#im not sure if i imagine any pairing as 'endgame' in the actual story

[hypogryffin]

TELL US ABOUT THE PRINCESS KNIGHT AU PLEASE PLEASE PLEASE PLEASE PL

ok sorry its been like two months but anyways lets talk abt the princess/knight au!!!

haru is a princess, specifically the only heir to king kunikazu. yusuke is sort of a knight, but it's more that he's haru's personal bodyguard!

his mother was a court painter. she was pretty physically weak and fell ill a lot, and after she had yusuke, she realised that, while her and her family were able to live with the royal family for now due to her work, if and when her sickness claims her, her son would no longer be welcome in the castle. since she was all the family yusuke had, that would mean hed likely live the rest of his life on the streets, and as a young child, he wouldnt have the means to make that rest of his life a very long one.

so she made a deal with the king, haru's father, and it was decided he would grow up as harus retainer.

[image ID slash written text for those who cant read my handwriting (😔):

(servant, holding a 1 year old haru in their arms): do you see him, princess? [a shot of a small baby sleeping] his name is yusuke. from now on, his job will be to protect you.

a note next to the drawing of baby haru reads "yusuke is a year younger than haru, as in canon, but it was decided very early on in his life that he would be haru's personal guard!"

a drawing of a young yusuke and haru with another note that says "he began learning how to wield a sword and bow basically as soon as he was physically able, but until he was learned enough to protect haru, he just acted sort of as an escort to her {while a retinue guarded both of them}"

end id.]

its a good thing it was decided so early, too: yusukes mother succumbed to illness before yusuke was even three years old. (he has no memory of her. haru doesnt either, but she DOES remember the funeral that was held.)

(one of the last pieces yusukes mother ever painted was of a young haru holding a baby, a man who would one day become her guard. it became a pretty significant piece for the okumura kingdom for a while, actually: it was used to mean "serve the royal family and it shall serve you, in turn". its hung up on the stairwell into the castle guards' quarters.)

anyway, so yusuke and haru grew up together. they were paired so early on into their lives that neither of them have any memory of a time without each other: for all it matters to them, they were born hand-in-hand with their roles set in place.

they were very close as children, especially before yusuke was considered sufficiently trained in his weapons. it was very common for them to walk around the castle holding hands, and they barely ever separated, only ever doing so for things like sleep or bathing, or lessons-- though the last of those wasnt always true. yusuke would have lessons alongside haru in things like etiquette, of course, but could also be found in the room for things such as history, or her music lessons. likewise, haru would watch yusuke train, though she wasnt allowed to wield a sword or bow herself and could only cheer him on.

(not until they were a bit older, when yusuke taught her how to fight with a sword himself. even then, they used wooden swords, so that haru wouldnt get hurt.)

yusuke was the only boy other than the king himself allowed in harus bedroom, since the only others given access were the handmaids responsible for things like cleaning her room, dressing or bathing her, et cetera. he used to enter as he pleased as such, and only got into the practice of properly knocking and announcing his presence as they got older. hes all-together almost completely stopped actually going into her room, opting instead to stand at her door until she leaves, herself.

as they grew up, they were steadily more and more discouraged from being as physically affectionate as they were as children. yusuke was punished for doing things like holding her hand if they were seen, and was taught to instead be a silent presence to her side or two paces behind her, seen and not heard, the way a "guard" ought to be. at the same time, harus etiquette lessons taught her the necessary decorum to be a princess and one day a queen, and there was no room for a friendship with a retainer, even if it was yusuke. though they care for each other just as much as when they were children, perhaps even more devoted, youd be fair to miss it, since neither of them are able to be open with each other anymore.

(yusukes still slightly more touchy-feely than whats probably expected of a guard. its not really physical affection in the same way, but he'll do things like brush dust or pluck lint off of haru's dresses himself or adjust her hair or jewelry or clothes-- of course, only to make sure her highness looks her best, so its forgiven to the outside observer, but still something technically not of his station.)

haru is a lot different that she was when they were children. proper etiquette is extensive, obviously, and the young girl that was considered the country's daughter, kind and open whenever seen in processions, has long since been stripped for parts. her public face has matured quite a bit by necessity, though her kindness and permanent smile remains-- it's simply that it's more of a part she plays, at this point, any of her natural disposition worn to steel, as a certain amount of control is necessary for a woman of her station.

she doesnt regret the person shes become, even if somewhat conniving-- after all, she needs a certain amount of cunning to keep her head above water in the political scene. or its more that she's not able to regret it, as she's never had any other option than to become as jaded as she is today.

still, it's hard not to yearn for the old days, when they were innocent children. shes not quite aware of it, herself, but she certainly misses yusuke, her friend. its just hard to figure that out when to this day, yusuke, her guard, remains as staunchly by her side as her best friend always has.

when i made the initial drawings for the princess/knight au, i wrote the beginning of a short story of a yusuke pov that i unfortunately must have tossed it because i dont have it anymore, but his character is defined by his devotion. hes never known anything other than being haru's, after all, and considers everything he does a labour of love for her. every moment he spends training is for her, every injury for her sake, every callous a simple, unavoidable byproduct of his servitude. he keeps the posture he learned in his etiquette classes even in private, because erring once is to live with the knowledge of his erring forever, and more than that, risking forming the habit of being anything less than the perfect knight for his lady is something he can't bear the thought of.

luckily, there isnt much danger living in the castle, so yusuke only trains as ardently as he does as precaution for the most part, but there was one incident in which the castle was attacked by royal detractors. haru wasnt actively targeted, being only 8 years old at the time, but there was a spot of trouble where he had to protect her. yusuke, being 7, wasnt fully learned in his swordsmanship yet, and sustained a few scars, including but not limited to one on his eyebrow he hides behind his hair, but considers himself barely harmed, especially considering that that was the incident that took many other castle guards' lives, as well as the life of the queen, haru's mother.

king kunikazu and the kingdom at large is currently pretty uneasy due to a war brewing just a bit away; neither the kingdom nor any of its current allies are being actively threatened, but its one of already many due to one kingdom's ancient rome-esque conquering of a path of smaller countries, and the "okumura" kingdom looks as if it will be on the warpath sooner or later. due to this, the kingdom's engaged with an alliance with a comparatively smaller kingdom that it neighbours. the alliance is going to be officiated with a marriage: haru is kunikazu's only heir, but due to some societal stuff, as a woman she's considered unfit to rule as a monarch. so, she's now to be married with one of the sons of said neighbouring kingdom, who will act as ruler with her at his side:

akira is the son of the king and technically an eligible heir to the kurusu kingdom, but due to his place as the 4th son, he's not a crown prince/not considered to be in line for the throne-- or at least, not to his home nation, as he's now set to be the king of the okumura kingdom.

he seems to be of the same mind as haru: uninterested in her in a romantic sense, but has accepted the marriage for the sake of his country. however, he also seems completely uninterested-- or perhaps actively against-- the prospect of being king, not of his own country and not of the okumura kingdom. it seems that hes grown up acting as more of a free spirit; hes pretty crafty, and has a reputation amongst his own retinue for always managing to sneak off, running away as soon as hes left unattended by his father or instructors, or disappearing overnight (much to the grief and distress of his caretakers), though he's always returned, apparently rather aware of his own limits, or at least capable of getting himself out of whatever trouble he ends up getting into, without drawing the ire of either the common people or his father, the king.

because of his nature, he either sees himself as unfit for king, or merely feels stifled by the idea of the position, and in private talks has disclosed to haru that hed much rather her take her (in his words) rightful place as the queen and head of the nation, and is more than alright with her being the brains/power of the operation, even if in the end it has to be him giving speeches when necessary.

however, while disliking the idea of being a king in general, and also disinterested in haru as anything more than a confidant (having also privately disclosed to her that he does have his eye on someone), he seems attached to the arrangement of this marriage, for “some unknown reason”.

((thats right baby its ALSO a kitashu au get fucked))

akira and haru are officially engaged at the time of the story, and are in the midst of planning for the wedding! they tentatively become friends, since theyre both kind of stuck with each other presumably for the rest of their lives. hes seemingly made a goal to make haru let her guard down, and has even convinced her at some point to sneak out of the castle with him (at a point where he and his father were visiting) to explore the surrounding town without their retinues-- something that gave yusuke specifically about 7 heart attacks, as its something harus never done before.

oh yeah, and by the way, yusuke fucking hates akira.

haru really liked seeing the town without her guards, and without having to put on the air of princess. it was freeing to act as a commoner, and the first time shes been able to strip herself of her etiquette-- something she cant do around anyone in the castle, not even yusuke, at least not to the extent she has to to blend in with the townspeople. she liked it so much that it becomes a regular thing whenever akira is at the castle and not in his own country.

some of harus caretakers have noticed her disappearances, including yusuke, who is at her side in almost every waking moment: he greets her in the morning to escort her to breakfast and brings her to her room at night. when hes not standing at her side, hes guarding the room shes in, and only leaves her when its time for him to turn in for the night, as well. obviously hes noticed this sudden habit of disappearing, and more than that, HES the one who ends up tasked with discouraging harus maids from disclosing this to king kunikazu, since haru isnt aware theyve figured her out, and their social standing disallows them from discussing it with her themselves. haru asked yusuke to keep her and akira's outings a secret from her father when he confronted her after the first time, so its his duty to make sure its a secret.

its not that yusuke resents akira for giving him more work-- hes more than happy to do something as trivial as this for haru, his princess, but its more that this means yusukes forced to be idle while distinctly aware that haru, who hes spent his entire life protecting and caring for, is off somewhere unknown, could be in danger or could be physically harmed, and hes not only none the wiser but also complicit, by allowing her to do this. though he cant ask her to stop, because its clear haru is happier with these momentary escapes. its a miserable position to be in, and he fully blames akira for being the one to put him there

(and resents him for the fact that akira is an outsider and a newcomer. despite this, its clear that hes doing something for haru that yusuke hasnt been able to, not since they started growing up. hes making her happy, and comfortable.

its anxiety over harus safety, and an intense, burning jealousy that hes not really able to identify in the same way)

[text id:

yusuke looking angry as he says "my lady's happiness is of the utmost importance to me. it is for this reason alone that i will allow these escapades to go on, without reporting them to the king or your father." "this marriage will be essential to this country's future, and i have no intention of interfering in your relationship with your fiancée, even considering my role as her loyal servant."

the second drawing reveals him to have cornered akira, seemingly pinning him to a wall, as he continues "however, if i find you to ever, ever put the princess's life in danger, then this country as well as your own be damned, i will strike you down myself, and i swear on my life to make your death ten thousand times as painful as whatever harm you have caused to her highness. do you understand, my lord?"

akira is blushing heavily, knees cowed slightly. he stutters out a "uh. uh-huh" like he's in a trance. an arrow points to him with a note that reads "his gay ass is NOT listening!"

end id]

for some actual story…

during a banquet held in celebration of akira and haru's engagement, king kunikazu suddenly collapsed and lost his life in that room. it was discovered that the cup he was drinking from was poisoned.

no one has any idea who assassinated the king-- it could very well be some of the many citizens that disliked the king's rather strict policies. the taxes are high, and punishment for crimes tend to be much stricter than in other countries. however, a common rumour among many of the townsfolk is that it was the world of the neighbouring kingdom: a ploy to get prince akira in power in order to take over the nation and subsume it as part of the kurusus' country.

regardless of whether or not that has any merit or is simply baseless rumour, the wedding has been temporarily postponed so that the country-- and haru-- may focus on the investigation. akira, at the least, seems more than willing to help. if it really the scheme of his nation, or of his father, he seems both unaware and unwilling to be a part of it, offering every aid he can to haru, even if it ends up only effectively being an open ear.

yusuke remains by her side, as he always had and as he always will-- perhaps a bit more protective of her, somehow, but the entire castle is on edge, so its not as if thats unexpected. as a knight, a simple extension of his lady's will, he cant do much for her to solve her problems, not possessing the intelligence to solve the case of her father's murder, the political knowhow to aide her and her fathers advisor who's acting as regent pro tempore in ruling, nor a magical ability to bring king kunikazu, someone who he had come to see as his own father in some form, himself, back from the land of the dead. still, he is harus humble servant, and devoted to her above all else, and whatever his lady needs, he will do his best to provide.

the story is about the political aspect of haru and akiras ascension to ruling and of trying to find a culprit, but also about the relationship between the three of them: akira getting closer to both of them, and yusuke and haru reconnecting. :)

[wandaromanova]

hi! hope you’re well :) this is my first ever request hehe

oneshot angst - wanda maximoff x fem!reader (endgame era)

Based on the song My Tears Are Becoming A Sea by M83

Wanda & r never got along until Wanda is hurt in battle. the injuries are too lethal for her to survive. r sacrifices herself with the soul stone in order to save wanda’s life. that’s when Wanda realised that r loved her

(i imagined r giving the soul stone to Wanda in a necklace as the powers healed her injuries)

you may change this in any way you’d like!

Always Loved You

Pairing: Wanda Maximoff x Fem!Reader

Warnings: angst, death, cussing

A/N: hi, i lied here's my actual last request for today! im well and im so honored to be your first request! i hope this was somewhat what you were hoping for because ouch, this hurt to write tbh. for the sake of the story, let’s pretend Thanos only needed five stones to do the snap. not proofread. join my taglist here <3

Summary: Wanda Maximoff and Y/N L/N couldn’t stand each other. Did they actually hate each other, or did they just hate that they loved one another?

Word Count: 2.4K

(gif is not mine)

It was common knowledge in the Avengers compound that you and your teammate, Wanda Maximoff hated each other. You both never seemed to see eye to eye on anything. Ever since Wanda joined the team, you two never got along. It was hell when you both were on a mission together. If you wanted to go left, Wanda wanted to go right. If you thought the best course of action was to sit and wait for backup, Wanda would say it was better if you guys just fought people off yourselves. It was easy for her to be a little reckless since she had powers, but you didn’t.

You possessed the soul stone. You were the caretaker of the infinity stone. So, you would think that you and Wanda would get along, right? Considering her powers come from an infinity stone and you protected one? Nope, absolutely not. Wanda got along with Vision who had the mind stone in his head just fine, but did she get along with you? Nope. Admittedly, you personally had nothing against the Sokovian woman. Sure, she messed with your head back in Sokovia a few years back, but you didn’t hold a grudge against her for it.

Truthfully, you had no idea why you basically had a vendetta against Wanda. So what? She was gorgeous as hell and had soft hair? And who cared if she had a really big heart, but wouldn’t hesitate to fight and stand up for the world and herself? And it wasn’t a big deal if you wanted nothing more than to wake up next to her each and every morning?

Okay, you may or may not have feelings for Wanda and you act like a bitch as a defense mechanism. But you just weren’t in touch with your feelings. You refused to let her know that you were more than smitten towards her, so you built a wall. If you had feelings for her even when you barely knew her, who knows how hard you would fall if you got to truly know Wanda? That wasn’t something you wanted nor were prepared for. So, you were extra cautious with your thoughts around Wanda, with her being a mind reader and all. You didn’t want to expose yourself like that.

Well, now here you are years later, regretting not telling her how you really felt about her. It’s been five years since Thanos defeated the team and half the world was taken away. Wanda being included. You recall the day as if it happened yesterday.

——————————————————————————

3 years earlier

There was complete chaos on the fields of Wakanda. Avengers and Wakandans were scattered about the forest, fighting the fight of their lives. The sound of explosions and fighting could be heard from miles away. The sight of smoke slightly clouding your vision.

Then all of a sudden, Thanos appeared and tore the mind stone right out of Vision’s head in front of you, Wanda, and Steve. The sight of Vision’s once bright colored body turning grey would haunt you forever. Then suddenly, people around you began to vanish. You watched as Wanda turned to dust. If she stayed a little longer, she would have seen you fall to pieces as soon as she was gone. You sobbed your eyes out and regret immediately filled you as you realized that you may never see her again.

You may never get to see her roll her eyes as you annoy her with your sarcastic remarks. You may never get to argue with her on missions and secretly enjoy how hot she looks when she’s angry. You may never get to tell her about how much you love her. Yes, you love her more than anyone. You felt like an absolute idiot for taking so long to come to terms with it, but it’s not like that mattered now. She was gone and there was nothing you could do about it.

——————————————————————————

Present (5 years later)

5 years. 5 years since Thanos’ purple, wrinkly ass barged his way into your lives and destroyed everything. So many people lost their loved ones, you included. The people who survived tried their hardest to move on with their lives, but the weight of loss would forever weight heavily on everyone.

You hadn’t gotten any better. Every single day you tried to come up with some sort of way to bring everyone back; to bring her back. However, every thought you had was completely absurd and would most definitely not going to work. You were at a loss. You would do anything just to make things right.

Then suddenly, Scott Lang appeared on the front steps of the compound and all your hope you had carried with you the past 5 years was at its peak. Okay, was his idea absurd too? Absolutely. But there was actual science involved in the plan, and you guys had a Tony Stark. This time travel plan will work. It has to work because you wouldn’t know what to do if it doesn’t .

——————————————————————————

It worked. It actually worked. You guys had all managed to get the rest of the stones. It was nice to know that you guys only had to collect five out of six of the stones, considering you had the soul stone already. You all knew that it only took five stones to do the snap, but all agreed to just collect all six.

Banner decided he would be best to do the snap, considering the radiation was gamma radiation. He snapped his fingers as everyone in the room shielded themselves from the powerful blast. Banner fell to the floor as his body was charred from the intensity of the snap.

Clint then received a call from his wife, Laura, and the entire room froze. Laura was apart of the blipped people. She was back, so that must mean that everyone was back. It worked. It actually fucking worked! That meant Wanda would be here too, somewhere in Wakanda. However, the joy that the team was experiencing was cut short as a powerful blast struck the compound, effectively knocking you and a few of the other avengers out in the process.

——————————————————————————

Honestly, how you got here was a little unclear. Everything after the explosion was a huge blur. All you can remember is the impact of the explosives, being saved by Scott, then ending up where you were now; stood beside Steve and the rest of the remaining Avengers as Thanos’ army approached you guys.

It didn’t take a genius to tell that you guys were most definitely outnumbered. But that didn’t stop you guys from trying. As you got into position to fight, the sound of a voice on comms invaded your ears.

“Cap? Cap it’s Sam, can you hear me? On your left.” Your head turned to your right, Steve’s left, as a yellow portal began to open up behind you guys. T’Chall, Shuri, and Okoye made their way out of the portal as a few more portals began to appear out of thin air.

You and the rest of the team watched in shock and relief as more people entered through the portal. Thank god you guys had backup now. There was no way in hell you guys were going to be able to fight Thanos’ army on your own.

As more people, some familiar and some not, filed through the portals, your eyes frantically searched for a certain green-eyes, red-haired woman. Your eyes began to water as you finally caught sight of her floating in the air and landed in front of the crowd. She was back. She was here. She was finally here after all these years. You could now have the chance to make your feelings known.

That would have to wait though. You guys had to defeat this purple bitch and his little lap dogs first. So, as Steve let out an intense “Avengers… assemble,” everyone rushed toward the enemies in anger. It was like that day in Wakanda all over again, but this time, you had more motivation than before. He would have to pay for all the time you had lost with Wanda. He would pay for taking so many people away from the ones the love.

You have no idea how long the fight went on, but you know it’s been awhile that’s for sure. As you finished off one of the ugly ass dog things, you turned around and caught sight of Wanda being struck by one of the explosives that were being shot from a ship above.

You frantically made your way towards Wanda without a single thought. You didn’t give two shits about the battle going on behind you at this point, all that mattered was her. You caught sight of her body and let out a gasp. Her leg was bent in a way that shouldn’t be possible. There was blood pooling from her side where she struck against a rock. And her body was slightly burnt from the heat of the missile.

“Wanda. Hey it’s me, Y/N. Keep your eyes open for me okay? I’m going to try and stop the bleeding.” You spoke gently as Wanda’s eyes wearily landed on you. You tore off the jacket you were wearing and hastily wrapped it around Wanda’s side. You began to apply pressure to the wound, but then blood just seeped through. There was no way she was going to make it through this. You had to do something. You didn’t go through all this trouble for her to die.

“Wh-why are you helping me? Don’t you lik- like hate my guts?” Wanda asked suspiciously, albeit a little weakly from the pain and blood loss. You were genuinely surprised that she hasn’t passed out yet.

“I’m helping you because…” You trailed off to a pause as an idea popped into your head. An idea that would save Wanda’s life, but cost you yours. You could give her the soul stone that was secured around your neck. The stone had the power to protect the person who wore it. You knew it wasn’t going to be pretty when you take the necklace off and gave it to her. You would feel all the pain you’ve experienced in the years you’ve had the stone, all at once. But you had to do it, Wanda’s life depended on it. This was the time to confess, you knew you wouldn’t have the chance again.

“Because I love you, Wanda. I always have and always will.” At your words, Wanda’s eyes widened as far as they could go in her state. She tried to speak, but you quickly interrupted her. She needed to preserve her energy after all.

“I treated you the way I did because I was terrified of falling in love. I’m so so sorry it took me so long to tell you this, but I have to. I have to because I won’t make it after this.” You said as Wanda looked at you confused. What did you mean you weren’t going to make it? How could you say the words shes wanted to hear for so long then follow it up with saying you weren’t going to make it?

Before Wanda could verbally express her thoughts, you leaned down and gave her a kiss so passionate it had you both winded. As you pulled away, you gave Wanda a soft, reassuring smile as you clutched her hand tightly.

“I love you Wanda. Never forget that please.” You finally said as you took the necklace off of your neck. This caused Wanda to go into a panic. “Y/N! No!” Wanda tried to move to stop you, but let out a yell of pain as she was reminded of her state.

You just smiled at the woman you loved with tears in your eyes as you clasped the necklace around her neck. Which was kind of a struggle considering Wanda kept shifting in an attempt to stop you. But, you managed to get it on her and Wanda slowly began to feel better while you felt worse.

Wanda laid there as you began to wail in pain. As an Avenger, you had been through an extensive amount of injuries over time. Now, the full extent of those injuries were hitting you full force and you could do nothing but scream. Wanda began to cry as she helplessly watched you. She tried to take the necklace off of her neck to give it back to you, but her shaky hands couldn’t even grip the clasp, let alone take it off her neck.

All you could think about was the woman in front of you, this was for her. You wouldn’t survive if you had to live in a world without her once again. Not if you could help it. You failed her once and refused to fail her again. Failing her was not an option.

The pain slowly began to go away as you began to lose consciousness. With one last look at Wanda, you forced out a smile as your body fell limp and the life left your body. At this point, Wanda felt normal again. Her body was no longer restricted from pain. She crawled over to your lifeless body as sobs took over her entire being.

She didn’t know what you had planned until it was too late. She didn’t get the chance to tell you how she felt. She wouldn’t be able to thank you for saving her life. All this time, she had thought you hated her, but it was really the opposite of that. So, Wanda took a moment to hold your body close to her as she cried. The sounds of battle turned silent as the grief consumed her. Her pain turned to rage as she looked up at the fighting going on around her. Thanos will pay for your death. He had to.

Wanda clutched the necklace in her hand as she looked down at you. She closed your dull eyes softly before placing a soft kiss against your forehead. She reluctantly placed your body against the floor softly before she stood once more. She would kill that bastard for what he had done to you. He took everything from her. He took all the possibilities of a future with you away from her. He took away her chance to tell you what she’s wanted to tell you since the moment she met you; she always loved you.

[miraculouscontent]

(miraculous asks)

Anonymous said:

Oh My Gosh!!!! I was just thinking about Party Crasher and man I hate how they had Ladybug get captured for the men to save! It's a continuous thing you see in media: strong heroic woman gets put in peril so that the men can shine. I didn't even realize it until you said it! I get that it was probably meant to be a "role reversal" of Chat always getting kidnapped or brainwashed for Ladybug to save, but the fact that this is the "guys' episode" it read like "well damn, we can't have the guys be strong if a girl is in the way; let's have the girl get captured so the boys can prove their worth by rescuing her!".

At least in Sandboy, Ladybug was still competent and came up with the plans, but this?! It makes me sick, and it's all too easy to fall into these traps; even Kim Possible did it! In my magical girl story, the heroine does get put in a magical coma and require someone to bail her out, but it's her female friends AND her boyfriend who save her, so it's not just a girl being weakened so a boy can be powerful, especially since said boy actually does a minority of the work required to save her; the focus is on the female characters so it's her girl friends who do most of it. I still ended up scrapping that side plot anyway, and do you know why? Because regardless of who saved her, I still didn't want my female protagonist to be put in distress at all due to the unfortunate implications! Needing help in a fight? Sure. But outright being captured or kidnapped? Nah fam.

I was honestly thinking about that when the first episode came out. Like, they could’ve just had Marinette NOT SHOW UP in time so the guys take care of things, which at least gives more of a message that Paris wouldn’t go to hell just because Ladybug is a little late or something.

And yeah, the “boys squad episode so gotta toss the girl out” is... sigh.

Anonymous said:

I think the writers were trying to show Chat angsting to show his regret instead of an actual apology. Still doesn't explain why Aeon didn't bring up her death afterwards. Did Olympia delete that from her memory banks?

I guess? :|

I don’t know why Chat can’t just apologize without fishing or trying to earn sympathy. Like JUST SAY YOU’RE SORRY, DAMMIT.

Anonymous said:

If you haven't read Maribat, then you won't regret it. I am not in the DC universe but I started reading it and WOW. Literally every single time Marinette is a badass queen and gets her complete revenge and is actually happy! Even if you absolutely love Lukanette (which I have nothing against) you should totally try it.

Appreciate the comment, but I find it hard to ship other Marinette ships outside of Lukanette. Ivanette is a very loose exception and it’s not like I ship it hard or anything.

Anonymous said:

Despite not being a Lukanette shipper I love you. Why? Because you amazing, so right in literally everything and I love you <33

gkdfjgfdngjkfdg thank you

bat-anon said:

The NY Special made it so that Max is literally the only Black/Brown kid that doesn’t exist to make Love Square happen and that just makes me hate it even more.

I wish you didn’t make me have this realization because I hate it.

At least Delmar existed in the New York special???? I guess???? I dunno, I’m trying here, I don’t recall him doing anything love square centric.

Anonymous said:

I honestly don't mind Alix's outfit as Bunnix! I feel like it fits her, plus she's an adult so its not much of a problem, not saying it can't be improved however. I DO have issues with the designs for the underage girls outfits however....those are very sus

Yeah, the problem I take with Bunnyx’s is that it’s a bodysuit. If there was just more definition, like having actual boots, I wouldn’t complain as much.

Anonymous said:

I actually just really like the idea of the new bee being a genuinely nice person who becomes friends with Marinette. Not exactly close friends (since I like the idea of friendly working relationships without actual personal stakes in them). I also enjoy the idea of the new bee having some small animosity for Chat Noir- just because their personalities aren't the greatest mix. I also think that it would make sense for the miraculous of subjection to be at odds with the miraculous of destruction

Full agreement but we know how much the writers are resistant to have characters go against Chat.

Anonymous said:

Not gonna lie the scene where the girl squad gets akumatized almost makes it seem like they got akumatized on purpose, similar to Manon in Puppeteer 2(although she was a little kid who was probably just imagining she could enact revenge). And why can't they have a uniformed design, like they're a team but wear different colors, similar to the Sailor Senshi(like, Alya's the leader and wears orange, Rose wears pink, Alix wears green, Juleka wears purple, and Mylene wears yellow). It's so boring.

Mood.

Not to mention that WE ARE SO TIRED OF THEM GETTING AKUMATIZED INTO THE SAME AKUMA.

AT LEAST PALETTE SWAP THEM.

Anonymous said:

Relating to the Didn't Need Burrows and Treatment of Marinette bingo cards, have you considered making one for whenever the show fails at girl power? It could say things like "sexualized frames of teenage girls" "boy tells girl what to do" "girls don't get to keep Miraculouses", and "girls are forced to apologize whenever a situation goes wrong". And in the center, it could say "Don't show this to your daughter!"! Lol! What do you think?

lol I feel like I have enough cards, otherwise I would.

Anonymous said:

I saw another post that talked about Miraculous New York, and they theorized that it was rewritten to focus more on Marinette and Adrien in order to get viewers invested in the Love Square again after more people started to lose faith in the ship. Do you think that's a possibility?

I think so. The whole special comes off as trying to reassure love square shippers because of how hard it goes for him. I cut out Marinette’s crushing and it cuts like 18% from the episode, meaning it’s even worse than Season 3 (15%).

Anonymous said:

Maybe the point of the [break-up episodes] is meant to discourage people from shipping Lukanette and Adrigami too?

Spoiler alert: didn’t work.

Anonymous said:

Are we not gonna talk about how in one ask, somebody legit said "(long dreamy sigh) Viperion"? Like same.

RIGHT????

Same.

Anonymous said:

Ml fandom: I hate how Ladybug keeps secrets from Chat Noir! He sacrifices himself for her all the time and she never appreciates him for it! He has EVERY right to get mad at her!!

ML Fandom when Chat Noir does the same thing in the special: ....Wow Ladybug was way to harsh on Chat Noir!! She doesn’t appreciate him at all!! Shes so mean to him!

:|

i hate it

Anonymous said:

Idk if it's just me, but a majority of the fandom is split in two; it's never one or the other "MARINETTE SUCKS AND IS A HORRIBLE PERSON GUARDIAN MARY SUE WHO SEXUALLY HARRASSES" or "ADRIEN SUCKS HE WAS NEVER ON MARINETTES SIDE" but im personally on the latter, but not to that extreme. i hate videos bashing marinette and then never acknowledge adriens faults

Yeah, the fandom gets more divided as time goes on because of the writers trying to increase the drama/tension.

Anonymous said:

I am PERSONALLY offended they gave Luka the snake miraculous. Snakes have such a negative connotation. A lot of people insult Lila by calling her a SNAKE. And now those ML writers DARE insult the best character in ML?! HOW DARE THEY!?????

I adore Viperion but I agree that I first heard he was getting snake and was like, “BUT MY BOI???”

It gets awkward too because other animals like the pig have negative connotations, like how Daizzi basically means “idiot/stupid” and they’re giving it to the freaking blond character, really???

Anonymous said:

I think that Ivanette would be even better if Marinette was plus-sized character.

I see why you’d think that. I just disagree because then it turns the ship into “let’s pair the heavyset characters together because they heavyset.”

Anonymous asked:

On the topic of romance failures and general series salt, my main issue right now is how the series puts so much focus on romantic relationships while failing to consider other levels of relationship or what they affect.

On the L² front I can completely buy Marinette being in love with Adrien. Most of the time she genuinely wants him to be happy and is ready to take a step back for him, however much it hurts. But in terms of romantic love? It. Is. A. Crush! But if we step back from the formula, what is there left between them? Their civilian relationship is held together by a “comedy” of errors and without that there is surprisingly little left. Well, besides two “best friends” desperately trying to make it happen because somehow they lost their individual characters and instead of being friends became matchmakers?

I too like Luka and Marinette together. Their relationship is pretty nice to see and all. But sometimes it feels like it happens in a dimension of its own, like the writers want to make the endgame clear in that the “sideships” can be easily cut out of the big “how they got together”-recaps. I especially miss reactions from and interactions with Juleka. She is Luka’s sister, Marinette’s friend, and IIRC someone aware of if not even a bit player in the great shipping game. She is in a prime position to step up and bring progress on all fronts: She can talk with Luka. She can either give Marinette helpful pointers or go “All in or nothing”, i.e. trying to make Marinette get her Adrien-feelings in order as she does not want her brother to get less than Marinette’s full heart. Similarly, she can counteract “friendly acts” and stop humiliating situations from escalating, or she herself can escalate them in the “All or Nothing”-scenario. Yet she remains basically a background character who gets little attention from the camera and almost no “non-focus identity”

As for Kagami, I may be too biased. *Any* positive Kagami/Marinette relationship is to me what Lukanette is to you. So naturally I have lots of opinions when it comes to her role ;) But can I just say that Adrien/Kagami is the weirdest ship for me? They have a few cute scenes and I think if they’d spend a lot more time together, they’d do each other good but I don’t know how they work. “No Hesitation” Kagami would lob Adrien’s head straight off with all his…everything. If we are meant to take Adrien’s love for LB seriously (and I guess we have to because how in the name of sanity is any form of the stated endgame gonna work otherwise???), how does Kagami fit into that picture as a girl who can hardly express emotions while Adrien is the definition of a  guy who can not stop flirting or goes for all kinds of romantic gestures? Sometimes it feels more like a “social fit” and “Mommy/Daddy approves” kind of deal which is quite the shame! Normally I like these kind of relationships in fictions but they need a solid underlining or good development. One they haven’t and one the series has not been giving to anyone so far.

Yeah, the whole thing with the love square versus side ships ends up feeling extremely forced. Keeping Luka away and forcing Adrien into Lukanette episode are the biggest giveaways, basically a big fat sign that says, “We know Marinette would forget that Adrien exists if she hung around Luka for more than five minutes.”

AND YEAH, KAGAMI WOULDN’T PUT UP WITH ADRIEN’S GARBAGE. I liked Adrimi but it’s definitely more flawed than Lukanette.

Anonymous said:

Watched your opinion on the New York special and I agree with you. It was mediocre at best. It could have been something nice, like if they added Kagami and Luka, for example, so that we can get a bit of development from the new couples on season 4, so that it doesn’t feel rushed when they start dating on season 4. It could also be a good opportunity to see the other temporary heroes one last time, since Marinette technically has the miracle box.

They could have had an epic fight with the American Superheroes, maybe even giving the bee miraculous temporally to Aeon or Jess so that we didn’t need to see their awful and uncreative superheroes designs. It would have been nice if they made something more useful other than being characters that believe that Adrien and Marinette are “Meant to be”, like, we already got a ton of these already, couldn’t we get someone who didn’t feel something about this ship? It has so much wasted potential that I don’t even know how to start. Do you agree with anything I said?

I agree, yes. They could’ve easily thrown Luka/Kagami into the mix (or had Marinette/Adrien stay behind while flipping perspectives or something; flawed but they could make it work).

Anonymous said:

I'm rereading ladybugout and wow... the moment of silence after "chat deserves that kiss" gets me every time. Everyone stopping and just staring because wow he really just said that

Me whenever Chat Noir opens his mouth in the show.

Anonymous said:

I saw the Backwarder post you just talked about and yes, it is so totally ridiculous. They forgot another thing, though. Miraculous isn't just about comedy, action, and romance, it's about embarrassing Marinette. And the fact that almost everyone in the comments was acting like the medicine scene at the end was funny was just stupid and saddening to hear or read about, because it shows how people have been conditioned to hate and rally against Marinette without even realizing it. Granted, there was one lady who said it reminded her of her husband, so I guess that's okay(but all it means is that Adrien will be Marinette's--aka "his lady's"--husband like eeerrrgh!). And there was one person who said they liked that Juleka's advice because "If you're friend isn't willing to commit crimes for your happiness, is she even your friend?". But everyone else liked the ending. And I don't get the person who said we got "Subtle progression with Adrien and Marinette". We're right where we started.

Weeeeell, I understand the “comedy, action, romance” comment because all of those basically boil down to embarrassing Marinette or invalidating her. Comedy and romance goes without saying while action involves her dealing with Chat “Nice Guy” Noir.

Anonymous said:

Is it just me, or does Snow White's "Red Shoes" form look a lot like Marinette. I know, I know, Marinette is Chinese and Red Shoes is Korean, but they still look strikingly similar. They're bodies are really similar, too, but that might just be because animation tends to use eerily similar body types for its female characters on a whole. It's sad and it makes me think of how cute Marinette would be if she was fat. I also think Snow White was cuter than Red Shoes but that's kind of the point.

I think it’s the body type thing but that’s just a guess since I didn’t immediately make the connection.

I agree that Snow White is cuter.

Anonymous said:

Am I the only one who's never liked "destined to fail" characters? Basically this is when characters aren't allowed to be good at/succeed at something or else the whole universe will somehow fall apart. Think of how in The Amazing World of Gumball, if Richard gets a job, the world will be in complete and utter chaos. So he's better off as a lazy, bumbling dad. In Phineas and Ferb, Candace is always trying to rat out her younger brothers but if she gives up or succeeds something bad will happen.

TV Tropes put it the best: "Not only is she not allowed to succeed, but she's also not allowed to stop trying!"(conveniently under the Cosmic Plaything trope). I just don't like it because it shows that the writers just want to lead them on with the promise of success then snatch it away at the last minute. And now we're back at Miraculous Ladybug, where Marinette is humiliated every time she doesn't sign a gift that's for Adrien, and yet when she does, everyone in Paris DIES. Except for...HIM.

you: *mentions Candace*

me: [a million awful flashbacks]

Also, yeah, it’s so hard to watch, especially in “Chat Blanc” because it’s like, “Oh, you want to give a gift to a boy and you dArEd to use your powers for it? Congrats, but everyone else is DEAD and you can hang out with him as much as you want! You’re welcome!”

Anonymous said:

I think it’d become a “faintest idea blackout card”rather than a bingo.

(referring to my “Faintest Idea” card)

We’re getting there.

darkmoonravewolf said:

I hate that everything on that list could happen and very likely will

(referring to “Didn’t Need Burrow”)

Yeah, and it makes me sad :’)

Anonymous said:

That’s be real here. Miraculous ladybug is not a show about Marinette; Miraculous Ladybug is a show about Adrien. Adrien is the real main character.

Notice that when they focused on Adrien in “Lies,” they only cut back to Marinette (IN A SCENE THAT CAN’T EXIST) to have her fawn over him.

Anonymous said:

Is it just me or are Lady Noire's eyes huge? Maybe it's just the green but they seem way bigger than Marinette's

I’m not sure, but considering Rena’s facial structure being different from Alya’s, it wouldn’t surprise me.

asexual-individual said:

With what you've said about Adrien lacking a reason to exist outside of development for Marinette and Gabriel, I have to wonder how different the show would be if Chat Noir's identity was also kept from the audience. Adrien would still be there as himself, but he only gets as much focus as Alya, and Chat Noir's identity is treated as a mystery (a Tuxedo Mask type mystery, but a mystery all the same).

I see what you mean but it might cause Adrien+Chat’s screentime to feel excessive once the reveal happens, because suddenly their screentime gets combined and it’s like, “oh wow so the combined screentime is his then.”

Anonymous said:

I know that the kwami's really only exist so we can hear our protagonists' thoughts outloud (like what the Coraline movie did with adding Wybie to the story). But honestly, what's the point in having magical gods in the jewelry if you're not going to do anything with them?

Marketing with “cute” side characters.

guisendisguise said:

It's funny, originally, I had shipped Marichat in the sense that Chat and Mari start hanging out and both fall in love with the other's supposedly less perfect, more real selves. Then Luka was introduced and I ended up putting both lukanette and marichat at the same level. Then S3 hit and killed any love I had for Marichat. The writers themselves killed the Love Square for me. At this point, it's very clear they are living in a delusion where the Love Square could ever work narratively without Deus ex Machina or Deus Lo Vult (God wills it). Basically, they've gone past scraping the bottom of the writing skills barrel and are now shoulder deep in the hole they dug thru the bottom of said barrel. I'd like to point out that the bottom of the barrel is writing poop and now they're digging thru the useless plastic landfill the barrel was sitting on top of

Uggggh, yeah. Any appreciation I could’ve had for Marichat died in “Weredad.” I already didn’t like Adrien/Chat and then “Weredad” just showed his complete lack of... well, ANYTHING.

cosmostellar said:

Honestly feels like MLBs writers are going based off the "JUST IMAGINE EVERY POC CHARACTER YOU'RE WRITING AS WHITE" instead of, yknow, fleshing them out while developing them also in the context of their cultures and giving them these little things that the audiences who belong to the same minority can identify with. I don't mean "have Marinette walk in qipao 24/7" bcs thats just... bad on its own but man, /some/ casual acknowledgments of her culture would be nice.

Reading the sentence “JUST IMAGINE EVERY POC CHARACTER YOU'RE WRITING AS WHITE” physically hurts me.

Anonymous said:

Ok, I've always thought that Chloe was robbed of redemption (they held it in front of us, but then jerked it away while Astruc says, "She's irredeemable! We thought she was redeemable, but she wasn't :)!" What are your thoughts! Also, I just recently found your blog and I really like it :)

Thank you!

But I have no sympathy for bully characters, so I didn’t want Chloe redeemed. Maybe I’m still bitter about my own bullying experience, but I just wasn’t here for Marinette being forced to forgive Chloe, which is basically what they did until they backpedaled.

The time spent on her was wasted though and that I can agree on.

Anonymous said:

Me: Writes a 1k rant about how the tweet makes no sense as the "mistake" is about motivation and not the critical plot. Also me: Remembers that in MLB the plot always comes back to the romance. Finally me: Wonders why he got involved with the series post-S3 when all the red flags were already everywhere.

Mistakes were made.

Anonymous said:

I'm semi-catching up on miraculous, and- is it my impression, or does Kagami rebel against her mother more in few episodes she's in (even though her mother's influences on her seem to be stronger in general), than Adrien in the entire show? I /know/ that I don't want to see Adrien free himself from his father w/ the desperation I want to see Kagami free herself from her mother and realize that the standards she's held up to are unhealthy and too strong.

Yeah, I’m way more invested in Kagami than Adrien.

Anonymous said:

Am I the only one confused about whether the staff stopped caring and half-asses the series or cares too much and over-produces the hell out of it?

Nah. It really feels like they secretly hate the love square so they have to keep forcing it.

Anonymous said:

ngl I haven't watched any new episodes since Chameleon and I've been getting all that Miraculous News via tumblr to avoid that Marinette Brand Second Hand Embarrassment™

Understandable.

Anonymous said:

If they aired the 6th one first WHAT WHAT HAPPENED TO LEAD UP TO THIS???? WE ARE ON SEASON FOUR WITH TWO SPEICALS, GETTING A THIRD, AND ANY DEVELOPMENT WE HAD HAS GONE BACKWARDS, SUCKED, OR STATUS QUO YO-ED AWAY!!!!! HOW THE HECK DO WE GET ADRIENETTE FROM FOUR SEASONS OF NOTHING?????? I USED TO FANGIRL AT THIS NOW I AM TERRIFIED.

Answer: We don’t get Adrienette. We get forced love square and rushed/fake “development” of it while being constantly confused as episodes air out of order.

Anonymous said:

im sorry But adrienette has been suck in this limbo of one sidedness for 3 seasons. neither of them have become closer, neither of them have confided in one another, but somehow people still ship it? at least luka was able to make a move on marinette lol adrien still repeats the same boring “shes just a friend” line. adrienette is a really boring ship.

lol don’t apologize, you’re absolutely right.

nahte123456 said:

Very minor bit of salt to throw to the pile, but can this show just decide on how strong Miraculous holders are? Yes it's a cartoon and not the focus but in the Furious Fu episode we literally get Ladybug dodging lighting and then Su who seems mostly human and is at least slower then Fu was outspeeding her. It's distracting trying to figure out what is and isn't a serious threat in this show.

The deciding factor in the strength of the miraculous holders is “whatever works for the plot.”

Anonymous said:

At this point the only thing I'm excited for concerning Miraculous Ladybug is when it gets a reboot in like, a decade with actually competent writers

Best case scenario is that Zag goes bankrupt and Disney/Netflix picks up the series and gives it to competent people.

Problem is that the love square has been ruined so badly for me that even a “good” version of it wouldn’t be something I’d be into, but still.

Anonymous said:

Honestly, the problem with having all of Marinette's mistakes result in huge disasters (ex. Feast), is that is gives off the impression that teenagers aren't allowed to make mistakes. This show clearly doesn't like giving second chances to the protagonist, so why would life give one to you? Am I right, kids?

Exactly.

Marinette makes mistakes and suddenly the world is ending.

Anonymous said:

If your gonna watch the show, at least pirate the episodes so the writers dont get your support

Don’t worry, I have no interest in financially supporting the show.

Anonymous said:

ml in a nutshell: wasted potential, then giving themselves more potential, only to turn the rest of it into a dumpster fire

Yup, that’s it.

Anonymous said:

u know, when My Little Pony, Sofia The First, and fanfiction carries out character development, respect, romance, and the main plot better than the original show, especially when the shows mentioned above are aimed more at little girls and the original show is aimed at slightly older audiences... somethings wrong

*sigh*

And then it’s like--people will excuse the show because “it’s a kids’ show” and then I’m just “okay then, why are there actually good kids’ show?”

If shows get a pass for being for children then all childrens’ shows should just not try and be garbage since the standard is so low.

Anonymous said:

ive seen some cool fic ideas/concepts/reviews that made me think: ml could use so much more looking into how a character thinks in some situations. one fic i read had alya in chameleon (i know its been forever since the ep came out but hey) not question lila cus she thought: "hey, lb wouldnt befriend a bad person" w and added a plot line of lila making her think lb was cobsidering replacing rena rougue. like, just a few lines to make them seem better pls?

YES. Like, show us characters’ perspectives and why they’re rolling with the facts that they’re rolling with, otherwise they just end up looking like jerks.

We sort of got it in “Ikari Gozen” with Kagami but of course it was just to make Marinette look bad.

Anonymous said:

You know I’m honestly considering making reviews of this show and if I do I could create hour long rants about the show just from that mans twitter.

Yeaaaaaah, once you had in the Twitter stuff, it just becomes, “okay so this is going to add another hour or two then.”

Anonymous said:

Okay one thing that bothers me is how plain marinette's suits are despite being a DESIGNER. Her multimouse suit it just blocks of color and her ladynoir suit is just grey with green lines. I think the lines are supposed to represent actually clothes. Like the limes on the calves are supposed to make it look like boots but why not actually GIVE her boots. (Right, because she has to have a skintight suit unlike the boys who get some layers.)

THE SHEER DISRESPECT OF HAVING THE FASHION DESIGNER WEAR SUCH A PLAIN SUIT.

It also goes to show who really designs here, like oh, interesting, the girls get skin-tight simplistic bodysuits and the boys gets all the cool stuff--

Anonymous said:

I heard some people in my class saying they watched Miraculous Ladybug for the first time, and they were saying how good it was, and I was like: 'Oh you poor fools. You have NO idea what it's truly like.'

You know what they say: ignorance is bliss.

bat-anon said:

Isn’t it INTERESTING how in Frozer, Luka understands that Marinette is torn between her crushes and continues to support her even though he knows she probably won’t chose him, and in the exact same episode Chat Noir refuses to help save the city because Ladybug told him AGAIN that she wasn’t romantically interested in him? HMMM 🤔😑

dbfgjbdfjkgf

I’M REMINDED OF “FELIX” WHERE IT’S LIKE--THEY WERE CLEARLY TRYING TO SHOW HOW MUCH “BETTER” CHAT NOIR IS THAN FELIX, BUT LUKA WAS THE RESPECTFUL ONE.

Anonymous said:

You know what I want to see? An evil kwami, like they just want to commit crimes. No moral high grounds, just chaotic evil.

That’d be amazing just because I wouldn’t be able to take them seriously.

Anonymous said:

Watching S1 and S3 episodes back to back, it feels like reading salt fics at times, especially in regards to the L². Like, Marinette was happy about weird plans, she both needed and wanted the final push, and most of the time there was at least something coming out of it. Nowadays it just makes her sad, Alya and the girls act *against* her, and we get shipping for shipping's sake.

That’s a good point. The shift from Seasons 1 to 2 to 3 is rather noticeable.

Anonymous said:

I hate how Adrien's busy schedule seems to only matter when it's used to make Marinette feel bad, but the second Marinette has a bit more to do, it somehow has a negative effect on not only her, but also everyone/everything she cares about, like, what's up with that??

I’m reminded of “Lies” here and I hate it. :|

Anonymous said:

Honestly, the way the show treats teenage girls is horse ass. The show treats the teenage girls of this show as if they're stupid, naive, emotional, clumsy, and need a boy to tell them what opinions to have. Marinette is always treated like the show's punching bag and blamed for everything that goes wrong because she's "emotional" or "obsessed with Adrien", Chloe could've been redeemed but the writers would rather keep her a brain-dead Alpha Bitch Valley Girl(even though Gabriel and Felix, the latter of whom is a teenage boy introduced in one episode, get to be treated as redeemable, despite the things they do being far, far worse), and Lila is a conniving, self-absorbed fox.

And even though Kagami seems better, she's still roped into the "girls catfight over an oblivious guy" cliche and so far, all of her akumatizations have been because of Adrien. Whenever Marinette tries to move on from Adrien the other characters tell her what's good for her and steer her in the "right" direction because she apparently can't think for herself, and the writers LOVE to use the girl squad to tell us who Marinette should be with, because they apparently know better than she does.

Plus the show loves to treat all the girls as the same, making them all either fight over Adrien or be obsessed with shipping, as if teenage girls are all one assimilating, homogenized group(also when they treat Marinette as if she's "just as bad as Chloe", rinse and repeat for the other ladies.). Honestly, the show feels like it was written by those types of people who think "teenage girls are the worst" so they make them all mood-swingy, obsessive, showoffs, emotional, and downright clingy.

Plus the way Thomas Astruc talks about the female characters on Twitter is even worse, and only serves to make this more evident: he claims Marinette "has poor control over her emotions"(all the while calling Adrien "perfect"), that Chloe was racist in Kung Food "because she's stupid"(so rather than having that scene serve as a lesson on respecting other's cultures, he just did it to pick on Chloe and make her look "stupid"), that she's incapable of being redeemed, that Lila's unlikable but Gabriel and Felix aren't(even though he claimed Felix was a terrible character and a "cliche", that's not what the show says my guy), and other such nonsense.

Other Twitter users have also called out Miraculous Ladybug and its stereotypical treatment of teenage girls. The only shows I've ever seen do this worse are those pretentious "darker" Magical Girl "deconstructions" aimed at grown men such as Madoka Magica and Yuki Yuna, as well as most shonen/seinen shows such as Naruto and Death Note, which says a lot. Honestly, whenever I feel like watching a show with empowering and respectful depictions of teenage girls that treats them as bright and intelligent and actually unique from one another, I just watch Equestria Girls, Liv and Maddie, LoliRock, ANT Farm, Moesha, PreCure, or Sailor Moon. Because the way the show acts towards them is deplorable, absolutely deplorable.

Yes to all of the above. Almost all of the girls are involved in love affairs in some way, the two teenage girls are irredeemable while Felix got a sympathetic backstory right away (Chloe took forever to get hers which is a failure), and Marinette is flawed because she’s “too emotional” (a misogynistic stereotype).

Anonymous said:

Hi, I'm the anon who got upset at the lady who made the "Miraculous Ladybug is a Mess" rant, and yes, thank you zodiacspirit17 for liking and agreeing with my rant! I'm glad someone else saw that video! And ugh, Marinette learning to love Chat Noir? Really? I don't remember that line but I also don't want to go back and revisit it to make sure so I'll take your word for it. Ew. That was actually one of the things I hated about the Glaciator scene. Chat was supposedly comforting Marinette by taking her to the rooftop where he planned Ladybug's date, and yet only Marinette finds out about Chat's crush on Ladybug and comforts him on that(while rethinking her feelings), while all Chat knows is that Marinette's heart was also broken. He never asks who it is, or tries to help her get over her crush even if he doesn't know it's coincidentally him.

I know it's because of the "love square" but it's unfair that only Chat's love problems are directly addressed. Come to think of it, the reason Chat took Marinette to the rooftop...I know he was doing it in-universe to help her instead of intruding on her personal feelings(which might have also been why he didn't ask her who her crush was, he was probably thinking along the lines of "we don't have to talk about it right now, we can just have fun!"), but meta-wise, since we know she's Ladybug, the writers were probably trying to tell her "See? This is what you could've been doing, but you missed it. Shame on you!" That's a huge issue I have with the show: characters will do things in-universe to help Marinette, but the show has a different motive in mind. Compare to how Tikki gave actual advice to Marinette in Puppeteer 2, but the writers intended that for the statue scene so they could embarrass her in front of Adrien and the thousands of eyes watching the show(except we're not laughing.). Even if characters do support her, the writer is using them as props for her ritualized humiliation. And yet Luka is the problem somehow.

If Marinette needs to learn how to love Chat Noir, then it should at least be balanced out by Adrien learning to Marinette. I'm sick of this double standard that "girls need to learn to accept boys who like them but guys can do what they want". Another thing she said was that "Marinette needs to learn to define herself outside of who she's crushing on." NOPE. NOPE. NOPE. You see, unlike Adrien, Marinette HAS a life outside of who she's crushing on: she has school, she has Kitty Section, she has her "girl squad", she has her parents, she has her outside family, she babysits Alya's and Nino's siblings, and she has OH YEAH HER FASHION DESIGNING! I didn't even count being a superhero since Adrien does that, too. She has so many things to do outside of Adrien, and yet the fact that she makes gifts for Adrien or dreams about Adrien or wants to have kids with Adrien somehow makes her nothing but an "Adrien fangirl"?

First of all, she's the bloody protagonist?! That's such a "Real Women Don't Wear Dresses" argument, that she can't have her own life AND be in love at the same time! And somehow her crushing on Luka also means her life revolves around him, too! But Adrien's life doesn't revolve around Ladybug even though he doesn't really have anything going for him in his ordinary life? Outside of being rich, hot, white, and male, that is? What are his interests and hobbies, besides what Gabriel lets him do to pass the time? He doesn't even like modeling! And the Agreste plot is more about Gabriel, Emilie, and Nathalie than it is about him.

And what about his friendship with Nino? He didn't even care that Nino was getting strung along by Lila with the others! What about his friendship with Chloe that also waxes and wanes? Granted, Chloe's not a GOOD person, which that lady acknowledged, but she at least tried to change and has more development than him, the writers just won't let her change. I hate when people come for Marinette for doing literally anything when the show won't let her have agency and progress. It's so unfair of her and I wish they could see that. These double standards are driving me insane and they're sexist(maybe even a little bit racist, too), and it hurts even more when a woman's doing those things.

(I had to cut off some of this ask because I didn’t get all of it, so I cut it off at the point where it still seemed like a full ask.)

I FEEL THE “GLACIATOR” THING SO BAD. It hurts even worse when you realize that “Frozer” has to take place after “Glaciator,” so Chat Noir heard that Marinette has love problems and then ignored it to ask her for advice about his own love problems later on. The total lack of insensitivity???

Also, the idea that Marinette’s life would revolve around her crush on Luka is stupid. It’s the exact opposite, in fact.

Meanwhile, Adrien has so little going for him and the “interesting” parts of him involve who he’s connected to or what his father has forced him into.

[delicrieux]

rubatosis | l.l.

HALLOWEEN WRITING CHALLENGE!🎃 day 2, word(s): cycles of the moon.

pairing: loki x f!reader

fandom: marvel

request: Hi! Can l have a loki imagine please? Reader is one of the strongest beings in the universe and part of the avengers. Soldier background like captain marvel etc and Loki lowkey flirts with him romantically all the time and reader thinks he has an endgame about using her powers so she ggets mad Finally loki snaps and makes wanda look inside his mind to prove he actually loves her? Luv u :) [ @imaginesyes]

warnings: none

words: 1,7k

author’s note: i changed it a bit!  also YES i know that im late but tbh lill prolly be late to my own funeral so does it rly matter??? this is from this post and i will try to do all 30 of them!:) four, rubatosis ( the unsettling awareness of your own heartbeat ).

feedback is always appreciated xoxo

masterlist | buy me coffee☕

Loki Laufeyson had taken a special interest in you and of course you would find that flattering, though unsettling and suspicious (the latter, more than anything). He would often appear in the same places you frequented, and he would spare no compliment, albeit most of them could be considered more of an insult rather than anything. It was annoying. Though funny. And nice in a sort of I-have-caught-the-gaze-of-a-trickster-god-is-that-even-good? way. He is definitely persistent and terribly charming when he wants to be, but to trust his word would be stupid and so you refrain from entertaining him because really now, you are a realist, and he definitely wants something.

You possess power and not once or twice did a man like Loki try to sweet talk his way into a favour. Normally you would send such a pest flying, though you have your doubts when it comes to Loki. That and he is Thor’s brother, and Thor is not only a friend but also a dear co-worker, and beating up his younger brother would surely break some sort of ethics code. You know Tony probably would not care of Loki’s well-being (might even cheer you on to be completely honest), but as a soldier you have a strict morale code and a tendency to listen to orders, either by contract or otherwise.

But even with all of this in mind you could not quite help being a bit smitten. And the unsettling awareness of your own heartbeat made you wonder if he could hear it, too. The answer to that would be no, though you know he knows what he is doing to you. Irritation grew into anger fairly quick.

But to be fair, how does one not resist him? His eyes are the colour of a forest, dark, alluring, though icy, as if covered in snow; and he is most refined and graceful in movement. Not to mention he looks fantastic in a suit. Once, at a work party, he had noticed you lingering about away from the guests, enjoying solitude with a flute of champagne in your hand and a wistful look on your face. He had moved to your side seamlessly and said nothing for a whole minute. There was silence, though it was intimate, as if words were not needed in order to be close. You enjoy his voice, though you appreciate his silence perhaps more. He lies often, that you knew already. Only when his lips are sealed is he truly being genuine.

Alas, he could not help himself, and he leaned in, and you could faintly smell sandalwood and ink, “They are a rowdy bunch, aren’t they?” Strangely there was no malice in his voice; it was soft, amused, though thoughtful. His gaze was strained on Thor and his large glass of ale, telling an animated story to SHIELD agents, a tired-looking Captain America, giddy Nat, and grinning Tony who tried to steal the show quite literally. Loki then glanced at you, awaiting an answer.

“Yeah.” You said simply, “That’s why I like them.”

“But you don’t enjoy attention.” It was a quick observation; he was watching your reaction intently. You turned to him with a smile.

“If I did, I wouldn’t be standing by the door, would I?”

He grinned, “Well…” He drawled, “Perhaps you fancy a different kind of attention. It’s easier to spot you outside the crowd then within it, after all.”

“Looking at me often enough to know, huh?” You raised a brow. He shrugged.

“Why? Have you caught me staring?”

You gave him a look. He seemed awfully pleased with himself.

And then there was a night at Asgard, in the palace, serene and magical in every way. The whole world seemed to be asleep and the chirp of crickets and languid dance of fireflies was what awoke you, or so you mustered when you wandered the dark lonely halls. The air was fresh and warm; it was summer, it was always summer there. You had entered the gardens and even deep into the night the scent of roses was so sweet it was nearly choking. Under the moonlight you had found him. He was wandering, just like you had been.

At first Loki had seemed surprised to see you, though that slight shock had melted into a pleased smile and he had said something slick and you had replied with a roll of your eyes. The two of you fell into step and pebbles crunched under your feet. He was curious and you were alert. You passed statues and fountains, all appearing somehow prettier in the dark. You are not sure when he had started speaking of the moon and it’s cycles, though once he did you glanced upwards and saw it change from new to crescent and so on and so forth and that magnetic light along with his pleasant voice made it all so dreamlike.

Perhaps that was it; that was the night you had realised even if he did have some ulterior motive it didn’t matter because his company is much too valuable. The though made you even more bitter, if anything.

It’s late into the evening and Fall is merciless: cold, windy, rainy. The kitchen is alight with warm light and two cups of tea lay in the table, cooling by the minute. It tastes fruity, you conduct after a careful sip. The playfulness of the drink does not match the mood at all. You frown softly, stare into the depths of your mug and see your reflection in it. You sigh; your shoulders slump. This whole situation is absolutely hopeless.

Wanda, across from you, sits in her pyjamas and wonders how can she help. Seeing you so defeated is heart-breaking – you are one of the strongest people she knows, always ready to support someone both physically and mentally. She wishes she could use her powers – in a fleeting thought she imagined wiping your memory of a pesky, handsome prince, and now her mind, coming up empty of solutions, wanders to that idea again – though she knows you would not appreciate it (if you ever regained your memories, that is). The best she can do is make tea, or coffee, or hot chocolate at the very least and offer her warm embrace as a safe space where you can be loved and cherished and not toyed with.

Wanda would punch Loki. She had realised so when she noticed how conflicted you looked each time you even mentioned him.

“What if I talked to him?” Her voice is rasp, deep – perhaps silence had stretched for far longer than you had imagined. You glance up at her and she gives you a loving smile, “You know…Witch to trickster…”

“I… don’t think that would help much, W.” You mutter into your drink, “But I appreciate the effort. Really. Just… don’t worry about it. I’ll deal with him…Eventually.” You take another sip. “I just…wish I knew what he was thinking. If he’s serious. Or is this…just another ploy.”

She looks at you for a long while, “…What if we knew? What he was thinking. What if I could find out?”

You perk up, “You can do that?”

She smiles, “There are only few things that I can’t.”

It needs time, she explained and you decided to be patient for as long as your nerves allowed you, which to be fair was not that long. It was another gathering, another one of those meetups at Stark Tower that always ended in heated arguments. You held your ground when Loki approached you to wish you a lovely morning – even if it was pouring till noon – and you held your ground when Tony accused you of being on Steve’s side too much. Wanda was nowhere to be found. Unconsciously you searched for her, for any trace of her, and your heart skipped a beat when you felt her familiar warm aura pulse in the air like a heartbeat.

The conference was long and extremely draining. You were boiling on the inside when you entered and anxiety was choking you when you left but there was not even a ripple of this shown on your face. It had stopped raining a while ago. The air is cold and damp and you shiver before you pull your arms closer to your body. You stand outside and take in the scenery, breathe deeper, feel yourself align with nature and calm.

You feel her again behind you, and so you don’t jump when her hand lands on your shoulder in a comforting squeeze.

“…Well?” You ask, your throat dry and voice scratchy.

“I was thorough.” She says and you hear a smile in her voice, “And you know I don’t like him. You know I don’t. But there is no doubt in my heart that he likes you, (Name).” You turn to her, “Though, I’m not sure which is worse. He really liking you or just pretending.” She notes your confused gaze and sighs, “He’s dangerous.”

“We’re all dangerous, W.” You counter. “If we weren’t heroes we’d make for extremely powerful villains.”

“As long as you don’t forget that he was one.” She lets go of your shoulder, “Well, anyway. I met Tony in the hall on my way here. He looked frazzled.”

“Ah,” You nod, “he was being a baby again. Yelling at me for defending Steve.”

“One of these days those two will have a serious fight.”

“Yeah.” You agree. A few drops of cold rain dot your cheek, “Yeah they probably will. Have you seen Loki?”

“He disappeared right after the meeting. Sorry.”

“No, that’s fine. I…I’m not sure what I wanted to say anyway.”

It was past midnight when you left the Stark Tower; most of your time was spent trying to make amends with Iron Man himself, though he was too stubborn to listen. The only thing that kept you from snapping was the occasional glance out the window - the moon was full until it wasn’t, half alight until it was only a sliver. The cycles, they kept changing. Wherever Loki was, he was near enough to make those fantastic illusions.

He cares, you’d think and smile and look at the moon, he really does.

the end. hope you enjoyed!

[imnotcameraready]

chivalry is dead (7)

A/N: y’all ., ., .,,. . ..  we’re finally getting to the Good Shit. my hand was literally Over the “post” button and then i remembered “oh shit this is supposed to be touchstarved roman”, so, uh, that’s not reflected in this chapter at ALL. but it’s still filled to the brim with angst. but like, hurt comfort angst. i think i can call this a hurt comfort, right? right

WARNINGS: cursing, arguments, yelling, like a lot of yelling, Complex Emotions, self-hatred (implied) — if I missed anything, please let me know!!! <3 <3

Words: 6575 

Pairings: im proud to say that this has some Logicality. only 20,000 words into the story and we’re finally getting small tastes of ships. still DLAMP endgame but by god. 

Part 1 (chivalry is dead) — Part 2 (i’m wishing) — Part 3 (the bells of notre dame) — Part 4 (honor to us all) — Part 5 (i’ve got no strings) — Part 6 (god help the outcasts) — Part 7 (go the distance)

AO3 link!

@starlightvirgil @forrestwyrm @daflangstlairde @marshmallow-the-panda@askthesnake @k9cat @patromlogil

i hope y’all like this one!!! <3 <3 <3 <3 <3 

______(tumblr’s not letting me put a line so ive manually created it)______

It seemed that, without Roman’s focus, the Imagination sustained a regular day/night cycle. Logan made a mental note about it as they watched the sun go down behind the forest hills, perfectly in tune with his internal clock’s knowledge of the real world’s time. The sky, however, was darkening more rapidly than it would normally. While walking through the forest, he hadn’t noticed any incline changes, so perhaps the forests were thicker than he’d originally thought. The map didn’t indicate that, anyway.

It was a fascinating place, the Imagination. It seemed semi-sentient — at least, based on how the Playwright described it and from what they’d seen so far. Logan regretted not asking to see more of it when Roman was….

No. He’d ask Roman to show him once Roman had returned. His chest hurt a tiny bit to think of it. Nothing was out of reach.

He faced forward again, marching silently. Patton was humming, had been for the whole trip, humming Disney songs.

The Child was staring at Logan still. It was unnerving, for many reasons (A child? Roman was a fucking child? Why was he staring so much? How much less formed were each of the Romans? How did they select what they looked like? Who was the Child based upon? What did he believe?) so he looked away.

“Stop,” the Child patted Patton’s back, “Stop here.”

“Ooookay,” Patton stopped, and Logan stopped behind him.

They’d been walking towards the castle this whole time, away from the sunset. It was clearly huge now, with multiple large spires with red and glittering gold flags. Patton thought it looked straight out of a medieval movie, almost too grand to just be based on Disney alone, though it did bear some resemblances to the castle in Disneyland. It was incredibly pretty.

Oh, sure, he’d seen the Imagination before. Patton and Roman had sat at the window in his room and Patton would listen to Roman as he talked about the various worlds he created. Sometimes it was a balcony with seats and a tea set, but he liked the window sofa more, since he and Roman could sit in each others’ laps and bundle up beneath a pile of blankets. Patton could recognize this castle from a distance. He’d seen this setting before, with the forest and large lake and glittering dual rivers that Roman’d named and then renamed and named again, though Patton couldn’t remember what names he finally chose.

Logan seemed surprised by it all, though, and Patton didn’t want to make it seem like he was rubbing his friendship with Roman in his face. Plus, he’d never been inside. Things were a lot bigger up close.

Yeah, he could see how Logan kept frowning around the world. How he’d been glaring at the Child for the whole walk. Patton’d made a pun — “This sure is a magic kingdom, eh?” — and he hadn’t even groaned!

Patton shifted his weight on his feet, casting Logan a worried look as the logical side inspected the building before them. Whatever was eating at him, he hoped it’d settle soon, because Patton knew they’d need Logan thinking properly to get Roman put together.

“We’ve gotta go in here,” the Child pointed to the building.

It was an unassuming door with two steps leading up to it, attached to a building that looked exactly the same as the others. Besides the door was a wooden sign, fixed to the stone wall, that read “Art Museum (Ages 3–6)”. It was a fairly unassuming building, similar to the other stone buildings to the left, right, and other side of the road.

“Okay,” Patton reached out and touched the door’s handle, just to be interrupted by the Child waving his arms up.

“No! No, no, not yet!” he put his hands out.

“Not yet? Well, what’re we waitin’ for?” Patton put his hands on his hips, watching the Child with a small smile.

“The sun is lowering. It will be night soon,” Logan added, giving the sky a quick glance again.

“But the Artist can’t know that you’re Dad and Mister Logic,” the Child said, mirroring Patton’s hands-on-hips position.

Logan, on the other hand, crossed his arms in thought. “Why can’t he know? Is he a danger?”

“Nah,” the Child shook his head and pointed a finger at Logan. “The Artist doesn’t like you most.”

Logan exhaled sharply. His brow furrowed, nose scrunched, as he processed THAT. Of course,the Playwright supporting him meant there was a counter. Of course Roman didn’t harbor only positive feelings towards him. Logan knew his and Roman’s opinions differed on a multitude of topics, often resulting in unpleasant quarrels. He knew. And, yet, it hurt. “Come again?”

“The Artist doesn’t like you. Don’t worry, he doesn’t like Mister Anxiety either. Or Mister Deceit. He kinda sorta likes Dad?” the Child made a so-so motion with his hands, before letting his shoulders drop with an exaggerated groan. “Not really. He doesn’t like Dad. It’s okay, he barely likes Thomas!”

Logan looked toward Patton with a frown, now thoroughly confused, and was greeted with a similar confused pout. There was a part of Roman who just didn’t like any of them. Not even Thomas. That upset Patton fairly well, but Logan….was almost relieved.

The Child waved his hands again, sticking them up in between the two adult Sides. “Hey! Like I said, that’s okay! We just gotta walk around him and he probably won’t notice you.”

“Do you think he won’t notice that three people have entered his house? Especially two adults. Two full Sides,” Logan couldn’t keep the disbelief from his voice.

If the Child noticed, he didn’t let on. “Yep! He barely looks up from the whatevers he’s working on, anyway,” he bounced on the balls of his feet, “Maybe….hm.”

He looked up at the sky and rubbed his hands together. Above them was a thick cloud. It would probably rain that night; they were still looking for him, anyway.

The Artist was probably getting worried. Right? Curfew was coming up soon and if Child got caught, Thief and Bard would be upset, and so Artist would be upset, too, right?

“We have to go in. If he asks, uh,” an idea popped into the Child’s head, and he snapped his fingers. “You can say you’re Dad guy and Teacher guy!”

Logan’s eye twitched. “Do you mean the characters from Thomas’ short videos?”

The last semblances of seriousness Logan held inside himself was shattered by the Child’s enthusiastic nodding. “Yeppers! They’re really nice! Teach is really good at making Dad laugh, and since this all happened, they’ve been—”

“The Shorts characters are alive inside the Imagination,” Logan wasn’t even trying to hide his disdain anymore.

He’d been half angry, half curious as they marched through the sleepy town. He could accept magic, sure, he could suspend his disbelief. It made sense that the Dominoes guy was in here. That was backed by science. But what in the name of Newton did the Shorts characters—

“Logan,” Patton held his hand and gave it a quick squeeze, “This is the Imagination.”

—okay, really, why the FUCK were the Shorts characters real in here?! — and the Child was now just rambling on about characters who were actually fictional. Characters who were characters. Scratch his curiosity from earlier, the Imagination followed no reason and he wanted out. Immediately.

Patton squeezed Logan’s hand again, in a rhythm, one two three four, tight, and raised his other hand toward the Child, who was still talking.

“Hey, kiddo,” the Child immediately quieted, looking up at Patton, “This all sounds fun, but can we talk more about it when we’re inside?”

Patton immediately regretted interrupting him. The Child’s lip curled inward, eyes growing wider as he nodded silently. He looked at Logan, who was scowling at the door, and wilted.

“Yeah. Not important. Okay,” the Child took the door handle and flung it open.

Before Patton could respond, he darted in. Logan looked at Patton, scowl replaced with a confused raised eyebrow, oblivious to the quiet tension he’d missed while internally monologuing.

Patton just slouched. The Child was more skittish than he’d anticipated.

The museum was dark and dusty, though not unintelligible. Patton entered first. There were drawings everywhere, some on actual pieces of paper, some on torn-out notebook pages, some on the wall itself. All of which were children’s drawings, of course, scribbles and splotches of paint. In the halls were also some sculptures on pedestals, most seemingly made of Playdough.

He stopped by a drawing of a house, two windows and a door, and read the placard beside it. Patton was pretty sure he had the same drawing in his room, tucked away in an old photo album.

“Thomas and Roman Sanders. House 41, 1994. Crayon on cardstock.”

Patton felt tears coming to his eyes. Thomas was only five, oh those were good times, learning about the world around him! Such a soft era. And Thomas’ grown so much since then, too.

This was an interesting place for someone to live, but considering his name was Artist, it made sense for him to live amongst his work. Patton turned around, a bright smile on his face, and motioned Logan to join him. “Logan! Come look at the art!”

Logan was standing just inside the door, which was closed behind him, eyes examining the exhibit. It was disorganized and clearly unkempt. Roman must not have visited in a while. Or maybe he didn’t have a curator for this museum. Before he could respond to Patton’s call, the Child’s voice echoed from down the hall.

“Are you coming?”

Logan and Patton shared a look, one disgruntled and one sheepish, and hurried down the hall lined with childish artwork. There were more houses, some family drawings, a fun looking self portrait with bright colors.

“Hurried” is an overstatement. Logan had to pull Patton away from a drawing on more than one occasion.

“Down here,” the Child’s whispers bounced along the walls.

They entered a room, still lined with drawings, and found the Child standing in front of one of the artworks. He held out a hand to them. “C’mon, we’re going in,” he said.

Logan squinted at the painting in question. Yes, painting, done in “Crayola Washable Paint on Cardboard,” according to the placard beside it. “Thomas and Roman Sanders. House 118.”

He looked at Patton for support that this was absolutely ridiculous, but was only met with another shrug. “It’s the Imagination,” he said, as though that explained everything, “Don’t think too hard, or you’ll get a headache.”

Too late for that, Logan thought, though he stopped himself from pondering. Instead, he grit his teeth and held Patton’s arm, determined to get to the bottom of this figurative rabbit hole. Patton himself took the Child’s hand.

The Child gripped Patton’s hand and leaned toward the painting. He pinched the painted door’s handle, tugged.

They all felt a pulling sensation, the Child pulling Patton who pulled Logan.

And then there was a door before them.

It was as though someone poured white paint all over their surroundings, from every angle, wiping away the museum they’d come from and leaving a blank emptiness behind them, all within less than a second.

Logan stared at the door. Then he turned, slow and steady, overlooking the blank white expanse. Like an empty page.

Something wasn’t computing. It’s the Imagination, he repeated in his mind, like Patton’d said earlier.

Directly behind them was the only piece of “world” they could see other than the door. It was another painting, of the museum, of the room that they’d just left, hanging in the middle of nothing.

Social realism, Logan thought. The painting’s placard read “Roman Sanders. The Art Museum repaint, 2019. Oil on canvas.” A reverse portal, created recently. Logan almost wanted to touch it and see how dry the paint was.

“C’mon, we gotta go inside,” the Child whispered, giving Patton’s hand a tug.

Patton, in turn, tugged Logan, who turned back around. “Sorry, this is just….” fascinating? Interesting? Enchanting? Something I would like to experiment with Roman on further? “Different.”

Patton watched the Child as he watched Logan. Roman was clearly still in there, Patton thought, and he didn’t want to be. And, to be frank, Patton understood that feeling. There were many days where he wanted to curl up into his hoodie and be young again, if only to hear a good joke once more. Those were the two-cookie kinds of days!

Maybe Logan couldn’t see what Patton was seeing? The Child’s big wide eyes, staring at Logan and Patton as though searching for approval. Or how he tried so hard to ignore Logan’s obvious contempt for the situation. It was obvious that the Child was actively trying to ignore it, but Patton didn’t miss how he flinched at Logan’s tone. The Child wasn’t naïve, not entirely — in certain turns of phrase and side-glances, the Child revealed his thirty years of life experiences.

But the Child also didn’t seem to notice that Logan wasn’t angry about the world. No, Patton thought as Logan turned back to the museum painting quickly, he was more upset at himself for not being able to understand it.

“Different,” Logan repeated, brow furrowed. It didn’t feel like the right word. He wasn’t usually one to have vocabulary troubles, but he couldn’t find a more adequate word.

It satiated the Child. Or, rather, the Child was thinking of something else. His hand was stiff on the doorknob. Patton leaned in, letting go of Logan finally to put both hands on the Child’s shoulders. “Go ahead,” he whispered. He hoped the Child could feel how much Patton loved him.

Perhaps he did, because the Child calmed down. Enough for him to open the door.

The most notable thing was the mess. There were a lot of things inside that door. Canvases, sketchbooks, pens, pencils, paint sets, notebooks, cups of water, all in piles or scattered about the floor. Some canvases were hung on the walls, too, and some were laid flat on the ground. Others were stacked atop each other or leaned in bunches against the walls. There was a clear path through the mess on the floor, that branched to the stairs on the left and then into the kitchen on the right. Logan could see a drawing tablet over there, too, propped against the wall. Where the laptop was, he couldn’t tell. Patton could see that most of the paintings were unfinished. Whether it be sketch lines still showing or just clearly half-painted, half-white canvases, not a single finished piece was in this clutter.

The second most notable thing was the person painting.

Another Roman — the Artist, most likely — was sitting on a stool in front of a painting on an easel. It was also only an assumption that he was another Roman, because he absolutely did not look it, clad in a white hoodie covered in paint splotches and red sweatpants, hood pulled up and covering his hair. The only thing that indicated his Roman status was the golden waves adorning his sleeves, the same as the waves on Roman’s crest.

He held a large painting palette in his right hand and a brush in his left, dabbing oil paint against the half-finished canvas in front of him. Another work in progress, it seemed.

The clutter and the painting didn’t bother the Child. He closed the door behind himself, being careful to not slam it, and cleared his throat.

The other Roman didn’t move nor speak. Just kept painting, dabbing his brush on the palette and swiping it along the canvas. The painting was unfinished, but it looked so far like an impressionist piece, Logan thought.

The Child coughed again, yet the other Roman didn’t flinch.

“I’m back, Arty,” he said.

“I heard you,” came the impatient reply, snappy and fast, the Artist not turning to speak to them, “Who’s with you?”

“Dad. And Teach. Dragon was mean today,” the Child was playing with the hem of his shirt

“Mhm.”

“It’s curfew. They couldn’t go back to their houses.”

“Mhm.”

“So they’re gonna sleep here. I’ll keep them in my room.”

“Mhm.”

The Child took Logan and Patton’s hands into his own again and pulled them toward the stairs. “Good luck with your painting,” his voice teetered off into silence as the Artist failed to turn again.

Patton opened his mouth, but the Child squeezed his hand and shook his head. Logan took a little more tugging, as he stood by the bottom of the stairs, trying to look at all the paintings. Some were paintings — oil impressionist, pop art, surrealism and cubism, even some De Stijl paintings — some were simple figure drawings on lightly-crumpled paper, some even….was that a painting of Virgil?

The Child tugged harder and Logan stumbled after him.

They made it to the top of the stairs. The Child let go of Patton and opened the door, ushering both of them in before slamming the door shut behind himself.

This was probably the most regular room they’d seen so far in the Imagination. A small twin bed sat in the corner, with a big canopy and fairy lights overtop. There were streamers and drawings and posters hanging all around the walls, even some stickers and some drawings done directly onto the wall. A wardrobe sat in the corner farthest from the bed, a desk and vanity mirror besides that, and five bean bags were arranged in a circle around a circle rug in the middle of the room.

There was an air of magic around the room, too. The fairy lights bobbed up and down slowly, despite being hung on wires, and the clouds painted onto the ceiling seemed to move. The ceiling was fairly low, too; Patton reached up, eyes stuck on a cloud in the shape of a heart, and found that he could actually touch them. The heart swirled around his hand, glowing light blue before dissipating entirely.

“Sorry about him,” Patton and Logan looked down at the Child — he’d gone to the wardrobe and was taking off his cloak, revealing a plain white shirt with the crest’s sun emblazoned across his back. “Artist’s, uh, not a people person.”

“So we saw. His work, however….it’s breathtaking,” Logan stepped aside as Patton went for one of the beanbags, “I didn’t realize Roman was that much of an artist.”

The Child snorted. He sat down on one of the other beanbags and started untying his shoes, chubby fingers unlacing them down a few notches. “Yeah, well. You never seemed interested. No one was. Arty doesn’t like leaving his art all alone, so ever since we formed he’s been in here with it.”

“Yeah, you said somethin’ like that.” Patton crossed his legs on the bean bag, leaning forward on his elbows toward the Child. “The Playwright also said something about everyone having different thoughts on what’s best for Roman.”

“Playwright!” the Child tossed his shoes into the corner behind the door and laid back in the bean bag, spread out with his arms open. “Oh my gosh, I haven’t seen him in a while, is he okay?”

Logan let his shoulders loosen and slouch. It….did feel good to unwind, after the events of the day. Maybe the adrenaline and shock were wearing off finally. He sat down on another bean bag, bending his knees as though he were in a normal chair. “Yes, he is fine. He is, ah, backstage, as he called it.”

“Yeah, I thought so. Artist doesn’t like Playwright at all,” Logan and Patton shared another confused glance at that, “Thief says it’s ‘cause he doesn’t like mister Logic, but I think he doesn’t like you ‘cause he doesn’t like Playwright.”

“Why doesn’t he like the Playwright? That seems counterintuitive, to not like yourself,” As soon as the words left Logan’s mouth, he realized how hypocritical it sounded. And how obvious the explanation was.

Patton seemed to notice as well, because he grimaced, putting a hand on top of Logan’s knee. The Child, however, just shrugged. “Well, I don’t like all of me, you know? I wanted to figure out what parts of me I could live without, but every part of me has an opinion about what part’s important.”

“I?” Logan asked, softer now.

The Child nodded. “Roman. I,” he made a gesture up at the air, and it reminded Patton a little of the hand flip Roman typically did when rising. “I’m Roman but I’m not Roman.”

“How does that work, kiddo?” Patton coaxed him.

“It’s like….” he trailed off, resting his hand on his chin as he thought. After a few quiet moments, he continued.

“Okay,” The Child sat up and patted his own chest. “Me. I’m the Child. AND I’m Roman. I’m all….”

He flopped backward again onto the bean bag, making vague gestures with his hands as he wrestled to find the words, only to find that there were none. No words truly.

The Child let his hands fall onto his stomach with a groan, staring upwards. Patton and Logan shared a nervous glance. It was clear something was bothering the Child, something integral to this Hunger Games of Romans situation.

“Take your time, kiddo,” Patton tried to comfort him, but his words seemed to fall on deaf ears.

The Child was just looking up at the sky ceiling. After another few seconds, he heaved a sigh.

“It’s beautiful, isn’t it? The sky?” Logan and Patton both looked up as well.

“With all the clouds that look like pretty things. And even if they don’t look like things, they look soft and fluffy and wonderful. And then, when there aren’t clouds, it’s the most beautiful shade of blue or a dazzling red, like how a nice summer night makes you feel?” The ceiling had been full of fluffy white clouds, meandering across the painted blue expanse, but as soon as the Child mentioned “dazzling red” the clouds began to glow pink as the ceiling’s paint color changed to red. He clapped.

“Or, or! Even better, sometimes, when it’s really, really late, and there are stars out? And every star is like a gem on a glittering cloak that the world’s putting on you?” the ceiling changed once more, painted black as the clouds vanished. One by one, twinkling stars seemed to glow from nothing against the ceiling backdrop. In actual constellations, no less.

“It’s all so….” the Child exhaled, “Beautiful.”

Silence followed. All three of them were now laying on the bean bags, looking up at the twinkling stars and the occasional barely visible line that connected them. They just starred, Logan and Patton unsure of how to break the silence, until the Child continued himself.

“That’s what I want Roman to remember,” Patton looked at the Child, who was watching the stars. He spoke with a strong determination, voice set. “That’s what I want to see. The beauty.”

He faltered, closing his open mouth and gritting his teeth. Logan looked away from the sky now, too, and watched the Child as he closed his eyes. Wiser than he seemed. “But that makes me really childish, doesn’t it? If we just see the beauty, then that means we’re ignoring all the bad stuff. And if we’re too childish, we don’t get taken seriously, and we really need to be taken seriously. I mean….”

The Child glanced over at Patton, and he could have sworn that the Child had tears in his eyes. Oh, he hoped he wasn’t crying. Patton reached out, offering his hand to maybe comfort him, but the Child just shrugged, unwilling to look at him anymore.

“We see how you get treated, Dad,” Patton’s brow furrowed in confusion, hand retracting a little, as though the Child’s words hurt. “No one takes you serious and you always have to prove yourself. We don’t take you serious, either, a lot of the time. ‘Cause if you’re childish, then you don’t deserve to be taken seriously. That’s what Roman tells himself. Tells me. But it’s wrong.”

Now the silence was just awkward. Patton lowered his hand into his lap as the Child looked back up at the sky. There was no denying now, now that the Child’s quiet breathing hitched and stuttered, that he was crying.

“It has to be wrong,” he whispered between gasps.

Slowly, the Child pulled his hands up to his face, rubbing his eyes and sniffing into his hands. Patton was going to start crying himself, watching the Child cry. He turned to Logan with a bitten lip. He knew, deep down, that the others didn’t always take his opinion seriously. Heck, it was a running theme! Patton the childish, the inner child, the baby. But Jesus, that was point blank.

“You’re correct, Roman. I don’t always understand you both, but the things I don’t understand aren’t…they aren’t unimportant. Occasional immaturity does not equal insignificant. We….” Logan faltered and looked up at Patton, who was staring at him now, tears dotting his eyes.

They really did walk on him, didn’t they? Logan considered the times he had helped elevate Patton’s concerns, and the situations in which Patton’s concerns were elevated. No one took the puppet suggestion seriously, until it was proven successful, and Thomas himself had to step in to get them to even consider it as an option. Along with that, Deceit was able to mimic Patton by, what? Literally saying he was a fan of cartoons and was silly? It was so easy to character Patton into a caricature of immature glee that he, Roman, and Virgil barely noticed.

That was the insult, wasn’t it. Childish. Not to be taken seriously. Silly and immature. Was that what he thought of Patton?

Patton wiped his tears and looked away. “I….guess that’s true. But hey! That’s what comes with being Thomas’ inner child, isn’t it?” there he went, voice heightening in pitch as he tried to make it sound as though he weren’t so upset with Logan’s silence and the Child’s assessment. “Your dorky ol’ Dad can be a lil’ goofball a lot of the time.”

“Your goofball-ness is welcome, often appreciated. We….do have a lot to learn, about having fun and seeing things anew.”

Patton looked over at Logan, who was watching him with determination. The Child, too, was watching Logan with both eyebrows raised, having grabbed a pillow from his side to press his face into. His eyes were two large spotlights.

“I do not understand the Imagination. I cannot claim to. But there IS immense beauty in this world you’ve created, and I see that it would be a waste to focus on making logical sense of it rather than take in the world around as a work of art. It might be childish, but sometimes….a little childishness is what we need to maintain a healthy lifestyle and a healthy headspace. Your input is appreciated.”

If Roman was having these sorts of concerns, about being perceived as childish or not, then Logan knew it was likely Patton had similar concerns. He chided himself mentally for letting this self-consciousness fester but a direct approach was always the most efficient.

And it was all worth it to see Patton smile and remove his glasses, wiping the tears from his downcast eyes.

“Thank you for sharing your concerns with us, kiddo,” the Child smiled at the nickname and rubbed the back of his neck, turning away for a bit. Patton smiled at him, then at Logan, beaming like the sun. “Logan put it real well.”

Logan fixed his glasses, pleased with himself, and the Child patted his arm. “Thank you, Logan,” he said.

They sat in silence, eyes flicking with new brief understanding between each other, until there was banging from below the floor. Patton squeaked and Logan stiffened, but the Child just groaned into his pillow.

“WHAT’RE YOU TALKING ABOUT UP THERE?!” the Artist’s voice boomed from below.

“JUST TALKIN’ ABOUT THE OTHER SIDES WITH TEACH,” the Child shouted back, voice muffled by the pillow.

“WELL, SHUT UP ‘BOUT THEM! THE DRAGON BITCH’LL HEAR YOU!”

“YOU CAN’T TELL ME WHAT TO DO!”

“YOU BRATTY LITTLE—DON’T MAKE ME COME UP THERE!”

The Child leaned his back, groaning loud and angrily. “FINE! SORRY!”

Logan and Patton exchanged worried glances. Had the Artist heard that whole conversation? They looked to the Child for any thoughts or input, but he just shook his head.

“He won’t come upstairs. Ugh, I was doing real good at not saying your names,” he rubbed his face, rubbing the tears into his skin to hide them, “It’s–It’s like the taboo system. Dragon, he put a curse on your names so all of us can hear it when someone says them. The others aren’t really scared of that, they–they….Artist doesn’t want anyone finding this house. He heard me say your name, mister Logic.”

Before either of the adults could respond, however, there was another crash from downstairs. The Child frowned and climbed off the bean bag, kneeling on the ground with an ear pressed to the rug.

“What—” Patton was cut off by the Child shushing him harshly.

They weren’t confused for long, though, as the voices grew more raised and angry.

“—TOLD YOU—FUCK OUT!” they heard the Artist shout.

“I WILL ONCE YOU STOP TALKING SHIT ABOUT THE OTHERS! THEY’RE IN OUR REALM NOW, THEY COULD HEAR YOU!”

Patton raised his eyebrows. He looked at Logan, who was frowning at nothing. When he noticed Patton, Logan mouthed “Playwright.” He didn’t seem like the type to be so….explosive.

“WELL TOUGH, PLAYWRONG. I DONT GIVE A FUCK IF THEY HEAR ME! I JUST DON’T WANT DRAGON SHOWING UP, THOSE UNGRATEFUL CRITICAL ASSHOLES—”

“THEY’RE MUCH MORE THAN THAT, THEY’RE BETTER THAN ALL OF US COMBINED, YOU STARVING STEREOTYPE—”

The Child stood up slowly, stepping carefully on the rug and sliding his feet along the wooden floor. He slid all the way to the door. As slow as he could, he clicked the lock in place, and let out a breath. The yelling died down immediately to a whisper, as though locking the door disconnected the room from the whole house.

“That’ll keep them out. They’re probably not gonna come up here, can’t get into my room now, but if they find you then we’re all fucked,” he mumbled.

“Language,” Patton mumbled, and the Child giggled at him. “No swear words when there’re children present, you know that!”

“Yeah, yeah—” the Child cut himself off with a yawn, shoulders hiking up slowly.

He shuffled back to the bean bags and collapsed into the one he’d been sitting in. He curled into a ball, huffing a small sigh. Patton yawned, too, and smacked his lips. Logan had to stifle a yawn himself. They were contagious.

It had been a long day. They were due for a sleep, especially after the arduous experiences they’d had throughout the day.

“Y’know, I didn’t think the Playwright’d let y’all in,” the Child’s words jumbled over each other, and he covered his mouth as he yawned again.

“What makes you say that?” Logan pressed.

Despite the tiredness, he knew there was something wrong with his initial read of the Playwright, and this situation didn’t leave space for those kinds of errors. The Child shrugged. “I….from what I know, he’s more….he likes things done his way. He really wants all of you approve of him. Mostly mister Logic, but all of you. And he really, really, really doesn’t like Princey. Him an’ Dragon an’—an’—” the Child yawned again, mumbling the rest of his sentence incoherently, but Logan didn’t process that.

There was another mention of this “Dragon” character. Logan rubbed his cheek, arms crossed on his knees as he ran the new information through his mind. The Playwright was volatile — he scoffed quietly, of COURSE Roman, with his boisterousness and exuberance, wouldn’t be able to contain his energetic nature into something reserved and quiet. He had his quiet moments, but he couldn’t maintain stoicism forever. They would have to assess him again, it seemed.

“I thought….” Patton whispered, and Logan looked up at him.

Patton’s eyes were downcast at the ground, brow furrowed in anguish. He’d thought they’d gotten at least one part of Roman, one bit to understand that they were accepted. That Roman was LOVED, damnit, because that’s what it was! He was loved, Roman was loved, and by God it felt like he’d failed if one of his friends doubted that so much that he couldn’t believe that.

“I’m gonna sleep. Just right here. Y’all can take the bed if y’all want,” the Child’s voice slurred together, halfway asleep already and cutting into both adults’ trains of thought.

Patton sighed. He slowly switched into Dad Mode as he pushed himself up and rolled his shoulders. “Nope. You’re a growing boy, kiddo, you’re goin’ in the bed.”

He stooped down and picked the Child up, chuckling quietly as he groaned in dramatic despair. Still, the Child wrapped his arms around Patton’s neck lazily, snuggling against him once more. Logan crossed his legs on the bean bag and watched as Patton sat on the bed, rubbing the Child’s back, and tried to pry him off.

“You need to get in bed, kiddo,” Patton whispered gently, “You’ve gotta sleep. A prince needs his beauty sleep, right?”

The Child giggled. “I’m not a–a–a,” he yawned again, “A prince! I’m a child!”

“But you’re gonna grow up to be one! You’re gonna grow up to be a great prince, ruling over all the Imagination,” Patton was whisper shouting, putting on a grandiose voice full of gusto.

He mimicked blowing a trumpet with one hand and the Child laughed, patting Patton’s hand down.

“Nuh uh!” he hummed between tired giggles.

Logan stood up behind Patton and gently took the Child’s hands. The Child looked up at him, squeezing Logan’s hands sleepily and giggling.

“You will be a valiant prince,” he lifted the Child’s hands away from Patton, and he took the cue to start tucking the Child into bed, “You will be a prince, lion-hearted and loved. But tonight, you must sleep.”

The Child squeezed his left hand, then his right, and laid down in the bed he’d been placed in. He looked so comforted as Patton pulled the blanket up higher around his face, big brown eyes questioning as he looked up at Logan from beneath the edge of the blanket.

“Will they listen to me?” his voice was thick as he teetered between unconsciousness and lucidity, “Will–Will they care, when I’m a prince?”

Logan nodded at him, and Patton nodded too. They were both sure, sure as the sky is blue. “Yes,” Patton whispered, “Everyone will hear you. And you’ll live happily ever after, my Prince.”

The Child giggled quietly. Slowly, he snuggled into the bed, and his hold on Logan’s hands relinquished, now gripping the blanket as he curled into a ball. Within mere seconds, he was snoring softly.

Patton stepped back and stretched. He looked up at Logan, who was removing his glasses in preparation for sleep.

“Wanna sleep on the floor?” Patton asked, “Or should we stack the beanbags in a square and use those as a bed?”

Logan considered the bean bags for a moment, actually, before deciding the morning back pain wouldn’t be worth it. “I think we can suffer the floor for a night,” he said, taking his coat off and spreading it out on the ground.

Patton followed suit, throwing his cat cloak down and spreading it out like a bed mat. They both slowly climbed to the ground beside each other, fitting themselves into the space that was to be their sleeping mat, grabbing some of the pillows and stuffed animals strewn about. At least the carpet was soft, adding extra padding. They both laid down, heads resting on some of the Child’s pillows, staring up at the stars on the ceiling.

Though they were both tired, Patton wanted to clear one thing up before letting himself drift off.

“....Lo,” Patton asked, voice soft. “Lo, are you awake?”

Logan sniffed. He was actually partway asleep already. “Yes, Pa—er. Patt.”

Patton giggled. It wasn’t always that he got to hear Logan call him by a nickname. He sobered up fast, though. “Did you mean what you said? About…about appreciating the childish things.”

Ah. Logan opened an eye. Patton smiled sheepishly at him.

He still had his glasses on. Logan turned to his side, facing Patton, reaching a hand out and taking his glasses off carefully. He slowly folded them and set them aside on the ground, with his.

“Of course I did. You provide important opinions and insight, often noticing details I….overlook,” Logan rested his hand on Patton’s shoulder, “You are appreciated.”

Patton beamed with a wobbly lip, more tears threatening to spill over. He slowly took Logan’s hand and pressed it to his lips. Not in a kiss, per se, but more to hold him close. To show that he was so thankful, so grateful for this acknowledgement. Plus, he was afraid that the tears would spill if he opened his mouth.

Logan didn’t seem to mind, though his face did turn a brighter shade of crimson, just barely visible in the starlight.

After a few seconds, Patton regained his stability. “Thanks,” he whispered. “We...we’re gonna get Roman back.”

Logan nodded, discombobulated. Patton’s breath on the back of his hand was comfortingly warm. There was that feeling in his chest. What was that?

He let go of Logan’s hand and rolled back onto his back, letting out a sign of contentedness. Their little prince was fast asleep and the next day would bring more trials. They had to find Virgil and Deceit and hopefully the Roman who’d been on the roof. They had to talk to the Artist. They had to confront the Playwright. They had to find the OTHERS and talk to THEM.

And Patton knew they’d be able to face it all head-on. He knew it in his heart. “Goodnight, Lo’. I love you.”

Logan exhaled beside him. Perhaps….things would be okay. He looked over at Patton, whose eyes were already closed, legs crossed and hands interlaced on his chest in a peaceful manner.

There was that feeling again. The data points — he was too tired to be thinking coherently, look at him, applying statistics knowledge to emotions of all things — indicated that he felt warm and fluttery near his lungs whenever he considered the other Sides. It felt as though his lungs were clenching, breathing constricting and carbon dioxide exhalation warming. That couldn’t be literal, though, or else he’d be ill. On this particular adventure, in this particular day, it’d happened a few times.

Perhaps he was just tired. It had been a long day, all of this just in one day. Logan would consider this issue more in the morning. However, he would indulge in the working hypothesis just once, whilst muddled in this warm-chested comforting confusion. “....I love you, too, Patt. Sleep well.”

It may have been a trick of the light or his mind, but Logan thought, just before he closed his eyes, that he’d seen Patton smile at him.

[inawickedlittletown]

Walking The Wire (108/?)

Summary: Tony Stark always knew about Peter Parker. He didn’t know that Peter was going to get superpowers and become Spider-Man, but he always knew about Peter because Peter was his son.

This will span from pre-Iron Man up through the rest of the MCU (eventually including Infinity War) and will be for the most part canon compliant except where I’ve taken some liberties and interpreted canon a certain way.

Pairings: Pepper/Tony, Tony/Steve (endgame), Tony/Mary (past)

A/N: If you want me to tag you when I post new chapters let me know. This fic is also on AO3

I used Collider’s MCU timeline to stay canon and the title of this fic is an Imagine Dragons song that is just so fitting for Peter and Tony

@findmeinthestarss

Masterpost

Chapter One Hundred Seven

They never found out what had been going on with Loki and Thor because nothing came of their appearance and then disappearance because aside from a blip somewhere in Ireland that wasn’t necessarily them, there was nothing and while Tony waited for the other shoe to drop and something crazy to happen somewhere else in the world, nothing did.

“So, do you think he was just popping in for a visit and didn’t even think to stop by here?” Rhodey asked during a team meeting.

“I don’t know,” Tony said. “And there’s no way to contact him. I called up Jane and she -- well, apparently they broke up sometime before he left the last time and she didn’t have a way to contact him anyway which is sort of why they broke up.”

“But nothing’s happened right,” Sam said. “I mean, no random Asgardians have shown up so--”

“Not since then,” Tony said. “At least not that my satellites picked up anyway. But Coulson or Fury would have mentioned if they heard anything.”

Tony kept paying attention, but nothing outside of the usual happened. Ross’ announcement that Spider-Man was Tony’s son had been a small blip that most people didn’t pay attention to despite all the pictures that Ross had managed to get of Spider-Man coming and going from the tower. Mostly, he just sounded like a conspiracy theorist especially after Tony tweeted that his son was definitely not Spider-Man and that the theory had made Steve laugh. Still, he was sure some people did believe Ross’ story. It was also a concern that Ross was clearly keeping an eye on the tower.

There was a whole thing with the resurgence of AIM in the middle of August but it was such a disorganized mess that they didn’t get very far in even setting themselves up as a threat and Tony had them all rounded up and arrested in the course of an afternoon.

By the time that the summer was actually over, Tony was starting to relax on the Thor front. Peter on the other hand was a tad disappointed that he hadn’t gotten to meet the god yet. It turned out that next to Iron Man, Thor was Peter’s favorite.

“He’s an actual god,” Peter had said, “but also an alien. And just cool. He’s just so cool.”

Sam found the whole thing amusing. “Your kid has good taste at least,” he said, “if he had to crush on any of us.”

“It’s not a crush! I just -- he’s a god, Sam! And the lightning--” Peter trailed off as Sam laughed and Tony tried not to join in.

“He is seriously impressive,” Natasha said in Peter’s defense.

“Yes, exactly,” Peter said.

“Which is why you had a crush on him,” Sam said matter of factly and Peter threw up his arms in the air and Tony knew that he had figured out he couldn’t really say much else to make a difference to the conversation. Mostly, though, Tony loved the level of ease that Peter had with the rest of The Avengers.

But when Peter’s birthday came around, Tony decided that they needed to go on a mini-vacation. Not to get away from anyone, but because Tony wanted to spend some time on his own with Peter away from wedding planning and everything else that was going on at the tower. They went to California because Peter had never been to the West Coast and because Peter had also been interested in seeing the rebuilt Malibu house. It was fun to show Peter around and take him to a few of Tony’s favorite spots. All in all, their vacation was a nice break from the usual. They got back after a couple of weeks away and right in time for Peter to get back to school and Tony to move forward with the new suit. Everything was ready and Tony just needed to have the housing unit put in his chest.

On the night before school was starting up again, Peter was leaning against Tony’s side. There was a movie on, but Tony had long given up on watching it because the plot had changed so drastically that the movie was downright silly and either way, Tony had gotten busy answering emails because Pepper couldn’t understand why Tony was delegating everything to do with SI for the next week or two. Tony still hadn’t told her that he was going to be putting in the housing unit for the nanotech in his chest. He and Shuri both agreed that it was the only way to make it as effective as Tony wanted it to be.

“Is it going to be a long operation?” Peter asked.

Tony looked down at him. “A few hours.”

“I don’t like that I’ll be in school and I won’t be here.”

The whole thing with Thor had really hastened Tony to get the device ready faster. He wanted to be prepared for the next time something happened and things would have been dire if Thor’s return had signaled the beginning of something being wrong. Sure, Tony had his other suits, but the nanotech one was going to be better than any other. Steve and Peter for their part thought that he knew best despite the risk that the surgery would bring him.

“You’ll be here plenty,” Tony assured him. “Nothing is going to go wrong. I have the best doctors on this and we have a good plan for how we’re handling this.”

“Dr. Cho is pretty great,” Peter said with a grin.

Tony wrapped his arm around Peter’s shoulders and pulled him closer. “So why did you want to watch this movie again?”

“Ned recommended it,” Peter muttered. “I don’t think I’ll be taking his advice on movies again any time soon.”

Tony laughed. “On that we can agree, kid.”

---

Steve didn’t argue with Tony once Tony decided that he needed to get the housing unit put into his chest. It was Tony’s body and Tony’s decision and while Steve did voice his questions and got Tony to think about the pros and cons, he left it up to Tony because Tony knew best when it came to his suits. The device was different than the arc reactor, anyway, in that it wasn’t working to keep Tony alive. Looking at the ring with the shrapnel that had almost killed Tony, reminded Steve of how much Tony had gone through and survived.

He was with Tony during the operation, holding his hand while Dr. Cho and her team worked on Tony with a combination of Dr. Cho’s tech and Shuri’s as well. It brought down the risk for the procedure considerably. When it was over a few hours later and the whole thing was successful, Steve let out a sigh of relief.

“Good,” he said.

The whole thing was taking place in the compound since the facility had a medical wing and Tony had gone ahead and added an operating room to it too. It meant that Tony was going to be staying at the compound for a few days even if that was more of a precaution than anything, but it was better for him to not have to travel to the tower while fresh out of his operation. Steve had insisted on being there so his anklet was off. The FBI had only checked in on them once since putting the anklets on and the only reason they showed up in the first place was that Sam’s had malfunctioned. It was lucky that they were all in the tower at the time, not that Fury had been sending them on a lot of missions lately. Things were on the quiet side.

“He’ll be asleep for a little longer,” Helen said. “We’ll move him somewhere comfortable. You can call Peter in, if you want.”

“I’ll go get him,” Steve said and leaned over to kiss Tony’s forehead first.

Helen smiled at him.

When he returned with Peter in tow, Tony had been moved into one of the rooms in the medical wing. Tony was still asleep, but he looked peaceful all tucked into bed.

“Everything went perfectly, Peter,” Helen said. “He’ll be awake in an hour or two. Myself or someone from my team will come check in.”

“I’m glad,” Peter said as Helen grabbed a few things and walked out of the room. “I was actually a little worried,” he admitted to Steve. “I just -- I’ve lost all the father figures in my life and he was doing this and I was worried.”

Peter walked to stand by Tony’s bed and Steve moved forward and placed a hand on his shoulder. “You dad rarely does anything that isn’t for a reason. And if he had suspected that this was any riskier than it needed to be he wouldn’t have done it because the last thing he wants is to leave you. Shuri and Helen worked this out and you know how smart they are.”

“I know,” Peter said and looked up at Steve. “I just couldn’t help it. And thanks for helping me get out of school today. Dad just kept saying how I didn’t need to be here.”

“Yeah, well, he hates that we fuss about him.”

---

Taking it easy was boring. At least, it wasn’t bed rest. Tony could move around and he could go to the workshop but he was limited by how long he could work and how much he could lift or really do which ultimately just made him grumpy. Steve was also hovering for most of his time in there and jumping in to do things for him which Tony had found endearing at first but then kind of frustrating. So, he was happy to be back to normal a month and a half later even if Steve still seemed a bit wary of him doing much. Pepper was worse. She had started to just show up to make sure he was okay every other day right after Tony moved back to the tower and she’d fussed and fussed over him after telling him off for putting the housing unit in his chest in the first place until Tony had enough.

“You know,” Steve said one afternoon, “it’s almost been a year since I came back.”

“It has,” Tony said. A full year. It had been more than a year since the whole fiasco with The Vulture too. They were lucky that there hadn’t been any big villain like that popping up since but even if there had been, Tony was confident that Peter would have been able to handle it.

Training with Steve and the team in general had made a huge difference to Peter’s capabilities as Spider-Man. Peter didn’t use the Iron Spider suit often, opting for his other suit over that one most of the time, but he had gotten so much better with his powers and just his physicality because he wasn’t just following his instincts which were often good, he was doing more. Strategizing and thinking his plans through and really knowing his strengths and weaknesses and using that knowledge to do things in the best way possible.

“And it hasn’t been all bad,” Steve said.

“Yeah,” Tony said. “I half expected you to get too bored to stay.”

“I’ve found that life can’t be boring when you’re in it. But, not just that, it makes a difference that we’re together. You’ve made this worth it and it’s just one more year, Tony.”

“We better hope nothing crazy happens before then,” Tony said. “I thought Thor coming back meant--”

Steve nodded. “I know. I know. I did too. I just wonder what the whole point of it was. He wouldn’t have shown up and left that quickly without there being some reason and I just don’t trust that Loki was with him. Wasn’t he supposed to be dead?”

“Yeah,” Steve said. “That’s what Thor said.”

“Jane was confused about that too. She seemed concerned -- but she hasn’t called which means she hasn’t found anything alarming. At least I have this thing now,” Tony said and tapped his chest. “It makes me feel a little better about any possible threats.”

It was Tony’s fear -- and had been since going through that wormhole -- that they’d be faced with something from outside their world again. Even if nothing came to pass, he wanted them to be prepared. After all, he’d seen what some of those aliens could do and create and it was only a matter of time before Earth became a target again. Loki being alive -- he’d been the one behind the attack in New York. Of course, helped by the stone in the scepter but nevertheless one of the reasons. Thor had said he was leaving to find out more about the stones and...and maybe it was what he was still trying to figure out. It worried Tony.

Chapter One Hundred Nine

[legalist217]

Grisha Trilogy: in defense of That Ending

My hottest take: the end of Ruin and Rising, while shocking in the moment, is fully consistent with the themes of the book and the Grisha Trilogy as a whole. Further, to feel as though Leigh Bardugo did not tell the story she meant to tell from the outset (for whatever reason, be it executive meddling or chickening out at the last minute) is doing her narrative a disservice at minimum and might at most be missing the point of the series.

This is the part where my good sis @alskaichou and I disagree to disagree and I accept that. Also this essay thing is by and large directed at Tara, and is just being written out longform for efficiency’s sake. So if you disagree with it, it’s not personal. (Unless you’re Tara. And even then, it’s not personal; I just… disagree… with you...) I’d also like it known that I’m only consulting the text, my own notes, and my own thoughts for this analysis... so if these end up being common Hot Takes, welp. 

Also, mass spoilers directly ahead.

To make sure there’s zero ambiguity in what I mean, I’m saying that both the part where Alina gets depowered and the part where Malina is endgame feel like they were intended right from the start, and to argue that the author intended otherwise may be missing a thematic point.

Okay, so, where do I get off with this flaming hot take? There are two keys, in my opinion: Alina’s narration, and the character of Ilya Morozova.

When I was recapping these books, I spent a lot of time bemoaning Alina’s lack of ambition. Here’s this girl with all this OPPORTUNITY, and yet she keeps going for the lowest-hanging fruits of dangerous power, and that’s when she’s even bothering. But… here’s the thing. I’ve been reflecting ever since reading the ending on what Alina was actually saying in her narration. And I realized something: I am pretty sure Alina wasn’t looking for power, or even opportunity.

The problem for Alina is that for most of the series, she’s faced with two extremes. She can smother her Grisha gift and be extremely weak even for an otkazat’sya, or she can accept her Sun Summoner status… which comes with a ton of prestige, prominence, and responsibilities she never asked to have. For her, the options are being a saltwife or being a queen. And Alina just wants to be normal. Just wants to be physically unhampered and able to pursue the life an otkazat’sya may have.

I realize that’s disappointing. It does tend to go against not only what we want from our protagonists (which is in fantasy often “start ordinary but end up extraordinary”), but even more specifically it goes against what we want from a YA protagonist, particularly a female one. We want role models. We want strong female protagonists. We want them to make the right choices. But therein may have lain a trap we set for ourselves.

When I was reading the first book, I fully expected Mal to be killed off within the first fifty pages. I then fully expected him to become the Gale to Alina’s Katniss--the childhood friend who isn’t extraordinary like the protagonist and just can’t keep up with the life she’s destined to lead. The books do lean into this, with the pair of them breaking up over the course of Siege and Storm due to him being unable to understand the person she’s become and resenting that she’s no longer the girl he grew up with, and by the middle of Ruin and Rising, both of them seem committed to a permanent separation so that Alina can be the best Alina she can be and Mal won’t hold her back. 

But... here’s the thing: the reason Mal wouldn’t be a good match for Alina is, by and large, rooted in societal factors which insist that otkazat’sya will never bother to understand Grisha, so trying to build a life together is foolish. I mean, set aside all the prestige that Alina gets for being this unique Sun Summoner, and even then, there’s this artificial divide which the Darkling smugly predicted would occur between them. But if that hadn’t been there, would Mal have been deeply in love with her and likely an unambiguously suited match?

According to the books? Yep. Mal has never had eyes for any girl that isn’t Alina, and that’s something that started even when they were still living at the orphanage, which he suppressed because, well hey, that’s his best friend, he can’t be like that towards her. And when Alina asks him the question I had, which was whether their bond had been falsely forged by the amplifier inside him, the two of them end up having a very sweet conversation about all the human reasons why they love each other regardless of that magnetic draw. 

Does Mal have some growing up to do? Oh, hell yes. But so does Alina. And like it or not (and I know where you are on this, mate), I think they’re a couple who have the foundation and moreover the willingness to grow together. To weather those shitty arguments and those periods of maturation. Because they both care deeply for one another, and they share common interests and goals in the endgame, which lend them a common purpose beyond twu wuv.

I haven’t forgotten all those other aspects of Alina and this ending which I brushed off--not just her powers, but her prestige. How can I so quickly go from “wtf is this ending” to “nah you know what I’m happy for them”?

Enter Ilya Morozova. Him and his obsessive, ultimate love of “ordinary” people, the characters that we readers on a meta level are somewhat trained to disregard and to hope our protagonist ascends well past. I agree with what Alina posits on (of all pages) pg 394; Morozova probably did expect the amplifiers to be united by a Grisha older than memories of memory. And that would be because it would mean they could rest at long last. 

More of this is coming into focus as I sit here and write. Of course Ilya Morozova never finished what he started. He wanted to. Baghra knew him well enough to get that right. But she didn’t understand his love of otkazat’sya, be it his wife or his daughter, even if she pays lip service to believing he felt it for them. She doesn’t understand that feeling her father had because she never felt anything of the sort for them, and why would she after all the persecution, after seeing her father and sister thrown into the sea? 

Baghra understood that he wanted to finish his project. What she failed to realize was that it was not about creating the amplifiers. It was about uniting them. And how could this man do that to his daughter, or her child, or her grandchild? How long before he took his life rather than contemplate this non-choice, I wonder?

Morozova wanted a world where he and his wife would understand each other, where his family would not be cast out by the village. Hence the amplifiers. Hence their ultimate effect. Baghra’s Grisha gift, if you think about it, almost feels like a Newton’s Third Law situation: the darkness brought into being to counteract the newly created light. Balance, as the Darkling would constantly harp on about. But balance is a regular diurnal cycle. Neither Fold nor weird merzost angels (which never happened, boo). I wonder whether any Sun Summoners will have Darkling children. Balance.

I’m veering off my intended track here: by uniting the amplifiers, Alina at once loses her gift and grants Sun Summoning to what’s described as being all the otkazat’sya in range. I don’t think that ended up eliminating the concept of otkazat’sya, unfortunately, but it does two things:

it levels the playing field and likely kicks open the door to Grisha becoming citizens (because how are otkazat’sya supposed to argue that they’re abominations or whatever when the gift can just randomly get flung onto you well past the standard age? actually don’t answer that im sure humans can find a way)

it sets Alina free

I feel like that second one is going to cause Objections, but refer to earlier when I mentioned she was trapped between the two extremes. Saltwife or queen. And while she’s spent three books psyching up to ascending some form of throne or another, she still... really doesn’t want it. And that? Matters. 

To throw down a kind of low blow here, I’m linking a post you enthusiastically reblogged about a young person who, when told they can be anything they want to be, confidently replies they want to be a secretary. Not a CEO, not a scientist, not a lawyer, not a doctor. A secretary.

Alina visibly misses several things over the course of this series. Occasionally it’s cartography. Often, it’s Mal. But mostly, and despite all the trauma that she endured there, she misses her childhood home at Keramzin. I didn’t realize until the ending just how many of her thoughts stray back to the Duke’s house, to lessons from Ana Kuya, to the grounds and the rooms. It may not have been particularly happy, but Alina’s childhood was important to her. And the fact that it wasn’t happy shapes her motivation as she looks to the future, once there’s a future to be had. 

Of course it isn’t something she ever considers in the series, but then again, when would she have had the opportunity to imagine taking over the orphanage? She was the weakest link in the regiment, then training to be the Most Important Grisha, then preparing for all-out war with the Most Dangerous Grisha, then preparing to be a Queen while maintaining appearances as a Saint. She wasn’t really allowed to have her own idea of her future at any point (that I can recall--my brain is still very fuzzy on book one), and the few times that she’s fleeing all these responsibilities, it’s to do nothing more specific than live with Mal, because to survive is all she dare dream of doing. 

Other people want her to be a queen. Including us readers, because it would be a satisfying end to her arc. But, at the end of it all, I think she really doesn’t want to be a queen. And if it weren’t for how the power is so intimately tied to her life force that not using it makes her sickly, I get the sense she would give up the Grisha gift as well. Of course she misses it once it’s gone, because using Grisha power feels good and encourages further use. It’s self-fulfilling. But it was something that kept her separated from her favorite person (because like it or not Mal sure is that for her), and that made her unhappy. 

Sure, we want stories that encourage girls to do what’s best for them and not just to settle for whatever gross man just because. But I think enough happens with Alina where settling down with Mal isn’t, in her case, “settling.” Girl had options. She also knew what made her happy. In the end? No accounting for taste.

[inawickedlittletown]

Walking The Wire (107/?)

Summary: Tony Stark always knew about Peter Parker. He didn’t know that Peter was going to get superpowers and become Spider-Man, but he always knew about Peter because Peter was his son.

This will span from pre-Iron Man up through the rest of the MCU (eventually including Infinity War) and will be for the most part canon compliant except where I’ve taken some liberties and interpreted canon a certain way.

Pairings: Pepper/Tony, Tony/Steve (endgame), Tony/Mary (past)

A/N: If you want me to tag you when I post new chapters let me know. This fic is also on AO3

I used Collider’s MCU timeline to stay canon and the title of this fic is an Imagine Dragons song that is just so fitting for Peter and Tony

@findmeinthestarss

Masterpost

Chapter One Hundred Six

It wasn’t until it was almost summer that Tony actually had to speak out in Barnes’ defense. Pepper was the one to make the call on the timing and Tony agreed that it was the right time. It was mostly to do with how the public viewed Barnes and Ross. Since clearing the air in Wakanda, Tony had started to take more interest in the man that was Steve’s best friend. He’d gone as far as to offer Barnes a new arm even if the process would entail Tony returning to Wakanda to make it happen. Barnes hadn’t seemed too interested and Tony realized fairly quickly that it was because for the time being he preferred not having the arm and either way Shuri assured him she had something in the works for him.

Speaking to Barnes had made things a little easier for Tony. He didn’t blame the man anymore and he didn’t dream about him or Siberia all the time not that it stopped Tony from having nightmares all together about his mom dying but they weren’t about Barnes. Not really. Some things were never going to stop and for Tony there would always be nightmares.

In the end, Tony’s statements about how much he didn’t blame Barnes and how he didn’t personally hold Barnes accountable for the deaths of his parents had the effect of making people aware of how much Hydra had had to do with everything The Winter Soldier had done. But it wasn’t just Tony’s word but all the proof they had to show what Hydra had been up to.

It didn’t stop Ross from continuing to try to get his way and make it near impossible for Barnes to ever get out of hiding without being arrested if he did. But the arrest would only lead to a trial and Tony was confident that it was a trial that Barnes would win. Ross seemed to have figured that out too, because he wasn’t as pushy with the stuff about Barnes which just made Tony worry and he’d have something else up his sleeve. Either way, with Barnes not planning on leaving Wakanda any time soon the whole matter was put the rest and Tony had his lawyers ready for when anything changed. He was hopeful that his name would be cleared when the time came.

Tony had a million other things going on too like the planning of a wedding. The thing of it was that flashy wasn’t what they wanted or needed. In all actuality, the whole marriage thing was a bit unnecessary in and of itself. Still, they wanted to have it happen and make it official.

It was Peter that seemed to want to make a big deal out of it which Tony thought was him trying to really make it clear how okay he was with him getting married which was sweet. Ever since they’d had that discussion over apple crostini, Tony had realized that he really needed to make sure Peter never felt left out of any of it. It helped that Steve adored Peter and loved his input and probably welcomed Peter in more than even Tony did.. If it was up to Steve, he probably would just let Peter have his way with all of it.

“But you have to have a big wedding,” Peter said one morning. “Just think about all the good it will do to all the gay teens out there who look up to you. You’re Iron Man and Captain America. You’re both public figures.”

Rhodey thought the whole thing was hilarious, but somehow Peter got him on his side. Mostly, Tony suspected that Rhodey just wanted to watch him suffer.

“No one even knows we’re together, Pete,” Tony had tried to argue one afternoon while Peter did some maintenance on K-9.

“But they should. I don’t really get why you’re keeping it a secret in the first place. You’re not going to hide it forever. It’s like -- I know I have a secret identity, but one day everyone’s going to know who I am. And they’re also going to know that I’m your son. I’m not ashamed of being Spider-Man or the son of Tony Stark even if it’s easier to keep that quiet at the moment. ”

It took a few weeks of convincing and since Peter was eventually out of school for the summer he had plenty of time to harp on the subject which was a bit amusing mostly because he even had Karen and Friday piping in on how much they needed to make a big deal about the wedding. In the end, Tony figured that Peter was right. Secrets weren’t a good thing and as horrible as the media coverage could get, Peter was right in saying that they might help young LGBTQ kids and teens and adults too probably by being open about it. That was what finally truly convinced Tony -- but also, it was sort of nice to share with the world that he and and Steve were going to be husbands.

But then, another reason reared its head when Tony got a call from Ross. The calls had stopped a while back, but Friday still put Ross on hold for a while before Tony picked up.

“Oh, sorry, I didn’t realize there was a call,” Tony said. “What can I do for you?”

“Stark, you’ve done an amazing job at stonewalling me time and time again.”

“Getting the right information to the people is stonewalling you? Getting our heroes back and under house arrest as punishment for their actions? General, I have followed every letter of the law and every clause within the amended Sokovia Accords. So unless you want something, I don’t understand the nature of this phone call. I’m a very busy man.”

Which was when Ross said the last thing that Tony expected him to say: “I know you have a son. Swings around New York City as Spider-Man, right? I bet the people would love to know about him -- after all, everyone seems to be wondering who he is.”

Tony went cold. It didn’t seem like Ross actually knew who was under the Spider-Man suit, but he knew that it was Tony’s son. He knew that Tony had a son at all.

“Ah, I see I found something to keep you quiet,” Ross chuckled.

The question was how did he know?

“Did you know that The Accords and who signed them are public. Even if they weren’t I would have been able to take a look and Spider-Man is a minor who needed a mentor of sorts to take responsibility for him. And you did that for him which was enough to make me interested.”

It still begged the question how he had figured it out and how he wasn’t mentioning Peter which worried him. Did he know it was Peter or not? Peter had signed as Spider-Man not as Peter Parker so maybe--

“Everyone’s been speculating,” Ross said, “I may as well give them some sort of answer. Tony Stark allowing a teenager to run around as a hero -- that would make the front pages.”

But not if Tony had a bigger story to sell.

---

The pictures were taken in the tower because of the house arrest and they were absolutely ridiculous. Steve didn’t know how Tony had managed to convince him to pose that way. They were both on chairs and Tony’s was balancing on two legs. Steve’s leg was resting on Tony’s shoulder and Tony was actually holding on to it. Steve actually couldn’t believe that they hadn’t fallen while taking the picture. There had been a bunch of other ridiculous poses made that day and it was lucky that not all of the pictures were used in the article. Only a few of them were of a serious nature. The one where Tony had just kissed his cheek, or the one where they had gotten a bit caught up in staring at each other and the photographer had just taken a few shots of them. There were also individual ones. Vanity Fair was running a whole issue mostly devoted to them, it was kind of insane.

The interview had been almost nice though, mostly because he’d gotten to talk about Tony a bit and because it was the first time that Steve was getting to really be public about The Accords and the house arrest. He’d even gotten to mention Bucky for a bit of it.

The one area where Steve had been surprised was when Tony decided to disclose that he had a son. Peter wasn’t mentioned by name, but he casually mentioned that his son and Steve got along really well. Steve had been sitting next to him when the topic came up and he had frozen in place out of surprise until Tony reached for his hand and griped it before he said:

“I know it’s a bit of a surprise to everyone to learn that I have a son, but since we’re announcing this other important life event I figured everyone should know that I am a very proud father to a teenager. He hasn’t always been in my life, but he’s made a difference in it in the time he has been. I am unwilling to talk about who he is for privacy concerns, but I guess it was time to be a little more open with the world.”

When the final version of the whole article and pictures arrived for their approval, Steve was a little floored by how good they both looked. How happy, too. The main picture was the chair one but it was followed by a picture of Tony fixing a strand of Steve’s hair and Steve looking down at him. Steve wanted that picture framed. Vanity Fair didn’t go out of their way to highlight the mention of Tony having a son, but everyone knew that the media was going to pick up on it and run with it.

Steve skimmed the article and it really was perfect. The writer captured them and really weaved in the narrative of their story from how they labeled their sexualities to how their relationship had come about to why they had decided to come forward with the truth. It was actually kind of nice and Steve didn’t regret doing it.

--

“Tony Stark is dating Captain America?”

“Wait — they’re engaged.”

“Did you hear?”

“I didn’t know that HE was Gay? Did you?”

“This is nuts.”

“Wait, and is it true that Tony Stark has a son?”

“Do you think they’ve been together this entire time?”

“But didn’t Stark date his assistant for forever? I thought they were still together.”

“They’re getting married, though.”

“I wonder how long they’ve been together…”

The questions and comments were endless and Peter was sort of amused every time he heard something. He tried to stay away from actually discussing anything with anyone unlike Ned who was absolutely keen on getting his two cents in, but then Peter had expected that from Ned. Ned was also trying to get Peter to talk to him about how he felt about Tony mentioning that he had a son. Peter didn’t want to discuss it.

The timing of the article was perfect, though, because it came out just a day before the last day of school and Peter knew he wouldn’t get a chance to actually get tired of hearing about the article. It wasn’t just that everyone was talking about it, either, but that some of them just went up to Peter to ask him about it since he had the Stark Internship and everyone wanted to know if he’d known beforehand and if he’d met Steve. In one case someone asked if Peter had met Tony’s son. Peter tended to just give those people a shrug and a, “I’m just an intern.”

Ned’s reaction had still been the best after he’d had a chance to process the whole thing. “This -- this means that freaking Captain America is going to be your step-father.”

“Yup, Ned. That’s how that works,” Peter said.

Ned had laughed nervously for a while. “How are you not freaking out?”

“Because I’ve had plenty of time to get used to it.”

The media coverage was kind of insane after the article was released, though. Mostly it was a rehashing of what the article said but there were segments on the news, talk shows, and those celebrity news shows. A lot of them highlighted the mention of Tony having a son and everyone seemed to be questioning who it might be. Only one article mentioned the possibility of Tony’s son being Spider-Man and it was almost said in jest which was funny because everyone seemed opposed to the idea because of how secretive Tony had been about having a son in the first place.

Since the publishing of the article, Friday had also started to deal with a high volume of calls for interviews that were all declined. Peter hadn’t expected it to be so crazy, but his dad and Steve were handling it.

“But we’re talking about Iron Man and Captain America getting married. Two Avengers marrying each other. It’s crazy.”

Peter sighed. “I’m aware. They’re also normal people. You’ve met them.”

“It’s still crazy, though.”

Michelle’s response had been to shrug. “It’s nice that they’re making a difference by making their romance public. Doesn’t really concern me though.” He really should have expected nothing less from her except that then she had turned and stared right at him and said, “Peter Stark.” And promptly walked away.

---

“I’m kind of glad I’m on house arrest now,” Steve said. He was playing with K-9 and Dum-E with a ball and Tony was in the middle of not watching some snapshots of the media coverage of their engagement. It had been created by Friday for them just so that they were on top of everything being said about them, but Tony had it on while he worked on something or other.

“Hmm, yes, they would be following you everywhere,” Tony said.

Tony for his part hadn’t really left the tower. They’d announced their engagement over Twitter the morning the article came out and it had been kind of funny how many people thought that Tony was joking. They thought so even when Steve tweeted about it. There had even been some that were convinced it was a misdirect from Tony and Pepper getting engaged or even full on married. Then, everyone got wind of the article and the messages changed to surprise. A lot were pleased and congratulatory but then there were the homophobes who were obviously completely offended by it but Tony didn’t care about engaging with people like that. There were fewer at first that mentioned Tony’s announcement of also being a father.

“Why, um, you haven’t explained why you mentioned having a son.”

He hadn’t mentioned the call from Ross. At first because he had so much to set up to screw up Ross’ plans, but also because he knew that Steve would feel guilty about it somehow.

“Ross knows my son is Spider-Man. I’m not -- I don’t know if he knows it’s Peter but he knows something so it made sense to announce it myself in a way.”

“Which is why everything was rushed,” Steve said.

The funny part was that after the article had come out and other coverage of it by the media got all of the information right there were still a bunch of rumors and stories to deal with. It was just so much information and no one really knew what to focus on. It was sort of brilliant to mix in Tony having a son in the middle of all of it.  

“Are they really saying that you made this a condition to have me back in the states?” Steve asked with a grin, looking at the screen.

“Apparently so. You know how they are — they want to paint me as the bad guy and in a lot of those people’s eyes I’m not good enough for you.”

“Those people have no idea how amazing you are,” Steve said

K-9 barked to get attention. The dog really was a great addition to the tower. Peter loved him of course, but so did Steve who was the first to just drop to the ground and roll around with the dog when he had time.  

“Get rid of all that, Fri, it’s useless.” The screen went dark. “Is there anything else that needs my attention? Otherwise I’ll get back to figuring out the housing unit for the nanotech.”

Friday seemed to take a moment to search and then, “I have surveillance footage of Thor and Loki in the city. There are also Instragram pictures of Thor.”

Steve dropped the ball at his feet and he straightened up, joining Tony to look at what Friday had been able to pull up. The video wasn’t all that grainy but it didn’t show much since it was them facing some sort of demolition. The video wasn’t even centered on them but they stood there for a while and it was definitely Thor and Loki even if they were both in regular human clothing and not their usual Asgardian gettup. It was also not enough to hide them from people on the street who seemed to stare at them from afar.

“What got demolished there?” Steve asked.

“Shady Acres Care Home,” Friday said.

“The real questions is why they are there and why Thor hasn’t thought to contact us if he’s back on Earth,” Tony said and it was worrisome because it meant that Thor wasn’t just back for leisure but that he was after something. That Loki was with him -- that might mean more problems for everyone.

They watched as Thor was approached by a bunch of girls -- which explained the origin of the pictures on Instagram and Twitter. And then just moments later Loki disappeared. Probably one of his tricks. Even Thor seemed surprised that his brother was gone -- and wasn’t it just even more worrisome to have Loki disappear like that? They watched as Thor picked something up off the ground and then he walked off.

“He’s here for a reason,” Tony said. “Have there been any more sightings?” Tony asked.

“I’m afraid not,” Friday said.

“So what do we do? There’s still no way to contact him so…”

“We wait,” Tony said. “And we can only hope that Loki isn’t up to something. Friday be on alert for any sighting of either.”

“Sure thing, boss.”

Tony just hoped that nothing would come of Thor’s return to Earth.

Tony looked back at the unit for the nanotech. He hadn’t told anyone yet that it was probably going to mean that he was putting something back in his chest -- that this housing unit would have to be on him somehow and it’d be better for it to be in him. Thor showing up made him even more positive that he needed to do it.

“I’m sure it’s nothing bad,” Steve said. “He would have come to us if it was.”

Tony sighed. Loki had been with him and after the last time they had encountered the God of Mischief, Tony wouldn’t discount that he wasn’t up to anything. Although, it was a bit of a surprise to see him when Thor had been adamant that Loki was dead the last time they spoke about him. It made Tony wonder about what might have happened for Loki to be alive and for Loki and Thor to be together and not showing signs of not being on the same side. Tony understood that they were family, but he also knew that there was a lot of contention there. He just hoped that none of that would affect the people of Earth.

Chapter One Hundred Seven