#if i think about jon’s childhood for more than 10 secs i start seeing demons
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working on a tma thing. he is like a bug to me <3
#art zone#tma#my sweet darling boy#if i think about jon’s childhood for more than 10 secs i start seeing demons#an autism diagnosis wouldve saved him…sad!
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Is your oc a Mary Sue ?
Okay I created this test back in 2016 on the french fandom, for the french fandom but its still so funny so if you want to try that test, please do. Don’t take it bad if your oc has several points doesn't make her Mary Sue and again these are only the clichés I noted, doesn't mean I got the absolute science on how to make a good OC and that my OCs does not correspond to these clichés or arn’t Mary Sues. Beware this test is full of sarcasm and second degree. Anyways ! Enjoy !
I. The design of the OC For your OC to be shitty, appearance is primordial. Therefor, I made you a list of clichés that you can try to cumulate to create a perfect Mary Sue. Are you ready ? At the end we’ll count the M.S points of our own Oc. ღ Spiky hair, must be long, more likely black, red, yellow, with two colors that MUST be extra saturated ! You can take your favorite color if you want, it will work. Why thinking further ? xD If you put two colors, make sure they clash with each other. Your hair style must be edgy, emo, so 2012 fashion with some bangs in front of the eye, nothing original please. Its weird to be original. AND WE DON’T WANT THAT.
ღ Piercings and tattoos are SWAG. But not any piercings or tattoo ! The labret is swag, the septum is swag, the eyebrow is swag, the belly button is swag but NEVER on the nostril its’s a golden rule of swag. Sorry. Have you ever seen an oc with a piercing in the nostril ? Nope, then don’t do that. Don’t try to invent new things. Originality is weird.
ღ About the body type, you got to stick to the canons : Huge breasts, large hips and butt, narrow waist (so narrow you don’t know how she can possibly bear her own weight).
ღ If you REALLY don’t have any design ideas it doesn't matter. Make a gender-bend of Naruto or Sasuke. IT WORKS.
II. The back story of your OC
For your OC to fit in the story like some shit falling on top of carbonara pastas, your backstory must be as CHEATED as possible. It must affect the main manager plot a maximum, just to enhance your oc. NEVER FORGET IT : Your OC is the center of the world.
ღ Lets start by the beginning. For the name of your OC take some name that sounds Japanese. You can even invent one, as long as it sounds Japanese its perfect. To do so, insert some “ki” “ko” “su” “shi” “mi” et you got a name !
ღ Here is one of the supreme principle : Your OC is the most gorgeous, intelligent and strong. Its legit ALL THE MEN IN THE PLANET are desperately in love with her.
ღ Your OC must be paired, or have had an affair, with at least one of the canon characters (better if its a main one) of the anime. Leave Shoji and and all the other Rock Lees for the ugly ones, YOU got Sasuke and Naruto waiting for you in your bed. So here’s a list of decent crush for a Goddess like your OC :
Sasuke, Itachi, Naruto, Kakashi, Neji, Gaara, Madara, Deidara. Others are for the ugly ones. Don’t touch it, may have diseases ... :/
ღ As your OC is the strongest, she must have super badass jutsus and have a chakra of ALL TYPES AT A TIME, she must master ALL the technics, and the must is her having an demon within. If possible a demon with tails (we don’t know why it wasn't mentioned in the manga but WHO CARES ?) that would be stronger than all the canon demons combined ! OR she can cumulate all the demons. Another SWAG thing is to have special pupils. If you don’t have the creativity to invent some, just use the sharingan/byakugan, or directly the rinnegan. OR you can cumulate them. Do like Sasuke ! This guys was clever. He knows the secret of success.
ღ Your OC must FUCK the game, so don’t hesitate to make her a princess, a vampire, a Rage, or even a Goddess. SHE IS TOO HOT TO BE HUMAN. Regular shinnobis are for people with no ambitions.
ღ When you have to describe her personality always indicate this : “sweet, shy, friendly, cold, mysterious, choleric, courageous.” How is it totally paradoxal ? WHO CARES ? It doesn't have to be accurate in your character in her story anyways, that’s just for the presentations. For your OC to be really obnoxious she has to have a shitty personality. She has to clash every canon characters, be a burden for everyone else, OR, the opposite, a fuckin’ Deus Ex Machina ! Your girl she would have kicked Madara’s emo ass in a sec !
ღ Her relationships with the canon characters are VERY IMPORTANT. Try the hidden blood binding. It’s SOOO original. Incest is not to provide, we all love what’s forbidden by the law and morals ! But always use main characters first, and don’t hesitate to put your character in a canon team, even if you have to kick off Sakura to do so (after all who cares for her ?). And for secondary but popular characters such as Itachi, Gaara and Neji ... Well as long as they are canons and popular ! Its better if they are in the Akatsuki or Kages though ! The best thing would be to be the hidden maleficent twin of Sasuke and have an affair with him OR Naruto’s genderbend paired with Itachi. The really SWAG clans you can put your OC into if you got no creativity to create an over powered shitty clan are : Uchiha, Uzumaki, Namikaze and Otsutsuki, and Hyuga only if there is no more room in the previous I quoted.
ღ Your OC must have a tragical backstory, horrible and complicated, incoherent or completely empty and lacking of depth cumulating all the best clichés of the fandom.
In the first case your OC is broken by her past traumatic experiences, which gives her a dark side, a madness within, an emo vibe. She must be complaining all the time about her misunderstood pain.
In the second case, your OC must be cheesy, always smiling and enthusiastic for no reason, and be a little stupid. Okay VERY stupid. But well ! She has big tits at least ! So its fine. Her biggest trauma must not exceed in terms of violence her little brother finishing the Nutella.
ღ Or, you can also try having a SUPER weak OC. Because with Mary Sues you are either TOO strong or TOO weak. No nuance please. It would make your character too credible. AND WE DON’T WANT THAT. Your OC must be rejected by everyone, hated and underrated (#victimlol) only her One True Love will see the light behind her shaggy hair.
ღ If you are a bit CrAzY you can invent a country where she’ll be on top, but the best is for her to come from Konoha. Stay on the right track.
I think I gave you all the best tips I had to make an OC perfectly obnoxious. ♥ To illustrate my own sayings, let me introduce you, my own Mary Sue :
Suskiki Uchiha !
Name : Suskiki Uchiha
Age : Immortal
Team : 7 (who cares about Sakura anyways ? Lol) Family : parents : Fugaku and Mikoto Uchiha / big brother : Itachi / twin brother : Sasuke / cousin : Naruto (yes its possible) Personality : Has big boobs Love interests : Sasuke, Naruto, Itachi, Gaara, Deidara, Suigetsu, Kakashi, Peter Pan, Edward Cullen and Jon Snow Story : Suskiki is the hidden sister of Sasuke. Not so hidden bc she is in team 7. For real she is the princess vampire of and has the power of emo. Her childhood was so terrible you cant imagine. What was it ? Idk you cant imagine i said ! She supports Naruto since childhood bc they were both rejected. Why ? Bc she was too beautiful duh ! She has in her the demon Nyan cat dragon of darkness the most powerful of all ! She has both sharingan and byakugan for no reason (maybe her mom had an affair ?). NOW LETS TRY THIS QUIZZ :
Does your OC have :
1) Spiky or flashy hair ? 2) Piercings/tattoos ? 3) Big breasts ? 4) Is she the female equivalent (physically) of a canon character ? 5) Was her name picked randomly because it sounded Japanese ? 6) Are several canon characters into her ? (3 and more is yes). 7) Is she paired with one of the decent canons quoted before ? 8) Has she got a demon ? 9) Has she got special pupils ? Is she from a SWAG clan ? (if not you suck) 10) Does she have a special statut ? (princess, vampire, kage ...) 11) Is she “ “sweet, shy, friendly, cold, mysterious, choleric, courageous.” at the same time ? 12) Does she have any blood binding with one of the canon characters ? Marriage doesn’t work. 13) Incestuous with one of the canons ? 14) Is she part of one of the main teams of the Naruto gen ? 15) Has she got a tragic back story ? 16) Is she bad at everything/super powerful ? 17) Was she rejected ? 18) Does she come from Konoha ? 19) Does she look like the character she is paired with ? 20) Was she part of the Akatsuki or did she join Orochimaru ?
So now you can count your points and it will give you a grade over 20. The closer you are to 20 the most Mary Suish your OC is. I personally tested it on Yukiko she got : 6 points. And you what is your score ? ;)
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there’s a pretty good character development questionnaire going around my dash right now, so i took the liberties of filling the entire thing out on my own time, because buddy, you gotta make your own destiny.
1. Who’s the oldest character of yours that you still use? I had to give this one some thought bc my gut reaction was to say Tuo, but it turns out the answer is Falshavo, because I can explicitly remember drawing him in the hazy, far gone year of early 2006 when I was taking a drivers ed course. He started out as either some bastard of a Silent Hill fanchar, or a heavily SH-"inspired" character, and I think he could have at best been called a demon? I was like 16 when I made him, cut me some slack. In any case, Fal has changed very much over the years, most recently into an original species that can best be described as something visually between a satyr and a manticore, but is actually neither of those things. For quite a while he was based out of my one world, Undecim, but recently I decided he and his ilk would be better suited to my OTHER world, Aphelion. As far as motivations go, he's swapped from evil/crazy/malevolent to a much more nap-based personality. Two things that haven't changed since I've made him, though, are that he's blind in one eye and doesn't talk very much. So there's that.
2. Who’s the oldest character of yours, defunct or not? That honor goes to Jonathan, who was definitely and absolutely a FF7 fan character back when that game was new and I was still in my larval stage. He morphed into a mental illness coping mechanism as my childhood went on and he's just had a whole lot of interesting/embarrassing iterations, but I guess that's to be expected of a character I made in fucking 1997. That said, I retired him a few years ago. Tried briefly to bring him back, but I just wasn't feeling 2.0, so I didn't force it.
3. Has creating a character ever made you realize something about yourself? I was GONNA say no, but then it just dawned on me how much time I spent creating gay male characters in my early teen years before THAT realization caught up with the rest of me. I'm not going to say the characters themselves were involved in the inevitable personal revelation (they weren't), but more than anything I just think it's proof that pieces of my brain do not always work as a cohesive whole. I knew before I knew, so to speak, and it showed up in my characters.
4. Any minor characters that have either taken over or branched off into their own stories? UHHHH Your Boy Kolja was initially a primary antagonist in Mikhail's storyline, back before I decided to fundamentally retool a lot of things about Mik's whole deal. But I'm nothing if not predictable, and I'm a guy who loves a good villain, so I ended up making Kolja FAR more fleshed out and engaging than the actual protagonist of the story. Same thing kind of happened with Anzo, who was initially kind of an offshoot wildcard character in the horrible and confusing political landscape of that entire bed of storylines. But uhhh, that didn't last.
5. Do you prefer to make human, animal, monster, or _____ characters? Why? My characters are all unambiguously human/humanoid. Even the monsters are going to have recognizably human faces because I have a hard time getting emotionally invested in a character otherwise. I'm really not sure the reasons for this. There's a few exceptions, ofc, but not many. Peeling off for a sec, in regards to making characters in TES settings, I definitely am biased toward the elven races because if I wanted to make a human character, I'd do so in own properties. Also the human races in the elder scrolls are kind of... underwhelming...
6. When creating a character, do you come up with the visual concept or the written concept first? Written concept, almost every time. The rare exception is usually with minor and/or lore-based characters, like gods or monsters, since I rarely explore those characters as deeply as I do the regular types. But if I'm making Just Some Dude, I'm probably going to have a full written concept drafted out months to years before I ever get a concrete idea (much less an actual depiction) of what he looks like.
7. Do you have characters that you know you’ll never use, but can’t bear to get rid of/recycle? I'm going to have to go ahead and call back on Jon for this one, largely based in both his history and his significance to me and my own development. He was my primary, go-to character for such a long time, I don't think it'd do him justice to ever properly put him out to pasture or recycle (and I'm a chronic recycler, so that's saying something). He kind of exists in a creative limbo, and that's where he's gonna stay.
8. Is there a character that embodies your good traits, or traits you wish you had? Good traits? In all seriousness, probably. Nothing I am consciously aware of, so cop-out answer on this one. I'm also not really one for wish-fulfillment characters, so that's a no on "person I wish I was" aspect, sorry.
9. Is there a character that embodies your bad traits? Several characters? Which ones and what traits? HAHAHA hoo boy. Gavriil is the embodiment of my general shiftlessness and crippling self doubt, Tuo embodies my crushing depression and self-destructive tendencies, Ludo represents my reoccuring fear that I’m stuck in circumstances so far beyond my control that I ought not bother to try and change, and I'm not even gonna TOUCH on which of my boys were created as blatant outlets for trauma. There's a fun little game for you, try and figure that one out yourself.
10. Is there a character that explores your interests or fetishes (orrrr is that just all of you characters)? Uh, flat no on the "fetishes" part, but yeah, most of my characters tap on my significant interests in some way or another. Most concrete example I think is Desoto, who I designed (or, well, redesigned if we're getting technical) when my interest in astronomy was at its peak, back before I realized physics is something I'm terrible at and makes me cry/change my major in college. I still love astronomy and astrophysics on a conceptual level, but the second you break out equations, I'm gone. My Boy Desoto, though, I have designed to be significantly more likely than me to do math, so good for him. Funny enough? I've never made a character who's into geology. You know, my actual field. Go figure.
11. If you have characters that embody certain traits of yours—good or bad—has writing them changed how you view those traits? Has it affected you in any way? Not really, at least I don't think so. I might wake up in the middle of the night with a better answer screaming to my forebrain, but my gut reaction is a no. I tend to go into writing something with fixed views, and I can't recall an instance of me suddenly deciding "hey, actually this thing is good/bad and I never thought of it this way." I've definitely started viewing the characters themselves differently after starting a project, but never really the traits they personify.
12. Do you fantasize about being any of your characters, or are you more detached? Definitely the latter. I'm not shy about putting pieces of myself into the characters I make, but at the same time, I really do not see myself in them, nor do I wish to. There's a firm level of detachment in that these are my creations, and rarely do I mold the sort of character where I can in good conscience think "yeah, that's who I want to be." A big part of this is that my character creation/world building habits are and always have been rooted in maladaptive daydreaming (and I have only recently figured out the terminology for a phenomenon I was otherwise well aware of, funny how that works), and that has always been based in me trying to distance myself from who I was (and at times, am). I don't want to put myself into new shoes, I want to focus on someone who isn't me, but has weird, tenuous connections to me. If that doesn't make any sense, pretend that it does.
13. Do you create playlists for your characters? No, and that's based mostly in the sad reality that I stopped seeking out new music years ago. That, and I've never been much of an audiophile, so there'd just be so much overlap in any playlists I created that honestly, why bother. That said, I will occasionally listen to something and think "holy shit, this is ___". First example that comes to mind is Motorhead's Dust and Glass, which is very much the anthem for Ludo. Do me a favor and listen to that song, and you will know everything you need to know about Ludo. Also, I’ve got a handful of songs that make me think very much of Gav, but most recently, I decided that Gerry Rafferty’s Baker Street is a good song for him. Like, also for me? But mostly Gavriil. It can be both.
14. When writing for specific characters, is there anything you have to do to get into the right mindset? I've gotta be in the right mood, and that's all it comes down to. I'm still trying to figure out the secret to writing something that's counterintuitive to my mood, but I'm not there yet. I know the answer is "just fucking do it," but here's an idea: shut up? I dunno. I'm a very flaky content creator.
15. Which character is your guilty pleasure? Right now, it is absolutely Gavriil. For a long time I had such an issue with allowing myself to have characters based out of properties that weren't my own, so I started out feeling very self-conscious about putting so much time and thought into Gav. I have since made like eight or nine more TES-based characters in his wake, but some residual sentiment still lingers! See also: I still am too self-conscious to publically share the story I've been writing with him. I'm not sure if that's rooted in me playing in somebody else's sandbox, or if the story itself is coming out of a place of extreme personal vulnerability (I wrote the bulk of it during my recent Complete Mental Breakdown™). Or maybe I'm just self-conscious about my writing in general. Who knows! But at the end of the day I absolutely love Gav and I'm having so much fun working with him. Before him was Kolja for many years, and Tuo before that. Don't get me wrong, I still adore the both of those guys, I just have a new focus for the time being.
16. Is there a character of yours who’s a real struggle to write/draw? Why do you think that is? Right now, definitely Anzo. He started out very different from what he's become, and at the end of the day, I'm still not sure what exactly I'm trying to do with him. I was/am trying to write him in a story, but it's been proving very difficult because I'm just not sure what I'm trying to accomplish with him. Initially, his core concept was based very deeply in a revenge fantasy that had gotten out of control (I mean, it was a justified revenge fantasy, but that still doesn't make it healthy, my dude, my guy). but then I started thinking a bit more about the major events in his life, and if I was making him react believably enough to what he'd endured. That, and by this time I was in some genuine, bonified darkness in my own life, and that started leaking out into the character and story very much. Now I'm stepping back and wondering, is this where I want it to go? If the answer is no, then where SHOULD it be going? I don't have an answer to that yet. So he's a hard character to write, at least for now.
17. Which character is the easiest to draw/write? I wanted to say Kolja, based in how enthusiastic I was for him for such a long time. I could tell you his story from birth to death, and there's only a few small threads that are still unclear in my mind. Unfortunately, this level of enthusiasm has left me with the understandably daunting task of, you know, actually writing it down. There's SO MUCH to sift through, and it's like scaling a damn mountain. It's all there, I can see the whole thing, but fuck me if I'm not in for a climb. I started in on it late last year before retreating to work on something on a bit... smaller of a scale. Gotta work my way up to that. That said, the actual easiest character to write right now is, again, Gavriil. Part of it is that enthusiasm I have for him right now, and another part of it is that his story is based on the main quest of Skyrim which, lets be honest, is an underwhelming plot on the whole. So the plot has already been written out by someone else; I don't have to worry about that. Neither do I have to worry about actually depicting the entirity of said plot, because it's not actually an interesting one. And honestly why are you reading a story of a character from Bad Game Skyrim if you don't at least have some cursory knowledge of how that game's plot goes? The interesting part- to me, at least- is the effect it has on my character. That's what I've been focusing on, and it's been fun.
18. Is there anything you really wish you could do, character-design-wise, that you feel is outside your current skillset? A concept that you wish you could pull off but are uncertain about? Visually? A lot. There's a lot that's outside my skillset, because I don't know how to fucking draw. That's why I shy away from drawing characters who, say, I imagine to have unnecessarily complex tattoo designs. Not only do I not feel like putting in the time to actually depict that, but I also lack the talent to properly do so. It also kind of neuters what I can pull off for some of my more outlandish designs, namely gods and monsters. Kjelchaikhan is the only one of the gods I've drawn so far, and not coincidentally, he also has the easiest design to deal with. I started in on trying to draw Tsenmaer before I realized holy shit, the way I picture her in my head is so far beyond what I'm capable of actually doing. I'm not even going to fucking touch on Archaeos, because that design is going to be... even harder!! Conceptually, not so much. It sometimes happens on a small scale, such as how I've designed Ludo to be a boxer when I know little about boxing and I don't honestly care to learn. But at the same time? His story is based far, far more heavily in the shitty circumstances of his life and how he's trying to worm his way out of that than in the actual "punching dudes in the head for money" thing. That was more a tool to tie him in with the questionable, shady shit that I needed him to be shackled to. "Underground boxing circuit" just sounded like as good of an idea as any, so I figured why not. That aside, most anything I want to write about ends up being something I'm either familiar with based on personal experience, or at the very least am interested in researching for story purposes.
19. What’s more important to you: visual design, unique personality, a trendy character aesthetic, etc? If you’re not sure, then what’s the first thing you usually nail down in a character? Definitely the personality and basic concept. I very much enjoy crafting characters that are fleshed out and generally believable, and I am very much terrible at designing them on a visual scale. Do all my characters end up looking the same? Yes. Does this bother me? No. If it did, I'd fucking do something about it. What's important to me is who a character is when you boil away all the set dressing. Who is he on a conceptual level? What are his motivations? His basic structure? My character creation process is me sitting down and saying "I want to make a character who embodies these basic traits, and is based on this core concept," then building from there. Visual design is always, always an afterthought.
20. Do you ever plan to do anything (comic, animation, etc) with your characters? Or are you just happy to have them? For the most part: Nope! My characters exist primarily to make me happy and give me something to think about when I'm tired of thinking about myself and my life. There's a few that I'm working very much to translate into stories, but even then I hem and haw over whether or not to actually share the content I produce. Part of it is I'm much more self-conscious about my writing than my art. Used to very much be the other way around, up until I stopped considering myself an artist. Now I just kind of shit drawings out from time to time, and if people think they're terrible, that's because they are and I put no effort into what I do. It's the other way around with writing. I very much put effort, care and detail into my stories. More than bad reception, I fear no reception, which is to say that I'd put so much effort into something, put it out there, and go completely ignored. I have no issues with "you suck/your work sucks," but absolute indifference cuts me pretty deep on matters like this. So yeah, that's a significant obstacle between me and content sharing. That, and assuming I did find any degree of an audience, putting my work out for someone else's scrutiny makes it SIGNIFICANTLY harder to go back and retcon. And boy oh boy, I am a notorious an unrelenting retconner.
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