whole album partly inspired by the writing of Robert Macfarlane "the old ways"

SANDLINES. Barker/ Adams

Second piece inspired the Ancient paths of the desert. 

THE LAKE Barker/Young taken from the album" Abandoned Orchid House” Talitha Rise

Another collaboration with Jo beth Young and another piece in 7!

Intense, energetic and rich with riddles.

THE SELKIE. Barker / Pynn

Second Piece taken from my Album "Water and Stone”

Inspired by the Myths and stories of the Selkie. With the magical multi instrumentalist Nick Pynn on Violin.

CARL’S TRACKS:

Words Fail Me

with AMANDA KRAVIT

(Barratt/Marsh)

David Barratt and I were introduced to Amanda by John Mrvos, one of the A&R team at EastWest Atlantic in New York (Happyhead’s label) - she was his girlfriend and he wanted to get her recorded, basically, so we came up with this. Dave had done some kind of publishing deal that allowed him to sample the company catalogue, hence Ravi Shankar playing sitar all over it. Backing vocals by Bill Clift; some of the drums sound like Jim Kimberley, sampled from HH sessions  (1992ish.)

The Longest Goodbye

with BILL CLIFT

(Clift/Marsh)

I’ve written loads with Bill under various banners, of course. This is a mid-90s demo recorded in Bill’s flat in Greenwich. BVs by Stella Clifford and Marilyn Gentle, bass (I think) by Gary Brady… not sure who did the wibbly organ. This song was later recorded by Bill’s band Fuzzbuddy, re-titled Killing Me Now - it’s just been re-released as part of their Complete Studio Recordings compilation.

THE PALACE DOGS

with GEOFF WOOLEY

I’ve collaborated with Geoff Woolley since Out On Blue Six, and in school bands even before that. These two tracks, from around 1995, are both built from sampled TV shows (and therefore subject to all sorts of potential copyright issues…).

Queen of Peoples’ Hearts

(Marsh/Woolley)

The self-styled QOPH’s Panorama special, cut up and pumped up with added Dario Argento and a spot of Jeremy Paxman. The Original is all-electronic; the Guitar Version has not only mine and Geoff’s rhythm bits but some wildfire lead from Steve Bolton (Atomic Rooster, Paul Young, The Who etc. and currently fronting the mighty Dead Man’s Corner). Take yer pick.

Crazy Dames

(Marsh/Woolley)

The main voice and piano on here are from a 1961 Twilight Zone episode called The Midnight Sun, in which the Earth is knocked out of orbit and is spiralling towards the Sun… it gets hot. Other vocals by Stella Clifford and Marilyn Gentle.

GASWERKS

The Ying Tong Song

(Milligan)

Basically the same format as The Palace Dogs with the addition of Bill Clift, whose idea it was to knock out a dance version of The Goons’, er, classic. Dig that crazy rhythm, indeed. We were told the novelty song market was a hard one to crack… by the singer of Black Lace, who should know, I suppose…

WOOLLEY/MARSH

The Girlfriends Of Dorian Gray

(Barratt/Marsh/Woolley)

David Barratt came up with the conceit of a modern Dorian Gray who preserves his youth (or immaturity) not by having a grotesquely ageing portrait in the attic but by having an ever-changing string of girlfriends who absorb the consequences of his many flaws and are discarded one after another. Dave sketched out the chorus and then proposed that he, I and Deni Bonet (NY-based violinist and writer that we’ve worked with on various projects) should write our own versions of the story, possibly with the idea of creating some kind of meta-version combining them all. That never happened, but I like the track Geoff and I came up with and the lyric is nice and tricksy - shades of Costello, maybe, if I say so myself.

You’re The Only One

(Marsh/Woolley)

A re-write of a Happyhead demo, switching New York electronica for some 90s Britpop vibes, it sounds like. Bit of a kinky ménage à trois scenario with reasonably loud guitars. Nice.

BARRY’S TRACKS

The Frances & Martine poems, with Hilda Sheehan (2014)

part 1: GLOW, GOOSE, CORN-REMOVER

part 2: COAT, ARM, KNOB OF BUTTER

I met Hilda Sheehan - through the (surprisingly vibey) Swindon poetry scene when I was stationed back there for 10 years in '04.  She was often the star turn at their spoken word events and, I thought, had the mark of a real artist in that she came with her own self-contained world (’magical realist Northern UK kitchen sink’, if I had to describe it).

I thought it would be fun to 'set' (as they say) some of her poems to music and so I did. From Hilda's considerable oeuvre, I picked the Frances and Martine series - I liked F&M's mutually abrasive dependence - the key ingredient in any sitcom - and the succinct and sometimes brutal nature of each of their adventures. 

Dame Hilda Sheehan

The Anaxaton6 EP with Mike Tournier (2013)

I first worked with Mike Tournier (Big Mike as opposed to Little Mike - these were Flukes' Contrasting Mikes at the time) as producer on their OTO album c.94. Techno outfit Fluke apparently liked them some Olde Shriekback (they had worked previously with Wendy and Sarah) and thought I might add something to the project. 

It turned out that producing a techno band is every bit as awkward as you might imagine (there’s only one computer screen for a start) and we abandoned the collaboration after I'd failed to insert myself into Fluke's process in any useful way (sandwich run doesn't count).

Anyway, we stayed in touch and collaborated rather more successfully on a Fluke/Shriekback tune and performance for MTV.  

It was the redoubtable Julian Nugent, Fluke's manager, who got in touch - in 2013 to suggest that Mike and I might like to try knocking up a tune together.

I liked the idea of this straightaway. Mike can produce huge, hi-torque productions and I had an idea of a songwriting approach which I though might complement this. The vocalist would be recognisably the bloke out of Shriekback but CG’d with florid new appendages. I fancied some mad-as-a-rat lyrics (Welcome to their secret sign: Boola Stack! Haunted Lego of the Mind! Boola Stack!) but the music would be slick and vivid and solidly crafted because that's always how Mike rolls. Thus you get something quite absurd being taken very seriously which is, to my mind, the best thing you can possibly have.

extract  from the sleeve notes:

BONE MARAUDER tells of a pure love, painful engorgement and hog sorcery. 

JUJUGRID (GO LIVE!) wrangles with hedonic guilt, ecclesiastical turpitude and leaves everything else the fuck alone. 

BOOLA STACK! - There are so many things to say of Boola Stack that to ennumerate them insults us both.

NO FOOL BOLETUS... let's just be clear about this: you got nothing to hide, there's no need to worry. Be lucky.

Michaele don Turino and Bleary Android are the naked mortals chained to the husky obelisk of ANAXATON6 

Anaxaton6 has some videos here:

https://www.youtube.com/results?search_query=anaxaton6

Mike Tournier