#if i see a story I don't like for a thing that I like I will rewrite things and I will create things to get over that rage

[creativepromptsforwriting]

Drabble List #12

75 prompts to write drabbles or longer stories.

"Everyone should be delighted to know me."

"Tick tock, the clock is ticking."

"What a fantastic idea!"

"Not going to destroy the world or anything."

"You're awful at solving riddles."

"That was a poor decision."

"Do you really think you can handle the truth?"

"I never thought I'd see you again."

"Why did you lie to me?"

"This isn't the end, it's just the beginning."

"You promised you'd never leave."

"There's more to this story than you know."

"I'm not the hero you think I am."

"Sometimes, doing the right thing means making tough choices."

"If you walk away now, don't bother coming back."

"I've kept this secret for far too long."

"Are you sure you're ready for this?"

"They'll never believe us, but we have to try."

"I can't believe you just said that."

"No one else knows, and it has to stay that way."

"Do you trust me?"

"We can't let them win."

"You have no idea what you're getting into."

"This changes everything."

"I thought I knew you."

"I've waited my whole life for this moment."

"You were the last person I expected to see."

"Why does it always have to be you?"

"We're running out of time."

"Do you think they suspect anything?"

"I've made up my mind."

"This isn't what I signed up for."

"How can you be so sure?"

"We can't afford any mistakes."

"You can't keep running away from your past."

"What are we supposed to do now?"

"Sometimes, the hardest thing is to let go."

"You know this isn't right."

"What are you hiding from me?"

"We have to stick together."

"I'm not giving up on you."

"There's no turning back now."

"I never wanted any of this."

"What if we don't have a choice?"

"It's time to face the music."

"You have to trust your instincts."

"Everything we've worked for is at stake."

"I didn't expect you to understand."

"This is our only shot."

"I'm not interested anymore."

"You owe me an explanation."

"We can't do this alone."

"I thought you were on my side."

"This is bigger than both of us."

"What do you have to lose?"

"I can't pretend anymore."

"You're not as invisible as you think."

"What's the worst that could happen?"

"You're the only one who can help."

"We need to be careful."

"Are you with me?"

"No, this is enough."

"I don't think I can do this."

"Ok, so sue me."

"What a fine young man."

"This isn't about you."

"I know what I have to do."

"We need to find a way out."

"Why didn't you tell me?"

"It's not as simple as it seems."

"I can't believe it's come to this."

"This isn't over yet."

"What's the plan?"

"Take me to court."

"There's no easy answer."

Drabble Masterlist

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[power-handmaiden]

Chuck Tingle interview

OK, here is the FINAL 2024 Tingles My Butt post, which I've been pretty hyped for. I still kind of can't believe this. While I was figuring out how I'd move on from 2024, @drchucktingle generously offered to answer some questions of mine to commemorate the end of my tingler project! Here they are!

-Considering that your process for tinglers is just to write it out and not stress about proofreading and editing, was it weird for you to see someone decide to go back, examine, and contemplate every single tingler published in the past decade?

the whole dang project was really wonderful for me, for exactly the reason you have just said. tinglers are very STREAM OF CONSCIOUS and only edited with one quick pass so while i think this adds to their honesty and rawness it also means that my time with them is limited. really watching someone go back through them at this depth was like reading a diary that i have not opened for many years, and it jumps around through time in a very beautiful way. it was very moving

-I love tingler character names. I personally admire how many great ones you come up with. (I never know what to name my ttrpg characters.) You just come up with all these great names that seemingly spring from nowhere, how do you do it?

DANG great question cant believe i have not been asked this before but yes there is a type of name that shows up in the tingleverse that is unusual and has a certain feeling and cadence that is very specific. if i am trotting along with sweet barbara and there is a name of a product or a place or something that has this tone we will say ‘oh thats a tingleverse name.’ the reason i wanted to do this in the books was as a very subtle way of saying these stories exist on a timeline that is RIGHT next to ours, so in some ways it is exactly the same as our world but there are these little cultural differences with things like chocolate milk and spaghetti and then with the names. you will have buckaroos like justin and sarah trotting along next to buckaroos named corb torbins-quill or borto lart.

-So, as a reader, reading from 2014 to now, old tinglers and new tinglers feel different to me. I believe you when you say tinglers have always been sincere, but they feel MORE sincere than they used to be. Like, I feel like there was some self-consciousness and irony in some of the early tinglers that you've since let go of and embraced the Chuck Tingle voice more. I don't know, am I imagining this, or does this square with your tingler writing journey? If it does, what has that process been like for you?

i think you are absolutely correct. the intention with tinglers was always to be a place for me to express myself with complete sincerity, but the practical way of HOW to trot like this took a bit of an evolution to arrive at. in other words i knew the basics, but actually refining the best way to express yourself and perform your art takes time. maybe in the same way goin back and watching season one of a tv show can feel very different from season three, even though they are part of the same expression. 

similar thing happened with in my chuck PRESENTATION as well, where my main focus was to stay anonymous so the metaphors i used to talk about my life were still true but laid on much thicker. even my attire was a large gi so that you would not even be able to see my shape, which has obviously changed now because i wear suits these days. all of this was a process of starting in a place i knew was important to me and then peeling off the parts that were not helping the message or expression over time

-Is there anything you could tell us about the significance of Borson Reems? I feel like he's more than just another Buck Trungle/Chuck Tangle/etc but I'm not sure what exactly...

yes borson reems is god. not that i believe in GOD in the way that most buckaroos talk about god (i am agnostic) but within the tingleverse, borson reems is an avatar for the creator of that world. technically i am borson reems, because i am writing the books. the question is: are we all the gods of our own little worlds that we create? i do not know, but when i look around at my buds and the joy and love they bring to various timelines they sure seem like gods to me

-A lot of no-sex tinglers (especially ones that aren't romance-focused) vary in terms of plot and structure a lot more than erotic tinglers. Is your writing process for these stories any different?

same process actually, but the sex scenes in tinglers are about 1500 to 2000 words long, and total tingler length is 4000 words which means if you are not including that portion you are going to have to come up with some creative way to fill that space in the story and a new axis for story to turn on. so the variety comes from me getting creative and trying out different axis points

-In "Not Pounded By My Book "Pounded In The Butt By My Non-Fungible Tingler That Is Literally This NFT" Because Of The Current Catastrophic Environmental And Ethical Impact" there are references to an earlier draft of the story that was never released because you ended up disagreeing with the message. Are there any other tinglers that never got finished and/or published, if you'd be willing to talk about any of them?

oh this is a VERY good question. the story of the NFT tingler is that when buckaroos were first talkin on nfts online and nobody really knew what they were, my first thoughts were just ‘oh this is interesting what the heck is this?’ this is my way with most CURRENT EVENTS. and i thought ‘this would be an interesting tingler, i suppose maybe i should make the tingler an ACTUAL nft’. this was in VERY early days so i did not really even understand what an nft was (neither did 99 percent of buckaroos yet honestly). so i looked into it just enough to actually MAKE a nft tingler that was a real nft and put it out. lasted for about thirty seconds before buckaroos were messaging saying ‘oh this is bad chuck you should look into what this is’ and i DID look into it and thought’ oh yeah this is terrible nevermind’. i took down the original and thought ‘well THIS is what art is all about. this is where i thrive in a world of moving living art that is in communication with itself’. so i dove into the research and actually started to understand NFTS and then i repurposed the story into a strongly anti-nft tingler and put that on out instead.

as far as OTHER tinglers that kind of move and breathe and live like this, in communication with the audience, GAY T-REX LAW FIRM is another very good example. that one i wrote early on and i think it was kind of in the model of something like fifty shade of grey, where issues of kink and consent and communication are not really handled well. i think at the time it came out the story was okay, but as time went on it always kind of bothered me and finally i thought ‘i love art that exists in the REAL WORLD and changes and evolves, so lets rewrite that story and fix some of these mistakes.’ honestly it is something i wish more artists would be open to. its okay to let something hold strong against a changing timeline, but it is also okay to explore what its like to take the notes that time gives us

-This one is about Chuck Tingle that exists in deeper layers of the Tingleverse that operate on tingler logic: what does the location inside his/your butt look like?

probably a nice mid-century modern home up in laurel canyon neighborhood of los angeles. kind of quiet and small like a cabin but also very cozy, like the kind of place where you would put on a crosby stills nash and young record on vinyl and gaze out into the woods for a while then walk down the hill for dinner at a little cafe where you spot some actor from a 60s tv show also having dinner in the corner booth. this basically sounds like the start of a tingler and in that tingler i will say the actor would be a bigfoot.

-OK this one is very self-indulgent but if you could help settle this frequent point of discussion I have with my wife- where do the following fit in the Tingleverse bigfoot/dinosaur/unicorn/living object(/human/does not apply?) taxonomy?

-a ghost of a regular human

-a regular human vampire

-a human/fish mermaid

-a sentient winged horse

-a sentient centipede large enough to wrap around a mountain several times (she is handsome)

alright lets trot through these. a GHOST is not one of the four tingle types so you can have a ghost racecar or a ghost unicorn or a ghost bigfoot. ghosts are outside of the four types and do not have a classification

a VAMPIRE is also outside of the four types. so you can have a vampire bigfoot or, of course, a vampire night bus. does not strictly fall into any of the four main categories

MERMAIDS are technically a long lost species of unicorn I DONT MAKE THE RULES I JUST EXPLAIN THEM. this makes the MERMOPED tingler a little confusing but i had to pick a category and that one went into living object. now that i mention it possibly the only tingler that is technically a double category of unicorn/living object.

WINGED HORSE is easy, thats a pegasus which is a species of unicorn just like a mermaid

a SENTIENT CENTIPEDE LARGE ENOUGH TO WRAP AROUND A MOUNTAIN is an ancient creature, therefore dinosaur tingler

-My other self-indulgent question: do you have a favorite bug? (Or second-favorite if you count Mothman as a bug)

i love finding spiders in the house and giving them a pet because they are doing a good job livin their lives doin their thing. close second would be a pretty ladybug

-Any thoughts on what tinglers will be like in 2025? Do you expect to be writing a lot of political tinglers again, like post-2016?

honestly i really do not like writing specifically political tinglers anymore, and the amount that i write has gradually dropped over time (i think ALL tinglers are political but in a different way). so honestly i think i will write a few political tinglers but not many. my hypothesis on this is that my HORROR NOVELS are very very political and so maybe i get a lot of these ideas out of my system that way now. when it comes to tinglers i just wanna explore my OWN mind and heart and butt more

THANK YOU for these wonderful questions and thank you for your tingler-a-day project it was so moving and powerful. what a treat it was an honor to be a part of something so beautiful. THIS PROVES LOVE IS REAL

[quantomeno]

I typically prefer the past tense. I consider it as a 'neutral' tense: the reader is unperturbed by it and it makes sense since most of the time you're retelling an event. But the last book I read was written in present tense and I had this distinct 'there's something off here' feeling until I realised it was the tense.

Also there's a bit in The Great Gatsby where Fitzgerald switches from past to present:

At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. ... By seven o'clock the orchestra has arrived .... The last swimmers have come in from the beach now and are dressing upstairs; the cars from New York are parked five deep in the drive ... The bar is in full swing and floating rounds of cocktails permeate the garden outside until the air is alive with chatter and laughter and casual innuendo and introductions forgotten on the spot and enthusiastic meetings between women who never knew each other's names.

As you can see, it goes from absolute past (came, crowded) to present perfect (has arrived, have come) to present (is, permeate). It evokes a sense of energy: "the air is alive" and it feels alive because it is in the now.

The past tense is the natural tense because that's how we talk about our personal stories. But you'll notice sometimes you'll use the present tense when recounting: "So I'm walking down the street when I bump into Marie and she keeps me there talking for half an hour, and I'm standing there with my shopping bags digging into my hands and she just yaps away."

The present tense tends to make the reader feel more involved in the situation, it makes the story feel more immediate and more real because it's not relegated to the past. A perfect example would be Se una notte d'inverno un viaggiatore (If on a Winter's Night a Traveller) by Italo Calvino, which not only uses the present tense but the second person ('you') to make the reader a character in the story.

There are also times where the present tense is used in recounting history. I've seen it done. I think it has a similar enlivening effect as it does in fiction.

Personally, I think the present tense is strongest when you use it sparingly. Too much of it can grow tiring. Partly by virtue of being a less commonly used tense it has a more exciting edge.

One last thing though, and as a final reason for the present, is that it makes the reader think the story is playing out now and thus what will happen next is still variable. In the case of the past tense, it's implied that the full story is over and the reader feels the narrator knows how it will end. In the case of the present, it feels more like no one knows what's going on.

Also the past tense is comforting. It is the tense of old tales and sitting by the fireplace, the tense of legends and rumour. It igves things a sense of fixity and truth. Brideshead Revisited, for example, needs to be written in the past tense because it is all about a reminiscence of the halcyon days of youth. Dracula should be written in the past tense since it is a collection of supposedly real diary entries and so it needs to look like things were being recorded properly and fully. The present tense can feel rushed, fleeting, but the past is always there and gives you time to set things down.

As a bonus: the future tense is an odd tense because it implies a degree of certainty, but can also have the feeling things could change still. It is incredibly disorienting and weird and should be only used if you really think it helps the idea you're trying to convey. Don't do things for shock value or o be cool. Like, a future tense horror/thriller story about an impending disaster to evoke a sense of helplessness in the reader might be interesting. Also consider context, because if the story is set in the past, future tense would be really off-putting (that might be the goal, or perhaps it's because a character in the past is predicting the future, there are times I'd say it's justified).

(also obviously I mean this as 'the whole book or a significant section is written in this tense, you can of course have bits where there's a bit of future tense, like that present tense passage in Gatsby. I just mean reading a whole novel in the future would be annoying)

I am thinking about fan fiction writers, but anyone who writes any kind of fiction can answer. (As far as I’m aware, non-fiction is usually written in the past tense - but if I’m wrong do let me know!)

If you like, explain why in the tags!

When I was young I gathered that all serious works of fiction were written in the past tense (past tense third person to be precise) so that is what i did when I started writing. However my mind was blown by the power and immediacy of Margaret Atwood writing in the present tense so I started to experiment with it myself, and now i strongly favour it. I get the impression that past is still the most commonly used, but I’m prepared to be surprised!

Please share!

[cjlouwho]

This got a little long winded, so it gets its own post. The story you are about to read is based off of this poll. These are your choices.

Tommy was pretty sure he'd never felt a headache like this before. He wasn't prone to migraines, but he'd seen his mother suffer with them and this... well, this might be worse.

He squeezed his eyes shut, groaning as a wave of nausea fell over him.

It wasn't just his head that hurt. It was his whole body.

Damn, he hadn't been this sick in... well, ever.

His body shook with chills. There was a heaviness in his chest that had him turning his head to the side and choking out a hard cough.

Once he finally settled, that heaviness still there, he slowly let out a raspy breath.

Pudding.

He wanted pudding.

That was odd. He used to crave pudding as a child. Every time he got sick, he would request a pudding cup. And that's what he wanted right now.

Maybe he still had one in the fridge. He'd kept a few things there for Jee back when- Well, he had some kid foods that had been sitting in his fridge for a couple months now. Surely, the pudding would still be fine.

If only he could get out of bed.

He made a mental note to order a new mattress. This one had lasted him quite a few years, but he was definitely feeling the lumps today. It was hard and painful and poked into his back.

“God, this sucks,” he breathed out, blinking his bleary eyes open and... oh.

This wasn't right.

He wasn't at home. Wasn't in his bed.

And the heaviness in his chest was actually on his chest.

That's when the memories came flooding back to him. Going for a flight on his day off. Wanting to clear his head and get his thoughts in order.

He couldn't panic. He needed to maintain focus.

That was hard to do when his brain was all jumbled.

He remembered his phone was... somewhere.

Shirt pocket! That was it!

Carefully, and painfully, he reached up and pulled out the phone.

Miraculously, it was still in one piece. Besides a few cracks to the screen, it seemed to be working fine.

He stared at the screen. The default background that was once a picture of him and Evan.

It hurt to breathe. Hurt to think. He knew he probably didn't have that much time. Not with the way this heavy piece of metal pressed against his body.

So, with fuzzy eyes, Tommy went to his contacts, hovering his finger over the name before pressing down.

“Hello?”

“H- Hey. Long time, n- no talk.”

“Tommy? What's up? Are you okay?”

Tommy huffed out a laugh. “I... Well, that's a loaded question.”

“You sound weird. What's wrong?”

“I wanted to a- apologize to you.” With a grimace, he swallowed down what was definitely blood.

“For what?”

“For everything.”

There was a pause, then, “Did you do something stupid?”

“Not intentionally,” he deadpanned. “Listen, I- I kinda got into an accident and I...” his voice trailed off as he went into a coughing fit. The movement sent a pain shooting from his leg to his back. “Damn it!” he yelled.

“Tommy! Tommy, talk to me. What do you mean you got in an accident?”

“No, it- it doesn't matter. I just wanted t- to apologize for the way I left you.”

“You apologized for that years ago, Tommy. Tell me what happened so I-”

“Abby!” he exclaimed, the hunk of metal over him creaked as it lowered slightly. “I don't... I just need to apologize. I- you loved me, didn't you?”

“Yeah, I did. Car crash, or were you flying?”

“F- Flying. I loved you too. Not... Not the same though. Sorry.”

He could hear her mumbling something to someone else, then she was back on the line. “I'm calling 911 with Sam's phone. Stay on the line with me, Tommy. Are you in LA?”

“Mhm. Do- Don't think I made it far. Abby, listen, I didn't... I didn't mean to hurt you. I was so s- scared of- of everything.”

“Do you see anything around you? Any indicators for where you are? They're working on pinging your phone.”

When Tommy turned his head to the side, all he could see was trees. “Woods. I think. Can't see much. I was dating th- this guy.”

“Can you tell me where you're hurt? Are you bleeding anywhere?”

“Oh, for sure. But A- Abby, I didn't m- mean to hurt you.”

“Focus, please. Where are you bleeding?”

“Head. Leg. Mouth. Kinda e- everywhere. I was dating th- this guy,” Tommy sucked in a shaky breath, a rattling in his lungs. “Your guy, actually. O- Our guy?”

“Tommy, I think you're getting confused. I-”

“No, no. Evan. Buckley, Ev- Buck. Him.”

There was silence on the other end of the line.

“Hello?”

“No, I'm here. I- You're dating Buck?”

“Was dating Buck. I- I ended it. I'm c- cold.”

“Help is on the way, Tommy, just stay with me. You broke up with Buck. Why?”

“Remember wh- when we went to karaoke nights? Th- That was fun, wasn't it?”

Abby sighed. “It was, but that's not what we're talking about.”

“Wh- What was the song we us- used to sing?”

“You were a big Queen fan. I Want to Break Free. Shoulda known,” she mumbled.

Tommy laughed, but it quickly turned into a coughing fit, where blood bubbled up in his mouth.

“Tommy! Tommy, stay calm, okay. Turn your head a little so you don't choke.”

Tommy listened, spitting out the blood before he continued. “We should karaoke again.”

“I don't think that's gonna happen. Tell me about Buck.”

“Evan.” Tears filled in Tommy's eyes and he tried his hardest to blink them away. “We were t- together six months and it all f- fell apart.”

“Why?”

“He wanted... wanted me to move in. Can you b- believe that?”

“Yeah, actually, I can,” she answered. “Buck likes to attach and you're, well, attachable.”

“No. No, I'm not.”

“You haven't changed much, Tommy. You didn't seem to think you were worthy when we were together either.”

Tommy's eyebrows furrowed. Down his back he could feel the sensation of more blood dripping from his neck. “What d- do you mean?”

“The whole time we were together it felt like you were waiting for a bomb to drop.”

“That probably had to do with the whole being gay thing.”

“Mm,” she hummed. “Maybe. Don't think so though. Hang on a second.”

He looked up at the hunk of metal trapping him in place. “Nowhere to go.”

Tommy closed his eyes while he waited. He wasn't sure how much time passed, but the next thing he remembered, Abby was yelling in his ear. “-mmy! Tommy, talk to me!”

“Wha- I'm here, I'm here. God, you're l- loud.”

“And you're an ass. If I was there I'd smack you on the back of the head.”

“That would hurt,” he replied. “With the gaping wound an- and all the blood.”

“Back to Buck. Why'd you say no to moving in?”

“I own a home.”

“And?”

Tommy thought for a moment. “I- I wasn't enough for you, Abby. Couldn't be.”

“Mhm.”

“I hurt you. Didn't m- mean to, but I did. I saw- I saw it in your eyes, when I left, I... You loved me, and I couldn't... I'm sorry.”

“Is that why you left?” Abby asked. “You were afraid Buck would do the same thing to you?”

“I really...” he couldn't stop the tears now. His chest heaved in the little space it had left. “I really loved him, Abby, and I- I saw what I did to you and I couldn't. I just co- co- couldn't-”

“Okay, okay, Tommy, I need you to stay calm, okay? Listen, the dispatcher is telling me that the 118 is close to you. So you stay calm and you talk to me!”

“O- Okay.” He tried to calm his breathing the best he could, but the rattle persisted. He knew that didn't mean anything good. Each breath got a little harder, the blood continued to flow down his neck, and he was pretty sure something was sticking through his leg.

“Did you tell him how you felt?”

“He didn't... He never said it. That he loved me.”

“Did you?”

“No.”

“Maybe he was waiting on you. Did you think of that?”

“I think...” He just wanted to close his eyes. Nothing made sense, the cold feeling was fading, he was going numb. “I think I- I'm dying, Abby.”

“No! Listen to me, Tommy! They're close to you! I need you to make a noise. Let them know where you are. You hear me?! Call for help, Tommy.”

“Abb-”

“Call for help!”

Tommy groaned, more blood coming up in his throat. He managed to move one arm just enough for his hand to knock on the door of the chopper. “H- Here!” he yelled, banging on the door as hard as he could manage. “I- I'm here!”

Abby listened over the phone as the 118 arrived on scene. She could only make out bits and pieces.

“Tommy, can.... me? Talk to... There ya go! We got a...”

“What about the...”

“Hey. Hey, we're here, Tommy. Just focus on... and we'll get ya out, okay?”

“He's losing too... gotta get that off now!”

“Tommy, you look at me! We will... you just gotta promise me you'll... Promise?”

She waited, holding her breath until she heard his voice, just a touch above a whisper. “Promise.”

Things got quieter for a bit, then she heard voices again, so she yelled, “Hey! Hey, pick up the phone! Someone pick it up!”

“H- Hello?”

“Buck, is that you?”

“Yeah, Abby, it- it's me,” he answered, his voice practically shaking. “Maddie said y- you were on the line with him.”

“Is he...?”

“He's alive. We're following the ambulance to the hospital.”

“How bad?”

She could hear Buck sniffling through the line. “I don't know how he's alive, Abby,” he admitted, lip trembling. “It looks like this thing has been through a compactor.”

“And Tommy?”

"Has a gash on the back of the head, concussion, broken ribs, a pretty big piece of glass through his leg, definitely some internal bleeding. He... Chim says he should make it, but we- we barely got here in time. He might've... if he wasn't talking to you he probably...” He couldn't even bring himself to say the words.

“Hey, don't think about that now. He's gonna be fine. That's what matters.”

“Yeah.” Buck ran a hand over his eyes as he nodded. “Yeah, you're right.”

“I'll let you go, Buck, but let me know when he's stable, okay?”

“Yeah, I will. Thanks, Abby.”

“Of course. Oh, and Buck!” she quickly added before he could hangup.

“Yeah?”

“I know the guy pretty well. He loves you. He's just not great at being loved.”

“A- Abby-”

“Don't give up on him. He's worth it.” Before Buck could get in another word, she hung up.

*****

The next time Tommy opened his eyes, he was in a hospital bed.

Evan was beside him, staring down at an empty cup in his hands. Tommy figured he must've sensed the staring, because soon enough Buck was meeting his eyes. “You're awake,” he said, eyebrows rising.

“I-” Tommy cleared his throat. “I think so, yeah.”

“There's been a couple wake ups that didn't quite stick,” Buck explained, standing to grab cup of water. He put the straw to Tommy's mouth and had him take a sip. “Slowly,” he instructed. “Don't want you choking.”

Tommy took a few sips, then settled back in the bed. “How long was I out for?”

“Almost four days.”

Tommy's eyes widened. “You.. You haven't been here the whole time?” he asked. “Have you?”

Buck nodded. “Three nurses have tried to drag me out of here. All have failed.”

Tommy hoped the monitor didn't show how fast his heart felt like it was beating. “Wh- Why? Why'd you stay?”

Buck smiled, wrapping his shaky hand around Tommy's. “A mutual friend of ours told me you were worth it,” he said, his eyes glistening with tears. “I just so happen to agree.”

[gazasparkle]

Good morning my friends who always support Gaza 🔆🫶

I miss you all and may God always protect you and your families from all evil 🙏

Today the weather is beautiful and the sun is shining 🫂, so my child Tim and I decided to go for a small walk near our house.

But every time I go out with my child and see the extent of the destruction, I feel a pang in my heart 😞💔, because my beautiful Gaza has changed and I no longer recognize its beautiful streets that provide comfort and safety as before.

My five-year-old son Tim, as he looks at all the ugliness and rubble, keeps asking me, "Mama, why doesn't a big bird come and carry us and take us far away so we can live like before? I'll bring my toys Mickey and Superman and fly in the sky 😔

He falls silent and repeats his question, "Mama, when will the war end?" Well, we'll go to heaven like my friend Omar

Omar is Tim's close friend. Every day they used to play together in front of the house, but he was martyred by shrapnel while playing in front of his house after we got used to the sound of his jokes, laughter and activity. Now he's not here and Tim always asks about him. Because of his insistence, I told him that he too, Tim, went to heaven 🙂‍↕️💔, like your grandfather, grandmother and uncle, they are all in heaven now.

It's true that it's a small outing, but our life and our story are big 🙏🫂

This is part of our daily life with our children who ask many questions and the answers are beyond their mental capacity to comprehend what It happens over the course of a year and three months because we are in a war.

Your prayers and your support for me, Tim, my family, my husband, my mother, my father, and my brothers, always stay safe 🙏🫂

Every time I get help from you I tell Tim about it, the only thing that keeps me close to the safety of my child and my family is your donation and sharing our story with all your friends 🙏🫂

Don't abandon our family with all my love 💔

@gaza-evacuation-funds @nabulsi @northgazaupdates2

@oorevicejda@yellowwperil@sandersgrey @ofide @rukafais

@officialpenisenvy @theonpilled @fleurrice@tetrafelino@think-queer

@timothylawrence@roakkaliha @lostacelonnie@huzni @laurajameskinney

@gambOfficial @vincentspork@teabisexual@officialscud @evilponds

@dinodamage @yurischolar @lune-tic @lipid @newporters

@witticismz @dovv@capricornpropaganda @charlott2n @determinate-negation

@parsleyrosemarybotch @tadpoledyke@userpeggycarter @thedigitalbard@melon-colli

@demilypyro@lesbocrocker@kahin@chososhairbuns

@zamanassad @wayneradiotv @jihaad @evillesbianvillain

@stuckinapril @goldenspirits @scarletlich @rongzhi @marxistcomedy @el-shab-hussein@nabulsi@wellwaterhysteria @appsa

[insertdisc5]

✨COOL THINGS I PLAYED/SAW/READ THIS YEAR, 2024!!!!!!!✨

✨MOVIS✨

Knight of Fortune was such a delight. karl's wife is dead-- he has to go to the morgue. to see her one last time. SURPRISINGLY funny given the theme, and incredibly sweet. AND you can watch it in its entirety on youtube

american fiction! incredible movie that made me think. what does it mean to tell "our stories"? what does it mean to show "representation"? how authentic can you truly be about your own lived experience? funny as hell too

if you havent seen Monkey Man, quite frankly i dont want to talk to you. dev patel i will watch whatever you make for the rest of time

the rest under the cut because this list got long

playtime by jacques tati. just slapstick. oh my god this was so goddamn funny

yeah you know it. i was very strong the whole time and then the credits hit and i started sobbing uncontrollably in the theater

challengers and i saw the tv glow are tied in first place for my favorite movie this year. incredibly funny and SO WELL EDITED. highly recommend watching it with friends so you can scream "OH NO HE DIDN'T" together

✨TV SHOWS✨

SHOGUN!!!!!! oh my god there is so much to praise in this show. the costumes! the actors! the story! how they integrated both english and japanese speakers in a realistic way! so good

korean reality shows are not fucking playing around. the editing and sets are truly top notch

✨BUUKS✨

-Friday Black by Nana Kwame Adjei-Brenyah! what if black mirror was actually good. AND centered the stories of black people. highly recommend

-Character Limit: How Elon Musk Destroyed Twitter by Kate Conger and Ryan Mac! you probably were on twitter when The Whole Thing happened. maybe you dont know the exact details like i do. what if the details were worse i also dont read non-fiction very often, surprised at how fun this was to read!

-The Chromatic Fantasy by H.A.! I've been following their work since forever, and this was a delight to read as always! THE COLORS…………. BITES BITES BITES BITES

-sad girl space lizard. hell yeah (18+ only!)

-Gritli - The Moth Diaries by Sophie Florian und Hanako Emden! this one was just so strange and fascinating. per words of the authors: "Taking on the voices of anthropomorphic animals, the authors write about labour, companionship and crushing."

✨VIDY GAMES✨

skipping balatro, splatoon side order, fields of mistria and webfishing, because you probably know about those. uuuuh

i am too stupid for Void Stranger, but My God if you're smart this game will become your favorite game ever. 2D sokoban with so many secrets

marchen line!!! nth circle never misses. the visuals here are so fun!!! the UI! the plot! the almost-automatic-censoring when you see gore, as if your mecha body took a second to load!! hell fucking yeah

"adrienne, of the devil was this year" OH WORD? THEN EVERYONE SHOULD PLAY OF THE DEVIL'S FIRST EPISODE WHAT ARE YOU WAITING FOR

life after magic! magical girls are now adults, and magic is disappearing. what now? the art is so cute, and the story was very engaging. thank you for the additional episode with [spoilers]

i started nine sols and i think i might be enough of a gamer to beat it

shadow generations game of the year no contest. thank you for your time

you can also look at my massive list of stuff i played/watched/etc here. i am not posting this whole dang thing

[abouttocommitarson]

The villan heard the laughter before it abruptly stopped. She glanced up and saw... hero? The villan had never thought she would see hero again. Ok okokokokokokkokokok try not to panic, just act normal the villan told herself. The hero while this was happening had stopped dead in her track and was staring at the villan mouth agape. The rest of the gaggle of 20-somethings around her were glancing at the hero trying to figure out who she was staring at. villan told herself ok um just ignore hero surely she'll think she's seeing things or something, I look a lot different since we last fought. Besides I'm supposed to be dead. One of heros friends shook a hand in front of her face,

"Hello? Hero? Anyone in there?" He said knocking on heros forehead

"Huh? Oh yeah I'm fine," hero said with a nervous laugh, and tried to wrench their gaze away from the woman at the bar she seemed so familiar but hero couldn't place her face "just, y'know"

"Because you're not telling me I really don't know but ok" responded heros friendwith a smirk.

Throughout the night hero kept glancing at villan and her friends kept nudging her and whispering at her villan had noticed. Her plan was to get drunk so she would forget this had happened and then call a cab to get home. She had avoided this for so long! She had faked her own death-quite convincingly she thought, moved to a different city, made a new identity, and cut contact with anyone from her past life and STILL the hero had found her, the villan scolded herself. What comes next? Police banging on her door? Going to court? Prison? She supposed she signed up for this when she chose the life of crime but she had grown since then! She'd changed! She was no longer a bloodthirsty criminal trying to destroy a city she had a nice apartment a working car and a cat life was going well. Well, she laughed to herself good things never last forever.

"What'cha laughing about?" Came a voice from next to her, villan glanced up and had it not been for her already very pale complexion she would have gone white as a ghost. Hero had sat down next to her and was trying to make small talk.

"So uh how's your week been? Whats your name?" Hero was shitty at small talk and she knew it but was she this bad? The woman she sat next to was only a few years older then her at most and was staring at her like she just said that she liked homework, a mix of horror, confusion and fear. "Aaaaaaare you gonna respond or just stare at me like I'm a zoo exhibit?"

"Um sorry I just... do we know eachother?" Villan blurted, she didn't mean to, but she desperately needed to know if hero could recognise her. It sounded quite rude after she said it, but too late now she guessed.

I've lost motivation for this a bit, might come back later. If you guys like it. Please be nice I haven't written any storys since last February. Feedback and ideas welcome! Thanks

Edit: for those who were asking to be tagged in any and all stroys based of this prompt: @axxolotlqueen @lillysys @randomness20117

You, the villain, faked your death and started over years ago. But you never expected the hero to stumble into your new favorite bar, laughing with their friends.

[ahgasegotarmy116]

Just Take It | Jeon Jungkook | Part Eight

Summary: Jungkook's feelings for you have grown immensely and he can't hold himself back from being honest anymore. Pairing: Inexperienced f!reader x Best Friend's Dad Jungkook (20 year age gap) Word Count: 2.6K~ (I know it's short but it was at a good stopping point and I couldn't figure out how to continue it without a big time skip/harsh break so yeah enjoy this mini chapter 😅) Warnings: No warnings just fluff a/n: Another almost four months and I only have a little bit for you 😔 I'm still trying to figure out how I want to go about finishing this story (yes it's close to the end) so please bear with me 😪 but either way I hope you enjoy!

Ever since I told him last month that I didn't want to be friends anymore and by default telling him that I wanted to be with him things have been different.

We've settled into a new routine with the tension between us no longer burning to the point I shy away but something that feel natural, domestic even. 

I guess you could say that's pretty obvious from the fact that we're living together but his subtle touches are welcomed and expected.

Things as simple as his hand on my lower back as he passes by or his arms wrapped around me from behind with his chin propped up on my shoulder or even a kiss on the forehead are all things that we've settled into and it makes me feel loved. 

Love is still a scary word for me to think about or even say aloud but it's something I feel towards him, deeply, hopelessly, painfully.

At times I remember that things could suddenly change without warning. That he could toss me out as soon as he gets fed up with waiting like Jared did. That he cou-. 

"Ow!" I cry out when he pinches my side, "What was that for?" I whine, the spot he abused  already sore. "I've been calling your name for five minutes and you didn't respond so..." he chuckles and I hum, not having the energy to scold him further. 

He wraps his arms around my waist and props his chin on my shoulder just like I had been thinking about while spacing out, leaving me relaxing into him, the feeling of being in his arms taking away some of the anxiety that had started to build. 

"You okay?" he asks, placing a kiss on my cheek to which I hum again, nodding along with it. "You sure, because you've been stirring your coffee for the past seven minutes" he says, my hand stilling once he points it out. 

I take a drink of the completely cold beverage and sigh in defeat, realizing that his words are true. 

"I wanted it cold anyways" I mumble and turn to walk over to the freezer to add some ice, Jungkook letting go but still staying close. 

"Something's wrong" he says after observing me for another second or two, very used to reading my body language. "Nothing's wrong I'm just...tired" I reply and the truth is I am. 

"My internship has been kicking my ass and I don't know, I guess it's all starting to catch up to me" I relent and he takes a turn humming, knowing I'm not telling him the whole truth. 

"You know you can tell me anything right?" he says, coming closer and cradling my face in his hands, granting him a sad smile in return. 

"I know, but I promise I'm fine. It's just been a long week that's all" he studies my features for a while and decides to take my word for it, seeing that I'm not ready to talk about it. He nods his head a tiny bit before leaning in and giving me a soft kiss on my lips, one that lasts but a moment before pulling away.

"You wanna watch something tonight?" he asks and I smile as my answer, making him chuckle. "I'll make the snacks if you wanna go choose" he offers and I nod, my face still cradled in his hands so he gives me one last kiss before letting go and leaving our source of entertainment up to me.

~~~~

As the movie we've already watched and fallen in love with plays Jungkook notices my absence even though I'm cuddled up next to him, my reactions being minimal to nonexistent.

The parts we always laugh at are met with the sounds of his enjoyment and not mine so he pauses it and waits for me to notice which I don't for a while leaving him even more worried. 

"What's going on in that pretty little head of yours Bunny? Did I do something wrong?" he asks and I sit up, needing him to know that he hasn't. "No, no you've been wonderful, better than I deserve honestly" I say, mumbling the last part but of course he hears it loud and clear.

"I'm good to you because I love you and you do deserve it, that's all" he admits so freely that I almost don't catch it. "You...what?" I ask, almost too scared to breathe. "I love you" he says with a crooked smile, clearly enjoying my practically speechless state.

I sit there for a minute, stunned into silence, not having expected that at all but he just laughs. "What? You didn't think I loved you?" he asks, brushing a stray strand of hair off of my face, letting his fingers trail down my neck before withdrawing his hand.

"No...I mean maybe? Isn't it a little too early for I love you's?" I ask, tentative to say it after I had been burned by...

"I don't think so. I mean it might be forward but I've loved you for a long time and I've cared about you even longer. You're someone that has been a constant in my life for many many years and the fact that you've given me permission to hold you, kiss you...well it's something that I don't think I can hold back anymore" he confesses, making me feel as though my heart might explode. 

"I-" "You don't have to say anything. Take your time and only say it if you truly mean it Darling. I don't want to rush you into anything you're not ready for" he says, chancing caressing my face again and rubbing his thumb along my bottom lip. 

"Come here" he says and pulls me in, having me straddle him not for anything sexual but just for the need to hold me close. 

I burry my face in his neck and he rubs my back, knowing that I feel vulnerable since although he's not rushing me, I know he'll be waiting for an answer. 

"I'm scared" I mumble against his skin and he hums, understanding the situation honestly more than I wish he did. He witnessed the ups and downs of the relationship between Jared and I and sat on the sidelines, knowing he could treat me better but caring about me too much to take away my right to make my own decisions and choose who I love even if it wasn't him. 

"Take your time Bun. You know I'll always be here for you, no matter how long it takes" he reassures me of what I knew, making me nod and wrap around him even tighter, taking his words as genuine but still terrified that this could all slip away at any moment. 

~~~~

A week goes by and I still haven't said it and it's killing me.

When he says goodbye he says it, whenever we've been intimate he says it, he even says it randomly just to try to make me smile but my mind won't truly let it sink in until I say it back.

"Baby?" he asks, knocking on my partially ajar door, seeing that I've been taking a little while longer to get out of bed this morning. 

I hum and let him come in, trying to assess the state I'm in before saying anything else as he comes and sits down on my side of the bed, looking down at me and placing his hand on my waist. I'm still laying down, not having made an effort to get up just yet which I know worries him as well but he doesn't push me too hard. 

"You not feeling well?" he asks, now going to check my temperature with the back of his hand but not noticing a fever of any sort making his theory very short lived. "No, just tired" I say quietly, not having spoken a word since I woke up, my voice still raspy which I can tell he enjoys but doesn't comment on this time.

"You want me to make you something? It's already lunch time and you haven't eaten all day huh?" he asks, knowing the answer but still allowing me the chance to reply. "Yeah maybe something simple like a sandwich?" I request and he nods.

"Want me to get it from that sandwich place we love?" he suggests, rubbing small circles on my waist but I shake my head. "No I'm craving one of your sandwiches" I say making him smile, knowing one of his favorite forms of praise is compliments on his cooking. 

"Okay Bun, the usual?" he asks, knowing exactly what I want but asking just in case I'm feeling like something a little different today but I nod my head in approval making him lean down and place a kiss on my forehead before asking if I want him to bring it up here to which I decline. 

"I need to get out of bed at some point" I say and he shrugs, "You're allowed to have a lazy day every once in a while if you'd like. I could even come join you later on?" he proposes making me smile, in favor of his suggestion. 

"Can we take a nap after lunch?" I ask and he smirks a bit, testing the waters to see what I'm actually asking for. "Just a regular nap this time" I roll my eyes leaving him sighing dramatically before leaving, telling me he'll call me down when it's ready.

Once he's gone the doubt that has been plaguing my mind comes circling back.

'What if he's just saying that to take pity on me? What if he's saying it to rush me into something I'm not ready for? What if-' I groan, cutting off the spiral that I send myself down every time I'm alone and throw the blankets off before going into my bathroom and throwing cold water on my face, glaring at myself in the mirror, daring me to keep acting like this.

He loves me. He loves...me. Why am I so torn up about this? People say it all the time so it's not like it's the end of the world. It's just that...well next time I say it I want to mean it. The next time I say it I want it to be real. 

I want to say it to the man that I'll promise to say it to forevermore. 

Call me a hopeless romantic all you want but if I'm going to trust someone with my heart again I don't want to regret it...

~~~~

"Here you go Bunny" he says and places my sandwich in front of me. "I love you" I mumble, softer than I've ever said anything before but it makes his movements stutter. 

"What was that Darling?" he asks, sitting down in the seat next to me at the table. "I um...I said 'Thank you'" I chicken out and although he wants to call me out on it he doesn't.

"You're welcome baby" he says, his smile a little brighter when he realizes that I'm trying, that I want to say it too but I just don't have the confidence yet. 

"Anything for you" he finishes and caresses my cheek before getting up and grabbing his plate along with our drinks. 

"You sure you're feeling alright?" he asks, my silence through lunch palpable since whenever he tries to start up a conversation I give him small short answers that make his efforts die in his throat. 

"I've just been feeling a little funky that's all" I say and he hums, contemplating his next words which surprise me. "I'm sorry" he says, defeated and honestly quite vulnerable. "Why are you apologizing?" I ask, not thinking that he would have done anything that would require something like that. 

"I knew you weren't ready and I rushed things but I wanted to be able to say what I felt for you because it was eating me alive. Having to cut off my sentences and not being able to speak my mind fully, holding you as close to my heart as possible but not being able to tell you that you had it in the palm of your hand already I just...I couldn't do it anymore" he says, his whole demeanor shifted into an almost sorrowful state that I can't hold it back anymore.

I can't keep hurting him like this when all I want to do is scream it for all to hear, even if the thought terrifies me.

"I love you" I say making his head pop up from it's dropped state, then feeling guilty and looking at his lap again as a result. "You don't have to say it just because I did. I just wanted to apologize because I know that that's was why you've been feeling so off lately" he says but I shake my head. 

"The thought of giving my heart to someone again scares the shit out of me. After...well after going through all of that the thought of opening myself up again was not something I wanted to do. I will admit I sought you out out of lust at first but as our friendship and eventual relationship began to grow I realized that I cared about you a whole lot more that I should" I say, me now with my head turned down, not being able to keep the intense eye contact he's giving me, hanging on every word. 

"I didn't know if you were doing these things for me because you felt sorry or because you truly cared. I know now that doubting your motives was honestly my own self doubt getting the best of me. You've done nothing but love and care for me since the beginning and I haven't let myself fully process the fact that I'm..." I cut myself off and take a deep breath.

"The fact that I'm falling in love with you" and although he said those words first the admission alone has me feeling as though he hadn't, as if he would change his mind now that I reciprocated his confession but he does anything but that, further confirming his true intentions for me as he pulls me closer. 

He doesn't pull me in with a carnal passion in mind, he doesn't even pull me in for a kiss, he pulls me in and holds me close, telling me wordlessly that he's proud of me. That he's proud of me for taking that step, for trusting him with my heart, my mind, soul, fully consumed by him without abandon.

"Thank you" he whispers, his face being buried in my hair making me laugh at the ticklish feeling. "Don't make it weird" I say and poke his side making him flinch and hold me tighter. "How can I not? The woman I love loves me back" he chuckles and when I try to pull back he squeezes me tighter. 

"Just let me have my moment" he huffs making me sigh and return his crushing embrace. "I love you" he says making me burry my face into his neck, mumbling it against his skin in return. 

"Nah nah nah, say it like you mean it" he says, pushing me back just enough so he can look at me. "But I do mean it!" I roll my eyes, playing into his pouty act. "Come on, say it!" he says, pushing me back and forth, making me sway. 

"I already said it, why do you need to hear it again?" I chuckle when his pout gets deeper. "Okay fine" I give in making his brows raise at my quick defeat. "I love you" I whisper in his ear and then run away, his hold on me having loosened from pure shock of my honesty, knowing now that I truly truly mean it. 

"Get back here!" he scolds once he's come back down to earth, the surprise replaced with determination, his intentions being to not let me go til sunrise.  

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[angelltheninth]

Arcane Characters That Are Big of Heart and Dumb of Ass

Pairing: Vi, Sevika, Vander, Jayce, Loris, Ambessa x Fem!Reader

Tags: fluff, dating, flirting, cuddles, kissing, sparing, muscles, protectiveness

A/N: This came to me today during my work break. I love himbos and whatever the female version of it is!

PURE OF HEART: She will do anything, put herself in any kind of danger to protect you. Vi is ready to get into a fight with anyone, stand up to anyone if they're bothering you. The bruises might be there after but she knows you'll help her get patched up. Depending on where the bruises are she might get some kisses.

DUMB OF ASS: Charges head first into any situation and that more often than not gets her hurt. One would think she learned to use hear head a bit more by now. And just in terms of headbutting her opponent. However she defends her attitude by saying that she's the muscle here, so you should let her take care of things her way.

PURE OF HEART: First of all she doesn't want anyone knowing she has a soft spot for you. She is very aggressive in her flirting both in public and in private but when you're up close, in her lap she will whisper sweet nothings into your ear. After which she will bite it. Don't blame her, she has an image to uphold.

DUMB OF ASS: Sevika has always been a badass in Zaun, but not for her brains. As respected as she is some also see her as a glorified bodyguard that's now dating her boss's cute secretary. She hears these rumors of course but they don't phase her when she's had a few shots of her favorite drink. Not her best moment.

PURE OF HEART: He is a family man to the bone. And he sees you as his wife even though you're not officially married yet. It won't stop him from grabbing you around the hips and pulling you into a kiss, his tongue tasting of tabaco and your favorite drink. Yes, your favorite, because he wants to taste good when he kisses you.

DUMB OF ASS: While Vander might be one of the de facto leaders in Zaun he's made his fair share of dumb choices. He's forgotten to lock up more than once, leading to the people thinking the bar open and he walked out in his underwear. What made it more embarrassing is that you were right behind him, wearing just his shirt.

PURE OF HEART: Everyone who met Jayce even once can see that he has a heart of gold. There isn't a challenge he won't try to take out, be it with brains or brawn. Knowing he's smart hasn't stopped you from visiting him a few times in the forge and appreciating the way the sweat rolls down his muscled body. He even flexes for you.

DUMB OF ASS: The amount of times he accidentally burned himself because he was too busy making out with you is astounding. He picks you up easily enough. But then backs up a bit too much, touching or stepping too close to the heat of the forge. Either that or he knocks important tools down when he places you on his table.

PURE OF HEART: No one's got your back like Loris has your back. He's is one of the most supportive boyfriends you could ask for, husband material really. Whenever he notices you're having a bad day he will beckon you over and scoop you into his big arms. You're not getting away from him or his cuddles until you feel better.

DUMB OF ASS: Among the Enforcers he has always been known as the muscle, and as more than a bit of drinker. But he also tells the best stories. He can be a little crude sometimes, flirting with you and forgetting there are other people in the room. The next morning everyone is smirking at him and he has no idea why.

PURE OF HEART: Ambessa will crush anyone who has anything bad to say about her, her family, or anyone in her army. Her strength is in her physique, strategy and loyalty of her people. But on occasion she can show her softer side, when it's just the two of you. It's one of her weaknesses, that cute smile of yours that she would do anything for.

DUMB OF ASS: One of her favorite ways to flirt, and have foreplay, is to spar with you. However that tends to attract more than a few eyes. She always acts insanely possessive over you in those moments, her head still in the fight but also getting in between you and her soldiers. it ends up looking a bit like a dance, much to everyone's amusement.

[insidekatmind]

We Need to Talk~ Trent Alexander Arnold

Wearning: +18,smut, I was inspired by a story I read that I don't remember.

You had practiced this moment in your head a hundred times. Every step of the conversation was carefully planned. You knew exactly what points to hit to make it clear to Trent that you weren’t happy, that things needed to change. But as you stood in the doorway, watching him casually sip water at the kitchen counter, all your rehearsed words crumbled.

He noticed you right away, his brown eyes locking on yours, a small smile tugging at his lips. That damn smile—confident, knowing, and infuriatingly irresistible.

“Hey, baby.” His voice was low and smooth, like velvet. He tilted his head slightly, a strand of dark hair falling across his forehead. “Rough day?”

You swallowed hard, already feeling your resolve slipping. Stick to the plan. Don’t get distracted.

“I think…” you began, your voice shaky. Trent raised an eyebrow, waiting. His gaze was so intense it felt like he could see right through you.

“I think we could use a break,” you finally managed to spit out, your words hanging heavy in the air.

For a moment, he just stared at you, like he was processing what you said. Then he took another sip of water, the glass clinking softly as he set it down.

“A break, huh?” he repeated, as if tasting the words. He licked his lips, smirking. “What for, baby?”

His voice was so calm, so unaffected. It irritated you. Did he not understand how serious this was? Or did he just not care?

“For us,” you said, trying to sound confident, though your voice wavered. “We’re not… working.”

Trent stepped away from the counter, taking slow, deliberate steps toward you. His movements were lazy, casual, but there was a dangerous glint in his eyes. The closer he got, the more your heart pounded.

“Not working?” he echoed, stopping just a few inches away. “That’s funny. Because we seemed to be working just fine last night.”

You blushed at the memory. Last night had been intense, passionate, like always. But that was the problem. All you ever did was fight and fuck. The highs were too high, and the lows were exhausting.

“Trent, I’m serious,” you whispered, but your voice betrayed your weakness. He noticed.

He leaned in, his hands bracing on either side of you, trapping you against the counter. His scent—musky with a hint of his cologne—made your knees weak.

“You think?” he murmured, his lips dangerously close to yours. “You think we need a break?”

Your breathing was uneven now, your mind foggy. You could barely think straight with him so close. His eyes flicked down to your lips, and you knew he was doing it on purpose. He loved making you squirm.

“I…” You tried to remember what you were going to say, but his presence was overwhelming. You could feel the heat radiating off him, the tension between you two crackling like electricity.

“You don’t want a break,” he said softly. “You just want me to beg.”

His words sent a shiver down your spine. He was always so damn confident, so sure of himself. And the worst part? He was right. A part of you wanted him to fight for you, to prove that he cared.

“Maybe I do,” you shot back, trying to regain control. “Maybe I want to see if you care enough to fight for us.”

Trent chuckled, a low, throaty sound that made your core tighten. His hand came up to brush a strand of hair from your face, his touch lingering.

“Baby, you know I care,” he murmured. “But you and I both know what we’re best at.”

His lips ghosted over yours, barely touching, teasing. You knew you should push him away, demand a real conversation. But instead, your body leaned into him, craving his touch.

“Trent…” you whispered, your voice pleading. You hated how weak you sounded.

“Shh,” he whispered back, his hand sliding down to your waist, pulling you closer. “Let me remind you.”

His lips finally captured yours, and you melted into him. The kiss was slow at first, teasing, but quickly deepened. His hands roamed your body, gripping your hips, pressing you against the counter. Every rational thought vanished as his mouth claimed yours.

When he pulled back, you were breathless, your heart racing.

“See?” he murmured, his forehead resting against yours. “We work, baby. We always have.”

You shook your head, trying to clear your thoughts. “Trent, we can’t keep doing this. We need more than… this.”

He sighed, brushing his thumb over your cheek. “I know.” His voice was softer now, more vulnerable. “But you have to admit, we’re damn good at this.”

You looked into his eyes, searching for something—anything—that would make this easier. But all you saw was Trent, the man you couldn’t quit.

“Yeah,” you whispered. “We are.”

And as he kissed you again, you knew the conversation wasn’t over. But for now, you let yourself get lost in him, one more time.

And here you are, fucking on your living room couch

"Always so good at riding my cock, yes babygirl?" Trent teases you as you moan and ride him harder.

He chuckled as you moved your hips, the friction causing you to clench around him. He held himself together, his own pride and ego always getting the best out of him. Trent was never the type to stay quiet either. He was always in charge. But right now he let you do whatever you wanted. Let you ride him like a horse he knew you were desperate enough to do. His hands grabbed your hips, making you move back and forth with his eyes boring into your soul.

“You’re such a greedy girl. You couldn’t just walk away, could you?”.

You whimper and shake your head as you ride him with more passion. You felt so full.

He lifted you up, throwing your body off him to make you sit back down on the couch. Trent was on you immediately, towering your body and caging you in his muscular arms. He grabbed your wrists and pinned them above you, leaning down to capture your pouty lips in a bruising kiss. His body was pressed against yours, making you feel his heartbeat against your chest. And he felt yours too.he started to thrust his hips even harder fucking you

"tell me babygirl do you want to leave me again?" he asks and increases his thrusts and you scream scratching his back.

He chuckled watching you struggle, eyes on his and lips parted open, moans leaving your mouth way too quickly. Trent smirked knowing he was doing a good job at making you feel good. He could go like this all night, but he wanted to hear you beg. He loved when you didn’t hold anything

"I asked you a question babygirl" Trent whispers to you

“No…”

You mumbled under your breath, looking away from his intense glare that had you feeling the heat all over your body. You knew Trent wasn’t getting the answer he wanted. But you were stubborn and wanted him to work for it. He smiled, knowing that you were trying to play a game with him. He knew you too well. He leaned in until his face almost touched your ear, his breath tickling your skin.

“No? Hmm. Should I stop then?”

"nono trent no, keep going" you started to get agitated holding him to you with your legs. Your pussy has tightened his cock more and he moaned.

His mind was always blown by how eager you were. You hated being teased and yet here you were, asking and begging him to touch you. It was cute seeing your face turn serious from being pleasured to mad when he wasn’t giving you what you wanted. Trent knew he was testing your patience right now and the way your eyes spoke loudly was making him almost lose it.

“But what’s the magic word, babygirl?”

You whimpered looking at him. "Please."

Trent watched your face in fascination as tears slipped out from your eyes. You looked so beautiful, but he knew how to put it all on hold until you were a mumbling mess under him. He wasn’t mad, he never would be. He knew you needed each other, no matter how much you tried to convince the both of you otherwise. He knew that he couldn’t imagine anyone else in your place. You were going to be the death of him like that, trying to push him away when he wasn’t gonna let you.

He wiped the tears off your hot, burning skin with his fingers. Trent always hated seeing you cry. It was like he was hurting too by watching you like that. He loved you despite all the arguing and fighting. And he had a feeling you felt the same way.

“Shhh, shh. Doll, I got you. It’s okay. I’ve got you.”

He mumbled while looking into your eyes. Trent leaned down, capturing your lips back into a passionate kiss, his hands gently caressing the skin of your arms. “Please, trust me,”

Those words sent chills down your spine like they always do. Trent never needed to say it twice for you to know that you could trust him, but he always mumbled it just to remind you that he knew. He pulled back looking into your eyes as close as possible. He had a way of looking at you sometimes.

“Can you do something for me?” and you whispered a little yes.

He smiled at you instantly answering without any hesitation. It was almost embarrassing how quickly you would give in to him. But Trent was too happy with the outcome.

“Lean back,” he whispered against your ear, “against the couch.”

Trent had something in his mind, something he wanted you to see. He had an idea, and for that he needed you to be in a different position. He watched you shifting position, sitting back and resting against the pillows. You looked at him, wondering what he was going to do. Trent’s big frame was still in front of you, caging you.

He was sitting on his knees, hovering over you. His eyes travelled down slowly, taking in your skin and curves. Trent’s hands started to trace over your naked form, his palm was soft and gentle, slowly moving down your body.

“You are perfect,” he mumbled under his breath, eyes still on you. “So perfect, darling.”

Your heart fluttered at his words.

Trent continued, his touch barely there but not faint enough to make you feel cold. He was tracing every single part of your frame like it was going to be the last time he saw you. His brain was going crazy, trying to remember every single thing about you forever. He was always so gentle with you, like you could break under his palms at any minute.

But even when he was like that, Trent always managed to be in charge. He always had to make sure you knew who was the one in control here. To remind you who you belonged to. Even when his body was pressed against yours but he was barely touching you, he was still the one making you feel like he wanted you to in that moment.

His hand gently grabbed your chin, making you look up into his deep brown eyes that could always tell what was on his mind. “Do you know how good you make me feel?” he muttered lowly, as the words hung in the air.

You moan hearing his words "Trent please" “Please, what, doll?” he asked with a smirk, “Tell me what you want, use your words.”

"please trent i need to come" you whine .

He chuckles as he looks at you. He wasn’t going to give in. Trent wanted to make you suffer and you knew that. But he also knew he wouldn’t be able to hold himself for much longer either.*

“Not just yet… you’re gonna have to wait a little longer.”

Trent leaned down, his lips attaching on your skin. He left a path of kisses down the side of your neck, his teeth nibbling at your sensitive spot. He knew exactly how much it would drive you crazy, and that was his intention.

you moan and grind on his cock trying to get him to move again .Hearing you whine was his favourite sound ever. But Trent was still being stubborn and wasn’t ready to give you what you wanted. He was teasing his own patience right now and he knew he was going to give in soon.

“Tch, impatient much?” He whispered against your neck.

you whine and rub yourself harder "trent please i need it"

Trent groaned against your skin, his own body begging him to do what you said. But Trent was always too proud to give in so quickly. He liked you when you were begging. And it seemed like you were going to have to try harder to get what you wanted

“You sound so needy, doll… so desperate for me, hm?”

You moan "please daddy I need it I'm begging you" .That did the trick. Hearing you saying those three magic words was always his weak spot, he felt like he was losing control over himself. He growled and moved suddenly, caging you completely underneath him.

“Say that again.” He demanded, his eyes dark and burning into yours.

He was breathing heavily, his hands touching your curves. Trent wanted you so badly right now, but he was forcing himself to wait a bit more. He couldn’t deny the fact that watching you writhing underneath him was making him insane.

"please daddy" you groan

That was the last straw. Trent didn’t want to wait any longer, your request in the form of a word you could feel from how he was looking at you made him completely lose it. He let go of his control and gave in to his desires.

Trent roughly pinned your arms above your head, taking them in one of his big hands and leaving almost no room to move for you. He leaned down and captured your lips in a deep, passionate kiss, his tongue delving into your mouth like he was trying to devour you. He was needy and eager. He moved his hips closer to yours, the tip of his length teasing your folds while he inside your pussy. You moaned feeling him fucking you in an animalistic way and you moaned loudly.

"love, I'm coming" you moan. He pulled back from the kiss, his eyes locking onto yours. He could feel you tightening around him as you were getting close. There was no turning back now, Trent looked completely obsessed and addicted to the beautiful sounds coming out of your mouth.

“I know, doll. Go on, I’ve still got you… Come for me,” he whispered with a smile on his lips

you moan and climax. You had squeezed his cock so hard that he came too.

You both were panting now, taking in everything that just happened. He smiled, watching you breathing heavily while he tried to steady his own.

“You’re too damn perfect.” He mumbled, burying his head into your neck. Trent was completely spent and satisfied, but he hadn’t forgotten you were mad at him. “You know that I can’t let you go now, right?”

Trent leaned up again to look into your eyes, not breaking the eye contact for a second. Trent’s gaze was intense as always. “Not now, not anytime. You’re mine, always been mine, baby. There’s no way I’m going to let you pull that break bullshit again.” he added in a voice that almost sounded as a warning.

He continued, this time a bit softer as he spoke. “I’m not gonna let you go… not when we know how good we can be together.”

He moved to lay beside you instead, still not taking his eyes off of you. Trent’s face was expressionless, his eyes revealing just a bit of the thoughts running through his head.

You nod "we must try to be less superficial"

He couldn’t stop the corners of his mouth from turning up into a small smirk. Trent knew he could come off as superficial, and he knew you would call him out on that.

“You know how much I like when you call me out, doll… I don’t know what I’d do without you.”

He chuckled, wrapping an arm over your naked waist and pulling you close against him. You smile and huge him

He smiled back as he wrapped his arms around you, enjoying the skin to skin contact. Trent always loved holding you close like that, it made him feel like he could finally relax in your presence.

“Mhm, doll… I guess you’re forgiven for what you did today.” he mumbled against your hair, still keeping you close.

you giggle and kiss his forehead .He closed his eyes, the feeling of your sweet kiss bringing a sense of comfort, like there was nothing else in the world except for you two. There was a small silence and Trent broke it after a little while.

“Doll, can I ask you something?” he asks softly looking at you

"Yes baby" you whispered softly

He kept his arms around you, still not letting go. His voice was gentle but serious at the same time when he asked the question.

“You know that we’re going to have to talk this through, right? All the stuff that happened… all the fights, all the times we both got jealous. I…”

Trent paused and looked down at you, “I wanna do better. I don’t want us to be like this anymore. How would you feel about that?”

you smile sweetly and caress his back "i would like trent"

Trent felt a soft smile appearing on his lips as you spoke. Trent was happy to know you wanted the same thing. He knew it wasn’t going to be an overnight fix, but he was willing to work on it with you if that meant you’d be happier.

“You know how stubborn we both can get, doll. We’re gonna have to work on that too, right?” he asked with a chuckle.

You laugh "we can do it". Trent smiled at your optimism and positive attitude. Trent knew that having you on his side would make everything ten times easier. He couldn’t deny that he already felt better, like a knot in his stomach was slowly untangling thanks to your reassuring words.

“Yeah, we can do it. It’s not gonna be easy, but it’ll be worth it if I get to call you mine,” he muttered, burying his head in your hair.

You smile sweetly and kiss him in text. you loved being and you always prefer to go back to trent and fix things.

[snugglyporos]

// Christ I wish I could go back in time and erase concepts like 'unconscious bias' from the world of popular lingo because people apply it to things that they don't apply to. No, most people do not possess an unconscious bias that working class people are worth less than rich people, that's your classist ideology being applied to things that you shouldn't apply it to. We might call that a conscious bias.

What is actually happening is a mix of tropes being blended together and not changing over time. Namely, the idea that the more individuals there are, the weaker they are. We see this everywhere; fifty ninjas? Weak. Not a problem. One ninja? Super powerful. Legend. This exists in everything from James Bond movies to comics to Power Rangers.

The reality is that, narratively speaking, the random cannon fodder between the protagonist and the final boss do not matter. They don't! In real life they would, but if you tried to give ever goon a backstory and explain it you would have a shit story because the audience does not care about the backstory of unnamed good #23. After they take the punch from the protagonist, the audience has entirely forgotten they existed.

Which means that, narratively speaking, the killing of the main villain is more important and more impactful than the killing of some random goon. Now, if you're a good writer this shouldn't be the case. But this too, comes from the blending of genres and tropes.

In the late 1980s, fiction became more violent and more visceral. This means that a lot more violence was happening! And yet, writers still wanted to have their protagonist show that they were the protagonist, because people were all in on moral relativism. People would be like 'well, there's no difference between the hero and the villain if the hero kills the villain.'

The response was a lot of heroes started adopting a weird kind of no killing rule; Batman will break your fucking spine but kill the guy who just blew up a building? That's too far! 'I'm not like you, a guy who kills people, I just cripple them for life!'

And again, this is what happens when genre conventions (the hero should be morally superior than the villain, or at least attempt to be) mixing with trope developments (everything now needs to be brutal and violent to reflect real life).

Now, the circle has completed itself, where we're once again back to 1985, where people are like 'actually no, the hero should fucking kill that guy.' You'll probably be a big fan of the Death Wish movies and The Dark Knight Strikes Back; you know, things that lots of proto-fascists really love because they reinforce the notion that actually, heroes should wield violence against their enemies and impose their will through abject terror.

The reality is, people aren't sitting around going 'my work should reflect the idea that workers are less important than the boss' it's that narratively, the random goons exist to be smacked down to prepare the audience for the big bad, because rising action requires that there be rising challenges. This is mixing along with personal tastes in media.

Now, you could, for example, turn this new trope on its head and ask whether the Punisher murdering every jaywalker and low level drug dealer with extreme violence makes him a villain, because his ideal is that any lawbreaker should be murdered instantly no matter how low the crime. You might also argue that the trope should actually be that the grunts shouldn't be killed by the hero, but the guy who organized them should, because he's much worse than they are.

You could also argue that, the reason why the hero doesn't just kill the villain is that murder is wrong? Even if you think it's morally justified? I think people forget, when they fantasize about an ideal French Revolution, that the most common crime people were executed for was pickpocketing, and every day they would execute the guys who got caught working the crowds at the executions the day before. More poor people got killed in the French Revolution than rich people; you should probably keep that in mind!

Because the core reason you probably want your hero to not kill people in general is that you then have to ask who deserves it and your answer will inevitably include a lot of people you might actually like! You probably don't want heroes taking vague concepts like justice into their own hands because inevitably that makes them into the Death Wish protagonist, deciding that what really needs to happen is for a white guy with a gun to just start shooting up inner cities.

You don't want your hero to start killing people because this is corrosive and it will inevitably result in comparisons between people who got killed.

So no, it's not some kind of unconscious bias, it's because we've melted a worldwide demand for bloodshed and violence with established genre tropes and if you removed one or the other people would complain and be very unhappy.

Or, I guess you could go on and say that Freddy Kruger is anti-marxist because he only targets teenagers instead of people who really deserve it.

[inthefoxholes]

veilguard, i hated it.

So i finally finished veilguard, and guys, what. a. shitshow.

So apart from the fact that it feels like a half-finished game (which it probably is), I mostly hated it on two accounts: 1) the overall lore implications (we knew this from this reddit q&a, but I'm still angry, and I won't stop talking about it) BOTH in regards to previous games and this one and 2) how this was not at all a roleplaying game. (sorry, english is not my first language and I'm tired and enraged)

Let's look a little closer, shall we.

One: The Lore Implications. This pisses me off in two ways:

First, the amateurish attempt at a "clean slate". This is just so insulting. If they wanted to make a game without any of that icky baggage, then the should have chosen a new ip for this. I get that it's complicated after three games with a lot of moving parts, I get that the decision to move away from southern thedas was an attempt to curtail a lot of this, but COME ON. Walls of nonsensical (seriously, they read ai created) text from the inquisitor, that mainly tell you that everything you fought for, all the people, all the places, is gone? And not for effect, not for the story, entirely offscreen and nonsensical, just so the writers don't have to care for this anymore? This does NOT get me invested into the story. No mention of who your Divine is; no mention of who sits on the orleasian throne - and it should matter, shouldn't it, whether or not your EXILED the grey wardens, whether or not you have an elf with a SPY NETWORK close to the orleasian throne, whether or not you DISBANDED the inquisition. All of that does influence what happens on the world state, or at least it should. (And if you want to ignore it, why not do in a way that's less obvious, less bad, why not have your protagonist be someone with no ties to the inquisition, who genuinely does not know whats going on in the south? Why have a world state when you don't want anything to do with it?)

Second, and that's even worse: you cannot take a fully established world, and then alter it to your weird specifications. THE FUCK you mean, there are no slaves in Minrathous, the goddamn slave capital of the world?? Why THE HELL is there a whole questline where we try to find disappeared people, snatched from the street for the ritual, when it should be perfectly possible to buy a few batches of slaves and have them express delivered to your ritual site. (So we can show up and fuck up your slave operation.) But no - I get shamed when I don't save Minrathous?? Well, fuck you, Fenris sends his regards, I hope you all burn.

To this ties the overall simplificaton of the world: Nobody is really bad, just the few super bad guys, but they are so evil as to have no real motiviation, they are basically Thanos or otherwise racist cartoons (totally believable that the Qunari, or a sect thereof, would be on board with mad sorcery). They rest, they are good guys! The pirates are very mindful of cultural heriatages! The crows are just your friendly neighborhood assassins (I remember the stories Zevran told slightly differently), and, as assassins, they naturally wear uniforms, so you see them coming (as do the "secret" "underground" "rebels" from Tevinter). I'm not saying that everyone should be evil, but the fact that whole organisations are presented to us as benefical is so insulting, ESPECIALLY when it was always a point of pride for the Dragon Age franchise that it was morally complicated. There is slavery and poverty and darkspawn. NOPE, you can stand knee deep in blight, not a problem anymore. (if only Carver had known) There is racism against elfs. (well, as the elfs seem to be respnsible for EVERY problem thedas faces, from the veil to the darkspawn, maybe that was precient? - also, always nice to have everything tied in such a neat bow, everything tied to one ONE causality, that makes things really believable and realistic) The Templars are fascists, sure, but abominations are a problem that does not get solved easily. NOPE, not anymore! When before, even a spirit of JUSTICE got corrupted in this world (therby making the valiant and sublte point that abstract concepts rarely hold up well when coming in contact with messy reality), now you can be possessed by a demon of SPITE and HE DOES NOT DO ONE SPITEFUL THING AT ALL. Nice, if only the mages knew that, you just have to accecpt feelings or whatever and then everything's well. SO NEAT!

This brings me to point number two: Why do we play this game? The complex and previously established word is gone; what's left are cartoons thereof. And then, there's not even a hint of role-playing left. Why can't I be mean to Harding?? I loved her in Inquisition, now her overly-girly manner grates on my nerves and I want to be mean to her. I can't, i have to be everyone's friend. In the end, I cannot decide anything, except the slight configuration of the final companion armour (why would I care, I don't know these people, I could not ask them a single question), and some slight cosmetic change regarding Solas - there is not even talk about tearing down the Veil. We've come full circle back to Mass Effect 3 and the groundbreaking decision we get to make is what colour the magic space beam is gonna have. Except, Mass Effect 3 was still a much better game, because you knew your crew - in this game, I have acutally no idea why Rook should lead anybody, why anybody would follow them, and why the literal fate of the world should be in the hands of this bunch of (after 100 hours of gameplay) near strangers. There ARE narrative work-arounds for this kind of shit; the writers just didn't care enough.

There are a hundred more small things I could say about this, about the story (Solas' prison was made of regret and he wanted to put Elgarnan there?? Who feels very good about everything he does?? Is he stupid? And then everyone is so impressed about Rook getting out to quickly, but seriously, what the fuck did Rook have to feel regretful about? They did not get to make a single decision. They did not order anyone to sacrifice themselves; they did not use people, or cities, as pawns in a war or whatever, BECAUSE THIS GAME HAS THE EMOTIONAL DEPTH OF A SMALLISH PUDDLE) and the in-game approach to the player (how often do i have to be told that i need to take care of my companions business?? This got so repetitive and made them seem like imcompetent children. Why wasn't there a better way to make me care, or better yet, trust the player to want to play this game), but I stop now. Fuck Bioware and EA.

[cheapshrimpysheep]

2 Hot Chocolates & a Fortune Cookie

SUMMARY: “Never forget to tell people how much you love them. They may not know.” is what is written on the little piece of paper in your fortune cookie. But maybe the boy who gave you the cookie feels that these two phases applies to him too.

CHARACTERS: Deuce Spade / Kalim Al-Asim

TAGS: Fluff; GN Reader; Kiss

WARNING: Spoilers from "Sam's New Year Sale"

WORD COUNT: An average of 1.180 words per character.

COMMENTS: I like to write things based on the cards and I wanted to write something with the New Year's cards but I never thought of anything good enough. Until I reread the story looking for an idea and here it is.

I hope you all enjoy 🥠 And Happy New Year! 🎉

About the currency in Twisted Wonderland: From what I understand, on the JP server the Madols would be the equivalent of Japanese Yen while on the ENG server the Thaumarks would be the equivalent of US dollars. Which personally makes it easier for me to tell whether something is expensive or not in this world.

P.S.: In the second Sam's New Year Sale event, Vil is the one who says that the Mystery Bags cost 40 Thaumarks.

CONTEXT: You even thought about buying one of Sam's mystery bags, but when you saw all the commotion that there was every day in that store, plus the fact that the bags cost 40 Thaumarks (and it's not like you could afford to spend that much on a simple bag considering the money Crowley gives you), you ended up giving up on the idea and not even going to Sam's store to say hi to Deuce and Kalim.

It was evening and you were in the lounge of Ramshackle Dorm when you heard someone knocking on the door. You open it and see Deuce still in his New Year's Attire.

“Good evening, (Y/N). Sorry to show up so late, but I wanted to give you one of these.” He hands you one of Sam's mystery bags. “I bought one and saved it for you. You never went to the store, did you? Neither Kalim nor I saw you. I thought maybe you were too busy or couldn't make it because it was always full. But I thought you might like to receive one. ...Hm? Oh, don't worry, you don't have to pay me back. It can be a New Year's gift for you. Open it! I'm curious to see what you got.”

You thank him, take the bag and open it. You take out a large box that says ‘Hot Chocolate Kit’. In the box there is a bag of mini marshmallows, a packet of chocolate powder, a bag of cookies and two edible spoons.

“Did you like it? I'm glad. Since it’s random, people often receive things that have nothing to do with their tastes. But who wouldn't like a hot chocolate in this cold?”

You put that box down on the entrance table and take out a second box which is a set of matching winter themed mugs. You suggest to Deuce to use those new mugs with you and taste that hot chocolate together.

“I would love to!” He accepts with a smile. “I'll help you prepare it. I hope we can make a third mug for Grim too, otherwise he'll be mad at us.”

But you see something else inside the bag, it looks like shiny paper. You put the box with the mugs on the entrance table too, put your hand back inside the bag and take out a golden ticket.

“It can't be!” Deuce is shocked! “It’s an Amazing Ticket! So they really are true!” He is very happy and excited for you. “You don't know what it is? The students were crazy about Sam's mystery bags because of this. From what Jamil-senpai told us these are tickets you can trade for any one thing in the Mystery Shop. And there's no price limit. You can trade it for literally anything in the store! This is the first time I've seen one. You're so lucky! That’s awesome!”

You feel a little guilty because it was Deuce who paid the 40 Thaumarks for that bag. So you try to give him that ticket.

“What? No! The ticket is yours. I gave you the bag as a gift. I made enough money from this gig to buy what I wanted, don't worry. If you were lucky enough to get it, it means you deserve it. Really, keep it and buy whatever you want.” He gives you an encouraging smile. “Oh! One more thing.” He takes a small bag out of his pocket and takes out a fortune cookie and gives it to you. “Don't worry, these were free to any customer in the store.”

You take the cookie, break it in half, take out the paper inside, give one half to Deuce and keep the other for yourself.

“Never forget to tell people how much you love them.” You read the message on the paper. “They may not know.”

Deuce chokes on the cookie but quickly recovers.

“Y-yeah, I'm fine. Sorry.” He chuckles awkwardly.

You jokingly ask if he forgot to tell his mother that and he laughs awkwardly again.

“Ha ha, no, I always end my calls telling her I love her." He gets a little embarrassed by this statement, but he continues. "W-what about you?”

You say making Grim's favorite dishes is an ‘I love you’ enough for him. Deuce laughs with you and suggests that the two of you go make the hot chocolates. Even if you seem as flustered as he is, he's too oblivious to notice these things.

He thinks about that message a lot while he prepares the hot chocolate with you in the kitchen, to the point of getting distracted from time to time. When you're already putting the marshmallows on top of the hot chocolate, you make a heart with them and give the mug to Deuce. He blushes slightly when he sees the marshmallows heart, but maybe it was the incentive he needed.

“Hum... (Y/N)...” Deuce starts saying, a little nervous, but then he takes a quick and deep breath and looks at you with renewed courage. “I was thinking about the phrase in your fortune cookie and...” He looks away to the hot chocolate you gave him. “I know I always call you buddy and stuff like that but...” He starts blushing again. “The truth is... I think... I like you as more than a friend.”

He won't be able to say much more than this, it's all still very new to him. So, you are the one who takes the next step and tells him, just as the cookie advised you, how much you like/love him. He looks back at you, surprised and with a sparkle in his eyes.

Now knowing that you feel the same way about him, he no longer needs to hold back and attacks you with a hug that lifts your feet off the ground while kissing your cheek.

He puts you back on the ground but continues to hug you. He doesn't have the courage to kiss you on the lips even if he wants to. But if you do it, he'll try to reciprocate with the most affectionate kiss he can muster.

After that, you two will go to the lounge with your hot chocolates. Grim will start complaining that you didn't make him one and Deuce will reveal a third mug of hot chocolate for him.

While Grim burns his tongue because he tried to drink the still-scalding chocolate right away, you and Deuce sit on the couch together with one of his arms around you.

“Happy New Year, (Y/N).” He wishes you with one more kiss.

It was evening and you were in the lounge of Ramshackle Dorm when you heard someone knocking on the door. You open it and see Kalim still in his New Year's Attire.

“HI (Y/N)!” Kalim greets you with his huge smile. “Happy New Year!” He reaches out and hands you one of Sam's mystery bags. “I didn't see you at the store, so I thought maybe you didn't want to get in the meddle of all that crowd. These have been some really crazy days. Ah hah. That's why I bought a mystery bag for you. Here! I'm so curious to see what you've got!”

You thank him, take the bag and open it. You take out a large box that says ‘Hot Chocolate Kit’. In the box there is a bag of mini marshmallows, a packet of chocolate powder, a bag of cookies and two edible spoons.

“Wow! So cool! You have everything you need to make hot chocolate. It tastes so good in winter. Did you like it?” You say yes. “That's great! I saw many students who were disappointed with the things they got. It's great to see that it was a nice surprise for you.”

You put that box down on the entryway table and take out a second box which is a set of matching winter themed mugs. You suggest to Kalim to use those new mugs with you and taste that hot chocolate together.

“Really?! I would love-!” His overly enthusiastic smile fades, giving way to a sad one. “I... would love to... but...”

“You cannot eat or drink anything that has not been approved by Jamil first.” You finish his sentence.

He gives you an apologetic smile.

“Yeah... But I can keep you company and help you prepare it if you want. I'm sure it's great.”

However, you have another idea. You pick up your phone and search for something while asking Kalim if Jmail knew he was there. He tells you yes, that he told Jamil that he just wanted to give you a New Year's gift before going to Scarabia. You find Jamil's contact and call him. He answers immediately.

“Did something happen to Kalim?!” It's the first thing you hear Jamil say.

You say no, that everything is okay, and tell him about the mystery bag and the hot chocolate to ask if you prepare it and taste it before Kalim he can drink it with you.

“Hmm... I don't know...” You hear Jamil's uncertain voice say. “It's not that I don't trust you. I know you would never hurt Kalim but...”

“No one needs to know.” You add.

There was silence for quite a while.

“*sigh* Okay. But only because it's you. And if this came in one of Sam's bags it could have gone to any student, which makes it difficult for it to be something directed at Kalim... Still, be careful you hear!”

You thank Jamil and consequently Kalim also shouts a ‘thank you’ to him. Kalim's sunny smile returns and he is now more excited than ever to make this hot chocolate with you.

But you see something else inside the bag, it looks like shiny paper. You put your hand back inside the bag and take out a golden ticket.

“WHAAAT?! IT CAN'T BE!” He sees you looking at him perplexed. “Sorry. But you got an Amazing Ticket! Deuce and I were wondering if they were even real. And now you got one! Hm? You don't know what they are? It seems that it was because of them that so many people were buying Sam's mystery bags. Jamil told us that these are tickets you can trade for any one thing in the Mystery Shop. And there's no price limit. You can trade it for literally anything in the store! Isn't it amazing?! You’re so lucky!”

You would feel guilty for being the one who got that ticket and not the person who paid 40 Thaumarks for the bag. But Kalim was filthy rich, there was no reason for you to feel bad.

“Oh! Speaking of luck, I almost forgot to give you this.” Kalim takes a small bag out of his pocket and takes out a fortune cookie to give to you. “Sam was offering them to all the customers in the store.”

You take the cookie, break it in half, take out the paper inside, give one half to Kalim and keep the other for yourself.

“Never forget to tell people how much you love them.” You read the message on the paper. “They may not know.”

“Aww. That's a really nice message.” Kalim says as he eats his half of the cookie. “I love you, (Y/N)!” He tells you smiling.

“Aw, I love you too, Kalim.” That's what you felt was the best response back.

He said it so naturally that it seemed like something he would say to any friend, like Jamil for example. So you kind of responded the same way, even though you may really meant it.

You and Kalim went to the kitchen to prepare hot chocolates. Kalim looked like a child with a new toy, he was so excited to do something like that with you. He commented that the cookies were cute, the mugs were pretty, asked how to make chocolate with that powder, read the instructions on the back of the box with you, etc.

He was very happy to see the hot chocolate made, and all that was left was to put the mini marshmallows on top. He made a heart with them and gave you the mug with a cute smile. You do the same for him and he is very happy with your gesture, but something seemed to be bothering him a little.

“Hey, (Y/N)... When you said you loved me back, did you mean it? Because I did!” He smiles at you, blushing a little. “You didn't realise that? Why not?”

You explain that since he is always very affectionate with everyone, it is difficult to realize when he is not just being nice or considering the other person just a good friend, or if it’s something more than that.

“Really?! Ow, I’m so sorry. I didn't mean to confuse you. Looks like your fortune cookie was right. Well, I need to fix that now!” He comes closer to you and holds your both hands with his warm ones, looks you in the eyes and smiles affectionately. “You are the best friend I have ever had. Every second with you makes me happier and more loved than I could ever imagine. I wish I could do the same for you, if you'd let me. I love you (Y/N).”

He's not afraid that you'll reject him. Will it hurt him? Sure, but the most important thing is that he was honest with you and you deserve to know that you're loved.

You confess that the feeling is mutual. He is so relieved and extremely happy to the point of hugging you and lifting you off the ground while doing a spin. He gives you all the kisses on the cheek he's ever wanted to give you and can't stop hugging you.

He doesn't want to go too fast so he lets you kiss him on the lips first if you're comfortable with that. And if you do, you will feel all his love and passion for you in response.

After that, you both go to the lounge and sit together on the sofa. Grim appears, attracted by the smell, and starts complaining that you didn't make him a hot chocolate too. Kalim starts to apologize but that's when you reveal a third mug of hot chocolate that Kalim hadn't even realized you had made. Grim thanks you and Kalim praises you.

While Grim burns his tongue because he tried to drink the still-scalding chocolate right away, Kalim puts one of his arms around you and starts imagining and talking about possible dates and that he should give you the best quality hot chocolate in Twisted Wonderland next time.

If you would like to read more from me, you can find it in my pinned post: INDEX

[questionablecuttlefish]

One of the most popular topics that people likes to bring up in shipwars “against” lightcannon is that we mischaracterize (did I write it correctly?) Lux to fit in our delusions. For example: she didn't kill Sylas and she despises killers and her ideals and morality is the most important thing to her, oh, also that she's good

So you as a Lightcannon writer and someone who is very familiar with her lore and character, could you give me your perspective about this?

Ah yes, that one.

Here's my answer in pictures:

But more seriously. 😆

I think that's a gross oversimplification of Lux's character, and it's generally an argument made by people who don't know who Lux is beyond the most superficial impression.

It's a product of a mindset that can't separate modern ideals of 'morality' - what would be moral to you and me, from our culture and our moment - from a character raised in a very, very different culture and a very different world.

A good example is the opening scenes of A Game of Thrones, we witness the horrible slaughter of a group of Night's Watch by the Others. The lone, desperate survivor escapes, and in the very next scene, we see that he's been captured by the Lord of a castle, who is about to execute him for the crime of desertion by beheading with a sword. This man makes his sons watch as he decapitates this poor, innocent bastard who, to us, has done no wrong and just survived a terrifying experience. He makes sure his seven year old, Bran, witnesses him cut a man's head off with a sword.

Meet Eddard Stark, probably the most forthright, honorable, and morally upstanding character in the series.

Look, Lux is a 'good' character. She's smart, compassionate, forthright, and principled. She almost always takes the diplomatic option first and uses violence primarily in self-defense.

On the other hand, she's a Crownguard. She is the daughter of the highest ranking noble household next to the King himself. Her Aunt is the High Marshall of the entire Demacian military. Her Uncle is(was,heh) the head of the Mageseekers, so the mage hunting secret police. Her brother is the Might of Demacia, Sword Captain of the Dauntless Vanguard.

What I'm saying here is that Lux is a military brat. She has been born and raised into the values of a highly militaristic, feudal warrior culture at the very highest level of that society. She's been trained in warrior arts - riding, swordfighting, archery, and military tactics and strategy - since she could walk and form words.

In her old lore? She was literally a traumatized, brainwashed child soldier taken from her family and trained to fight for Demacia.

In her new/current lore? She's still a trained spy who has succeeded at several covert missions within Noxus.

We've seen her fight monsters and Mageseekers in the M.S game, she didn't hesitate to shoot Sylas with a crossbow and stab him with a dagger until his mages dragged her off him in the comic, as above.

She also witnessed her brother behead a man in the For Demacia story; she was trying to intervene because she had sussed that there was something else going on, and therefore his death would have been unnecessary and unjust, not necessarily out of protest at the death penalty itself.

It's worth noting - as the Mageseeker confirms - that Lux stayed out of the mage rebellion not out of 'naive pacifism' as she's sometimes accused of, but because: 1. She couldn't forgive Sylas for his betrayal.

2. A desire to protect the noncombatant refugees in her care.

3. She's still loyal to Demacia and her family and refused to fight her own kin.

4. because she knew if she stayed neutral, she could leverage her Crownguard privilege and name with King Jarvan to negotiate protection for mages after the conflict.

Which, y'know, she did.

All of these are products of who she is a character, a Demacian, a Crownguard, and a canny political operator. None of these are blind pacifism, this is the kind of soft power "Fox" move Mel Medarda would recognize and approve of.

So no, Luxanna Crownguard isn't going to be put off by Jinx's violence.

Violence is inherently part of her world, too. Demacia is a 'medieval' feudal regime that is almost perpetually at war with its neighbours and, in some ways a harsher, more brutal place than Piltover and Zaun, particularly its notions of 'justice'.

Piltover is only about 50% likely to have public executions as entertainment/morality lesson, Demacia absolutely 100% does and we've seen two of them in canon, is what I'm saying.

I think Lux would understand that Jinx committed terrible deeds, yes, as part of a civil conflict that Lux herself would be coming at with only an outsider's understanding.

Lux knows exactly how it feels to have best intentions blow up in your face, to be backed into a corner and forced to take some pretty extreme actions to survive.

I don't think, after her actions and choices triggered the Mage Uprising and cost untold lives across Demacia, Lux would consider her own hands clean enough to judge someone like Jinx. Sure, Lux didn't mean to give Sylas her power to commit second hand mass murder, but Powder didn't mean to kill her family either.

And it's also worth noting the part of Sylas' actions that Lux doesn't forgive - especially in the Mageseeker dialogue - is specifically the personal betrayal of her trust, outing her as a mage, and ruining her life.

She understands his cause. She won't join it, because that would mean siding with someone who wants to kill her family, but again, Lux's reasons for choosing not to fight are much more complex and personal than 'she hates violence'.

She's able to compromise enough to accept Sylas' help when her city comes under siege, because while Lux is a 'good guy', she's also a pragmatist first.

I think Lux would see a lot of Sylas in Jinx. I think she would see a lot of herself, as well, particularly once she learned about Jinx's past, about Silco (basically Jinx's Sylas figure, no?) and about everything she's been through.

I don't think Lux would judge her for that.

I feel that Lux would try to be the voice of reason, the hand holding hers to ground her, maybe even the olive branch to help her try to repair some of her burned bridges (this is certainly what she tries to do in Ill-Omen's) and that could cause interesting conflict in their developing relationship.

But I think Lux would understand. Jinx may be more volatile and spiteful and personal in her use of violence, but she's shaped by experiences not far from Lux's own.

And by Season Two? Yeah, no, Season Two Jinx is well and truly on her hero arc. Post-Season Two Jinx? Especially if she's trying to put violence aside and heal?

Post season two Jinx, who's grieving losing her father, her sister, her child? That Jinx would absolutely attract Lux's compassion even more than before.

I've written so many words to answer it, but to me, it's such a non-argument to begin with. You have to not even look at Lux past "blonde nice girl" to think it.

[kinthulou]

This is all so so so true! I have had so many friends be too shy or anxious to share their writing with me because I'd shared mine first, and I'm always having to tell them that the only reason I'm so good at the writing thing? It's because I've been doing it since I was old enough to hold a pencil. Stories have been my Autistic Special Interest (TM) since I learned to read when I was two years old. All I've got that my friends don't is time and practice and I would never ever judge them for just starting out. I want to see their stories! I want them to feel encouraged and motivated to keep practicing! It's an art form!

And this is a shyness that I know super well from a different art form. My entire immediate family is incredibly talented in the music sphere. And I do mean talented--my youngest sib had no music lessons whatsoever and taught themself how to play piano and violin incredibly quickly. Middle sib picked up guitar as a teen like it was nothing. The mother unit was a stellar soprano in church choir, and the father unit, who was raised by a music teacher and so had a lot of encouragement and probably all the lessons he wanted, is not only a fantastic singer but can pick up any instrument for the first time and within ten minutes have figured out how to get music out of it. I had lessons galore. Lots of instruments. Choirs to join. All the encouragement. Almost none of it stuck. I was awful at music. Couldn't sight read music to save my life--and still can't, turns out I had an undiagnosed-at-the-time learning disability that impacts that skill--couldn't figure out my way around a string instrument, and my singing voice was so terrible I was constantly being told to stop.

Fast forward to last night, when I was listening back through a recording of a song I'd learned on ukulele last week. There were plenty of flaws in my performance, but when I listened to the vocal warm-up, in which I just sang the song a cappella to make sure my voice was good to go and I didn't need to refresh on the melody?

Fucking blew me away. You guys? Somewhere along the way I got good at singing? Like actually, legit, super pleasant to listen to, would buy an album of this stuff if it wasn't MY OWN VOICE, that kind of good????? What????? My music skills are catching up to my writing skills! I have more talent in writing than music, which is why there was a gap between getting good at writing and starting to get good at the music, but like. Just keep at it, everyone. It's just practice. Once day you'll look at your art, whatever its form, and be blown away by how far you've come. You just have to be willing to let go of perfection and give yourself the chance to try!

So earlier in art class today, someone drew a characters hands in their pockets and mentioned that hands are really like the ultimate end boss of art, and most of us wholeheartedly agreed. So then, our teacher went ahead and free handed like a handful of hands on the board, earning a woah from a couple of students. So the one from earlier mentioned how it barely took the teacher ten seconds to do what I can’t do in three hours. And you know what he responded?

“It didn’t take me ten seconds, it took me forty years.”

And you know, that stuck with me somehow. Because yeah. Drawing a hand didn’t take him fourth years. But learning and practicing to draw a hand in ten seconds did. And I think there’s something to learn there but it’s so warm and my brain is fried so I can’t formulate the actual morale of the lesson.

[keepmycandleburning]

It's always frustrating to me when I see people's misunderstandings about the degree to which a writer's words and writing choices are intentional. There are many types of writing and some people may be writing for fun or whatever, but in a story that is complex and carefully put together, the writer's choices are not coincidences or things that just so happen to be that way, they are carefully and precisely made choices that are designed that way to communicate something to the reader.

Surprisingly often I will see people write these complex and meaningful HP analyses, and then end their post with 'but I'm sure Rowling didn't mean any of that, or even think about it, she just wrote it this way because she's stupid.' All of that was somehow magically in the text for you to find and analyze, and she didn't even mean to write it? EVERY word of these books was typed by a human hand and reread with human eyes.

Think of how for example people will say foolish things like 'Did JKR just forget that Bellatrix was married?' Bellatrix being married is a HUGE part of who she is, who Voldemort is, how the DEs function, how the traditional pureblood families and marriages and culture function... You're missing SO MUCH of the meaning in the text by denying the writer's intentionality.

Same with things like mistaking her world-building for being statements of her real-world beliefs. 'Here's an in-depth analysis of what the text implies about gender and sexism in pureblood culture... but JKR probably just wrote all this because she's sexist, and I magically put meaning into it that makes perfect sense' ??? The idea that a writer will only write sexism into their fictional world because they're communicating that they think sexism is good is insanity. Characters don't do things solely because their writer thinks that is proper behavior. Characters' behaviors or words, or elements of the fictional world the story exists in, are not straight-forward statements of what the writer thinks is good or ideal, and in fact are often the opposite. If you can't analyze things with such complexity, that's a problem with your reading comprehension, not with the text.

Or, when people will treat the text too much like it's a real life event that happened, rather than something that was carefully put together by hand to mean something. I love analyzing characters and the HP world like they're real, but when you find yourself denying meaning by using logic like 'well it probably just happened that way for no deeper reason' you're just misunderstanding what fiction is.

For example attempting to disprove the numerous hints at the Bellatrix/Voldemort relationship by saying things like 'but other people call her Bella so it could have meant anything' or 'there are other types of pleasure than sexual so it could have meant anything.' But why would Rowling choose that word? And put it right next to Bellatrix longing for his physical closeness? And why would she set up this exchange at all? Why 'lover'? Why 'lover' placed so directly with physical closeness and care? Why 'lover' and 'pleasure' and 'longing' and 'closeness' in the same book? Why have Harry point out that she's acting in an intimate way that invokes being lovers? Why do other characters later use 'Bella,' if not to communicate that it's used by people she considers/ed family?

When everything that 'could mean anything' all lead to the same answer, why is that? Why are you assuming Rowling's implications are for some reason unintentional? Unintentional over and over and over again? If many readers are catching it, why are you assuming she's not smart enough to catch it herself? The only person not catching it here is you. Word choices or words with clear connotations are not random or accidents or coincidences, particularly when several of them occur in quick succession or when it's associated repeatedly with the same two characters. Nor are characterizations or patterns in the text. If you read that way, that's a misunderstanding on your end (not with the author, not with other readers) so don't complain when you can't understand the text. 'I'm going to act like the person who wrote this is stupid, and therefore ignore everything that the text is saying, and then say the text sucks' is YOU being an idiot. Notice how other people don't have this issue when they analyze actual meaning and intentionality in the text