#im also in no way versed in graphic design so was very much fighting for my life picking ONE (1) (☝️) font. very devilish stuff

[5iceroy]

"Charles sits cradled in the passenger seat and watches Sebastian’s hands on the steering wheel. You can see God's design, in a hand: the beauty and purpose of it."

Flesh of My Flesh — @boxboxlewis

@f1blrcreatorsfest wk2: paintings

movie poster mock-up based on a dope fic :]

[femmesfollesnebraska]

Artist-Poet Feature: Claudia Serea & Maria Haro

Pleased to feature artist Maria Haro alongside poet Claudia Serea with some of their collaborative work...

Where are you from? How did you get into creative work and what is your impetus for creating?

Claudia Serea:

I was born and raised in Romania, and I started writing poems when I was around 14 years old, in Romanian, of course. I wrote until my third year in college, then stopped. I immigrated to the U.S. in 1995 and took up writing almost 12 years later, this time in English. As for the reasons, I write because I believe I have something to say: my experience growing up behind the Iron Curtain, my immigration story, and the fact that I am constantly moving between two languages and cultures, not fitting perfectly in either of them. I also find inspiration everywhere around me, on New York City streets, in everyday life. I don't have to make up almost anything, just type what I see really fast. :)

Maria Haro:

I was borned in Madrid, Spain. Ever since I remember, I have been creating. My father is also an artist, so I grew up surrounded by art. I started my professional career in 1994 when I moved to New York City after graduating in graphic design.

My impetus for creating has evolved through the years. It started as something I liked to do, then something that I liked and I needed for a living, and now is evolving into something I need to do in order to make sense of it all.

Tell me about Twoxism, your current project and book, and why it’s important to you. What do you hope people get out of your work?

Claudia Serea:

I started the blog Twoxism in 2015 together with my friend, photographer Maria Haro—but the idea is older than that. The project concept came from Maria's friend, the Spanish photographer, Koldo Mirren Guinea Herran. He contributed some excellent photography to our project; he also designed the amazing cover and created the layout of the book. One of the poems I wrote for his beautiful photograph of tools was shared 1,600 times on StumbleUpon alone. I’m sure a lot of its appeal is because of this iconic image. Here it is: 

Sometimes I feel like a mechanic

Sometimes I feel like a mechanic, hammer and wrench instead of hands,

fitting the small parts, turning them this way and that, until they lock together, tight, teeth clenched.

I test the wheels, try the belt, turn the engine on and off, and on again,

listening to the wheezing, the whirr, until it works, and the growl comes on,

and the propeller starts flipping and swooshing,

and the shiny thing lifts into the air and flies into the world,

leaving me behind with my greasy hands and grimy nails,

grinning.

Maria Haro:

Twoxism started as a poetry-photography collaboration blog (www.twoxism.com) for which I took the photos and Claudia wrote the poems they inspired. In April 2017, 33 selections from the blog became an art exhibition that opened in New York City. Recently, Twoxism became a book published in December 2018 by the Canadian press 8th House Publishing. 

Twoxism is an invented word for all things two—among them, love, friendship, and relationships. We had a great response to the blog, with +15K page views and +40K impressions on Twitter and growing. As a project, it finds beauty in unexpected places and sees the mundane with redemptive eyes. As a book, it speaks of love and relationships in a new way. We hope others find it fresh, inspiring, and authentic. I personally started to better understand personal relationships through the photos I take and the lens of the artists who contribute to Twoxism.

Does collaboration play a role in your work—whether with your community, artists or others? How so, and how does this impact your work?

Claudia Serea:

I love collaborating with other artists. Collaboration gives my poems the chance to be shared with and enjoyed by more people. It gives the poem a new life. Apart from Twoxism, I collaborated with film directors who turned my poems into videos. My poem In Those years, No One Slept was set to music for choir by composer Rich Campbell, and the song won the top prize at the 2018 Uncommon Music Festival last August. I have another ongoing poetry-photography project with artist Mike Markham which, who knows, might become an exhibition or book in the future. And Maria and I we’ll keep Twoxism growing as long as it can. We are just getting started.

Maria Haro:

My biggest drive now is to discover what is possible through collaboration, and everything has to have a purpose. I am mostly interested in creating work than helps others using my design, photography, and artistic skills. I always have more projects on my mind that time to execute them and make the best of them. That is where collaboration really makes sense to me. Things are always better together.

Considering the political climate, how do you think the temperature is for the arts right now, what/how do you hope it may change or make a difference?

Claudia Serea:

Creativity knows no limits and no one can contain it, although some might try. The arts are hot in the U.S., and they will always be. Language is also extremely important in shaping our message and connecting us with emotion. Here is a poem from Twoxism that explores language’s important role, accompanied by Maria’s evocative photo:

About languages

In what language does the house painter paint?

Does the wind in Chile speak Spanish to the trees?

Do the gulls over the Hudson River cry Whitman’s verse?

And what about the Statue of Liberty?

In what language does she keep silent?

Coming from Romania, I feel fortunate to be in the United States and share my poems in English with the artists here. Who knew something like this could happen? I never thought I would get here in the first place. We get to write and express ourselves, and that is thrilling to me. I am very grateful for that. In turn, we must fight to open doors for others, and not create in a vacuum. There are countless artists and poets who live under oppressive regimes and don’t get this chance. We need to raise our voices and help them in any way we can. It’s an uphill battle, but I have faith we can contribute to the change.

Maria Haro:

Being an artist is hard, and it will always be, no matter where you are and what political climate you’re in. But it really helps to be in Madrid and in New York City where there is freedom to express yourself and a lot of receptivity to art.

Art is very intangible. You can only break through when you touch the viewer’s emotions and cause disruption. I will continue to try to do that for the rest of my life.

Sense of humor is another great weapon to have. I love to explore through my art the political environment and discover in deeper layers what is really going on and how it translates into our daily lives. Here is a twoxism that illustrates that:

High stakes entertainment

When all of this is over,

we'll have invented a new game,

the American roulette.

All is fair in love and war. So pass the popcorn, the wine, lots of wine, and the remote.

Artist Wanda Ewing, who curated and titled the original LFF exhibit, examined the perspective of femininity and race in her work, and spoke positively of feminism, saying “yes, it is still relevant” to have exhibits and forums for women in art; does feminism play a role in your work?

Claudia Serea:

In Twoxism, we explored the topic of empowering women in several combinations of poems and photographs. The goddess woman, the working woman, the skateboarding girl who is afraid to fall, the mother, the lover, the friend, they all find voices in the book. One of my favorites pieces is “Ode to the warrior woman,” paired with a beautiful photo of red lipstick as a “weapon” of choice by Maria Haro. Here it is:

Ode to the warrior woman

Beautiful woman, the world is still cruel and wild.  Bring out the thunderbolts and don’t be afraid of the fight.

 Put on your lipstick and pull up your boots. Grab your sword and slay the dragons on your way to work.

Walk in knee-high blood on 7th Avenue and don’t let anyone see the quiver in your heart.

 Be kind and smile. Don’t let them see that you’re hurt.

Sharpen your talons, merciless bird.

Woman, you da man, the man’s womb, you da bomb!

 Galaxies explode from your sex,  Milky Way swirls and pours out of your breasts.

Tell the little girl inside you to hush.

Swing the bow on your back and spread your eagle wings.

There is so much to fight for, so much to do.

Put on your lipstick, girl.

The world is waiting for you.

Maria Haro:

There isn’t really a choice for us to demand equal rights for women. It’s mandatory (and I have projects coming up that directly address this topic.)

Ewing’s advice to aspiring artists was “you’ve got to develop the skill of when to listen and when not to;” and “Leave. Gain perspective.”  What is your favorite advice you have received or given?

Claudia Serea:

Keep writing even if you get rejected. Be honest and true to yourself. And, most importantly, never give up. Persistence is the most important quality.

Maria Haro:

Attack your fears by being fearless.

How do the birds know when it’s time to fly?

They must feel a restlessness, or a clock striking in their brain,

an itch, or a longing in the bones.

Or maybe the roads are calling, unfolding ahead,

new balconies of the city, glimmering windows and highways of air.

That’s when I have to say goodbye to my friends of the same feather

and prepare to travel light, with only love as carry-on.

Then, without thinking too much, the leap:

the push off the ledge, a flap or two.

I lean my chest against the wind and glide.

The current pours and lifts me up, up, so I can see everything.

Farewell, past.

Twoxism by CLAUDIA SEREA & MARIA HARO

Published by 8th House Publishing, Montreal, Canada

Order the book here.

6 x 9 | Paperback | December 2018

116 pages | Price: $20.00

ISBN 978-1-926716-53-4

Follow us on the blog Twoxism and on Instagram @Twoxism.

Claudia Serea is an award-winning Romanian-born poet whose poems and translations appeared in Field, New Letters, Gravel, Prairie Schooner, RHINO, The Malahat Review, and elsewhere. She has published five poetry collections, most recently Twoxism, a poetry-photography collaboration with Maria Haro (8th House Publishing, 2018). Serea is a founding editor of National Translation Month and a co-host of The Williams Poetry Readings series in Rutherford, NJ.

Maria Haro grew up in Madrid, Spain, where she studied fine arts and graphic design. She graduated from the School of Graphic Communications and moved to New York City in 1994. She has won several global awards as a Creative Director in pharma advertising. She collaborates with other artists on projects that inspire her. You can find her photos on Instagram @mariavisualdesigner.

~

Les Femmes Folles is a volunteer organization founded in 2011 with the mission to support and promote women in all forms, styles and levels of art from around the world with the online journal, print annuals, exhibitions and events; originally inspired by artist Wanda Ewing and her curated exhibit by the name Les Femmes Folles (Wild Women). LFF was created and is curated by Sally Deskins.  LFF Booksis a micro-feminist press that publishes 1-2 books per year by the creators of Les Femmes Folles including the award-winning Intimates & Fools (Laura Madeline Wiseman, 2014) , The Hunger of the Cheeky Sisters: Ten Tales (Laura Madeline Wiseman/Lauren Rinaldi, 2015 and Mes Predices (catalog of art/writing by Marie Peter Toltz, 2017).Other titles include Les Femmes Folles: The Women 2011, 2012, 2013, 2014, 2015 and 2016 available on blurb.com, including art, poetry and interview excerpts from women artists. A portion of the proceeds from LFF books and products benefit the University of Nebraska-Omaha’s Wanda Ewing Scholarship Fund.

Current call for collaborative art-writing: http://femmesfollesnebraska.tumblr.com/post/181376606692/lff-2019-artistpoet-collaborations

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