#if i wasn't absolute ass at audio mixing.

[cyberneticnightmares]

man i know i'm gonna be hella busy the rest of this month but one super silly project i wanna do is a one-off true crime podcast but it's like. in-universe fnaf. and i wanna play it completely straight. what with tiktok and youtube now being actually canon.

i'm talking ad reads. a sneaky little "sponsored by fazbear entertainment". etc etc. i just think it'd be reeeaally funny.

[mytastessuck]

Gorillaz: Plastic Beach

mAh, nostalgia. This album was my high school years. I got a digital copy for my birthday from my mom and became obsessed with this album well into college. The dominance of electronica, the use of people with great voices, the expansion of the lore, Lou Reed...this album was all of music when I got it. It's my favorite Gorillaz album and it looks like it's gonna stay that way for a while. But how is it on a not even approaching semi-objective level? Let's find out.

1. Orchestral Intro

You can probably guess it by my awful taste but I'm not really into orchestra. This opening though, with the sound of waves and the mourning instruments, really tipped me off that I was in for something different. This album wasn't going to start off with something chill or even a zombie movie clip. No, at this point, Gorillaz were officially done fucking around.

10/10

2. Welcome to the World of the Plastic Beach

Then we get the brass leading us into a good beat and then HOLY SHIT, SNOOP DOGG?! He leads us in like a bandleader while a chorus of women back him up Just Like That while he goes with his usual flow. He adds the needed touch of instant cool to an album that's practically frozen with the artists already on it and with this song, it feels like you're walking past the gate into Disneyland.

9/10

3. White Flag

Some nice Arabian sounding instruments on this one. Pretty cool for Gorillaz to keep engaging in world music. Anyway, this was a really cool instrumental but it's time to move on to the other son---

Huh?

Suddenly, we get beeps and mixes backing up Bashy and Kano as they kick so much ass talking about pacifism for the sake of survival. This song kicks an undisputed amount of ass and it barely even tries.

9/10

4. Rhinestone Eyes

What I like about this song is that I keep finding new things to like about it as the years go back. First, I liked the weirdly-threatening nature of the song along with the woman moaning in time with the verses. Then I liked the video (even though it was insanely shady of EMI to release that without Damon's and Jamie's permission and it ended up being the thing that led to Phase 3's premature ending and Gorillaz going on hiatus). Then I liked the continuation of the moaning that I first noticed in live performances then finally heard in the song itself. This song is like Rolexes falling from the sky.

10/10

5. Stylo

Ah, the first single from the album. I remember telling my dad about this when I first saw the video for it. I was about to write off Gorillaz as a relic of my past before I saw Murdoc and 2D get run off the road by Bruce Willis. This song has an awesome bridge by Yasiin Bey, nice crooning by Damon Albarn and incredible back-up by Bobby Womack, who manages to lift the entire song over his head using just his voice. Damn, wish he had another song that put his voice on full display. Maybe later in the album...

10/10

6. Superfast Jellyfish

Yeah, De La Soul is back! And they're singing about TV dinners! Seriously, these guys can make guessing crossword actually fun instead of a dredging experience and have Shiny Toy Guns frontman Chad Petree singing about radioactive seas brings the whole thing home. It makes you want to really go out and eat a random jellyfish but don't do that. It'll hurt.

11/10

7. Empire Ants

Okay, before I give this song its totally fair score, it should be noted this is my third favorite song of all time. I love Damon's reassuring lyrics in the beginning but the switch in the middle to a more upbeat electronic pop tune pushes this song past perfect.

Then there's Little Dragon...

This song introduced to me to Yukimi Nagano's voice and wow...I didn't think humans could sound like that, let alone an Asian woman singing soul. If you think the instruments are carrying her here, obviously there are clearly no other songs on the album that showcase her talents so I have to recommend After The Rain, Twice and Constant Surprises by Little Dragon. Seriously, this woman's voice will water your fucking crops.

500/10

8. Glitter Freeze

Where is north from here? Don't ask me, I'm not a compass. Anyway, this song has Mark E. Smith from The Fall and they use him to his fullest extent...by which I mean letting him make an absolutely evil fucking laugh somewhere near the end. The instrumentation makes it feel like you're in a storm on a shaky ship and you're definitely going to feel like you need some pills after you're finished. This stuff will put hair on your chest.

11/10

9. Some Kind of Nature

This song introduced me to Lou Reed and I'm grateful to it for that. Lou was a shitty dude but damn his voice really made things better than they should have been. Fuck, I was one of the eight defenders of Lulu for this reason. But Damon doesn't sit with his thumbs up his ass on this song. He holds his own and makes the chorus sound legitimately dreamlike. All we are is stars, indeed.

100/10

10. On Melancholy Hill

This song is awesome to chill to...unless you're escaping a cruise ship while being gunned down by fighter jets. But other than that particular example, I recommend this song for anyone trying to relax while thinking of someone special. But be careful with the last note of this song. That gong can be a real eye opener.

9/10

11. Broken

Bummer of a song but if there's one song you absolutely NEED to learn on melodica, it's this one. Aren't we all broken? Well I am. And this song speaks to me.

10/10

12. Sweepstakes

Yasiin's back and there's gonna be trouble. He plays a carny in this track and you know that no matter how many times you listen to this song, you'll always gonna fall for his schemes. He's gone on to say that this is one of his finest achievements as a MC and I can see why.

10/10

13. Plastic Beach

Holy shit, they got the 50 Ways To Leave Your Lover guy on this track. Makes since because this, outside of Empire Ants, is my favorite song on the album. The harmony, the little imp they got for the bridge, the triangle...everything makes this song better than it has any right to be on an already awesome album. Damn, plastico indeed.

200/10

14. To Binge

Shock of all shocks, Yukimi's back! And it's a duet with Damon! And it's a song about a relationship torn apart by addiction! It's not my birthday so it must be Christmas. These two manage to drown the listen in waves of audio goodness that leaves them feeling like they spent 3 minutes and 56 seconds standing under a waterfall.

20/10

15. Cloud of Unknowing

Okay, I cried to this song. And now, with Bobby Womack's passing, I cry even harder. This song should be an anime ending with how solemn it is but you need to listen to the end to hear, "It may bring sunshine on its wings." Also, Damon covered this song live after Womack's passing. I suggest you look it up because it is tear-ripping.

50/10

16. Pirate Jet

Eh. Pretty average song compared to the others on the album but I appreciate the message. Sweet Lord, people. Turn off your shit when you're not using it. We only got one planet and I don't trust Elon Musk.

8/10

Album Score: 60.1/10

Whoo! No biases! Anyway, next week is The Fall, otherwise known as the album Albarn did on his Ipad. Otherotherwise known as the album a significant portion of the fandom has a hate-on for. Does it deserve the hate? We'll find out!

[thebraingremlinsaremad]

Daily Blog #6: August 13, 2021

Okay, okay, I know it's a couples days later, but I can assure you that I did not forget; I purposefully, and kinda without a better option, didn't post on Friday, and you'll see why.

So the day started off pretty regularly: I got up, ate breakfast, got a shower, and then sat around playing games and watching YouTube for a bit.

That was until my friend showed up at my house...

He called me and said to come outside, so I did.

It wasn't long until I got into his car, and we started driving.

I definitely should have been more anxious or nervous heading out, but for some reason, I just sat there with my head absentmindedly poking out the window, not really thinking about it.

I really wish I had grasped the situation a little better.

We got down there after an hour and a half of driving and we parked a bit away because there were so many people there, so many people there, in fact, that we just got some food until it calmed down again.

It was gonna be a great fucking concert.

Hella Mega Tour 2021, originally supposed to be Hella Mega Tour 2020, but postponed for obvious reasons.

We shopped for a tiny bit beforehand, not buying anything, and then headed over to the stadium 45 minutes before the concert was set to start. We were let in about 10 minutes later, and we filled our contraband water bottles that we managed to hide on the way in.

We sat there for a bit, me just listening to music on my Redmi Buds 3 pro.

I love these things.

Pretty soon the music started, and it was The Interrupters; everyone was feeling pretty lazy for this bit.

It's not like they were bad or anything, they were actually pretty good, but I guess everyone was just getting situated and didn't wanna bother using up all of their energy lol.

So The Interrupters' set is up, and they tear down the stage and reset it. Before too terribly long, Weezer starts up, and there's a lot bigger reaction from the crowd than there was before: people knew the songs, like Africa, Buddy Holly, Beverly Hills, and Feels Like Summer to name a few.

I was getting into it a bit, I knew a good few of the songs, I was moving along, I sang a bit, took some video.

What's cool is that I could feel myself moving along the scale, like going from no excitement while no one was playing, then tapping my foot and grooving to The Interrupters.

When Weezer first came on, I was just sitting there like, "alright, this is good shit." Towards the end, I was quietly singing Buddy Holly, their last song for the night.

I say quietly because there was a lot more loudness to come.

I should add that, up until this point, the music had been kinda unbearably loud, the highs really piercing and hitting hard.

Additionally, up until this point, I had been trying my best to document the concert with videos and audio recordings; it wasn't so much about enjoying the concert, for I've always been taught just to record stuff and not worry about the concert.

I don't think I've ever really enjoyed any of the concerts I've ever been to; I was there, but I wasn't. I didn't really know too many of the songs, and I had only listened to the artists in passing, not to mention the fact that my mother had been at every other concert I've been to, which is stifling in itself. I really can't enjoy anything when she's around.

But here we were; it was starting to get dark, and Fall out Boy was coming onstage. The crowd was getting into it with Weezer, and it was time for Fall Out Boy. The energy here had far exceeded both Weezer and The Interrupters, and this went for me as well.

I was sitting there, singing along and still occasionally recording, but I didn't have my phone out too much. I started to dance in my seat with every song, for I knew almost every one: Sugar, We're Going Down, Centuries, My Songs Know What You Did in the Dark, Grand Theft Autumn/Where is Your Boy, The Last of the Real Ones, Save Rock And Roll, and Dance, Dance being a few.

Throughout this set, everyone was singing along, but the real fun had yet to begin; the scent of smoke from the flames and fireworks finding its way through the crowd, the music now strong instead of piercing, a sense of unity between everyone in this packed stadium, between people of all walks of life: men, women, children, transgender, cisgender, non-binary, gay, straight, lesbian, ace, black, white, Asian, Mexican, young, old, middle-aged, and everything in between and outside... It didn't matter who you were or where you came from; you were at a fucking party, and everyone was gonna fuck it up once the main act came on stage.

Meanwhile, everyone was more than happy to celebrate with Fall Out Boy and some of their greatest and most memorable tracks.

Part way through Fall Out Boy's set, I decided to get off of my ass and join the growing number of audience members who were really getting into the groove and feeling the music.

It was so close to becoming an explosion of energy once Fall Out Boy was about to leave the stage.

After they left, the set was torn down once again and set up for Green Day.

Their was a low mix of music playing through the speakers all the while things were being set up. Once the stage was set, the music continued for a bit, but was then cut and replaced with a voice and lyrics that everyone knew immediately.

"Is this the real life. Is this just fantasy."

The crowd sings along to every word.

"Caught in a landslide, no escape from reality."

Freddie's voice poured out into the crowd, and the crowd sang them right back.

"Open your eyes, look up to the skies and see"

The song continued, and the whole crowd sang to the very end.

This really goes to show how impactful some people and groups can be on our lives... Although no one at the show was connected to Queen or Freddie Mercury, everyone who came to see these 4 bands still knew this great group.

Once the song was over, a mix of some of the most famous rock anthems began to play:

"We will, we will rock you"

"I love rock and roll"

"Hey, Ho, let's go"

A glorious piece all lead up to the 4 running onstage, Billie Joe Armstrong, Jason White, Mike Dirnt, and Tre Cool, joined now by 2 new members, Jason Freese and Kevin Preston.

All at once, it was an explosion of strong and passionate guitar jamming, soon followed by the drums and vocals of American Idiot. All at once, the crowd was rocking along with bopping heads, stomping feet, and swaying bodies. I only had my phone out to record for a short moment before I put it away and scarcely removed it from my pants for the rest of the concert.

I couldn't help but feel cocky, as a bi/pansexual (idk which one lmao), being allowed to sing the line,

"Well maybe I'm the faggot America"

I was like, "You straight bastards better not be singing that line 🤣"

It was absolutely incredible; the crowd cheered passionately and wholeheartedly at the end of every song and solo, after every quote from the band.

The coolest part about the concert was the fact that everyone just lost themselves in the music, as well as that everyone, without hesitation, followed what Billie Joe said. He says jump? WE FUCKING JUMPED. He tells us to scream? We. Fucking. Screamed. And when he wanted us to sing, we sang. I mean, okay, we were singing the whole time xD. I'm sure we would've sang if he told us to and we weren't already doing so lmao. What he said was our law, and we were doing our jobs as the dutiful citizens of Suburbia by following those laws.

It really is hard to express the level of pure energy at this gathering, especially when it radiates from every point in the packed stadium.

I screamed so loud and hard, and sang so long and passionately, that my voice started to go. But. Guess. What.

When you're at a place like this, no matter what, you just have this insatiable urge to keep going no matter what. When my arm got tired of throwing my fist in the air, I kept fucking going and even used the other arm too.

It's such a strange feeling when you feel like you're about to give out, like your voice is gonna break, or you're gonna collapse from dehydration and exhaustion, but you find around you the strength and power to keep on going, no matter how quickly your vocal health deteriorates.

Ask my friend, I couldn't speak properly after that shit xD. He even threatened to send a video of me talking to my choral teacher, who honestly would have been mad at me lmao.

Meanwhile, Green Day is playing some of their greatest hits, old and new alike, and I knew every single fucking one of them. I sang every song, and only took a break between 2 of them to down my whole bottle of contraband water in 3 seconds flat.

At one point, the band stopped playing, and Billie spoke into the microphone.

"Get your pretty lights out. I wanna see the pretty lights."

Everyone got their phones out and turned the torches on, as per his command.

"Turn the house lights off."

The lights go off, and the stadium is lit up almost as bright as it had been before, but this time with the lights of thousands.

"Look at that."

It was honestly an incredible moment.

That brings me to another point: when you go to a concert, you're not just paying for the music, you're not just paying to see a band, you're paying for an experience.

Let me tell you, this was one hell of an experience.

If you don't leave a concert feeling fulfilled, then the performers didn't do their job of giving you the experience that you paid to be a part of. I'm so happy that these four bands, especially Green Day, were able to deliver.

I really did love every moment of that show, which is such a rarity for me. I'm really happy that my friend took my mother's place. I can't fucking enjoy everything when she's around.

Oh yes, it wouldn't be one of my daily blogs without me talking about how my mother consistently pisses me off. Don't worry, I have some happy shit left to end on.

I swear to fluff though, she always manages to ruin everything for me. When we went to see The Lion King on Broadway, she insisted on coming with. That meant that I wasn't able to relax in my seat because this disgusting woman was sitting next to me and I had to cram myself to the side of my chair away from her. It meant that I wasn't allowed to cry when Mufasa died or during Can You Feel The Love Tonight because I knew I'd get made fun of for it.

I even went to a Fall Out Boy concert before, her refusing to let me go myself, and I didn't sing a single song because she'd just tell me to let the professionals handle it.

And for fuck's sake, the time she compared me trying to fucking validate my existence as a trans person to her wanting a car... That will always fucking piss me off.

Sorry, I got sidetracked. I was talking about how she ruins everything for me.

I literally cannot be myself around her. I've always been judged and ridiculed by my parents, and still am. I can't enjoy anything when they're around because I'm too focused on trying not to get made fun of or yelled at.

That being said, that concert was absolutely fucking incredible. I was with thousands of people who felt the same way that I did, and I could fucking jam out if I wanted to.

Apart from everyone being really on top of their game, and Billie Joe basically not aging since he turned 25, the only really notable thing left to say about the performance was when they pulled a kid guitarist onstage. He played for a bit, and they ended up letting him keep the guitar lmao.

BEST PART IS:

I SAW THE KID AFTER THE CONCERT, AND I WAS LIKE,

"Omg, hey, can I get a selfie with you?"

I was trying to be really low-key and quiet cuz I didn't wanna draw too much attention to him lmao.

The security guard was like, "Yeah, sure, but hurry up."

I TOOK THE PIC REALLY QUICKLY AND THEN HEADED OUT

HERE IT IS

YES, OF COURSE I BLOCKED OUT MY FACE

But I absolutely love the vibes of this photo xD. It's blurry, the lighting is shit, and you can barely make out any details. It has a lot of character, and I would take this over a clean, clear photo any day.

Walking away, the kid's mom said, "You're like, the coolest kid ever now."

Agreed.

Then it was time to go home. Honestly, I didn't feel sad that it didn't last longer, or disappointed that I had to leave. I was actually very satisfied and fulfilled with what happened, which is honestly the way it should be.

Driving home, I stayed awake by sticking my arm out of the window and letting the cold rain hit fast like tiny needles.

I got home.

I passed out.

Although, that was technically on Saturday 🤔

ANYWAY, THIS IS MY LONG ASS BLOG FOR FRIDAY THE 13TH

I hope you enjoyed

Be good people!!!!

-Leonna

[iamcinema]

IAC Reviews #19: Wishbone (2000)

Hey, is anyone still alive out there? I hope so.

Coming off of last year was a disaster, and well, we didn't enter 2021 on the highest of notes. I guess you could say I've been burned out and not having a ton of motivation to do a lot, even with how much I've been grinding on Letterboxd over the past few months. I think I'm ready to come back, and since there's a storm is brewing outside, let's make today a movie night...and boy, do I have a treat for you.

I think I've made it kind of apparent that I have a weakness for terrible, low-budget, trash fires. There's something oddly charming about them where they always find a way to lure me in, and given the scene on Letterboxd, there's a bunch of SOV masochists out there waiting to get their next fix. While digging around for material to cross off my lists on titles to find and add, I was reminded of a terrible, low-budget film that was shot in my hometown over 20 years ago. I'm full of fear for what's to come, and you should be too.

________________________________________

Wishbone is a 2000 horror film directed by Timothy Gaer and co-created by Michael Fasciana, centering on a woman named Laurie who receives an unusual artifact from her eccentric aunt she acquired from a pawn dealer that causes those around her to disappear when they make wishes on it. Hmm, seems simple enough. Let's what we're in for, and I'm absolutely not ready because the IMDb page says this shit is over two hours long, despite a version on Youtube having it just a bit over 90 minutes. Let us pray.

Wishbone in One Gif:

This acting is might be the death of me, but I'm not sure what's going to be the catalyst that causes me to fall down the stairs and break my neck: the sound quality, the weird editing, or the music...oh, god what the fuck is the music doing? So much noise, noise noise!

Okay, so let's dig into this before I take too long of a break and I don't come back to this. I've already had to pause the movie a few times to catch my breath or just rewind and go back because there's a good amount that I keep missing because, apparently, the star of the film is the score and not Laurie. This is so, so slow. I've seen a lot of long horror movies, but at least with those, it feels like things are happening. Even Blood Lake had filler that did something to some degree, and with that, it was consistently bad. This movie doesn't even know what it wants to do. So, as a disclaimer, there's a good chance I'm probably missing some key details that I didn't hear because it seems that characterization isn't important if the music insists on talking over everyone.

________________________________________

So, to date, this might be one of the worst horror movies (and movies in general) that I've ever seen and it might be one of the slowest things in the entire megaverse. This is over 90 minutes of, somehow, nothing and something happening simultaneously - if that makes any sense.

This takes its sweet ass time moving along and there's so little pay-off. The majority of the characters are either nameless or we aren't introduced to them in a way that matters enough for us to care about them. It's kind of like with Violent Shit and other low-budget slasher films where the majority of the characters serve no purpose but to be disposable. Next to the two main leads, Laurie and Joe, and maybe a few others, everyone is just forgettable and even then I couldn't honestly tell you anyone's name if it was explicitly brought up. IMDb isn't helpful either, and at this point it just makes me care even less. I'm not sure if my patience has been tested too much with this, but it's kind of sad that I'm more invested in seeing what the background characters are doing than Laurie and Joe - even though I can't really hear what the hell they're saying.

Yeah, I really can't move on without talking about the sound and the music. Why is it always the audio with these movies? This has an estimated budget of $100,000, or $154,779.43 today in August 2021. How do you have the ability to somehow not make this look like a potato for the most part, well for the day shots that is, but you don't have it in you to get a good mic and someone who knows how to mix and edit correctly? I would sort of understand if you spent the majority of the money on talent to cut corners, but this is just ridiculous. Did they use the cameras' built-in mics to catch the audio here?

I feel like I need to interrupt the movie constantly to tell them to speak up because if I turn up the volume, I'm just getting bombarded with this really weird soundtrack that doesn't fit. I shit you not, during one of the kill scenes, the music booming over it sounds like it was ripped from Kevin MacLeod's "lounge" library and then the reverse happens where ominous music is playing over a more touching scene - and that's not even a dig at Kevin as an artist. That's just how inappropriate and unfitting this editing is. The weird fucking thing about this specific kill scene is that it sounds like the audio is stacked, so there are two different instrumental tracks going on.

How do you fuck something as basic as tension up like that? The audio choices are so painfully inconsistent and it doesn't know what it wants to do. There are moments where you can hear the dialogue just fine, but then the music comes in out of nowhere to segway us into the next scene and it starts to muffle things out. If it isn't that, then the dialogue is just so soft that you'd think there was a pillow on the mic or we're hearing them from the opposite side of a sound-dampened room.

This is what I meant earlier when I said I apologize in advance if I miss anything crucial because I can't make out half of these conversations. So, I'm having to keep going back if I care enough or just having to pause and take breaks because there's only so much I can handle. This means that there's a good amount I'll blank on because I have to keep going back because I can't remember the majority of these no-named characters. Who the fuck are you people? Why am I supposed to care?

If I'm understanding the non-existent rules of the wishbone, you're connected to whoever dies in some way. So, why is any of this relevant to what's going on? If it's random, then it's another reason for me not to care just because some frat kids made a wish at some point. Again, who the hell are you and why am I supposed to lament over them? Why is there so much useless filler here? Did I mention that this is over 90 minutes long and there are *three* fucking party scenes? Party scenes are to Wishbone as ten-minute-long jetskiing and beer game scenes are to Blood Lake.

Oh, speaking of other shit that's annoying. Let's talk about general editing because the sound isn't the only thing that's a mess here.

I swear that almost every single scene in this ends with a fade-out/fade-in shot. Only one or two scenes come to mind where this doesn't happen, and the first time it did I thought my browser was freezing because it abruptly cut to black and then smash cuts to a party scene. I've never, ever seen a movie that abused this that much before and it's on par with something I would have seen made by a bunch of high school kids. So, when we have a moment where this doesn't happen and it plays out normally, it feels like a breath of fresh air. I'm sure this movie's run time could have been shaved down by at least a minute or two if this wasn't a problem, along with all the useless close-up shots that serve nothing to the plot.

It's such a waste of time. I'm so fucking tired. How was this movie's budget $100k? Did they spend most of it on renting the Scranton Police Department for a few shots or did it go towards their impromptu trip to Party City? I'm so tired and I don't care anymore.

Do you want to know what the real kicker is? With just barely twenty minutes left, the whole lore about the monkey's wishbone paw comes back and that's when Laurie and her friend Karen think something is weird. Isn't this whole realization trope that happens within the first or second act, not now with your Great Value brand version of the Dream Warriors?

Also, it's not specified how much time has gone by since the start, but it has to have been at least a week or two. It's incredibly weird how they paint the main characters and the unnamed background ones as such good friends that they don't think it's weird how almost all of them have disappeared - especially one girl who doesn't seem off-put that her boyfriend (or ex) disappeared after getting into an argument at one of the parties and none of his friends could reach him either at his own house.

The final showdown is an utter pain in the ass to get through because the conflict ends as abruptly as it starts and it's so unsatisfying. We get to see the face of our villain, I guess, and then more or less cut to our leads holding hands down the street set to the same looping lounge music we've been dealing with for over 90 damn minutes. Is everyone else who went with them dead? Did they live? Who cares! That's one thing the movie and I can agree on since we never see them again. We end on a shitty cliffhanger that's supposed to prepare us for a sequel, which thankfully never happened.

________________________________________

And that was Wishbone. Holy fucking shit, I've never been so thankful for a movie to be over in my life. It's 11:07 PM as of tinkering with some minor revisions and I've been in purgatory with this for over five hours, and yet, it feels like an entire lifetime has gone by.

I've raved about how bad Blood Lake was with its incredibly bad pacing, but this is next level awful and a testament to bad filmmaking if I've ever seen it. I expect a lot of the things I complained about from super amateur filmmakers who are shooting on an actual shoestring budget, not people who had that much money to fuck around with. How did they have that kind of a budget, and the most they can give us is bad audio, Windows Movie Maker levels of basic editing, three wrap parties, and a few crumbs of gore that we could see?

This was physically painful to see and I'm in much worse shape having endured it than I would have been if I sat through something liked Boardinghouse, and that has a two-and-a-half-hour-long version tied to it. This is just a marvel and I mean that in a so-bad-it's-bad way, not like how SOV enthusiasts who love this stuff pine over. If I had to give one thing going for it, one single granule of gold that I enjoyed from this, it's the limited shots we get of the area so I could make a game out of seeing what local spots I recognized. If playing I Spy is the only way for someone to endure your movie, then I don't know what else to say.

Wishbone is a hot mess where shit's happening, but also nothing is happening at the same time. I wouldn't wish this on anyone. In fact, I wish this movie never existed or would die in the ether and never return to our mortal realm ever again. Now, if you'll excuse me, I'm gonna go have a smoke and hope I don't get run over by a hearse tomorrow.

RATING: 0.5/10

[mytastessuck]

Gorillaz: Demon Day

1Ah, the magnum opus. This might not be my favorite Gorillaz album but when think of Gorillaz, they always bring this masterpiece up. As I brought up before, this album was responsible for getting me back into Gorillaz in the first place, my dad buying me a copy as soon as it was released. Needless to say, my hyper ass hyperfixated on this band. I looked up their lyrics, went to their site, read their lore, listened to their interviews and brought issues of Tank Girl. This album basically defined me from 10-15 and I will always be grateful to it for that. This stuff is the GOAT for alternative hip-hop/rock and we are basically going to salivate over it for 15 tracks.

1. Intro

Love this foreboding shit. The instruments, the voices, the zombie stuff...hell yeah. I never skipped this part when I put the CD in the player. When I heard, "Now entering the harmonic door..." I would just grin like a maniac.

8/10

2. Last Living Souls

This is some melodic shit! From the chorus to the verses to the bridge, this shit manages to keep you in while filling you up with your daily recommended dose of solipsism. This is an ass-kicker.

10/10

3. Kids With Guns

This song apparently caused a controversy because kids and guns are not supposed to mentioned in the same sentence unless you're doing a report on Call of Duty: Black Ops but I personally thought this song was just average...until you got to the breakdown. All that noise proceeds to drown you in audio goodness before cutting out before you drown. Hats off to you, guys.

8/10

4. O Green World

Love this. The mixing, the chanting, the singing and random screaming. I don't know what it is with Gorillaz and their more environmental work but they tend to hit the ball out of the park every time they go green.

10/10

5. Dirty Harry

This song has every thing you need for a 2000s track. Kids singing, nice beats, Bush-trashing...basically, it's an excellent time capsule of mid-2000s culture all thrown at you by Bootie Brown stomping on you. What I especially like about this track is how the laughter at the end fades into the far less comforting laughter of...

10/10

6. Feel Good Inc.

I don't fuck with this song anymore.

This song...I would wake up and run to the nearest room this song was playing. I would memorize episodes and timeslots of wherever this song dropped on. I would attack anyone who attempted to turn this song off on the radio. This was my favorite song of all time. This song introduced me to De La Soul. I played this song all the time...to the point that I'm absolutely sick of it years later. I also hate it when people hold it up as the ultimate Gorillaz song. Ya'll know they did better stuff, right? Hell, their B-sides have better songs! But...I respect the shit out of this song. And I'm still grateful to it for fueling my Gorillaz fanaticism.

10/10

7. El Manana

Man, this song used to depress the shit out of me. Even before the video came out. Damon's voice is so oddly sorrowful for a pining side. Thank god he's married because I can see the Maenads swimming up to his beach and tearing him apart for bumming them out with his crooning. I remember when a Wikipedia article was vandalized to suggest this song was about 2D singing to Noodle. Gross, right?

9/10

8. Every Planet We Reach Is Dead

Damn, the piano on this is tight. I remember finding out Ike Turner did the piano on this and telling my dad. My dad thought he died. And he did. A year later. I don't begrudge the music team for working with Ike. He was a genuinely talented musician and a rock n' roll father. Plus, his career was still down the toilet after this so it's not like they did him a huge favor. Still though, listen to the breakdown after the verses. That shit can send you into hyperspace.

10/10

9. November Has Come

MF DOOM. I've been a fan of this guy since the Danger Mouse collaboration and he shows why on this track. I knew that there was only one guy talking on this track and it still sounded like a couple of guys conversing. This dude ruled. RIP

10/10

10. All Alone

A song to shake your rump to and to scare you out of a chill out! I love two-for-one deals! This is where Gorillaz start to bust genres like they owed them money. Rap mixed with soulful singing is a great taste that should be encountered more often. Kudos.

9/10

11. White Light

Fuck yes. This track is short yet sour-sweet with its weird mumbling, scatting, guitar work and heavenly break. Man, I would kill to be somewhere where this playing live. I would mosh to this so hard...good on you, Murdoc.

11/10

12. Dare

It's there, indeed. Finally, a song you can dance to without getting self-conscious. I will work it out, Noodle. I will work it out to your singing and the crowd chatter at the end. You all shake it with me. I hate dancing alone.

9/10

13. Fire Coming Out Of The Monkey's Head

This shit is spooky! Thanks Dennis Hopper for creeping me out well into my twenties. I still get shivers when I hear "Without the truth of the eyes, the Happy Folk were blind." The singing is nice too, tying everything together with even more nihilistic imagery. Ooo-ooo-AH.

10/10

14. Don't Get Lost In Heaven

Pretty nice. Nothing special but it's not suckage either. Just a nice faux-gospel theme to mellow out to. It's cool but I really like this song for being the perfect lead in to my favorite song on the album...

8/10

15. Demon Days

When I first got this album and listened to it, I was disappointed to say the least. "Really? All that awesome shit and you finish it on gospel? I can't even understand what these guys are saying! Fuck it." I skipped it every time I played the album. It wasn't until years later when I looked up the lyrics and sung along to the song that the plug to my stupid brain finally went in the album. This song manages to talk about enlightenment without mentioning God. It tells us to live right without mentioning religion. It uses a choir. It's one of my favorite non-gospel gospel songs and it's one of my Gorillaz works. Praise them.

20/10

Album score: 10.01/10

Tune in next week for D-Sides. And if I thought I was unfair with this score...