#if you want to mimic the characters' writing styles... most of them don't spend long on describing the appearance of others

[vickyvicarious]

Hi! So I'm working on a Dracula story of my own and I need help finding the character descriptions for the Crew. I know Jonathan gets white hair from shock at one point, but everything else is fuzzy. I think Lucy's a blonde and I seem to remember Van Helsing being described with red hair too, but I'm not sure if those things are actually in the book or a product of the adaptations.

Yeah, I can try to help you out. Honestly, most characters don't get very detailed descriptions, but I'll see what I can find... I'm going to be summing up what physical descriptions we know of, followed by an example quote for each characteristic in bullet points beneath.

I only looked in detail up to where we are now/a few specific scenes I remember from later on. I can add more if I notice it, but I think this covers the physical descriptors pretty well, since as far as I recall we don't get much new stuff later on.

Jonathan Harker: Has a young-looking face. His hair is brown until 3 October, when it turns white. Likely clean-shaven most of the time, since he's upset by his shaving mirror getting broken. At least used to have a 'quiet dignity'. Looks clever and full of energy (when not ill), but also quiet and business-like, so probably not a very tall or super muscular manly man.

5 May - "He is a young man, full of energy and talent in his own way, and of a very faithful disposition. He is discreet and silent, and has grown into manhood in my service."

8 May - "It is very annoying, for I do not see how I am to shave, unless in my watch-case or the bottom of the shaving-pot, which is fortunately of metal."

24 August - "I found my dear one, oh, so thin and pale and weak-looking. All the resolution has gone out of his dear eyes, and that quiet dignity which I told you was in his face has vanished."

30 September - "He is uncommonly clever, if one can judge from his face, and full of energy. [...] After reading his account of it I was prepared to meet a good specimen of manhood, but hardly the quiet, business-like gentleman who came here to-day."

3 October - "Harker was still and quiet; but over his face, as the awful narrative went on, came a grey look which deepened and deepened in the morning light, till when the first red streak of the coming dawn shot up, the flesh stood darkly out against the whitening hair. [...] Last night he was a frank, happy-looking man, with strong, youthful face, full of energy, and with dark brown hair. To-day he is a drawn, haggard old man, whose white hair matches well with the hollow burning eyes and grief-written lines of his face. His energy is still intact; in fact, he is like a living flame."

Mina Harker nee Murray: Very little physical description here. According to Jack she looks dainty and sweet and pretty. Her hair is beautiful. Temporarily has a scar on her forehead. Her teeth maybe start getting sharper when she's turning into a vampire.

29 September - "a sweet-faced, dainty-looking girl stepped up to me, and, after a quick glance, said: "Dr. Seward, is it not?" [...] She looked sweetly pretty, but very sad, and her eyes were flushed with crying."

3 October - "As he had placed the Wafer on Mina's forehead, it had seared it—had burned into the flesh as though it had been a piece of white-hot metal. [...] Pulling her beautiful hair over her face, as the leper of old his mantle,"

5 October - "Her teeth are some sharper, and at times her eyes are more hard."

Lucy Westenra: Definitely pretty, probably in an 'innocent/sweet' looking way based on other peoples' comments. Based on Mina's tracking of her health/color even early on, it seems like she might look pale/anemic on a semi-regular basis even before being bitten. Either pudgy when healthy, or too thin when ill, since her getting fat is mentioned as a positive sign of improving health. Wrinkles her face adorably at times. Super voluptuous as a vampire, and her presumably-blond (sunny) hair is now described as dark. Possibly red eyes as a vampire? Though Jack doesn't mention her eyes looking different when she was sleeping and van Helsing lifted her eyelids to look at them, so maybe not. 19 years old (maybe twenty when she died).

24 May - "Here am I, who shall be twenty in September,"

24 July - "Lucy met me at the station, looking sweeter and lovelier than ever,"

27 July - "Lucy frets at the postponement of seeing him, but it does not touch her looks; she is a trifle stouter, and her cheeks are a lovely rose-pink. She has lost that anæmic look which she had."

30 August - "I have an appetite like a cormorant, am full of life, and sleep well. You will be glad to know that I have quite given up walking in my sleep. I think I have not stirred out of my bed for a week, that is when I once got into it at night. Arthur says I am getting fat."

20 September - "He had even brushed Lucy's hair, so that it lay on the pillow in its usual sunny ripples."

29 September - "a ray of moonlight fell upon the masses of driving clouds and showed in startling prominence a dark-haired woman, dressed in the cerements of the grave. [...] Lucy's eyes in form and colour; but Lucy's eyes unclean and full of hell-fire, instead of the pure, gentle orbs we knew."

Arthur Holmwood: Tall, handsome, curly hair. ...That's it, that's all we've got. Jack thinks he's very manly. He does have a resemblance to Van Helsing's dead son, so he might look at least a little similar to the professor as well.

9 May - "I hear rumours, and especially of a tall, handsome, curly-haired man???"

7 September - "When first the Professor's eye had lit upon him he had been angry at his interruption at such a time; but now, as he took in his stalwart proportions and recognised the strong young manhood which seemed to emanate from him, his eyes gleamed."

22 September - "My heart bleed for that poor boy—that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same."

Jack Seward: Handsome, good forehead, strong jaw. Common consensus usually gives him glasses and dark hair although neither is mentioned in the book. We have a canon age for him (29), unlike almost everyone else. Lucy says he's resolute and calm and imperturbable, but the way others react to him tends to disprove that since several other characters seem to be able to read him pretty well.

11 May - "He is an excellent parti, being handsome, well off, and of good birth. He is a doctor and really clever. Just fancy! He is only nine-and-twenty, and he has an immense lunatic asylum all under his own care. Mr. Holmwood introduced him to me, and he called here to see us, and often comes now. I think he is one of the most resolute men I ever saw, and yet the most calm. He seems absolutely imperturbable. I can fancy what a wonderful power he must have over his patients. He has a curious habit of looking one straight in the face, as if trying to read one's thoughts."

24 May - "I told you of him, Dr. John Seward, the lunatic-asylum man, with the strong jaw and the good forehead."

Quincey Morris: Looks young apparently. Sadly never once described as wearing a cowboy hat. Presumably handsome since Lucy talks up how charming he is, and Jack talks up how manly he is, but it's possible that's mostly force of personality.

24 May - "He is such a nice fellow, an American from Texas, and he looks so young and so fresh that it seems almost impossible that he has been to so many places and has had such adventures.

Abraham van Helsing: Tan/brown skin. Red hair, stocky frame. Clean shaven, high forehead. Blue eyes. Square chin, large mouth and nose, bushy eyebrows. Old, but it's unclear exactly how old.

20 August - "Very shortly after she opened her eyes in all their softness, and putting out her poor, pale, thin hand, took Van Helsing's great brown one; drawing it to her, she kissed it."

25 September - "a man of medium weight, strongly built, with his shoulders set back over a broad, deep chest and a neck well balanced on the trunk as the head is on the neck. The poise of the head strikes one at once as indicative of thought and power; the head is noble, well-sized, broad, and large behind the ears. The face, clean-shaven, shows a hard, square chin, a large, resolute, mobile mouth, a good-sized nose, rather straight, but with quick, sensitive nostrils, that seem to broaden as the big, bushy brows come down and the mouth tightens. The forehead is broad and fine, rising at first almost straight and then sloping back above two bumps or ridges wide apart; such a forehead that the reddish hair cannot possibly tumble over it, but falls naturally back and to the sides. Big, dark blue eyes are set widely apart, and are quick and tender or stern with the man's moods."

26 September - "It was so funny to hear my wife called "Madam Mina" by this kindly, strong-faced old man."

...and I know you didn't ask for him specifically, but just for completeness...

Count Dracula: Tall, thin, long mustache, bushy eyebrows, very pale, red lips, sharp teeth, hairy palms, dressed in black. He has a high forehead, a hooked nose, pointy ears, and red eyes. White hair at the start, which goes to grey and eventually black as he gets younger in appearance. No beard in Transylvania but he's sporting one in London. Bad breath, sleeps with his eyes open. His charming or suave smile is mentioned multiple times during Jonathan's stay. Shovel scar on his forehead after 30 June.

5 May - "Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. [...] His face was a strong—a very strong—aquiline, with high bridge of the thin nose and peculiarly arched nostrils; with lofty domed forehead, and hair growing scantily round the temples but profusely elsewhere. His eyebrows were very massive, almost meeting over the nose, and with bushy hair that seemed to curl in its own profusion. The mouth, so far as I could see it under the heavy moustache, was fixed and rather cruel-looking, with peculiarly sharp white teeth; these protruded over the lips, whose remarkable ruddiness showed astonishing vitality in a man of his years. For the rest, his ears were pale, and at the tops extremely pointed; the chin was broad and strong, and the cheeks firm though thin. The general effect was one of extraordinary pallor. Hitherto I had noticed the backs of his hands as they lay on his knees in the firelight, and they had seemed rather white and fine; but seeing them now close to me, I could not but notice that they were rather coarse—broad, with squat fingers. Strange to say, there were hairs in the centre of the palm. The nails were long and fine, and cut to a sharp point. As the Count leaned over me and his hands touched me, I could not repress a shudder. It may have been that his breath was rank, but a horrible feeling of nausea came over me, which, do what I would, I could not conceal."

30 June - "There lay the Count, but looking as if his youth had been half renewed, for the white hair and moustache were changed to dark iron-grey; the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst swollen flesh, for the lids and pouches underneath were bloated."

18 September - "a tall, thin chap, with a 'ook nose and a pointed beard, with a few white hairs runnin' through it. He had a 'ard, cold look and red eyes,"

22 September - "a tall, thin man, with a beaky nose and black moustache and pointed beard, who was also observing the pretty girl. [...] His face was not a good face; it was hard, and cruel, and sensual, and his big white teeth, that looked all the whiter because his lips were so red, were pointed like an animal's."

3 October - "a tall, thin man, all in black. I knew him at once from the description of the others. The waxen face; the high aquiline nose, on which the light fell in a thin white line; the parted red lips, with the sharp white teeth showing between; and the red eyes that I had seemed to see in the sunset on the windows of St. Mary's Church at Whitby. I knew, too, the red scar on his forehead where Jonathan had struck him."