#im on fever medication right now because I am sadly once again sick so this might be incoherent
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regardless of what mediums you wanna use how you wanna draw ever heres what you need to do
-if youre a cartoonist be very specific with anatomy studies. if youre gonna stick to really stylized cartoony shit then keep anatomy studying to just basic forms, joints etc and focus on figure drawing. id reccomend 'figure drawing methods for artists' but for fucks sake just go on youtube, watch a couple videos they all say the same thing anyways. as long as you're not getting blatantly incorrect info from a guy that doesn't actually know how things work and cuts corners. it's better to sweat and bleed learning how to draw basic forms like the torso and pelvis than do what i did (go through as many shortcut pinterest guides as possible, develop a flawed and stiff understanding of anatomy, use it as a crutch) .
but yeah figure drawing is useful because learning how to set characters up in different poses and composition are useful. for every cartoonist!
-2... i ran out of points to make. Think about artists you like, you don't even have to make long rambly analyses , just jot down why you like their art and what appeals about them to you. anything from that vintage mustang poster you saw the other day, to a 'fine art' artist you'd see in a museum to your favorite blog
3: study practically.
read artbooks, look at tutorials online, watch youtube tutorials from a variety of sources: but remember, regular practice is the goal here. don't get too hooked on watching tutorials or studying and just go outside and draw a little. try and apply those skills bit by bit.
4 here are my (amateur guy that draws online and isn't going to art school)'s random advice bits
supplies i think are a godsend no matter what: one really good pencil. doesn't matter what kind it is. i got fancy ones but in all honesty light or dark you just need one that feels comfortable to write and draw with. practice those artist grips! consciously think about lines: do i want thick or thin lines? and what can I do to change it? Are my lines unsteady? and am I unhappy with that? sure, then try a different grip, or see if a thicker, more bulky pencil works! but hey, i'm just some guy on the internet telling you to do things.
ironically, even as I wax poetic about how fun it is to collect wood/mechanical pencils, my favorite thing to draw with is a #2 pencil.
I could go on and on about art supplies and practical applications but all I can say is if you really like something, splurge on it and if you're not sure about it get cheap ones. It's not really about the subtle intricacies of each medium but if you even like it in the first place. Cheap vs expensive watercolors aren't gonna matter if you don't LIKE using watercolors.
..that being said I think color pencils are the exception to this as each brand varies in quality regardless of price.
here are some artbook reccomendations to finish off this jumbled, disjointed and haphazardly written post
-Sketching People by Lynne Chapman: I tend to lean towards the more practical when it comes to any advice. something that really boils down the way you do something and why to its core. This book is really good for that.
-Figure Drawing Methods for Artists by Peter Boerboom and Tim Proetel: it's a really fun exercise book.
-Space Drawing and Perspective by Superani: once again, practical, well translated , and really fun to do. Don't get superani's anatomy book though it's racist and pervy as fuck
-and so many more that I can't even list here. Just go to your local library and open up one of these babies, grab a sheet of paper, and just jot anything down that seems interesting to you. Capiche?
#im on fever medication right now because I am sadly once again sick so this might be incoherent#but this post is really just my contribution to the discourse around instagrammable marketable clean and palatable art and#expensive art supplies and confusion and#just in general a lot of online spaces have made artists feel like their art has to be super palatable all the time#so a lot of people forgo learning the bones and joints and MEAT of art#ie structure and foundational skills#in favor of getting a cleaner product out faster#so this is just kind of me ranting on my lawn chair about how I THINK is the right way to do it and git gud faster#dont rb#fish talks
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