#im gonna be honest yall i have not seen the last few seasons of teen wolf

[thehattertheory]

Steter Drabble

I keep coming to drop this in and I keep getting distracted by Immortal Husbands. Anywho. I had this prompt saved in a document from somewhere forever ago. If anyone knows where it may have originated (it may have also been from one of those prompt books my husband got me?), I will certainly link back. Stream of consciousness drabbling. 

TW for unapologetic murder and violence.

Prompt: A disgraced ruler has been abandoned by most of their subjects except for…

He’s been brought up on the fringes of Talia’s pack, of her world. His mother is magic, but not him. He is a part of that world only by extension. It’s not why he hates her. There is something in her manner, in the way she speaks to anyone not a wolf. Pretensions, an imperiousness that she projects, forces on everyone else.

The way she treats Scott after a rogue alpha bites him doesn’t exactly sweeten his disposition either. She forces Scott to become a part of her pack. Scott has to abide by it. No one makes it a secret that he’s only there because he has to be, tolerated only because Talia demands it. Scott spends every full moon chained up, rigged in torture devices because they won’t let him near him despite every time he’s managed to keep his brother calm.

So when she’s brought down in a fire, when her power bleeds into the next viable candidate, her brother, he’s- Well, glad isn’t the word, but he doesn’t mourn her. Even if his father has obvious misgivings about Peter’s sudden change in status.

Most of the pack is dead, the few remaining integrate into Satomi’s, or become itinerant omegas. Scott comes back to him.

Peter it an entirely different kind of alpha. Even if his niece and nephew have fled, driven out by accusations that Derek had been the architect of his mother’s demise, he’s been strong in the face of the loss, the betrayal. Peter has none of the pretensions, seems at ease with human or creature of any sort or social standing. It borders on refreshing, even if his father remains guarded.

He’s young, but he appreciates that Peter leaves Scott alone, let’s Scott make the choice to be an omega, unlike Talia’s forced enlistment. He keeps Scott sane on full moons and slowly meanders deeper into the supernatural, working more with his father, in turn, working more with Peter. He learns bits and pieces of things that scare and thrill him, make him want to learn more.

Peter always obliges, willing to discuss lore or loan books, even lets him slip into the Hale Vault from time to time, always chaperoned, but still.

Admiring Peter is easy. Peter is beautiful, and frightening. Peter noticing is inevitable, and he shrugs it off as a given, refuses to let himself be embarrassed by his attraction.

Peter’s reciprocation is the first unexpected event in his life since Scott was turned. It might actually be a bigger surprise, all told. Peter wanting him, Peter seeking him out and slowly claiming parts of him, exposing him to the cold blue gaze that gives nothing away.

He learned things he’s never dreamed of, the kinds of things that make him just as dangerous as a wolf, as any creature. It’s darkly thrilling to feel comfortable in his skin for that time.

Mate is a sacred word to a werewolf, rarely used in earnest, often mocked. His doesn’t think it, doesn’t consider it until Peter whispers the word into his throat as he ruts into him. Mate, the kind iof word that had broken his father’s spirit on his mother’s death.

The Argents come, and the world is washed in blood and ash again, only this time he isn’t a spectator. Argent blood dries beneath his fingernails until there are none left. Scott lets himself drift into Peter’s pack, mostly because he is there, bridging the gap between his brother and his alpha. His father almost has a moment to breathe a sigh of relief. But there is no peace, the Calaveras arriving.

Their accusations echo through Beacon Hills. The bodies of Laura and Derek Hale, savaged years before are presented as evidence. Mortals slowly picked off over the years, disguised as the kills of other creatures, other humans. The Argents had been on a just hunt, searching for the person that had killed their youngest, their heir apparent.

He asks for the truth once, only mostly sure he knows Peter well enough to know a lie.

Peter doesn’t, and admits to everything. Laura had been alpha first, protecting Derek, who had brought the hunter into their home. Protecting Derek had been too much. Burned and halfway out of his mind, he’d killed her and taken the alpha spark before anyone had even known who had become alpha. He’d let the world make assumptions with only minimal regret. Over the course of years he’s killed anyone and everyone involved in the fire. With ease he admits he’d killed the youngest Argent to draw them in, and yes, to make them hurt.

He regrets nothing, would change nothing.

Time and intimacy have shown him the reservoir of rage that sits inside of Peter, and it isn’t something he’s ever felt threatened by. He still doesn’t. No matter what the Calaveras say, the kills they care about, the hunters and humans, had been just.

Despite that, Peter  has to leave. He’s made too many enemies, and even if there were arguments to be made in defense of his actions, it’s damning enough that they’ll use it to destroy him and take whatever power he has. Even his father won’t tolerate Peter. Not after this.

Peter will lose everything. Has lost almost everything. Even if he’s not showing it, the alpha has to be afraid. The world is crumbling beneath his feet, the future uncertain. He may have a plan, but a plan won’t make up for what’s been taken.

“I’m going with you.”

They’ll build something new, or destroy something old, something worth destroying.

Claws along his jaw, over his throat. He leans into the unnatural warmth only werewolves seem to radiate and smiles into the open palm.

“I have more to kill.”

“Maybe you’ll let me help this time,” He murmurs, knowing he’s too comfortable even as he says it.

“They’ll hunt us.”

The Calaveras. The ones that even hunted their own in the name of justice, balance. They’ve stolen Peter’s home, his life, his reputation. “We’ll kill them too.”

[chillasscactus]

what's your movie script

@notsosilentprincess this the most personal and intrusive thing i’ve ever recieved im so glad you asked

chillasscactus presents: an outline for a three part live action zelda movie b/c even tho i would prefer an animated tv show that’s nto from the 80′s a movie would be likely and with it a bunch of money making sequels trademark me and nintendo!!!!!!! 

it would take 14 years to describe my long ass fanfic story so i’ll just get to down to the most important stuff1) first things first: mcu approach. rather than do a straight adaption of one game, it would be a clusterfuck of characters, races, storyline, etc, used whenever it works2) make link in his late teens or early twenties. they’re not going to get a 16 year old to play a 16 year old, so lets be honest with each other3) speaking of honesty: N O F A K E A C C E N T S ! ! ! no fake accents!!! no fake ass british/scottish/i’ve seen lotr once in my life accents!!!!!!!1 i feel like that was a mistake in botw w/ zelda. if someone’s american, let them sound american. or Australian or indian or wherever the fuck were getting these actors. 4) on that subject: loz is not a strictly medieval english fantasy. it is not lord of the rings, or game of thrones. it’s a japanese series that pulls from all sorts of cultures.5) another friendly reminder that lasers, telephones, jukeboxes, cameras, neon signs, jazz and trains have appeared throughout the series. and that’s not including breath of the wild. 6) a good adaptation would acknowledge the last two points rather than going for a lotr/got ripoff, which for some reason a lot of people really want??7) i really, truly believe, deep down in my soul, that practical effects are the way to go. i’m talking lion king on broadway puppets. im talking peter matthews in a wookie suit. touch up with cgi where ever. im i channeling hype from the force awakens?? you;re god damn right i am (unless you want a shiny creepy looking goron but hey, you do you)8) start link off as a seasoned adventurer/swordsman. less learning how to swordfight, more dicking around with hookshots and EyePad cube bombs9) no romantic subplot10) no romantic subplot11) look, i know yall love your ships, but how many blockbuster movies do you know that make romantic subplots not annoying12) a bit of story that i think would work for link’s character: he left hyrule for a few years and comes back at the start of the film (cause it’s in danger or something man), so he and the audience gets reintroduced to hyrule13) at the beginning, link should have bare minimum lines. like mad max grunts. but the most he gets familiar with people and places, the more he opens up and speaks #characterdevelopment 14) i thought i had zelda’s character down, but botw threw me in a bind. back to the drawing board15) About Ganon: honestly………keep him as giant blue manbearpig. two white kids vs evil dark desert man in a mainstream film is gonna get a LOT of eyeballs ya feel16) six dungeons, six sages. two per film.        part 1) goron and zora sages       part 2) rito and korok sages       part 3) shiekah and gerudo sages + final boss17) i think it would be really cool if there were like, flashbacks to other links. like movie link kinda sees/dreams of his past lives that help him during his quest18) most importantly: loz is not a dire, serious series. it’s vibrant and full of strangeness and charm. honestly, as i mention in points 5-7, this is a chance to make a more unique kind of fantasy film. it’ll be better remembered and liked for sticking to the games vibes19) one of the most popular npcs is a 35 year old man in green tights. these arent ye olde peasants, nor are they graceful intelligent elves. hylians are fucking weirdos man