#im ngl i lowkey have so much more ideas now that i started but alas i must wash dishes (and practice restraint)

[dansconcepts]

Saw this on my feed and thought I might like to add something about this :> because I love saiouma and want to write more about them and I know a lil thing or two for HP (I do for PJO too but not enough to do HCs at the moment).

Harry Potter HCs:

Kokichi is literally the poster child for Slytherin in the best way possible

There was no hat stalling whatsoever although the Sorting Hat did say "I could put you in Ravenclaw-" "I'M A SLYTHERIN!" "Oof, yes, I did figure as much... SLYTHERIN!"

Snape HATES him though, he's never met a Slytherin more annoying in his life

He learns quickly Slytherins have a whole thing about blood purity so he lies saying he's part of some obscure pureblood family (even though he's an orphan and doesn't know anything about his parents)

His first memory of manifesting magic was causing something to move with his mind unintentionally. He thought it a hoax at first before he kept trying and he gained some control over it when he got in the orphanage (he got his letter there too, all done in secrecy)

Kokichi's first time getting a wand was a disaster. Nothing really fit him until he finally found something that didn't explode. He prefers doing wandless magic more regardless (it's more natural to him) but will only use it in private because he doesn't want people knowing about it

For the first couple of years he tries to be satisfied by his posse of blood purists, but then grows bored (and is blantantly disgusted) of their derogatory rhetoric and decides to drop them. Instead he bothers Maki, who threatens to kill him every 5 seconds as he teases her about Kaito and everything else under the sun during their classes.

Shuichi is deemed a Hufflepuff because he was a timid kid during his childhood that admired his uncle's dedication to being a detective, and wanted to emulate that ability so he could help others and do the right thing.

When Shuichi exhibited having magic for the first time, his uncle told him about his side of the family's past affinity for magic (it skipped a generation aka his uncle and father don't have magic)

He looks up, scared. Why did it do that? It shouldn't be possible! The glass just shattered in front of him without touching anything at all. "Don't be scared, Shuichi." He sighs. "I have to tell your father about this..." Shuichi blanches. That doesn't sound good. "D-did I do something wrong?" "No. No, not at all. It'll be okay."

As he grew up, his personality becomes more attuned to Ravenclaw values and is adopted by other Ravenclaws, but he is told he cannot switch

He has massive doubts about the House Sorting process due to this and completely disregards the seperation of Houses (although he's still nervous meeting people in general)

Kaito (Gryffindor) and Kaede (Hufflepuff) help him become more comfortable in sitting at other tables and push him to go sit with some of the Ravenclaws (particularly Kyouko, who invites him over when she sees him anxiously standing around the Ravenclaw table and they talk all things detective)

Kokichi Wingardium Leviosah'd Shuichi's hat to tease him during the first few times they met (and it also helps Shuichi break his dislike of not looking people in the eyes- although it's really Kaito and Kaede's support that he really breaks through it which Kokichi complains about, i.e. "WAAAAH! THAT'S NOT FAIR! I WAS TRYING TO DO THAT!" "...")

"Please give it back, Ouma." "Oh, yeah, for sure!" The purple-haired male smiles. "But you have to answer something first!" A question? A riddle? What would he be asked about? He could just take it back, but the prospect of the question eats at him. He nods slowly. He hopes he won't regret this, but knowing Ouma... "Would you look at me more?" Shuichi blinks. Huh? "It's not very fun when I don't have an attentive audience, you know..." As if instinctively, he looks straight into shining purple eyes. Immediately, he looks away. "You have such pretty eyes, you know." The casual remark sets Shuichi's face a b l a z e. "It's fine if you can't do it now. I'll get you to look at me one day!"

Over the years, Shuichi and Kokichi become closer due to Kokichi's fascination in the non-conforming Hufflepuff and Shuichi's curiosity over Kokichi's confusing behaviour and whatever Kokichi's hiding

Kokichi 100% tries to break into the Restricted section of the Library and he convinces Shuichi to come with him. He thinks he's finally got Shuichi to break the rules and turns out Shuichi had permission the whole time, which causes Shuichi to laugh at Kokichi's confusion and Kokichi becomes WHIPPED from being bamboozled so well ("It wasn't even intentional, but I suppose this would be considered a prank, huh...?" "Uh." Kokichi's brain is scrambled. What the fuck what the fuck whatthefuckisthatsmilewhyisthatsocute he looks so proud of himself and he actually got me and I-. He rights it quickly with an obnoxious grin, "You would call THAT a prank? You clearly didn't learn anything from me!")

Shuichi's spearheading a whole "Down with House Seperation" movement by accident

Kokichi loves it and feeds into it by making merch saying it was Shuichi who's changing the Hogwarts meta and teases him relentlessly about it

Kokichi's proficient with charm-work, hexes (of course), and defensive spells.

Shuichi loves Potions and Transfiguration (He took some classes in Divination because it interested him, and sometimes he thinks he can get insights into the future, but he also thinks the Professor is a quack. Kaede suggested he probably stop before he worries himself into a storm). He loves taking the time and work to make things, more for the satisfying result than the actual process, which is one of his more Hufflepuff-esque qualities. Kokichi tries asking Shuichi to make a bunch of potions for him and he will, with a few exceptions (i.e. "No, I'm not making you a love potion." "But Shumai!!!" "NO.")

Speaking of love potions, Kokichi smells Warheads (or some other sour candy), vanilla, and freshly brewed tea from Amortentia and Shuichi smells printed ink, freshly ironed clothes, and artificial grapes.

I think if I kept going this would become ungodly long so I'm gonna end that there :>.

I randomly remembered that I wanted to see content of Saiouma in Hogwarts about 2 years ago? And I love Percy Jackson so.....

Percy Jackson and Harry Potter AU headcanons?

gonna be so super honest I haven't read or watched Harry potter since I was like in 6th grade and I forget ALL the lore 😇 i also dont have any for PJO but I'm gonna leave this up for anyone else who has ideas to RB with

[hongism]

hi caly boo its ur 🌊 anon! i finally finished the most brilliant darkness and oh my lawd i’m in spain without the s. to put it shortly: U DID NOT DISAPPOINT BESTIE, and it seems unreal that u and ur mind and this fic even exists bc every moment is just polished to perfection, while simultaneously every character is polished to a sort of imperfect perfection(?). i have so many questions and things to say idek where to start, and tho im not good with words and even worse at deciphering hidden meanings, here are just some of my thoughts that i remember from the story.

hello my dear!!! eee im gonna answer separately since i think i’ll be very long-winded as usual but first of all thank you so much :(( this fic is actually very full of subliminal messages and hidden nuances that are weaved throughout which i think could be quite confusing so i apologize for that! if i had managed my time better, i would have adjusted when i started the fic to account for managing those aspects of the fic but alas i’m terrible at time management and i suck so. anyways.

first of all, ngl halfway into the story i lowkey forgot this was a wooyoung fic bc SANNN and also bc wooyoung appeared like 3 times lol. even after it finishing all that, i still had my doubts as to why this is a wooyoung fic, or more like why is san this significant in a wooyoung fic. im still a bit slow on these pls forgive me and im just curious why u made it like that.

i think yeah the most interesting thing about this fic is the emphasis on san over wooyoung. and when looking over it yeah i could have switched san and wooyoung’s characters and called it a day, but wooyoung really in my mind acts as the integral turning point for decisions made in the story. 

the goal with the fic wasn’t really to be hyperfocused on the pairing itself, but rather the emotions and thought processes of each character (aside from wooyoung). wooyoung was kept intentionally mysterious and a bit set apart from the rest of the fic because his role in story was moreso an abstract of hestia, the goddess of the hearth and home. wooyoung’s character appeared in times where y/n was struggling with the thought of home or adjusting to the new changes in her life! wooyoung’s pairing itself was actually intended to be solely platonic at first, but as the story went on i thought having mc develop feelings for him added another turning point in the fic!

moving on, the second biggest question i had is the whole hestia!wooyoung and cafe aurora situation. i did a bit of reading on hestia and only found out that she was the goddess of hearth, which might explain the fireplace and the kind of homey feeling to the cafe. and ‘cafe aurora not really existing to most’ part, which was already hinted at wooyoung randomly disappearing, mc never seeing the cafe before or wooyoung only bringing people he wants into it. i get that him inviting mc must suggest her significance to him, but why was he so adamant about his friends not mentioning him or the cafe to mc before that? wooyoung is quite a mysterious character i think, and given that this fic is supposed to be about him, it’s a bit odd that there’s still so many things left unknown, but its kinda cool that way nonetheless and im guessing u would also like to explain that further outside of the story too.

i think my biggest regret about this fic is the fucking summary.... i wrote that summary well before i even started writing the fic thinking it would go in that direction but it didn’t. and since this fic was for a collab, i left the summary as is because i genuinely cannot for the life of me figure out a better one. but i’m trying to figure out a better one. but i really fucking hate the current summary because it’s not at all what the fic is truly about and i hate it.

however, i don’t hate the fic itself, and the reason why i don’t is because i got to play with both my writing style and how i displayed the story. for this collab we were asked to pick a greek god and one of the seven deadly sins, and i selected hestia and sloth. and initially i had intended to have sloth be represented by the reader’s depression, and wooyoung be a more ‘real’ depiction of hestia. i shifted gears very early on in the fic but what it became is moreso abstract realizations in the characters.

san’s character is meant to be this idea of sloth, and it’s mentioned several times that he doesn’t want to move forward, he wants to go slow, he wants to stop moving so fast through life, and those things point to him being a depiction of sloth

wooyoung’s was harder to encapsulate in a more abstract way but you hit the nail on the head really with the homey feeling of the cafe. beyond that, mc talks about just naturally feeling at ease and comfortable with how things are with wooyoung and being around him, and he takes up this role of being the likeable, warm, cozy, comforting character. it all comes to a head in the last scene where he brings both y/n and san into the cafe.

and again wooyoung’s character is meant to be most mysterious and abstract, but if i had had more time to fully flesh out the fic, i think i would have liked to touch more on him. at the same time however i left it more open-ended and open to interpretation. the significance in him inviting mc in and not being mentioned by the others sooner is twofold. one; the others never really had any reason whatsoever to mention wooyoung. he was a friend outside the circle who never joined in with them when mc was around. i personally in my own friendships don’t mention friends outside the circle by name or anything, just kinda vaguely talking about them unless im certain the people know who this person is. the concept of wooyoung having to invite mc in was more nuanced and vague as well, intentionally so, but that was moreso meant to represent this idea of ‘you can’t make a home somewhere where you aren’t invited’ so y/n couldn’t fully make a home of the place she was in without being invited in and welcomed in, but again that’s something i wish i had more time to fully flesh out.

the hongjoong speech about love (and also the interaction with seonghwa after that) deserves a standing ovation of its own 👏 unfortunately, or not, im not actually going through the emotional turmoil regarding love the same way as hj or mc to be able to fully relate to his words, but the whole ‘if you dont love what u see in the mirror then u dont love it’ mentality really hit me hard, and i’d like to hang onto that when i make decisions in the future haha thank you wise caly! seonghwa and hongjoong’s story is also beautiful, and just like mc said, the more i look at it the more it hurts :’)

the hongjoong speech about love was meant to be something very jaded and specific to his worldview. it actually isn’t wholly how i view love personally, but it was a perfect description to how both he and y/n perceived the love in their own lives. mostly thanks to their own emotional turmoils. the mentality of the mirror quote is something that i think i also struggle with, which is why i included it. it’s hard to do, but even in friendships, i think it’s necessarily to stop and look at the person you were before this relationship and then the person during this relationship. if you don’t love the one you are now, then maybe it’s a sign to reflect and see the bigger picture, so that was a lil reminder to myself and i’m glad it touched you as well!!!

“do you love him, or do you love the idea of being in love with him?” - haha i see what u did there (or maybe i didnt please dont laugh at me if i didnt). its still so good everytime i see it bc i keep finding myself loving just the idea of things time and time again even when this makes total sense to me oof :/

heh yeah again with the more abstract concepts this one was more direct and ‘cliche’ but i fully wanted that cliche in the fic because i thought it suited the situation where mc was constantly struggling with a version of san that she thought she loved vs the version of san she got every time they were together

despite how enlightened she seems to be, mc still made the same choices, and i wanna smack her for it and pat her back at the same time. and maybe also bc of the fact that she feels so differently for the two men that i feel like no ending could really justify her decision, so ending in the vague is probably the best. your ending might kind of allude to someone more than the other already, and tho i still don’t think he’s the best one for her based on just my pov on love, i kinda agree with you. but again, this raises the question of, why a wooyoung fic and not a san fic?

and yeah the whole knife in the chest at the end of it all is that she was still too scared to face the music so to speak. but really i would say she made the same choices up until the conversation on the balcony with san. and you’re absolutely right, the reason i chose the ending the way i did was because either way, there’s no justification. and actually although it might seems like i was alluding to someone specific, san being in the cafe at the very end was moreso to represent that as much as they fought, he still very much loved her and wanted to be loved by her. it was kinda an open casket ending there were no nails in the coffin, the choice between wooyoung and san still stands and an argument could be made for either of them! i think this is a fic that i could see myself revisiting one day with two endings - one for san, and one for wooyoung.

something i didn’t mention earlier about wooyoung’s character being left intentionally mysterious was that he was representing a new and budding love. the honeymoon phase where you’re falling for someone you don’t even really know. you are the reader aren’t meant to really know who wooyoung is because of that beyond what you read about him, so his past and such was left out intentionally to represent that idea of ‘hey wow im in love with a stranger!’ whereas san was this gritty love that’s bad for you. and there are pros and cons to each just as with anything!!

so,,,, why a wooyoung fic and not a san fic? well i picked wooyoung for my collab so he was one of the main focuses of the fic regardless of which direction i took with it. as for why wooyoung wasn’t more forward, i already answered that but !!! i view it as both a wooyoung fic and a san fic. both are highlighted characters with main pairing roles!

i literally just woke up to write this and am going back to sleep ahaha so i apologize if this makes no sense. i somehow felt like i’ve read so much yet so little at the same time, maybe bc there are still so many things i havent fully made sense of, and that’s where i hope you come in and enlighten me. i still stand by my word that this fic deserves so much more recognition despite the lack of explicit smut bc of how much more you’ve explored through character building. love you caly and thank u for working so hard <3 — 🌊

no worries my beloved i hope you go back to sleep and get lots and lots of rest!! and i hope my response helps enlighten the not so clear things as well dgjdklfg but really thank you so much. it was a long fic and hard to get through at times, but as a whole, i’m proud of it and what i created, so thank you for recognizing my efforts and appreciating them 🥺

[tcthetouch]

𝓈𝑜𝓂𝑒 𝓂𝒶𝓀𝑒 𝒾𝓉 𝓌𝒽𝑒𝓃 𝓉𝒽𝑒𝓎'𝓇𝑒 𝓎𝑜𝓊𝓃𝑔, 𝓅𝑒𝓇𝒽𝒶𝓅𝓈 𝓉𝒽𝑒𝓎 𝒽𝒶𝓋𝑒 𝒶 𝓈𝑜𝓊𝓁 𝓉𝒽𝑒𝓎'𝓇𝑒 𝓊𝓃𝒶𝒻𝓇𝒶𝒾𝒹 𝓉𝑜 𝒷𝒶𝓇𝑒. 𝓅𝑒𝓇𝒽𝒶𝓅𝓈 𝓉𝒽𝑒𝓇𝑒'𝓈 𝓃𝑜𝓉𝒽𝒾𝓃𝑔 𝓉𝒽𝑒𝓇𝑒.

『 jamie lee curtis. sixty-one. cis woman. she/her. 』 oh heavens, is that JUDITH MILLER from FAIR LANE i see roaming around mapleview? minnie may’s always calling them -CYNICAL & -SELFISH. i happen to think they’re not that bad! they’re a pretty cool “RETIRED” ACTRESS  and every time i’ve seen them, they’ve always been +MAGNETIC & +WITTY. i hope i see them around again! 『 may. 21. est. she/her. 』

hello my pals ! after a very long day, i am finally here with an intro for a sexy lowkey demon !

BACKGROUND:

triggers: emotional abuse, brief mention of war, brief mention of considered abortion, substance abuse, brief implication of child neglect, brief mentions of death (but like.... from old age)

So… I’m currently too tired to do the ‘whole chart,’ but… a Sagittarius. Know this.

Now, to understand our dear Judith, you must first understand her parents. Her mother was a wealthy young woman, progressive in her views on social issues… for the time. Nonetheless, she was expected to hold up the standards of the time. Her father was the younger brother of a man deemed ‘a great soldier’ who died fighting in WWII. Followed by the memory of him and his own parents’ obsession with the man, he placed pressure on himself to live up to that standard. Shame there was no war………………….

They met at Judith’s mother’s debutante ball and hit it off. It was, what they perceived to be, a match made in heaven. But that’s always easy to say – it’s harder to prove when a good night culminates in an unexpected pregnancy. To avoid any public scandal on her part, Judith’s mother and father married before she began showing and moved to Mapleview where she would become an excellent mother and he would live up to his brother’s standards by… he was still figuring it out… maybe making the next great scientific advancement? or writing the next great American novel?

Sadly, in spite of her lifetime’s worth of training, Judith’s mother… proved to lack natural maternal instinct. Perhaps it was passed down from her own mother, transgenerational trauma beginning long, long, long ago. Judith’s father was so consumed with his grand ideas that he hadn’t the time to help! Between becoming the next Walt Whitman one day and the next Albert Einstein the next, all while working for his father-in-law, he just didn’t have any time at all!

Their marriage grew strained and, as Judith grew, they made it even clearer that she was the cause. If she, herself, didn’t do something spectacular with her life, then it was all for nothing!

Her father wasn’t forced into the Vietnam War as a part of the drafting lottery. No, as it grew bigger, as the army grew more desperate, as she began slowly maturing, as his marriage continued falling apart, he voluntarily entered in 1965, when Judith was seven. Before drafting even began!

Before he entered the war, Judith was the victim of plenty of degrading remarks and the occasional Unusually Odd Punishment (think bojack horseman w like beatrice seeing ~7y/o bojack take a cigarette and forcing him to smoke all of it bc he couldn’t waste a perfectly good cigarette!). However, the remarks grew more biting after he left for “the war effort.” The two moved back to California, her mother’s birthplace, to be closer to her mother’s father – an even better source of income when his sympathies were being played on.

...but it was suddenly back-to-work, no-sympathies-for-you when the war ended and Judith’s father was still alive… and, furthermore, when the war was lost. 

With her parents’ marriage worse off than ever, Judith’s unconscious attempts to please them and live up to their expectations began sooner than they would have had the war been won. Or had her father been shot. 

Probably.

Commercials began at seventeen, but they weren’t impressive. Minor roles began at eighteen, but they weren’t impressive. It wasn’t until she was picked up by an actual agent at twenty that she began actually shining, so to speak. 

Which is actually a great accidental pun on my part, as her first big role was, much like JLC’s, in one of the first slasher movies ever made. Hoorah! But it still wasn’t impressive. It wasn’t big or prestigious, Katharine Hepburn wouldn’t have taken the role. 

But what was even less impressive? 

The pregnancy that followed shortly thereafter. 

Her first thought was to find a doctor who ‘specialized’ in such ‘inconveniences.’ Between the knowledge that a lack of maternal instinct ran in her blood, all women in her lineage getting mistreated to the point that they were simply unfit, as well as the knowledge that she would have to immediately quit the career that had just begun if she wanted to raise the child… 

But the father wound up being a hurdle. He was meant to be a one-night-stand, but he started showing up… again… and again… and again… until she relented and confessed to him that she was pregnant with his child (so she assumed, at least). He was insistent that she keep it… so the compromise became she wouldn’t abort it, but she would immediately hand it off to the man to raise on his own.

Daniel, named by his father, was born. Judith kept in occasional contact, but ultimately tried to leave that chapter behind her.

After that small bump in the road, her agent began lining up more career offers for her. They ranged from OK-I-guess to Not-Katharine-Hepburn-But-Close-Enough. So she clearly went for the latter ones!

Now, for someone who tried to stay clear-headed enough… it became pretty hard as she grew more popular, was invited to more parties, and… given the decade, was surrounded by cocaine! Thus began some more god-awful decisions, a list so long even Leo Tolstoy would put it down before he could finish reading it.

A few years through her increasingly successful career and she found out that she’s gotten pregnant yet again, this time being the result of a one-night-stand had during a borderline bender. For a few days, she obviously considered abortion again. But… how good would it be for her image if she cleaned up and had the baby… and, who knows! maybe she would break the chain of terrible mothers! if she was willing to sacrifice hedonism, then she was clearly doing something right! and… she also felt some remorse for barely keeping in contact with Daniel… so hoorah! replacement!

Turns out she also didn’t have that mothering instinct :\

But it was not, at all, for lack of trying. She never intentionally mistreated her child, Mia (named for Mia Farrow) – she had family days with her and hung out with her and… tried to figure out how to bond with her. She was never cruel like her mother or her mother’s mother or mother’s mother’s mother, so on and so forth and what have you, but… she was Innocently Insensitive. Still caught up in The Scene, there were some nights that were… very loud when she forgot Mia was trying to sleep and invited a bunch of people over. 

Some hedonistic tendencies returned and she found herself allowing a nanny to care for the child more and more often. Never malicious, never cruel, even asked Danny Devito to be Mia’s godfather… but still wound up being a really bad mom.

When Mia moved out, she was beginning to realize she was too old to continue going down the road she was on – to continue making the same mistakes over and over. One child was college-aged, the other was… somewhat older, although she’d lost track of the years. Yeah, she sent birthday cards and made calls every year, but time had just begun blurring together…

As a side-note, this was also around the time she was encouraged to write a memoir. She wound up having to get a memoirist which is a wc!!

The “best thing possible” happened when her mother died a year ago. Her father had already passed, but that was in Fresno – a quick trip. Her mother died in Mapleview, where her roots were laid. Also pls picture her eulogy for her mother like the eulogy in “Free Churro.” Anyway...

So what did Judith do?

Up and disappeared! 

It would’ve been a really excellent publicity stunt… if she’d ever returned. 

She likes to pretend she’ll never return to Los Angeles. The mountain air is so clean and crisp, life is so much simpler, people are so much less… corrupt.

Alas… somewhere in the back of her mind, has many plans to return to her old life. But she needs to make amends first, right?

TL;DR:

(tread lightly if any triggers under ‘backstory’ are triggers for you!)

born in mapleview. parents were awful but also it was a case of transgenerational trauma so there are nuances there. father “abandoned” her and her mom to go fight in the vietnam war bc he wasn’t able to fight in wwii like his brother. came back and joined them in fresno and judith’s mom was like “well u guys lost.... cant say it was unexpected with someone like u fighting :\” judith was like “well i’ve learned i’m what ruined their marriage even tho i’m also the reason they got married so guess i’ll go make something of myself bc i want them to be proud.” eventually got cast in a halloween-esque movie, because of course. got pregnant, yeet’d it to the father, “it” being daniel. became a class-a hedonist. got pregnant again, but got clean and kept her, named her “mia”. was a pretty good mom for a while, then forgot that kids weren’t “used” to the 1980s/90s equivalent of modern-day raves. mia left for college. judith was like “wait,,, im too old 2 keep living this life omg.” mom died a year ago. was like “oh wow perfect excuse to come back to mapleview and pretend i never lived in los angeles ever in my entire life goodbye all ties and connections!!!”

PERSONALITY/MISC.:

spent the majority of her life trying to live up to the expectations set by her mom when she basically said “you better be something great to make up for being alive” + trying to unconsciously make up for ‘ruining’ her parents’ marriage.

ngl family took inspiration from the sugarman-horseman family in bojack horseman bc i just finished rewatching it and :\ i miss it :\ which, in turn, means there’s a tiny bit of muse inspo from the eponymous, but,,,,,,,, like she may not be a good person,,,,,,, but if u’ve so much as seen up to s2e11,,,,, she aint THAT bad.

further basis was fictional director kelsey jannings (of such fame as “women who love women who love recycling”) when she said that celebrities tend to stagnate at the age they got famous. and judith got famous when she was 20.

I FEEL LIKE I NEED TO MAKE IT EXCESSIVELY CLEAR THAT SHE NEVER HAD MALICIOUS INTENTS TOWARDS HER CHILDREN. she just knew she wasn’t ready to be a mother with daniel - it was terrible timing and she genuinely worried about how she would be as a mother ( considering how poor maternal instincts were... basically passed down through generations ) - and she didn’t know how to connect with mia, especially as an addict in the hollywood machine that was literally filled with drugs, thus proving her hypothesis that she would be a poor mother correct. like... I JUST NEED TO MAKE IT CLEAR THAT THERE WAS NO ABUSE INVOLVED. SHE AT LEAST DID BETTER THAN HER MOTHER WITH THAT ASPECT.

but, as marina once said, “[she’s] now becoming [her] own self-fulfilled prophecy. oh, oh no! oh no! oh no!”

saddie disguised as a baddie.

also spent the majority of her life as an absolute hedonist. remains one, but is currently clean and trying to remain that way... maybe...

wants to be good so very bad, but doesn’t know how to be.

in spite of said hedonistic and escapist tendencies, she does have a very strong work-ethic. you know. thanks to both her parents + her capricorn moon.

no way to avoid saying she’s selfish, though. no way to.

CONNECTION IDEAS:

** all are open to any gender

her other child (a wc on the main!)

her memoirist (a wc on the main!)

her childhood friend from when she was still living in mapleview (a wc on the main!)

some fans! idk!

arm candy. pls. she’s bi so. they can be a himbo or a herbo or a thembo. 

you see she’s decently older than all of the characters so i feel like most of this will rely on brainstorming and/or chemistry in threads

FEEL FREE TO EITHER LIKE THIS OR HMU 2 PLOT!!